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#because they're certainly not interested in anything regarding this topic in general!
musical-chick-13 · 4 months
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It's also just so incredibly frustrating because people will take any example of a (usually male) character being horrible as some sort of "proof" that they're mentally ill (which, hmm, interesting that your automatic explanation for "why do they choose to treat other people horribly" is "they have a mental illness that just Makes Them Act Like That"), but there is no kind of nuanced or critical discussion of media that ACTUALLY (for ill or for good) tries to depict mental illness, and you try to recommend media that handles it well (that might even be good for other, completely unrelated reasons!!) and people just ignore you.
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inthestarsme · 1 year
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Astro Notes pt. 8
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These are not my pictures: 1st by robbodarko on pinterest, 2nd by an anonymous creator on pinterest.
‼️Don't repost my Observations without consent and mentioning my page‼️
If you don't agree with my observations, please don't send any hate. They're only my personal observations that i'm posting just for fun. Especialy the specific ones can only apply to certain people. So don't take anything you read too seriously. It's not a science, just pop-astrology!😎
❗️DISCLAIMER: I'm going to be talking about a lot of dark stuff, so if you may be triggered or retraumstised by ANYTHING, please DO NOT read this one ❗️
So let's buckle up, this one is a little more deep and dark than usual 🖤
Scorpio MC: I promise i'm going to stop talking about this placement, but i just find it very interesting. Looking at Zendayas birth chart who has a Scorpio MC with Pluto in her 10th house conjunct that MC (which i have too, exept the conjunction part), she seems to always keep her life very private. And if she ever shows herself in public, it's always to make a power move or to promote something she has just worked on, which will make her more powerful. Or she only does it with intention and/or absolutely wonderfully. Also, one of her bigger roles, playing Rue in Euphoria, was a very controversial one dealing with a lot of heavy topics, but she did it so well and gracefully, that it gave her a lot of fame and she even got an emmy for her performance. And i feel like Zendaya is a very good example for how to go about with this placement. Be secretive with your life, and don't give people too much space to shit on you. If you do anything in your career or anything of yours is to be shown in public, only give and show your very best. People can get jealous, but they will know to appreciate your hard work. You may use your sexiness and seductiveness, your dark and controversial side but do it with a purpose and intention, and best do it in an artistic context and in a beautiful way.
Saturn in the 6th house: I see Saturn as something or an area where you feel trapped or just persecuted by something. Because the 6th house has a lot to do with health, you may struggle with health issues and feeling like they're trapping you or just feeling no way out of them. As the opposition here is the 12th house, the only way out may be through a lot of hospital visits and maybe even using spirituality to heal your body.
But because the 6th house can also be about your everyday life, resposibilities and routines, you may experience feeling trapped in this area in some way or form. It can be due to societal expectations, because of your kids and husband or the community you grew up in, who and which may make you feel as if you're either trapped in responsibilities you didn't choose or like the things you're doing on an everyday basis aren't really the things that make you happy or would've chosen if you knew better or could've chosen otherwise. I really don't think this necessarily has to do with the work you may choose to pursue as a career, but it can certainly influence how you do it and even if you pursue it, if your everyday life may be preoccupied with other things than work.
Neptune in Scorpio and 3rd house: There may be an issue with illusions and thus betrayal coming from your siblings regarding money, because of wanting to keep certain secrets or for gaining some sort of power in general or specificaly over you. Or you may put illusions on your siblings to try to keep them from seeing certain secrets you keep or know. Of course this can still play out differantly, so please don't get scared, but if you are suspecting anything like this, take it as a hint to maybe be more careful.
Taurus MC: I've noticed this placement having to do with a career in the movie/ film industry. It can be as an actor, director, producer or whatever you may prefer doing. You may focus a lot on the aesthetic part of this artform. The placement of your venus may say a lot about in which way specificaly you may be involved in this industry. Venus in the first house, especialy with virgo, may be more into directing as the self is more in focus and you need to be able to organize people with confidence. Venus in the 5th house may be more into acting, especialy with Venus in Gemini or Cancer. Venus in the 6th house may be more into being a producer, Venus in the 3rd maybe a writer. If this is something you are interested in pursuing and you have this placement, i would recommend you to look more deeply into this.
