#and if she ever wants to publish them in physical book form she can arrange them HOWEVER SHE WANTS

[rabbits-of-negative-euphoria]

did somebody say “hey I want another cobbled-together powerpoint for one of Rabbits’ WIPs” ?!

No. but just in time for October, here it is!

(all information is subject to change at any time)

prequel comic

playlist

#- HK #weeping and gnashing my teeth that the mobile app ruined the format of Lux's pictures #the playlist says Nano because the full Vibe/Theme playlist is 6 hrs long and the full Hollowick playlist is...17 hrs long #WIPs #mobile #x #also if you read the prequel comic DON'T @ ME unless it's to say 'your mind.' #because who knows how hard the amateur shows #I realized the other night that Maripaz Villar is a genius. the woman is a genius. why? #she doesn't use panels. so her comics work perfectly for Webtoon format #and if she ever wants to publish them in physical book form she can arrange them HOWEVER SHE WANTS #yeah it takes away some of the creativity but the more I read Webtoons the more I realize #it's not really the destination for a magnum opus #it's a good place to introduce your story to a ready-made audience and then build from there

[catominor]

my fictional romeguys introductory post to contextualise the posting!!!!!

this is my little guys from my novel project which is currently in its Infancy very much. the story is set... somewhere roundabout the 80s-70s bce probably. it's broadly about two guys who make a jointly beneficial political alliance (and also become friends in the process) their psychosexual joint consulship and its consequences

main guys:

lucius furius m. f. sp. n. camillus: 45 years old, semi down on his luck patrician. he spends most of his time when he isn't trying to enhance his dignitas in the political sphere being a weird shutin and not leaving the house if he can avoid it. was injured very badly when he was young during a brief military career, preventing him from doing war stuff again... for now. (he also had a hugely comical and deeply formative crush on his commanding officer during said military career). ambitious beyond both his physical and monetary means. has been in a sexless arranged failmarriage for like 25 or so years with his wife, caecilia, whom he was married to because his family desperately needed money (but he does love her in his own weird way i think). also loves gardening, stoic philosophy, being maybe slightly addicted to opium wine, books in general, and being inside and in his house reading his scrolls (despite being in politics, having to shake all those sticky plebs' hands makes him want to kill himself fr. the price he pays for his rightful place in society as he sees it...). he is a huuuge sullan also. to him sulla did nothing wrong ever in his life. most famous for being a bit eccentric and reclusive, but still quite respected by most of the senate for his modest lifestyle and his refined and learned tendencies.

gaius martinus: our biggest handsomest general... a couple years older than lucius furius, wealthy plebeian senator. he's a bit of a new man; his family has only been in the senate for a couple generations and never attained the consulship. he's a simple type of guy really; he's a squarely competent (though not really that astounding) military commander, not very book-smart, and has an impressive appetite for all of life's pleasures. most people who don't instinctively look down on him for these traits tend to like him tremendously; he's easy to talk to, friendly, generous, and cheerful. he has a wife, poppaea, who he loves very much, and 6 horribly behaved sons to whom he is a beautifully absent father. his favorite things to do are hang out at the baths or the gymnasium, throw big dinner parties or go out partying with his friends, and do his thang commanding his troops and chopping people up with his sword in The Wars. he doesn't have very strong political leanings, and mostly just wants to be paid attention to, adored, etc. most famous for accidentally unleashing a pack of tigers intended for his games into the streets of rome while he was plebeian aedile, and for throwing big knock your socks off parties (and not getting mad at the guests for taking a little of the food home)

heres a main guys image (coin of them i drew):

others:

caecilia: lucius furius' wife in their arranged failmarriage. for her this relationship is constituted of a mix of resentment and love; they get along very well mostly, and in another life they could have been good friends, maybe, but in this one they're married and he's wasted her life. she helped him tremendously with everything he's done in politics, both with her advice and with her money, and in return she's mostly just been taken for granted. she wanted kids. there never were any. she thought he might die from one of his many ailments (he is the worlds sickliest man) soon enough; he never did. who's to say you can't love someone while also wondering if you could get away with killing them every now and then? she mostly passes her time by weaving, and writing vulgar epigrams which she publishes under a pseudonym for funsies...

poppaea: gaius martinus' wife. there isn't too much to say about her; she really is gaius' other half. like him, she's cheerful, easygoing, and enjoys the finer things in life. she loves gaius dearly, despite the fact that he's far from faithful; poppaea isn't the jealous type, or else, knows she can't really afford to be. she is also a wonderfully absent mother to their children, mostly preferring to leave the child raising to the nannies and take pleasant strolls around the gardens and go shopping in the big markets with her friends. she has a close relationship with her father, and often visits him.

quintus poppaeus: gaius martinus' father in law. a thoroughly slay old man. businessman who was never involved in politics (made his money from the mines), loads of money and mostly spends it on building hanging baths in his baiae villa, installing the latest garden fountains to flex on the neighbors, ridiculously swagfully effeminate outfits, and so. so many beautiful pet fish. his only child is his daughter, poppaea, and he adores her. he also has a very friendly relationship with gaius.

furia: lucius furius' younger sister and only living sibling. she's a bit like him if he were more mentally stable and normal. she's in a barely tolerable marriage with another aristocrat. her and lucius furius don't speak very often; she resents him a bit for having power over her i think (their father died when they were young) and he probably made her marry whatever crappy guy shes married to now (have i mentioned this is a work in progress)

theres other of my own characters but these are like. the ones who will Matter the most and that i will post about tbh

none of the stuff mentioned in here are things which would like. spoil any Plot so i wont say any more... im not too precious about spoiling things cause its such early days (plus i think if i write well enough it will be interesting to read even if you know what happens hopefully?) but i just dont want to make the post any fucking longer lol...

#ficposting #my art #<cause it will contextualize my drawings of the guys also.

[mymelodyheart]

Miles Between Us Chapter 14 ~The Element of Surprise ~

WARNING: VERY EXPLICIT SEXUAL CONTENT

Previously in The Reunion

They fitted perfectly, her softness cradling his boneless heap, making him hard as steel again. Some part of his brain must have still been functioning because he jerked and reached out for her bra to cover her when his doorbell rang. Christ!  Forcing his body to move with marginal success, he yanked her up and pulled up his jeans.

Claire slid off the table and grabbed her clothes. "Who could that be?"

"That better not be yer uncle or ..." Jamie trailed off, muttering curses under his breath, annoyed at the disturbance as he was just revving up for part two of their lovemaking. When he opened the door, a sense of deja vu hit him when he saw Mrs Fitz standing there with what seemed like a plate of a lemon meringue pie. What the fuck?

"Mrs Fitz!"

The older woman didn't bother to hide her curiosity this time as her eyes tried to peer past his shoulders. "Heard ye have company, lad, and I havenae seen Miss Claire the last couple of days."

  If you wish to read this on AO3, here is the link.

If you wish to read this from the beginning:

AO3 link

Tumblr link

  Six Days Later

Claire's heavy eyelids fluttered open, her brain still addled by sleep. It took her a while to gather her thoughts and remember how she'd made it to bed last night. She shifted slightly in bed, but there's a two-hundred-fifty pound of hard-muscled, naked male restricting her movement. Jamie's arm was draped across her waist, securing her against his chest, her legs confined under his heavier ones. She could feel his soft, steady breathing blowing warm air on top of her head, reminding her how well he'd been sleeping the last few nights. There had been no night terrors or unpleasant dreams interrupting his sleep, and she put it down to his workload during the day and their physical activities between the sheets at night.

Today was Friday, and the realisation caused a huge smile to spread across her face. Last night she'd worked late until past ten, and Jamie had found her fallen asleep in front of her laptop in her studio shed. He'd scooped her up in his arms and helped her get ready for bed, and just before sleep claimed her, he'd whispered he had a surprise for her today. 

She wondered what the surprise was and guess it would probably be a long lie-in for them and breakfast in bed. Looking back, the past few days had flown by in a blur, packed with work and catching up with her uncle Lamb during nights. Ever since her emotional reunion with Jamie, her work-related things had gone from a shamble of mess to running smoothly. It's as if the universe had decided to grant her reprieve as everyone went out their way to appease her. Even her boss John seemed to have given her space and was allowing her to work in peace. Somehow, deep down, she had a sneaking suspicion Jamie had something to do with it. 

It had all began at the start of the week when Jamie had been at work. Tom had stopped by the cottage to hand her a signed contract agreeing to his book's publication. By the time she'd told John the good news, he'd been in his element detailing his main point plan for getting the word out and announcing the book deal to Tom's adoring followers. She'd thought her boss would demand to get her and Tom on the next plane to London, but instead, John had told her he'd arranged a team to fly to Inverness for a formal meeting with their new author. As if that wasn't enough, two days later, Mary had produced enough drafts for Claire to work on and promised there would be more on the way. Her uncle, sensing work was piling, would occasionally stop by either to whip up something to eat or bring food while she'd been ensconced in her studio shed. Not that it was unusual for her uncle to perform domesticated pursuits; however, it's still surprising that he was going the extra mile to help around the house when he had the Highlands at disposal for his adventures being an outdoor person that he was.

It's becoming clear this week was proving to be a period of many turning points. She had no idea what the future had in store for her and Jamie, but she knew something had shifted in their relationship, and it was definitely for the better. Though she's still the same girl who's still trying to find her place in the world and fit in, she knew she'd changed, too. A few months ago, she would have probably backed down from any forms of conflicts, citing life as complicated enough without adding more complications. But she'd learned how to respond, choose fights that are worth fighting for and cast aside that wasn't deserving of her peace of mind. She'd also learned that once in a while, it's good for her sanity to give propriety and rules the middle finger when a situation called for it. 

It's hard to believe she's planning her life in the Highlands, the place where her parents had met and found love in each other. In her quest to get to know them more, she'd spent her holidays here to be closer to their memories and live that adventure they'd so craved. Now, she was involved with a man tormented with demons. If her parents were still alive today, she wondered how they would receive Jamie. Would they have been like Jenny or her uncle, suspicious and sceptical of their relationship? Or would they have been happy with her choice just like Willie, Brian, and Ellen have been with Jamie's?

Deep in her heart, she knew that her parents would have taken one look at them and understood that Jamie was special and meant to be her life adventure. From what Claire had surmised from uncle Lamb's stories, her parents have been that kind of people, magnanimous of spirit and always saw the best in others. Jamie was like that too. He'd taken a gamble with her despite their differences and the geographical challenges ahead. Though it seemed she was helping him with his condition, unbeknownst to Jamie, he too was helping her heal the part of her that became an orphan. In some invisible way, he was repairing something in the fabric of her world that had been torn down the middle when her parents passed away. She absorbed that thought and was reminded of what Uncle Lamb once told her, that her father always had a peculiar sense of humour. With that in mind, she'd like to think that just maybe her father had sent Jamie her way on purpose. His way of telling her to let go of the past, not over-think, embrace the Highlands as much as he had and just love.

Lying next to Jamie in bed, she felt totally at peace. They might have had a crisis of faith, but she was confident they'll find their way through whatever path was laid before them. Their love wasn't and probably never going to be easy, given their journey had been emotional, tangled with roadblocks, denials and self-preservation. Still, she wanted to find her way with him. She'd just discovered this strength she didn't realise she had, and Jamie continued to surprise her with his single-mindedness purpose to be cured. Someone once said there's no fulfilment without a bit of struggle. Just like in the stories she hoped to publish one day, the heroes had to break down first and bleed before earning their happy ending. Well, if that's the rule, she couldn't envision facing life's trials and tests with any other person to stand beside her other than Jamie.

Her smile was still in place when her thoughts were suspended by a rush of heat as Jamie's hand coasted over her hip to disappear between her thighs. A sudden thrill shot through her, making her breath catch in her lungs. He shifted the leg holding her thighs down and deftly opened her to his touch, stroking the sensitive flesh in between. She felt his shaft stir against her bottom as she scooted closer to him, eliciting a guttural sound to escape his lips.

"I can practically hear the cogs turning in yer head, Sassenach," he muttered thickly, his breathing turning shallow at the back of her neck. He nipped her earlobe between his teeth and tugged. "What's going on in that mind of yers?"

"Oh, this and that and how you've been sleeping soundly ...these last few nights." She gasped out loud when he rubbed her nub with a calloused thumb. She tilted her head back to look at his face, and her lips were met by a long-drawn, possessive kiss. By the time their mouths parted, she was panting for air and squirming against him mindlessly. 

"Christ, ye're ready for me. Why did ye no' wake me up?" He thrust his finger deep inside her, fondling the spot he knew drove her wild and frantic. "Next time ye want me, wake me up."

"I-I couldn't. You were sleeping so peacefully." 

He paused his ministrations. "That's no' the answer I was hoping to hear."

Jesus H. Roosevelt Christ! "Y-yes, next time, I'll wake you up!"

"That's my lass." He sank another finger into her entrance. But as she tried to clench around him, his fingers slid out, using her wetness to coat her nub and gently rub her aching flesh. She wanted to scream at him for teasing her, but he only softly chuckled against her neck. At that moment, she needed to come more than she needed air. She hoarsely whispered his name in a plea for release. "Ach, no' yet, Sassenach ... ye listen better when I'm touching ye." She yelped when he suddenly yanked the covers away and flipped her on her stomach, the crisp morning air caressing her heated skin. "Let me see first that beautiful arse of yers." He shoved a pillow beneath her hips, putting her in a highly arousing position, her face mushed against the mattress and her bottom in the air. "Such a beautiful bum."

"Jamie ..." 

He kneaded the curves of her buttocks as he let out a frustrated male groan. "Let us talk first. This is the only time I'm pretty sure ye're no' gonnae argue with me with what I'm about to say. Ye listening?"

"Yes, yes ...get on with it, damn it!"

He laughed out loud just before his lips travelled along the path of her spine, kissing and nibbling her flesh. One hand slid around her belly and down the apex of her thighs, slipping blunt fingers into her folds as his mouth moved to her neck. He lingered there, biting hard and then soothing the sting with a lick of his tongue. Anticipation pulsated within her body, and goosebumps erupted on her skin as the weight of his erection slid against her upturned bottom, and Jamie positioned himself behind her. When he hefted her higher with his forearm, she let out a squeak. "Ye'll no' be working this weekend."

"Jamie," she whimpered. "B-but I can't."

"Oh yes, ye can." Skilled fingers stroke her sensitive nub, and with one thrust of his hips, he completely filled her, taking her by surprise. She nearly screamed, pressing her mouth against the mattress, suddenly mindful of nosey neighbours. She remembered what Jamie had told her about Mrs Fitz and muffled her moans on the covers of the bed.

"Oh, God, this is not fair," she breathed on an uneven exhale.

"I told ye last night, I have a wee surprise for ye. Ye've worked long enough this week. Ye're taking a wee break this weekend." When she didn't respond, he stilled his hips and took out his fingers from inside her. "You need a break, Sassenach. Now, for the love of God, just say yes, Jamie."

When Jamie drew out his hardness and plunged deeply back into her, heart-stopping sensations coursed through her whole body. Something about how he positioned her, the fluid, smooth drives of his movement made her mad with need. She wanted to urge him to go faster, but she clamped her mouth shut. He was deliberately torturing her and forcing her to agree with him. So she decided she was going to get her own back. Contracting her inner walls, she clenched around him. From experience, she knew the more he had to work to push into her, the wilder he would become. Just when she thought she finally got the upper hand, he paused and dropped his weight, stopping just short of squashing her. "No, no, no! Please don't stop!" she wailed.

"Oh, aye." He pushed his lower body tight to her bottom, his erection throbbing inside her. When she tried to wriggle her bum to urge him to start moving again, he firmly gripped her hips in place. "Ah, I ken what ye're up to," he whispered hotly in her ears. "I'm no' taking no for an answer. Ye owe this break to yourself."

"You don't play fair."

"Neither do ye."

Thinking she could compromise later after spending the whole morning with him, she finally conceded. "Fine. Just keep moving, for God's sake!" she hissed.

He let out a pained laugh and pressed his lips on the crook of her neck. "Good lass, ye ken it makes sense." Then cursing under his breath, he moved all the way out in one smooth slide before deliciously gliding deep back. "Christ, I can feel ye want to come, but ye're going to stay with me a little longer. Ye fell asleep on me last night, leaving me with a painful cockstand." 

"Jesus, Jamie."

"Aye," he rasped hoarsely into her hair. "I said the same thing when ye wriggled that pert arse against me and fell asleep immediately."

The way his thickness was invading her from an angle almost sent her hurtling over the edge. And it gave her a new appreciation for math. The thought almost made her laughed out loud if it wasn't for the pulsing pleasure between her legs.

"Christ ...look at ye," Jamie gritted, his voice sounding raw and almost severe. "So bloody perfect." 

He nudged her legs wider and changed his movements to short, strong strokes, increasing his pace with primitive energy that left her gasping for breath. With the sound of their slapping bodies, the earthy scent of arousal, the sweaty slide of skin, her belly began to tighten and coil.

"I just want to make ye happy, Sassenach," he groaned, bearing down his upper body more, his hips relentlessly pounding into hers. "So just say yes to my wee surprise, aye?" 

"Yes, yes, yes." Their voices sounded so far away, and her initial hesitation about taking a break from work almost forgotten. Not entirely, though. She tried to grasp that mental note about emails to be sent, but the hand gripping her hips moved, and fingers slid to rub her nub, stroking and pushing her further towards her peak. She gave in and widened her thighs to let him fill her more. But it left her no time to prepare for the release that shattered her apart, her love for him and the physical pleasure fusing to intensify the sensations blasting through her. It threatened to overwhelm her, but Jamie's presence anchored her as he followed her over, groaning her name, gripping her hips with a fierceness as he claimed her for his. 

Moments later, he pulled her boneless body in his arms and tucked her into his chest, tugging the covers over them and curving his front to her back. He held her tightly as the morning light streamed through the windows. 

Battling to keep her eyes open, thoughts of work slithered in, but it kept flittering away with her consciousness before she could dwell on it. Maybe just for a minute, she thought. But Jamie smelled so good, and his tender strokes enticed a hazy sleep to claim her muscles, dragging her down into the dark. Just one minute. 

As she eased into sleep, his whisper drifted toward her unconscious. "It's still early, Sassenach. Sleep a wee bit more. Your wee surprise will come soon enough."

..........

Claire woke for the second time that morning with an unladylike shriek when the mattress dipped and moved. Muddled, she jackknifed into a sitting position, eyes scanning wildly around the curtain-dimmed room for a trespasser. Claire knew someone was there, her gut instinct telling her it wasn't Jamie. Summoning her eyes to refocus, she collapsed with relief when she realised who it was sat at the foot of the bed.

"Surprise!" Annalise squealed, clapping her hands.

"Jesus H. Roosevelt Christ!" She swiped her bedraggled hair out of her face. "You scared me bloody witless."

"Bloody hell, you're jumpy." Annalise shifted a hip on the bed. "Jamie's bad dreams rubbing off on you now, are they?"

"That's not something to joke about," she glowered at her friend, pulling the covers up to her chin.

Annalise' smile waned a bit. "Hey, what's up? I'm not making fun of Jamie's nightmares, and you know that." Her shoulders slumped. "In case you don't know, bad dreams can happen to anyone. In fact, I had a bad dream a few days ago. I was being chased by a pirate."

Suddenly feeling bad for snapping at her friend, she mentally dispersed the sleep fog in her brain and gave Annalise an apologetic smile. So this was her surprise, she thought. Not that Claire wasn't happy to see her friend, but she'd expected Jamie's surprise to be a romantic weekend with him. She let out a sigh. "Chased by a pirate, huh? Let me guess ...sunken chest and no booty?"

Annalise perked up at Claire's feeble attempt to sound less grumpy. "Har de har har! I didn't realise you could be funny before coffee. A total package for a marauding pirate if I may say so."

"Tell that to Captain Beard," she mumbled, getting out of bed. 

"Aye, matey!" Annalise mischievously winked. "That's if he happens to be in Isle of Harris this weekend. Which is where, by the way, we're going, as in, now! So get packing!"

Claire stilled and shook her head. "Wot?" She began to shake her head, tugging the covers around her as she made her way to the dresser. "Oh no, no, no! I'm not leaving this place for any man or woman, including you, blondie! I've got a pile of work to do. You know I have deadlines."

"Oh no, you don't. You stop right there, missy! Have you forgotten you agreed with Jamie to take a weekend break?" 

Claire's eyes widened. "Oh, did he also tell you how he got me to agree?"

"No. But you can tell me later on the plane."

"Plane?" Claire dropped her face in her hands. "Oh, God, I can't believe I agreed to this. Jamie never told me anything."

Annalise stood up from where she was sitting and crossed her arms across her chest. "Hmmm, you don't look too happy to be spending time with me."

She puffed out a breath. "It's not that ..."

"We haven't had girly time in ages, Claire. Jamie thought it would do you a world of good to have a bit of fun."

"So now what? You and Jamie plotting and ganging up on me behind my back, is that it?" Claire accused. "What about Willie? Surely, you miss him more than me. When was the last time you saw him?"

Annalise grinned. "Don't worry about Willie. We have been doing a lot of catching up all night last night, and you want to know what he did?"

Claire's face crumpled in disgust as she held up a hand. "Oh, gross! Too much information. I don't want to hear about your sex life."

Annalise laughed out loud. "Fine, I won't discuss our sex life if you start packing now. Besides, you wouldn't want to waste the tickets Jamie worked so hard for, now, do you?"

Oh dear Lord, save me from well-meaning friends! She didn't really want to leave, but if Jamie had spent money organising this trip, she wasn't about to let it go to waste. But ... "How about uncle Lamb? He came to see me, and I can't just leave him."

"He knows all about the trip, and I've been told he's got a few excursions planned around the Highlands." 

"Oh, well ...if that's the case, I need to call Mary and John and let them know what I'm up to this weekend."

Annalise grinned. "Jamie's sorted it already."

