the doctor isnt neurodivergent or autistic or adhd or nonbinary or genderqueer or asexual. what the doctor is, is Not From Here
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AU where Josh manages to grab onto Nigel’s hand at the last moment that night on the train and both of them fall out. AU where Nigel has been dead the entire time but Alex Forbes doesn’t know that; where the trauma of watching his friend fall to his death combined with the realisation he was complicit in the death of another causes his mind to fracture.
He doesn’t remember making it back to his dorm room that night, only remembers waking up to the news that Josh and Nigel were was dead. All of Nigel’s things have been moved to another room, of course they have, because Nigel was gone, dead, all his fault, his fault trouble.
AU where Alex takes the train one night to the Colbie house because Nigel asks him to, because he feels this innate and intense need to try and better understand this boy he got killed; where he finds the card and the books and Nigel’s red bible, and begins to understand.
AU where the body of Susan turns up one morning, and the police question Alex about it, but there’s no way it was him, because he was late; he was late, and by the time he showed up at the cinema, she was waiting for him still, sweet Susan, with her kind eyes and kinder heart, she had waited for him and she didn’t even suspect anything until the very second before he struck gone.
AU where Alex finds the letter he wrote Nigel wrote, inviting him to his house that night, where Alex sees the Colbies arguing through the window; where he wrestles the gun from John and shoots him to kill him because he read the journals, knows that this man has been hurting Nigel his whole life and he wanted him dead protect Nigel.
AU where Nigel confronts Alex at the train yard that night, where he forces Alex to remember everything he did, everything Alex did; where he forces Alex to pull the trigger and kill off the version of Nigel he’s been carrying around in his mind, where Alex dies that night right along with him and Jack is born instead.
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Ohh, I have such a weird mix of feelings about Mudd's Women.
Going into the rewatch, I was like "oh no, it's this one". But actually, I really like it as an episode?
Idk, even though it seems quite sexist, and there's a fair amount of cringe, and I do not like the ending of Eve staying with That Man, I kind of feel like the women are the main characters, and the joke is on the men?
And I really, really do like Eve; she's such a great character. She knows what she wants, mostly, but is also a bit of a mess, understandably - and she very much is her own person? (until the end, which, ugh. why.)
Like, it's not a good episode, but it's not as icky as I thought it was?
(Also, Spock smirking as he introduces "Leo Walsh" to Jim, knowing that Kirk's going to be completely unprepared for the ladies 😅)
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catherine pointed out today that my turnaround on wesley crusher is an example of the patented liz thegeminisage 180°: a character that i despise or in minor cases strongly dislike will, in a metaphorical or sometimes literal instant, become someone i love or at least strongly like. previous instances of this include: cas theee tiel, cullen dragonage, arthur pendragon. there are almost definitely more but i can't think of them rn
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The thing about Rogue One as a movie that even though I do love it, it's a bit in a unique spot. It's from the era when they made Star Wars spinoff movies, which then shifted into making shows instead. It basically has a movie-unique cast, but a tragic ending, but also leads directly up to episode 4 without being structured like part of a trilogy/series.
I've viewed its role as "prequel to episode 4/original trilogy" or potentially "bridge between prequels and original trilogy" but tbh it leans so much towards the original trilogy and has less to do with the prequels that I most often see it as "prequel to ep 4".
But I feel like, after Andor S1 and the announcement of Andor S2 being the last season + leading up to Rogue One; Now Rogue One as part of the star wars franchise has a completely new and clearer role
I feel like tonally it's going to function as a bridge between Andor and The original trilogy, showing where the fight against the empire will end up and lead into. But it will also be a finale of Andor, in a way.
Like Andor so far have been a story of the many faces of the rebellion, but with Cassian as a focus and his arc as a thread throughout. We have watched him at several occasions team up with a new group of characters to accomplish some type of heist/mission (Aldhani and Narkina-5 both kinda fit this).
