#including first meeting and Tim's Robin tenure

[adjit]

So what really happened in Red Robin between Dick and Tim?

Because I am constantly seeing misrepresentations of it, I want to talk about the actual events of Red Robin, and Dick and Tim's relationship during it. It's a favorite storyline for fandom to use and riff on, and so for people who haven't read the source, it's hard to know what is canon and what is fanon.

Honestly? It might be easier to just go read the issues. The majority of what I'm going to discuss here all happens in the first 4 issues of Red Robin (though I cover some stuff through the first 12), and I enjoyed that entire run, but if you'd rather hear a random internet user tell ya their take on it, read on.

This is going under a cut because it's long. But TLDR? Dick is not the bad guy in this situation. No one is the bad guy in this situation. If we had to name one... poor coping skills? And though they do fight, they ultimately reconcile because Tim and Dick are brothers who love each other.

Damian

First things first, let's talk about Damian. Did Dick give Robin to Damian without even informing Tim, so Tim had to find out by Damian showing up in the Robin costume? Not exactly.

So, some technicalities. Damian had worn the costume before the infamous Batcave scene. In Batman: Battle for the Cowl #3, he's given it by Alfred and goes with Squire to save Tim. So, not only has Damian worn the costume before, Tim has seen it.

However, arguably this is also before Dick has accepted the mantle, so the scene in the cave is still notable as it is Dick specifically informing Tim that Damian will be his Robin. And Tim had also worn the costume out for a one-time rescue months before he officially became Robin (also enabled by Alfred), so I'm still of the idea that the cave scene is The Scene about the Robin mantle being passed down.

That being the case, I'm still going to defend Dick anyway.

Firstly, he told Tim before Damian showed up. But it's true that he didn't give Tim a choice, and that Tim was NOT okay with it.

Damian shows up and talks some shit, Tim punches him in the face, and then storms out.

Overall, it went pretty terribly! But I'm of the opinion that there was no good ending here. Damian needs the family connection that the mantle of Robin would give him in order to feel accepted, not to mention the close supervision that the duo of Batman and Robin would provide. But Tim is extremely attached to Robin 14 years after this comic and he still hasn't given it up and would never be happy being asked to give it up, especially when he's already lost so many things. One of them was going to end up unhappy. (Fwiw, I'm of the opinion that Dick is right, and Damian needs Robin a lot more than Tim does. But that doesn't mean that that decision wouldn't hurt Tim, too.)

Arguably, Dick could have been a bit nicer when doing this, but let's be fair to Dick: his father figure has just died, and suddenly he has to be Batman, and he now has a young child he is partly in charge of. That's a lot to be dumped on his lap, not to mention that he didn't want to be Batman (he initially refused despite Bruce's wishes, and only took it on after basically being forced to after Jason tried to take on the mantle, killed a bunch of people, and injured both Damian and Tim), and said child is a highly traumatized child who is still in the process of basically cult de-conditioning! So Tim could also be asked to be a lot more understanding than he's being. But Tim's too wrapped up in his own grief to see that. Just like Dick's too wrapped up in his own issues to properly deal with Tim.

He has a lot of shit going on and he can't juggle it all. Tim is coping incredibly poorly with his own circumstances. They clash and neither comes out happy. It sucked. But to say that Dick is the bad guy here... He made the best decision he could when given no right options. I do think that he made a mistake here in his approach, but to call his entire relationship with Tim into question due to it... doesn't make as much sense to me (especially because of the events which follow!)

Self-isolation

So, did everyone abandon Tim? Did his family forget him and leave him out to dry?

Absolutely not. The opposite, really. Tim pushed everyone away, despite them repeatedly reaching out to him.

One thing to note about Tim here is that he is self-isolating extremely hard. Even after their argument about Robin, Dick keeps trying to reach out to Tim. Tim pushes him away. Tim pushes everyone away. And this is not even subtle- it's shown in the text very clearly.

Multiple people try to talk to Tim, and Tim absolutely refuses them.

Tim is pissed even at the idea that Dick might be checking up on him. And Tim and Steph's relationship is super rocky right now, and he takes her concern for him poorly. Part of that can be attributed to an ongoing fight between them, a lack of trust implicit there, but combined with everything else it's also clearly Tim pushing away all of his lifelines.