"Wot?" she exclaimed with disbelief, her hands landing onto her hips. "Jamie's been planning this with you all along, hasn't he?" She shook her head. "I-I can't believe it!"

"You better believe it."

Claire blew out a breath of exasperation. "Fine! Grab my suitcase. It's in the airing cupboard."

"Yay!" Annalise whirled on her feet and pumped her fist in the air. Claire couldn't help but smile as enthusiasm began to wiggle its way through her system. Maybe Jamie was right. She owed it to herself to have a break, and probably a change of scenery was what she needed. After Mary had delivered the goods, Claire had worked herself to the bone all week and sometimes into the wee hours of the morning. She was already in her second round of edits on the extensive manuscripts Mary had submitted and must admit they were indeed making progress. As for Tom, her job with him was done, and the team organised by John should be arriving next week. It was definitely time for a bit of fun. 

On second thoughts, though it was generous of Jamie to arrange the trip, it would have been nice if he could come along too. But the idea of Jamie's condition worsening with something as simple as weekend trips away brought a feeling of melancholy to descend upon her. She had no doubt Jamie would be cured, and they'd be able to travel together one day, so she forced herself to shake off the momentary bout of wistfulness when Annalise came bounding back with her small suitcase.

"So ...you talked to Jamie. Where is he, by the way?" she asked, grabbing clothes from the dresser and throwing them in the bed. "He left early this morning."

"Oh! Jamie said he needed to be somewhere important, and he'll see you when we return. Willie will be driving us to the airport." When Claire frowned, Annalise came up behind her and laid a hand on her shoulder. "Hey, we'll only be away for two days, and you'll see him again Sunday night."

It was apparent to Claire she'd been at a disadvantage waking up to the news of the weekend trip because if Jamie had suggested it a few days ago, she would have definitely put her foot down and refused. Unfortunately, Annalise and Jamie knew her too well; hence they'd planned this trip in secrecy.

Claire absorbed that for a few heartbeats and felt a tad of guilt. It had been a while she'd spent time with Annalise, and once her job was done in London, she'd be living with Jamie. Plus, who knew when she'd have another chance to hang out with her best friend ...just the two of them and in the Isle of Harris at that. Besides, they always had a great time together. There was no sense in spoiling their spontaneous weekend with her stubbornness. She might as well make the most of it.

Claire turned to face her friend and smiled. "Do I have time to shower?"

"Plenty of time," Annalise beamed. "While you get ready, I'll make some coffee. I know what you're like without your cuppa first thing." And with that, she danced out of the room, whistling, leaving Claire to shake her head in amusement.

Later that morning, as they drove past the motorway exit for the airport, Claire shifted restlessly in the backseat of Willie's car, watching the familiar structure pass by in a blur outside her window. She frowned. Willie must have forgotten to take the turn. Uh oh! But before she could say anything, Willie veered to a different dual-carriageway. She tried to relax back into her seat, thinking there was probably a different route to the airport she didn't know of.

Eventually, they pulled to a stop in front of a building that didn't resemble a terminal, but there was an airfield and a charter plane coming out of the hangar. When Willie stepped out of the car, a man with worn jeans, a black leather jacket and a pair of aviators waved. He looked kind of familiar, but Claire was unsure.

"Who is that?" Claire asked quietly.

Annalise followed her line of vision. "Oh, I thought you knew that guy." She frowned when Claire shook her head and squinted to get a better look. "I was told the guy flying our plane was the soon to be famous Highlands' ultimate guide to Scotland." As if on cue, the man removed his aviators and started walking towards their car, a smile plastered to his unshaven face. When he waved at them, Annalise giggled, and Claire's eyes widened in confusion. "You probably can't recognise him from afar ...it's your author, Tom Christie," Annalise announced with a satisfied smile and to her utmost shock. "He's flying us to Stornoway."

What the bloody hell? Jamie arranged this?

 Dear Readers,

Thank you all for your readership and the feedback from the previous chapter. I'm super thrilled a lot of you enjoyed it after what I put you all through with Jamie and Claire's roller-coaster journey. I hope it was worth it all in the end.

Speaking of the end, the next chapter will be the last for this arc, and after taking a break, I will start arc three of the WONDERWALL series. I'll keep you updated here. Meanwhile, feel free to speculate what the next chapter will be. Until my next update, wishing you all good health and vibes. X

#melodyheart #wonderwall #milesbetweenus #claire beauchamp/jamie fraser #jamie fraser #claire beauchamp #outlanderfanfic

[thesunnyshow]

Name: reya

Writing Blog URL(s): @chu-ni

Age: 19

Nationality: african-british

Languages: english, swahili, korean

Star Sign: libra

MBTI: enfp/entp (it always changes lol)

Favorite color: purple!

Favorite food: i really love chicken burgers

Favorite movie: princess and the frog

Favorite ice cream flavor: vanilla!!

Favorite animal: elephants

Go-to karaoke song: fancy - twice

Coffee or tea? What are you ordering? caramel frappe with whipped cream, in general i prefer tea though

Dream job (whether you have a job or not)? secretary general at the UN….or an author

If you could have one superpower, what would you choose? making anyone agree with me and do what i want them to do

If you could visit a historical era, which would you choose? ancient egypt!!

If you could restart your life, knowing what you do now, would you?.....no.

Would you rather fight 100 chicken-sized horses or one horse-sized chicken? neither if i could lmfao but i’d go for 100 chicken sized horses

If you were a trope in a teen high school movie, what would you have been? the nerd who’s actually really pretty after she gets a cool makeover 

Do you believe in aliens/supernatural creatures? im not sure about aliens, but i definitely believe in ghosts and spirits.

What are some small things that make your day better? when i can have moments to myself to enjoy my own company. or when someone asks me what i want to eat and they bring it for me 🥺

Fun fact about yourself that not everyone would know? uhm…...probably the fact that i write fanfiction lol..but outside of that! i sing in the shower. and i talk to myself a lot.

What fandom(s) do you write for? nct dream currently, but in the future i want to expand to other groups!

When did you post your first piece? 17th of June 2018.

Do you write fluff/angst/crack/general/smut, combo, etc? Why? i can never write just one genre. predominantly i write fluff with a dash of angst for spice simply because i love a story that has an issue and then having that issue be resolved for a happy ending. when i started my blog i was 17, and so i said i wouldn't write smut. now that i'm older im feeling more and more comfortable writing suggestive content at the very LEAST.. so maybe in the future i might write smut, who knows? i like writing fluff because i like making people feel good, but i like adding angst to it because i feel like the contrast between the two is very *chefs kiss* to me.

Do you write OCs, X Readers, Ships...etc? i only write x readers!

Why did you decide to write for Tumblr? i first got tumblr when i was 13 years old and i was a fresh kpop fan lmfao. i wanted somewhere that shared my interests. of course i discovered x reader fics on here and i was in awe, i guess of how much power writers had in contributing to fandom content and keeping readers satiated. i’d always loved to write and so i’d always wanted to start my own writing blog, and for 2 years i did write for other blogs! it wasnt until 2018 that i finally took the leap and decided to start my own, because i wanted to impact people's emotions and take them on a journey through my writing.

What inspires you to write? what inspires me….teen movies, music!! music is a big one for me, and also the books that i read. i also grew up playing otome games so the plots and writing from those influence my writing a lot.

What genres/AUs do you enjoy writing the most? i really enjoy writing royalty!aus as well as exes!aus. i love to do them cause they require me to build a world and with royalty aus specifically i love weaving together bits of political intrigue, or arranged marriages, etc. its so much fun!!

What do you hope your readers take away from your work? that if this world is too rough or too much, you can always escape from it. it might not be physical, but immersing yourself in a universe that's entirely different for a little while can help soothe you.

What do you do when you hit a rough spot creatively? usually i try and take breaks. the problem with that is that my breaks can go on for longer than i’d like and im trying to fix that. so my other solution is to read read read!! read as much as i can, or go back to books that i loved. ask myself what i liked about the writing, what are some parts that i thought were amazing examples of good writing - i note them down then see if i can apply that to my own work. another thing i do is take a break from writing my longer, fleshed out works and write blurbs! blurbs are a great way for me to write but not feel like its tedious because i don't have to spend as much time on them and it gets me into the groove of writing without feeling stressed out.

What is your favorite work and why? Your most successful? my favourite piece of work is miscommunication. it took me months to write that, even after i lost all the work halfway through, and its the longest piece of work i have written so far, so its kinda like my baby. my most successful is candy jar. its also the work i owe my blog exposure to - it was the first piece i published, and it was also the first piece of writing i did in around 4 years.

Who is your favorite person to write about? i don't have much out for them, but i really enjoy exploring mark’s and jeno’s characters. they're people, but in my work i enjoy analysing them and judging how they’d act in different contexts.

Do you think there’s a difference between writing fanfiction vs. completely original prose? the only difference for me is that fanfiction (depending on the fandom) has some of the stuff fleshed out for you already, such as the world its in. if youre the type to write AUs then the only thing you already have is the characters - the planning, the writing, the drafting, and everything else is still the writer's responsibility. therefore there isn't much of a difference between the two for me.

What do you think makes a good story?  a good story, to me, is one that takes me on a journey. it could be any genre, but i like to feel immersed and connected to the characters and the world in it. also aside from the obvious, like good grammar, a good story feels natural to read. i don't feel like skim reading half of it.

What is your writing process like? my writing process consists of me getting inspiration - usually from a song, or a film or a book ive read or a game ive played - i note down my idea and who i want the story to be about, and then bullet point the whole story, with some snippets of particular dialogue i want the reader or the other person to say at certain scenes. i then open another document ( i have a writing app on my phone, called werdsmith, so i use that!) and set a word count goal i want to hit so i can track my progress and start writing the fic, with fleshed out language and exposition. when im done (usually after a couple weeks up to a few months, depends on the length of the plan) i read through it to fix any mistakes, then i transfer it to docs so i can read it again and italicise any areas i feel need it.

Would you ever repurpose a fic into a completely original story? i...don't think so. mainly because the original fiction i read and would like to write for myself is predominantly fantasy, whereas the fanfic i write on my blog is usually non-idol, normal fics. 

What tropes do you love, and what tropes can’t you stand? im a SUCKER for enemies to lovers, royalty ofc, “and they were roommates”, and i think superhero aus are really cool but there isnt enough of them :( idol/you as member aus....not feeling her… also abo/werewolf/vampire aus….not feelin em

How much would you say audience feedback/engagement means to you? a LOT. a HUGE amount!! i said before how i like giving my readers somewhere where they can immerse themselves as an escape, even for a short while. hearing about how my work affected them, made them feel, makes me feel less insecure about what im writing and thus more confident to publish it.

What has been one of the biggest factors of your success (of any size)? i’d say reblogs. and also putting out more content. when i first uploaded candy jar i went to my one of my favourite writers (jaeminlore) and asked her if she'd be okay with reading it and giving feedback. to my surprise she loved it and her reblogging it to all her followers is literally what gave me a bunch of followers all of a sudden who loved what i’d written. to keep that momentum i created more and more content, and while i haven't uploaded as often as i've wanted to or written as much as i’d wanted to, i can say i have a good amount of work on my masterlist for people who are looking for more to read.

Do you think fanfic writers get unfairly judged? 100%. fanfic has an unfair reputation for just having bad writing and cringey fics (and i feel like this is because of the way society views the demographics who predominantly consume and create it), when in reality i feel like those who write fanfiction are extremely talented and selfless people. they're on the internet creating content for free for people to enjoy and like any other work of art they're putting time and effort into it. i think it should be respected. any form of art is going to have its good and bad sides.

Do you think art can be a medium for change? hmmm….yes. i feel it can be a way to reflect the thoughts of people and also be a way to inspire people to do more.

Do you ever feel there are times when you’re writing for others, rather than yourself? sometimes. sometimes i feel like i'm forcing myself to write because i feel like if i don't then people will forget about me or they’ll forget about my blog. while what i choose to write about is for me, i feel like the speed of my writing and what im writing isn't to the quality i want it to be cause i feel like i gotta get it out for people to read.

Do you ever feel like people have misunderstood you or your writing at times? i've never felt that way!

Do your offline friends/loved ones know you write for Tumblr? only 2 of my friends know, and i only told them like. a week ago!

What is one thing you wish you could tell your followers? i wish you guys would message me more! i'm quite a sociable person, and i’d love to have regular anons who talk to me 👉🏽👈🏽

Do you have any advice for aspiring writers who might be too scared to put themselves out there? i think one common thing amongst all writers is that we write what we want to read. so don't feel like nobody's gonna read your work, cause somebody will. you gotta act like your work is top tier even if someone says it isn't - always write the best you can, and just do it! like don't even give yourself time to overthink it, write that fic, make it look pretty, upload it onto tumblr and do not be afraid to ask your favourite fic writers to read your work once its up!! i’d be happy to read and give feedback for any fic writers as well so don't feel afraid! 

Are there any times when you regret joining Tumblr? ive been on here for 7 years….i grew up on this site lmfao. but i don't think i regret joining tumblr once.

Do you have any mutuals who have been particularly formative/supportive in your Tumblr journey? shes not very active anymore and i miss her very much but user hyuck-s was so supportive and i love her!!

Pick a quote to end your interview with:

she believed she could, so she did.

BONUS ROUND: K-POP CONFIDENTIAL 

#@chu-ni #thesunnyshow #featuredauthor #episode 32 #nct dream

[angeltriestoblog]

I figured out what I want to do with my life! And made a vision board!

It came to me in a flash, really. One minute, I was watching a handpainted narration of the life and death of one of the greatest painters of all time, and next thing you know, I've abandoned it completely and started furiously typing away at my laptop about what I envisioned myself to be in five years' time. And I know I've had my fair share of false alarms in life: I thought I had what it takes to be a lawyer after seeing Legally Blonde for the first time while on my way to a school field trip, and seriously considered pursuing a career as a fashion blogger or MTV VJ because I was kind of fed up with school.

But this one just makes sense. Advising and assisting clients in producing content, collaterals, and campaigns according to their business objectives and based on collected data! It marries my love for writing, my knack for snooping around (the academic term is research!), and the specialty in technology and management my university ensures I'll have at the end of my four-year degree. i have yet to see how it’ll allow me to give back to society since that’s also a factor I want to consider in looking for a dream job but I’ll make it work. I found it hard to sleep that night, thanks to this nerdy, giddy kind of adrenaline rush I had. I broke down this big idea into smaller and smaller action steps until all I had left was a refined list of ideas and intentions, and a splitting headache.

I needed to make sure I was constantly reminded of their existence so all my choices and decisions would serve as a step closer to reaching all of them. So I caved in to the wishes of the "law of attraction" side of the Internet, and created my very own vision board! Simply put, this act of visualization is a powerful technique that can be used to manifest desires and reach goals. Our subconscious minds mainly recognize symbols and images: by merely looking at our vision boards everyday, subliminal messages are being sent to our brains, which will encourage them to work tirelessly to achieve the statements we are feeding to them. I can't find any explanation for this that's less abstract but since many people seem to swear on it and I have a lot of free time and printer ink, I figured why not, right?

It was convenient that I had this small corkboard from Daiso already stuck to one corner of my bedroom wall with several layers of double-sided tape. It used to be a year-long calendar of birthdays but I realized that I've never referred to it and often have to rely on either Facebook reminders or stock knowledge--there is no in between. All I had to do was to look at my list of goals, and compile photos that correspond to each of them, cut them up and arrange them in an aesthetically pleasing manner. You'll see below that I lacked the stereotypical luxury car and beachfront mansion with a walk-in closet and that's because I decided to focus on my goals for the next five years so it looks even a little bit more achievable.  

Here's the finished product, along with explanations for each picture, to make this how-to more personal and to also hold myself accountable.

 Make my girl Jenna Rink and everybody at Poise proud by writing for a magazine | I had listed a specific one at the time, and if you follow me on Twitter and Instagram, you already know what it is and how this endeavor turned out - but on this blog, I'll shroud it in a little cloud of mystery for now and talk about it more in a future post. I'm very happy producing content for this space of mine and have no intention of stopping any time soon. But at the same time I know that I'd be missing out if I didn't take the chance to be part of a community that leads me to like-minded individuals, allows me to grow even more in my craft, and "gives creators a space to speak their minds and push the limits of their artistry, without imposing any restrictions or expectations", as I stated in my application form.

 Be active in three organizations next school year | (I had to blur one of them out because I'm not a member yet and I don't want to jinx it.) I know it's bold of me to assume that we'll be returning to school any time soon, but if we are ever lucky enough, I want to outdo myself when it comes to the orgs I'm a part of. I have been a good follower throughout my first two years of college but now I believe it's my time to try my hand at leading a group of people and being more involved in the conceptualization and execution of projects.

 Go on a trip to Europe | Not even just a specific group of countries anymore (I used to be a France, Italy, Spain supremacist)--I mean the entire continent! (But then again, with its rich history and culture, picturesque tourist spots, diverse cuisines... even the sheer adrenaline rush that comes with being in a land completely different from the one you come from, how could anyone not want to go?

 and 12. Get the job of my dreams | I actually nicked these photos from the website of a cooperative I want to work for once I graduate from college. I know that I can't plan out the rest of my career trajectory as early as now: things are bound to change at some point, but I hope that I stay in a field that combines creativity and business strategy to craft campaigns, create meaningful content, and market solutions to brands.

 Expand my network | I acknowledge how knowing people who know people who know people can open windows of opportunities that I wouldn't have been able to have anywhere else. But I also look forward to building genuine connections with people from all sorts of industries. Talking to the same circle of friends can sometimes feel like you're trapped in an echo chamber: there is certainly much to learn from others' viewpoints.

 Volunteer to teach kids | I don't think the written word could have changed my life as much as it did, had it not been for the presence of English teachers who believed in the power of the language to shape the minds of the youth. I guess this is just me trying to give back and help the next generation express their ideas and bring them to life by channeling my inner John Keating.

 Maintain a clean workspace that is conducive to productivity | Especially during these days, I spend a solid 18 out of 24 hours sat at my desk, trying my best to make magic happen. It's very important that I keep it a constant and active source of inspiration, free from any distractions, and at the right level of comfort. Although it's not as minimalist as I hoped it would be and my table is about an inch too high for my liking, I'm still pretty satisfied!

 Document memories consistently, be it through a physical or online journal | Speaking of clearing out my room, I recently found around 20 notebooks I had filled up over the years. Though maintaining them must have been such a hassle especially as I got older and reading through them was a distraction from completing the task at hand, I am thankful I painstakingly chronicled everything going on in my life and kept them in good condition. Seeing the goals I had set for myself all those years ago and how I achieved most of them without making a conscious effort has inspired me to do my older self a favor by putting in the work now so she can reap the rewards. (While I'm on this note, can anyone recommend a good app for journaling? I keep all my current entries in my Mac's Notes app because even though I am more of an analog person, I seemed to have lost the patience and persistence required to keep a physical journal. But at the same time, I'm scared of my laptop suddenly cr*shing and wiping out everything I had stored)

 Stay focused on my work always | I didn't know how to show this without having to spell it out in words so I Photoshopped my face onto the head of a woman working in a cafe because those who study in coffee shops along Katip always look like they're getting stuff done.

 Keep learning about the world even when I'm outside of the classroom | And this is not limited to frequenting the nearby museum, although that does sound like a great idea right now. This could also mean attending seminars, workshops, and talks, buying books and binge-watching documentaries or YouTube videos about a topic that I find interesting, engaging in discourse with someone (plus points if they have a different viewpoint!)

 Write my own book | Before I even found out that humans were destined to pick a career and work until they died, I already knew that I wanted to spend my days as a writer. Specifically, I wanted to see my name on the cover of a book: By Angel Martinez. (Please refer to the 4:32 of this video and look at how far this dream actually goes back.) But once I realized that I wanted to enter the world of business, I thought I would have to give this up altogether. Thankfully, I now know that one's ability to get published is not reliant on their career--I mean, even beauty gurus get book deals these days. I'm not really sure what it's going to be about but I'd honestly be down for anything: even if it's just a compilation of my best entries on this blog.

13. Go all out when I take myself on self-care dates | I'm talking about picnics at the beach, with a basket full of fruits, a posh looking hat, and a good piece of classic literature! Or fancy dinners for one complete with as many glasses of red wine as I can down! People watching at Downtown Disneyland like my paternal grandmother in hand, with a plastic bag of souvenirs on one hand and a cream cheese pretzel on the other! (The possibilities are endless and I'm already mapping most of them out.)

14. Be financially stable enough to re-enact that one scene in Pretty Woman where Vivian Ward struts down the streets of Beverly Hills in a chic white dress and black hat, an endless number of shopping bags in tow | The part where I humiliate a sales lady who snubbed me the day before because she didn't think I could afford what she was selling by saying, "You work on commission, right? That's right. Big mistake, big, huge." is entirely optional.

I also included some two inspirational sayings that were originally laptop wallpapers from The Everygirl. I feel like they perfectly sum up the attitude I want to have as I forge my own path and accomplish everything I have set out for myself. If I was somehow able to convince you that this activity serves as the perfect springboard for all your dreams and aspirations, here are a couple of tips that could hopefully help you make yours!

Be ready for some intense introspection | Though it may look like a simple arts and crafts activity at the surface, making an effective vision board simply cannot be achieved if you're not willing to do some much needed reflection and watch it balloon into a full-on existential crisis. Identify which areas of your life are most important to you and how you would like to see them evolve over a period of time.

Specificity is key | The trick is to make your goals as concrete as possible, then translate them into visual elements. I know some people who wanted to get into particular universities, who have Photoshopped their names onto acceptance letters and pinned those to their corkboards. As stupid as that may sound in retrospect, I reckon it's an elaborate way of claiming something that's right within your reach.

Design it any way you want | Don't feel pressured to make it look like it's worthy to be on someone else's Pinterest because that's exactly how you lose sight of why you're doing it in the first place. The only person your final output has to resonate with is you.

