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dr3amofagame · 3 years

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vegas team 2.0 lets go !!

vegas team au 2.0 my beloved !!!

if you don’t know what the vegas team au 2.0 is, it’s an au that a couple of my twitter friends and i developed (notably, @stabbysideblog and @dreamsclock) as a post-canon version of sparrow’s vegas team au, which had c!dream, a post-revival c!wilbur, and c!quackity working together at las nevadas.

this au exists much in the same vein, but exists post-canon (and therefore, post torture from c!quackity) and adds c!sam to the crew - it’s essentially four really, really messed up people screwing things up in las nevadas and being completely AWFUL to each other. it’s a very messed up group dynamic, 50% angst 50% crack 0% fluff or healing (...unless ;) ) and it’s absolutely one of my favorite aus at the moment.

anyway, have this ficlet for the au i wrote a little bit ago that basically goes into how these four end up working together !!

tw: implied torture, unhealthy relationships (SO many unhealthy relationships), manipulation, threats, emotional distress, mental instability

When Sam first sees the two figures standing on top of the roof of Las Nevadas, the first thing that comes to his mind is oh no, I have a bad feeling about this.

The feeling is far from foreign; a "bad feeling" has been his life for the past week ever since Dream and Wilbur had disappeared from Pandora's Vault seemingly without a trace. He's tried to keep the knowledge under wraps, only telling Bad and Ant to send them on a manhunt to find the prisoner (a lost cause if he's ever seen one; the two have hunted Dream before, and all of them know that there is no way they're finding the man if he doesn't want to be found) while he and Quackity plan for the coming storm. And there will be a coming storm, he's sure - he's heard enough of Dream's desperate, deranged plans of revenge voiced in near incoherent screams through bubbling lava to think that he will come out of the cell with anything close to mercy in his heart.

Unfortunately, there's been little to nothing from the pair of fugitives running around the server, his communicator chat still buzzing with Tommy's usual shouting and Puffy's usual invitations to tea and Technoblade's usual cryptic "technoblade" messages sporadically throughout the day. It's frustratingly, maddeningly normal, and each day of waiting for the other shoe to drop only leaves him even closer to snapping completely. In a twisted, bitter sort of way, he's almost relieved at the sight of the people standing on the polished quartz roof of the casino; at least now he'll finally get some answers.

Next to him, Quackity narrows his eyes. "Nobody should know about this place," he says, lips twisting into a tight frown.

Sam shrugs, shoulders heavy and tense under netherite. "Do you think-"

"-that it's our dynamic fuckin' duo? Yeah," he breathes out, short and quick through his teeth, and his wings stretch and flutter behind him, "I think it might be."

The figures become clearer as they step closer, silhouettes dark and thrown into harsh relief against the backlighting of the sun behind them. One of them is definitely wearing armor - netherite, from the looks of it - and both are very clearly armed. Wonderful.

The taller turns towards them, gestures with a wide sweep of their arm. "Big Q!"

Sam jumps at the voice; Quackity smiles humorlessly. "Wilbur."

Wilbur turns towards the other figure - Dream, for sure then - and they seem to talk, though they are far too far away for Sam to make out anything they say. Dream seems to hand something to Wilbur, and seconds later twin dots of bluish-green arc smoothly towards the ground in front of Sam's feet. He steps back, watching from the corner of his eye as Quackity does the same, and sure enough Wilbur, and then Dream, land on the grass where their enderpearls hit the ground.

"It's been a long time, Big Q, Sam," Wilbur smiles, tight-lipped, confident, tipping his head at each of them as he says their names. He's not wearing any armor save for a crossbow - enchanted - slung loosely over his hip and a netherite sword hanging off of his belt. "How have things been?"

"Cut the crap, Wilbur." The smile stays on Quackity's face, but his eye is dark and cold and dangerous. He's changed - of course he has, you can't do what he's done in Pandora without changing, but the sight of his expression still sends a disturbed shiver down Sam's spine. "You want something."

Wilbur, to his credit, doesn't seem fazed at all. "We've been doing pretty well - I think we've made quite some progress, considering how little time it's been since we've escaped that prison - nice build, by the way, Sam." His voice is lilting, almost sincere, and he looks over at Sam with a laughing light in his eyes like they're sharing an inside joke. "It's really quite impressive - what do you think, Dream?"

Dream doesn't seem to respond; he's all decked out again, netherite covering him from head to toe, the enchanted metal plates completely dwarfing the man hidden within them. His hands clutch at a golden apple, knuckles white against the golden skin, and a plain shield is strapped over his left arm as well a hulking enchanted axe on his back. They've been busy, it seems, and Sam's teeth grind against each other; he's not sure, if it comes down to it, that this is a fight that he and Quackity can win.

"Wilbur," Quackity repeats, impatience creeping into his tone, "What do you want?"

Wilbur smiles wider; it makes Sam uneasy, like Wilbur had been waiting for this, waiting for their desperation to send them at the devil's table with paper in one hand and a pen in the other.

"You're a businessman, aren't you, Big Q? You know how business deals work - so let's talk business. I think we can come up with something agreeable, what do you think?"

Quackity huffs a short laugh- "And what's stopping me and Sam from putting a sword through your gut?"

Wilbur smiles, sharp-edged. "Well, Big Q. Resurrection magic- it's quite interesting, really. Dream was explaining it to me, you know. And here's the thing; how many lives do you think I have right now?"

What- oh. "You have all of your lives back."

"Oh, no, Sam, I'm not saying that, exactly," Wilbur waves his hand flippantly, "I'm just saying you don't know, you know? And if I were to- say, have more than one life, and you were to kill me, well," he shrugs, a thoughtful look on his face. "We were smart enough to set our beds far away from the prison, of course. It would be an awful shame if people were to find out about what the perfect, responsible Warden was allowing in his inescapable prison, wouldn't it?"

No, no, no-

"So you're blackmailing us," Quackity's eyebrows are furrowed, jaw clenched tightly. Wilbur tips his head back and laughs.

"Oh, this isn't a threat, Big Q! Just a few- let's just call them hypotheticals." He begins to pace back and forth, gait smooth and unburdened, "I'm just saying that you two are powerful right now, you know? And it's great! I love this- what was it, Las Nevadas, you're calling it? It's great. It's absolutely magnificent. I'm just saying that you might want to be careful about what people end up finding out; you know people can be about power, on this server, and it would be such a shame to see this place burned to the ground."

Quackity's wings tense, and Sam can already see the younger's mouth opening and his fingers beginning to glow white with him reaching into his inventory, and oh prime if things escalate here then they're so, so screwed-

"Business!" He shouts louder than he wants, Quackity's head snapping towards him, lips still slightly parted from the words that he never got to say, and Sam ignores him to focus his attention on Wilbur, still staring at them with a smile playing on his lips. "You said you would be willing to talk business, right, Wilbur?"

"Yes, of course! Let's talk business. What do you think, Quackity?" Wilbur pauses, looks Quackity in the eye, and the younger glares but doesn't say anything. "Oh, don't worry too much, Big Q. I honestly think that it'll be good for all of us - a mutually beneficial arrangement, if you will."

"Wilbur, just," Sam sighs, fights against the incoming headache. "Can you please just get to the point?"

"Of course, Sam," Wilbur all but chirps, "So- we have something you want, and you have something we want. I say we pool our resources- our knowledge, Dream's combat prowess, your protection and items - and make something better."

"Pool our resources- wait wait wait, you mean you want to fuckin'-"

"I don't know how much Dream has told you, but I've been dead for a pretty long time; there really isn't all that much to do in the Void, you know. I've gotten pretty bloody good at cards, if I do say so myself." Wilbur grabs Dream, ignoring the way he flinches as he slings an arm around his shoulders, "What do you say? Have room in Las Nevadas for two more, Big Q?"