Water moons: Y'all are about feeling, but every water sign focuses on a different kind of feeling. If well developed i would say: Cancer feels a lot, specificaly for other people and can be very nurturing and empathetic. Scorpio moon likes to go into deep and dark placed and also loves the sexual part of feeling. Pisces moon may be into connecting spiritually through your emotions, being able to perceive things that are outside of the physical or can't be physicaly perceived through your emotions (which could also be collective patterns, etc.).
Mercury conjunct Uranus: THE placement for someone with a high IQ and a lot of talent for things that need a lot of mental agility and being able to think outside the box. This can make you an amazing engineer and great at anything having to do with technology, especialy if it is placed in the 2nd, 6th or 10th house.
North Node in the 8th house: You may go from earning money on your own two feet to inheriting a lot of money or gaining a lot of money through other people, for example through divorce and need to learn to accept that sometimes that is also fine. It may be hard for you to accept this money as you may feel as if you didn't earn it and as such it isn't worth the same. And you aren't wrong, it's different to earn your own money, but you need to find a balance: sometimes inherited money was something your ancestors fought hard for so you wouldn't have to. In thus, it may be only in respect to them to treat it as earned and respectable money. And sometimes we're just lucky in life, and that's fine too. You can enjoy that luck and still be a responsable, "on your own two feet" kind of person. Or you can for example also donate some money or even open your own charity to help other people.
Libra moons: You may feel a sense of security through your interpersonal relationships. It can be your romantic relationships but also your friendships. You need these connections to feel emotionaly stable.
Mars in the 7th house: TW: Fighting and Abuse! I hate to admit this because it is something i need to work on, but i tend to fight a lot in relationships instead of just normaly addressing issues or breaking up if i just don't feel satisfied. I of course never get physical because i'm not that kind of person, but i feel like this could defenately indicate that. And honestly, i secretly like the drama of it, because it brings a kind of passion into the relationship. This has probably to do with some kind of childhood trauma of me thinking fighting is a form of love. But sadly, it also fits this placement, as Mars is Aggression. Maybe someone can relate, and if you do: we understand each other but i also need to tell you that we both need to work on this. There are other ways of creating passion in a relationship, and even though fighting can be normal and healthy, fighting every time you have an issue isn't really ideal. And if you have gotten physical in a relationship before: yes that's shitty and you should bear the concequences for it. But i will not just shame you for it, because i want you to look at the issue so you can heal and learn. That's the only way we as humans can evolve. So please: learn to take accountability so you can get better. Also: Maybe you should try to learn how you can create passion and excitement in your relationships without having to fight or anything like that.
I hope you liked it! Yes, i'm okay. I just love deep topics, and oftentimes they also tend to be of darker nature. Just a Scorpio Mercury at it's best. Lot's of love and till next time: stay safe!
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lorenzobane · 2 years
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I cannot believe I am doing this, but it's just driving me fucking crazy. This is about the utterly exhausting and circular and goddamn endless discourse about AO3, and I simply cannot take it anymore. The hyperbole, bad faith arguments, and deeply strange interpretations of what is going on are..... Why. Don't we have enough problems?
Recognizing that this is exhausting and stupid (it was trending on Twitter???? GUYS??) I'm putting this under a cut to not clog up people's dashes. I just feel like there really are solutions and people keep talking around each other and lobbing wild accusations. Come on- CP apologists? Pro-censorship? Let's take a breath. Apologies, per usual, I talked way too much.
First- let's get some perspective. Fanfiction is a hobby. That is all it is- it is not, at its core, more moral or less moral than crocheting. That isn't to say that you can't be a remarkably talented fic writer or that fic writers are never professional writers (though when professional writers are writing professionally, they are not writing fic. Therefore they are not engaging in the hobby of fic writing. They're engaged in the vocation of writing.).
Just like any other hobby, people who do it often get better at it and begin to hone their skills in much the same way that any other hobbyist does in any other skill. But at their core, the point of writing fanfiction is to have fun doing a creative activity with people who are interested in similar topics to you. It is not going to solve racism or cure wealth inequality, or usher in a new shining dawn for gender equity. It, because it is written by very normal people, will always reflect the real flaws and virtues of real and normal people. To suggest otherwise is self-aggrandizing and nonsensical. I'm glad people find joy and pleasure in writing fic (I am one of them!), but we have got to stop saying things that deify fic above other forms of art or writing. AO3 is basically a hobbyist forum and that is okay.