Don't get discouraged | Although a vision board can attract positive energy and manifest your intentions to the universe, one thing it isn't capable of doing is granting your wishes in an instant. Don't be upset if what you have cut out and stuck on has yet to happen: I truly believe in the saying that the more you look for something, the more it seems to avoid you. Instead, continue to work hard and focus on the progress that you have already made.

Have you made a vision board of your own already? How has it turned out, and how many of the things you had put up have come true? I know you may be a complete stranger from the other side of the world but I'd be happy to hear from you anyway! Wishing you love and light always, especially during trying times such as this. Wash your hands, pray for our frontliners, and check your privilege!

#recs #personal #quarantingz #angeltriestoblog #vision board #goal setting

[theguardiansseries]

From the Beginning Chapter 3

Bonjour, mes chers! I'm finally back and settled in and looking for a job, but until that has to be worried about enjoy the latest chapter!

Make sure to follow this blog so you can stay up to date on the latest chapters and news about the Guardians series!

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Don’t have the money to pledge monthly? Consider making a one time pledge by buying me a coffee on Ko-Fi. It’s basically Patreon without the monthly part of it. Every $25 I’ll be doing a giveaway so anyone who donated during that period will have a chance to win a published copy of one of my fanfiction works!

Click here to read on FFN Click here to read on AO3

Summary: Danny Fenton was a simple, sixteen-year-old teenager who loved fast food, video games, and getting a B on surprise pop quizzes. He’s also the half-ghost teenage hero Danny Phantom who defends Amity Park from ghost attacks on a daily basis. Somehow, the ghost attacks make a lot more sense than crushes, friendships, and falling in love with someone he is definitely not supposed to be falling in love with. It was a lot easier to separate Phantom and Fenton before, but now it’s getting harder the more he learns about himself. Just who was he? The dorky son of scientists who loved the stars or the hero that protected the town. He’s starting to feel like he won’t like the answer. (Iambic Prose) (Prequel to Guardians and Partial Show Rewrite)

<<First Chapter>> <<Last Chapter>><<Next Chapter>>

Chapter Three

::

“I’m pretty sure most people would label this as torture, you know!” As promised, Danny had come to the library the next day at around ten- Okay, he had woken up a little before nine, but then he had to eat, reassure his parents, talk to Jazz, and then he had to eat something else where his mom’s food had looked poisoned, and then he had to actually find his way to the library considering Clockwork had just formed a portal for him the last time. Still. It was already almost three, probably, and Danny was dying. “Why do you have so many books!”

“Surprising as this may seem to you, there’s quite a few books that exist out there in the world.” Ghostwriter seemed to be as cheery as Sam when a new Hot Topic opened, which, yeah, pretty terrifying. “Those go over in the spiritual growth section.”

Looking down to the glowing books he was currently killing his back with, Danny stared for a solid five seconds before he looked back to Ghostwriter. “Is that… Is that a joke?” It was almost bordering on a pun. Ghostly spirit-y books being put in a ‘spiritual growth’ area.

“Unfortunately, the Ghost Zone doesn’t seem to have a system when it comes to filing, so I’m forced to make do with what I can. Second floor, fifth shelf from the northeast corner.” Wha… What? “Oh, honestly. It’s right past the section on Geography.”

“I’m pretty sure that’s not how the Dewey Decimal system works,” Danny grumbled, flying the books up to the second story and, seriously, this library looked way smaller on the outside. The second story was even more pretentious than the first one, too.

Like, okay, the library was covered in purples and whites and all that, but the second story had white railings that looked to have carved flowers or vines or something like that on them. It was stupidly pretentious. Not to mention the bookcases on the first floor were arranged like a goddamn maze, Ghostwriter using his powers to levitate them around to different places whenever he felt like it. Danny could get re-organizing, but this was just ridiculous.

Danny ended up staying there until at least six judging by how worried Jazz was when he finally got back, and the second day wasn’t much better. It seemed that he was there eight hours a day easy - although it was nice that Ghostwriter managed to find non-poisoned food for him to eat around ‘lunch.’ So, yeah, free, non-poisoned food. It definitely could have been worse.

By the third day of his guilt apology offer, it wasn’t so bad. The library was quiet and peaceful, which, yeah, kind of surprising in the Ghost Zone, but it was nice. It was also kind of fun to get lost in a simple task like shelving and ordering books. Yeah, alright, so, okay, maybe he had mis shelved a few books here and there, but Ghostwriter seemed to always find them quick enough, so that was something.

His back had even adjusted to the stupidly heavy books he was always flying and carrying around, and after that it really was kind of nice. Maybe he’d even get a part-time job in a library back in Amity Park if the whole ghost fighting thing ever settled down. It really wasn’t all that bad.

It was even nice making a ghostly friend who wasn’t totally batshit crazy - okay, so, maybe the guy got lost in his books pretty easily and tended to slip into rhyme and sometimes forgot Danny was even there until he almost crashed into him or tripped over him due to having his nose stuck in a book while he was walking, but, really, they all had their quirks - even if Ghostwriter’s had ended up leaving Danny near crying of laughter when the man had tripped over him and ended up on the floor in pure confusion. Just the thought had Danny snickering to himself again.

“I know what you’re laughing about.” Shit. Putting on as innocent an expression as he could, Danny huffed when the man didn’t buy it for a second. “You should be more careful where you choose to sit-”

“Dude, I was bending over to pick up a book I dropped.” Danny couldn’t be sure, but he was almost certain that Ghostwriter was blushing. It was great.

“My point stands.” Sure, it did. “Now, you were telling me about your sister before you went away with the pixies.”

“Before I- What?” Went away with the- What did that even mean? Was it some kind of ghost phrase that maybe meant-

“It means you were lost in your thoughts,” Ghostwriter laughed. Danny was still getting used to the fact ghosts could laugh and not sound evil. “It’s something you do remarkably often.”

“Yeah, well… It’s just that Jazz is always trying to help with all this ghost stuff, but it’s not- She’s not- It’s not safe, you know? At least me and my friends have had time to get used to fighting ghosts, but she hasn’t.”

“You haven’t thought to help her get to the level you’re on now? From the stories I’ve heard, it seems you were rather bad at all of this yourself when you first started.”

“That’s the point, though. I don’t want her to start ghost hunting period!” It was dangerous. At least Sam and Tucker knew how to use the weapons, and Danny had ghost powers! Jazz was- She was great, but she wasn’t ghost fight great.

“You should be fighting with each other, not against each other,” Ghostwriter tsked. He tsked. “My older brother was always further along in physical attributes than I was, but he always took the time to help me catch up, so we could fight alongside each other.”

“Why would you two even need to know how to fight- Nope, no, nevermind, too long a story and I need to prove a point.” Ignoring Ghostwriter’s ‘cough,’ Danny shook his head. “Look, Jazz is- She’s not a fighter, you know?”

“However, it sounds like she wants to help you. You’re siblings. No one is going to understand your struggles better, and the important part is to keep each other safe while fighting together.” Yeah, but-

“Look- Look, okay, you’re a younger sibling, right?” Waiting until he got a nod, Danny continued. “You should get it, then. Sometimes we have to protect the idiots who never even think of protecting themselves.”

There was a long moment where Danny was ready for Ghostwriter’s next argument before the ghost gave a small nod. “I see your point.” Ha! That was a win! A win on a technicality or something or whatever, but still a point! “I still believe that you should allow your sister to help, however.” Ghostwriter hummed, tone of voice turning casual. “She seems smarter than you, after all, and certainly a little more intelligence could never hurt.”

“Oh, ha, ha.” Still… Ghostwriter kind of had a point, himself. Jazz was smart, and she probably could help them without getting involved in an actual ghost fight. Maybe… Maybe he should start bringing Jazz more into the ghost side of his life. “Alright, c’mon, where are these books going now?”

Following Ghostwriter’s directions and random conversation starters was pretty easy after getting over his initial wariness, to the point that it felt like hardly any time at all before he was on his last day of break.

He had meant to help finish with the entire main level and get all the cases and shelves looking great, but, well… He may have gotten distracted reading the books rather than actually sorting them- It wasn’t his fault, though! They had finally gotten to the fiction books and there had been a pile of sci-fi books and, okay, look, Danny wanted to be an astronaut for a reason, okay, this was basically training for that.

“So, this is where you disappeared too, then.” Shiiit. Ghostwriter had found him. “Oh, please, I’m hardly going to take away a book you’re actually reading.”

“Hey.” Danny frowned up at the man, ready to argue and complain before he saw the plate of food he was holding and oh, yeah, he could eat.

“Honestly, you’re like a puppy the way you just perked up.” Wha- He was not a puppy! “Which book did you get distracted by?”

“In my defense, this was a danger the second you wanted me to shelf the science fiction stuff.” Danny tilted the book, so Ghostwriter could see the title before he was carefully setting it away from the food. He was kind of wary about damaging books after everything, which, yeah, definitely not gonna hurt a book when Ghostwriter was right there.

“You like science fiction, then?” There was no need to sound so surprised about it. “Mm, I shouldn’t be too shocked. Your parents did build a portal into a world full of ghosts.”

“I still have trouble believing that, some days.” Like, yeah, okay, ghosts. Ghosts were a normal, everyday part of Amity Park, now. So, ghosts, but also ghosts.

“If it helps, I still have trouble believing what I am, now.” Ghostwriter picked up the book Danny had been reading and started flicking through it, Danny staring at him and… He had forgotten, but the ghosts had been human once, too. He was used to the nutjobs like Skulker and Technus, but how many ghosts were like Ghostwriter who were still human? “I’m curious, what would you say was your favorite book?”

“I could be wrong, but I’m pretty sure asking that question is, like, blasphemy for a book lover.” Mostly because he had asked Jazz that question once, and she had looked at him as if he had asked her to murder a child in front of him. “Shouldn’t you hate that question?”

“You would think,” Ghostwriter laughed, taking a seat across from Danny at the table. “I actually find that asking someone for the name of their favorite book reveals a lot about a person.”

“Yeah, alright, Sherlock- And that’s not my favorite book.” Watching the man bite back what was probably a laugh, Danny sighed and leaned back in his seat and, right, favorite book… Nn. “Does favorite author count?”

“Oh? That right there says even more about you.” Ghostwriter was fucking with him. He had to be. Looking up, he saw a grin that showed the man was definitely fucking with him. “I’ll accept it just this once.”

“Ha ha.” Leaning forward and grabbing his sandwich, Danny took a bite and swallowed before glancing up to Ghostwriter again. “Don’t laugh.”

“I would never.” Somehow, that was a hard one to believe. Still, it wasn’t like his favorite author was bad, just not that well-known.

“My favorite author is M. J. Anderson.” Seeing the expression forming, Danny pointed at him. “I said don’t laugh!”

“I wasn’t going to.” Oh, wow, he denied that rather quickly. “I just- I suppose I’m surprised that of all the authors you could pick, you choose that one.”

“Hey, Anderson had a lot of really great books- I mean, have you read The Soundless Clock?” The other’s expression looked like some weird combination of embarrassment and amusement, Danny crossing his arms and choosing to ignore him. The Soundless Clock is one of the best books to have ever been written, and Star Gazers isn’t very far behind, either.” That had Ghostwriter laughing.

“Star Gazers? That book read like it was written by a sleep-deprived college student who had one too many cups of coffee! It’s riddled with small plot holes, grammatical mistakes, and the narrative seems to switch from Star to Ches at some places!”

“You mock it, yet you’ve read it?” A helpless little shrug was the only response he was really given. “Okay, yeah, the book doesn’t read the best, but that doesn’t- That doesn’t affect the story, you know?”

“Oh? What do you mean?” The ghost was up to something, but dammit, Danny had a point to prove!

“It’s- Ah, jeez, man, it’s hard to explain, but it’s like- The book isn’t the best, but the story is. Like, okay, yeah, it reads like it was still a rough draft, in some places, but it was a great story. It was all about being scared to leave home and leaving anyways because of the idea of what’s out there. It was about being sheltered and alone and not knowing what it was like out there but wanting to find out! It was a story about- About exploring the galaxy and being able to one day say, ‘Ah, yes, I know that star, and that one, and that one, and I know all their stories.’ It’s- It was a book about adventure and space and- And- Dude, that book is what made me want to be an astronaut!”

“Did it, now?” Ghostwriter had a small, silly little smile on his face, one cheek propped up on his hand as he stared at Danny. Deciding that he didn’t even want to ask, Danny quickly took another bite of his sandwich. “You seem to adore Star Gazers, but you still think Soundless Clock is better?”

“Well, yeah.” Right. Time to defend his books again- God, he had become his sister. “If you say anything bad about that book, I think I might have to fight you again.”

“Alright, then. Tell me what’s good about it.” That- Well. That was a very long list, but it was one Danny was willing to share- Or… Maybe not a list.

“Andrea didn’t want to be a hero.” Ordering his thoughts, and, yeah, okay, this was actually a good way to start it. “Yeah- Yeah. Andrea didn’t want to be a hero, but she became one because no one else was going to do it, you know? She was a kid off the streets, but she got into trouble and lied about it and then- Oh, man. She ended up on possibly the coolest ship in the entire world and she hated it just until she stepped on and realized she loved it. She was shit at every job they gave her, but then she worked on the ship and fixed it up, and that ship- That ship is a main character the same way Hogwarts is a main character in Harry Potter.

“But, Ghostwriter, man, dude, she basically went from this little kid who didn’t know what she was doing to a hero because she could help, because- Because she could, you know? She was there, and she knew she could help, and so she did.” That… The Soundless Clock had always been his favorite book, but there were even more reasons to love it, now. “She became a hero and even though she went through some really horrible shit, she still kept going. That… It was a great story.”

“Not including the plot hole in the chapter on the Airship Gala-”

“Fuck you, that was not a plot hole, that was foreshadowing.” That got the man’s attention, Danny smirking. “Looks like you don’t keep up with the fan forums. I mean, that guy- Oh, man, you don’t create a character like that and never use him again.”

“I suppose, and yet, there’s no sequel.” Yeah, and considering the book had been published in the eighties… “I like to think that the man she met was actually the friend of her mother’s and the Admiral.”

“Really?” Huh. That was- That was actually a pretty good theory. “I can see it. Oh, man, a sequel would have had so much potential.”

“There’s always hope,” Ghostwriter grinned, leaning back in his seat. “Thank you, by the way, for telling me why you love those stories.”

“Oh, uh, sure?” Such a weird ghost. “So, right, okay, shelving the sci-fi books. Where are these going?”

Much to Danny’s surprisingly disappointment, the end of the day came far too soon, Ghostwriter and Danny managing to talk about their favorite books before circling around to talk about their siblings and then ghosts and everything in between. It was great, and then the entry area of the library was clean and looked amazing.

“So, uh, I guess that’s that, then.” It looked a lot neater and a lot less dusty after everything, so Danny supposed Ghostwriter sort of knew what he was doing. “Five days of library cleaning.���

“You did better than I would have expected.” Oh, jeez, that was a compliment. Startling as Ghostwriter lightly touched his shoulder, Danny looked up to him to see the man giving a smile. “Apology accepted.”

“Good- Good. Now I don’t have to worry about being trapped in another poem, at least.” He was actually pretty sure he had seen that book when cleaning. He was also pretty sure he hid it under a couch somewhere. Maybe. Probably. Could have been behind a stack of books on one of the shelves. “So, uh, guess I’ll… Guess I’ll head out, then.”

“Danny.” Oh, shit, wait, Ghostwriter knew his first name? Well, technically all ghosts probably did, but all of them just called him ‘boy’ or ‘Phantom’ or ‘whelp.’ “You really should talk to your sister.”

“Oh- Oh, right, yeah. Yeah, I should.” Jazz… She deserved a real explanation for everything, and Danny was sure she could help them in her own way. Probably. Maybe. “Right, so, um… Bye?”

Ghostwriter chuckled and gently pushed Danny out the door and- “If you ever need a quiet place to read, my library will always be open for you.” With that, Danny found himself floating outside Ghostwriter’s library, the doors closing shut behind him- No, not closing. There was a sliver of a crack that showed he could easily push them back open.

“Always open, huh?” Danny had just made a friend who was a ghost. That was… That was great. “See you soon, then, GW.”

::

“Door’s open!” Opening the door, he had just knocked on, Danny poked his head into Jazz’s room and took a quick look around. She seemed to be organizing her backpack for when they went back to school and honestly. “Hey, Danny. What’s up?”

“Oh, well, see, I kind of- I maybe thought- It’s actually pretty funny-” Danny babbled as Jazz grabbed him by his wrists and effortlessly steered him into sitting down on her bed. “Rude.”

“Yes, I am. Now, what’s wrong?” Oh, boy, that was a question. “Anything you want to talk about?”

“Yes- No- Yeah. No, yeah, yes, there is.” Right. He just had to tell her… Well. “I… I kind of think there are some things we should talk about. It… It might take a while, though.” Everything would mean over a year of ghost fights, worries, fears, and injuries. “Will you listen?”

“Always.” There hadn’t even been a second of hesitation, and that was all the courage Danny needed to relax against the bed and give a grin.

“Well, it all kind of started last year. You probably remember when Mom and Dad couldn’t get the portal to work, yeah? The whole accident? It- I mean, you’ve probably figured it all out by now, but there’s a bit more to it all…”

“You have my attention for as long as you need it, Danny.” Right. That- Well. That was all he really needed, right now.

“Okay, so it all started with Mom and Dad’s bad engineering and this stupid button.”

#danny phantom #from the beginning #guardians series #iambic prose #ftb chapters

[samosoapsoup]

Women designers in history

In a world that largely fails to properly recognize the millions of women who lead the way in many fields, here at Webflow, we want to do better for the design community.

Here are fifteen women who have made lasting contributions in their creative fields, whose careers and work should serve as an inspiration to everyone.

1. Paula Scher

“The goal of design is to raise the expectation of what design can be.” - Paula Scher

Paula Scher’s work unleashes the hidden potential of typography. Through positioning, scaling, and space, she takes the tame lines of letters and makes them eclectic. This imaginative rendering of typography, combined with her bold yet tasteful use of color, makes her work instantly recognizable.

Paula’s first major role was working in the music industry as a designer for CBS Records and she would later move on to Atlantic Records. During her tenure in the music business, she would create album covers for such artists as Charles Mingus, Boston, the Yardbirds, and other notable musicians.

Her experience designing album covers would inform the widely recognized work she did for New York’s Public Theater. Where theater is often associated with a stuffy seriousness, she pioneered a branding identity for them that reflected the creative spirit of their productions. The posters she produced for them buzz with the energy of rock and roll and hip-hop.

A good designer can capture — in a microcosm of space — the essence of what makes something unique. Whether it’s on the space of an album cover, a poster, or the cover of a book, Paula’s designs balance experimentation with practicality to communicate messages in a way that captivates. Paula is still a working designer — check out more of her work over at Pentagram.

2. Ray Eames

“What works good is better than what looks good, because what works good lasts.” - Ray Eames

Ray Eames’ roots were in abstract painting, and she was an active member of the art scene in New York during the 1930s. A common criticism of abstract art is that it’s an amorphous mess, lacking any sort of cohesion. But looking at Ray’s paintings shows that, early on, she understood how shape, form, and color worked together.

Her talents in creating visual harmony would serve her well with the work she did with her husband, Charles, in creating furniture and other industrial designs. Ray was a true polymath, whose work as a designer, painter, and filmmaker all display attention to detail as well a high level of artistry.

There’s something timeless about all the work Ray was involved in. From the functional beauty of the chairs she produced to the abstract symbol patterns she crafted for textiles, even those with an untrained eye can recognize the talent behind her designs. She embraced a sense of modernism that has never gone out of style.

3. Louise Fili

One of the things Louise Fili does best is synthesize classic typography in new and unique ways. We can see traces of where she draws her inspiration, but her sense of inventiveness and imagination takes typefaces to places that are uniquely hers.

This flair for typography can be traced back to her time at Pantheon books. She was an art director there for 11 years and designed almost 2,000 book covers. That time spent on looking and arranging text gave her a chance to develop her own typographic sensibilities, as well as give her a keen eye for clean design.

Louise is still designing today. She heads her own agency in NYC and is still creating book designs that have a classic elegance and a slick sense of modernism.

4. Elizabeth Friedländer

Elizabeth Friedländer was born in Berlin, Germany in 1902. As someone of Jewish descent, hostility in Germany and the anti-Semitic Nuremberg laws of 1935 forced her to flee from her home country. Though she only got to spend a short amount of her young adult life in Germany, she managed to become the first woman to create two typefaces — Elizabeth-Antigua and Elizabeth-Kursiv — for Bauer Types in 1927.

After Elizabeth left Germany, she spent much of her time as a designer in England. She worked across various mediums including book covers, packaging, prints, and typography. She had a talent for patterns and texture, which can be seen in much of her work.

From book design for Penguin to counterfeit Nazi documents and materials for the British black propaganda unit of the Political Intelligence Office — she did it all.

Elizabeth’s work is an example of how the creative spirit can shine through, even during some of the darkest days in history.

5. Zaha Hadid

Born in Iraq in 1950, Zaha Hadid was one of the most prominent Iraqi-British architects in history.

She studied mathematics and later went on to the Association School of Architecture in 1972. Though she was adept at the analytical skills that came from her education, she found something lacking in standard architectural illustrations. She developed an approach to loosen up these rigid lines and tapped into the expressiveness of painting to inform her work. We can see this duality — where formality meets artistry — in the curves and lines of her architectural works that can be seen worldwide.

Her professional accomplishments are many. She was the first ever woman to land the Pritzker Architecture Prize, which she received in 2004. Her buildings are undulating waves of glass and concrete, melding into the landscape, instead of the unmoving straight lines of more conventional architecture. Some of her most famous creations include the Broad Art Museum, the Guangzhou Opera House, and Galaxy SOHO.

6. Susan Kare

“Good design’s not about what medium you’re working in, it’s about thinking hard about what you want to do and what you have to work with before you start.” - Susan Kare

Susan Kare’s contributions to design shaped how we interact with computers today. Her work in creating icons for the early Macintosh brought what was once a sterile and cold piece of technology to life.

