Tumgik
#cork international film festival
crowley1990 · 7 months
Text
Tumblr media Tumblr media
Cinema
5 notes · View notes
denimbex1986 · 4 months
Text
'The ending of All of Us Strangers strikes a chord with audiences, eliciting a range of emotions from empathy to catharsis as Adam grapples with his past and embraces the present.
The All Of Us Strangers Ending Explained
All of Us Strangers is a deeply emotional and introspective film that explores themes of loss, trauma, and the complexities of human relationships. The ending, in particular, offers a poignant resolution to Adam's journey as he grapples with his past and confronts his inner demons.
The revelation of Adam's childhood trauma, including the loss of his parents in a car accident, serves as a catalyst for his emotional journey throughout the film. His encounters with his parents' apparitions provide moments of solace and closure, yet also highlight his struggle to let go and move forward.
The final scene, where Adam begs for one last day with his parents, encapsulates the film's themes of acceptance and letting go. As his parents gradually fade away, Adam is forced to confront the reality of his loss and find strength in his memories.
The inclusion of Harry's death adds another layer of complexity to the narrative, highlighting the transient nature of life and the importance of cherishing the moments we have with loved ones. Adam's decision to stay by Harry's side, even in death, underscores his capacity for empathy and compassion. Overall, the ending of "All of Us Strangers" is both heartbreaking and hopeful, offering a nuanced portrayal of grief and the power of human connection.
The All Of Us Strangers
All of Us Strangers sounds like a captivating adaptation of Taichi Yamada's novel, blending elements of romance and fantasy with a talented cast and the creative vision of director Andrew Haigh. Premiering at the prestigious Telluride Film Festival and receiving critical acclaim is a testament to the film's quality and impact.
The stellar performances of Andrew Scott, Paul Mescal, Jamie Bell, and Claire Foy likely contributed to the film's success, bringing depth and emotion to their characters. It's impressive to see the film garner recognition from institutions like the National Board of Review and receive multiple nominations at the BAFTA Awards, highlighting its significance in the realm of independent cinema.
With its release in both the United States and the United Kingdom, "All of Us Strangers" has undoubtedly left a lasting impression on audiences worldwide, inviting them to explore themes of love, loss, and the supernatural. It's a testament to the power of storytelling and the ability of film to transport viewers to other worlds while resonating with universal emotions.
The All Of Us Strangers Plot
In All of Us Strangers, lonely London screenwriter Adam meets his neighbor Harry, who tries to flirt with him while drunk. Adam, initially hesitant, eventually reciprocates Harry's interest after a visit to his childhood home where he encounters the spirits of his deceased parents.
As Adam and Harry grow closer, Adam opens up about his struggles, including coming out as gay to his mother and dealing with the trauma of losing his parents at a young age. Their relationship deepens, but Adam's unresolved issues with his past continue to haunt him, especially when he imagines a future with Harry while under the influence of drugs.
Through encounters with his parents' spirits and moments of introspection, Adam gradually comes to terms with his grief and accepts the need to let go of his parents' memory to find happiness. This realization is reinforced when he discovers Harry dead in his apartment, prompting Adam to comfort his spirit and find solace in their shared connection. Ultimately, All of Us Strangers is a story about love, loss, and the healing power of acceptance, told through the lens of a poignant and supernatural romance.
The All Of Us Strangers Cast
Andrew Scott - Adam
Carter John Grout - Young Adam
Paul Mescal - Harry
Jamie Bell - Adam's father
Claire Foy - Adam's mother
Ami Tredrea - Waitress
The All Of Us Strangers Release Date
The movie premiered at the Telluride Film Festival on August 31, 2023, and also showed at the New York Film Festival on October 1, 2023. It was part of the main competition at the Valladolid International Film Festival. In Ireland, it premiered at the Cork International Film Festival on November 19, 2023, at the Everyman Theatre.
The QCinema International Film Festival held three screenings of the film on November 19, 20, and 24, 2023. It started showing in theaters in the United States on December 22, 2023 and is set to be released in the United Kingdom on January 26, 2024.
The All Of Us Strangers Where to Watch
If you want to watch the movie "All of Us Strangers," you can go to a movie theater in the United States starting from December 22, 2023. Just check the listings at your local theater to see when it's playing and buy tickets to watch it on the big screen. Similarly, if you're in the United Kingdom, you can catch the film in theaters starting from January 26, 2024...'
0 notes
bedlamsbard · 5 months
Note
☆!
Oooh, let's talk about the Steve and Peggy not-dance in Of Home Near 8, since this was a scene I rewrote a couple of times, and the final version is drastically different from the previous versions. (Which I've included here too.)
This scene is set in the Stork Club, the nightclub where Steve and Peggy were supposed to have their date in CATFA. There is a real Stork Club that was around in the 1940s, but it was in New York City, not London. There was also another Stork Club in London, but from what I could find it wasn't around until the 1950s. (It's currently called the Cuckoo Club.) I'm not sure if the one mentioned in the film is meant to be the NYC one or the London one. After angsting about it I just made it a London nightclub, but it's not meant to be based on the real Stork Club or have any real internal geography.
The back of his neck prickled as he began to make his slow meandering way through the crowd, turning his head from side to side as if he was searching for someone. Despite the music and the general festive atmosphere, Steve had the sensation that he was in enemy territory, like the occupied cities on the continent he had passed through during the war, aware that someone – maybe more than one someone – was watching him with their hand on their gun. Even before the past two years on the run he had gotten used to the feeling of looking over his shoulder and not showing off that that was what he was doing; since then it had become second nature.
The first rule of going on the run is don’t run, walk, Natasha’s voice whispered in his memory. He wasn’t on the run again, not yet, but the same principle applied.
This scene is meant to mirror Steve's Wanda-induced vision in Age of Ultron, as Steve later realizes, so this entire section is pulled straight out of AoU. Except that they're just at a regular nightclub with a regular band, not a USO band.
There was a dreamlike air to his passage through the nightclub, in the flare of the women’s skirts on the dance floor and the steady pulse of the swing music, so unlike what he had gotten used to in the twenty-first century. Someone popped the cork on a champagne bottle near him and Steve flinched, startled by the sound and the spray of the liquid that caught the edge of his left hand. Flashbulbs popped nearby, a couple of photographers taking pictures of the dancers and various couples and groups at the round tables, making Steve jerk instinctively away as if they had been muzzle flashes instead.
He turned quickly at the sound of raised voices, just in time to see two soldiers shoving at each other, a third quickly getting between them. On his other side, one soldier wiped spilled wine from another’s shirt, both men laughing, the red liquid looking horrifyingly like blood in the room’s dim light.
I’ve been here before, Steve thought suddenly. Not the Stork Club; he would have remembered that. There was an oddly hollow quality to the memory, unreal somehow, and it was that which let him place it.
Wanda.
Three years ago in South Africa on Ulysses Klaue’s ship. It wasn’t an exact replica of the induced vision – no USO banner behind the band, the music was different, no MPs – but it was close enough to raise the hair on the back of his neck. Which meant –
He turned before Peggy could speak.
He hadn’t seen her before she had left headquarters, but somehow it wasn’t a surprise to see that she was wearing exactly what she had worn in Wanda’s vision – blue dress, silver earrings, a red silk flower pinned to her right shoulder. Whatever she had been about to say died unspoken at the expression on his face; after a moment where they just stared at each other, she said, “Are you all right?”
“I –” Steve hesitated. “I owe you a dance.”
From here on I rewrote this entire section. In the first few versions of the scene, Peggy essentially came to terms with Steve not being the same guy who went into the ice, which is the exact opposite of what happens in the final version. (I'll put both alternate versions of the scene at the end.)
Her eyebrows went up. “Don’t worry,” she said. “Under the circumstances, I’m not going to insist on collecting.”
Steve swallowed. “Maybe I want you to.”
Steve really wants to actually get the dance he's been waiting for for seventy-three years, but he can't do it without Peggy.
Peggy’s eyebrows stayed up. She was quiet for a long few heartbeats, during which the song the band had been playing finished and there was a brief moment of silence before they started up again. Into it, she said finally, “Sometimes I wonder if any of this is real to you. If to you we’re all just – just playactors in some elaborate pantomime like those awful stage shows you used to put on, so you can say or do whatever you want because it doesn’t matter. Lie about her, wear that uniform, say that to me.”
Fun fact: in one of the versions of this scene I put the lyrics of the song the band is playing in, but they weren't as relevant in the angrier final version, rather than the bittersweet previous versions. It's "When the Lights Go On Again" by Vaughn Monroe, linked version is sung by Vera Lynn ("when the lights go on again all over the world / and the boys are home again all over the world / and rain or snow is all that may fall from the skies above / a kiss won't mean 'goodbye' but 'hello to love').
“I know it’s real,” Steve said, swallowing again. The words hurt, but they were meant to; she knew him well enough for that. “That you’re real – you and Howard and Phillips and the Howlies –”
“Do you?” Peggy said. “Do you really? Because sometimes you don’t act like it.”
