#got a little experimental with the bg here. idk man | Explore Tumblr Posts and Blogs

stateofgrace-acoustic · 5 years

Text

lover - first song ranking & thoughts

first of all i just need to say i legitimately don’t feel ‘meh’ about a single song on this album. on any other album. i always had one or two songs i was just kind of ‘take it or leave it’ about. but Lover really did that - they’re all amazing and wonderful. but here’s an attempt at an order of how much i love them!

18. it’s nice to have a friend

this really reminds me of you are in love in the way it recounts all the small gestures and steps involved in becoming close to somebody. it’s really cute and at the perfect space on the album, leading to daylight. not a mindblowing song or anything, but the vibe fits onto lover really well. i’m glad that it’s here

17. you need to calm down

yeah, i cooled down on this one a little bit. it’s fun and the message is important, but me! is the better single tbh. still though, the feeling of empowerment this gives me over my nonexistent online haters is wonderful. and i love the attitude of the song of just looking at the assholes who live their entire lives putting energy into hating people and just being like....why are you like this. it’s pathetic. calm the hell down. so needed in our current debate culture

16. me!

a real grower! taylor and brendon urie have such good chemistry, tbh that’s really the backbone of the song. it’s just a really nice carefree spring/summertime self love song, a perfect soundtrack for when you feel happy and content with yourself.

15. the man

just dropping the complete truth on us with this one. i’ve wanted taylor to make this song for years (and i know she said she’s been wanting to but just never found the right words!) the bridge really elevates this too. and it’s sad how relatable the entire song is in literally every aspect of professional (and personal) life for women. i don’t think it’s quite as strong as it could have been, but still really solid

14. i think he knows

this is like the fun version of dress. that’s all i got to say. just as explicit, but this time around it’s super cheeky and i love it. also goals of self confidence if i’ve ever seen them

13. paper rings

the joyful energy this has!! just makes you smile and want to dance immediately, a wonderful wholesome happy bop

12. false god

listen.....this is special. i absolutely think this is the most experimental song on the album, both in terms of the music (is that a saxophone in the bg?? it’s almost got a jazzy vibe? completely uncomparable to anything she’s ever done and still so distinctly Taylor), but also with the lyrics, where she goes into the love = religion theme which honestly....as a Florence + the Machine and Hozier fan, i don’t even need to go into how much of a vibe that is. I couldn’t have imagined it working so well for Taylor though, but honestly, this song feels perfectly brooding, summertimey, melancholy, - it’s almost like taking the darker underside of Cruel Summer and exploring it in depth! this is very much a song i need to be in a Specific Mood to really appreciate, but it’s damn well made

11. afterglow

i love the maturity of this. not just the apologizing for picking a fight, but explaining how it came to be - at the end, from a place deep seated anxiety. ‘it’s all me, in my head’ (those high notes are beautiful) you can really feel how sorry she is. at the same time, the song sounds like something bigger, like an anthem - almost like that place high above that she’s trying to elevate them to.

10. i forgot that you existed

SO MUCH FUN i keep repeating that but that’s just the mood of this album tbh, playful and mature at the same time. this song is just like, when you’re over someone but you just can’t help yourself and have to throw shade one last time before moving on. i love the bouncy beat!!

9. lover

this song is literally the feeling of ‘home’ in music. so cozy, comfortable, blissful. dreamy. perfect title track. also completely timeless - i think this is one of those songs that we will look back on in years as a classic in her catalogue, a song you will always want to play again

8. the archer

this was my definite favorite of the pre released songs. anxiety, doubts, the way they all just keep coming back and eating at you, it’s described so perfectly and painfully. and the production really makes it sound like you’re in a separate space from reality, just stuck in your head trying to find a way forward, to soothe yourself. the ‘they see right through me / i see right through me’ transition in the bridge is fantastic and keeps giving me chills. so much personal connection to this one

7. soon you’ll get better

feels weird to even rank this but......just wow. the harmonies with the dixie chicks are so beautiful, and the way the lyrics talk about the feeling between denial and desperate hope, the transition from “because you have to” to “because I have to” - I have to cling to this hope, or i won’t make i - it completely broke my heart. and the fact that Taylor can conjure all these complex emotions with just a guitar and a few words is incredible. i’m so so sorry for them and i wish all the best for Andrea with my entire heart.

6. london boy

i already see people underappreciating this, what is going on??? there are multiple cute bouncy joyful songs on this album but this is my favorite because it’s just got a fantastic flow and melody, and i love all of the references to places and dialect specific words and it’s just so wholesome?? but what really makes this is (once again) the bridge. stick with ME im your QUEEN like a tennessEE stella mccartNEY, just the energy!! the fun!! excuse me while i listen to this every day for the rest of my life

5. miss americana & the heartbreak prince

okay, taylor’s brain in this one. i made a post talking about how this song has three layers - at first there’s the high school setting, then it references the ‘cancelling’ of Taylor’s public persona, but then it can also be seen as a comment on US politics and the whole climate of society right now. and it’s all tied together perfectly because high school is the perfect metaphor for this!! she’s basically saying we’re all behaving like immature school children, bullying each other for the stupidest reasons, mob mentality, stupid contests, fabricated stories made up to tear people down, and the feeling of loneliness but also fear and horror that comes with all that for the people who are the victims of it.....it’s literally all like high school in the worst way. i just love this concept, and the melody and production give me a little bit of a reputation vibe almost? which is perfect for the song, the dark dramatic vibe shows the feeling of fear most of all and that’s just....too real.

