Wallace Ford and Jean Harlow in Charles Brabin’s THE BEAST OF THE CITY (1932)
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Joan Blondell and Wallace Ford for Central Park, 1932
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I love you, Freaks 1932
I love you, non-exploitative portrayal of people with disabilities
I love you, showing these people working, playing, marrying, and having children
I love you, anti eugenics message in 1932
I love you, cast of Freaks 1932
We accept her, one of us. We accept her, one of us. Gooble gobble, gooble gobble
One of us. One of us.
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1933 and 1941.
There were two completely different movies named Love, Honor and Oh, Baby.
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Double Slayer in Happier Days -
Introduced in the "white flame" murder trial of Paul Wright by the prosecution in an effort to show that he was carefree and convivial and not haggard and tired in spirits, this photo shows Wright (indicated by arrow) at the opening of an airport cocktail bar. Wright was superintendent of the airport. He is charged with shooting and killing his wife, Evelyn, and his "best friend," John B. Kimmel, in a fit of jealous rage. Many screen celebrities were present at the lounge opening. Left to right: Buster Keaton, Frances Farmer, Wright, John Miljan, Ed Sullivan, Nancy Carroll and Wallace Ford.
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Una O’Connor, Heather Angel, and Wallace Ford in John Ford’s THE INFORMER (1935).
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Dorothy Jordan-Neil Hamilton-Wallace Ford "Alcohol prohibido" (The wet parade) 1932, de Victor Fleming.
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