Sam blinks. Prime, give him strength. "What?"

Quackity hisses quietly, "You want to help with Las Nevadas? Both of you?" Sam watches as he turns his glare from Wilbur to Dream, and oh, so that's what this is about. He points his thumb jerkily in the direction of the masked man, watching, as Dream ducks his head down, unable to back away too far with Wilbur's arm still braced behind his neck. "And why should I work with him?"

"Two in one deal, Quackity, you have both of us or nothing at all," Wilbur drawls, "Besides, I know you've wanted the power of the resurrection book - and done quite a lot to get it! I'm really very impressed. Of course, we couldn't simply give it to you, but with us on your side, there's hardly even a difference." Quackity opens his mouth, looking like he's about to protest- "And, really, it would be nice to have Dream on your side in case the Blade comes for your other eye, no?"

His mouth shuts with an audible click, one-eyed glare meeting Wilbur's all-too easy expression, before finally nodding jerkily. "Fine. As long as he doesn't cause too much trouble."

"Oh, don't worry about that," Wilbur claps Dream on the back, and he curls into himself more, arms raising up to his head. "You've done more than enough to keep him obedient."

"We'll have to write out the terms later," Quackity presses on. "Don't want either of you trying anything. I've put so much fuckin' time into this place, I'm not letting you fuck it up, you hear?"

"Of course, Big Q," Wilbur's smile is jagged, all teeth, as he holds his arm out between them. "Wouldn't have it any other way."

Quackity breathes in, out, looks over at Sam. There's a question written in the tight edge of his shoulders, in the way his wings are braced and held to his sides - are we sure about this?

Sam tips his head in a shallow nod. Do we really have a choice?

Quackity takes Wilbur's hand, shakes it. "Then welcome to the team."

Wilbur laughs, and it sounds like flames and explosions and the ground shaking beneath your feet, burns with the cold heat of smoke and ash - and Sam knows, with a bitter, searing certainty, that this is going to collapse around them in a blaze of glory, that they've all but signed their death warrants, have nothing left but to wait for the countdown timer to hit zero and blow this place up to kingdom come. Wilbur meets his eyes - dark, dead, grey like cinders and gunpowder - and he knows that the other man is thinking the same thing.

"I think this is the start to something beautiful," Wilbur says, and Sam grits his teeth as he steps into the building.

Something beautiful, indeed.

#-> vegas team au 2.0 #queue <3 #tw torture #tw toxic relationship #tw unhealthy relationship #tw manipulation #tw emotional distress #tw mental instability #tw threats #long post #my writing :D #my asks !!

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garnetsandroses · 2 years

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ask game: cquackity (you might need to skip a couple sorry we have a fandom overlap of One <3)

Why I like them

(please assume i always mean to put the c! in front of names, rn i’m so lazy)

ohhhh my god big q’s so quirky but in that terrible way where you feel slightly uneasy and worried every time he’s around. his character development has been so good (in terms of narrative, not for him personally) and it’s a delight to revisit old streams to see how far he’s come. all sorts of disparate character types like a suave businessman, slimy politician, or revenge-bent ex all come together to make a very compelling and interesting antagonist or at least anti-hero. there’s just so much emotional stuff that he’s gone through that drives me bonkers! so much angst to draw on!

Why I don’t

some plot threads got dropped, or just aren’t focused on as much as i’d like them to be. like, why go to the trouble of eating your fiance’s heart raw and exhibit signs of possession just to not go deeper into the paranormal aspects X_X

Favorite episode (scene if movie)

most definitely the stream (forgot the title, oops) where slime dies. it was absolutely devastating and the contrast between quackity’s struggle to trust in someone again versus purpled’s heartless betrayal made for an amazing conflict

Favorite season/movie

definitely S1. manburg v pogtopia was an amazing conflict that really drew out cc!q’s acting ability when he could play off of both schlatt and wilbur. quackity breaking free from the terrible administration and making himself a place in pogtopia was great

Favorite line

“i have a pickaxe” for sure. idk if hitting on 16 completely counts, but “i don’t think about you at all” is second place in that case.

Favorite outfit

i mean, he’s a minecraft skin, but . . . that las nevadas uniform is very swaggy

OTP

sorry for being a tntduo fan but i absolutely am one. it’s not like i need the streamers to go romantic, god forbid they try to rp through a dramatic reconciliation all the way to marriage. but in some way i just feel like they’re a pair

Brotp

this is a hard question to answer now, honestly. quackity’s not exactly doing too hot. but i adored the idea of quackity and fundy having a bond from the manberg administration, and knowing each other’s habits from staying around the white house so much.

Head Canon

i like to think that he was always closer to sapnap. ofc this has been joked about, but i like the idea of quackity and karl always needing sapnap w/ them to bond, so when their relationship soured, quackity jumped to “oh, karl hates me now!” instead of maybe thinking about the possibility of memory issues

Unpopular opinion

quackity was practically superfluous during the egg arc. him crashing the red banquet was a pretty cool appearance, but once it wore off it felt out-of-character and it threw a wrench into the interesting dynamic with bbh set up in the las nevadas streams

A wish

wishing on a star for him to start treating his employees better ⭐

An oh-god-please-dont-ever-happen

it would probably be the worst-case scenario for him to die. it just doesn’t feel right thinking about such a tragic character getting offed instead of letting him right his wrongs and find some lasting happiness

5 words to best describe them

desperate, conniving, haunted, pragmatic, ruthless

My nickname for them

mostly i just use “q” but there’s always the alternative of calling him blorbo B) ask game here: https://garnetsandroses.tumblr.com/post/682767381198684160/give-me-a-character-and-i-will-answer

#ty for the ask!!#ask game #mcyt #dream smp #quackity

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bloom2003 · 5 years

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April 4th week.

Hey, everyone. I am back with my 4th-week blog for media studies. I learned really good and interesting topics. So, let us start with our 1st topic this week.

The first thing we did was storytelling. Where we were told to draft a story, where ma'am gave us a table for the genre, settings, characters, objects.

Where purvi my friend gave me the combination of the genre action, setting as forest, character as a businessman, and object a piano. I have to draft a story based on these 4. My story was: there was a businessman who had a big multi-million company. He uses to earn a lot... But he was tired of working and didn’t have peace in his life. So, he handles all his work to his manager and leaves for a nice holiday. He decides to go to a forest for tracking and peace. now, in the middle of the forest, he found an abundant village where people use to live once, but now there was no sign of life left everything was either burnet or been broken intently. He saw a weird looking piano kept between the village. He goes near the piano and imagines the who may have used the piano, someone must have played it for his love, kids must have learned it, must anything before that crises. He felt bad for the villagers who died. He moves away from that piano and changes his way towards the city, but suddenly he hears some footsteps behind him. As he looks behind there were two men following him. he stops and calls them and ask why are u stalking me? They said if u don’t let us pay $20,000, we will kill you. He began arguing with them the entered into a fight. Where one of the men punches him on the head. He faints and when he opened his eyes after a few hours he was found naked outside of his own house.

Technological and Convergence.

The term convergence means combining different forms of media in order to make a single form of media. Example: the mobile phone.

There are two types of convergence:

1. media convergence.

2. technological convergence.

The phrase technological stands for, a single device doing the job of several devices.

Technological convergence is the tendency that as technology changes, the different technological system evolved towards performing a similar task.

INDIAN CINEMA HISTORY.

Q. How did cinema start in India?

Ans. Beginning of the Talkies. The first ever talkie 'Alam Ara' by Ardeshir Irani was screened in Bombay in 1931. It was the first sound film in India. The release of Alam Ara started a new era in the history of Indian cinema.

Movie name: RAJA HARISHCHANDRA.

By: DABASHEB PHALKE.