Now- onto my actual point: whatever happened to nuance?
"These freaks will do anything to defend child porn/racism." Okay- well, that is a pretty incendiary thing to say. What is actually being said? People who oppose bans are typically looking at the censorship on TikTok, Tumblr, Facebook's attempts at monitoring, and fanfiction.net and see nothing but colossal failures. So when people suggest potentially banning or deleting erotic works with minors, others who have never seen it done well and have only ever seen it backfire for basically every other tech company are understandably skeptical. Why would it work on Ao3 when it hasn't worked anywhere else? And if these people are still going to write it, except untagged, now we have an even bigger issue because you can't avoid it.
The typical solution for this is "okay, well, hire moderators or build an algorithm," which is expensive and will almost certainly lead to more backlash because they'd need to fundraise for even more money that people already resent having to do at all. Not to mention the backlash when they do/don't decide that something is harmful that other people might/might not. This is especially true of issues regarding racism- unless everyone they hire has a Ph.D. in the topic, I doubt taking the problems to a random committee will solve anything. And maybe I'm insane, but I REALLY do not want a computer taking charge of issues as sensitive as this. As a general rule, I do not want an archive to be making moral decisions about anything. As even more of an aside, I just refuse to describe a dead person as "unalive" in a fic because an algorithm went too far.
Okay- but does that mean we shouldn't do anything about those problems? Do I think the people who sincerely believe we need to fix things are "pro-censorship"? Of course not. There really are existing solutions that are common sense and broadly popular that would put the power in the hands of the readers as opposed to censoring the writers. Instead of focusing so hard on regressive policies to punish or try to eliminate the problem (which is pernicious enough that a simple ban wouldn't work anyway), why not focus on progressive policies that people agree on and can actually work to make people's lives better? People are capable, smart, and thoughtful- when given the tools they absolutely can manage their own online experience.
Author blocks: People should absolutely be allowed to block authors. This one is easy and obvious- it doesn't do much by way of protecting people before they see content but it does help protect themselves from ever seeing it again.
Saved excluded tags: Create a system where you can input certain tags that you always want blocked no matter which fandom you're looking on at the site. This one is another great way to put power in the hands of the reader.
Community fics: Allowing authors to select a group of people that they want to share their particular fic with. If you want to write your cannibal mermaid fic about Hamilton and you don't want to face backlash? Just set it to only be accessible to selected users.
For ideas that go a bit further*:
Stronger age restrictions: If the concern is that young people are being groomed, maybe a solution here could be to have members (I really can't remember how this works because I signed up so long ago) give their birth year. Then just automatically filter out any E or M rated fics for people under 18, similar to how they filter out member-specific fics.
Member-specific fics: On a related note, an option could be to have fics that include an "underage" tag and are E/M are automatically member-restricted.
*Caveat: these two face a similar unintended consequence that would restrict minors from interacting with erotic content at all. Now, for little kids that is fine but for a 16 year old... I mean, there really are teenagers who write porn and there really are young people who are going through puberty and... well. This restriction would obviously be a burden specific to them, but would protect them. Also- they can just lie, lol.
Anyway- as with all policies and all problems, you are always going to deal with unintended consequences of any new policy you put out but you have to be willing to accept that and at least think them through. It drives me CRAZY when people act like we either decide to do an ineffectual ban or we do nothing at all. I am begging you to be at least willing to LOOK for middle ground.
But at the end of the day, remember: This is a HOBBY. It really is not that deep. There are about 5 million users, and even if you say that the real number is closer to 8 million that is still .1% of the global population. I am BEGGING you guys to stop calling each other CP apologists and freaks and pathetic losers and pro-censorship weirdos and purity culture losers. There IS a real problem here and everyone is a little bit right. Just, like, chill a little.
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Religion in Black Friday - Part 1: Christology
So a while back I received this ask regarding Wiggly stating he was being “born” at Christmas, which is a neat little story element in itself, but it did get me thinking more about the way religion is used in Black Friday. This is an unfortunate side effect from having a degree in Religions and Theology that never gets used.