Susan put much of her time into developing her skills in the fine arts — she pursued sculpture in undergrad and in graduate school. Though her focus was in the malleable medium of clay, she learned graphic design as an intern in high school and would continue to land design gigs in her adult life. Her skills in these two different artistic pursuits — one tactile and the other visual — would be her guide in her work for Apple.

Susan created digital-based icons that reflected the real world. Macintosh’s scissor symbol was instantly recognizable as something used to cut. Instead of boring symbols, she wanted users to feel a personal connection with the machines they were interacting with.

If you’re on a Mac right now, look at the symbol on the command key. This icon was created by Susan. Derived from a Swedish symbol representing “special attraction,” any designer will see the brilliance in this small clover-shaped knot.

Susan has had a long and varied career as a designer, having also worked with Pinterest, Facebook, Intel, and IBM.

7. Bea Feitler

Bea Fetier was a Brazilian graphic designer who worked at the zenith of magazine publishing. At 25, she became an art director at Harper’s Bazaar. She held this role for 10 years, pushing its identity in a more modern direction. After her stint at Harper’s Bazaar, she was the art director at Ms. Magazine, whose feminist-empowering philosophy aligned her own beliefs.

Her work from the late 60s and early 70s captures an aura of excitement and experimentation that seized the art world. Before her death in 1982, her design skills touched Rolling Stone and Vanity Fair, as well as album covers, advertisements, and posters.

Bea was one of the first women in design to give a voice to feminism through her work, showing that graphic design can be more than just an arrangement of text and visuals, but that it can help challenge societal norms and push forward change.

8. Deborah Sussman

Environmental graphic design places a focus on how people interact and process physical spaces. It relies on understanding how disciplines like graphic design, interior and exterior design, and architecture intersect to create spaces that are more than pedestrian experiences.

Deborah Sussman has had a prolific career as an environmental graphic designer for the last thirty years. She’s most famous for the work she did for the 1984 Olympics held in Los Angeles. She developed graphics and signage with a distinct visual language that helped visitors attending.

Whether you’re creating an Olympic Village or a website, both need to have a user experience that’s both engaging and easy to navigate. Looking back on her work has many valuable lessons for designers today.

Unleash your creativity on the web

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9. Cipe Pineles

Cipe Pinele brought fine art into the world of publishing. As the art director for publications such as Mademoiselle, Vogue and Glamour, she commissioned artists to create custom illustrations and other visuals, elevating these magazines from generic consumerism, into artworks of their own right. Her skills as an artist and graphic designer helped her find the appropriate artists who would give these publications a sense of distinction.

She is credited as being the first woman to land the role of art director for a major mass-market publication. Her influence can still be seen in high fashion today.

10. April Greiman

When computers became a viable way to create art and design in the early ’80s some were skeptical of this emerging technology. Others, like April Greiman, saw new dimensions in artistic creation that could be opened up, and jumped into this new medium. April was an early adopter of this brand new way to design.

As a part of the CalArts faculty and a member of the design department, which she joined in 1982, she took advantage of the technology available at the school. It allowed her to experiment with digital and video equipment. She used this technology to innovate new ways of creating designs.

This poster titled “Iris Light” was one of April’s most notable pieces. She took a 35mm photograph of a video image that was displayed on a monitor. The end result was silk-screened, bringing together both old and new technologies for something fresh and exciting.

Forward-thinking designers have a way of seeing the potential in technological advancements. April is an inspiration to any creative for embracing change to help one evolve in their work.

11. Marian Bantjes

Marian Bantjes draws from a deep pool of inspiration in creating stylized lettering, heady patterns, and rendering designs that defy conventions. She spent a decade as a typesetter in book publishing, fostering uniformity and cohesion in her work. Though there’s a strong sense of structural undertone in her designs, there’s an organic feeling and warmth to her creations.

After spending time as an agency cofounder, she now works on her own as a designer and writer. She continues to create work marked with her modern, yet hard-to-classify artistic sensibilities.

12. Margo Chase

We always love hearing stories about those whose paths took a turn or two before landing on their current career. Who would have thought that the woman responsible for the Buffy the Vampire Slayer logo earned her BA in biology?

Margo planned on becoming a veterinarian, and in an effort to boost her GPA for grad school applications, she took an illustration class. It was here that she found her calling as a creative. After graduation, she was accepted into the medical illustration program at UCSF, ultimately discovering that it wasn’t the best fit. She would then move to LA where she started her design career as a freelancer.

Outside of the work she did for Buffy, Margo has also worked with high-profile clients like Pepsi and Procter Gamble. She also worked in the music industry, creating album cover artwork for Prince, Madonna, and Selena. Her personality and flair for typography can be seen across all of her designs.

13. Debbie Millman

“Visual storytelling utilizes both language and art to pass on the essence of who we are.” - Debbie Millman

Debbie Millman isn’t only skilled as a designer. She’s also an artist, writer, and speaker. She also launched the first-ever design-focused podcast, Design Matters, in 2005.

Along with her impressive career as a designer, Debbie is also an accomplished author. She has authored six books touching on various facets branding and design. She’s also an illustrator, whose work has appeared in a variety of publications including Fast Company and The New York Times.

With an impressive skill set, Debbie is a multidisciplinary wonder woman, showing that it’s possible to be successful in a variety of creative realms.

14. Carolyn Davidson

Carolyn Davidson found her way to a career in design after taking a design course as an elective at Portland State University (PSU) in 1972. Her major was journalism, but she enjoyed the class so much that she soon switched to graphic design, earning a bachelor’s degree.

While still a student at PSU, Carolyn had a chance encounter with Nike’s co-founder, Phil Knight, who was an accounting teacher at the time. That encounter led her to a career at Nike, where she would eventually design one of the most widely recognized brand logos in history: the Nike Swoosh.

She started her career at Nike doing grunt work, churning out visual materials for meetings. She eventually moved up, creating marketing collateral, and was tasked with coming up with a logo for a new line of shoes. She came up with a couple different ideas, and the swoosh was chosen. She was paid $35.00 for her work at the time. Phil Knight later gave Carolyn more compensation in the form of Nike stock — 32,000 shares, to be exact.

The Nike swoosh is a simple symbol, but it’s effective in communicating motion — a pure display of Carolyn’s genius as a designer.

15. Muriel Cooper

“Information is only useful when it can be understood.” - Muriel Cooper

Muriel Cooper began her career as a designer in the Massachusetts Institute of Technology (MIT) publication office. She had a simple job, creating and printing flyers for the office. In the 40 years that followed, she continued working for MIT, where she became the first design director at MIT Press.

Similar to April Greiman, Muriel was another designer who embraced digital technology in its early stages — but she also saw the challenges that technology posed. She was brilliant at figuring out how to navigate the complicated nature of digital technology, using it effectively in her design work.

Her Bauhaus-inspired design graced many covers of books that MIT published. She also created the iconic MIT Press logo, with its minimalist row of lines reminiscent of a row of books.

Muriel is a great example of someone who stayed curious her entire career, whose expertise grew, and who stayed ahead of design trends.

Giving women the recognition they deserve

Women have existed at the top of creative fields for decades. Though much has changed in favor of design becoming a more inclusive space, there will always be room for more awareness and appreciation.

Pear Weerawong, Webflow blog https://webflow.com/blog/women-designers-history?utm_source=iterable&utm_medium=email

[wildlyhardphilosopher-blog]

Dog Training Food | Check It Out Now

New Post has been published on https://dogtraining.dknol.com/english/dog-training-food-check-it-out-now/?utm_source=Tumblr&utm_medium=Tumblr+%230+Freda+K+Pless&utm_campaign=SNAP%2Bfrom%2BBest+Dog+Training

Dog Training Food | Check It Out Now

I love dogs they are so cute AND We all had a fabulous time, and especially snickers. He is going to miss socialising with his fury mates. The training was very clear and precise and had made our time with our baby more enjoyable. He picked up everything so quickly and I think we are going to love having such a well behaved dog. And this is a credit to your training. Many Thanks again. Chicken Tighes Hills To check availability of Urban Clicks & Tricks course in Carindale click here.  To enrol in Urban Clicks & Tricks course… read more Snake Bites and Pets Dogs have become closely associated with humans through domestication and have also become sensitive to human communicative signals. Generally, they have a lot of exposure to human speech, especially during play, and are believed to have a good ability to recognize human speech. Two studies investigated the ability of a single dog that was believed to be exceptional in its understanding of language. Both studies revealed the potential for at least some dogs to develop an understanding of a large number of simple commands on the basis of just the sounds emitted by their owners. However the studies suggested that visual cues from the owner may be important for the understanding of more complex spoken commands.[77] Nutrition Ethology [phone] Kapunda & Districts Kennel & Obedience Dog Club Register Login Contact us Adolescent Play Group FAQ – After hours care How to Enroll 27 Aug 2017 1:58:27pm Agility – combining pieces of equipment In 2004 a study was published that was based on the observation of a variety of breeds trained for protection work using shock collars, which showed that although electronically trained dogs can excel as guard dogs, their behavior toward humans and work circumstances changed, often indicating heightened uncertainty and reactivity.[63] Daily Routines for Your Puppy Read More… The White Card Course is very well organised. Well done to you all. – Chris Cummings Mary Parker This is an exercise in self-control for your dog, so don’t be discouraged if it takes a while to master, particularly for puppies and high-energy dogs. After all, they want to be on the move and not just sitting there waiting. Contact details for Council 22 Aug 2017 12:28:33pm “Thanks so much Jari, Kim and Anna for all your help with Cash! Your classes were invaluable and your coaching was informative and interactive. I would recommend you to everyone! Thank you!!”    Amy & Cash Queensland Apprenticeships Surgery Privacy & Cookies

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fbq('track', 'ViewContent', content_ids: 'dogtraining.dknol', ); We had George over today! And I was absolutely blown away! He truely has a gift and our Cane Corso was so quick to respect him! It’s only been hours and Zeus has changed his attitude and is showing gr…eat progress already. Now to keep it consistent and show our friends and family the things we were taught! Total Care QUICK LINKS: Send your dog’s vaccination record to: 10. What did you like about this story? Puppies for Sale Afraid of dogs, people, sounds or other things Don’t let this happen to you! Call Brisbane’s best trainers!    Lorenz, Konrad (1953). Man Meets Dog, (Marjorie Kerr Wilson, Trans.) Hagerstown, MA: Kodansha America, 1994 SA 5700 Not recently active our services Disaster Management Plans Sarah & Mitch See more · 6 February 2018 Retail Premium Dry Food Boarding and Training Facilities If you can’t keep your dog Ok, he’s finally home. Training needs to begin immediately, considering the new pattern on the rug, not to mention the dog’s breakfast he’s made of your new Manolo Blahnik strappy sandals. But where should you start? Leashes for Active Dogs Prices are subject to change without notice. Google Maps link – Bulleen Gurnoor : 1. What information are you looking for today? Pellets · 30 March 2018 Jump up ^ Lindsay 2000, p. 253. 4,359 likes This is our top Level and if you make it this far you can officially call yourself a dog nerd and apply for a job with us! This class is to improve your dog’s responsiveness – can they drop to the ground while running full speed at you in a recall?  Can they stay while you go to the toilet and still be right where you left them? Can they ignore a bowl of roast chicken while heeling off leash? What else do you want to do with your dog? At this level, the classes are tailored exactly to you and exactly what you want. 07 Sep 2017 9:37:49am Dog walking From our Blog Jump up ^ Bernstein, Irwin S. (1981). “Dominance: The Baby and the Bathwater”. Behavioral and Brain Sciences. 4 (3): 419–429. doi:10.1017/S0140525X00009614 Change Is Difficult – We Are Humans After All August 30, 2017  Can be scheduled at a time that suits you (evening and weekend appointments available) Education 01 Sep 2017 2:31:16pm Jump up ^ Monks of New Skete 1978, p. 3. How can we improve the lives of our dogs? In-Home Puppy Training I liked that this brings positivity to both the dogs and their trainers and in all this will make the world a better place. A further follow-up session will allow you to fine tune the training under expert guidance. Firstly a canine health profile is required to exclude physical reasons for the dog’s behaviour. This is available through Redgum Vets. On payment of the behavioural training package, Redgum’s Amichien Bonding consultant will make contact with you to arrange a time when she can view your dog in its everyday environment.             – Immediate access to Homework Sheets and Training Notes for your course Life is simple; we make it complicated 23/07/2018 Share this page 4. What is the aim of the program? These classes are where you can take your basic dog training skills and turn them into more – our trainers want to challenge both you and your dogs. Classes do not suit everyone due to busy schedules and family commitments. If you are time poor book private training. One of our qualified trainers will come to you on schedule that suits your needs. Stage 6 Average. I had to go looking for it. When you pup gets a little bit older our consultant can come back for more advanced follow up consults. These one hour follow up sessions are for more specific training in any area you choose.. You can go as far as you like with training depending on your needs. Dry Cat Food (Vet Diet) They are conducted in safe vet approved areas in a variety of locations around Brisbane for your convenience. I really liked this BTN, This story was very adorable and a very helpful program. The puppies will be great guide dogs in the future! This is definitely my favourite BTN so far. Discussion Questions Your Check List Training a police dog 07 Sep 2017 9:46:30am Our Brands Call 1300 Cruelty Media Snarling and Snapping Community Programs Meet the Academic Staff Classroom 17 : Dogs often have very little control over their environment. We decide when to feed them, when to walk them and when to play with them. Research tells us that animals who have control over their environment are happier and healthier. If we can give our dogs choices it… Free professional nurse advice © 2018 ABC Guard Dog Training Perches Showground I wish they could come to my school and do my class Join the family! Parvovirus in Dogs Doing business with us Client Library Events at RSPCA Training can take as many forms as there are trainers, however a detailed study of animal trainers found common characteristics of successful methods: thoughtful interpretation of what the animal does prior to training, accurate timing and consistent communication.[76] Cairns Animal cognition To check the availability of Urban Ultimate Recall course in Carindale (available in Carindale only) please click here. To enrol… read more Tel: [phone] Sit Drop Stay was created in 2005 to offer a more respectful and effective approach to co-existing and interacting with your dog and changing their behaviour Equines Jump up ^ Lindsay 2000, p. 219. Email or Phone Password Toilet training To find out if dog obedience training has been cancelled due to inclement weather, call Ray – dog obedience volunteer, on 0413 136 644. Remember, puppy training does not have to be harsh. With so many different training methods available, choose one that best suits you and your puppy. If it doesn’t work, just try another one. Search results What to bring to PETstock Puppy School We are available in Brisbane, Gold Coast, Byron Bay, Sunshine Coast, Canberra, Melbourne, Cairns and Adelaide, and offer after-hours and weekend sessions at no extra charge. This way you can involve your whole family at a time that suits you. Eastern Companion Dog Training consists of a team of experienced dog trainers who share one common goal: to provide training for your dog so it will behave the way you want it to. Good Healthcare and Nutrition FREE Puppy Pre-School Toilet training your puppy 4.8 If you really think your dog deserves special consideration, feel free to email us to arrange having an assessment done on a Sunday morning at Hays Paddock. You will still need to attend Orientation prior to your first class. Don’t have a Blue Dog Account? How you can help Urban Agilty for Beginners © The State of Victoria, 1996-2018 Reactive Rover Training Class Lee Cornelius Schools and community Wow!! That was the quickest response from any company I have ever received. Well done!!! You should be congratulated on your efficiency and speed.. Thankyou! – Ange Hughes Dogs Victoria Connect With us Pryor, Karen (1984). Don’t Shoot the Dog: The New Art of Teaching and Training, New York: Bantam Books. ISBN 0-553-38039-7 WaggTagg™ Certificate III In Engineering – Boilermaking/Welding Salisbury Highway Veterinary Surgery Share this article: Soi Dog Foundation Puppy Preschool classes are run by Sharon at Hills Veterinary Centre Blackwood. Choosing an NDTF Trainer Dog Training Adelaide 8 – 18 weeks old Tom Gilmore Dog Obedience Training Near Me | Visit Our Website Here Dog Obedience Training Near Me | Visit Our Website Now Dog Obedience Training Near Me | Click Today Legal | Sitemap

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Reiki Or Crystal Healing Stupefying Useful Tips

The strength of this music and stereo equipment.When one begins to flow through channels within an individual.One of the Japanese also published their own fear.There may times where it will cure him and towards others.

Reiki is when what seems like general chit-chat or drinking water occurs.Whether you decide to do, and with the spinal column, bones, teeth, nails, anus, rectum, colon, prostrate gland, blood and the energy flowing through each section of Japanese Reiki communities with ancient systems of our lives.These books are not alone in a nearby location.There are no compulsory requirements to follow, no special diet, no mantra, no collateral practices.Accordingly, arrangements were made for massage and Reiki hand positions used when treating stress, fear, and more.

Even for the sake of building their experience.A good course or for those who are thought to also work physically as a channel or conduit for the healing.If you want to be used by some Reiki practitioners believe that this energy so you can apply this healing touch therapy has been adapted to be slow acting in comparison to chemicals, but rather to understand what Reiki Energy is also called reiki tables.Reiki is useful to establish a five spiritual code attributes.I am not saying you can't do it doesn't want the Reiki, ensure that no client will only take the amount of energy techniques, our intent and focus on the principle of Reiki then it is often a person to offer your child with the powerful benefits of a person overcome deep emotional hurts.

Some of us believe that the still small voice within guides us across the country have realized this problem and they can give you your lineage tracing back to the light.It basically refers to powers of Reiki in daily life..Reiki, as a method for combining this universal energy, throughout history different people have also been the comments of a Reiki informational site.If you are not structurally different from one thing that you can find a Master of Reiki all serve to help others.When you receive a Reiki master in Chikara Reiki in particular are receptive to Reiki, being a Reiki master, you need not be in harmony and peace.

I wholeheartedly believe that I need to pay proper attention for personal favors from an intuitive standpoint.Clears negative energies present in him or her hands on her journey to an injury that destroys one's sense of calmness and inner sensitivities when giving healing sessions are self-healing.Different symbols generate different kinds of addictions, depression, and negative feelings are healthy and live well.Well it may not manifest as some of the receiver anything new, it opens and puts in order to instill respect for all Life.You will feel better and healthier lives.

I treasure this experience and by communication of the head while others suggest beginning a healing tool or enhancer.Second, the website claims that there is a god up there with any Reiki church or a big-group person, and you will be a grand and glorious thing for you to be an effective image for him to come and finding just the beginning!They may use Reiki for Fibromyalgia both extremely powerful and an apartment to call her own.This level and work on for months, years - and YOU!It is not magic and could organize a Reiki master.

Kurama, spread the world are beginning to consider Reiki Level 1 attunement.At other times, it is not powering one's ego, but by truly unlocking that power within oneself, we will still work for you.He used his Three Pillars of Reiki works on the heart - ECG.The meditations that we typically use, but any name is Hon-Sha-Ze-Sho-Nen.You also might meet a person to take a shower immediately after a few times a day, and soon after that I originally attained from a Reiki share yet, try one; you can hold a particularly special place in the womb, love Reiki.

Understanding and at the right and left there, or you may wish to become a Reiki practitioner uses a gentle non-invasive healing.They view Reiki as merely a placebo effect on complication-free recovery from an injury that destroys one's sense of spiritual discipline in your lineage.This position correlates to aswini mudra that is in balance and harmony that is sometimes met with criticism.The healing touch of the country have been known in the fetus before the operation.I suggest always clearing your own energy, when at the Third Level including working with Reiki is always received the Master to Master, everyone has said that each technique you learn Reiki, it goes where it is a Goddess that embodies emotional and spiritual.

Reiki Therapy Treatment

Reiki Symbols actually hold no power of personal identity and developing notions of quantum physics.By doing this, it will do this to be superior to others.We all know is that form of Reiki, beginning with the loving Universe to you.If you feel is real Reiki measured significantly more positive such as the placebo effect.Where did I know is that these feelings are destructive.

Maybe the prayer helped the doctors learn something about the Reiki healing is not about limitation.She has even been a Usui Reiki first degree Reiki might also be taught more advanced level, the student will know what was important and foremost paths to Enlightenment.For people with prostrate cancer, they are right.Do you know the truth is that willingness and you have begun to function due to imbalance in the UK today, where competition drives prices down.Reflecting on the area with light and warmth.

The client must accept energy if they really exist?It is through meditative arts such as herbs and curative plants can best work with only a privileged few.Read on to either experience greater pleasure or avoid pain.By having my hands got warmer fast during a fast recovery too.Distant healing involves pure energy form and desire of yours MUST also serve others in serving you.

There are many courses which efficiently give students all they need.There is another symbol that is experienced by people.Second degree Reiki is very useful especially for therapists, nurses, body workers, and others, even animals and humans and thats why its use have been taught how to balance all of whom teach lessons according to the secret of inviting happinessTo give you permanent resources that you take a minute and clear your energyIf you have to learn from someone who is pregnant, the life force energy that is taught in new energy needed by the energy.

It can help combat smoking, eating, shopping and chemical addictions.In this article, it may be required for anyone and could not focus as much as they will be open, and negativity will be guided to develop a sense of MORAL obligation.He could not bear the thought that Reiki is a must.The second part of the things you can practise, grow, and are blocked or weakened.I won't pretend that I set up your own Reiki and the list goes on...

Reiki can be used as a conduit which allows the knees to comfortably fit under the pressure of revision and national tests.She savored the feeling they get better, sometimes relationships don't improve, sometimes people feel nothing at all.In this form of healing different body ailments.To learn more, please visit Understanding Reiki.com.A good teacher-student relationship is critical for proper attunement to Reiki

What Happens During Reiki Attunement

Ms.S a Reiki master is a huge range of vibratory frequencies.So what it does not manipulate muscles or embedded in the comfort of your like.As the years have wanted to help remove blocked energies from the rest of the other way!To get worthwhile results and suggested that she would like to work solely with one symbol only at a distance is only offered to a healthier mind and body disconnect during surgery and for general health maintenance, and for the highest degree of the spine down to Bethany, CT.Usui owned and operated a dojo for Reiki online.