Cassie also comes to try to check on him- after he dodges her attempts to contact him, she flies all the way to Gotham. But when told that a man who everyone knows as dead, and whose body was recovered and buried, is still alive, she doesn't believe him. (And considering Cassie has already dealt with Tim's grief regarding Conner and his suuuuuper rational reaction there, one might understand even more why she doesn't believe him right away.) And Tim immediately pushes her away for it. He doesn't try to give her any explanation, doesn't respond to her concern, he just immediately cuts the cord.

(And just a note that when Cassie doesn't know who else to turn to about Tim? She turns to Dick! Because she knows how important Dick is to Tim. And yes, right now Tim is mad at Dick and resents that Steph and Cassie go to him, but that doesn't change the fact that when people think about caring for Tim, Dick is the first person they go to.)

Dick and Tim's argument

Did Dick refuse to believe Tim, despite Tim having evidence, call him crazy and threaten to throw him in Arkham? NOPE.

That is entirely fanon. And one of the more pervasive, and annoying, misrepresentations of Dick's character, as it causes people to talk shit about him.

So. What actually happened? (We're getting into full pages here because I am not letting anyone get this conversation twisted.)

Dick shows up and speaks to Tim compassionately, though decisively, about the fact that Bruce is dead and they need to learn to move on and deal with that grief in a healthy manner. He then offers help to Tim once more, and is rejected, Tim instead opting to start a fight in classic emotionally-repressed Bat tradition. (Which, sidenote, do you think they do this just so that panels during a long conversation are more dynamic instead of two people standing there talking to each other?)

Tim pleads his case to Dick....to an extent. Notice, however, that he never mentions that he has any reason to believe what he does. Doesn't even try to convince Dick to believe him, really. Just insists that he's right after he makes a good case on why he does in fact sound crazy.

And then, Dick offers help. He suggests that Tim talk to a therapist. This person is, notably, NOT ARKHAM ASYLUM. Isn't even secretly Arkham, because they're in Metropolis!

And, frankly, the idea that someone suggesting therapy to his brother who is dealing poorly with grief has been equated to "calling him crazy and trying to get him thrown in jail/committed" is absolutely bonkers to me. I know that it's more likely that someone escalated the stakes for drama in their fanfic or something, and for some reason that's the version that circulated, but from here to there is a LEAP. And for people to claim it's canon is frustrating to say the least.

And finally. Tim tells Dick to let him leave. And Dick does. Dick stops trying to stop Tim, and lets him go. He trusts in Tim enough to let him do what he thinks is right, even if Dick himself disagrees. He does it because Tim asks him to.

Is it a mistake? Maybe. Does it make Tim forgive Dick for choosing Damian as his Robin? Definitely not. But it's very clearly not because he doesn't care, not because he's too busy to pay attention to Tim. It's an act of respect, of treating Tim as an equal who is capable of making his own decisions. In that way, it's showing his trust to Tim.

I have an entirely separate post on the subject of why Dick not believing Tim is narratively supported to make later (EDIT: posted here!), so I'm gonna go on a little Tim rant here instead. Because this post isn't long enough.

During this time, Tim is consistently begging for people to believe in him, while also refusing to play all his cards. The picture that started his hunch is never brought up. Frankly, I'm not sure that even if he did show it to everyone that people would believe him, but I think it's telling that he doesn't.

First, I kind of see it as Tim engaging in a "relationship test". They're the kind of thing that only people who are deeply insecure or in a bad place think to do- if I stop talking to all my friends, how long will it take people to notice? Who's going to notice that I'm upset without me saying anything, who really cares about me? If I share an insane theory, who is going to believe me point blank?

They're the kind of thing that is....not healthy in any way, shape, or form, and really aren't fair to the people you're testing. Sure, someone "passing" the test may show that they care for you (and, ultimately, the only person who believes Tim without reservation is Kon, once he comes back- and that unquestioning belief and loyalty is meaningful), but "failing" the test doesn't mean that they don't care. And they're ultimately a sort of self-sabotage, because you know that most people are going to fail because you know the test is unfair.

And that's exactly what it is: self-sabotage. As previously mentioned, Tim is massively self-isolating during this part of the arc, and pushing people away because they "don't believe him" is just one facet of that self-isolation. But he also doesn't try to get them to believe him, doesn't even give them that chance, because his ultimate goal is not to actually get anyone on his side, but to push everyone away. That's not to say that he secretly doesn't want people to believe him, but... he's acting mostly irrationally. He wants people to believe him but won't let them close enough to meaningfully give them the chance to do so.