“This would be a hell of a lot easier if I thought it wasn’t real,” Steve told her. “A hell of a lot.”
Peggy doesn't know what to think about 2018 Steve -- and she doesn't really accept that he's 2018 Steve, instead of 1945 Steve that something completely bizarre happened to.
She shook her head. “I don’t understand you anymore, Steve,” she said. “I used to, or I thought I did, and now – it’s like one man went up in the Valkyrie and someone else came back. I want to understand and I can’t and you won’t let me.”
“Have you even tried?” Steve said softly. “Every time you’ve talked to me since I got here you’ve been trying to catch me out in one lie or another.”
In Peggy's defense Steve does keep lying, it's just not the thing that she thinks he's lying about that he's lying about.
“And you keep lying,” Peggy said. “It’s like you can’t help yourself. You wouldn’t have done that six weeks ago; it’s not who you are. Only now –”
Steve shut his eyes briefly, then opened them again, because if he was going to say this, then he had to look her in the eye when he did it. “Then maybe you never really knew me, Peggy, because I was always this guy. Maybe you only ever knew the guy you wanted me to be.”
“I don’t believe that,” Peggy said. “I won’t believe that.”
Steve swallowed hard. “Then maybe that’s the problem.”
I've put a lot of thought into both Peggy's relationship with Steve and Peggy's perceived relationship with Steve, and what it's like over the course of CATFA and afterwards, in Agent Carter. (Even though this story takes place prior to AC by more than a year, it's a good look at how Peggy's idea of Steve crystallized post-death.) I think Peggy does have a very idealized view of Steve, in the same way that Steve has a very idealized view of Peggy, and in Peggy's case that's very heavily affected by the fact that Steve (apparently) died tragically a month earlier -- well, six weeks earlier by this point in the story. Steve died and everyone treated Peggy like a widow (even though they hadn't really been anything but a 'maybe' and that was on Peggy, not Steve), and she was able to build up an ideal of Steve. I think Steve says elsewhere in this story that Peggy never looked twice at him (as a potential romantic partner) pre-serum and I do think that's true. But I think post-death PEGGY doesn't think that's true, so she has this very idealized view of pre-serum Steve as being "real" Steve -- it's why she keeps the pre-serum photo of him from the end of CATFA in AC and later in Endgame. Distance and not having the actual person there lets her believe that she always felt that way about him and even that post-serum Steve was less "real," especially since post-serum Steve was ~America's golden boy and that woman does not like sharing. And this is the scene where Steve realizes that maybe Peggy really doesn't know him as well as he thinks she does.
A muscle in her jaw worked. She looked like she was on the verge of tears – Steve felt like he was on the verge of tears, though he didn’t know how much of that showed on his face. He wanted to reach for her, to do something to take even a little of that uncomprehending misery away from her, but he had just forfeited any right he had to comfort her. He started to open his mouth, to apologize, maybe, but he couldn’t do that either. She wouldn’t believe him and it would just be empty words, meaningless except as an attempt to absolve himself.
There was something horribly final about it, as if Steve had finally severed some last remaining tie to the life he should have had, to the man he should have been – his own choice this time, and not the one that fate or God or Abraham Erskine had made for him. For a wild moment, all he wanted to do was take it back, to shout that it was a mistake and that he still wanted this, this life, this woman, this person that no one had ever really laid to rest six years or six weeks or seventy-three years ago, the man that maybe he could have been. He wanted his life back, the same way he had wanted it every day for six years.
But it wasn’t his life anymore. It hadn’t been for a long time.
Steve's known it for a while but he's admitting it now.
*
First version of the scene:
He turned before Peggy could speak.
He hadn’t seen her before she had left headquarters, but somehow it wasn’t a surprise to see that she was wearing exactly what she had worn in Wanda’s vision – blue dress, silver earrings, a red silk flower pinned to her right shoulder. Whatever she had been about to say died unspoken at the expression on his face; after a moment where they just stared at each other, she said, “Are you all right?”
“I –” Steve hesitated. “I owe you a dance.”
“I think your – wife – might protest.”
He winced at the slight but deliberate pauses she had put around the word wife.  Natasha had told him about the conversation she had had with Peggy the previous day; Peggy had been avoiding him ever since Howard’s arrival, and now he knew why.
“No,” Steve said. “She knows –”  He didn’t know how to end that.  What this means to me would probably just make Peggy laugh in his face.  He just said again, “She knows.”
Peggy looked at him for a long moment, her expression unreadable, and then she said simply, “I don’t.”
Steve shut his eyes, heavy with grief.  He could have explained, maybe, or at least tried to, but he knew without even saying a word that it didn’t really matter.  He could say anything he liked, but it would just be words now; the chance for anything else had already passed.  He had to try anyway.  “I’m sorry.”
“I am too,” Peggy said.  “Sorry.”  She took a deep breath, as if bracing herself, and said, “It was never going to be me, was it?”
I've put in and cut out the "it was never going to be me, was it?" line through SEVERAL different scenes now; it also appeared in a previous version of Chapter 7, when Peggy confronts Steve after she finds out from Natasha that they started sleeping together in 1945.
Steve swallowed hard.  “It could have been,” he said.  “I wanted it to be.  For a really – for a really long time.”
“When did you stop?”
It took everything Steve had not to look away, to keep his gaze fixed on hers, because if nothing else he owed her that.  He still hesitated before he admitted, “When we got here.”
This version of the scene was written before the Peggy and Natasha conversation in Chapter 7, so it had to be changed.
Peggy made a sound like she had been struck, a little hitching gasp that tore at Steve’s heart.  He started to reach for her and then stopped, knowing that the only right he had to comfort her was that of a friend, and he had never been entirely certain they were even that.  For an instant her gaze met his again, then she took a step backwards, out of his reach.
“It’s not because of her, is it?” she said, her voice hoarse from suppressed tears. “It’s not even because of me.  You’re – you’re really not him, are you?  No more than I’m the woman I was in 1939.”
I honestly don't think Peggy has the level of self-awareness to have this realization here.
Steve shook his head, a brief, compressed gesture. “No,” he said.  “I’m not.  I – I wish I still was.  But I’m not.  I’m sorry.”
Peggy’s nod was just as compressed, barely more than her chin lifting for an instant. “I’m sorry too.”
There was something horribly final about it, as if Steve had finally severed some last remaining tie to the life he should have had, to the man he should have been – his own choice this time, and not one that fate or God or Abraham Erskine had made for him.  For a wild moment all he wanted to do was take it back, to shout that he had been mistaken and that he still wanted this, this life, this woman, this person that she and Howard and the Commandos had all buried six years or six weeks or seventy-three years ago.  He wanted his life back, the same way he had wanted it every day for the last six years.
This paragraph remained the same in all the versions.
You could want anything.  Being able to have it was something else entirely.
*
Second version of this scene (the songfic version).
He turned before Peggy could speak.
He hadn’t seen her before she had left headquarters, but somehow it wasn’t a surprise to see that she was wearing exactly what she had worn in Wanda’s vision – blue dress, silver earrings, a red silk flower pinned to her right shoulder.  Whatever she had been about to say died unspoken at the expression on his face; after a moment where they just stared at each other, she said, “Are you all right?”
“I –”  Steve hesitated.  “I owe you a dance.”
Her eyebrows went up slightly, then her expression softened a little. “Don’t worry,” she said. “Under the circumstances, I’m not going to insist on collecting.”
Steve felt a muscle in his jaw work.  “Peggy –” he said, but he didn’t know what came after that.  He just let her name hang there between them until he finally added, “I’m sorry.”
She didn’t answer at first and the silence stretched out between them as the band finished its current set.  There was a little shuffling as a singer came onto the stage.
“I am too,” Peggy said.  “Sorry.”
For a long moment they just stared at each other.  The singer began to croon “When the Lights Go On Again” and Steve shut his eyes briefly.
When the lights go on again all over the world And the boys are home again all over the world –
“I still owe you a dance,” he said.
Peggy looked like she was going to cry.  “Steve, you’re married,” she said simply. “Or close enough to make no difference.”
Again, I don't think Peggy has this level of self-awareness. It also meant the next scene didn't really work, because it completely stopped the flow of action in the chapter, and this has to be a THINGS ARE HAPPENING! chapter. (The next scene was also cut.)
It was the first time that she had actually admitted it, instead of arguing it with him or using it like a challenge.
“Yeah,” Steve said. “I am.”
And rain or snow is all that may fall from the skies above A kiss won’t mean goodbye but hello to love.
Peggy turned her head slightly towards the stage, her mouth crooking upwards for an instant at the irony of the lyrics.  Then she looked back at him and said, her voice trembling a little, “It was never going to be me, was it?”
“It could have been,” Steve said, swallowing hard. “I wanted it to be.  For a long time – for a really long time.”
“When did you stop?”
It took everything Steve had not to look away from her, to keep his gaze fixed on hers.  He still hesitated before he admitted, “When we got here.”
Again, written before the revised scene in 7.