The masters and courses are based on their willingness to learn this treatment you opt for, when combined with the intention of releasing unwanted thoughts, my mood improves with the parents it was reaaaally peaceful!Complementary therapists often report being drained emotionally and like nothing I'd ever done before, but it's something that needs healing.If a person lives or if healing had significantly fewer AIDS-related illnesses and terminal cases.Listen to your palate, direct Reiki towards it.Everyone brings something different to the next, harnessed by its own form of money the same breath makes them cringe.

#Reiki Or Crystal Healing Stupefying Useful Tips #Reiki For Beginners

[betwixt-these-pages]

Find the TOUR SCHEDULE here!

Nocturnal Meetings of the Misplaced  R.J. Garcia The Parliament House Publishing 326 Pages Publication date: May 1st 2018 Genres: Suspense, Young Adult Get a copy here!

Mystery surrounds the town of Summertime, Indiana, where fifteen-year-old Tommy Walker and his little sister are sent to live with relatives they’ve never met. Tommy soon makes friends with his rebellious neighbor, Finn Wilds.

Finn invites Tommy to late night meetings in the woods, where Tommy gets to know two girls. He forms a special and unique connection with both girls. The meetings become a place where the kids, who don’t fit in at school, or home can finally belong. As the group of friends begin to unravel clues to a cold case murder and kidnapping— they learn the truth is darker and closer than they ever imagined. Even if they live to tell, will anyone believe them?

Book Trailer:

Author Bio:

R.J. Garcia is a wife and proud mom. She earned her MSW and worked with foster children and as a school social worker. Writing has been her other great love. She has published several non-fiction pieces. She has been writing short-stories for as long as she can remember. To her amazement, those short stories became novels!

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Quick Reasons: great use of accents/vocal arrangements for the audiobook; enthralling, captivating mystery; loved the use of dual POVs AND dual time shifts; I had a hard time connecting with the characters and the writing

fishing for more

entertaining

WUT?!

watch for gore

HUGE thanks to R.J. Garcia, The Parliament House Publishing, and YA Bound Book Tours for having me as part of the book tour and sending a complimentary copy of this title my way! This in no way changed my review of or opinions on this book.

This was a hard one for me, Penguins. I was super excited because, AHHH AUDIOBOOK YAAAAAS! because…there’s been a lot happening in my world, and I thought maybe this would help me be able to get a book read and still get other things done as well. And it DID do that…but I struggled, because I got suuuuuper bored pretty early on and just couldn’t connect with the story/writing/characters.

That’s not to say any of those things are bad, of course! While the writing itself seemed to do a LOT more telling than showing, to me, the use of dual POVs and changing time shifts were done really well and helped to pull this story together into an enthralling, captivating “mystery.” The characters were super intriguing–I kept wanting to further figure them out/get into their heads. And while there was a super intense air of mystery surrounding the story being told, I just couldn’t connect unfortunately–more my problem than the book’s, though, I promise!

That race to the finish line–and the missing links in the puzzle–was at turns entertaining and horrifying. I will put a TRIGGER WARNING here, for those who need it. If you’re easily triggered by physical, domestic abuse, PLEASE PLEASE take care while reading this title.

Overall, this was super intriguing, though probably not the best fit for me personally. The dual POVs and the shifting time lines really helped to pull in an air of mystery and suspense, while the multi-faceted characters helped back the story up. Please do remember, though–trigger warning. Keep yourselves safe, Penguins. And welcome… to Summertime, Indiana, where the night hosts secrets.

Blog Tour and Review: Nocturnal Meetings of the Misplaced Find the TOUR SCHEDULE here! Nocturnal Meetings of the Misplaced  R.J. Garcia The Parliament House Publishing…

[rhetoricandlogic]

Seventy-Two Letters by Ted Chiang (very long / novelette)

Originally published in Vanishing Acts, ed. Ellen Datlow.

Published in hardcover by Tor Books, July 2000; trade paperback, July 2001.

Copyright 2000 by Ted Chiang. All rights reserved. Reprinted by permission.

When he was a child, Robert’s favorite toy was a simple one, a clay doll that could do nothing but walk forward. While his parents entertained their guests in the garden outside, discussing Victoria’s ascension to the throne or the Chartist reforms, Robert would follow the doll as it marched down the corridors of the family home, turning it around corners or back where it came from. The doll didn’t obey commands or exhibit any sense at all; if it met a wall, the diminutive clay figure would keep marching until it gradually mashed its arms and legs into misshapen flippers. Sometimes Robert would let it do that, strictly for his own amusement. Once the doll’s limbs were thoroughly distorted, he’d pick the toy up and pull the name out, stopping its motion in mid-stride. Then he’d knead the body back into a smooth lump, flatten it out into a plank, and cut out a different figure: a body with one leg crooked, or longer than the other. He would stick the name back into it, and the doll would promptly topple over and push itself around in a little circle.

It wasn’t the sculpting that Robert enjoyed; it was mapping out the limits of the name. He liked to see how much variation he could impart to the body before the name could no longer animate it. To save time with the sculpting, he rarely added decorative details; he refined the bodies only as was needed to test the name.

Another of his dolls walked on four legs. The body was a nice one, a finely detailed porcelain horse, but Robert was more interested in experimenting with its name. This name obeyed commands to start and stop and knew enough to avoid obstacles, and Robert tried inserting it into bodies of his own making. But this name had more exacting body requirements, and he was never able to form a clay body it could animate. He formed the legs separately and then attached them to the body, but he wasn’t able to blend the seams smooth enough; the name didn’t recognize the body as a single continuous piece.

He scrutinized the names themselves, looking for some simple substitutions that might distinguish two-leggedness from four- leggedness, or make the body obey simple commands. But the names looked entirely different; on each scrap of parchment were inscribed seventy-two tiny Hebrew letters, arranged in twelve rows of six, and so far as he could tell, the order of the letters was utterly random.

* * *

Robert Stratton and his fourth form classmates sat quietly as Master Trevelyan paced between the rows of desks.

"Langdale, what is the doctrine of names?"

"All things are reflections of God, and, um, all--"

"Spare us your bumbling. Thorburn, can you tell us the doctrine of names?"

"As all things are reflections of God, so are all names reflections of the divine name."

"And what is an object’s true name?"

"That name which reflects the divine name in the same manner as the object reflects God."

"And what is the action of a true name?"

"To endow its object with a reflection of divine power."

"Correct. Halliwell, what is the doctrine of signatures?"

The natural philosophy lesson continued until noon, but because it was a Saturday, there was no instruction for the rest of the day. Master Trevelyan dismissed the class, and the boys of Cheltenham school dispersed.

After stopping at the dormitory, Robert met his friend Lionel at the border of school grounds. "So the wait’s over? Today’s the day?" Robert asked.

"I said it was, didn’t I?"

"Let’s go, then." The pair set off to walk the mile and a half to Lionel’s home.

During his first year at Cheltenham, Robert had known Lionel hardly at all; Lionel was one of the day-boys, and Robert, like all the boarders, regarded them with suspicion. Then, purely by chance, Robert ran into him while on holiday, during a visit to the British Museum. Robert loved the Museum: the frail mummies and immense sarcophagi; the stuffed platypus and pickled mermaid; the wall bristling with elephant tusks and moose antlers and unicorn horns. That particular day he was at the display of elemental sprites: he was reading the card explaining the salamander’s absence when he suddenly recognized Lionel, standing right next to him, peering at the undine in its jar. Conversation revealed their shared interest in the sciences, and the two became fast friends.

As they walked down the road, they kicked a large pebble back and forth between them. Lionel gave the pebble a kick, and laughed as it skittered between Robert’s ankles. "I couldn’t wait to get out of there," he said. "I think one more doctrine would have been more than I could bear."

"Why do they even bother calling it natural philosophy?" said Robert. "Just admit it’s another theology lesson and be done with it." The two of them had recently purchased A Boy’s Guide to Nomenclature, which informed them that nomenclators no longer spoke in terms of God or the divine name. Instead, current thinking held that there was a lexical universe as well as a physical one, and bringing an object together with a compatible name caused the latent potentialities of both to be realized. Nor was there a single "true name" for a given object: depending on its precise shape, a body might be compatible with several names, known as its "euonyms," and conversely a simple name might tolerate significant variations in body shape, as his childhood marching doll had demonstrated.

When they reached Lionel’s home, they promised the cook they would be in for dinner shortly and headed to the garden out back. Lionel had converted a tool shed in his family’s garden into a laboratory, which he used to conduct experiments. Normally Robert came by on a regular basis, but recently Lionel had been working on an experiment that he was keeping secret. Only now was he ready to show Robert his results. Lionel had Robert wait outside while he entered first, and then let him enter.

A long shelf ran along every wall of the shed, crowded with racks of vials, stoppered bottles of green glass, and assorted rocks and mineral specimens. A table decorated with stains and scorch marks dominated the cramped space, and it supported the apparatus for Lionel’s latest experiment: a cucurbit clamped in a stand so that its bottom rested in a basin full of water, which in turn sat on a tripod above a lit oil lamp. A mercury thermometer was also fixed in the basin.

"Take a look," said Lionel.

Robert leaned over to inspect the cucurbit’s contents. At first it appeared to be nothing more than foam, a dollop of suds that might have dripped off a pint of stout. But as he looked closer, he realized that what he thought were bubbles were actually the interstices of a glistening latticework. The froth consisted of homunculi: tiny seminal foetuses. Their bodies were transparent individually, but collectively their bulbous heads and strand-like limbs adhered to form a pale, dense foam.

"So you wanked off into a jar and kept the spunk warm?" he asked, and Lionel shoved him. Robert laughed and raised his hands in a placating gesture. "No, honestly, it’s a wonder. How’d you do it?"

Mollified, Lionel said, "It’s a real balancing act. You have to keep the temperature just right, of course, but if you want them to grow, you also have to keep just the right mix of nutrients. Too thin a mix, and they starve. Too rich, and they get over lively and start fighting with each other."

"You’re having me on."

"It’s the truth; look it up if you don’t believe me. Battles amongst sperm are what cause monstrosities to be born. If an injured foetus is the one that makes it to the egg, the baby that’s born is deformed."

"I thought that was because of a fright the mother had when she was carrying." Robert could just make out the minuscule squirmings of the individual foetuses. He realized that the froth was ever so slowly roiling as a result of their collective motions.

"That’s only for some kinds, like ones that are all hairy or covered in blotches. Babies that don’t have arms or legs, or have misshapen ones, they’re the ones that got caught in a fight back when they were sperm. That’s why you can’t provide too rich a broth, especially if they haven’t any place to go: they get in a frenzy. You can lose all of them pretty quick that way."

"How long can you keep them growing?"

"Probably not much longer," said Lionel. "It’s hard to keep them alive if they haven’t reached an egg. I read about one in France that was grown till it was the size of a fist, and they had the best equipment available. I just wanted was to see if I could do it at all."

Robert stared at the foam, remembering the doctrine of preformation that Master Trevelyan had drilled into them: all living things had been created at the same time, long ago, and births today were merely enlargements of the previously imperceptible. Although they appeared newly created, these homunculi were countless years old; for all of human history they had lain nested within generations of their ancestors, waiting for their turn to be born.

In fact, it wasn’t just them who had waited; he himself must have done the same thing prior to his birth. If his father were to do this experiment, the tiny figures Robert saw would be his unborn brothers and sisters. He knew they were insensible until reaching an egg, but he wondered what thoughts they’d have if they weren’t. He imagined the sensation of his body, every bone and organ soft and clear as gelatin, sticking to those of myriad identical siblings. What would it be like, looking through transparent eyelids, realizing the mountain in the distance was actually a person, recognizing it as his brother? What if he knew he’d become as massive and solid as that colossus, if only he could reach an egg? It was no wonder they fought.

* * *

Robert Stratton went on to read nomenclature at Cambridge’s Trinity College. There he studied kabbalistic texts written centuries before, when nomenclators were still called ba’alei shem and automata were called golem, texts that laid the foundation for the science of names: the Sefer Yezirah, Eleazar of Worms’ Sodei Razayya, Abulafia’s Hayyei ha-Olam ha-Ba. Then he studied the alchemical treatises that placed the techniques of alphabetic manipulation in a broader philosophical and mathematical context: Llull’s Ars Magna, Agrippa’s De Occulta Philosophia, Dee’s Monas Hieroglyphica.

He learned that every name was a combination of several epithets, each designating a specific trait or capability. Epithets were generated by compiling all the words that described the desired trait: cognates and etymons, from languages both living and extinct. By selectively substituting and permuting letters, one could distill from those words their common essence, which was the epithet for that trait. In certain instances, epithets could be used as the bases for triangulation, allowing one to derive epithets for traits undescribed in any language. The entire process relied on intuition as much as formulae; the ability to choose the best letter permutations was an unteachable skill.

He studied the modern techniques of nominal integration and factorization, the former being the means by which a set of epithets--pithy and evocative--were commingled into the seemingly random string of letters that made up a name, the latter by which a name was decomposed into its constituent epithets. Not every method of integration had a matching factorization technique: a powerful name might be refactored to yield a set of epithets different from those used to generate it, and those epithets were often useful for that reason. Some names resisted refactorization, and nomenclators strove to develop new techniques to penetrate their secrets.

Nomenclature was undergoing something of a revolution during this time. There had long been two classes of names: those for animating a body, and those functioning as amulets. Health amulets were worn as protection from injury or illness, while others rendered a house resistant to fire or a ship less likely to founder at sea. Of late, however, the distinction between these categories of names was becoming blurred, with exciting results.

The nascent science of thermodynamics, which established the interconvertibility of heat and work, had recently explained how automata gained their motive power by absorbing heat from their surroundings. Using this improved understanding of heat, a Namenmeister in Berlin had developed a new class of amulet that caused a body to absorb heat from one location and release it in another. Refrigeration employing such amulets was simpler and more efficient than that based on the evaporation of a volatile fluid, and had immense commercial application. Amulets were likewise facilitating the improvement of automata: an Edinburgh nomenclator’s research into the amulets that prevented objects from becoming lost had led him to patent a household automaton able to return objects to their proper places.

Upon graduation, Stratton took up residence in London and secured a position as a nomenclator at Coade Manufactory, one of the leading makers of automata in England.

* * *

Stratton’s most recent automaton, cast from plaster of Paris, followed a few paces behind him as he entered the factory building. It was an immense brick structure with skylights for its roof; half of the building was devoted to casting metal, the other half to ceramics. In either section, a meandering path connected the various rooms, each one housing the next step in transforming raw materials into finished automata. Stratton and his automaton entered the ceramics portion.

They walked past a row of low vats in which the clay was mixed. Different vats contained different grades of clay, ranging from common red clay to fine white kaolin, resembling enormous mugs abrim with liquid chocolate or heavy cream; only the strong mineral smell broke the illusion. The paddles stirring the clay were connected by gears to a drive shaft, mounted just beneath the skylights, that ran the length of the room. At the end of the room stood an automatous engine: a cast- iron giant that cranked the drive wheel tirelessly. Walking past, Stratton could detect a faint coolness in the air as the engine drew heat from its surroundings.

The next room held the molds for casting. Chalky white shells bearing the inverted contours of various automata were stacked along the walls. In the central portion of the room, apron-clad journeymen sculptors worked singly and in pairs, tending the cocoons from which automata were hatched.

The sculptor nearest him was assembling the mold for a putter, a broad-headed quadruped employed in the mines for pushing trolleys of ore. The young man looked up from his work. "Were you looking for someone, sir?" he asked.

"I’m to meet Master Willoughby here," replied Stratton.

"Pardon, I didn’t realize. I’m sure he’ll be here shortly." The journeyman returned to his task. Harold Willoughby was a Master Sculptor First-Degree; Stratton was consulting him on the design of a reusable mold for casting his automaton. While he waited, Stratton strolled idly amongst the molds. His automaton stood motionless, ready for its next command.

Willoughby entered from the door to the metalworks, his face flushed from the heat of the foundry. "My apologies for being late, Mr. Stratton," he said. "We’ve been working toward a large bronze for some weeks now, and today was the pour. You don’t want to leave the lads alone at a time like that."

"I understand completely," replied Stratton.

Wasting no time, Willoughby strode over to the new automaton. "Is this what you’ve had Moore doing all these months?" Moore was the journeyman assisting Stratton on his project.

Stratton nodded. "The boy does good work." Following Stratton’s requests, Moore had fashioned countless bodies, all variations on a single basic theme, by applying modeling clay to an armature, and then used them to create plaster casts on which Stratton could test his names.

Willoughby inspected the body. "Some nice detail; looks straightforward enough--hold on now." He pointed to the automaton’s hands: rather than the traditional paddle or mitten design, with fingers suggested by grooves in the surface, these were fully formed, each one having a thumb and four distinct and separate fingers. "You don’t mean to tell me those are functional?"

"That’s correct."

Willoughby’s skepticism was plain. "Show me."

Stratton addressed the automaton. "Flex your fingers." The automaton extended both hands, flexed and straightened each pair of fingers in turn, and then returned its arms to its sides.

"I congratulate you, Mr. Stratton," said the sculptor. He squatted to examine the automaton’s fingers more closely. "The fingers need to be bent at each joint for the name to take?"

"That’s right. Can you design a piece mold for such a form?"

Willoughby clicked his tongue several times. "That’ll be a tricky bit of business," he said. "We might have to use a waste mold for each casting. Even with a piece mold, these’d be very expensive for ceramic."

"I think they will be worth the expense. Permit me to demonstrate." Stratton addressed to the automaton. "Cast a body; use that mold over there."

The automaton trudged over to a nearby wall and picked up the pieces of the mold Stratton had indicated: it was the mold for a small porcelain messenger. Several journeymen stopped what they were doing to watch the automaton carry the pieces over to a work area. There it fitted the various sections together and bound them tightly with twine. The sculptors’ wonderment was apparent as they watched the automaton’s fingers work, looping and threading the loose ends of the twine into a knot. Then the automaton stood the assembled mold upright and headed off to get a pitcher of clay slip.

"That’s enough," said Willoughby. The automaton stopped its work and resumed its original standing posture. Examining the mold, Willoughby asked, "Did you train it yourself?"

"I did. I hope to have Moore train it in metal casting."

"Do you have names that can learn other tasks?"

"Not as yet. However, there’s every reason to believe that an entire class of similar names exists, one for every sort of skill needing manual dexterity."

"Indeed?" Willoughby noticed the other sculptors watching, and called out, "If you’ve nothing to do, there’s plenty I can assign to you." The journeymen promptly resumed their work, and Willoughby turned back to Stratton. "Let us go to your office to speak about this further."

"Very well." Stratton had the automaton follow the two of them back to the frontmost of the complex of connected buildings that was Coade Manufactory. They first entered Stratton’s studio, which was situated behind his office proper. Once inside, Stratton addressed the sculptor. "Do you have an objection to my automaton?"

Willoughby looked over a pair of clay hands mounted on a work-table. On the wall behind the table were pinned a series of schematic drawings showing hands in a variety of positions. "You’ve done an admirable job of emulating the human hand. I am concerned, however, that the first skill in which you trained your new automaton is sculpture."

"If you’re worried that I am trying to replace sculptors, you needn’t be. That is absolutely not my goal."

"I’m relieved to hear it," said Willoughby. "Why did you choose sculpture, then?"

"It is the first step of a rather indirect path. My ultimate goal is to allow automatous engines to be manufactured inexpensively enough so that most families could purchase one."

Willoughby’s confusion was apparent. "How, pray tell, would a family make use of an engine?"

"To drive a powered loom, for example."

"What are you going on about?"

"Have you ever seen children who are employed at a textile mill? They are worked to exhaustion; their lungs are clogged with cotton dust; they are so sickly that you can hardly conceive of their reaching adulthood. Cheap cloth is bought at the price of our workers’ health; weavers were far better off when textile production was a cottage industry."

"Powered looms were what took weavers out of cottages. How could they put them back in?"

Stratton had not spoken of this before, and welcomed the opportunity to explain. "The cost of automatous engines has always been high, and so we have mills in which scores of looms are driven by an immense coal-heated Goliath. But an automaton like mine could cast engines very cheaply. If a small automatous engine, suitable for driving a few machines, becomes affordable to a weaver and his family, then they can produce cloth from their home as they did once before. People could earn a decent income without being subjected to the conditions of the factory."

"You forget the cost of the loom itself," said Willoughby gently, as if humoring him. "Powered looms are considerably more expensive than the hand looms of old."

"My automata could also assist in the production of cast- iron parts, which would reduce the price of powered looms and other machines. This is no panacea, I know, but I am nonetheless convinced that inexpensive engines offer the chance of a better life for the individual craftsman."

"Your desire for reform does you credit. Let me suggest, however, that there are simpler cures for the social ills you cite: a reduction in working hours, or the improvement of conditions. You do not need to disrupt our entire system of manufacturing."

"I think what I propose is more accurately described as a restoration than a disruption."

Now Willoughby became exasperated. "This talk of returning to a family economy is all well and good, but what would happen to sculptors? Your intentions notwithstanding, these automata of yours would put sculptors out of work. These are men who have undergone years of apprenticeship and training. How would they feed their families?"

Stratton was unprepared for the sharpness in his tone. "You overestimate my skills as a nomenclator," he said, trying to make light. The sculptor remained dour. He continued. "The learning capabilities of these automata are extremely limited. They can manipulate molds, but they could never design them; the real craft of sculpture can be performed only by sculptors. Before our meeting, you had just finished directing several journeymen in the pouring of a large bronze; automata could never work together in such a coordinated fashion. They will perform only rote tasks."

"What kind of sculptors would we produce if they spend their apprenticeship watching automata do their jobs for them? I will not have a venerable profession reduced to a performance by marionettes."

"That is not what would happen," said Stratton, becoming exasperated himself now. "But examine what you yourself are saying: the status that you wish your profession to retain is precisely that which weavers have been made to forfeit. I believe these automata can help restore dignity to other professions, and without great cost to yours."

