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#Virtual On Marz
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arcadebroke · 10 days
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the-phantom-author · 6 days
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TOAD IM HERE FOR YOU WE'RE ALL HERE FOR YOU
im sorry i was not aware SENDING BIG VIRTUAL HUG TOAD💖💖💖
- 💎
@sunshine-on-marz the people love and care about you
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deusexlachina · 6 months
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Cheeseaged Exocolonist Age 18: Use my compassion and mental health literacy to set up a coup and crush my enemies
In which we fill the hole in our friends' lives with logs and eggs, use ill-fitting clothes to convince my people to make me their queen, and thwart an alien invasion by being the world's best barista.
CW for discussion of domestic abuse.
Having done most of the work needed to get a perfect ending, you'd think year 18 would go by pretty quickly. However, I now have the power to give gifts every month instead of once per season, and with great gift power comes great gift responsibility. After all, we're nearing the end of the game. I deliver a gift to every single friendable character each month. So I will dedicate this log to my friends. The virtual ones.
Nomi is self-conscious about being an artist and asks what I want to be when I grow up. I give the same answer I have given everyone else: I want to be in charge.
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I've been throwing cakes at Vace, in hopes that his terrible attitude is caused by low blood sugar. Vace sees that I've been grinding friendship with his girlfriend, and he doesn't want any grinding going on with his girlfriend. He threatens me, telling me not to make him worry about me hanging out with his girlfriend.
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I reassure him there's nothing to worry about, then immediately go talk to Nem and tell her to break up with him. Telling people they are in an abusive relationships is always a hard conversation, but she's ready to have it now because I have fought valiantly by her side, heroically tried to save her brother, but mainly because I have given her dozens of eggs over the course of this run. I use my teenage drug-slinging psychotherapist skills to diagnose Vace with being a dick.
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Because I have high friendship with Vace, I get him to open up about his problems, discovering that his girlfriend suddenly broke up with him. Rallying all my baristastic expertise and courage, I suggest this is because he's an abusive dickhole. Vace does not put two and two together and realize that I tanked his relationship, so we can keep befriending him in our cynical ploy to manipulate him into becoming a better person, like a blue-haired Christmas Wraith.
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After these therapeutic successes, I have a therapy date with Tangent. She asks for extra-strength blep tea, which I do not give to her because that will Help Tangent. Recall that even one Helped Tangent will trip the flag for the Engineered Plague. This girl is a cup of very strong tea away from wiping out all non-terran life on the planet. I love her.
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I start getting people to 100 Friendship. Marz tells me about her plan to overthrow Lum, and I promise to keep her on her toes.
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I decide the best way to keep her on her toes is by running as her opposition. This requires 50 Persuasion, which I have from equipping the Emojiproji (+10 to social skills), the Brain Trainer (+15 to everything) and, in a real stab in the back, Marzipan's second-hand jacket (+20 Persuasion). This is such an audacious Ides of March that Marzipan can't help but be impressed.
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It also requires you to have consistently shown opposition to the existing authority, to the tune of 70 Rebellion. This is why I have been talking back to my mom so much. Now it's time to confront her. I spend the month farming, solely because the other Geoponics jobs will all give me events that will override the event where I meet my mom. I explain to my mom that I'm not a bad kid, I was just grinding Rebellion to go for the golden ending. She finally understands and promises me her full support in overthrowing Lum.
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Immediately after this, I get an event where I have to save Socks from being put down, because this event happens in Geoponics starting in year 17 and, since saving her the first time, I've put off working in Geoponics for so long that the game has gotten impatient with me.
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The same month, I use my baristatherapist skills to talk down Dys from planting a bomb on our walls as part of a deal he made to become an alien and live happily ever after with his alien boyfriend Sym. This is a very strange deal that gets even stranger when you learn that he made this deal with Nocticulent, not Sym.
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Having gotten my mom's approval for the first time in my eighteen years, I then move on to recruit Seeq, the administrator. They agree that Lum needs to be deposed, but, showing no solidarity with their fellow trans person, demand a bribe in the form of kudos. To make clear how utterly preposterous this is, we are living in a mostly communistic society, where kudos are the currency given by adults to children for good deeds, spendable exclusively on luxury items in the Supply Depot, which Seeq is in charge of.