A first silent feature film made in India.

Year:1913

Movie name: ALAM ARA.

By: ARDESHIR IRANI.

A first Indian sound film.

year:1931

Movie name: KISAN KANYA.

By: ARDESHIR IRANI

A first color film of Indian cinema.

year: 1937

Movie name: MY DEAR KUTTICHATHAN.

Later dubbed in Hindi as CHHOTA CHETAN.

Year: 1992.

Movie name: ROADSIDE ROMEO.

Writer/ director: JUGAL HANSRAJ.

A first Indian 3D animated film.

Year: 2008

Movie name: DHOOM 3

By: YASH RAJ FILMS.

A first Imax film in India.

Year:2013.

Next in the row is GENRE AND SUB GENRE’S.

A film genre is identifiable types, categories, classification or groups of film that have similar techniques or convention such as contents, structure, theme, mood, plot, setting, props, styles, situation, period, narrative events and motives.

Sub - Genere

Sub-genres are identifiable subclasses within the larger film genre, with there own distinctive subject matter, style, formula, icon graphics, etc.

Primary film genre

Romance, horror, comedy, drama, action, mystery, sci-fi, epic, crime, war, musical.

POSTER ANALYSIS.

We analyzed Annabelle’s poster. Where we have to interpret on the color, font, and character present on the poster.

Now we were taught about four stages of production.

The three main stages of production are:

Pre-production: Planning, scripting & storyboarding, etc.

Production: The actual shooting/recording.

Post-production: Everything between production and creating the final master copy.

story arc.

A story arc is an extended or continuing storyline in episodic storytelling media such as television, comic books, comic strips, board games, video games, and films with each episode following a dramatic arc. On a television program, for example, the story would unfold over many episodes.

Transformation: completely changed.

Growth: character overcome something mentally (positive).

Fall: character turns from good to bad.

8 characters.

HERO- PROTAGONIST.

HELPER- WHO ADIS PROTAGONIST.

DISPATCHER- SENDS TO REPAIR.

DONOR- PROVIDE SOMETHING.

PRINCESS/ HEROINE- NEED RESCUE.

VILLAN- CAUSE DISRUPTION.

FALES HERO- APPEAR TO BE GOOD.

PRINCESS FATHER- REWARD’S HERO.

TODOROV NARRATOLOGY.

Here I am done with this week's blog. There is much more to come in next week.

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shortyawards · 3 years

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RECAP: The 5th Annual Shorty Social Good Awards ✨

Welcome to the 5th Annual Shorty Social Good Awards, the hottest party to ever take place in your home. An event where introverts and extroverts can equally thrive, enjoying the more social parts of our virtual soiree, or quietly watching the show cameras off, PJs on and wine in hand.

In order to preserve the feel of a live event, the Shorty Social Good Awards took place on Accelevents, a platform that allowed the Shorty Awards to create a fun and interactive event alongside the main show. It was a night filled with networking, activities, and TONS of whale tail trophies. The event included sessions for speed networking (imagine speed dating, but for professionals and from the comfort of your home), a Q&A with some long-time Shorty Award judges, a workshop on Social Impact with YouTube Originals, Upworthy, Buzzfeed, and iHeartMedia, winners circle interviews and our main stage!

To get everyone warmed up for the night ahead, mentalist and magician Gary Ferrar blew us away with some tricks. And yes, we did spend the rest of the night saying “but, how did he do that.” From national television appearances to private lessons for celebrities, Gary travels the country teaching everyone he performs for that magic does in fact exist.

Moving over to the main stage our CEO, Greg Galant, cut the virtual ribbon and officially started the 5th Annual Shorty Social Good Awards.

Introducing Arturo Castro, writer, actor, producer and now first ever virtual Shorty Social Good Awards host (BRB emailing his agent now to put that on his resumé). Arturo did an incredible job throughout the night, keeping the dialogue light when the topics were heavy, while also emphasizing the incredible hard work and dedication that team members put into creating these impactful campaigns.

Just as it’s four shows prior, the 5th Annual Shorty Social Good Awards was filled with the most impactful and inspirational work all created to improve social good.

Some big winners of the night included:

Global Citizen, winners in Best in Medical Research, Best in Television, Best Nonprofit Organization, Best use of YouTube, and Best Video Series.

HBO, taking home four awards in Best in LGBTQ+, Best use of Images, Best in Mental Health, and Best use of Live Streaming Video.

MullenLowe MENA FZ LLC and Mohammed bin Rashid Al Maktoum Global Initiatives snatching W’s in Best in Government and Politics, Best Data Visualization, Best in Emergency Relief, and Best work for Hunger & Poverty Relief.

In addition to the incredible brands, organizations, agencies, and nonprofits that won throughout the night, we also awarded two outstanding individuals! Our first impact honoree went to celebrity investor, and CEO of Vayner Media and Vayner Sports, Gary Vaynerchuk. Outside of being an extremely successful businessman, this year Gary also put efforts into fundraising. Gary participated in the all-in challenge, a social media fundraiser providing food to those in need- children, elderly and frontline heroes. For the challenge Gary took time out of his busy schedule to go live on TikTok for 12 hours, raising over two million dollars.

The second impact award went to social media influencer and comedic creator, Adam Waheed. Adam has been involved in many philanthropic projects in 2020. Adam launched and raised over $30,000 for a school in Bali to help pay for new supplies and support students’ escape from poverty through education. Additionally, Adam has been extremely involved in racial injustice protests as well as educating his audience on the importance of voting. He even took to the street throughout the covid pandemic and protests to hand out $10,000 worth of pizza to dedicated Black Lives Matter protestors.

In order to round out the night perfectly, who other than the dynamic duo, the charitable chicks, the singing sisters (hehe alliteration), Aly and AJ!

Aly and AJ aren’t only known for their powerful singing voices, but for their powerful social justice voices as well. Throughout the pandemic, Aly and AJ have been very vocal on the topics they were passionate about, like protesting for the Black Lives Matter movement, and advocating the importance of voting. At the show, they mentioned supporting many finalist companies and even working with The Trevor Project in the past.

Aly and AJ started off with their new song, Joan of Arc on the Dance Floor, performed live for the first time at our show! They then closed the show with their 2007 hit, Potential Break-Up Song, which now has 1.5 million created TikTok videos. Spoiler alert, it’s still a bop.

That concludes this segment of The 5th Annual Shorty Social Good rundown. I hope you enjoyed reliving the epic night with us, and if you weren’t able to attend the show, don’t you fret - the full list of winners are featured in this adweek exclusive, check it out!

Want to be part of the whale-tail trophy fam? Entries for the 13th Annual Shorty Awards are now open. Learn more here!

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tometender · 5 years

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HANDLE WITH CARE by Helena Hunting Buy-Book Link:

HE WANTS TO LOSE CONTROL. Between his parents’ messed up marriage and his narcissistic younger brother, Lincoln Moorehead has spent the majority of his life avoiding his family. After the death of his father, Lincoln finds himself in the middle of the drama. To top it all off, he’s been named CEO of Moorehead Media, much to his brother’s chagrin. But Lincoln’s bad attitude softens when he meets the no-nonsense, gorgeous woman who has been given the task of transforming him from the gruff, wilderness guy to a suave businessman SHE’S TRYING TO HOLD IT TOGETHER. Wren Sterling has been working double time to keep the indiscretions at Moorehead Media at bay, so when she’s presented with a new contract, with new responsibilities and additional incentives, she agrees. Working with the reclusive oldest son of a ridiculously entitled family is worth the hassle if it means she’s that much closer to pursuing her own dreams. What Wren doesn’t expect is to find herself attracted to him, or for it to be mutual. And she certainly doesn’t expect to fall for Lincoln. But when a shocking new Moorehead scandal comes to light, she’s forced to choose between her own family and the broody, cynical CEO.