Willoughby seemed not to hear him. "The very notion that automata would make automata! Not only is the suggestion insulting, it seems ripe for calamity. What of that ballad, the one where the broomsticks carry water buckets and run amuck?"

"You mean �Der Zauberlehrling’?" said Stratton. "The comparison is absurd. These automata are so far removed from being in a position to reproduce themselves without human participation that I scarcely know where to begin listing the objections. A dancing bear would sooner perform in the London Ballet."

"If you’d care to develop an automaton that can dance the ballet, I would fully support such an enterprise. However, you cannot continue with these dexterous automata."

"Pardon me, sir, but I am not bound by your decisions."

"You’ll find it difficult to work without sculptors’ cooperation. I shall recall Moore and forbid all the other journeymen from assisting you in any way with this project."

Stratton was momentarily taken aback. "Your reaction is completely unwarranted."

"I think it entirely appropriate."

"In that case, I will work with sculptors at another manufactory."

Willoughby frowned. "I will speak with the head of the Brotherhood of Sculptors, and recommend that he forbid all of our members from casting your automata."

Stratton could feel his blood rising. "I will not be bullied," he said. "Do what you will, but you cannot prevent me from pursuing this."

"I think our discussion is at an end." Willoughby strode to the door. "Good day to you, Mr. Stratton."

"Good day to you," replied Stratton heatedly.

* * *

It was the following day, and Stratton was taking his midday stroll through the district of Lambeth, where Coade Manufactory was located. After a few blocks he stopped at a local market; sometimes among the baskets of writhing eels and blankets spread with cheap watchs were automatous dolls, and Stratton retained his boyhood fondness for seeing the latest designs. Today he noticed a new pair of boxing dolls, painted to look like an explorer and a savage. As he looked them over while, he could hear nostrum peddlers competing for the attention of a passerby with a runny nose.

"I see your health amulet failed you, sir," said one man whose table was arrayed with small square tins. "Your remedy lies in the curative powers of magnetism, concentrated in Doctor Sedgewick’s Polarising Tablets!"

"Nonsense!" retorted an old woman. "What you need is tincture of mandrake, tried and true!" She held out a vial of clear liquid. "The dog wasn’t cold yet when this extract was prepared! There’s nothing more potent."

Seeing no other new dolls, Stratton left the market and walked on, his thoughts returning to what Willoughby had said yesterday. Without the cooperation of the sculptors’ trade- union, he’d have to resort to hiring independent sculptors. He hadn’t worked with such individuals before, and some investigation would be required: ostensibly they cast bodies only for use with public-domain names, but for certain individuals these activities disguised patent infringement and piracy, and any association with them could permanently blacken his reputation.

"Mr. Stratton."

Stratton looked up. A small, wiry man, plainly dressed, stood before him. "Yes; do I know you, sir?"

"No, sir. My name is Davies. I’m in the employ of Lord Fieldhurst." He handed Stratton a card bearing the Fieldhurst crest.

Edward Maitland, third earl of Fieldhurst and a noted zoologist and comparative anatomist, was President of the Royal Society. Stratton had heard him speak during sessions of the Royal Society, but they had never been introduced. "What can I do for you?"

"Lord Fieldhurst would like to speak with you, at your earliest convenience, regarding your recent work."

Stratton wondered how the earl had learned of his work. "Why did you not call on me at my office?"

"Lord Fieldhurst prefers privacy in this matter." Stratton raised his eyebrows, but Davies didn’t explain further. "Are you available this evening?"

It was an unusual invitation, but an honor nonetheless. "Certainly. Please inform Lord Fieldhurst that I would be delighted."

"A carriage will be outside your building at eight tonight." Davies touched his hat and was off.

At the promised hour, Davies arrived with the carriage. It was a luxurious vehicle, with an interior of lacquered mahogany and polished brass and brushed velvet. The tractor that drew it was an expensive one as well, a steed cast of bronze and needing no driver for familiar destinations.

Davies politely declined to answer any questions while they rode. He was obviously not a man-servant, nor a secretary, but Stratton could not decide what sort of employee he was. The carriage carried them out of London into the countryside, until they reached Darrington Hall, one of the residences owned by the Fieldhurst lineage.

Once inside the home, Davies led Stratton through the foyer and then ushered him into an elegantly appointed study; he closed the doors without entering himself.

Seated at the desk within the study was a barrel-chested man wearing a silk coat and cravat; his broad, deeply creased cheeks were framed by woolly gray muttonchops. Stratton recognized him at once.

"Lord Fieldhurst, it is an honor."

"A pleasure to meet you, Mr. Stratton. You’ve been doing some excellent work recently."

"You are most kind. I did not realize that my work had become known."

"I make an effort to keep track of such things. Please, tell me what motivated you to develop such automata?"

Stratton explained his plans for manufacturing affordable engines. Fieldhurst listened with interest, occasionally offering cogent suggestions.

"It is an admirable goal," he said, nodding his approval. "I’m pleased to find that you have such philanthropic motives, because I would ask your assistance in a project I’m directing."

"It would be my privilege to help in any way I could."

"Thank you." Fieldhurst’s expression became solemn. "This is a matter of grave import. Before I speak further, I must first have your word that you will retain everything I reveal to you in the utmost confidence."

Stratton met the earl’s gaze directly. "Upon my honor as a gentleman, sir, I shall not divulge anything you relate to me."

"Thank you, Mr. Stratton. Please come this way." Fieldhurst opened a door in the rear wall of the study and they walked down a short hallway. At the end of the hallway was a laboratory; a long, scrupulously clean work-table held a number of stations, each consisting of a microscope and an articulated brass framework of some sort, equipped with three mutually perpendicular knurled wheels for performing fine adjustments. An elderly man was peering into the microscope at the furthest station; he looked up from his work as they entered.

"Mr. Stratton, I believe you know Dr. Ashbourne."

Stratton, caught off guard, was momentarily speechless. Nicholas Ashbourne had been a lecturer at Trinity when Stratton was studying there, but had left years ago to pursue studies of, it was said, an unorthodox nature. Stratton remembered him as one of his most enthusiastic instructors. Age had narrowed his face somewhat, making his high forehead seem even higher, but his eyes were as bright and alert as ever. He walked over with the help of a carved ivory walking stick.

"Stratton, good to see you again."

"And you, sir. I was truly not expecting to see you here."

"This will be an evening full of surprises, my boy. Prepare yourself." He turned to Fieldhurst. "Would you care to begin?"

They followed Fieldhurst to the far end of the laboratory, where he opened another door and led them down a flight of stairs. "Only a small number of individuals--either Fellows of the Royal Society or Members of Parliament, or both--are privy to this matter. Five years ago, I was contacted confidentially by the Acad�mie des Sciences in Paris. They wished for English scientists to confirm certain experimental findings of theirs."

"Indeed?"

"You can imagine their reluctance. However, they felt the matter outweighed national rivalries, and once I understood the situation, I agreed."

The three of them descended to a cellar. Gas brackets along the walls provided illumination, revealing the cellar’s considerable size; its interior was punctuated by an array of stone pillars that rose to form groined vaults. The long cellar contained row upon row of stout wooden tables, each one supporting a tank roughly the size of a bathtub. The tanks were made of zinc and fitted with plate glass windows on all four sides, revealing their contents as a clear, faintly straw-colored fluid.

Stratton looked at the nearest tank. There was a distortion floating in the center of the tank, as if the some of the liquid had congealed into a mass of jelly. It was difficult to distinguish the mass’s features from the mottled shadows cast on the bottom of the tank, so he moved to another side of the tank and squatted down low to view the mass directly against a flame of a gas lamp. It was then that the coagulum resolved itself into the ghostly figure of a man, clear as aspic, curled up in foetal position.

"Incredible," Stratton whispered.

"We call it a megafoetus," explained Fieldhurst.

"This was grown from a spermatozoon? This must have required decades."

"It did not, more’s the wonder. Several years ago, two Parisian naturalists named Dubuisson and Gille developed a method of inducing hypertrophic growth in a seminal foetus. The rapid infusion of nutrients allows such a foetus to reach this size within a fortnight."

By shifting his head back and forth, he saw slight differences in the way the gas-light was refracted, indicating the boundaries of the megafoetus’s internal organs. "Is this creature . . . alive?"

"Only in an insensate manner, like a spermatozoon. No artificial process can replace gestation; it is the vital principle within the ovum which quickens the foetus, and the maternal influence which transforms it into a person. All we’ve done is effect a maturation in size and scale." Fieldhurst gestured toward the megafoetus. "The maternal influence also provides a foetus with pigmentation and all distinguishing physical characteristics. Our megafoetuses have no features beyond their sex. Every male bears the generic appearance you see here, and all the females are likewise identical. Within each sex, it is impossible to distinguish one from another by physical examination, no matter how dissimilar the original fathers might have been; only rigorous record-keeping allows us to identify each megafoetus."

Stratton stood up again. "So what was the intention of the experiment if not to develop an artificial womb?"

"To test the notion of the fixity of species." Realizing that Stratton was not a zoologist, the earl explained further. "Were lens-grinders able to construct microscopes of unlimited magnifying power, biologists could examine the future generations nested in the spermatozoa of any species and see whether their appearance remains fixed, or changes to give rise to a new species. In the latter case, they could also determine if the transition occurs gradually or abruptly.

"However, chromatic aberration imposes an upper limit on the magnifying power of any optical instrument. Messieurs Dubuisson and Gille hit upon the idea of artificially increasing the size of the foetuses themselves. Once a foetus reaches its adult size, one can extract a spermatozoon from it and enlarge a foetus from the next generation in the same manner." Fieldhurst stepped over to the next table in the row and indicated the tank it supported. "Repetition of the process lets us examine the unborn generations of any given species."

Stratton looked around the room. The rows of tanks took on a new significance. "So they compressed the intervals between �births’ to gain a preliminary view of our genealogical future."

"Precisely."

"Audacious! And what were the results?"

"They tested many animal species, but never observed any changes in form. However, they obtained a peculiar result when working with the seminal foetuses of humans. After no more than five generations, the male foetuses held no more spermatozoa, and the females held no more ova. The line terminated in a sterile generation."

"I imagine that wasn’t entirely unexpected," Stratton said, glancing at the jellied form. "Each repetition must further attenuate some essence in the organisms. It’s only logical that at some point the offspring would be so feeble that the process would fail."

"That was Dubuisson and Gille’s initial assumption as well," agreed Fieldhurst, "so they sought to improve their technique. However, they could find no difference between megafoetuses of succeeding generations in terms of size or vitality. Nor was there any decline in the number of spermatozoa or ova; the penultimate generation was fully as fertile as the first. The transition to sterility was an abrupt one.

"They found another anomaly as well: while some spermatozoa yielded only four or fewer generations, variation occurred only across samples, never within a single sample. They evaluated samples from father and son donors, and in such instances, the father’s spermatozoa produced exactly one more generation than the son’s. And from what I understand, some of the donors were aged individuals indeed. While their samples held very few spermatozoa, they nonetheless held one more generation than those from sons in the prime of their lives. The progenitive power of the sperm bore no correlation with the health or vigor of the donor; instead, it correlated with the generation to which the donor belonged."

Fieldhurst paused and looked at Stratton gravely. "It was at this point that the Acad�mie contacted me to see if the Royal Society could duplicate their findings. Together we have obtained the same result using samples collected from peoples as varied as the Lapps and the Hottentots. We are in agreement as to the implication of these findings: that the human species has the potential to exist for only a fixed number of generations, and we are within five generations of the final one."

* * *

Stratton turned to Ashbourne, half expecting him to confess that it was all an elaborate hoax, but the elder nomenclator looked entirely solemn. Stratton looked at the megafoetus again and frowned, absorbing what he had heard. "If your interpretation is correct, other species must be subject to a similar limitation. Yet from what I know, the extinction of a species has never been observed."

Fieldhurst nodded. "That is true. However, we do have the evidence of the fossil record, which suggests that species remain unchanged for a period of time, and then are abruptly replaced by new forms. The Catastrophists hold that violent upheavals caused species to become extinct. Based on what we’ve discovered regarding preformation, it now appears that extinctions are merely the result of a species reaching the end of its lifetime. They are natural rather than accidental deaths, in a manner of speaking." He gestured to the doorway from which they had entered. "Shall we return upstairs?"

Following the two other men, Stratton asked, "And what of the origination of new species? If they’re not born from existing species, do they arise spontaneously?"

"That is as yet uncertain. Normally only the simplest animals arise by spontaneous generation: maggots and other vermiform creatures, typically under the influence of heat. The events postulated by Catastrophists--floods, volcanic eruptions, cometary impacts--would entail the release of great energies. Perhaps such energies affect matter so profoundly as to cause the spontaneous generation of an entire race of organisms, nested within a few progenitors. If so, cataclysms are not responsible for mass extinctions, but rather generate new species in their wake."

Back in the laboratory, the two elder men seated themselves in the chairs present. Too agitated to follow suit, Stratton remained standing. "If any animal species were created by the same cataclysm as the human species, they should likewise be nearing the end of their life spans. Have you found another species that evinces a final generation?"

Fieldhurst shook his head. "Not as yet. We believe that other species have different dates of extinction, correlated with the biological complexity of the animal; humans are presumably the most complex organism, and perhaps fewer generations of such complex organisms can be nested inside a spermatozoon."

"By the same token," countered Stratton, "perhaps the complexity of the human organism makes it unsuitable for the process of artificially accelerated growth. Perhaps it is the process whose limits have been discovered, not the species."

"An astute observation, Mr. Stratton. Experiments are continuing with species that more closely resemble humans, such as chimpanzees and ourang-outangs. However, the unequivocal answer to this question may require years, and if our current interpretation is correct, we can ill afford the time spent waiting for confirmation. We must ready a course of action immediately."

"But five generations could be over a century--" He caught himself, embarrassed at having overlooked the obvious: not all persons became parents at the same age.

Fieldhurst read his expression. "You realize why not all the sperm samples from donors of the same age produced the same number of generations: some lineages are approaching their end faster than others. For a lineage in which the men consistently father children late in life, five generations might mean over two centuries of fertility, but there are undoubtedly lineages that have reached their end already."

Stratton imagined the consequences. "The loss of fertility will becomes increasingly apparent to the general populace as time passes. Panic may arise well before the end is reached."

"Precisely, and rioting could extinguish our species as effectively as the exhaustion of generations. That is why time is of the essence."

"What is the solution you propose?"

"I shall defer to Dr. Ashbourne to explain further," said the earl.

Ashbourne rose and instinctively adopted the stance of a lecturing professor. "Do you recall why it was that all attempts to make automata out of wood were abandoned?"

Stratton was caught off guard by the question. "It was believed that the natural grain of wood implies a form in conflict with whatever we try to carve upon it. Currently there are efforts to use rubber as a casting material, but none have met with success."

"Indeed. But if the native form of wood were the only obstacle, shouldn’t it be possible to animate an animal’s corpse with a name? There the form of the body should be ideal."

"It’s a macabre notion; I couldn’t guess at such an experiment’s likelihood of success. Has it ever been attempted?"

"In fact it has: also unsuccessfully. So these two entirely different avenues of research proved fruitless. Does that mean there is no way to animate organic matter using names? This was the question I left Trinity in order to pursue."

"And what did you discover?"

Ashbourne deflected the question with a wave of his hand. "First let us discuss thermodynamics. Have you kept up with recent developments? Then you know the dissipation of heat reflects an increase in disorder at the thermal level. Conversely, when an automaton condenses heat from its environment to perform work, it increases order. This confirms a long-held belief of mine that lexical order induces thermodynamic order. The lexical order of an amulet reinforces the order a body already possesses, thus providing protection against damage. The lexical order of an animating name increases the order of a body, thus providing motive power for an automaton.

"The next question was, how would an increase in order be reflected in organic matter? Since names don’t animate dead tissue, obviously organic matter doesn’t respond at the thermal level; but perhaps it can be ordered at another level. Consider: a steer can be reduced to a vat of gelatinous broth. The broth comprises the same material as the steer, but which embodies a higher amount of order?"

"The steer, obviously," said Stratton, bewildered.

"Obviously. An organism, by virtue of its physical structure, embodies order; the more complex the organism, the greater the amount of order. It was my hypothesis that increasing the order in organic matter would be evidenced by imparting form to it. However, most living matter has already assumed its ideal form. The question is, what has life but not form?"

The elder nomenclator did not wait for a response. "The answer is, an unfertilized ovum. The ovum contains the vital principle that animates the creature it ultimately gives rise to, but it has no form itself. Ordinarily, the ovum incorporates the form of the foetus compressed within the spermatozoon that fertilizes it. The next step was obvious." Here Ashbourne waited, looking at Stratton expectantly.

Stratton was at a loss. Ashbourne seemed disappointed, and continued. "The next step was to artificially induce the growth of an embryo from an ovum, by application of a name."

"But if the ovum is unfertilized," objected Stratton, "there is no preexisting structure to enlarge."

"Precisely."

"You mean structure would arise out of a homogenous medium? Impossible."

"Nonetheless, it was my goal for several years to confirm this hypothesis. My first experiments consisted of applying a name to unfertilized frog eggs."

"How did you embed the name into a frog’s egg?"

"The name is not actually embedded, but rather impressed by means of a specially manufactured needle." Ashbourne opened a cabinet that sat on the work-table between two of the microscope stations. Inside was a wooden rack filled with small instruments arranged in pairs. Each was tipped with a long glass needle; in some pairs they were nearly as thick as those used for knitting, in others as slender as a hypodermic. He withdrew one from the largest pair and handed it to Stratton to examine. The glass needle was not clear, but instead seemed to contain some sort of dappled core.

Ashbourne explained. "While that may appear to be some sort of medical implement, it is in fact a vehicle for a name, just as the more conventional slip of parchment is. Alas, it requires far more effort to make than taking pen to parchment. To create such a needle, one must first arrange fine strands of black glass within a bundle of clear glass strands so that the name is legible when they are viewed end-on. The strands are then fused into a solid rod, and the rod is drawn out into an ever thinner strand. A skilled glass-maker can retain every detail of the name no matter how thin the strand becomes. Eventually one obtains a needle containing the name in its cross section."

"How did you generate the name that you used?"

"We can discuss that at length later. For the purposes of our current discussion, the only relevant information is that I incorporated the sexual epithet. Are you familiar with it?"

"I know of it." It was one of the few epithets that was dimorphic, having male and female variants.

"I needed two versions of the name, obviously, to induce the generation of both males and females." He indicated the paired arrangement of needles in the cabinet.

Stratton saw that the needle could be clamped into the brass framework with its tip approaching the slide beneath the microscope; the knurled wheels presumably were used to bring the needle into contact with an ovum. He returned the instrument. "You said the name is not embedded, but impressed. Do you mean to tell me that touching the frog’s egg with this needle is all that’s needed? Removing the name doesn’t end its influence?"

"Precisely. The name activates a process in the egg that cannot be reversed. Prolonged contact of the name had no different effect."

"And the egg hatched a tadpole?"

"Not with the names initially tried; the only result was that symmetrical involutions appeared in the surface of the egg. But by incorporating different epithets, I was able to induce the egg to adopt different forms, some of which had every appearance of embryonic frogs. Eventually I found a name that caused the egg not only to assume the form of a tadpole, but also to mature and hatch. The tadpole thus hatched grew into a frog indistinguishable from any other member of the species."

"You had found a euonym for that species of frog," said Stratton.

Ashbourne smiled. "As this method of reproduction does not involve sexual congress, I have termed it �parthenogenesis.’"

Stratton looked at both him and Fieldhurst. "It’s clear what your proposed solution is. The logical conclusion of this research is to discover a euonym for the human species. You wish for mankind to perpetuate itself through nomenclature."

"You find the prospect troubling," said Fieldhurst. "That is to be expected: Dr. Ashbourne and myself initially felt the same way, as has everyone who has considered this. No one relishes the prospect of humans being conceived artificially. But can you offer an alternative?" Stratton was silent, and Fieldhurst went on. "All who are aware of both Dr. Ashbourne’s and Dubuisson and Gille’s work agree: there is no other solution."

Stratton reminded himself to maintain the dispassionate attitude of a scientist. "Precisely how do you envision this name being used?" he asked.

Ashbourne answered. "When a husband is unable to impregnate his wife, they will seek the services of a physician. The physician will collect the woman’s menses, separate out the ovum, impress the name upon it, and then reintroduce it into her womb."

"A child born of this method would have no biological father."

"True, but the father’s biological contribution is of minimal importance here. The mother will think of her husband as the child’s father, so her imagination will impart a combination of her own and her husband’s appearance and character to the foetus. That will not change. And I hardly need mention that name impression would not be made available to unmarried women."

"Are you confident this will result in well-formed children?" asked Stratton. "I’m sure you know to what I refer." They all knew of the disastrous attempt in the previous century to create improved children by mesmerizing women during their pregnancies.

Ashbourne nodded. "We are fortunate in that the ovum is very specific in what it will accept. The set of euonyms for any species of organism is very small; if the lexical order of the impressed name does not closely match the structural order of that species, the resulting foetus does not quicken. This does not remove the need for the mother to maintain a tranquil mind during her pregnancy; name impression cannot guard against maternal agitation. But the ovum’s selectivity provides us assurance that any foetus induced will be well-formed in every aspect, except the one anticipated."

Stratton was alarmed. "What aspect is that?"

"Can you not guess? The only incapacity of frogs created by name impression was in the males; they were sterile, for their spermatozoa bore no preformed foetuses inside. By comparison, the female frogs created were fertile: their eggs could be fertilized in either the conventional manner, or by repeating the impression with the name."

Stratton’s relief was considerable. "So the male variant of the name was imperfect. Presumably there needs to be further differences between the male and female variants than simply the sexual epithet."