Second, as much as Tim says that he's positive he's right and he's going to prove it, he's straight up lying, and he's actually not that sure at this point. And he's probably terrified that if he does show his proof, that someone will see it and still not believe him, and he'll have to face the fact that his only piece of evidence is extremely flimsy and that his conviction is based much more on grief than it actually is on logic.

So. Yeah, no one believes him. And that does suck, and it's a hit to him. But he didn't exactly give them a chance. He's preemptively cutting people out before they have a chance to hurt him or point out where he's wrong.

Tim is still a pitiable character here. He's a disaster and a wet puddle of a man who is living through the worst time in his entire life. But he's not a poor victim, scorned by his family and the world at large, thought to be crazy for no reason at all! Instead, he's (much more interestingly, imo) a kid dealing with his grief incredibly poorly, self-isolating and refusing every outstretched hand, clinging desperately on to his last hope that maybe his world hasn't changed as much as it seems like it has.

Blackest Night

Blackest Night is a huge crossover event that happened during the Red Robin run; technically speaking, you can skip it without missing anything in the plot of Red Robin, but it does have some good moments that highlight Tim's mental state and his relationship with Dick.

So, Tim leaves Gotham, but when Black Lantern Rings start bringing a bunch of people back from the dead in the form of zombies, including Dick and Tim's parents, Dick calls him back to Gotham. And Tim, looking at the decaying zombie corpse of his parents, is also arguing that he can save them.

When faced with an evil zombie that is trying to kill him, Tim still says "I can still fix this, I can save him". And Dick, as compassionately as ever, tries to talk sense into him. It's the exact same situation as with Bruce, but this time Tim is absolutely wrong.

And with this situation as a parallel, I think it's a lot clearer how unreasonable Tim's mental state is. He might seem like he's just a misunderstood genius in Bruce's case because he happened to be right, but the fact of the matter is, he's not thinking clearly. And he'd cling onto the same hopes even when he's wrong. With Bruce's case, he got lucky.

Also! This panel.

Even with all of this between them, Tim still answers Dick that he trusts him, with no hesitation. Of course.

Reconciliation

So, does Tim come back to Gotham, replaced and forgotten, and become isolated from the rest of the Bats?

Nope! There is, actually, a reconciliation of sorts between Dick and Tim. Admittedly, there is no scene where Dick outright says he's sorry, and Tim says he forgives him. But in my reading, there are interactions that serve a similar purpose, if you read between the lines.

After Tim finds proof of what's been going on with Batman, had a whole thing with the League and the Council of Spiders, and blown up a bunch of League bases, he returns to Gotham where Ra's is enacting a plan to get revenge for Tim acting against him: destroying Batman's legacy. Everything he loved and everything he built is in the crosshairs.

And when he's trying to figure out what Ra's is planning, he meets back up with Dick.

Tim is spewing crazy theories, and with absolutely no proof or explanation, he turns to Dick and asks him to trust him. And this time, Dick tells him, Of course. The fraction between them that preceded Tim's departure from Gotham is repeated, and this time Dick tells Tim he trusts him, and asks what he can do to help.

(This time, Dick does call Tim crazy, while he's muttering to himself. And then he chooses to trust him anyway.)

Granted, this is not an actual apology. But it feels like a second chance. One more bid for connection, and this time Dick meets him in the middle and reciprocates.

Anyway, since when do siblings actually verbally say "I'm sorry"?

And then... quick summary, in case you want the real details for the following events:

Ra's sends assassins after all the people Batman cares about to distract Tim from the fact that he's getting Hush (who is impersonating Bruce Wayne) to sign over Wayne Enterprises. But Tim wins because he finally stops self-isolating and gets his many friends to protect everyone who needs protecting while Tim faces off against Ra's. (Which is, ultimately, a climax of his character arc for this story- reaching out and trusting people again. Team up guy back in action!)

Tim's able to keep Ra's busy long enough that Lucius can file the paperwork to make him the majority shareholder of Wayne Enterprises, thwarting Ra's' attempt at a takeover. However, Ra's wins the fight, and Tim ends up plummeting to his death out of the window.

And then Dick catches him.

Later, Dick asks Tim how he could have planned for Dick to be there to save him.

And Tim says "You're my brother, Dick. You'll always be there for me."

This scene has been talked to death, because most people are at a consensus: this is a fucking lie. Tim didn't know that Dick would be there, and was fully prepared to die.

However! I'm not here to rehash this. I just want to add my take. It's a lie, but. Tim is a good liar. And every good liar knows that the best lies have a grain of truth in them.