Handle With Care by Helena Hunting Lincoln has been hard at work living a philanthropist life when he is called home for his father’s funeral and will reading. Lincoln has broken from contact with his family and their self-indulgent life style. Imagine his surprise when he discovers his father has left him completely in control of the family’s Mega media corporation. His grandmother, his only solace as a child, convinces him to stay and help out the family. Wren was hired by Moorehead Media as a PR person, or should I say PR reinventor…she’s got her work cut out for her with Lincoln’s family. Just when she thinks she can break free she is tasked with one more assignment, reinvent the reclusive Lincoln into CEO material. The chemistry burns between Lincoln and Wren and sparks start to fly with the secrets, betrayals and what is uncovered all in the line of duty and family. I flat out loved Handle With Care. Both Wren and Lincoln are likeable, relatable characters that suck the reader right into their plights. With Scandal and financial / career mayhem at hand, they have their work cut out for them but the bickering duo provide a truly fantastic romantic comedy read. I received this ARC copy of Handle With Care from St. Martin's Press. This is my honest and voluntary review. Handle With Care is set for publication August 27, 2019 and will be included in St. Martins Publishing tour and paperback giveaway on Tome Tender on September 6, 2019.

New York Times and USA Today bestselling author of PUCKED, Helena Hunting lives on the outskirts of Toronto with her incredibly tolerant family and two moderately intolerant cats. She writes contemporary romance ranging from new adult angst to romantic sports comedy.

Handle With Care Blogger Q&A – Helena Hunting

Q: Can you tell us a little about your new release, Handle with Care? A: Handle with Care follows the story of the reclusive Lincoln Moorehead, who has done everything he can to separate himself from his family and their massive media corporation. Upon the death of his father, he’s forced to come home for the funeral, and then asked to stay on to help transition the company with the assistance of Wren Sterling who has been commissioned to overhaul Lincoln’s image in the public eye. Q: Lincoln Morehead and Wren Sterling are the lead characters in Handle with Care. Which one of them did you find the easiest to develop? What is each characters best and worst traits? A: I always find developing the male lead the easiest. I’m not sure why exactly that is, but Lincoln’s character was so easy to round out and develop. Lincoln’s worst trait is that he jumps to conclusions without first getting all the facts, but his best trait is his altruism. He’s very much about giving back, and despite the fact that he can be a grumpy jerk, he’s also an incredibly good human being. Wren’s worst trait is that she can be a martyr for things that are outside of her control but her best trait is her strength of character and her belief in redemption. Q: What was your greatest challenge while Handle with Care? What was your greatest pleasure and/or reward? A: Wren is a badass heroine, so I think finding the balance between her strength of character and those hints of vulnerability could be tricky at times. I really wanted to humanize her and make her relatable and I hope readers connect with her. I LOVED writing the banter between Linc and Wren. They are both such strong personalities, and that made putting them head to head so much fun.

Q: Which do you find easiest to write-the humor or the heart? A: Humor always seems to find a natural place inside the story, but for me it’s about the balance between the two. I love taking a heavy moment and inserting some kind of comic relief before I go for the feels again. Q: Do you work from an outline while writing your novels? How closely do the finished novels fit your original vision of the characters and storyline before you begin writing? A: I outline extensively. Most of the time I have about ten thousand words of outline and character development before I even start writing. It’s just how I work most effectively. I need to know who my characters are going in and where I want them to be by the end of the book. I generally stick to my outlines very closely since they are so detailed. Q: What did you edit OUT of this book? A: A lot of f-bombs. Q: Do you listen to music while writing? Does it influence the flow of the scene you are writing? A: I do. I create playlists for every single book I write, and I often (always) listen to the same playlist while I write the book. This means that I burn out albums and songs for my family on a very, very regular basis. My husbands list of artists he will no longer listen to grows exponentially with every release. Halsey always finds a place on my playlist and the song Joaquim by Oscar and the Wolf was a particular favorite.

Q: When sitting down to write a new book you have a specific outline to follow or does it just flow naturally? A: The first step in my process is always to write an outline. I need the bones of the story down, where the character arcs will fall and what the conflicts will look like before I start writing the book. Q: What do you like to do when you aren't writing? A: I like hanging out with my daughter and craft. Recently we went camping, which was a fun experience, although I grew up with a family cottage so we would spend a lot of the summer there. Q: Name three things on your desk right now. A: Broken Knight by LJ Shen, Fix Her Up by Tessa Bailey, Resist by K. Bromberg, Undeniable by Melanie Harlow, The Last Letter by Rebecca Yarros (still gives me the chills when I think about it), Verity by Colleen Hoover. Q: What did you enjoy most about writing this book? A: The banter between Wren and Linc and writing a grumpy, jerk hero who really isn’t a jerk but sure acts like one! Q: To get to know you a little bit better... do you have a pet or something that is special to you that you could share with us?

A: I have two cats, Digit is a 14 year old pure white polydactyl cat who sheds like nobodies business and Pumpkin (named by our daughter) is a 6 year old black cat who often thinks he’s a dog, eat edamame beans and begs for bacon at the table. Q: You've written many books & bestsellers, in many genres. What has been your favorite to write thus far? A: That’s a hard question to answer. I love them all for very different reasons, but I will say that I had a lot of fun writing Wren and Linc because of the banter and how much I love writing a strong heroine. Q: What was your favorite book or series in your youth? A: I used to love reading VC Andrews books, and Clive Barker, which I realize are very, bery different! Q: What would you like us (the readers) to take away from your story? A: That families aren’t perfect and people can make mistakes, yet still grow from them. Q: What is your favorite platform to connect with your reader to date? A: I have a reader group called The Beaver Den and I love it in there. The readers are always sharing book experiences and it’s a great community! If you want to join my group you can do it here: https://www.facebook.com/groups/HelenaHuntingBeaverDen/ Q: What project(s) are you currently working on? A: I just finished the third book in the All In Series, which the first book will be releasing this fall. Next I’m starting a standalone, but I also have a new series I’ll be starting soon, and I have a book idea or two for secondary characters in the last two books of The Shacking Up series, as well. It’s safe to say that my writing schedule is planned for the next two years! Q: Do you believe in love at first sight? A: I don’t know about love at first sight but when I saw my husband from across the room for the first time I thought, “man, he’s pretty” and then when we had our first conversation the connection was instant. I think people can “click” and be drawn to each other for inexplicable reasons.

CHAPTER 1

WHAT HAVE I GOTTEN MYSELF INTO?

WREN

I slip onto the empty bar stool beside the lumberjack mountain man who looks like he tried to squeeze himself into a suit two sizes too small. He’s intimidatingly broad and thick, with long dark hair that’s been pulled up into a haphazard man bun thing. His beard is a hipster’s wet dream. His scowl, however, makes him about as approachable as a rabid porcupine. And yet, here I am, sidling up next to him.

He glances at me, eyes bleary and not really tracking. He quickly focuses on his half-empty glass again. Based on the slump of his shoulders and the uncoordinated way he picks up his glass and tips it toward his mouth, I’m guessing he’s pretty hammered. I order a sparkling water with a dash of cranberry juice and a lime.

What I could really use is a cup of lavender-mint tea and my bed, but instead, I’m sitting next to a drunk man in his thirties. My life is extra glamorous, obviously. And no, I’m not an escort, but at the moment I feel like my morals are on the same kind of slippery slope.

“Rough day?” I ask, nodding to the bottle that’s missing more than half its contents. It was full when he sat down at the bar an hour ago. Yes, I’ve been watching him the entire time, waiting for an opportunity to make my move. While he’s been sitting here, he’s turned down two women, one in a dress that could’ve doubled as a disco ball and the other in a top so low-cut, I could almost see her navel.