Though I’ll admit while other people on my course did their essays on considerably more serious topics, such as Sacred Spaces, or religion and gender, I did a lot of assignments on religion in popular culture, Harry Potter as a Christian allegory, religion in Doctor Who, using an episode of the Monkees as a comparison to evolving Catholic values in the UK... you know... the usual!
“And we all know, that God, is a...”
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Starkid shows have always been very blatant about making fun of the concept of god or religion in their shows. In the AVPM series, referring to the Wizard God; in Starship referring to Dead God, and in The Trail to Oregon - “Oh, so this is God’s fault!” But it does go a bit further in BF. Not only do they refer to Wiggly as “a god”, we see the use of other, notably Christian themes running throughout.
This post isn’t to share anything new or revolutionary about Hatchetfield or Wiggly, this is not a theory, nor a commentary on Starkid’s relationship with religion. This is just a self-indulgent analysis of just how theological Black Friday gets, that I know a few people were keen on.
Disclaimer 1: It’s been quite a while since I have written anything like this, so I hope this at least ends up interesting and legible!
Disclaimer 2: As much as I would love it that this was all in Starkid's heads as they wrote Black Friday, I can't really imagine it is, they're not writing an allegory of any kind. They certainly did use a lot of theological imagery, but there will be cases where I am probably pushing the boat out a little. I hope that while it may not all be an accurate reading of what Starkid intended, it is still interesting!
Christology
Wiggly exists in a void, outside of our reality, and is able to influence and interact with the people of Hatchetfield. Whilst he himself is in the Black and White, he uses his effigy to create chaos around the world. Though we learn from Xander that the Wiggly doll isn’t merely a tool of communication, nor a minion like the Sniggles. No, the doll is Wiggly himself.
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Now, I know when I initially posted my idea of doing a “religion in Black Friday” post, I was told there was interest especially from those who don’t really have a background in religion. Because of this, I am going to do a bit of explaining of some key concepts in Christian theology, so if you already know these - please bear with.
Not all Christian faiths see Jesus the same way, and while this isn’t the space to go into all of them (there are many), I am going to focus on probably the oldest debate amongst Christian theologians, is Jesus and God one and the same?
A long time ago, Constantine the First decided that there needed to be an official consensus on whether Jesus was God, and so the First Council of Nicea was born. This is Christology, and is one of the beliefs that became representative of the differences in Christian denominations.
The crux of it came down to two arguments:
1 - Jesus is divine in the same way God is, and is in essence God himself, co-eternal. (Alexander’s argument)
2 - God’s divinity is of a superior nature, as Jesus has a beginning, and is granted Godship. (Arius’s argument)
The outcome of the Council was that Jesus is co-eternal and divine, one with the Father. Of the same substance, or “consubstantial”.
There was also a third side to the debate which would involve looking deeper at old greek words that were difficult to determine even then, but can very generally be described as “Jesus is of a similar substance to God.”
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Back to Black Friday, and it is evident through some of the language used in the show, that if we were to have a “Council of Hatchetfield” the outcome would likely be the same. Linda refers to the Wiggly doll as a vessel of wiggly’s essence, so that which is inside the dolls is made of the same substance. Xander takes this further as we saw above, and outright says the Father is of the Son and the Son is of the Father. They are one and the same, the Wiggly Doll is consubstantial with Wiggly.
Equally, when they discuss the use of the dolls for bringing about ‘his reign of terror’, two important phrases are used:
“Stop the birth of a god”
“When Wiggly comes”
Whatever is coming through the portal is not a being of merely similar substance to Wiggly, nor is it one that has a beginning, granted his divine favour. No, it is Wiggly. Linda Monroe and her new exciting religion she just started definitely subscribe to the Alexandrian school of thought regarding Wiggly’s essence.
Next time - on Tazzy’s Tin Foil Hat Hour: Religion edition - Linda Monroe’s motherhood and visitation from a frightening messenger!
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I don't get it - what's wrong with the BB interview? Even you've addressed how PTD wasn't that great yet still raced to #1. They could change their rules but to what exactly? It's a popularity chart. If the same people are streaming the same song over and over - is that not precisely what manipulating the charts is? I mean, we're smart and found a great loop hole but how is this great for the boys? Making them think they're more popular than they actually are? PTD was weak, man and I love them??