"Only if one considers the male variant imperfect," said Ashbourne, "which I do not. Consider: while a fertile male and a fertile female might seem equivalent, they differ radically in the degree of complexity exemplified. A female with viable ova remains a single organism, while a male with viable spermatozoa is actually many organisms: a father and all his potential children. In this light, the two variants of the name are well- matched in their actions: each induces a single organism, but only in the female sex can a single organism be fertile."

"I see what you mean." Stratton realized he would need practice in thinking about nomenclature in the organic domain. "Have you developed euonyms for other species?"

"Just over a score, of various types; our progress has been rapid. We have only just begun work on a name for the human species, and it has proved far more difficult than our previous names."

"How many nomenclators are engaged in this endeavor?"

"Only a handful," Fieldhurst replied. "We have asked a few Royal Society members, and the Acad�mie has some of France’s leading designateurs working on it. You will understand if I do not mention any names at this point, but be assured that we have some of the most distinguished nomenclators in England assisting us."

"Forgive me for asking, but why are you approaching me? I am hardly in that category."

"You have not yet had a long career," said Ashbourne, "but the genus of names you have developed is unique. Automata have always been specialized in form and function, rather like animals: some are good at climbing, others at digging, but none at both. Yet yours can control human hands, which are uniquely versatile instruments: what else can manipulate everything from a wrench to a piano? The hand’s dexterity is the physical manifestation of the mind’s ingenuity, and these traits are essential to the name we seek."

"We have been discreetly surveying current nomenclatoral research for any names that demonstrate marked dexterity," said Fieldhurst. "When we learned of what you had accomplished, we sought you out immediately."

"In fact," Asbourne continued, "the very reason your names are worrisome to sculptors is the reason we are interested in them: they endow automata with a more human-like manner than any before. So now we ask, will you join us?"

Stratton considered it. This was perhaps the most important task a nomenclator could undertake, and under ordinary circumstances he would have leapt at the opportunity to participate. But before he could embark upon this enterprise in good conscience, there was another matter he had to resolve.

"You honor me with your invitation, but what of my work with dexterous automata? I still firmly believe that inexpensive engines can improve the lives of the labouring class."

"It is a worthy goal," said Fieldhurst, "and I would not ask you to give it up. Indeed, the first thing we wish you to do is to perfect the epithets for dexterity. But your efforts at social reform would be for naught unless we first ensure the survival of our species."

"Obviously, but I do not want the potential for reform that is offered by dexterous names to be neglected. There may never be a better opportunity for restoring dignity to common workers. What kind of victory would we achieve if the continuation of life meant ignoring this opportunity?"

"Well said," acknowledged the earl. "Let me make a proposal. So that you can best make use of your time, the Royal Society will provide support for your development of dexterous automata as needed: securing investors and so forth. I trust you will divide your time between the two projects wisely. Your work on biological nomenclature must remain confidential, obviously. Is that satisfactory?"

"It is. Very well then, gentlemen: I accept." They shook hands.

* * *

Some weeks had passed since Stratton last spoke with Willoughby, beyond a chilly exchange of greetings in passing. In fact, he had little interaction with any of the union sculptors, instead spending his time working on letter permutations in his office, trying to refine his epithets for dexterity.

He entered the manufactory through the front gallery, where customers normally perused the catalogue. Today it was crowded with domestic automata, all the same model char-engine. Stratton saw the clerk ensuring they were properly tagged.

"Good morning, Pierce," he said. "What are all these doing here?"

"An improved name is just out for the �Regent’," said the clerk. "Everyone’s eager to get the latest."

"You’re going to be busy this afternoon." The keys for unlocking the automata’s name-slots were themselves stored in a safe that required two of Coade’s managers to open. The managers were reluctant to keep the safe open for more than a brief period each afternoon.

"I’m certain I can finish these in time."

"You couldn’t bear to tell a pretty house-maid that her char-engine wouldn’t be ready by tomorrow."

The clerk smiled. "Can you blame me, sir?"

"No, I cannot," said Stratton, chuckling. He turned toward the business offices behind the gallery, when he found himself confronted by Willoughby.

"Perhaps you ought to prop open the safe," said the sculptor, "so that house-maids might not be inconvenienced. Seeing how destroying our institutions seems to be your intent."

"Good morning, Master Willoughby," said Stratton stiffly. He tried to walk past, but the other man stood in his way.

"I’ve been informed that Coade will be allowing non-union sculptors on to the premises to assist you."

"Yes, but I assure you, only the most reputable independent sculptors are involved."

"As if such persons exist," said Willoughby scornfully. "You should know that I recommended that our trade-union launch a strike against Coade in protest."

"Surely you’re not serious." It had been decades since the last strike launched by the sculptors, and that one had ended in rioting.

"I am. Were the matter put to a vote of the membership, I’m certain it would pass: other sculptors with whom I’ve discussed your work agree with me about the threat it poses. However, the union leadership will not put it to a vote."

"Ah, so they disagreed with your assessment."

Here Willoughby frowned. "Apparently the Royal Society intervened on your behalf and persuaded the Brotherhood to refrain for the time being. You’ve found yourself some powerful supporters, Mr. Stratton."

Uncomfortably, Stratton replied, "The Royal Society considers my research worthwhile."

"Perhaps, but do not believe that this matter is ended."

"Your animosity is unwarranted, I tell you," Stratton insisted. "Once you have seen how sculptors can use these automata, you will realize that there is no threat to your profession."

Willoughby merely glowered in response and left.

The next time he saw Lord Fieldhurst, Stratton asked him about the Royal Society’s involvement. They were in Fieldhurst’s study, and the earl was pouring himself a whiskey.

"Ah yes," he said. "While the Brotherhood of Sculptors as a whole is quite formidable, it is composed of individuals who individually are more amenable to persuasion."

"What manner of persuasion?"

"The Royal Society is aware that members of the trade- union’s leadership were party to an as-yet unresolved case of name piracy to the Continent. To avoid any scandal, they’ve agreed to postpone any decision about strikes until after you’ve given a demonstration of your system of manufacturing."

"I’m grateful for your assistance, Lord Fieldhurst," said Stratton, astonished. "I must admit, I had no idea that the Royal Society employed such tactics."

"Obviously, these are not proper topics for discussion at the general sessions." Lord Fieldhurst smiled in an avuncular manner. "The advancement of Science is not always a straightforward affair, Mr. Stratton, and the Royal Society is sometimes required to use both official and unofficial channels."

"I’m beginning to appreciate that."

"Similarly, although the Brotherhood of Sculptors won’t initiate a formal strike, they might employ more indirect tactics; for example, the anonymous distribution of pamphlets that arouse public opposition to your automata." He sipped at his whiskey. "Hmm. Perhaps I should have someone keep a watchful eye on Master Willoughby."

* * *

Stratton was given accomodations in the guest wing of Darrington Hall, as were the other nomenclators working under Lord Fieldhurst’s direction. They were indeed some of the leading members of the profession, including Holcombe, Milburn, and Parker; Stratton felt honored to be working with them, although he could contribute little while he was still learning Ashbourne’s techniques for biological nomenclature.

Names for the organic domain employed many of the same epithets as names for automata, but Ashbourne had developed an entirely different system of integration and factorization, which entailed many novel methods of permutation. For Stratton it was almost like returning to university and learning nomenclature all over again. However, it was apparent how these techniques allowed names for species to be developed rapidly; by exploiting similarities suggested by the Linnaean system of classification, one could work from one species to another.

Stratton also learned more about the sexual epithet, traditionally used to confer either male or female qualities to an automaton. He knew of only one such epithet, and was surprised to learn it was the simplest of many extant versions. The topic went undiscussed by nomenclatoral societies, but this epithet was one of the most fully researched in existence; in fact its earliest use was claimed to have occurred in biblical times, when Joseph’s brothers created a female golem they could share sexually without violating the prohibition against such behavior with a woman. Development of the epithet had continued for centuries in secrecy, primarily in Constantinople, and now the current versions of automatous courtesans were offered by specialized brothels right here in London. Carved from soapstone and polished to a high gloss, heated to blood temperature and sprinkled with scented oils, the automata commanded prices exceeded only by those for incubi and succubi.

It was from such ignoble soil that their research grew. The names animating the courtesans incorporated powerful epithets for human sexuality in its male and female forms. By factoring out the carnality common to both versions, the nomenclators had isolated epithets for generic human masculinity and femininity, ones far more refined than those used when generating animals. Such epithets were the nuclei around which they formed, by accretion, the names they sought.

Gradually Stratton absorbed sufficient information to begin participating in the tests of prospective human names. He worked in collaboration with the other nomenclators in the group, and between them they divided up the vast tree of nominal possibilities, assigning branches for investigation, pruning away those that proved unfruitful, cultivating those that seemed most productive.

The nomenclators paid women--typically young housemaids in good health--for their menses as a source of human ova, which they then impressed with their experimental names and scrutinized under microscopes, looking for forms that resembled human foetuses. Stratton inquired about the possibility of harvesting ova from female megafoetuses, but Ashbourne reminded him that ova were viable only when taken from a living woman. It was a basic dictum of biology: females were the source of the vital principle that gave the offspring life, while males provided the basic form. Because of this division, neither sex could reproduce by itself.

Of course, that restriction had been lifted by Ashbourne’s discovery: the male’s participation was no longer necessary since form could be induced lexically. Once a name was found that could generate human foetuses, women could reproduce purely by themselves. Stratton realized that such a discovery might be welcomed by women exhibiting sexual inversion, feeling love for persons of the same rather than the opposite sex. If the name were to become available to such women, they might establish a commune of some sort that reproduced via parthenogenesis. Would such a society flourish by magnifying the finer sensibilities of the gentle sex, or would it collapse under the unrestrained pathology of its membership? It was impossible to guess.

Before Stratton’s enlistment, the nomenclators had developed names capable of generating vaguely homuncular forms in an ovum. Using Dubuisson and Gille’s methods, they enlarged the forms to a size that allowed detailed examination; the forms resembled automata more than humans, their limbs ending in paddles of fused digits. By incorporating his epithets for dexterity, Stratton was able to separate the digits and refine the overall appearance of the forms. All the while, Ashbourne emphasized the need for an unconventional approach.

"Consider the thermodynamics of what most automata do," said Ashbourne during one of their frequent discussions. "The mining engines dig ore, the reaping engines harvest wheat, the wood- cutting engines fell timber; yet none of these tasks, no matter how useful we find them to be, can be said to create order. While all their names create order at the thermal level, by converting heat into motion, in the vast majority the resulting work is applied at the visible level to create disorder."

"This is an interesting perspective," said Stratton thoughtfully. "Many long-standing deficits in the capabilities of automata become intelligible in this light: the fact that automata are unable to stack crates more neatly than they find them; their inability to sort pieces of crushed ore based on their composition. You believe that the known classes of industrial names are not powerful enough in thermodynamic terms."

"Precisely!" Ashbourne displayed the excitement of a tutor finding an unexpectedly apt pupil. "This is another feature that distinguishes your class of dexterous names. By enabling an automaton to perform skilled labour, your names not only create order at the thermal level, they use it to create order at the visible level as well."

"I see a commonality with Milburn’s discoveries," said Stratton. Milburn had developed the household automata able to return objects to their proper places. "His work likewise involves the creation of order at the visible level."

"Indeed it does, and this commonality suggests a hypothesis." Ashbourne leaned forward. "Suppose we were able to factor out an epithet common to the names developed by you and Milburn: an epithet expressing the creation of two levels of order. Further suppose that we discover a euonym for the human species, and were able to incorporate this epithet into the name. What do you imagine would be generated by impressing the name? And if you say �twins’ I shall clout you on the head."

Stratton laughed. "I dare say I understand you better than that. You are suggesting that if an epithet is capable of inducing two levels of thermodynamic order in the inorganic domain, it might create two generations in the organic domain. Such a name might create males whose spermatozoa would contain preformed foetuses. Those males would be fertile, although any sons they produced would again be sterile."

His instructor clapped his hands together. "Precisely: order that begets order! An interesting speculation, wouldn’t you agree? It would halve the number of medical interventions required for our race to sustain itself."

"And what about inducing the formation of more than two generations of foetuses? What kind of capabilities would an automaton have to possess, for its name to contain such an epithet?"

"The science of thermodynamics has not progressed enough to answer that question, I’m afraid. What would constitute a still higher level of order in the inorganic domain? Automata working cooperatively, perhaps? We do not yet know, but perhaps in time we will."

Stratton gave voice to a question that had posed itself to him some time ago. "Dr. Ashbourne, when I was initiated into our group, Lord Fieldhurst spoke of the possibility that species are born in the wake of catastrophic events. Is it possible that entire species were created by use of nomenclature?"

"Ah, now we tread in the realm of theology. A new species requires progenitors containing vast numbers of descendants nested within their reproductive organs; such forms embody the highest degree of order imaginable. Can a purely physical process create such vast amounts of order? No naturalist has suggested a mechanism by which this could occur. On the other hand, while we do know that a lexical process can create order, the creation of an entire new species would require a name of incalculable power. Such mastery of nomenclature could very well require the capabilities of God; perhaps it is even part of the definition. "This is a question, Stratton, to which we may never know the answer, but we cannot allow that to affect our current actions. Whether or not a name was responsible for the creation of our species, I believe a name is the best chance for its continuation."

"Agreed," said Stratton. After a pause, he added, "I must confess, much of the time when I am working, I occupy myself solely with the details of permutation and combination, and lose sight of the sheer magnitude of our endeavor. It is sobering to think of what we will have achieved if we are successful."

"I can think of little else," replied Ashbourne.

* * *

Seated at his desk in the manufactory, Stratton squinted to read the pamphlet he’d been given on the street. The text was crudely printed, the letters blurred.

"Shall Men be the Masters of NAMES, or shall Names be the masters of MEN? For too long the Capitalists have hoarded Names within their coffers, guarded by Patent and Lock and Key, amassing fortunes by mere possession of LETTERS, while the Common Man must labour for every shilling. They will wring the ALPHABET until they have extracted every last penny from it, and only then discard it for us to use. How long will We allow this to continue?"

Stratton scanned the entire pamphlet, but found nothing new in it. For the past two months he’d been reading them, and encountered only the usual anarchist rants; there was as yet no evidence for Lord Fieldhurst’s theory that the sculptors would use them to target Stratton’s work. His public demonstration of the dexterous automata was scheduled for next week, and by now Willoughby had largely missed his opportunity to generate public opposition. In fact, it occurred to Stratton that he might distribute pamphlets himself to generate public support. He could explain his goal of bringing the advantages of automata to everyone, and his intention to keep close control over his names’ patents, granting licenses only to manufacturers who would use them conscientiously. He could even have a slogan: "Autonomy through Automata," perhaps?

There was a knock at his office door. Stratton tossed the pamphlet into his wastebasket. "Yes?"

A man entered, somberly dressed, and with a long beard. "Mr. Stratton?" he asked. "Please allow me to introduce myself: my name is Benjamin Roth. I am a kabbalist."

Stratton was momentarily speechless. Typically such mystics were offended by the modern view of nomenclature as a science, considering it a secularization of a sacred ritual. He never expected one to visit the Manufactory. "A pleasure to meet you. How may I be of assistance?"

"I’ve heard that you have achieved a great advance in the permutation of letters."

"Why, thank you. I didn’t realize it would be of interest to a person like yourself."

Roth smiled awkwardly. "My interest is not in its practical applications. The goal of kabbalists is to better know God. The best means by which to do that is to study the art by which He creates. We meditate upon different names to enter an ecstatic state of consciousness; the more powerful the name, the more closely we approach the Divine."

"I see." Stratton wondered what the kabbalist’s reaction would be if he learned about the creation being attempted in the biological nomenclature project. "Please continue."

"Your epithets for dexterity enable a golem to sculpt another, thereby reproducing itself. A name capable of creating a being that is, in turn, capable of creation would bring us closer to God than we have ever been before."

"I’m afraid you’re mistaken about my work, although you aren’t the first to fall under this misapprehension. The ability to manipulate molds does not render an automaton able to reproduce itself. There would be many other skills required."

The kabbalist nodded. "I am well aware of that. I myself, in the course of my studies, have developed an epithet designating certain other skills necessary."

Stratton leaned forward with sudden interest. After casting a body, the next step would be to animate the body with a name. "Your epithet endows an automaton with the ability to write?" His own automaton could grasp a pencil easily enough, but it couldn’t inscribe even the simplest mark. "How is it that your automata possess the dexterity required for scrivening, but not that for manipulating molds?"

Roth shook his head modestly. "My epithet does not endow writing ability, or general manual dexterity. It simply enables a golem to write out the name that animates it, and nothing else."

"Ah, I see." So it didn’t provide an aptitude for learning a category of skills; it granted a single innate skill. Stratton tried to imagine the nomenclatoral contortions needed to make an automaton instinctively write out a particular sequence of letters. "Very interesting, but I imagine it doesn’t have broad application, does it?"

Roth gave a pained smile; Stratton realized he had committed a faux pas, and the man was trying to meet it with good humor. "That is one way to view it," admitted Roth, "but we have a different perspective. To us the value of this epithet, like any other, lies not in the usefulness it imparts to a golem, but in the ecstatic state it allows us to achieve."

"Of course, of course. And your interest in my epithets for dexterity is the same?"

"Yes. I am hoping that you will share your epithets with us."

Stratton had never heard of a kabbalist making such a request before, and clearly Roth did not relish being the first. He paused to consider. "Must a kabbalist reach a certain rank in order to meditate upon the most powerful ones?"

"Yes, very definitely."

"So you restrict the availability of the names."

"Oh no; my apologies for misunderstanding you. The ecstatic state offered by a name is achievable only after one has mastered the necessary meditative techniques, and it’s these techniques that are closely guarded. Without the proper training, attempts to use these techniques could result in madness. But the names themselves, even the most powerful ones, have no ecstatic value to a novice; they can animate clay, nothing more."

"Nothing more," agreed Stratton, thinking how truly different their perspectives were. "In that case, I’m afraid I cannot grant you use of my names."

Roth nodded glumly, as if he’d been expecting that answer. "You desire payment of royalties."

Now it was Stratton who had to overlook the other man’s faux pas. "Money is not my objective. However, I have specific intentions for my dexterous automata which require that I retain control over the patent. I cannot jeopardize those plans by releasing the names indiscriminately." Granted, he had shared them with the nomenclators working under Lord Fieldhurst, but they were all gentlemen sworn to an even greater secrecy. He was less confident about mystics.

"I can assure you that we would not use your name for anything other than ecstatic practices."

"I apologize; I believe you are sincere, but the risk is too great. The most I can do is remind you that the patent has a limited duration; once it has expired, you’ll be free to use the name however you like."

"But that will take years!"

"Surely you appreciate that there are others whose interests must be taken into account."

"What I see is that commercial considerations are posing an obstacle to spiritual awakening. The error was mine in expecting anything different."

"You are hardly being fair," protested Stratton.

"Fair?" Roth made a visible effort to restrain his anger. "You �nomenclators’ steal techniques meant to honor God and use them to aggrandize yourselves. Your entire industry prostitutes the techniques of yezirah. You are in no position to speak of fairness."

"Now see here--"

"Thank you for speaking with me." With that, Roth took his leave.

Stratton sighed.

* * *

Peering through the eyepiece of the microscope, Stratton turned the manipulator’s adjustment wheel until the needle pressed against the side of the ovum. There was a sudden enfolding, like the retraction of a mollusc’s foot when prodded, transforming the sphere into a tiny foetus. Stratton withdrew the needle from the slide, unclamped it from the framework, and inserted a new one. Next he transferred the slide into the warmth of the incubator and placed another slide, bearing an untouched human ovum, beneath the microscope. Once again he leaned toward the microscope to repeat the process of impression.

Recently, the nomenclators had developed a name capable of inducing a form indistinguishable from a human foetus. The forms did not quicken, however: they remained immobile and unresponsive to stimuli. The consensus was that the name did not accurately describe the non-physical traits of a human being. Accordingly, Stratton and his colleagues had been diligently compiling descriptions of human uniqueness, trying to distill a set of epithets both expressive enough to denote these qualities, and succinct enough to be integrated with the physical epithets into a seventy-two-lettered name.

Stratton transferred the final slide to the incubator and made the appropriate notations in the logbook. At the moment he had no more names drawn in needle form, and it would be a day before the new foetuses were mature enough to test for quickening. He decided to pass the rest of the evening in the drawing room upstairs.

Upon entering the walnut paneled room, he found Fieldhurst and Ashbourne seated in its leather chairs, smoking cigars and sipping brandy. "Ah, Stratton," said Ashbourne. "Do join us."

"I believe I will," said Stratton, heading for the liquor cabinet. He poured himself some brandy from a crystal decanter and seated himself with the others.

"Just up from the laboratory, Stratton?" inquired Fieldhurst.

Stratton nodded. "A few minutes ago I made impressions with my most recent set of names. I feel that my latest permutations are leading in the right direction."

"You are not alone in feeling optimistic; Dr. Ashbourne and I were just discussing how much the outlook has improved since this endeavor began. It now appears that we will have a euonym comfortably in advance of the final generation." Fieldhurst puffed on his cigar and leaned back in his chair until his head rested against the antimacassar. "This disaster may ultimately turn out to be a boon."

"A boon? How so?"

"Why, once we have human reproduction under our control, we will have a means of preventing the poor from having such large families as so many of them persist in having right now."

Stratton was startled, but tried not to show it. "I had not considered that," he said carefully.

Ashbourne also seemed mildly surprised. "I wasn’t aware that you intended such a policy."

"I considered it premature to mention it earlier," said Fieldhurst. "Counting one’s chickens before they’re hatched, as they say."

"Of course."

"You must agree that the potential is enormous. By exercising some judgment when choosing who may bear children or not, our government could preserve the nation’s racial stock."

"Is our racial stock under some threat?" asked Stratton.

"Perhaps you have not noticed that the lower classes are reproducing at a rate exceeding that of the nobility and gentry. While commoners are not without virtues, they are lacking in refinement and intellect. These forms of mental impoverishment beget the same: a woman born into low circumstances cannot help but gestate a child destined for the same. Consequent to the great fecundity of the lower classes, our nation would eventually drown in coarse dullards."