“You could say that,” he slurs. He props his cheek on his fist, eyes almost slits. I can still make out the vibrant blue hue despite them almost being closed. They move over me, assessing. I’m wearing a conservative black dress with a high neckline and a hem that falls below my knees. Definitely not nearly as provocative as Disco Ball or Navel Lady.

“That solving your problems?” I give him a wry grin and tip my chin in the direction of his bottle of Johnnie.

His gaze swings slowly to the bottle. It gives me a chance to really look at him. Or what I can see of his face under his beard, anyway. 

“Nah, but it helps quiet down all the noise up here.” He taps his temple and blurts, “My dad died.” 

I put a hand on his forearm. It feels awkward, and creepy on my part since its half-genuine, half-contrived comfort. “I’m so sorry.”

 He glances at my hand, which I quickly remove, and refocuses on his drink. “I should be sorry too, but I think he was mostly an asshole, so the world might be better off without him.” He attempts to fill his glass again, but his aim is off, and he pours it on the bar instead. I rush to lift my purse and grab a handful of napkins to mop up the mess.

“I’m drunk,” he mumbles. 

“Well, I’m thinking that might’ve been the plan, considering the way you’re sucking that bottle back. I’m actually surprised you didn’t ask for a straw in the first place. Might be a good idea to throw a spacer in there if you want tomorrow morning to suck less.” I push my drink toward him, hoping he doesn’t send me packing like he did the other women who approached him earlier.

He narrows his eyes at my glass, suspicious, maybe. “What is that?”

“Cranberry and soda.”  

“No booze?” 

“No booze. Go ahead. You’ll thank me in the morning.”

 He picks up the glass and pauses when it’s an inch from his mouth. His eyes crinkle, telling me he’s smiling under that beard. “Does that mean Imma wake up with you beside me?”

I cock a brow. “Are you propositioning me?”

“Shit, sorry.” He chugs the contents of my glass. “I was joking. Besides, I’m so wasted, I can barely remember my name. Pretty sure I’d be useless in bed tonight. I should stop talkin’.” He scrubs a hand over his face and then motions to me. “I wouldn’t proposition you.”

I’m not sure how to respond. I go with semi-affronted, since it seems like somewhat of an insult. “Good to know.”

“Dammit. I mean, I think you might be hot. You look hot. I mean attractive. I think you’re pretty.” He tips his head to the side and blinks a few times. “You have nice eyes, all four of them are lovely.”

This time I laugh—for real—and point to the bottle. “I think you might want to tell your date you’re done for the night.”

He blows out a breath and nods. “You might be right.”

He makes an attempt to stand, but as soon as his feet hit the floor, he stumbles into me and grabs my shoulders to steady himself. “Whoa. Sorry. Yup, I’m definitely drunk.” His face is inches from mine, breath smelling strongly of alcohol. Beyond that, I get a whiff of fresh soap and a hint of aftershave. He lets go of my shoulders and takes an unsteady step back. “I don’t usually do this.” He motions sloppily to the bottle. “Mostly I’m a three drink max guy.”

“I think losing your father makes this condonable.” I slide off my stool. Despite being tall for a woman, and wearing heels, he still manages to be close to a head taller than me.

“Yeah, maybe, but I still think I might regret it tomorrow.” He’s incredibly unsteady, swaying while standing in place. I take the opportunity for what it is and thread my arm through his, leading him away from the bar. “Come on, let’s get you to the elevator before you pass out right here.”

He nods, then wobbles a bit, like moving his head has set him off balance. “That’s probably a good idea.”

He leans into me as we weave through the bar and stumbles on the two stairs leading to the foyer. There’s no way I’ll be able to stop him if he goes down, but I drape one of his huge arms over my shoulder anyway, and slip my own around his waist, guiding him in a mostly straight line to the elevators.

“Which floor are you on?” I ask.

“Penthouse.” He drops his arm from my shoulder and flings it out, pointing to the black doors at the end of the hall. “Jesus, I feel like I’m on a boat.”

“It’s probably all the alcohol sloshing around in your brain.” I take his elbow again, helping him stagger the last twenty feet to the dedicated penthouse elevator.

He stares at the keypad for a few seconds, brow pulling into a furrow. “I can’t remember the code. It’s thumbprint activated though too.” He stumbles forward and presses his forehead against the wall, then tries to line up his thumb with the sensor, but his aim is horrendous and he keeps missing.

I settle a hand on his very firm forearm. This man is built like a tank. Or a superhero. For a moment, I reconsider what I’m about to do, but he seems pretty harmless and ridiculously hammered, so he shouldn’t pose a threat. I’m also trained in self-defense, which would fall under the by any means necessary umbrella. “Can I help?”

He rolls his head, eyes slits as they bounce around my face. “Please.”

I take his hand between mine. The first thing I notice is how clammy it is. But beyond that, his knuckles are rough, littered with tiny scars and a few scabs, and his nails are jagged.

“Your hands are small,” he observes as I line his thumb up with the sensor pad and press down.

“Maybe yours are abnormally big,” I reply. They are rather large. Like basketball player hands.

“You know what they say about big hands.”

I fight not to roll my eyes, but for a brief moment, I wonder if what’s in his pants actually matches the rest of him. And if he’s unkempt everywhere, not just on his face. I cut that visual quickly because it makes me want to gag. “And what do they say?”

His eyes crinkle again, and he slaps his own chest. “Something about big hands, big heart.”

I bite back my own smile. “Pretty sure you’re mixing that up with cold hands, warm heart.”

His brow furrows. “There’s a good chance.”

The elevator doors slide open. He pushes off the wall with some effort and practically tumbles inside. He catches himself on the rail and sags against the wall as I follow him in. I honestly can’t believe I’m doing this right now.

He doesn’t have to press a button since the elevator only goes to the penthouse floor. As soon as we start moving, he groans and his shoulders curl in. “I don’t feel so good.”

Please don’t let him be sick in here. If there’s one thing I can’t deal with, it’s vomit. “You should sit.”

He slides down the wall, massive shoulders rolling forward as he rests his forehead on his knees. “Tomorrow is going to suck.”

I stay on the other side of the elevator, in case he tosses his cookies. “Probably.”

It’s the longest elevator ride in the history of the world. Or at least it feels that way, mostly because I’m terrified he’s going to yak. Thankfully, we make it to the penthouse floor incident-free. On the down side, now that he’s in a sitting position, getting him to stand again is a challenge. I have to press the open door button three times before I can finally coax him to his feet.

In the time between leaving the bar and making it to the penthouse floor, the effects of the alcohol seems to have compounded. He’s beyond sloppy, using the wall and me for support as we make our way to his door. There are two penthouse apartments up here. One on either side of the foyer.

He leans against the doorjamb, once again fighting to find the coordination to get his thumb to the sensor pad. I don’t ask if he needs my assistance this time since it’s quite clear he does. Once again I take his clammy hand in mine.

“Your hands are really soft,” he mumbles. 

“Thanks.”

 The pad ashes green, and I turn the handle. “Okay, here we go. Home sweet home.” 

“This isn’t my home,” he slurs. “My cousin’s family owns this building. I’m crashing here until I can get the fuck out of New York.”

I scan the penthouse. It an eclectic combination of odd art and modern furniture, like two different tastes crashed together and this is the result. Aside from that, it’s clean to the point of looking almost like a show home.

The only sign that someone is staying here is the lone coffee cup on the table in the living room and the blanket lolling like a tongue over the edge of the couch. I’m still standing in the doorway while he sways unsteadily.

He tries to shove his hand in his pants pocket, but all he succeeds in doing is setting himself off-balance. He nearly stumbles into the wall.

“Thanks for your help,” he says.

