On the drums… Living proof that there is no such thing as too much cowbell… Ash! #drummer #drums #drum #pearldrums #cowbell #coverband #drumlife #drumfam #drumsolo #drumfill https://www.instagram.com/p/CncUBuoonjL/?igshid=NGJjMDIxMWI=
#didi practicando para su recital!! #drummer #drumfill #drumschool (at Ecatepec de Morelos) https://www.instagram.com/p/CfolqfOOSu4/?igshid=NGJjMDIxMWI=
If there were two versions of that band's song, and they both sounded exactly the same, except one was 2 mins longer + had more lyrics/riff/drumfill then you would pick the longer one as the bettter one every time.
music i heard in february 2023 that was somewhat notable
(for the amount of effort put into lyrics i really ought to listen to them someday)
sparse guitar harmonics and soft vocals that combine to create a perfectly serene atmosphere. this is also endlessly curious to hear given the prior epic collage/modern classical works of the artist, yet i find their recent ambient pop turn equally as engaging.
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the more I've listened to music the more I think it's occurred to me that I have a particularly soft spot these kinds of soundscape like tracks, often with few parts to them and lots of repetition, but ultimately an interesting slow and gradual evolution of the sounds. a pleasant track to calm down and reflect with after a long day.
solid progressive house with clean production and some nice vocal flourishes that remind me of tropical house for whatever reason. Not to mention a dense trance interlude halfway through and some really beautiful cover art. (i really want to see if they do any full on trance stuff)
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broadly this is only a really good HtH song, but whenever the brass cuts out and the strings come in it immediately become one of my faves. … and then suffa comes in and i no longer like the song.
a chaotic melting pot of various famous and catchy samples alongside great production chops and lots of distortion combine to form some of the most fun, and overall some of my favourite dariacore thus far.
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The music of the original i think is quite good, however the production was never to my taste. This on the other hand fits my preference much more (though the production isn't fully there), and I feel somehow that even with its high energy dance sound, it almost fits both Chrysalis's character and the episode's story better than the original.
The former as it signifies her and the changeling's general alien'ness/unloving nature in comparison to the ponies culture and their classical/folk/pop sound. The latter because the relentlessness of the beat emphasises how tense and dire the situation is, with the little breaks between sections/the drumfill that start the new sections almost give the ponies some hope before it being swiftly ripped away from them every time.
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