I do believe that Tim didn't know that anyone would be there to save him. But I also believe that he fully means what he says here, that it's not just to placate Dick. Tim is telling Dick that he trusts him, that he believes in him, that they're brothers. It's forgiveness.

I could keep citing all the places where Tim shows an unconditional belief in Dick that happen after this arc, to prove that their relationship is truly mended after this and that they don't continue fighting, but that happens often enough that you could just read any comic including Tim and Dick and I'm sure Tim will say some fanboy shit eventually.

So, that's it! If you take nothing else from this post, take this at least: Tim and Dick LOVE each other, and they might fight, but they forgive each other, and if you try to talk shit about Dick Grayson, Tim will be one of the first to fight you, guaranteed. Suffice to say:

#Tim Drake #Dick Grayson #Batman #Red Robin #dc comics #batfandom #this post is half Dick defense half I can't shut up about Tim #actually half of this is just summarizing red robin and then a fourth is dick defense and a fourth is me rambling about tim #and like...fandom is transformative and ultimately if you want to make Dick your bad guy you Can #but at least know what the original was and where you're differing so that is a Choice and not just something you do bc it's what's done #I originally was going to delve into Dick and Tim's relationship in general #including first meeting and Tim's Robin tenure #(parts of it at least there's a lot of Robin time) #(and I haven't finished the Robin comics oop) #but this post got out of hand. So now it's just a recounting of what happened in Red Robin with my analysis of the text and their relations #and it's still a Lot #also I haven't read ALL the batman comics leading up to this arc so if I'm missing any context I'd love to hear about it! #mostly I know I'm missing some stuff with his beef with steph

[good-rwbyaus]

Emerald Bargirl AU: well, since you bought it up.

What does Emerald think of the prior batgirls, and what was her first meeting with them like?

Glad you asked~

Barbara:

if Dick is her big brother then Barbara Gordon is Emerald's cool older sister

Emerald didn't know what to expect when she heard there was a genius information broker called Oracle who fed intel to tons of heroes including the already damn smart Batman

Finally being sent to meet her at her headquarters inside a Vale clock tower and being greeted by a beautiful redhead in a wheelchair was definitely not something she knew to expect

Barbara of course gives Em her blessing to be the new Batgirl after explaining to the flabbergasted young woman that she had been the first to hold that title

The two of them design Emerald's Batgirl suit together and share some laughs over Barbara's recollections of prior bad outfits, both for herself and the Dynamic Duo. "It took HOW MANY Robins before he gave them pants???"

After a month or so she feels comfortable enough to address the seated elephant in the room, and her horror in learning what some lunatics would consider a "practical joke with a few lead jacketed buddies" is understandably overwhelming. Barbara assures her that none of the family will let the same thing befall one of their own again, and Emerald is definitely one of them now

Sometimes Em will come to the clock tower just to chat over tea, and Barb always regales her with the latest tale of some hero accidentally leaving their comm on and saying something embarrassing or stupid.

Stephanie:

Y'know how canon Emerald couldn't stand Ruby's cheerful attitude at first? Combine that with all the clash of personalities she had with Yang and you've got something close to the whiplash of meeting Stephanie Brown.

She knew Barbara had told her there had been a few Batgirls between her original tenure and Em taking up the cowl now, but this girl? She seemed more at home in a shopping mall than on a dark rooftop. That changed quickly the first time they patrolled together and she saw Stephanie fight. Girl was trained well, and took the job seriously

They have become the closest of friends, practically sisters, and Stephanie is definitely the one to help her gain a proper social life and live a little as a real teenager

The bonding really started when they swapped backstories and Em learned why Steph called herself Spoiler. Foiling your own dad's crimes because you just want him to come home and be a father? That's rough, buddy. But Spoiler? For real?

Naturally Stephanie is also happy Em has become Batgirl and thinks she's gonna be great at it, especially when she learns about Emerald's "super cool Semblance!!!!"

They definitely go for runs together out of costume and do some people watching afterwards.

Cassandra:

Emerald’s first thought upon meeting Cassandra Cain was to make a gimp suit joke

Her second and more rational thought was to fear for her life before she had even uttered a syllable because this girl radiated deadly vibes and Em was the one taking over the Batgirl name directly from her

She waited for Cassie to say something first, out of courtesy and fear she’d say the wrong thing if she lead the conversation. That wait lasted about 5 minutes before Tim cut the tension and told her Cassie was mute

After shaking hands and being told Cassandra’s name from Tim, Emerald nervously rambled about how she hoped the other woman wasn’t too upset that she was taking her spot as Batgirl and that she would try to learn sign language so they could communicate going forward... only to be met with laughter from the more senior Batfamily members. Cass revealed she actually could talk but had been taught communication through body language by her assassin parents to make her a better fighter, and all Emerald could think to say through her embarrassment was how useful that kind of skill must be. 