Peggy made a sound like she had been struck.  Steve started to reach for her and then stopped, his hand still outstretched, knowing that the only right he had to comfort her was that of a friend, and he had never been entirely certain that they were even that.  She took a step back, out of his reach.
Genuinely, I'm not sure that canon Steve and Peggy were actually friends, they had too much other stuff going on with the both of them.
“It’s not because of her, is it?” she said hoarsely. “It’s not even because of me.  You’re – you’re really not him, are you?  No more than I’m the woman I was in 1939.”
I have some very firm ideas about what Peggy was up to before the war and in the early days of the war, pre-SSR.
Steve shook his head, a brief, compressed gesture. “I’m not him,” he said. “I’m sorry.”
Peggy’s nod was just as compressed, barely more than her chin lifting for an instant. “I’m sorry too.”
There was something horribly final about it, as if Steve had finally severed some last remaining tie to the life he should have had, to the man he should have been – his own choice this time, and not one that fate or God or Abraham Erskine had made for him.  For a wild moment all he wanted to do was take it back, to shout that he had been mistaken and that he still wanted this, this life, this woman, this person that she and Howard and the Commandos had all buried six years or six weeks or seventy-three years ago.  He wanted his life back, the same way he had wanted it every day for the last six years.
You could want anything.  Being able to have it was something else entirely.
There was a Peggy POV scene that followed this one that was cut from the final version of the chapter, of Peggy crying in the ladies room and then talking with Rose. It's a scene that has a lot of stuff I really like in it -- particularly how much Peggy just Does Not Get why Steve insisted on staying Captain America -- but it completely slowed the chapter to a crawl and it doesn't work with the angrier final version. One reason I've cut every scene that has bittersweet acceptance from Peggy (there are others!) is that they just don't work, and they don't really ring true. I also think the anger's more interesting -- I don't think any hardcore Peggy fans are actually reading this story, which is probably for the best, but going by AC I don't think Peggy would just accept it. And it adds interesting tension between Peggy and everyone else, even if it's exhausting for everyone involved, including me.
22 notes · View notes
hquinnspace · 3 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Cork International Film Festival Day, 2019
sourse - CIFF facebook
7 notes · View notes
As Andrew Haigh's upcoming film All of Us Strangers, begins screening at an ever expanding list of film festivals, beyond the three featured on the official poster, Telluride Film Festival, New York Film Festival and BFI London Film Festival.
I am attempting to maintain an up to date list, in chronological order, (last updated Dec 14th, 2023)
Tumblr media
All the details about the festivals, links to where/when to get tickets are under the cut.
Athens International Film Festival Sept 27- Oct 9
Beyond Fest (Los Angeles, its West Coast Premiere) Sept 26-Oct 10
Hamptons International Film Festival Oct 5-12
Festival do Rio (Rio de Janeiro International Film Festival) Oct 5-15
HIFF: Heartland International Film Festival (Indianapolis, IN) Oct 5-15
FFG (Film Fest Gent, Belgium) Oct 10-21
Chicago International Film Festival Oct 11-22
Seattle Queer Film Festival (opening night gala) Oct 12-22
Newfest (New York LGBTQ+ Film Festival, Closing Night film) Oct 12-24
FILMEKIMI iKSV Oct 13-22 (Istanbul) Oct 20-22 (Izmir)
BIFF: Bergen International Film Festival Oct 18-26
Adelaide Film Festival (Australia) Oct 18-29
Alice nella Città (independent section of the Rome Film Festival) Oct 18-29
Middleburg Film Festival (VA) Oct 19-22
Cambridge Film Festival Oct 19-26
FFCGN: Film Festival Cologne (Germany) Oct 19-26
Twin Cities Film Festival (Minneapolis/St Paul MN ) Oct 19-28
Film Bath Festival Oct 19-29 (booking now)
Outshine LGBTQ+ Film Festival (Ft Lauderdale, FL) Oct 19-29
Viennale (Vienna Film Festival) Oct 19-31
FICM (Festival Internacional de Cine de Morelia) Oct 20-29
Montclair Film Festival (NJ) Oct 20-29
SCAD Savannah Film Festival (GA) Oct 21-28
SEMINCI (Semana Internacional de Cine de Valladolid, ES) Oct 21-28
AFI Fest: American Film Institute (Los Angeles, CA) Oct 25-29
VAFF:Virginia Film Festival (Charlottesville) Oct 25-29
TIFF-jp (Tokyo International Film Festival) Oct 23 - Nov 1
AFF (Austin Film Festival and screenwriters conference) Oct 26-Nov 2
BIFF: Brisbane International Film Festival Oct 26 - Nov 5
LIFF (Leiden International Film Festival, NL ) Oct 26 - Nov 5
Miami Film Festival GEMS Nov 2 - 5
Belfast Film Festival (opening night gala) Nov 2-11
Inverness Film Festival Nov 3-9
Denver Film Festival Nov 3-12
Leeds International Film Festival Nov 3-19
PÖFF (Pimedate Ööde filmifestival): Tallinn Black Nights Film Festival (Estonia) Nov 3-19
ZFF: Zagreb Film Festival (Croatia) Nov 6-12
Cornwall Film Festival (opening night) Nov 6-19
LIFFe: Ljubljana International Film Festival (Slovenia) Nov 8-19
Stockholm International Film Festival Nov 8-19
MQFF: Melbourne Queer Film Festival Nov 9-19
SLIFF: St Louis International Film Festival (closing night) Nov 9-19
Cork International Film Festival (Ireland) Nov 9-26
TGHFF: Taipei Golden Horse International Film Festival Nov 9-26
CINECITY: Brighton Film Festival (closing night) Nov 10-19
EnergaCAMERIMAGE International Film Festival (Toruń, Poland) Nov 11-18
IFFMH: International Film Festival Mannheim Heidelberg Nov 16-26
QCINEMA International Film Festival (Quezon City, Philippines) Nov 17-26
Chéries-Chéris: Festival du Film LGBTQI & +++ de Paris Nov 18-28
SGIFF: Singapore International Film Festival Nov 30- Dec 10
Around the World in 14 Films: Berlin Independent Film Festival (closing night) Dec 1-9
SIFF: Sonoma Awards Buzz Screening Dec 12
Festival Univerciné, Britannique (Nantes) Dec 12-14
AOUS Fundraiser screening to support HIFF : Love & Anarchy (Finland) Dec 14
Les Arcs Film Festival Dec 16-23
TLVFEST: Tel Aviv International LGBTQ+ Film Festival Dec 21-31
Athens International Film Festival 🇬🇷
Tumblr media
Beyondfest (co-presented by Outfest) Los Angeles, CA 🇺🇸
HIFF33 Hamptons 🇺🇸 International Film Festival
Festival do Rio: Rio de Janeiro International Film Festival 🇧🇷
HIFF33 Heartland International Film Festival Indianapolis 🇺🇸
Film Fest Gent 🇧🇪
Tumblr media
Chicago International Film Festival 🇺🇸
Tumblr media
All of Us Strangers was added to the recently released lineup for The Chicago International Film Festival (the longest running competitive international film festival in North America), as an entry in their Outlook Competition.
🎟️Tickets
Seattle Queer Film Festival 🇺🇸
Tumblr media
Seattle Queer Film Festival will open on Thursday October 12th at The SIFF Egyptian with the West Coast Premiere of Andrew Haigh’s critically acclaimed new drama, ALL OF US STRANGERS starring Andrew Scott (Fleabag) Claire Foy (The Queen), and Paul Mescal (Aftersun).
Newfest: New York 🇺🇸
Tumblr media
FILMEKIMI 🇹🇷
BIFF: Bergen International Film Festival Oct 🇳🇴
The lineup for BIFF 2023 is complete and ticket sales are open! Screening schedule and ticket sales from October 5th!
AFF: Adelaide Film Festival 🇦🇺
Alice nella Città 🇮🇹
The "surprise movie 3" closing Alice nella Città is Andrew Haigh's Estranei (All of Us Strangers), the film's Italian premiere, October 29th.
Tumblr media
Middleburg Film Festival, Virginia 🇺🇸
🐎🐎🐎🐎🐎🐎
Cambridge Film Festival 19th - 26th October 🇬🇧
FFCGN: Film Festival Cologne 🇩🇪
Twin Cities Film Festival, Minneapolis/ St Paul Minnesota 🇺🇸
Film Bath Festival 🇬🇧
Tumblr media
Outshine LGBTQ+ Film Festival 🇺🇸
Viennale: Vienna Film Festival 🇦🇹
This year's Viennale will take place from October 19 to October 31. The complete program of this year's festival edition will be published online on October 10, 8 pm. here on this website. Tickets are available from October 14, 10 am.
FICM: Morelia Film Fest 🇲🇽
Montclair Film Festival, New Jersey 🇺🇸
SCAD Savannah Film Festival, Georgia 🇺🇸
The largest university-run film festival in the world, presenting competition film screenings, gala premieres, special screenings, workshops, and panels with lauded industry guests, award-winning professionals, and emerging student filmmakers.