I'm really glad you asked me this question because I wanted a chance to talk about what I did find insightful about the article. To be honest, when I started reading the article I thought "They're right", but the more I read it the more the lack of professionalism and the clear agenda it had bothered me.
First of all, talking about chart manipulation isn't a bad thing. But paying a group to be on the cover of your magazine and mentioning their achievements only to question them isn't the right way to do it. You think they'd do this with anyone else? Had it been Dua Lipa, the article would've been about her artistry and achievements in the industry, and she would've been portrayed in a positive light. Did BB even treat BTS as artists? To me they were only treated as an interesting phenomenon.
BB could've done an exposé on BTS and chart manipulation, but not like this. It's a bit rich for BB to question BTS only. Instead of opening a discussion about the merit of the charts and the ways the industry circumvents BB's guidelines, the article points fingers only at BTS, implying that, in contrast with Dua or Olivia, BTS are cheating the charts. BB essentially avoids taking responsibility for its own methods and its influence in the industry by saying BTS are the only ones compromising the legitimacy of the charts and their value. It's an easy way to make BB look good and BTS look bad - the charts and the US industry aren't the problem, BTS and the Korean music industry are. Throughout the whole article, the way they talked about the "fascinating" case of HYBE and BTS's success felt more like an insult than a compliment, or even an objective analysis. Anything related to Kpop or Korea was more or less used against BTS.
Second of all, the way they discussed chart manipulation was deeply flawed. They didn't lie about Army's strategies nor were they wrong to question the ethics of mass buying, but they should've done their research first. Quoting twitter users, alluding to "experts", admitting they didn't know exactly how Army operated, etc. is really bad journalism. They want to expose BTS for chart manipulation without proper evidence? The language they used conveyed ambiguity and uncertainty too. They never explicitly stated things, it was all hearsay. What kind of journalism is this?
But, again, even if they had done their research, targeting BTS without likewise exposing other artists on the charts is having a clear bias.
The article was also very interested in HYBE. This is another interesting topic, sure, but HYBE isn't BTS. If they wanted to write about HYBE they should've done so in another article. And it's telling that they talked about HYBE almost exclusively in an unflattering light. What they said wasn't false: for example, they questioned the company's longevity and worth due to their undeniable dependence on BTS - I agree with that, but what about HYBE's success story? BB aren't anticapitalism. They are pro-money hungry companies, and HYBE is certainly smart when it comes to money. Were it any other company, BB would've been all over that. But with HYBE they mention Army, and how HYBE exploited the fan-artist relationship, as the reason behind the label's success only to make HYBE and Army look bad. Artists profit from their fans, but usually no one talks about it; it's bad form. We talk about how cool and iconic Beyoncé is, not the amount of money she made, directly or indirectly, from her fans - or rather, the money she makes from her fans is legit and not worth questioning, unlike the money BTS make from Army. (As an aside, had Beyoncé been on their cover, do you think BB would've questioned the legitimacy of her feminism/activism due to the money she earned from a clothing line made at sweatshops employing mostly woc?...)
I agree that the relationship between BTS and Army is interesting, but streaming is only the tip of an iceberg that BB didn't bother to uncover.
To me, it's clear they had an agenda. The way they spoke about BTS's diplomatic passports, HYBE, Army, the charts, etc. - all of it had a negative connotation and contributed to the narrative of BTS being shady or puppets, or whatever. It was more of the "dark side" of Kpop. Why does no one talk about the dark side of American pop?
Also, like I mentioned, the article tackled too many topics. If you want to talk about HYBE, write an article about HYBE - the company's executives were quoted more than most of the members; it doesn't make sense. And if you want to talk about chart manipulation, that's a separate topic that shouldn't be the main focus of a magazine Army is expected to buy. Who, if not Army, is expected to buy the 7 different editions for each member? Army is supposed to buy an article slamming them and BTS?
There is a time and a place to discuss these things. Most of what was said was legitimate, but the authors twisted the truth to fit their narrative when they refused to do actual research on the topic, quoted fans of artists competing with BTS on the charts, and refused to look at chart manipulation as a whole and how other artists are attempting it as well (they even pointed out that other artists' fans try to do what Army does but less successfully - which is why they are... what, more innocent than Army?...).