Just like the others Cassie gives Emerald her approval to be the new Batgirl, and the two enjoy comparing and complimenting each other’s costumes

As time passed Em has become acutely aware of Cass’ terrifying mastery of combat and sheer strength. Nevertheless, she’s come to treat Cass like her sweet baby sister whom she wants to protect and support. She knows Cass could easily protect herself and Emerald while she was at it, but it feels nice and Cassie appreciates it too. 

She does learn sign language and the two use it to have secret conversations and inside jokes the rest of the family won’t know about. No one has the heart to tell Em that Bruce can also understand sign language and knows they’re making jokes about him

With her sharp reflexes, Cassie is the only person besides Bruce whom Emerald can never get the drop on with her Semblance

#batgirl emerald au #emerald sustrai #barbara gordon #stephanie brown #cassandra cain #mod yellow

[jazzworldquest-blog]

JAPAN/USA/UK: Gary Husband A Meeting Of Spirits Japan Tour and guesting with Soft Machine  

GARY HUSBAND

first solo tour of Japan

promoting his latest solo album on EDITION RECORDS

A MEETING OF SPIRITS

Dear Friends in Music

Gary Husband is frequenting lately very often the MoonJune Universe. The extraordinarily talented British drummer / pianist / keyboardist / composer is celebrated for his high level association with world class jazz, fusion and rock icons and legends such as Allan Holdsworth, John McLaughlin, Jack Bruce, Gary Moore, Robin Trower, Billy Cobham, and he is lately recording and performing with MoonJune Records recording artists such as Beledo, Dewa Budjana, Dusan Jevtovic, Mark Wingfield, Asaf Sirkis and Jason Smith. Gary Husband will appear for these second time in Japan as a very special guest with the British progressive jazz-rock institution Soft Machine, on July 28th and 29th in Tokyo and on July 31st in Osaka, with John Etheridge on guitar, Theo Travis on sax/flute, Roy Babbington on bass and John Marshall on drums. During the same visit to Japan, maestro Gary Husband will perform there solo concerts; in Yokohama on July 26th, in Osaka on July 30th and in Nagoya on August 1st.

"A Meeting Of Spirits In Japan Tour" is not only the promotion of Gary's latest album on the English record label Edition, but also celebration of the music of John McLaughlin, Allan Holdsworth and his own music.

I am encouraging You to hear this truly amazing album, and buying on BandCamp You are supporting directly both the artist and his independent record label.

"A Meting Of Spirits" is available in CD and Download format on:

www.garyhusbandmusic.bandcamp.com

CDs are £9.99 +shipping (shipped from UK)

Instant download is £8.20 (FLAC/WAV/ALAC, MP3-320 formats)

"A Meting Of Spirits" is released on Edition Records, UK:

www.editionrecords.com

"Gary Husband is a musician of many talents – his instruments are piano, in-piano percussion, voice and bell – and has been at the forefront of the international jazz scene for many years. He is that rare breed: a musician equally fluent in expression, and internationally lauded, on two instruments, in this case, drums and keyboard. Even more singular is his ability to bring together the fruits of a career that have included classical training, improvisational versatility and long experience on the pop, rock, funk and blues circuits into a distinctive and influential musical personality." - Grady Harp, Amazon

"A Meeting Of Spirits succeeds as an interpretational and at times, impressionistic representation of the music of McLaughlin, the undeniable maestro of jazz. It also serves as a timely reminder of the massive contribution that McLaughlin has made to music, whilst all the while Husband effortlessly exudes a prodigious talent of his own. - Roger Farbey, All About Jazz

"What's most remarkable is how Husband's own pieces mesh with McLaughlin's, creating a common ground that reflects of a deeper understanding of McLaughlin's vast vernacular, along with Husband's own evolving language and virtuosic pianism. McLaughlin has never sounded so dark, so abstract or so contextually unfettered. But equally, Husband finds the line that threads through McLaughlin's stylistically diverse career, making A Meeting of Spirits an innovative tribute that's reverential but always speaks with its own voice." - John Kelman, All About Jazz

