Japanese poster designs for films: THE SACRIFICE (1986, dir. Andrei Tarkovsky), WORLD ON A WIRE (1973, dir. Rainer Werner Fassbinder), NAKED LUNCH (1991, dir. David Cronenberg), LAST YEAR AT MARIENBAD (1961, dir. Alain Resnais), HIROSHIMA MON AMOUR (1959, dir, Alain Resnais), FACES PLACES (2017, dir. Agnès Varda, JR), FANTASTIC PLANET (1971, dir. René Laloux) and LOST LOVERS (1971, dir. Sôichirô Tahara, Kunio Shimizu).
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Agnès Varda at the door of Jean-Luc Godard’s house in “Visages, Villages”
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222Place
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My current Agnes Varda watchlist ranked from the dearest to my heart (thus far);
- Faces places/ Visages Villages (with JR) - 2017
- One sing, the other doesn’t/ L'une chante l'autre pas- 1977
- Cleo from 5 to 7/ Cléo de 5 à 7- 1962
- The Beaches of Agnes/ Les plages d'Agnès - 2008
- Vagabond / Sans toit ni loi - 1985
- Le Bonheur- 1965
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Agnes Varda and JR - Faces Places
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Why did he not open the door? “I will never know. His sister told me he said: ‘What would we have done, what conversation would we have had?’ He thought it would not be worth it. I think he was right. I would have said: ‘JR, this is Jean-Luc; Jean-Luc, this is JR.’ So what? No, it is true for the film it is better that he didn’t open.”
Next time she sees him, will she call him a rat or thank him? “Both. I think it’s contradictory, as always. He is a rat, and I’m glad he didn’t open. But at the time, I felt shocked and hurt.”
-- Sept 2018
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Faces Places, 2017
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You inspire me 🥔💐
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