Another thing that was unprofessional was the fact that BTS were rarely quoted directly. On the last part of the article, regarding the English singles, I can't even form an opinion on what was said due to the ambiguous, even manipulative way, the section was written. They quote an executive on how BTS compromised with the company and make it seem like BTS were unwilling to release English tracks (which fits their narrative), but they don't quote the members themselves. In the initial article I read they noted that RM remembered the situation differently and quote him saying "There was no alternative", which made it seem like RM was never in conflict with HYBE. But now the article states "RM wasn’t fond of the idea, though he acknowledges it was a crucial way to keep buzz alive during the pandemic. “There was no alternative,” he says.", and now it seems like RM opposed Dynamite at first, contradicting the initial article. This correction only corroborates with BB's narrative. But what about the members that were allegedly in favor of the single? And why is Jin only quoted to share the struggles of recording the song? Why was nothing positive said about Dynamite when we know for a fact they must've said it? It simply wasn't interesting to BB. The members were only quoted when they had something juicy to say, and we were never offered much context or told what question they were replying to, what tone they used or how it fit the real time conversation BTS were having with each other and with the interviewers.
Essentially, although the writers didn't lie about most things, the article was biased, ambiguous, unprofessional and lacking in direction. It was like three insufficiently researched and prejudiced articles in one.
Also, while PTD wasn't that great, there are many not so great songs that make it to n.1 on BB. Being great has nothing to do with your results in the chart. Many artists make songs no one really likes yet we're forced to listen to them on the radio anyway. Fans streaming like it's their job and bulk buying songs isn't right, but at the very least you can say that it is their choice, and it reflects the fans love for their artist even if it doesn't always reflect their love for the song. A lot of American artists have it easy and top the charts with generic songs that the GP listens to without even meaning to - they're just shoved down our throats by their labels. That's chart manipulation too, isn't it? What is BB supposed to represent? Popularity? If so, maybe BTS don't deserve the top spot, but maybe those artists who do only get that number 1 because their labels know how to put them up there. If more artists had the same treatment that artists like Dua Lipa get, then maybe the n. 1 song would be different. Isn't that chart manipulation as well?
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vivrepourleslivres · 5 years
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Hey, I know you already graduated so sorry if this is a bit off topic! I'm starting at Oxford next month to do law, and I'm a bit panicked about the reading. I feel like I read pretty slowly, especially if I'm taking notes (which I kind of have to if I want to focus at all), and it just seems like they're so much raw material I don't know if I'll keep up. Is that something you ever struggled with? How many pages did you tend to have to read in a day? I worry I'll have to stop sleeping ngl
Well, congratulations on getting into Oxford! That in and of itself is not an easy task so it’s always a good thing to remember when workload is stressing you out that your tutors must have picked you for a reason, and that they think you can handle it even if sometimes you feel like you can’t. Also, I may not be able to give as many examples as I would like because I’m currently in the process of moving so all my old reading lists and breakdowns are in a box somewhere…
First, everyone struggles with reading. EVERYONE. Even if they don’t admit it. Law is one of, if not the most, intensive subjects when it comes to the sheer amount of reading you have to do. The Law Faculty describes the workload by saying it should be around 30-40 hours a week – a fulltime job essentially. However, this is quite a bit exaggerated. Of course, it all depends on what college you’re in and who your tutors are, but you can get by just fine without forcing yourself to be glued to a textbook/casebook/WestLaw all day:
·         You do not have to read the entire reading list of cases. Your tutors will hopefully make this clear to you, and if they don’t then the finalist lawyers in your college definitely should. Every reading list I was ever given by a tutor had certain cases in bold or marked by an asterisk. These are the must-reads, which you will have to know and come exam time will likely be referencing often. You should read the entirety of these cases, including all the judgements, even if there is no dissent in the case. It’s by knowing the little details in each judge’s reasoning in these cases that you get in the 67-74 mark realm, which is where you want to be. There’s usually a couple of these per reading list, but no more than ten on any one list I would say. For cases that are not bold or marked, your tutor will probably tell you to read these anyway. I did this in my first year and it just stressed me out without helping much. It’s kind of a thing you have to get a feel for. I would read the headnote of the case (so the facts and the summary of the judgement), and decide whether it was important from that. If the case is mentioned a lot in the important cases because it was at one point important precedent, it’s probably still a good idea to read it. If not, and if it is on a very small subsection in the reading list (like trustees de son tort in trusts), I wouldn’t bother. The only other thing I’d add with regards to cases is that recent cases (so for you anything that came out [2017] or later) is probably worth reading because tutors like to bring them up. If your tutor insists that every case is important, look up the faculty reading list for that subject on WebLearn, as the most important cases are highlighted there as well. You can also use the faculty list if you want some more cases/articles for your essay but the tutor hasn’t provided many.