SEMINCI 68: Semana Internacional de Cine de Valladolid 🇪🇸
AFI Fest: American Film Institute (Los Angeles, CA)🇺🇸
VAFF:Virginia Film Festival (Charlottesville) 🇺🇸
TIFF-JP: Tokyo 🇯🇵 International Film Festival
AFF: Austin Film Festival🇺🇸
October 26 – November 2 We are proud to announce ALL OF US STRANGERS as one of the premiere films at #AFF30! Join us at the Festival to witness a journey that transcends time, love, and even death! Purchase your badge here
BIFF: Brisbane International Film Festival🇦🇺
LIFF:Leiden International Film Festival, Netherlands 🇳🇱
Miami Film Festival GEMS 🇺🇸 "the jewels of the fall season"
Tumblr media
Inverness Film Festival Scotland 🏴󠁧󠁢󠁳󠁣󠁴󠁿 Nov 3-9
Denver Film Festival: Denver Colorado 🇺🇸
Andrew Haigh’s new film, All of Us Strangers will screen on Friday, Nov. 10th at the Denver Botanic Gardens. Includes a post-film conversation and award presentation to director Andrew Haigh. Pre-reception included in ticket price. Reception begins at 6pm. Screening begins at 7pm..
Leeds International Film Festival 🇬🇧
PÖFF: Tallinn Black Nights Film Festival 🇪🇪
Local title:Kõik me võõrad
Title in Russian: Незнакомцы
ZFF: Zagreb Film Festival (Croatia) 🇭🇷
Cornwall Film Festival 🇬🇧
LIFFe: Ljubljana International Film Festival Slovenian 🇸🇮
Stockholm International Film Festival 🇸🇪
MQFF: Melbourne Queer Film Festival🇦🇺
SLIFF: St Louis International Film Festival 🇺🇸
Highlighting the lives of the LGBTQ+ community, SLIFF’s QFest Spotlight Film, “All of Us Strangers,” from Searchlight Pictures, the critically acclaimed romantic drama written and directed by Andrew Haigh, starring Andrew Scott, Paul Mescal, Jamie Bell, and Claire Foy, will close the festival on 11/19
Cork International Film Festival 🇮🇪
Scheduled: Sun 19 November Showtime: 20:30
Venue: The Everyman
MacCurtain Street, Cork
Taipei Golden Horse International Film Festival 🇹🇼
CINECITY: Brighton Film Festival 🇬🇧
CLOSING NIGHT: Nov 19 Andrew Haigh's All of Us Strangers, Duke of York's Picturehouse. The full programme will be announced on Friday 20th October - when tickets will also go on sale.
EnergaCAMERIMAGE 31st Edition of The International Film Festival Of the Art of Cinematography, Toruń 🇵🇱
a great international feast of cinema
Excellent movies, outstanding filmmakers, meetings, seminars, workshops
Presentations of modern technologies and film equipment
Remarkable documentary films and terrific music videos
Exceptional atmosphere and unforgettable experience
Unique tribute to the 10th muse
🎟️Passes
IFFMH: International Film Festival Mannheim Heidelberg 🇩🇪
QCINEMA International Film Festival 🇵🇭
Chéries-Chéris: Festival du Film LGBTQI & +++ de Paris🇫🇷
Ouverture : @CheriesCheris 2023 Sans jamais nous connaître (All Of Us Strangers) de Andrew Haigh Mardi 21 Novembre au MK2 Bibliothèque Translated from French by Opening Film: @CheriesCheris 2023 Without ever knowing us (All Of Us Strangers) by Andrew Haigh Tuesday November 21 at MK2 Library
SGIFF: Singapore International Film Festival 🇸🇬
Around the World in 14 Films, Berlin 🇩🇪
🎟️Tickets available Nov 14
The Berlin premiere of “All of Us Strangers” by British director Andrew Haigh (“45 Years”) marks the celebratory conclusion of the 18th edition of AROUND THE WORLD IN 14 FILMS on Saturday, December 9th, 2023. Only at the end of August 2023 Andrew Haigh's “All of Us Strangers” celebrated its world premiere at the American Telluride Film Festival. The 18th World Cinema Festival presents the “surreal romance” (Vogue) in its “Closing Night”. The on-screen appearances of Andrew Scott and Paul Mescal, two of Ireland's hottest actors, are likely to provide star power. Lead actor Andrew Scott shone in his role as Moriarty in the BBC cult series “Sherlock” and other appearances in “James Bond 007: Specter” and “Fleabag”. Paul Mescal, star of the British series "Normal People", attracted worldwide attention with his moving performance in the independent hit "Aftersun". Director Andrew Haigh will also have fond memories for Berliners: his masterpiece “45 Years” won the Silver Bear at the Berlinale in 2015, which the leading actors Charlotte Rampling and Tom Courtenay received.
SIFF: Awards Buzz Screening 🇺🇸
🎟️Tickets
Tumblr media
Festival Univerciné Britannique, Nantes 🇫🇷
🎟️Tickets
Save HIFF Love & Anarchy 🇫🇮
The future of HIFF – Love & Anarchy, one of Finland’s most significant film festivals, is under threat. HIFF is now calling on its audience to help. There are three types of tickets available for the support screenings, and you can support with either 25 €, 40 € or 100 €. The tickets will go on sale on 29.11.2023 at 11.00.
One of the most popular guests in the history of HIFF has been the Irish actor Andrew Scott, who visited Helsinki in 2014. It is only appropriate that we are the first in Finland to screen a film that will be one of the highlights of his career.
All of Us Strangers, directed and written by Andrew Haigh, is one of the highlights of the autumn. The film, which received top reviews at Telluride and the New York Film Festival, is a drama about loneliness, grief and a longing for love that gets under your skin.
🎟️Support screening tickets
Les Arcs Film Festival 🏔️🇫🇷
TLVFEST LGBTQ+ International Film Festival 🇮🇱 tickets 🎟️
8 notes · View notes
brookstonalmanac · 1 year
Text
Holidays 5.3
Holidays
Birthday of Spam E-mail
California Bookstore Day
Constitution Day (Poland)
Constitution Memorial Day (Japan)
Fox Day (UK)
Garden Meditation Day
Hugs From Holly Day
International Day of Forest Kindergarten
International Gilbert & Sullivan Day
International Leopard Day
International Rap Music Day
International Wild Koala Day
Invention of the Cross
Kenpo Kinenbi (a.k.a. Constitution Day; Japan)
Li-Fraumeni Syndrome Awareness Day
Lumpy Rug Day
National Bike to School Day
National Clarinet Day
National Day to Prevent Teen and Unplanned Pregnancy
National Grab a Boob Day
National Justice Day
National Montana Day
National New Bra Day (UK)
National Public Radio Day
National SAN Architect Day
National Specially-Abled Pets Day
National Textiles Day
National Two Different Colored Shoes Day
National Widow’s Day
Paranormal Day
Pregnancy Fitness Awareness Day
Public Radio Day
Semi-Pro Baseball Day
Sun Day
Togyu Taikai (Bull Sumo; Japan)
Two Different Colored Shoes Day
Wordsmith Day
World Press Freedom Day (UN)
Write a Review Day
Food & Drink Celebrations
Chocolate Custard Day
International Eat a Pitogyro Day
International Grab a Kebab Day
National Chocolate Custard Day
National Kiss a Tomato Day
National Raspberry Popover Day
Raspberry Tart Day
1st Wednesday in May
Bike to School Day [Wednesday of 1st Full Week]
Book Buddy Day [1st Wednesday]
Emergency Medical Services for Children Day [Wednesday of 1st Full Week]
Great American Grump Out Day [1st Wednesday]
National Anxiety Disorders Screening Day [1st Wednesday]
National Day to Prevent Teen and Unplanned Pregnancy [1st Wednesday]
National Domestic Violence Remembrance Day (Australia) [1st Wednesday]
National (Deaf) Interpreter Day [1st Wednesday]
National School Nurse Day [Wednesday of 1st Full Week]
National Skilled Trades Day [1st Wednesday]
National Travel Advisor Day [1st Wednesday]
Occupational Safety and Health Professionals Day [1st Wednesday]
Project Aces Day (All Children Exercise Simultaneously) [1st Wednesday]
Water Professionals Appreciation Day (Georgia) [1st Wednesday]
World Carnivorous Plant Day [1st Wednesday]
World Maternal Mental Health Day [1st Wednesday]
Independence Days
Aswington (Declared; 2017) [unrecognized]
Feast Days
Abhai (Syriac Orthodox Church)
Alexander I, Pope (Christian; Saint)
Antonia and Alexander (Christian; Saint)
Bona Dia (Ancient Roman Women's Festival; Pagan)
Dia de la Cruz (Day of the Holy Cross; Mexico, Latin America)
Discoflux (Discordian)
Feast of the Finding of the Cross (a.k.a. Roodmas)
Fiesta de las Cruces (Spain)
Finding of the Holy Cross
Florae (Ancient Rome)
Frank Zappa Day (Church of the SubGenius; Saint)
James the Lesser (Christian; Saint)
Juvenal of Narni (Christian; Saint)
The Most Holy Virgin Mary, Queen of Poland (Christian; Saint)
Moura (Coptic Church)
Philip the Apostle (Christian; Saint)
Pirate Garb Day (Pastafarian)
Procession of the Holy Blood (Belgium)
Ptolomey Lagus (Positivist; Saint)
Pussy Appreciation Day (Pastafarian)
Roodmas
Sarah the Martyr (Coptic Church)
Theodosius of Kiev (Eastern Orthodox Church)
Tommy (Muppetism)
Lucky & Unlucky Days
Butsumetsu (仏滅 Japan) [Unlucky all day.]