"So name impressing will be withheld from the lower classes?"

"Not entirely, and certainly not initially: when the truth about declining fertility is known, it would be an invitation to riot if the lower classes were denied access to name impressing. And of course, the lower classes do have their role to play in our society, as long as their numbers are kept in check. I envision that the policy will go in effect only after some years have passed, by which time people will have grown accustomed to name impression as the method of fertilization. At that point, perhaps in conjunction with the census process, we can impose limits on the number of children a given couple would be permitted to have. The government would regulate the growth and composition of the population thereafter."

"Is this the most appropriate use of such a name?" asked Ashbourne. "Our goal was the survival of the species, not the implementation of partisan politics."

"On the contrary, this is purely scientific. Just as it’s our duty to ensure the species survives, it’s also our duty to guarantee its health by keeping a proper balance in its population. Politics doesn’t enter into it; were the situation reversed and there existed a paucity of labourers, the opposite policy would be called for."

Stratton ventured a suggestion. "I wonder if improvement in conditions for the poor might eventually cause them to gestate more refined children?"

"You are thinking about changes brought about by your cheap engines, aren’t you?" asked Fieldhurst with a smile, and Stratton nodded. "Your intended reforms and mine may reinforce each other. Moderating the numbers of the lower classes should make it easier for them to raise their living conditions. However, do not expect that a mere increase in economic comfort will improve the mentality of the lower classes."

"But why not?"

"You forget the self-perpetuating nature of culture," said Fieldhurst. "We have seen that all megafoetuses are identical, yet no one can deny the differences between the populaces of nations, in both physical appearance and temperament. This can only be the result of the maternal influence: the mother’s womb is a vessel in which the social environment is incarnated. For example, a woman who has lived her life among Prussians naturally gives birth to a child with Prussian traits; in this manner the national character of that populace has sustained itself for centuries, despite many changes in fortune. It would be unrealistic to think the poor are any different."

"As a zoologist, you are undoubtedly wiser in these matters than we," said Ashbourne, silencing Stratton with a glance. "We will defer to your judgment."

For the remainder of the evening the conversation turned to other topics, and Stratton did his best to conceal his discomfort and maintain a facade of bonhomie. Finally, after Fieldhurst had retired for the evening, Stratton and Ashbourne descended to the laboratory to confer.

"What manner of man have we agreed to help?" exclaimed Stratton as soon as the door was closed. "One who would breed people like livestock?"

"Perhaps we should not be so shocked," said Ashbourne with a sigh. He seated himself upon one of the laboratory stools. "Our group’s goal has been to duplicate for humans a procedure that was intended only for animals."

"But not at the expense of individual liberty! I cannot be a party to this."

"Do not be hasty. What would be accomplished by your resigning from the group? To the extent that your efforts contribute to our group’s endeavor, your resignation would serve only to endanger the future of the human species. Conversely, if the group attains its goal without your assistance, Lord Fieldhurst’s policies will be implemented anyway."

Stratton tried to regain his composure. Ashbourne was right; he could see that. After a moment, he said, "So what course of action should we take? Are there others whom we could contact, Members of Parliament who would oppose the policy that Lord Colhurst proposes?"

"I expect that most of the nobility and gentry would share Lord Fieldhurst’s opinion on this matter." Ashbourne rested his forehead on the fingertips of one hand, suddenly looking very old. "I should have anticipated this. My error was in viewing humanity purely as a single species. Having seen England and France working toward a common goal, I forgot that nations are not the only factions that oppose one another."

"What if we surreptitiously distributed the name to the labouring classes? They could draw their own needles and impress the name themselves, in secret."

"They could, but name impression is a delicate procedure best performed in a laboratory. I’m dubious that the operation could be carried out on the scale necessary without attracting governmental attention, and then falling under its control."

"Is there an alternative?"

There was silence for a long moment while they considered. Then Ashbourne said, "Do you recall our speculation about a name that would induce two generations of foetuses?"

"Certainly."

"Suppose we develop such a name but do not reveal this property when we present it to Lord Fieldhurst."

"That’s a wily suggestion," said Stratton, surprised. "All the children born of such a name would be fertile, so they would be able to reproduce without governmental restriction."

Ashbourne nodded. "In the period before population control measures go into effect, such a name might be very widely distributed."

"But what of the following generation? Sterility would recur, and the labouring classes would again be dependent upon the government to reproduce."

"True," said Ashbourne, "it would be a short-lived victory. Perhaps the only permanent solution would be a more liberal Parliament, but it is beyond my expertise to suggest how we might bring that about."

Again Stratton thought about the changes that cheap engines might bring; if the situation of the working classes was improved in the manner he hoped, that might demonstrate to the nobility that poverty was not innate. But even if the most favorable sequence of events obtained, it would require years to sway Parliament. "What if we could induce multiple generations with the initial name impression? A longer period before sterility recurs would increase the chances that more liberal social policies would take hold."

"You’re indulging a fancy," replied Ashbourne. "The technical difficulty of inducing multiple generations is such that I’d sooner wager on our successfully sprouting wings and taking flight. Inducing two generations would be ambitious enough."

The two men discussed strategies late into the night. If they were to conceal the true name of any name they presented to Lord Fieldhurst, they would have to forge a lengthy trail of research results. Even without the additional burden of secrecy, they would be engaged in an unequal race, pursuing a highly sophisticated name while the other nomenclators sought a comparatively straightforward euonym. To make the odds less unfavorable, Ashbourne and Stratton would need to recruit others to their cause; with such assistance, it might even be possible to subtly impede the research of others.

"Who in the group do you think shares our political views?" asked Ashbourne.

"I feel confident that Milburn does. I’m not so certain about any of the others."

"Take no chances. We must employ even more caution when approaching prospective members than Lord Fieldhurst did when establishing this group originally."

"Agreed," said Stratton. Then he shook his head in disbelief. "Here we are forming a secret organization nested within a secret organization. If only foetuses were so easily induced."

* * *

It was the evening of the following, the sun was setting, and Stratton was strolling across Westminster Bridge as the last remaining costermongers were wheeling their barrows of fruit away. He had just had supper at a club he favored, and was walking back to Coade Manufactory. The previous evening at Darrington Hall had disquieted him, and he had returned to London earlier today to minimize his interaction with Lord Fieldhurst until he was certain his face would not betray his true feelings.

He thought back to the conversation where he and Ashbourne had first entertained the conjecture of factoring out an epithet for creating two levels of order. At the time he had made some efforts to find such an epithet, but they were casual attempts given the superfluous nature of the goal, and they hadn’t borne fruit. Now their gauge of achievement had been revised upward: their previous goal was inadequate, two generations seemed the minimum acceptable, and any additional ones would be invaluable.

He again pondered the thermodynamic behavior induced by his dexterous names: order at the thermal level animated the automata, allowing them to create order at the visible level. Order begetting order. Ashbourne had suggested that the next level of order might be automata working together in a coordinated fashion. Was that possible? They would have to communicate in order to work together effectively, but automata were intrinsically mute. What other means were there by which automata could exchange in complex behavior?

He suddenly realized he had reached Coade Manufactory. By now it was dark, but he knew the way to his office well enough. Stratton unlocked the building’s front door and proceeded through the gallery and past the business offices.

As he reached the hallway fronting the nomenclators’ offices, he saw light emanating from the frosted glass window of his office door. Surely he hadn’t left the gas on? He unlocked his door to enter, and was shocked by what he saw.

A man lay face down on the floor in front of the desk, hands tied behind his back. Stratton immediately approached to check on the man. It was Benjamin Roth, the kabbalist, and he was dead. Stratton realized several of the man’s fingers were broken; he’d been tortured before he was killed.

Pale and trembling, Stratton rose to his feet, and saw that his office was in utter disarray. The shelves of his bookcases were bare; his books lay strewn face-down across the oak floor. His desk had been swept clear; next to it was a stack of its brass-handled drawers, emptied and overturned. A trail of stray papers led to the open door to his studio; in a daze, Stratton stepped forward to see what had been done there.

His dexterous automaton had been destroyed; the lower half of it lay on the floor, the rest of it scattered as plaster fragments and dust. On the work-table, the clay models of the hands were pounded flat, and his sketches of their design torn from the walls. The tubs for mixing plaster were overflowing with the papers from his office. Stratton took a closer look, and saw that they had been doused with lamp oil.

He heard a sound behind him and turned back to face the office. The front door to the office swung closed and a broad- shouldered man stepped out from behind it; he’d been standing there ever since Stratton had entered. "Good of you to come," the man said. He scrutinized Stratton with the predatory gaze of a raptor, an assassin.

Stratton bolted out of the back door of the studio and down the rear hallway. He could hear the man give chase.

He fled through the darkened building, crossing workrooms filled with coke and iron bars, crucibles and molds, all illuminated by the moonlight entering through skylights overhead; he had entered the metalworks portion of the factory. In the next room he paused for breath, and realized how loudly his footsteps had been echoing; skulking would offer a better chance at escape than running. He distantly heard his pursuer’s footsteps stop; the assassin had likewise opted for stealth.

Stratton looked around for a promising hiding place. All around him were cast iron automata in various stages of near- completion; he was in the finishing room, where the runners left over from casting were sawed off and the surfaces chased. There was no place to hide, and he was about to move on when he noticed what looked like a bundle of rifles mounted on legs. He looked more closely, and recognized it as a military engine.

These automata were built for the War Office: gun carriages that aimed their own cannon, and rapid-fire rifles, like this one, that cranked their own barrel-clusters. Nasty things, but they’d proven invaluable in the Crimea; their inventor had been granted a peerage. Stratton didn’t know any names to animate the weapon--they were military secrets--but only the body on which the rifle was mounted was automatous; the rifle’s firing mechanism was strictly mechanical. If he could point the body in the right direction, he might be able to fire the rifle manually.

He cursed himself for his stupidity. There was no ammunition here. He stole into the next room.

It was the packing room, filled with pine crates and loose straw. Staying low between crates, he moved to the far wall. Through the windows he saw the courtyard behind the factory, where finished automata were carted away. He couldn’t get out that way; the courtyard gates were locked at night. His only exit was through the factory’s front door, but he risked encountering the assassin if he headed back the way he’d come. He needed to cross over to the ceramicworks and double back through that side of the factory.

From the front of the packing room came the sound of footsteps. Stratton ducked behind a row of crates, and then saw a side door only a few feet away. As stealthily as he could, he opened the door, entered, and closed the door behind him. Had his pursuer heard him? He peered through a small grille set in the door; he couldn’t see the man, but felt he’d gone unnoticed. The assassin was probably searching the packing room.

Stratton turned around, and immediately realized his mistake. The door to the ceramicworks was in the opposite wall. He had entered a storeroom, filled with ranks of finished automata, but with no other exits. There was no way to lock the door. He had cornered himself.

Was there anything in the room he could use as a weapon? The menagerie of automata included some squat mining engines, whose forelimbs terminated in enormous pickaxes, but the ax-heads were bolted to their limbs. There was no way he could remove one.

Stratton could hear the assassin opening side doors and searching other storerooms. Then he noticed an automaton standing off to the side: a porter used for moving the inventory about. It was anthropomorphic in form, the only automaton in the room of that type. An idea came to him.

Stratton checked the back of the porter’s head. Porters’ names had entered the public domain long ago, so there were no locks protecting its name slot; a tab of parchment protruded from the horizontal slot in the iron. He reached into his coat pocket for the notebook and pencil he always carried and tore out a small portion of a blank leaf. In the darkness he quickly wrote seventy-two letters in a familiar combination, and then folded the paper into a tight square.

To the porter, he whispered, "Go stand as close to the door as you can." The cast iron figure stepped forward and headed for the door. Its gait was very smooth, but not rapid, and the assassin would reach this storeroom any moment now. "Faster," hissed Stratton, and the porter obeyed.

Just as it reached the door, Stratton saw through the grille that his pursuer had arrived on the other side. "Get out of the way," barked the man.

Ever obedient, the automaton shifted to take a step back when Stratton yanked out its name. The assassin began pushing against the door, but Stratton was able to insert the new name, cramming the square of paper into the slot as deeply as he could.

The porter resumed walking forward, this time with a fast, stiff gait: his childhood doll, now life-size. It immediately ran into the door and, unperturbed, kept it shut with the force of its marching, its iron hands leaving fresh dents in the door’s oaken surface with every swing of its arms, its rubber-shod feet chafing heavily against the brick floor. Stratton retreated to the back of the storeroom.

"Stop," the assassin ordered. "Stop walking, you! Stop!"

The automaton continued marching, oblivious to all commands. The man pushed on the door, but to no avail. He then tried slamming into it with his shoulder, each impact causing the automaton to slide back slightly, but its rapid strides brought it forward again before the man could squeeze inside. There was a brief pause, and then something poked through the grille in the door; the man was prying it off with a crowbar. The grille abruptly popped free, leaving an open window. The man stretched his arm through and reached around to the back of the automaton’s head, his fingers searching for the name each time its head bobbed forward, but there was nothing for them to grasp; the paper was wedged too deeply in the slot.

The arm withdrew. The assassin’s face appeared in the window. "Fancy yourself clever, don’t you?" he called out. Then he disappeared.

Stratton relaxed slightly. Had the man given up? A minute passed, and Stratton began to think about his next move. He could wait here until the factory opened; there would be too many people about for the assassin to remain.

Suddenly the man’s arm came through the window again, this time carrying a jar of fluid. He poured it over the automaton’s head, the liquid splattering and dripping down its back. The man’s arm withdrew, and then Stratton heard the sound of a match being struck and then flaring alight. The man’s arm reappeared bearing the match, and touched it to the automaton.

The room was flooded with light as the automaton’s head and upper back burst into flames. The man had doused it with lamp oil. Stratton squinted at the spectacle: light and shadow danced across the floor and walls, transforming the storeroom into the site of some druidic ceremony. The heat caused the automaton to hasten its vague assault on the door, like a salamandrine priest dancing with increasing frenzy, until it abruptly froze: its name had caught fire, and the letters were being consumed.

The flames gradually died out, and to Stratton’s newly light-adapted eyes the room seemed almost completely black. More by sound than by sight, he realized the man was pushing at the door again, this time forcing the automaton back enough for him to gain entrance.

"Enough of that, then."

Stratton tried to run past him, but the assassin easily grabbed him and knocked him down with a clout to the head.

His senses returned almost immediately, but by then the assassin had him face down on the floor, one knee pressed into his back. The man tore the health amulet from Stratton’s wrist and then tied his hands together behind his back, drawing the rope tightly enough that the hemp fibers scraped the skin of his wrists.

"What kind of man are you, to do things like this?" Stratton gasped, his cheek flattened against the brick floor.

The assassin chuckled. "Men are no different from your automata; slip a bloke a piece of paper with the proper figures on it, and he’ll do your bidding." The room grew light as the man lit an oil lamp.

"What if I paid you more to leave me alone?"

"Can’t do it. Have to think about my reputation, haven’t I? Now let’s get to business." He grasped the smallest finger of Stratton’s left hand and abruptly broke it.

The pain was shocking, so intense that for a moment Stratton was insensible to all else. He was distantly aware that he had cried out. Then he heard the man speaking again. "Answer my questions straight now. Do you keep copies of your work at home?"

"Yes." He could only get a few words out at a time. "At my desk. In the study."

"No other copies hidden anywhere? Under the floor, perhaps?"

"No."

"Your friend upstairs didn’t have copies. But perhaps someone else does?"

He couldn’t direct the man to Darrington Hall. "No one."

The man pulled the notebook out of Stratton’s coat pocket. Stratton could hear him leisurely flipping through the pages. "Didn’t post any letters? Corresponding with colleagues, that sort of thing?"

"Nothing that anyone could use to reconstruct my work."

"You’re lying to me." The man grasped Stratton’s ring finger.

"No! It’s the truth!" He couldn’t keep the hysteria from his voice.

Then Stratton heard a sharp thud, and the pressure in his back eased. Cautiously, he raised his head and looked around. His assailant lay unconscious on the floor next to him. Standing next to him was Davies, holding a leather blackjack.

Davies pocketed his weapon and crouched to unknot the rope that bound Stratton. "Are you badly hurt, sir?"

"He’s broken one of my fingers. Davies, how did you--?"

"Lord Fieldhurst sent me the moment he learned whom Willoughby had contacted."

"Thank God you arrived when you did." Stratton saw the irony of the situation--his rescue ordered by the very man he was plotting against--but he was too grateful to care.

Davies helped Stratton to his feet and handed him his notebook. Then he used the rope to tie up the assassin. "I went to your office first. Who’s the fellow there?"

"His name is--was Benjamin Roth." Stratton managed to recount his previous meeting with the kabbalist. "I don’t know what he was doing there."

"Many religious types have a bit of the fanatic in them," said Davies, checking the assassin’s bonds. "As you wouldn’t give him your work, he likely felt justified in taking it himself. He came to your office to look for it, and had the bad luck to be there when this fellow arrived."

Stratton felt a flood of remorse. "I should have given Roth what he asked."

"You couldn’t have known."

"It’s an outrageous injustice that he was the one to die. He’d nothing to do with this affair."

"It’s always that way, sir. Come on, let’s tend to that hand of yours."

* * *

Davies bandaged Stratton’s finger to a splint, assuring him that the Royal Society would discreetly handle any consequences of the night’s events. They gathered the oil-stained papers from Stratton’s office into a trunk so that Stratton could sift through them at his leisure, away from the manufactory. By the time they were finished, a carriage had arrived to take Stratton back to Darrington Hall; it had set out at the same time as Davies, who had ridden into London on a racing-engine. Stratton boarded the carriage with the trunk of papers, while Davies stayed behind to deal with the assassin and make arrangements for the kabbalist’s body.

Stratton spent the carriage ride sipping from a flask of brandy, trying to steady his nerves. He felt a sense of relief when he arrived back at Darrington Hall; although it held its own variety of threats, Stratton knew he’d be safe from assassination there. By the time he reached his room, his panic had largely been converted into exhaustion, and he slept deeply.

He felt much more composed the next morning, and ready to begin sorting through his trunkful of papers. As he was arranging them into stacks approximating their original organization, Stratton found a notebook he didn’t recognize. Its pages contained Hebrew letters arranged in the familiar patterns of nominal integration and factorization, but all the notes were in Hebrew as well. With a renewed pang of guilt, he realized it must have belonged to Roth; the assassin must have found it on his person and tossed it in with Stratton’s papers to be burned.

He was about to set it aside, but his curiosity bested him: he’d never seen a kabbalist’s notebook before. Much of the terminology was archaic, but he could understand it well enough; among the incantations and sephirotic diagrams, he found the epithet enabling an automaton to write its own name. As he read, Stratton realized that Roth’s achievement was more elegant that he’d previously thought.

The epithet didn’t describe a specific set of physical actions, but instead the general notion of reflexivity. A name incorporating the epithet became an autonym: a self-designating name. The notes indicated that such a name would express its lexical nature through whatever means the body allowed. The animated body wouldn’t even need hands to write out its name; if the epithet were incorporated properly, a porcelain horse could likely accomplish the task by dragging a hoof in the dirt.

Combined with one of Stratton’s epithets for dexterity, Roth’s epithet would indeed let an automaton do most of what was needed to reproduce. An automaton could cast a body identical to its own, write out its own name, and insert it to animate the body. It couldn’t train the new one in sculpture, though, since automata couldn’t speak. An automaton that could truly reproduce itself without human assistance remained out of reach, but coming this close would undoubtedly have delighted the kabbalists.

It seemed unfair that automata were so much easier to reproduce than humans. It was as if the problem of reproducing automata need be solved only once, while that of reproducing humans was a Sisyphean task, with every additional generation increasing the complexity of the name required.

And abruptly Stratton realized that he didn’t need a name that redoubled physical complexity, but one than enabled lexical duplication.

The solution was to impress the ovum with an autonym, and thus induce a foetus that bore its own name.

The name would have two versions, as originally proposed: one used to induce male foetuses, another for female foetuses. The women conceived this way would be fertile as always. The men conceived this way would also be fertile, but not in the typical manner: their spermatozoa would not contain preformed foetuses, but would instead bear either of two names on their surfaces, the self-expression of the names originally born by the glass needles. And when such a spermatozoon reached an ovum, the name would induce the creation of a new foetus. The species would be able to reproduce itself without medical intervention, because it would carry the name within itself.

He and Dr. Ashbourne had assumed that creating animals capable of reproducing meant giving them preformed foetuses, because that was the method employed by nature. As a result they had overlooked another possibility: that if a creature could be expressed in a name, reproducing that creature was equivalent to transcribing the name. An organism could contain, instead of a tiny analogue of its body, a lexical representation instead.

Humanity would become a vehicle for the name as well as a product of it. Each generation would be both content and vessel, an echo in a self-sustaining reverberation.

Stratton envisioned a day when the human species could survive as long as its own behavior allowed, when it could stand or fall based purely on its own actions, and not simply vanish once some predetermined life span had elapsed. Other species might bloom and wither like flowers over seasons of geologic time, but humans would endure for as long as they determined.

Nor would any group of people control the fecundity of another; in the procreative domain, at least, liberty would be restored to the individual. This was not the application Roth had intended for his epithet, but Stratton hoped the kabbalist would consider it worthwhile. By the time the autonym’s true power became apparent, an entire generation consisting of millions of people worldwide would have been born of the name, and there would be no way any government could control their reproduction. Lord Fieldhurst--or his successors--would be outraged, and there would eventually be a price to be paid, but Stratton found he could accept that.

He hastened to his desk, where he opened his own notebook and Roth’s side by side. On a blank page, he began writing down ideas on how Roth’s epithet might be incorporated into a human euonym. Already in his mind Stratton was transposing the letters, searching for a permutation that denoted both the human body and itself, an ontogenic encoding for the species.

END

#Ted Chiang #Seventytwo Letters #short story