He’s back in his penthouse, which means my job is technically done. However, I’m worried he’s going to hurt himself, or worse, asphyxiate on his own vomit in the middle of the night, and I’ll be the one catching heat if that happens. I’ll also feel bad if something happens to him. I blow out a breath, annoyed that this is how my night is ending.

I heave his arm over my shoulder and slip mine around his waist again, leading him through the living room toward what seems to be the kitchen. There’s a sheet of paper on the island, but otherwise it’s spotless.

“What’re you doing?” he asks.

We pause when we reach the threshold. “Which way is your bedroom?”

He looks slowly from right to left. “Not that way.” He points to the kitchen. It’s very state of the art.

I guide him in the opposite direction down the hall, until he stumbles through a doorway, into a large but simply furnished bedroom. Once we reach the edge of the bed, he drops his arm, spins around—it’s drunkenly graceful—and falls back on the bed, arms spread wide as if he’s planning on making snow angels. “The room is spinning.”

“Would you like me to get you a glass of water and possibly a painkiller for the headache you’ll likely have in the morning?” I’m already heading for the bathroom.

“Might be a good idea,” he mumbles.

I find a glass on the edge of bathroom vanity—which is clean, apart from a brand new toothbrush and tube of toothpaste. I run the tap, wishing I had a plastic tumbler, because I’m not sure he’s in any state to deal with breakable objects. I check the medicine cabinet, find the pills I need, shake out two tablets, and return to the bedroom.

He’s right where I left him; sprawled out faceup on a massive king-size bed, legs hanging off the end, one shoe on the floor beside him. I cross over and set the water and the pills on the nightstand.

I make a quick trip back to the bathroom and grab the empty wastebasket from beside the toilet in case his night is a lot rougher than he expects.

I tap his knee, crossing my fingers he’ll be easy to rouse. “Hey, I have painkillers for you.”

He makes a noise, but doesn’t move otherwise.

I tap his knee again. “Lincoln, you need to wake up long enough to take these.” I cringe. I called him by name, and he didn’t offer it to me while we were down at the bar. Here’s hoping he’s too drunk to notice or remember. His name is Lincoln Moorehead, heir to the Moorehead Media fortune and all the crap that comes with it. And there’s a lot of it.

One eye becomes a slit. “Every time I open my eyes, the room starts spinning again.”

“If you drink this and take these, it might help.” I hold up the glass of water and the pills.

“’Kay.” It takes three tries for him to sit up. He tries to pick the pills up out of my palm, but keeps missing my hand.

“Just open your mouth.”

He lifts his head. “How do I know you’re not trying to roofie me?”

I hold up the tablet in front of his face. “They don’t say roofie, so you’re safe.”

He tries to focus on the pill and then my face. I have my doubts he’s successful at either.

His tongue peeks out to drag across his bottom lip. “The cameras in the hall will catch you if you steal my wallet.”

I laugh at that. “I’m not going to steal your wallet, I’m going to put you to bed.”

“Hmm.” He nods slowly and opens his mouth.

I drop the pills on his tongue and hand him the glass, which he drains in three long swallows. “Would you like me to refill that?”

“That’d be nice.” He holds out the glass, but when I try to pull away, he covers my hands with his. His shockingly blue eyes meet mine, and for a moment they’re clear and compelling. Despite how out of it he is, and how much he resembles a mountain man, or maybe because of it, I have a hard time looking away. “I really wish I wasn’t this messed up. You smell nice. I bet your hair is pretty when it’s not pulled up like that.” He flops a hand toward my bun. “Not that it’s not pretty like that, but I bet if you took it down, it would be wavy and soft. The kind of hair you want to bury your face in and run your fingers through.” He exhales a long breath. “I haven’t had sex in a really long time, but I feel like I would have zero finesse if I tried right now.”

I smile and turn away. In the time it takes for me to refill his glass, he’s managed to get one arm out of his suit jacket. He’s made it most of the way onto the bed, feet still hanging off the end, but he’s on his back, which is not ideal.

I set the glass on his nightstand, along with a second set of painkillers, which I’m assuming he’ll need in the morning, and give him another nudge. “Hey.”

This time I get nothing in the way of a response. I poke him twice more, but still nothing. He can’t sleep on his back with how drunk he is. He needs to be on his side or his stomach with a wastebasket close by.

I can’t in good conscience leave him like this. My options are limited. I shake my head as I kick off my shoes and climb up onto the bed with him. This is not at all what I expected to be doing when I brought him back up here.

I stare down at his sleeping form. His lips are parted, they’re nice lips, full and plump, even though they’re mostly obscured by his overgrown beard. His hair has started to unravel from its man bun, wisps hanging in his face. He has long lashes, really long actually, and they’re thick and dark, the kind women pay a lot of money for. His nose is straight and his cheekbones— what I can see of them—are high. With a haircut, a beard trim or complete shave, and a new suit that actually fits, I can imagine how refined he’ll look. More like a Moorehead than a mountain man lumberjack. I shake my head. “I need you to roll onto your side, please,” I say loudly.

Nothing. Not even a grunt.

I pull on his shoulder, but he’s dead weight. Leaning over him, I make a fist and give him a light jab approximately where his kidney is. “Lincoln, roll over.”

And roll he does, knocking me down and turning over so he’s right on top of me. We’re face-to-face. Good God, he’s heavy. His bones must be made of lead. He shifts, one leg coming over both of mine. I push at his knee, but his arm swings out and he wraps himself around me on a low groan, pinning my arm to my side. He’s like a giant human blanket.

“How did this become my life?” I say to the ceiling, because the man lying on top of me is apparently out cold.

I try to wriggle free, I even yell his name a bunch of time before I give up and wait for him to roll off me. And while I wait for that to happen, I replay the conversation with his mother, Gwendolyn Moorehead, that took place forty-eight hours ago and put me in this awkward position underneath her drunk son.

I’d been standing in Fredrick’s office, still digesting the fact that he was dead. It was shocking that a massive heart attack had taken him, since he was always so healthy and full of life.

Gwendolyn, his wife—now a widow—stood stoic behind his desk, papers stacked neatly in the center.

“I’m so very for your loss, Gwendolyn. If there’s anything I can do. Whatever you need.” The words poured out, typical condolences, but sincerely meant because I couldn’t imagine how my mother and I would feel if we lost my father.

Gwendolyn’s fingers danced at her throat as she cleared it. “Thank you,” she whispered brokenly and dabbed at her eyes. “I appreciate your kindness, Wren.”

“Let me know what you want me to handle, and I’ll take care of it.”

She took a deep breath, composing herself before she lifted her gaze to mine. “I need your help.”

“Of course, what can I do?”

“My oldest son, Lincoln, will be returning to New York for the funeral, and he’ll be staying to help run the company.”

A hot feeling crept up my spine. I’d heard very little about Lincoln. Everything from Armstrong’s mouth was scathing, Fredrick’s passing references had been with fondness, and my interactions with Gwendolyn had been minimal as it was Fredrick himself who hired me, so this was first I’ve heard of Lincoln through her. “I see. And how can I help with that?” I could only imagine how difficult Armstrong would be if he had to share the attention with someone else, particularly his brother.

“Transitioning Lincoln.” Gwendolyn rounded her desk. “You’ve managed to turn around Armstrong’s reputation in the media during the time you’ve been here. I know it hasn’t been easy, and Armstrong can be difficult to manage.”

Difficult to manage is the understatement of the entire century where Armstrong is concerned. He’s a cocksucker of epic proportions. He’s also a misogynistic, narcissistic bastard that I’ve had to deal with for the past eight months on a nearly daily basis—sometimes even on weekends.

My job as his “handler” has been to reshape his horrendous reputation after his involvement in several scandalous events became very public. It wasn’t a job I necessarily wanted, and I was prepared to politely reject the offer, but my mother asked me to take the position as a favor to her since she’s a friend of Gwendolyn.