Because I saved Eudicot's life, she shows up to rebuke Seeq, making them the first person in this planet's history to attempt to bribe themselves and fail. This is good because I have spent all my money on overpriced accessibility devices, spa days and plying Vace with baked goods.
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I then recruit Rhett by reminding him of how Lum nearly got some of us killed in a stunt to look cool, and Instance with a persuasion check.
At the end of the year, the enemy is ominously waiting just outside our walls. We know from past lives that they're waiting for Dys to blow up the bomb, not realizing that I have turned him to good with the power of coffee and medicinal roots. For their trouble, they get Socks sicced on them.
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In the final year, because of my talks with Sym, the Gardeners will negotiate peace with humanity. I like to think that has something to do with them just having suffered the most embarrassing defeat in the history of their war with humanity. And I owe it all to being a barista.
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goddesstrolls · 9 months
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Details of Marz' curse:
Rainbow drinker hunger dialed up to 11. If he doesn't feed, he gets weak and susceptible to injuries. If he feeds too much, he gets lost in the bloodlust and will go on a killing spree. The energy he gets from feeding just goes to the curse and makes it stronger, therefore increasing his bloodthirst and desire to kill.
The aforementioned enthrall effect. His bite also has an addictive, sedating venom. Again, the effect can be completely negated with him covering/closing his eyes, but it will still have some effect with repeated partial eye contact/him just looking at your eyes.
Moonsickness. Moonlight makes him feel ill, starting with dizziness and fatigue and progressing to agitation, confusion, going partial feral, and increased bloodthirst. He'd have to both spend several hours in moonlight while being hungry/weakened for the most extreme effects. Normally he's just kind of tired and annoyed.
Feeding grants him immortality; He can regenerate, and not only survive but remain conscious and move even if his head is cut off, a stake is driven through his heart, ect.. However, it's limited, he can die if he's wounded enough. He's not aware of this and believes he's just immortal.
He can eat regular food but it's virtually tasteless and has no effect on his hunger. He cannot sleep, but can be knocked unconscious or faint.
He otherwise has no rainbow drinker perks. He's not faster or stronger. Sunlight still burns him. He still has to breathe. (He won't die, but he will get the sensation and panic of suffocation)
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everydaydg · 1 year
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Cyber Troopers Virtual-On Marz (2003)
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exactlycleverbread · 1 year
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Temjin, from ‘Virtual On Marz’ on the PlayStation 2.
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theangryhatter · 4 years
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Sgt. Hatter - Virtual On MARZ
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sofubis · 3 years
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Dennou Senki Virtual-On MARZ - TF-14A Fei-Yen - 1/100 - with Vivid Heart (Hasegawa)
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Cyber Troopers Virtual-On Marz (Hitmaker / Sega - PS2 - 2003)
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arcadebroke · 3 months
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rabidrodent · 7 years
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Virtual-On wallpapers from Hitmaker’s old website. Converted from BMP to PNG.
Covers the games Oratorio Tangram, Force, and Marz.
(and yes, they distributed these through .exe files, which unpack a bitmap when ran)
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vice-s-assistant · 6 years
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Fighting Game Anniversaries in 2018: 3D Fighters
25 Years: Virtua Fighter (Sega, Sega AM2, October 1993)
20 Years: Fighting Layer (Namco, AKIRA, December 1998), Soul Calibur (Namco, July 1998),  Cyber Troopers Virtual-On Oratorio Tangram (Sega, Sega AM3, March 1998), Fighting Vipers 2 (Sega, Sega AM 2, April 1998)
15 Years: Virtual-On Marz (Sega, Hitmaker, May 29th, 2003)
10 Years: Mortal Kombat Vs. DC Universe (WB Games, Midway, November 16th, 2008)
5 Years: Tekken Revolution (Bandai Namco, June 11th, 2013)
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davidmann95 · 4 years
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Superman’s 10 Best of the ‘10s
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Good Miracle Monday, folks! The first third Monday of May of a new decade for that matter, and while that means that today in the DC Universe Superman just revealed his secret identity to the world on the latest anniversary of that time he defeated the devil, in ours it puts a capstone on a solid 10 years of his adventures now in the rear view mirror, ripe for reevaluation. And given there’s a nice solid ‘10′ right there I’ll go ahead with the obvious and list my own top ten for Superman comics of the past decade, with links in the titles to those I’ve spoken on in depth before - maybe you’ll find something you overlooked, or at least be reminded of good times.