So when looking at Rogue One through that same lens, it fits so well? Like the movie's use of instantly iconic characters that you only get to know for a short while, that you only get to know through the rebellion and this mission, feels even more like a consistent narrative choice instead of some flaw when seen in the greater context of what Andor is doing. The way we unfairly lose them to the battle against the empire in a way that feels that even feel unfair to us as an audience. Jyn being a mirror to Cassian becomes even clearer, and him inspiring her to rebel and lead (as he did with Kino) becomes even more of a solid characterization.
A good prequel is supposed to make the original thing even better, and Rogue One was that to A New Hope imo. But now, Andor has even become that to Rogue One.
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the best reminder that LOST is a masterpiece is to watch any other drama series
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another difference is that brennan gives much more leeway to his players than matt did. like it feels like he'll let them do anything as long as it's not explicitly against the rules. like emily asked if sofia's burning hair could result in a cute bob and he was like yes, absolutely, sure, and I guarantee matt would have made her roll like, a percentage die or something. but his strictness meant the stakes for the characters and story were higher, so I miss it a bit
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…ok but how the heck are they gonna wrap up *waves hand* ALL OF THAT in one more episode??
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Calculating characters’ ages so they fit into the timeline of the fic my beloathed.
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The Dreamcatcher VS King of the Carnaval poll makes me so worried.
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man. i think drizzile’s episode is like… a good summary of journeys in a way. because i both really really like the episode but i also dislike it.
if you isolate this episode from the rest of the show, it’s phenomenal. it’s an episode that actually kinda personally gets to me as an autistic introvert- the way goh describes his and drizziles feelings as something thats hard to put into words, because “staying away makes me feel better” sounds ridiculous out loud and makes people bother you even more- it gets to me. because i was that kid! hell, i still am that person. withdrawing gets a lot of shame cast on it because “going out will be better in the end”, but this episode has the nuance to go “but forcing it will only make you more miserable”- thats something ive never really seen in a kids show. i think if this episode aired when i was in middle school, it wouldve really helped me. in that regard, its great! its one of my favorite eps in the show!
but……. its so hard to disconnect this episode from the grander picture where this show just…. REALLY doesnt like galar. from a writing and executive standpoint, its hard to not see the writers going “shove drizzile in the hole so we dont have to do anything with it for a while”. and man it just feels so cynical. i feel like this issue couldve been solved if they showed other drizzile in the show for a time- maybe gave it to a rival or something. goh’s drizzile also couldve been shown coming out of its nest from time to time before going back inside to recover. maybe it couldve had one or two battles, even. but no…. the next time drizzile gets a proper episode is when it evolves.
to be completely honest, i dont even like drizzile all that much. but this show did a lot of good for raboot, my favorite galar pokemon. and its sad to see that while i personally got that with goh’s raboot, sobble fans were really let down with this show (and grookey even more)
idk. this is a good example of a jn episode to me because on its own, this is a GREAT episode, but its held back by its own distaste for the region its supposed to be representing.
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I got so caught up in the euphoria of new Star Trek that I forgot SNW has some of my least favourite writing of the new shows. I think I’m frustrated with it because there are so many aspects I SHOULD like! On paper I SHOULD like this show more than I do! I just do not vibe! :(
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"he followed you home through the time vortex!"
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im getting more into ride the cyclone but idk if i can fully say this but i think the only video game ocean has played is animal crossing new horizons on constance's switch because she likes feeling in charge and in control and needed by tiny animal villagers even though the terraforming and making the town perfect gets her stressed like
she also thinks she's isabelle but justifies tom nook's financial decisions more and when she hears about the lore of him giving bells away to orphanages shes like !!!
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watching the bbc series with my mum has really reaffirmed how weird the pacing is. she's about halfway through the brick so i said cool we can watch the first 3 episodes probably! but it's now the end of episode 4 and we're still not up to where she is in the book!!!!!
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