Beyond that, my relationship with my mother has been strained for the past decade. When I was a teenager, I discovered information that changed our relationship forever. Taking the job at Moorehead was in part, my way of trying to help repair our fractured bond. The financial compensation, which was ridiculously high, also didn’t hurt. Besides, Gwendolyn is on nearly every single charitable foundation committee in the city, and since that’s where my interests lie, it seemed like a smart career move.

“Since you’re already working with Armstrong and things seem to be settled there for the most part, I felt it would make sense to keep you on here at Moorehead to work with Lincoln. He’s been away from civilized society for several years. He’s nothing like his brother, very altruistic and focused on his job, rather than recreational pursuits, so he should be easier to manage.”

I fought a scoff at the last bit, since “recreational pursuits” was a reference to the fact that Armstrong couldn’t seem to keep his pants zipped when it came to women.

Gwendolyn pushed a set of papers toward me. “It would only be for another six months. And of course, your salary would reflect the double work load, since you’ll still have to maintain Armstrong in some capacity while you assist Lincoln in transitioning into his role here.”

“I’m sorry, what—”

Gwendolyn pulled me into an awkward hug, holding onto my shoulders when she stepped back. Her eyes were glassy and red-rimmed. “You have no idea how much I appreciate your willingness to take this on. As soon as your contract is fulfilled, you have my word that I’ll give you a glowing recommendation to whichever organization you’d like. Your mother told me you’re interested in starting your own foundation. I’ll certainly help you in any way I’m able if you’ll stay on a little longer for me.” She dabbed at her corner of her eyes and sniffed, then tapped the papers on the desk. “I already have an agreement ready and an NDA, of course. Everything is tabbed for signing.”

I’m pulled back into the present when Lincoln shifts and one of his huge hands slides up my side and lands on my breast. At the same time, he pushes his nose against my neck, beard tickling my collarbone. He mutters something unintelligible against my skin.

I’m momentarily frozen in shock. Under any other circumstances, I would knee him in the balls. However, he’s not conscious or even semi-aware that he’s fondling me. Thankfully, now that he’s moved, I have some wiggle room.

I elbow him in the ribs, which probably hurts me more than it does him. At least it gets him to move away enough that I can slip out from under him. I roll off the bed and pop back up, smoothing out my now-wrinkled dress. My stupid nipples are perky, thanks to the attention the right one just got. Probably because it’s the most action I’ve seen since I started working for the Mooreheads eight months ago.

I hit the lights on the way out of the bedroom, pause in the kitchen to grab a glass of water and check out the sheet of paper on the counter. It’s a list of important details regarding the penthouse, including the entry code. I nab my purse, snap a pic, and head for the elevators.

I have a feeling this is going to be a long six months.

permission from St. Martin’s Paperbacks.

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Handle With Care by Helena Hunting

New York Times bestselling author of SHACKING UP and I FLIPPING LOVE YOU Helena Hunting mixes humor and heart in this scandal-filled romantic comedy.

SHE’S TRYING TO HOLD IT TOGETHER. Wren Sterling has been working double time to keep the indiscretions at Moorehead Media at bay, so when she’s presented with a new contract, with new responsibilities and additional incentives, she agrees. Working with the reclusive oldest son of a ridiculously entitled family is worth the hassle if it means she’s that much closer to pursuing her own dreams. What Wren doesn’t expect is to find herself attracted to him, or for it to be mutual. And she certainly doesn’t expect to fall for Lincoln. But when a shocking new Moorehead scandal comes to light, she’s forced to choose between her own family and the broody, cynical CEO.

Buy-Book Link:

https://us.macmillan.com/books/9781250183996

Handle With Care Q&A – Helena Hunting

Q: Can you tell us a little about your new release, Handle with Care?

A: Handle with Care follows the story of the reclusive Lincoln Moorehead, who has done everything he can to separate himself from his family and their massive media corporation. Upon the death of his father, he’s forced to come home for the funeral, and then asked to stay on to help transition the company with the assistance of Wren Sterling who has been commissioned to overhaul Lincoln’s image in the public eye.

Q: Lincoln Morehead and Wren Sterling are the lead characters in Handle with Care. Which one of them did you find the easiest to develop? What is each characters best and worst traits?

A: I always find developing the male lead the easiest. I’m not sure why exactly that is, but Lincoln’s character was so easy to round out and develop. Lincoln’s worst trait is that he jumps to conclusions without first getting all the facts, but his best trait is his altruism. He’s very much about giving back, and despite the fact that he can be a grumpy jerk, he’s also an incredibly good human being. Wren’s worst trait is that she can be a martyr for things that are outside of her control but her best trait is her strength of character and her belief in redemption.

Q: What was your greatest challenge while Handle with Care? What was your greatest pleasure and/or reward?

A: Wren is a badass heroine, so I think finding the balance between her strength of character and those hints of vulnerability could be tricky at times. I really wanted to humanize her and make her relatable and I hope readers connect with her. I LOVED writing the banter between Linc and Wren. They are both such strong personalities, and that made putting them head to head so much fun.

Q: Which do you find easiest to write-the humor or the heart?

A: Humor always seems to find a natural place inside the story, but for me it’s about the balance between the two. I love taking a heavy moment and inserting some kind of comic relief before I go for the feels again.

Q: Do you work from an outline while writing your novels? How closely do the finished novels fit your original vision of the characters and storyline before you begin writing?

A: I outline extensively. Most of the time I have about ten thousand words of outline and character development before I even start writing. It’s just how I work most effectively. I need to know who my characters are going in and where I want them to be by the end of the book. I generally stick to my outlines very closely since they are so detailed.

Q: What did you edit OUT of this book?

A: A lot of f-bombs.

Q: Do you listen to music while writing? Does it influence the flow of the scene you are writing?

A: I do. I create playlists for every single book I write, and I often (always) listen to the same playlist while I write the book. This means that I burn out albums and songs for my family on a very, very regular basis. My husbands list of artists he will no longer listen to grows exponentially with every release. Halsey always finds a place on my playlist and the song Joaquim by Oscar and the Wolf was a particular favorite.

Q: When sitting down to write a new book you have a specific outline to follow or does it just flow naturally?

A: The first step in my process is always to write an outline. I need the bones of the story down, where the character arcs will fall and what the conflicts will look like before I start writing the book.

Q: What do you like to do when you aren't writing?

A: I like hanging out with my daughter and craft. Recently we went camping, which was a fun experience, although I grew up with a family cottage so we would spend a lot of the summer there.

Q: Name three things on your desk right now.

A: Broken Knight by LJ Shen, Fix Her Up by Tessa Bailey, Resist by K. Bromberg, Undeniable by Melanie Harlow, The Last Letter by Rebecca Yarros (still gives me the chills when I think about it), Verity by Colleen Hoover.

Q: What did you enjoy most about writing this book?

A: The banter between Wren and Linc and writing a grumpy, jerk hero who really isn’t a jerk but sure acts like one!

Q: To get to know you a little bit better... do you have a pet or something that is special to you that you could share with us?

Q: You've written many books & bestsellers, in many genres. What has been your favorite to write thus far?

A: That’s a hard question to answer. I love them all for very different reasons, but I will say that I had a lot of fun writing Wren and Linc because of the banter and how much I love writing a strong heroine.

Q: What was your favorite book or series in your youth?

A: I used to love reading VC Andrews books, and Clive Barker, which I realize are very, very different!

Q: What would you like us (the readers) to take away from your story?

A: That families aren’t perfect and people can make mistakes, yet still grow from them.

Q: What is your favorite platform to connect with your reader to date?