·         Textbook reading can be hit or miss. A good chunk of your weekly reading can come from the assigned textbook chapter. From what I remember it’s usually around 70 pages per subject per week, and for your first two years you’ll be on a subject and a half a term so around 70-140 pages a week from the textbook? Tutors have their own textbook preferences, and will probably point you towards a certain one, but some subjects do not really (in my opinion) fully warrant investment into a textbook – I barely ever used my EU law or my administrative law textbooks, I think I only opened the second for my final! I also think there is something to be said for trying to understand the cases in your own way before reading the textbook, as some of the authors are very biased in their explanations. Other subjects however (especially Intro to Roman Law) are more focussed on textbooks because of their nature. You’ll figure it out pretty quickly though were textbooks are important and where they’re not. I would however highly suggest the Text, Cases, and Materials series though! These combine a textbook and a casebook, and are pretty up-to-date on new developments. My contract one was honestly a god send, and I cut a lot of cases and textbook reading out of my week because of those books.
·         Articles. I’ll be honest, I would usually only read an article if it directly correlated to the essay, or was under 20 pages. Articles are your tools for getting a 70s, but you can get very high 2:1s without having to read many of them. Articles in my opinion are more time consuming than textbook reading – there was a week of admin reading that ended in five 60 articles on the same topic and that was actual hell.  It’s also rather difficult in an exam setting to remember many articles and academic viewpoints unless you completely drill them into your head so… Yeah – you don’t need to read many, and you certainly don’t have to read all of them (but if you’re really interested in the subject and have the time – go for it!)
·         Legislation. This applies mainly to land law and it’s heavy reliance on statute – literally glance at the sections on the list and post them all into a word document which you keep open during tutorials. You’ll get to know the really important sections through the cases, so don’t waste time on trying to remember it all (especially since you’re allowed statute books in exams). For EU law (which also relies on legislation quite a bit), maybe have a closer look at the actual wording and the implication of it, but again you get a statute book so…(also EU is a finalist subject so I’m getting a bit ahead of myself)
·         Your finalists are your friends. I mean upper years in general, but the finalists are the ones with all the tips and tricks because you get so stressed you learn all the ways to cut corners :D Do not be afraid to ask your seniors for notes! This does depend somewhat on college (again), but in my college a dropbox is made each year by the graduating cohort of all their finals notes (so I’ve just done this), and second years add in their moderations notes as well. These are great because they let you skip cases (providing the notes include case summaries) and can even point out those little differences in judge’s reasoning that I was talking about earlier (like the three-way split in Re Baden’s 2). So don’t be afraid to ask for notes, or even for advice on what you can safely skip knowing your tutor.
·         They ease you into it. You’ll do criminal law, constitutional law, and an introduction to roman private law over your first two terms, doing a subject and a half per term. Of those three, criminal law is the only case-heavy subject. Constitutional law and roman are mainly textbook/article based. So you shouldn’t have a very intense workload until Trinity term at the earliest (outside of revision for mods in Hillary) at which point you should have found your ideal work pace. So try not to worry too much about it all happening too much at once.
Honestly, I think it’s kind of an Oxford thing that we somewhat exaggerate how much work we do. Personally, I would divide my reading list into chunks (usually about a third of a side of A4) and say – this is how much I’m going to get done each day. Most reading lists are 2/3 sides of A4 I would say? I could still have days where I wouldn’t get that chunk done and would still be okay and reach the deadline. So I wouldn’t worry too much about it. Also you could make arrangements with other fresher lawyers to take certain parts of the reading list, but I maybe wouldn’t do that until you know them and how they approach cases/reading/notes, etc.
I hope this wasn’t too ramble-y and did somewhat help. I’m totally happy to answer any questions you have about Oxford/law despite graduating because it helps me relieve my youth and avoid the real world :L Good luck for your first year!
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