A plethora of honorable mentions: I’m disqualifying team-ups or analogue character stories, but no list of the great Superman material of the last decade would be complete without bringing up Cave Carson Has A Cybernetic Eye #7, Avengers 34.1, Irredeemable, Sideways Annual #1, Supreme: Blue Rose, Justice League: Sixth Dimension, usage of him in Wonder Twins, (somewhat in spite of itself) Superior, from all I’ve heard New Super-Man, DCeased #5, and Batman: Super Friends. And while they couldn’t quite squeeze in, all due praise to the largely entertaining Superman: Unchained, the decades’ great Luthor epic in Superman: The Black Ring, a brilliant accompaniment to Scott Snyder’s work with Lex in Lex Luthor: Year of the Villain, the bonkers joy of the Superman/Luthor feature in Walmart’s Crisis On Infinite Earths tie-in comics, Geoff Johns and John Romita’s last-minute win in their Superman run with their final story 24 Hours, Tom Taylor’s quiet criticism of the very premise he was working with on Injustice and bitter reflection on the changing tides for the character in The Man of Yesterday, the decades’ most consistent Superman ongoing in Bryan Miller and company’s Smallville Season 11, and Superman: American Alien, which probably would have made the top ten but has been dropped like a hot potato by one and all for Reasons. In addition are several stories from Adventures of Superman, a book with enough winners to merit a class of its own: Rob Williams and Chris Weston’s thoughtful Savior, Kyle Killen and Pia Guerra’s haunting The Way These Things Begin, Marc Guggenheim and Joe Bennett’s heart-wrenching Tears For Krypton, Christos Gage and Eduardo Francisco’s melancholy Flowers For Bizarro, Josh Elder and Victor Ibanez’s deeply sappy but deeply effective Dear Superman, Ron Marz and Doc Shaner’s crowdpleasing Only Child, and Kelly Sue DeConnick and Valentine DeLandro’s super-sweet Mystery Box.
10. Greg Pak/Aaron Kuder’s Action Comics
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Oh, what might’ve been. In spite of an all-timer creative team I can’t justify listing this run any higher given how profoundly and comprehensively compromised it is, from the status quo it was working with to the litany of ill-conceived crossovers to regular filler artists to its ignominious non-ending. But with the most visceral, dynamic, and truly humane take on Clark Kent perhaps of all time that still lives up to all Superman entails, and an indisputably iconic instant-classic moment to its name, I can’t justify excluding it either.
9. Action Comics #1000
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Arguably the climax to the decade for the character as his original title became the first superhero comic to reach a 1000th issue. While any anthology of this sort is a crapshoot by nature, everyone involved here seemed to understand the enormity of the occasion and stepped up as best they could; while the lack of a Lois Lane story is indefensible, some are inevitably bland, and one or two are more than a bit bizarre, by and large this was a thoroughly charming tribute to the character and his history with a handful of legitimate all-timer short stories.
8. Faster Than A Bullet
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Much as Adventures of Superman was rightfully considered an oasis amidst the New 52′s worst excesses post-Morrison and in part pre-Pak, few stories from it seem well-remembered now, and even at the time this third issue inexplicably seemed to draw little attention. Regardless, Matt Kindt and Stephen Segovia’s depiction of an hour in the life of Superman as he saves four planets first thing in the morning without anyone noticing - while clumsy in its efforts at paralleling the main events with a literal subplot of a conversation between Lois and Lex - is one of the best takes I can recall on the scope on which he operates, and ultimately the purpose of Clark Kent.
7. Man and Superman
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Seemingly geared on every front against me, built as it was on several ideas of how to handle Superman’s origin I legitimately hate, and by a writer whose work over the years has rarely been to my liking, Marv Wolfman and Claudio Castellini’s Man and Superman somehow came out of nowhere to be one of my favorite takes on Clark Kent’s early days. With a Metropolis and characters within it that feel not only alive but lived-in, it’s shocking that a story written and drawn over ten years before it was actually published prefigured so many future approaches to its subject, and felt so of-the-moment in its depiction of a 20-something scrambling to figure out how to squeeze into his niche in the world when it actually reached stores.