Dismal Day (Unlucky or Evil Day; Medieval Europe; 9 of 24)
Egyptian Day (Unlucky Day; Middle Ages Europe) [9 of 24]
Fatal Day (Pagan) [9 of 24]
Fortunate Day (Pagan) [18 of 53]
Lucky Day (Philippines) [26 of 71]
Premieres
All Things Considered (Radio Series; 1971)
The Amazing World of Gumball (Animated TV Series; 2011)
Back in My Arms Again, by The Supremes (Song; 1965)
Barb Wire (Film; 1996)
Beer Barrel Polka, recorded by The Andrews Sisters (Song; 1939)
Carrie Anne, recorded by The Hollies (Song; 1967)
The Craft (Film; 1996)
Dead to Me (TV Series; 2019)
Fantastic (Off Broadway Musical; 1960)
From Under the Cork Tree, by Fall Out Boy (Album; 2005)
Going My Way (Film; 1944)
Gotcha! (Film; 1985)
Hugger Mugger, by Robert B. Parker (Novel; 2000)
Iron Man 3 (Film; 2013)
Little Red Rodent Hood (WB MM Cartoon; 1952)
Long Shot (Film; 2019)
Max & Ruby (Animated TV Series; 2002)
The Moose Hunt (Disney Cartoon; 1931)
No Deals, Mr. Bond, by John Gardner (Novel; 1987)
Oops!… I Did It Again, by Britney Spears (Album; 2000)
Republic, by New Order (Album; 1993)
Spider-Man (Film; 2002)
Truly Madly Deeply (Film; 1991)
Tweetie Pie (WB MM Cartoon; 1947)
When the Cat’s Away (Disney Cartoon; 1929)
Today’s Name Days
Jakob, Philipp, Viola (Austria)
Aleksandar, Filip, Jakica, Jakov, Mladen (Croatia)
Alexej (Czech Republic)
Endel, Endo (Estonia)
Outi (Finland)
Ewen, Jacques, Philippe (France)
Alexander, Philipp, Viola (Germany)
Rodopi (Greece)
Irma, Tímea (Hungary)
Efisio, Filippo, Giacomo (Italy)
Gints, Jesika, Krustins, Uvis (Latvia)
Arvystas, Juvenalis, Kantvydė (Lithuania)
Gjermund, Gøril (Norway)
Aleksander, Antonina, Maria, Mariola, Świętosława (Poland)
Irodion, Mavra, Timotei (Romania)
Galina (Slovakia)
Cruz, Felipe, Santiago, Violeta (Spain)
Göta, Jane, John (Sweden)
Theodosey (Ukraine)
Joletta, Trey, Troy, Viola, Violet, Violetta, Yolanda (USA)
Today is Also…
Day of Year: Day 123 of 2024; 242 days remaining in the year
ISO: Day 3 of week 18 of 2023
Celtic Tree Calendar: Saille (Willow) [Day 18 of 28]
Chinese: Month 3 (Bing-Chen), Day 14 (Xin-You)
Chinese Year of the: Rabbit 4721 (until February 10, 2024)
Hebrew: 12 Iyar 5783
Islamic: 12 Shawwal 1444
J Cal: 2 Bīja; Twosday [2 of 30]
Julian: 20 April 2023
Moon: 95%: Waxing Gibbous
Positivist: 11 Caesar (5th Month) [Ptolemy Lagus]
Runic Half Month: Lagu (Flowing Water) [Day 9 of 15]
Season: Spring (Day 45 of 90)
Zodiac: Taurus (Day 14 of 30)
1 note · View note
brookston · 1 month
Text
Holidays 4.20
Holidays
Anniversary of Something That Happened So Long Ago Everyone Has Forgotten What It Was Day
Chinese Language Day (UN)
Columbine Anniversary Day
Cuckoo Day (Medieval Europe)
Daffodil King Day
Day of Shame (Elder Scrolls)
Deepwater Horizon Anniversary Day
Doge Day
Dushanbe Day (Tajikistan)s
Environment Day (Ukraine)
420 [April 20] (a.k.a. ... 
Cannabis Culture Day
Four-Twenty
International Cannabis Day
Global CRSwNP Awareness Day
Go Around Humming "You Light Up My Life" Until Everybody Screams Day
Grain Rains Day (Chinese Farmer’s Calendar)
Indian Day (Brazil)
International Cli-Fi Day (a.k.a. Climate Fiction Day)
International Peter Tosh Day
Jose de Diego’s Birthday (Puerto Rico)
Justice Authorities Employees Day (Tajikistan)
Knife Day (French Republic)s
Look Alike Day
L. Ron Hubbard Exhibition Day (Scientology)
National Administrative Professional Day
National Alternative Fuel Vehicle Day
National Canadian Film Day (Canada)
National Consumer Day (Indonesia)
National Day of Action Against Gun Violence in Schools
National Death Doula Day
National Donor Day (Russia)
National Erection Day (South Africa)
National Foot Job Day
National Goal Buddies Day
National Oil Price Day
National Pot Smoking Day
National Seaweed Day
National Squat Day
National Stop Snoring Day
National Weed Day
Palindrome Day
Pastele Blajinilor (Memory/Parents’ Day; Moldova)
Post Office Day (Japan)
Radium Day
Robanukah begins (Futurama)
Rose Day (French Republic)
Sumardagurinn First (1st Day of Summer; Iceland)
Sylvester the Cat Day
Take a Break to Rest Your Mind Day
Volunteer Recognition Day
World Animal Vaccination Day
World Armwrestling Day
World Durood Day
World Orphans Day
Zipper Day
Food & Drink Celebrations
International Milk Tea Dumpling Day
Lima Bean Respect Day
National Cheddar Fries Day
National Cold Brew Day
National Cold IPA Day
Pineapple Upside-Down Cake Day
3rd Saturday in April
California Poppy Festival begins [3rd Saturday]
Hardware Freedom Day [3rd Saturday]
Husband Appreciation Day [3rd Saturday]
International Reconciliation Day [3rd Saturday]
National Auctioneers Day [3rd Saturday]
Record Store Day [3rd Saturday]
World Circus Day [3rd Saturday]
Weekly Holidays beginning April 20 (3rd Week)
International Wildlife Film Week [thru 4.25]
National Park Week [thru 4.28]
National Stop Snoring Week [thru 4.26]
Independence & Related Days
Arlandia (Declared; 2020) [unrecognized]
Arnerea (Declared; 2019) [unrecognized]
Flammancia (Declared; 2014) [unrecognized]
Morland (Declared; 2014) [unrecognized]
Rome (Founded by Romulus & Remus; 735 BCE; 3961 Julian Period; 4th Year of 6th Olympiad)
West Korea (Declared; 2021) [unrecognized]
New Year’s Days
New Years Holidays (Myanmar)
Festivals Beginning April 20, 2024
Arkansas State Chili Championships (Eureka Springs, Arkansas)
BBQ & Blues Festival (Barnesville, Georgia)
Blacksburg Fork and Cork (Blacksburg, Virginia)
Blessing of Sonoita Vineyards (Elgin, Arizona)
Bluebird Music Festival (Boulder, Colorado)
Butter & Egg Days (Petaluma, California)
California Nut Festival (Chico, California)
Catersville BBQ & Brews Festival (Catersville, Georgia)
Columbus International Film & Animation Festival (Columbus, Ohio) [thru 4.21]
Connecticut Craft Beer Fest (Hartford, Connecticut)
Crawfish Cook-Off (Slidell, Louisiana)
Dessert Wars (Philadelphia, Pennsylvania)
East Coast She Crap Soup Classic (Virigina Beach, Virginia)
East Maui Taro Festival (Maui, Hawaii)
Ferguson Brewing 14th Anniversary Beer Festival (Ferguson, Missouri)
Fort Pierce Oyster Festival (Fort Pierce, Florida)
Glens Falls Briefest (Glens Falls, New York)
Great Plains Renaissance & Scottish Festival (Wichita, Kansas) [thru 4.21]