A: I have a reader group called The Beaver Den and I love it in there. The readers are always sharing book experiences and it’s a great community! If you want to join my group you can do it here: https://www.facebook.com/groups/HelenaHuntingBeaverDen/

Q: What project(s) are you currently working on?

A: I just finished the third book in the All In Series, which the first book will be releasing this fall. Next I’m starting a standalone, but I also have a new series I’ll be starting soon, and I have a book idea or two for secondary characters in the last two books of The Shacking Up series, as well. It’s safe to say that my writing schedule is planned for the next two years!

Q: Do you believe in love at first sight?

A: I don’t know about love at first sight but when I saw my husband from across the room for the first time I thought, “man, he’s pretty” and then when we had our first conversation the connection was instant. I think people can “click” and be drawn to each other for inexplicable reasons.

CHAPTER 1

WHAT HAVE I GOTTEN MYSELF INTO?

WREN

“That solving your problems?” I give him a wry grin and tip my chin in the direction of his bottle of Johnnie.

His gaze swings slowly to the bottle. It gives me a chance to really look at him. Or what I can see of his face under his beard, anyway. 

“Nah, but it helps quiet down all the noise up here.” He taps his temple and blurts, “My dad died.” 

I put a hand on his forearm. It feels awkward, and creepy on my part since its half-genuine, half-contrived comfort. “I’m so sorry.”

“I’m drunk,” he mumbles. 

He narrows his eyes at my glass, suspicious, maybe. “What is that?”

“Cranberry and soda.”  

“No booze?” 

“No booze. Go ahead. You’ll thank me in the morning.”

 He picks up the glass and pauses when it’s an inch from his mouth. His eyes crinkle, telling me he’s smiling under that beard. “Does that mean Imma wake up with you beside me?”

I cock a brow. “Are you propositioning me?”

I’m not sure how to respond. I go with semi-affronted, since it seems like somewhat of an insult. “Good to know.”

This time I laugh—for real—and point to the bottle. “I think you might want to tell your date you’re done for the night.”

He blows out a breath and nods. “You might be right.”

“I think losing your father makes this condonable.” I slide off my stool. Despite being tall for a woman, and wearing heels, he still manages to be close to a head taller than me.

He nods, then wobbles a bit, like moving his head has set him off balance. “That’s probably a good idea.”

“Which floor are you on?” I ask.

“Penthouse.” He drops his arm from my shoulder and flings it out, pointing to the black doors at the end of the hall. “Jesus, I feel like I’m on a boat.”

“It’s probably all the alcohol sloshing around in your brain.” I take his elbow again, helping him stagger the last twenty feet to the dedicated penthouse elevator.

He rolls his head, eyes slits as they bounce around my face. “Please.”

I take his hand between mine. The first thing I notice is how clammy it is. But beyond that, his knuckles are rough, littered with tiny scars and a few scabs, and his nails are jagged.

“Your hands are small,” he observes as I line his thumb up with the sensor pad and press down.

“Maybe yours are abnormally big,” I reply. They are rather large. Like basketball player hands.

“You know what they say about big hands.”

His eyes crinkle again, and he slaps his own chest. “Something about big hands, big heart.”

I bite back my own smile. “Pretty sure you’re mixing that up with cold hands, warm heart.”

His brow furrows. “There’s a good chance.”

He doesn’t have to press a button since the elevator only goes to the penthouse floor. As soon as we start moving, he groans and his shoulders curl in. “I don’t feel so good.”

Please don’t let him be sick in here. If there’s one thing I can’t deal with, it’s vomit. “You should sit.”

He slides down the wall, massive shoulders rolling forward as he rests his forehead on his knees. “Tomorrow is going to suck.”

I stay on the other side of the elevator, in case he tosses his cookies. “Probably.”

“Your hands are really soft,” he mumbles. 

“Thanks.”

 The pad ashes green, and I turn the handle. “Okay, here we go. Home sweet home.” 

“This isn’t my home,” he slurs. “My cousin’s family owns this building. I’m crashing here until I can get the fuck out of New York.”

He tries to shove his hand in his pants pocket, but all he succeeds in doing is setting himself off-balance. He nearly stumbles into the wall.

“Thanks for your help,” he says.

“What’re you doing?” he asks.

We pause when we reach the threshold. “Which way is your bedroom?”

He looks slowly from right to left. “Not that way.” He points to the kitchen. It’s very state of the art.

“Would you like me to get you a glass of water and possibly a painkiller for the headache you’ll likely have in the morning?” I’m already heading for the bathroom.

“Might be a good idea,” he mumbles.

I make a quick trip back to the bathroom and grab the empty wastebasket from beside the toilet in case his night is a lot rougher than he expects.

I tap his knee, crossing my fingers he’ll be easy to rouse. “Hey, I have painkillers for you.”

He makes a noise, but doesn’t move otherwise.

One eye becomes a slit. “Every time I open my eyes, the room starts spinning again.”

“If you drink this and take these, it might help.” I hold up the glass of water and the pills.

“’Kay.” It takes three tries for him to sit up. He tries to pick the pills up out of my palm, but keeps missing my hand.

“Just open your mouth.”

He lifts his head. “How do I know you’re not trying to roofie me?”

I hold up the tablet in front of his face. “They don’t say roofie, so you’re safe.”

He tries to focus on the pill and then my face. I have my doubts he’s successful at either.

His tongue peeks out to drag across his bottom lip. “The cameras in the hall will catch you if you steal my wallet.”

I laugh at that. “I’m not going to steal your wallet, I’m going to put you to bed.”

“Hmm.” He nods slowly and opens his mouth.

I drop the pills on his tongue and hand him the glass, which he drains in three long swallows. “Would you like me to refill that?”

I set the glass on his nightstand, along with a second set of painkillers, which I’m assuming he’ll need in the morning, and give him another nudge. “Hey.”

I stare down at his sleeping form. His lips are parted, they’re nice lips, full and plump, even though they’re mostly obscured by his overgrown beard. His hair has started to unravel from its man bun, wisps hanging in his face. He has long lashes, really long actually, and they��re thick and dark, the kind women pay a lot of money for. His nose is straight and his cheekbones— what I can see of them—are high. With a haircut, a beard trim or complete shave, and a new suit that actually fits, I can imagine how refined he’ll look. More like a Moorehead than a mountain man lumberjack. I shake my head. “I need you to roll onto your side, please,” I say loudly.

Nothing. Not even a grunt.

I pull on his shoulder, but he’s dead weight. Leaning over him, I make a fist and give him a light jab approximately where his kidney is. “Lincoln, roll over.”

“How did this become my life?” I say to the ceiling, because the man lying on top of me is apparently out cold.

I’d been standing in Fredrick’s office, still digesting the fact that he was dead. It was shocking that a massive heart attack had taken him, since he was always so healthy and full of life.

Gwendolyn, his wife—now a widow—stood stoic behind his desk, papers stacked neatly in the center.

Gwendolyn’s fingers danced at her throat as she cleared it. “Thank you,” she whispered brokenly and dabbed at her eyes. “I appreciate your kindness, Wren.”

“Let me know what you want me to handle, and I’ll take care of it.”

She took a deep breath, composing herself before she lifted her gaze to mine. “I need your help.”

“Of course, what can I do?”

“My oldest son, Lincoln, will be returning to New York for the funeral, and he’ll be staying to help run the company.”

I fought a scoff at the last bit, since “recreational pursuits” was a reference to the fact that Armstrong couldn’t seem to keep his pants zipped when it came to women.

“I’m sorry, what—”

I have a feeling this is going to be a long six months.

permission from St. Martin’s Paperbacks.

#new release #out now #Helena Hunting #Handle with Care #Shacking Up world #am reading #reader #romance #book love #bookaholic #book nerd #book obsessed #bookworm #book blogger #I love books #romance books

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