6. Brian Bendis’s run
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Controversial in the extreme, and indeed heir to several of Brian Bendis’s longstanding weaknesses as a writer, his work on The Man of Steel, Superman, and Action Comics has nevertheless been defined at least as much by its ambition and intuitive grasp of its lead, as well as fistfuls of some of the best artistic accompaniment in the industry. At turns bombastic space action, disaster flick, spy-fi, oddball crime serial, and family drama, its assorted diversions and legitimate attempts at shaking up the formula - or driving it into new territory altogether, as in the latest, apparently more longterm-minded unmasking of Clark Kent in Truth - have remained anchored and made palatable by an understanding of Superman’s voice, insecurities, and convictions that go virtually unmatched.
5. Strange Visitor
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The boldest, most out-of-left-field Superman comic of the past 10 years, Joe Keatinge took the logline of Adventures of Superman to do whatever creators wanted with the character and, rather than getting back to a classic take absent from the mainline titles at the time as most others did, used the opportunity for a wildly expansive exploration of the hero from his second year in action to his far-distant final adventure. Alongside a murderer’s row of artists, Keatinge pulled off one of the few comics purely about how great Superman is that rather than falling prey to hollow self-indulgence actually managed to capture the wonder of its subject.
4. Superman: Up In The Sky
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And here’s the other big “Superman’s just the best” comic the decade had to offer that actually pulled it off. Sadly if reasonably best-known for its one true misfire of a chapter, with the increasing antipathy towards Tom King among fans in general likely not helping, what ended up overlooked is that this is a stone-cold classic on moment of arrival. Andy Kubert turns in work that stands alongside the best of his career, Tom King’s style is honed to its cleanest edge by the 12-pager format and subject matter, and the quest they set their lead out on ends up a perfect vehicle to explore Superman’s drive to save others from a multitude of angles. I don’t know what its reputation will end up being in the long-term - I was struck how prosaic and subdued the back cover description was when I got this in hardcover, without any of the fanfare or critic quotes you’d expect from the writer of Mister Miracle and Vision tackling Superman - but while its one big problem prevents me from ranking it higher, this is going to remain an all-timer for me.
3. Jeff Loveness’s stories Help and Glasses
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Cheating shamelessly here, but Jeff Loveness’s Help with David Williams and Glasses with Tom Grummett are absolutely two halves of the same coin, a pair of theses on Superman’s enduring relevance as a figure of hope and the core of Lois and Clark’s relationship that end up covering both sides of Superman the icon and Superman the guy. While basically illustrated essays, any sense of detached lecturing is utterly forbidden by the raw emotion on display here that instantly made them some of the most acclaimed Superman stories of the last several years; they’re basically guaranteed to remain in ‘best-of’ collections from now until the end of time.
2. Superman Smashes The Klan
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A bitter race for the top spot, but #2 is no shame here; while not quite my favorite Superman story of the past ten years, it’s probably the most perfectly executed. While I don’t think anyone could have quite expected just *how* relevant this would be at the top of the decade, Gene Yang and Gurihiru put together an adventure in the best tradition of the Fleischer shorts and the occasional bystander-centered episodes of Batman: The Animated Series to explore racism’s both overt and subtle infections of society’s norms and institutions, the immigrant experience, and both of its leads’ senses of alienation and justice. Exciting, stirring, and insightful, it’s debuted to largely universal acknowledgement as being the best Superman story in years, and hopefully it’ll be continued to be marketed as such long-term.
1. Grant Morrison’s Action Comics
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When it came time to make the hard choice, it came in no small part down to that I don’t think we would have ever seen a major Golden Age Superman revival project like Smashes The Klan in the first place if not for this. Even hampering by that godawful Jim Lee armor, inconsistent (if still generally very good) art, and a fandom that largely misunderstood it on arrival can’t detract from that this is Grant Morrison’s run on a Superman ongoing, a journey through Superman’s development as a character reframed as a coherent arc that takes him from Metropolis’s most beaten-down neighborhoods to the edge of the fifth dimension and the monstrous outermost limits of ‘Superman’ as a concept. It launched discussions of Superman as a corporate icon and his place relative to authority structures that have never entirely vanished, introduced multiple all-time great new villains, and made ‘t-shirt Superman’ a distinct era and mode of operation for the character that I’m skeptical will ever entirely go away. No other work on the character this decade had the bombast, scope, complexity, or ambition of this run, with few able to match its charm or heart. And once again, it was, cannot stress this enough, Grant Morrison on an ongoing Superman book.
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exactlycleverbread · 2 years
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