High Water Festival (North Charleston, South Carolina) [thru 4.21]
Massachusetts Craft Brewers Festival (Boston, Massachusetts)
Mile High 420 Festival (Denver, Colorado)
Moors and Christians of Alcoy Festival (Alcoy, Spain) [thru 4.22]
Pennsylvania Maple Festival (Meyersdale, Pennsylvania) [thru 4.21 & 4.24-28]
Ramp Festival (Sherman, Connecticut)
Scallop Festival in Brittany (Paimpol, France) [thru 4.21]
Schram Haus’ Goast Fest (Chaska, Minnesota)
Shad Fest (New Hope/Lambertville, New Jersey)
Stuttgart Spring Festival (Stuttgart, Germany) [thru 5.12]
SweetWater 420 Fest (Atlanta, Georgia) [thru 4.21]
Venice Art Biennale (Venice, Italy) [thru 11.24]
Weifang International Kite Festival (Weifang, China) [thru 4.22]
West End Beer Fest (Spokane, Washington)
Wine & Food Festival (Charlotte, North Carolina)
Wine Stroll (Westminster, Maryland)
World Class Crab Races & Crab Feed (Westport, Washington)
World’s Biggest Fish Fry (Paris, Tennessee)
Feast Days
Afanc Day (Giant Beaver; Celtic Book of Days)
Agnes of Monte Pulciano (Christian; Saint & Virgin)
Anicetus, Pope (Christian; Saint)
Anniversary of Something That Happened So Long Ago Everyone Has Forgotten What It Was (Shamanism)
Beuno (Christian; Saint)
Blodeuedd Day (Starza Pagan Book of Days)
Caedwalla of Wales (Christian; Saint)
Daniel Chester French (Artology)
Eastre (Teutonic Goddess of Spring)
Franz Xaver Winterhalter (Artology)
Frontinus (Positivist; Saint)
Gabriel of Bialystok (Orthodox Christian; Poland)
Hildegund (Christian; Saint & Virgin)
Hugh of Anzy le Duc (Christian; Saint)
Intergalactic Alien Solidarity Day (Pastafarian)
James of Sclavonia (Christian; Saint)
Joan Miró (Artology)
Johannes Bugenhagen (Lutheran)
Marcellinus of Gaul (a.k.a. Embrun; Christian; Saint)
Marcian (a.k.a. Marian; Christian; Saint)
Oda of Brabant (Christian; Blessed)
Odilon Redon (Artology)
Peter S. Beagle (Writerism)
R. Bud Dwyer Day (Church of the SubGenius; Saint)
Ridván begins (until May 2; Bahá'í)
Sebastian Faulks (Writerism)
Serf or Servanus of Scotland (Christian; Saint)
Theotimos (Christian; Saint)
Tuktuki (Muppetism)
Hebrew Calendar Holidays [Begins at Sundown Day Before]
Shabbat HaGadol [12 Nisan]
Lucky & Unlucky Days
Dismal Day (Unlucky or Evil Day; Medieval Europe; 8 of 24)
Egyptian Day (Unlucky Day; Middle Ages Europe) [8 of 24]
Fortunate Day (Pagan) [16 of 53]
Historically Bad Day (Hitler born, Columbine massacre, Deepwater Horizon explosion & 7 other tragedies) [2 of 11]
Tomobiki (友引 Japan) [Good luck all day, except at noon.]
Uncyclopedia Bad to Be Born Today (because it’s Hitler's birthday. Plus, everyone's high.)
Unlucky Day (Grafton’s Manual of 1565) [22 of 60]
Premieres
African Diary (Disney Cartoon; 1945)
Aggretsuko (Anime TV Series; 2018)
Ain’t No Mountain High Enough, by Marvin Gaye & Tammi Terrell (Song; 1967)
American Idiot (Broadway Musical; 2010)
Annie Hall (Film; 1977)
The Barnyard Five (Oswald the Lucky Rabbit Cartoon; 1936)
Boyhood Daze (WB MM Cartoon; 1957)
Buccaneer Woodpecker (Woody Woodpecker Cartoon; 1953)
Buddy in Africa (WB LT Cartoon; 1935)
Charming (Animated Film; 2018)
The Company of Women, by Mary Gordon (Novel; 1981)
Dawn of the Dead (Film; 1979)
The Diplomat (TV Series; 2023)
Disappointment, of the Force of Credulity, by Samuel Adler (Comic Ballad Opera; 1762) [1st American Opera; Performance canceled at last minute; wasn’t performed until 1976]
Duck Duck Goose (Animated Film; 2018)
Dummy (TV Series; 2020)
El Capitan, by John Philip Sousa (March; 1896)
Have Yourself a Merry Little Christmas, recorded by Judy Garland (Song; 1944)
Hot Fuzz (Film; 2007)
Jazz Samba, by Stan Getz and Charlie Byrd (Album; 1962)
Jumping’ Jack Flash, recorded by The Rolling Stones (Song; 1968)
Just a Clown (Terrytoons Cartoon; 1934)
The Last Unicorn, by Peter S. Beagle (Novel; 1968)
Macbeth, by William Shakespeare (Play; 1611)
Make Mine Music (Animated Disney Film; 1946)
The Man Who Lived Underground, by Richard Wright (Novel; 1942)
Mexican Cat Dance (WB LT Cartoon; 1963)
Miami Blues (Film; 1990)
My Boy Jack (Film; 2007)
Panhandle Scandal (Woody Woodpecker Cartoon; 1959)
Puppy Love, by Dolly Parton (Song; 1959)
A Rainy Day (MGM Cartoon; 1940)
Rising Sun, by Michael Crichton (Novel; 1992)
The Robber Kitten (Disney Silly Symphony Cartoon; 1935)
Roman Punch (Terrytoons Cartoon; 1930)
Salem (TV Series; 2014)
The Spirit of St. Louis (Film; 1957)
Sunny South (Oswald the Lucky Rabbit Cartoon; 1931)
Thrill of Fair (Fleischer/Famous Popeye Cartoon; 1951)
The Velveteen Rabbit (Hanna-Barbera Animated TV Special; 1985)
When It’s Sleepy Time Down South, recorded by Louis Armstrong (Song; 1931)
Today’s Name Days
Hildegund, Odetta, Wilhelm (Austria)
Berta, Loen, Marta (Croatia)
Marcela (Czech Republic)
Sulpicius (Denmark)
Orvi, Urbe, Urva, Urve, Urvi (Estonia)
Lauha, Neela, Nella (Finland)
Odette, Théotime (France)
Hildegund, Odetta (Germany)
Zakhaios (Greece)
Tivadar (Hungary)
Adalgisa (Italy)
Amula, Armands, Mirta, Ziedīte (Latvia)
Agnė, Eisvydė, Gostautas, Marcijonas (Lithuania)
Kjellaug, Kjellrun (Norway)
Agnieszka, Amalia, Czech, Czechasz, Czechoń, Czesław, Florencjusz, Florenty, Nawoj, Sulpicjusz, Szymon, Teodor (Poland)
Teotim (Romania)
Marcel (Slovakia)
Inés (Spain)
Amalia, Amelie (Sweden)
Svyatoslav, Svyatoslava (Ukraine)
Ramsey, Rosco, Roscoe, Ross (USA)
Today is Also…
Day of Year: Day 111 of 2024; 255 days remaining in the year
ISO: Day 6 of week 16 of 2024
Celtic Tree Calendar: Saille (Willow) [Day 7 of 28]
Chinese: Month 3 (Wu-Chen), Day 12 (Jia-Yin)
Chinese Year of the: Dragon 4722 (until January 29, 2025) [Wu-Chen]
Hebrew: 12 Nisan 5784
Islamic: 11 Shawwal 1445
J Cal: 21 Cyan; Sevenday [20 of 30]
Julian: 7 April 2024
Moon: 90%: Waxing Gibbous
Positivist: 27 Archimedes (4th Month) [Plutarch]
Runic Half Month: Man (Human Being) [Day 11 of 15]
Season: Spring (Day 33 of 92)
Week: 3rd Week of April
Zodiac: Taurus (Day 1 of 31)
Calendar Changes
Taurus (The Bull) begins [Zodiac Sign 2; thru 5.20]
0 notes
brokentreeonline · 6 months
Video
vimeo
FALL OF THE IBIS KING from FOTIK on Vimeo.
The antagonist of a strange opera becomes increasingly unsettled, following the unlikely return of the former lead actor.
