#fernando di leo

[aloneandforsakenbyfateandbyman]

To Be Twenty (1978)

#To Be Twenty #Gloria Guida #Lilli Carati #Fernando Di Leo #1970s #film

[chaptertwo-thepacnw]

la mala ordina |1972|

#gif #la mala ordina #the italian connection #1972 #mario adorf #fernando di leo

[gone-by]

Gloria Guida & Lilli Carati in To Be Twenty, 1978

#to be twenty #avere vent'anni #fernando di leo #gloria guida #lilli carati #1970s

[gatutor]

Ursula Andress "La espía se desnuda" (Colpo in canna) 1975, de Fernando Di Leo.

#Ursula Andress #Fernando Di Leo

[ouibo-repris]

Fernando di Leo

#fernando di leo

[erstwhile-punk-guerito]

#the italian connection #henry silva #woody strode #mario adorf #adolfo celi #luciana paluzzi #franco fabrizi #femi benussi #gianni macchia #F. Romana Coluzzi #cyril cusack #sylva koscina #fernando di leo #1972

[mariocki]

Le colt cantarono la morte e fu... tempo di massacro (Massacre Time, 1966)

"But dear Jeremiah, how can you abandon the land where you've lived, where your dead are buried?"

"I don't have any dead buried here."

"You do now."

#Le colt cantarono la morte e fu... tempo di massacro #massacre time #spaghetti western #italian cinema #lucio fulci #1966 #fernando di leo #franco nero #george hilton #nino castelnuovo #giuseppe addobbati #linda sini #rina franchetti #tchang yu #aysanoa runachagua #tom felleghy #franco moruzzi #roberto alessandri #john bartha #sal borgese #gino barbacane #coriolano gori #also known as Colt Concert‚ The Brute and the Beast‚ and in some territories passed off as a Django sequel or prequel (as were the majority #of spaghetti westerns in this era). this was Fulci's first western‚ and in some ways it was the making of him as a director: having mostly #made comedy films until this point‚ this was the beginning of Fulci as genre maverick‚ the first hints of brutal‚ bloody violence and #uncompromising cruelty. his work here is pretty brilliant too; full of wild angles and extreme close ups‚ with a constantly gliding camera #that follows Nero's brooding stranger around a town gripped by terror. Nero's good (he always is tbf) but he's run rings around by Hilton #in his breakthrough role as the drink sodden but still sharp shooting brother. Castelnuovo is a strong villain too‚ his head almost #permanently cocked to one side‚ squinting through his madness as he plays the organ or shoots down children. it's a showy part and he's #well suited to it. di Leo's script doesnt quite live up to the excellent work Fulci's doing nor does it offer much to differentiate this

[filippotenebra]

"La bestia uccide a sangue freddo" aka "Slaughter Hotel"; Fernando Di Leo (1971).

#la bestia uccide a sangue freddo #slaughter hotel #the beast kills in cold blood #fernando di leo #klaus kinski

[abstractionsinyellow]

Fernando Di Leo, Diamanti sporchi di sangue, 1977

#poliziotteschi #fernando di leo #diamanti sporchi di sangue #blood and diamonds #poliziottesco #eurocrime #barbara bouchet #caliber 9 #claudio cassinelli #1970s #70s

[giallofever2]

#diamanti sporchi di sangue #fernando di leo #barbara bouchet #claudio cassinelli #martin balsam #olga karlatos #giallo fever #giallofever #vittorio caprioli #italian giallo #gialli #giallo #cinema cult #italian cult #cult #international cult #poliziotteschi #poliziottesco #Italian crime movie #Italian crime #euro crime #eurocrime

[chaptertwo-thepacnw]

la mala ordina |1972|

#gif #la mala ordina #the italian connection #1972 #mario adorf #femi benussi #fernando di leo #film

[blueiskewl]

Diamanti Sporchi di Sangue/ Blood and Diamonds (1978), original concept artwork, Italian

Artist: Rodolfo Gasparri (1928-1981).

Unframed: 11 1/2 x 24 1/2 in. (29.2 x 62.3 cm). Framed: 16 3/4 x 29 1/2 in. (42.5 x 75 cm).

Exceptionally rare. Original artworks rarely surface as the majority were destroyed.

This Italian crime film was written and directed by Fernando Di Leo. The cast includes Claudio Cassinelli, Martin Balsam and Barbara Bouchet. The film tells the story of a man, who once released from prison, seeks revenge on the gang he considers responsible for his arrest and five year imprisonment for robbery. The prize of which is a large hoard of diamonds.

#Blood and Diamonds 1968 #1968 crime film #fernando di leo #claudio cassinelli #martin balsam #barbara bouchet #1960s #1960s style #1960s movies #original movie artwork

[gatutor]

Ursula Andress "La espía se desnuda" (Colpo in canna) 1975, de Fernando Di Leo.

#Ursula Andress #Fernando Di Leo

[apileofprofiles]

Poster introvabilissimo fatto da me, un solo pezzo appeso in camera di mio fratello, inestimabile.

#my art #Fernando Di Leo #gastone moschin #milano calibro 9

[erstwhile-punk-guerito]

#the boss #henry silva #richard conte #gianni garko #antonia santilli #corrado gaipa #marino masé #howard ross #claudio nicastro #gianni musy #mario pisu #vittorio caprioli #pier paolo capponi #fernando di leo #1973

[mariocki]

Diamanti sporchi di sangue (Blood and Diamonds, 1978)

"That guy had plenty of guts. I felt bad killing him, because I realised what it feels like killing a man worth his salt. It makes your heart ache."

#diamanti sporchi di sangue #blood and diamonds #italian cinema #fernando di leo #claudio cassinelli #martin balsam #barbara bouchet #pier paolo capponi #olga karlatos #carmelo reale #vittorio caprioli #alberto squillante #fernando cerulli #raul lovecchio #sandro la barbera #fulvio mingozzi #camillo chiara #luis bacalov #crime film #1978 #glum and moody kind of spiritual successor to di leo's earlier masterpiece Milano calibro 9 (thematically similar but with the morality #inverted). this hasn't quite as much style‚ punch or wit as that earlier film‚ but it's still a solid spaghetti crime thriller in the #fatalistic mode. starts slow and steady‚ and fits a familiar mode for most of its run‚ but in the final 30 minutes this gears up and gets #closer to being something really special; finally di leo is taking chances‚ finally the plot is moving in surprising and unexpected ways #even pier paolo capponi's hotheaded henchman (a performance I'll admit grated on me a little at first: he goes so loud and so obnoxious #with) even he finally starts to seem real and complicated and heartfelt as the film wraps up. and then it ends‚ kind of perfectly. very #very good in its later stages but a little formulaic in the journey getting there. Bacalov's minimalist discordant score is also #noteworthy; it blends into the background a lot but then suddenly a jangling chord will strike at just the right moment to snap you alert #this was near the beginning of Cassinelli's most productive era as a genre star and leading man (cut short by his tragic death in 85) #and he's as moody and magnificent as he always was; Bouchet holds her own against him in an intriguing and mercurial role