Tumgik
#Tim pope
antichrstar · 1 year
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Siouxsie & The Banshees from their music video for “Dear Prudence”, shot in Venice, Italy / Dir by Tim Pope (1983)
589 notes · View notes
thisnoisemademe · 20 days
Text
Tumblr media
Artwork by M. Lineham Art.
24 notes · View notes
dashes-and-letters · 1 year
Photo
Tumblr media Tumblr media Tumblr media Tumblr media
The Cure - Hot Hot Hot!!!
269 notes · View notes
picspammer · 11 months
Text
Tumblr media
Yesterday I got so old I felt like I could die
83 notes · View notes
leofromthedark · 2 years
Photo
Tumblr media Tumblr media Tumblr media Tumblr media
Mia Kirshner as Sarah Mohr in THE CROW: CITY OF ANGELS (1996) Costume design by Kirsten Everberg
412 notes · View notes
chaptertwo-thepacnw · 8 months
Text
Tumblr media
the cure, pictures of you |1990|
46 notes · View notes
sarcopod · 11 days
Text
Tumblr media
7 notes · View notes
Photo
Tumblr media
The Crow: City of Angels, Tim Pope (1996)
Cinematography: Jean-Yves Escoffier | USA
24 notes · View notes
dbstaches · 2 years
Video
10 notes · View notes
petty-crush · 7 months
Text
“The Crow: City of Angeles”
-Here is a film that is a complete failure as propulsive narrative, but an utter success as vivid aesthetic
-the film was mercilessly re-edited against both the director (Tim Pope) and writer (David S. Goyer)’s wishes. A snapshot of a time Harvey Weinstein was feared as an overreaching film mangler, not a sex pest
+he turned it, story wise, into a faded photocopy of the original
-However, and this is a big one, it is utterly spellbinding in its world, from set decoration to lightning. Watched on mute, it feels like goth silent film, of hypnotic mood
-I can’t blame anyone for not liking it as intended, it makes several uninteresting chronicle details. Like the crow avenging his bland son(not his tragic wife), making the little girl from the first film a wimpy damsel in distress, and a totally non threatening villain
-there is a pretty good self contained scene. A shy pervert going to a peep show and fumbling with a coin to put into the machine as his time with the seductress on the phone comes to an end
+ably played by Thomas Jane.
-conversely, I don’t know what iggy pop is doing in this film. Again, mangled re-edit, but no less frustrating.
-the warm dusty glow over this film is so wonderful, so alluring
-it’s largely cut out but what remains of the film grappling with day of the dead is interesting. Like seeing a fragment of a puzzle that hints at greatness
-the little detail of the crow’s jacket flapping like wings as he rides his motorcycle faster is wonderful, especially when you just straight up ignore the plot
-iggy pop acting against Ian Dury is pretty neato, in a record store nerd way
-this is a unusual case where I don’t recommend seeing it in a theatre but instead projected against a wall or on mute with glowing lights and mood diversions. That arena makes it a wonderful experience
1 note · View note
symptom3000 · 1 year
Video
youtube
Siouxsie And The Banshees "Cities In Dust" (1985)
director: Tim Pope
1 note · View note
crumb · 26 days
Text
Tumblr media Tumblr media Tumblr media Tumblr media
CAPTIVES 1994 | dir. Angela Pope
296 notes · View notes
dashes-and-letters · 10 months
Text
Tumblr media Tumblr media
50 notes · View notes
picspammer · 9 months
Text
Tumblr media
Baby, life's what you make it Can't escape it
2 notes · View notes
glettokono · 7 months
Text
Tumblr media Tumblr media Tumblr media
We finally saw Tim Breaker and already known Kiran Estevez!! I can’t wait to see Alan Wake 2 and connections to control!!
And details! (Arish made coffee for everybody)
Tumblr media Tumblr media
154 notes · View notes
ataehone · 5 months
Text
Tumblr media
Things I would like to see more discussion about regarding Alan Wake 2 #13: Tim Breaker, the man who was dragged to hell AND SETTLED DOWN THERE.
Whatever Alan struggles with, Tim had stashes set up. Tim has a room filled with light for Alan to catch his breath in. Tim is unrelelntingly cheerful despite finding himself in a warped ontological black hole. Tim is looking for the man whose face is on a FUCKING GIANT BILLBOARD you can see right out of Tim's initial hiding spot.
And Tim remembers at least something about being Jack Joyce, and Tim remembers Beth Wilder, and Tim apparently saw glimpses of Jesse Faden and Polaris.
I will bet you dollars to doughnuts Tim and Door are showing up in CONTROL 2, and it's gonna be so fucking weird because Tim likely gets some of Jack's infatuation with Beth, and I will knife a certain Finnish man if he doesn't turn this into an epic love triangle with Emily.
89 notes · View notes