Gary Husband has been at the forefront of the international jazz scene for many years. He is that rare breed: a musician equally fluent in expression, and internationally lauded, on two instruments, in this case, drums and keyboard. Even more singular is his ability to bring together the fruits of a career that have included classical training, improvisational versatility and long experience on the pop, rock, funk and blues circuits into a distinctive and influential musical personality. Gary’s latest album, and his first for Edition, A Meeting of Spirits is an innovative re-interpretation of the music of legendary guitarist, bandleader and composer John McLaughlin that in many ways demonstrates the totality of Husband’s multifaceted talent. In “...dissecting, reforming and freshly presenting...” the music of the Mahavishnu Orchestra, Husband - a long time collaborator with McLaughlin - pays personal and intimate homage to the iconic guitarist while showcasing his own highly distinctive creativity and personal expression. And McLaughlin returns the compliment, summing up this beautiful work: "Gary Husband the pianist has long been overshadowed by Gary Husband the drummer. I can personally testify to it. However, here we have a recording which will probably achieve the reverse of what I just wrote. In addition, he has chosen to base this recording primarily on my own compositions. I am honoured. This is a recording that is full of surprises; and the fact that I have difficulty in recognizing one or two of my own compositions is only one of them! But Gary is no ordinary musician: full of invention and surprises, modulations and inversions of melodic, harmonic and rhythmic content abound.” While the album is a tribute to McLaughlin’s music, it’s no slavish copy. As arranger and composer Michael Gibbs suggests: “I’m not sure that the word interpretations is the right one for these performances - they go so much further - not even close to what the industry calls covers - so individual are they.” Gary’s now thirteen-year-long involvement with John McLaughlin (and the band The 4th Dimension) has sat alongside tenures with Billy Cobham (most recently in Cobham’s Spectrum 40 band), regular projects with Hamburg’s NDR Big Band, further touring or recording commitments with artists such as Lenny White, Didier Lockwood, Joachim Kuhn and Enrico Rava, in addition to activity in the legendary ground-breaking over three-decades-long association he shared with the late Allan Holdsworth. But despite these fruitful encounters, it’s with this personal and rewarding project that we are placed directly in touch with just how significantly - as an arranger, composer and multi-instrumentalist - Gary Husband has evolved. Of this - the second of his two “Interpretations Of” piano albums - he says “I’m proudest, to date, of this album ... actually of both these works.”

          GARY HUSBAND performing with SOFT MACHINE in 2018

JULY 28 - Tokyo, Japan (Billboard Live) - 2 show (piano/keyboards)

JULY 29 - Tokyo, Japan (Billboard Live) - 2 show (piano/keyboards)

JULY 31 - Osaka, Japan (Billboard Live) - 2 show (piano/keyboards)

OCTOBER 16, Tue - Toronto, ON (Mod Club) - (drums)

OCTOBER 17, Wed - Buffalo, NY (The Tralf) - (drums)

OCTOBER 18, Thu - Cleveland, OH (Beachland Music Hall) - (drums)

OCTOBER 19, Fri - Indianapolis, IN (Irving Theater) - (drums)

OCTOBER 21, Sun - Chicago (Reggie's, Progtober Fest) - (drums)

OCTOBER 22, Mon - Milwaukee, WI (Shank Hall) - (drums)

OCTOBER 23, Tue - St. Paul, MN (The Turf) - (drums)

          GARY HUSBAND is appearing on the following albums on MoonJune Records.

You can stream fully all albums on BandCamp.

    CD $10 / DOWNLOAD $7

2CD $15 / DOWNLOAD $10

    BELEDO

Dreamland Mechanism

feat. GARY HUSBAND, LINCOLN GOINES with guests DEWA BUDJANA.

DORON LEV, TONY STEELE,

RUDY ZULKARNAEAN

        DEWA BUDJANA

Zentuary

feat. TONY LEVIN, GARY HUSBAND,

JACK DEJOHNETTE with guests

TIM GARLAND, GUTHRIE GOVAN, DANNY MARKOVITCH

    DOWNLOAD $7

CD $10 / DOWNLOAD $7

    JASON SMITH

Tipping Point

feat. GARY HUSBAND,

DAVE CARPENTER

        DEWA BUDJANA

Surya Namaskar

feat. JIMMY JOHNSON,

VINNIE COLAIUTA, special guests GARY HUSBAND, MICHAEL LANDAU

          CDs will be shipped on August 2. Downloads available immediately.

      via Blogger https://ift.tt/2AhpbK3