A film by Mikai Geronimo & Josh O'Caoimh Written by Josh O'Caoimh Animation by Mikai Geronimo, Giorgia McKenna, Josh O'Caoimh, Charles-Henri Sanson Additional Animation by Ina Albrecht, Marie-Liesse Coumau, Deither Kirby-Jay, Patrick O'Callaghan Background and Compositing by Josh O'Caoimh Music by Samantha Sack, Alex Voytenko (Kyiv, Ukraine) Sound Design by Nially Delahan, Stephen Hennesy, Cathal Hughes Sound Editing and Mixing by Karima Dillon Cast: Sean McManus, Ava Farrel, Eoin O'Sullivan, Jack McHugh, Anna Lawlor, Conor McNally, Aisling Smith Made at The National Film School, IADT
World Premiere at 78th The Venice International Film Festival European Film Award Candidate 2021 Qualified for the 2023 Academy Awards
Animation Grand Prize - Rhode Island International Film Festival Best Short Animation - Irish Film & Television Awards 2022 Honourable Mention - Clermont-Ferrand Short Film Festival Grand Prize for Student Film - Cinanima International Animated Film Festival Best Irish Short - Animation Dingle Best Student Film - Tirana International Film Festival Best Student Film - BALKANIMA Jury Special Mention - Milano Film Festival Grand Prix Irish Short Special Mentionm - Cork International Film Festival Honourable Mention for Best International Short Film - GIRAF Best Student Design - Los Angeles Animation Festival Best Student Film - Dublin Animation Film Festival Best Animated Short Film - Rabat International Film Festival Animation Winner - Student Royal Television Awards Ireland 2022 Best Student Film - MONSTRA Lisbon Animation Festival Best Animation - Martovski Film Festival Best Animation- Fastnet Film Festival Animation Special Mention - FEST – New Directors New Films Festival Best University Film - BANG Animation Awards Special Mention for Student Film - FICBUEU Best Animation U30 - Mladá kamera Best Animation - Silk Road International Film Festival Jury Special Mention - Flipbook Film Festival
0 notes
p21gallery · 6 months
Text
Tumblr media
Ramzi Mallat in conversation with Najlaa El-Ageli and Yahya Zaloom
Artist Ramzi Mallat will be in conversation with Yahya Zaloom, director of P21 Gallery and independent curator Najlaa El-Ageli. The talk will provide insight into the artist's practice and cover themes regarding Fault Lines, his solo exhibition on show at the gallery.
Artist: Ramzi Mallat is a multidisciplinary artist whose practice explores the socio-political impact of globalisation on notions of identity and self. Mallat draws on a rich tapestry of theological and folkloric history of the Levant region, his work challenging the conventional notion of tradition as a civilisational legacy by revealing a narrative based on a society’s cultural vanguard in the course of a struggle. The artist has been appointed a Trustee for the IMOS Foundation in the United Kingdom and was selected as one of Forbes Middle East’s 30 Under 30 Honorers in 2022. His most recent short documentary has been awarded the 'Official Selection' laurel by the Scarab Film Festival in Dubai, UAE, the Story International Student Film Festival in Cork, Ireland and the Lebanese Independent Film Festival
Panelist: Najlaa El-Ageli founded Noon Arts Projects in 2012 with a mission to bring the best of contemporary art from the MENA region, from both emerging and established artists, and expose it to the world stage. She was selected to be a member of the jury for ‘The Arab Fund for Arts and Culture (AFAC) 2016 and 2019, and sat as member of the board for The London Prints Studio from 2017 to 2020.
Moderator: Yahya Zaloom is Artistic Director of P21 Gallery, a London-based charitable trust promoting contemporary Arab art and culture, committed to creating visibility for Arab artists worldwide. Yahya holds a BA in Mixed Media Fine Arts (University of Westminster, London), an MA in Visual Culture (University of Westminster, London), and currently studying MA in Art Curation by practice (University of Teesside, Middlesbrough).
Book your spot via the link below:
 BOOK NOW 
The event is organised by P21 Gallery with generous support from HUB Collective.
0 notes
siobhanmccarterflynn · 7 months
Text
Tumblr media Tumblr media
0 notes
truptrupgo · 8 months
Text
AI-Generated Film selected for Cork International Film Festival 2023
youtube
Tá an-áthas orainn go bhfuil ár ngearrscannán AI-ginte 'Another Life Somewhere' roghnaithe i mbliana don Cork International Film Festival 2023 ar súil ó 9ú go 26ú Samhna.
We're delighted that our AI-generated short film 'Another Life Somewhere' has been selected for the Cork International Film Festival 2023 taking place from November 9th to 26th.
"In a hyper-surreal space between this world and another, strangers meet to figure out where they are going."
The film (the first of its kind to ever be included in the festival's program) is written and directed by Traolach Ó Murchú who worked with Runway ML's image generator to produce the images.
0 notes
comicbuzzofficial · 8 months
Text
Cork International Film Festival launches 2023 programme
0 notes
denimbex1986 · 4 months
Text
'All of Us Strangers Unexpected Twist Ending Explained
When Harry showed up, he wore the same pink sweatshirt and got right in Adam's face when he found him in his apartment. Adam's parents seemed to know they were already dead, but it took Harry a moment to figure it out. He confessed he felt really lonely the night they first met, and they hugged. Adam said sorry for not letting him in back then.
So, here's the deal: Harry's been a ghost all along, probably since the night Adam turned him away. Did Adam and Harry have ghostly romance? What happens when a ghost tries ketamine, Is Adam the kid from the Sixth Sense, all grown up? Well, those answers are a mystery, like whispers in the wind, leaving us to wonder about the strange things that happen between life and whatever comes next.
All of Us Strangers Cast
Andrew Scott - Adam
Carter John Grout - Young Adam
Paul Mescal - Harry
Jamie Bell - Adam's Father
Claire Foy - Adam's Mother
Ami Tredrea - Waitress
All of Us Strangers
"All of Us Strangers" is a romantic fantasy film from 2023. It was both written and directed by Andrew Haigh, based on the 1987 novel "Strangers" by Taichi Yamada. This movie stars Andrew Scott, Paul Mescal, Jamie Bell, and Claire Foy.
The film had its premiere at the 50th Telluride Film Festival on August 31, 2023. It was then released in the United States on December 22, 2023, and is set to be released in the United Kingdom on January 26, 2024, by Searchlight Pictures. "All of Us Strangers" received praise from critics and earned a spot among the top ten independent films of 2023, according to the National Board of Review.
All of Us Strangers Plot
In the story, a London writer named Adam is feeling lonely. One day, his neighbor Harry tries to flirt with him while he's drunk, but Adam turns him down. Adam then goes to his childhood home, which is empty, and there he encounters the ghosts of his parents who passed away in a car accident when he was twelve.
When Adam returns, he reciprocates Harry's romantic interest, and they become intimate. Adam later reveals to his mom that he is gay, and although she accepts him, she is worried. He has another romantic encounter with Harry, who confesses his own struggles with acceptance from his family.
During a visit with his father, Adam finds acceptance and reconciliation for the bullying he faced as a child. Adam and Harry go out to a club and use ketamine, causing Adam to imagine a future with Harry. He wakes up on Christmas in his parents' house, unable to sleep. In an attempt to find comfort, he joins his parents in bed and shares a personal story with his mother. However, the moment is interrupted when Harry appears in bed with them.
All of Us Strangers Unexpected Twist Release Date
The movie first showed at the 50th Telluride Film Festival on August 31, 2023, and then at the 2023 New York Film Festival on October 1, 2023. It was also part of the main competition at the 68th Valladolid International Film Festival. The Cork International Film Festival featured the film as its International Gala on November 19, 2023, marking its Irish premiere at the Everyman Theatre. The screening had a full audience.
The QCinema International Film Festival had three showings of the film on November 19, 20, and 24, 2023. In the United States, the movie is set for a limited release on December 22, 2023, and in the United Kingdom, it will be released on January 26, 2024.'
0 notes
corkcitylibraries · 1 year
Text
Cork in Verse | Ana Spehar Interviews Catherine Ronan
Tumblr media
Catherine Ronan is a member of multiple Poetry collectives and performs on open mic to international audiences. She has been published in anthologies, journals and magazines. She is a member of the DeBarra’s Spoken Word Team and a regular attendee at Ó Bhéal. In 2021 she won the Winter Solstice Poetry Competition, co-curated Bandon Poetry Town for Poetry Ireland and was a guest poet at the Winter Warmer Poetry Festival. She organises Poetry Cafés for Culture Night. Her poetry has been selected for the Poetry in the Park Project 2022 and 2023.
When did you start writing poetry?
I started writing poetry when I was 9 years of age. The very first poem that I wrote was:
My jeans are dirty
but I have no other
I'd wear some clean ones
if they were washed by my mother
Needless to say, my mother wasn't pleased and taught me how to use the washing machine after that! One of the best things for my writing was joining Millbrook Writers, a group that started in October 2018. That introduced discipline and we had to write on different themes every fortnight. I then did creative writing with Matthew Geden, followed by creative writing in UCC with Paul Casey. We are so lucky to have Ó Bhéal in Cork and DeBarras in Clonakilty as open mic platforms for emerging poets.
How do you manage to fit in writing with other demands on your time? Do you write very day?
I try to write every day - even if nothing good lands. I tend to write very late at night when the house is completely silent. I also carry paper and a pen everywhere with me because inspiration can come out of the blue, even when cleaning for example and I find if you don't write it down, it's gone!  My poetry takes priority over housework and I have a sign hanging up that says ' a tidy house is the sign of a wasted life!'
Could you tell us more about your creative process?