4. death by a thousand cuts

........listen, i surely didn’t think that Taylor would write one of her best breakup songs in the year of our lord 2019, but here we are. it’s once again, the small moments she recounts. taking the long way home. the uncertainty if it will ever be fine again. and the bridge/second verse / whatever that part is but that entire part. ‘paper cuts from my paper thin plans’, excuse me. the fact that she wrote this about a movie where a couple breaks up after years really shows tbh, because it’s especially that kind of....not being able to find a part of yourself that isn’t influenced by the other person, that’s so horrible and makes moving on so painful. i also love the production which makes this sound so uptempo, contrasting the lyrics! idk the entire song just clicks into place for me

3. daylight

this is like a summary of the entire album (and with the reference to the past and especially red, it’s even connecting her entire discography together). it’s like the clean of this album, except this time around it feels more complex - all the subtle references to past mistakes, ghosts, that might not be so easy to wash away. i’ve already mentioned that i love about the album (and this song especially) how it doesn’t gloss over negative experiences but addresses them directly, like looking them in the eye and then saying ‘you don’t have the power to define me’. that’s what this song feels like - it’s not unabashedly celebratory, it’s actually quite melancholic, but also full of real healing, a feeling of peace and reconciliation. and the ‘i once believed love would be black and white / burning red, but it’s golden’.....excuse me.....how dare she

2. cornelia street

god, what a magical song. the kind of episodic buildup that Taylor excels at. the vibrancy of the production matching the vibrancy of the relationship as it develops, revolving around this one place in its multiple stages, and then the repeated, deep seated fear of losing all that. it’s just. ugh. what can i even say. and so so catchy. the “listen..” killed me. just like delicate, the vibe between fear and being drunk on happiness is so so well done.

1. cruel summer

oh yes. and here we have an absolute perfection of a pop song. incredible catchiness. smart, clever lyrics but also that underlying vibe of sadness and anxiety. seriously, the complexity this has?? and then that soaring bridge, the chaotic but beautiful but painful reality of all of it coming together. ‘i love you, ain’t that the worst thing you ever heard?’ idk this song just transcends everything for me friends. it’s like the vibe of out of the woods or maybe even style but the lyrics are even more sharp, they cut a little deeper, literally ‘summer’s a knife’. this is a song she only could’ve written influenced by reputation: there’s happiness but there’s that edge in it too. idk if anything i’m saying makes sense. i love this song so so so much.

#lover #taylor swift #vanessa talks #lowkey an album review lmao

3 notes · View notes

comradewodka · 6 years

Note

So far, what have been some of your favorite Lost Light/MTMTE moments, or issues?

Well for starters, I still maintain that season 1 in its entirety is basically a perfect encapsulated emotional arc. But that’s kind of cheating, huh. Maybe I should pick from later stuff just to get some positivity going in here.

I still remember coming back from dark cybertron, opening up our first real issue of mtmte in months, Brainstorm being an egotistical snarkpot, and going ‘god I missed this, it’s nice to come home’

(I think in retrospect the growing reliance on multi part arcs has kind of damaged the series’ pacing, but Elegant Chaos was really solid. That last page where Brainstorm said ‘I can do whatever the hell I want ‘? Hoo mama. The time travel shenanigans kept me guessing, and all the while hints of the alternate reality that threatened to overwrite everything loomed horrifyingly in the bg as proof of the consequences for failure … )

Megatron…. well. I enjoyed parts of Megatron. I like unlikely team ups. I like him as a tired and nuanced old man, as much as I like him as the charismatically sinister powerhouse, the unstoppable force which meets the immovable object. He ended up overshadowing things and screwing with other characters’ development and his final sendoff was eh. But I liked a lot of the little moments he brought to the table.

The scavenger issues. Just fucking incredible. And that’s someone who doesn’t even particularly seek out fan content for them— they’re not my favorites, it’s just always a fun time when jro gets to be taken off the continuity leash and do whatever experimental nonsense he wants for a bit

Silent Light was pretty fucking adorable. Again I think the series just… benefits from these lower-stakes one-off breathers every once in a while . Balancing so many plates most likely makes the tough job of writing even tougher as time goes on, and sometimes that shows.

The mutiny was actually a good way to shake things up, I think— and getaways message to rodimus at the time was one that I’m glad got written, even if 99% of the fandom had already decided to loathe him more than any other antagonist on the planet and therefore didn’t really care what jro was trying to convey.

…of course LL11 just basically ruined everything compelling about getaway including any sincerity or justification he mightve possessed during that scene, but shh… positivity

Skids’ callback to ‘I’m scum’ (aka one of the first things he says in his introduction in issue 2, YEARS ago) hit me harder than his actual death did. Jiminy freaking Christmas

And… No matter how things ultimately shook out with getaway, I’m still kind of in shock that a big gay robot love triangle was actually a canon major plot point. Like seriously it’s the sort of thing that simply was unheard of as little as a few years ago. Idk that’s got to count for something , right

#anonymous #ask #lost light #mtmte

5 notes · View notes