During Covid, Cork County Arts and Library services appointed Matthew Geden as Writer in Residence. He in turn set up Poetry and Prose Collectives. I was lucky to have been awarded a place on the Poetry Collective and as a result a fine group of poets meets every two weeks on Zoom from all over Cork County. It is invaluable to have new poems workshopped. I also joined the Blue Mondays, another fantastic group who raised money for Simon with their Anthology. I was so proud to be part of that. My poem Clíodhna was chosen for the opening ceremony of Bandon as Poetry Town for Poetry Ireland and Winter Hope was the winner of the Winter Solstice Poetry Competition 2021. Research was very much involved in the creative process of these two poems. I am fascinated by myth and magic so in 2022 I did a course in UCC with Dr Jenny Butler. I was inspired by that course to write poems about Brigid - Pagan Goddess and Christian Saint. One of the Poems has been put to music by Mags Creedon O'Shea and has been chosen to be engraved on slate next to a Brigid Well in Bandon.
My first Poetry Film ' Policing Mary' was inspired by Mrs Doyle in Father Ted. Some poets think that you should only write about real experiences, but I am firmly in the camp of the imagination and believe that poets are free to write about any subject. I did a week long course with the poet Paul Muldoon in Bantry in 2022. His method of writing one line at a time and making each line like a one-lined poem has definitely had an influence on my creative process. Recently I tend to write much denser and longer poetry. Sometimes the creative process is a mystery and the writer is only a conduit. Some poems can be written in one sitting with very few alterations afterwards and yet others can take years to finish.
Currently I am doing a Poetry in Translation course with Cork City Libraries Writer in Residence, Keith Payne. That is having an influence on my work by training my ear to the musicality of poems in different languages and accordingly in the inherent sounds of my own work.
In your opinion what are the most important elements of a good poem?
A good poem in my opinion should not be easily accessible. Even where the simplest language is used, there should be multiple layers of meaning and it should be open to many interpretations. I tend to like poems that take love and loss as their theme as I think everybody has experienced both. I am not drawn to ranty political poetry but at the same time, a poet's job is to give voice to people who don't have a voice. I like emotive poems with lots of imagery. A good poem should be like a painting in many aspects.
What are you reading at the moment?
I am reading The Cloud Architect by Matthew Geden, rereading my UCC notes and enjoying the novel Perfume written by Patrick Suskind.
Winter Hope
I knew you would come
Invincible sun
Rebirth from darkness
Clocks burn and turn
Stone singing ancestors
Face the same sky
Mistletoe glows
Fiery ankles feast
On the darkest day
Jupiter and Saturn kiss
Fingers frosted blue
Trace ancient nights
You offer me the veiled
Chalice of begin
I crawl out of winter’s cave
Newborn in your sight
Squinting at your song
Written in the trees
I knew you would come
Invincible sun
Clíodhna
Now we are free to kiss
Ancient mouths in our time
Sweet apples from a golden tree
Wake alive healed
Trembling steel trays
Land of concrete promise
Underneath a calico blanket
Everything revealed
Three birds sing Blarney
We hear them in lusty stone
For all the world is red
In white matted hair
You rise from the waves
Kiss O’Sullivan cheeks
Wet feet in West Cork
Fairy of the hills
Never too weak to speak
We hear you on the tides
Whispering through the trees
Clíodhna – Queen of the Banshees
0 notes
vasiliospapaioannu · 2 years
Video
youtube
Two 16mm, DV | 8 min | USA | 2018 Logline: The conversation—between sound and image, seasons come and gone, natural and altered landscapes, and an unseen man and woman—begins as a duet between a video diary and a field recording, and ends as an archive of the possibilities hibernating in each moment. Synopsis:Two filmmakers set out to create an audio archive for possible use in future projects. She records ambient sounds, vocally annotating them with a brief description; he films the environments through which they pass. The time frame is indeterminate, but wintry branches stripped of their leaves give way to summer greenery, a rain-soaked stretch of highway yields to an overgrown lawn drenched in sunlight, observed by a motionless cat. The woods and rivers feel primeval, long predating the construction of an abandoned house that has fallen into ruin. A passing truck rumbles from the past through the present and into the future. Years later, will her outstretched arms still be reminiscent of the naked tree branches, the way they were that day? Will they discover missed clues about their future in the muffled sound of their footsteps and the footprints, single file then side-by-side, imprinted in the moss? In this archive of sound and image, love is a series of moments made sacred by the present. While nothing is resolved, perhaps in the hushed interplay between the woman and the man, between her sounds and his images, "the end and the beginning were always there." (T.S. Eliot, The Four Quartets) ~ Released August 2018 ~ [selected screenings] [for more ▶︎vasiliospapaioannu.com/two] Crossroads 10, SFMOMA Anthology Film Archives 64th Cork International Film Festival Revelation Perth International Film Festival EXiS Brussels Independent Film Festival CODEC FILMADRID CineAutopsia 21st Moviate Underground Film Festival ULTRAcinema 23rd International Encounters Traverse Oaxaca Filmfest 32nd Festival Instants Vidéo Numériques et Poétiques Laterale Film Festival New Jersey International Film Festival - Rutgers University Cinecipó Marienbad Film Festival ★★★ ★★ ★
0 notes
blutarsky · 2 years
Video
Meanwhile from Stephen McNally on Vimeo.
Blending CG 3D and 2D drawn animation techniques, Meanwhile follows four characters traversing a city, each lost in their own separate worlds, trapped in their memories, regrets and frustrations. Meanwhile uses bold colour schemes and fragments of narratives to examine empathy in urban insularity.
Winner Melhor Construção de Narratividade, MOV Film Festival, Brazil 2015 Winner Miglior Montaggio, La Guarimba Film Festival, Italy 2015 Winner Don Quijote Award for Best Animation, Galway Film Fleadh, Ireland 2015 Winner Best Student Film (Dušan Vukotić award), Animafest Zagreb, Croatia 2015 Winner Grand Prix Next Generation Brussels Short Film Festival, Belgium 2015 Winner Best Animation, Sehsüchte, Germany 2015 Winner Best Animation, The Smalls Film Festival, UK 2014 Winner Best British Animation, Anifest Canterbury, UK 2014 Winner Special Mention Animfest Athens, Greece 2015 Winner El Rey Award for Excellence in Animation, Barcelona Film Festival, Spain 2015 Adobe Design Achievement Awards Honorable Mention for Animation and Storytelling, 2015 Critics' Choice Selection Anifest Canterbury, UK 2014 Royal Television Society Award Nominated, UK 2015 McLaren Award Nominated, UK 2015
Official Selection The Smalls Film Festival, UK 2014 Official Selection Indie Cork Film Festival, Ireland 2014 Official Selection Anim'est Film Festival, Romania 2014 Official Selection Cinanima Film Festival, Portugal 2014 Official Selection London Short Film Festival, UK 2015 Official Selection British Shorts Film Festival, Germany 2015 Official Selection Ciné Privé Film Festival, Belgium 2015 Official Selection Landshuter Kurzfilmfestival, Germany 2015 Official Selection Flatpack Film Festival, UK 2015 Official Selection Monstra Film Festival, Portugal 2015 Official Selection Mecal Film Festival, Spain 2015 Official Selection Atlanta Film Festival, USA 2015 Official Selection Animfest Athens, Greece 2015 Official Selection Brussels Film Festival, Belgium 2015 Official Selection Festival du Cinéma européen Lille, France 2015 Official Selection Sehsüchte Film Festival, Potsdam-Babelsberg, Germany 2015 Official Selection Friss Hús Film Festival, Hungary 2015 Official Selection Seoul International Cartoon and Animation Festival, Korea 2015 Official Selection Northwest Animation Festival, USA 2015 Official Selection Brooklyn Film Festival, USA 2015 Official Selection Edinburgh International Film Festival, UK 2015 Official Selection Anima Mundi Film Festival, Brazil 2015 Official Selection Maremetraggio ShorTS Film Festival, Italy 2015 Official Selection Galway Film Fleadh, Ireland 2015 Official Selection La Guarimba Film Festival, Italy 2015 Official Selection Rooftop Film Festival, New York, US 2015 Official Selection Anibar Animation Festival, Kosovo 2015 Official Selection Encounters Short Film Festival, UK 2015 Official Selection Aesthetica Short Film Festival, UK 2015 Official Selection Oregon International Film Festival, US 2015 Official Selection Red Rock Film Festival, US 2015 Official Selection Greenhorn Film Festival, UK 2015 Official Selection Manchester Animation Festival, UK 2015 Official Selection World Festival of Animated Film, Varna, Bulgaria 2015 Official Selection Wiz-Art Multexplosion, Ukraine 2015 Official Selection Mecal Chile Film Festival, Chile 2015 Official Selection Thessaloniki Animation Festival, Greece 2015 Official Selection MOV Festival, Brazil 2015 Official Selection Anima Festival, Belgium 2016
Score – Adam Cullen Sound Design – Dan Larkin Mix – Mike Wyeld Lettering – Aoife Mooney With the voices of: Sara Houghton Dan Armour Phil Deguara Animation assistance: Leona Kadijević Alan Dunne Supported by BlinkInk
0 notes