#it bothered me so i swapped them even though its kinda pointless now

[i-simp-for-gintoki]

Itadori Yuji and Gojo Satoru thinking their s/o died

“Hey If you're comfortable can you do Reader with amazing regeneration power ( like deadpool lol ) For Yuji And Gojou? Like they don't know about their power tought they're dead but they just pop up back like nothing happens and explain their power to them? But if you're not comfortable it's okay! thank you” -anon

Sorry this took so long! I literally completely rewrote this like 6 times and decided in the end just to keep it relatively simple and not overly detailed. Gojo’s part includes spoilers from the manga (specifically the Hidden Inventory arc) only because thats the only time i could ever think of a situation where he would see and be near you when you get that injured.

Despite all these rewrites i still hate it-

Warnings: blood and injuries

Itadori Yuji:

Gojo had arrived to the classroom 8 minutes late as usual

Instead of training, he decided to hand out some missions to you first years

“Nobara and Megumi, you two are gonna go clean up a hospital and the surrounding area in the xxx district. Meanwhile, Yuji and y/n are gonna go clear out curses from some buildings by a cemetery in the xxx district. Shouldn’t be too difficult”

“You’re not gonna tell us which buildings?” itadori asks and the blindfolded man simply shrugs

“Your lovely y/n can sense the curses out with the power of love” he explains

You sigh and get up from your desk

“Yeah yeah, lets go Yuji” you say pulling your boyfriend’s hand

“Aw, no cute nicknames?” “Shut up Gojo-sensei” you say making your teacher frown

‘Never should have let gojo satoru of all people know that me and yuji are dating’ you think to yourself

And so you and yuji went off to fulfill the mission

It took a bit to get there but luckily it didn’t take long to find the curses

You decided to stick together as you searched the empty buildings

There was a small handful of the usual low grade curses that you guys took out pretty easily

But just when you guys thought you were done, a high level cursed appeared

“Man, I really wished Gojo-sensei would let us know if theres gonna be anything thats grade 2 or above” you say growing nervous and yuji nods his head

“Don’t worry, i’ll protect you” he says giving you a reassuring smile

And so you guys got serious and fought the curse

You both received a few scraps here or there but nothing too serious

Its when the curse switched up its attacks that it got particularly tricky

Instead of throwing cursed energy around, it shot disc blades out of its arm

You barely had enough time to duck out of the way

It went clean through the wall

“Yuji leave him to me” you say but he immediately denies your request

“No way! I wouldn’t be able to forgive myself if you got hurt when I could have prevented it”

You were unsure but continued the fight anyways

After both of you sustaining many injuries, Itadori went for the final blow and ended it

Sadly before it fully faded away, it sent one final disc out

Flying straight past yuji, you didn’t have time to react and it went straight through your neck, essentially decapitating you

Your body falling limp onto the ground, the pink haired boy could only slowly turn around to face you

“...huh?”

Eyes wide as they could possibly be he called out your name and fell to his knees

“You’re joking right? Theres no way this really just happened...right?!” he yelled, voice cracking as he stared at your ‘corpse’

“Ooh such a shame. See if you just swapped places with me they would have lived. Atleast they wouldn’t have died to some low level curse” Sukuna said, mouth appearing on his cheek

“Shut up!”

At this point he was bawling

Tears were flooding out of his eyes even tho its only been about 10 seconds

As his shaking hands slowly picked your body up he mumbled a bunch of apologies but stopped when he saw something

Your head was beginning to regenerate

And he has to admit

Seeing your head fully regen like that was kinda disgusting

Opening your eyes, the first thing you see is a teary eyed boyfriend

“Yuji?” You ask and he pulls you into a very tight hug

“I’m so sorry y/n, I let you...I-I thought you died” he choked, still shaking as he held you

You sighed and returned his hug with as much love as possible

“I realize i never explained my ability to you huh? So you know reverse techniques? Its like that but much more advanced. Unless im completely blown away, i’m pretty sure I can’t die. I do however still feel the pain”

He nods his head at your explanation

You guys sit there for a bit as you quietly reassure everything is fine while rubbing his back

You kiss his cheek and stand up

For the rest of the day he is stuck onto you, just glomped on as much as you’ll allow him to be

It really scared him

It happened so fast and if you really had died...he doesn’t even wanna think about how he’d react

When you returned to the school, you didn’t bother reporting back to the principle or gojo and instead spent the rest of the day chilling with Yuji in the dorms

You could deal with the consequences later because for now

Loving yuji and making sure he’s happy is all that matters

Manga spoilers for Gojo under the cut

Second year!Gojo Satoru:

Its not completely accurate to what happened but shushhh

You guys had just come back from Okinawa and despite being on a serious mission you guys had fun

Well you did stay an extra day solely to stay at the beach but no one needed to know that-

But now the fun’s over and you were back at Jujutsu high safe inside its barriers

You could tell Satoru was absolutely finished with this mission, he was completely over it and exhausted

“Im done. No more baby sitting” he said leaning onto you

Resting his chin on top of your head he let out a yawn which made you laugh a bit

“Suguru. You can do the rest with Amanai right? I wanna go sleep and cuddle with y/n” he complained while wrapping his arms around you but suguru snapped back

“Huh? You think you can just walk away with them before the biggest part of this mission??”

He wanted gojo to see the mission through to the very end and not just ditch to go ‘cuddle with y/n’

When the boys continued to argue, gojo unwrapped his arms from you as he stepped closer towards getou

Sighing you gave riko a look and apologized which she simply smiled at

You only meant to take a step forward to intervene

Only a single small step

But your instincts where screaming that you push Satoru away with no second thought

Why did you follow your instincts so quickly? Why shove him so hard that he almost fell over? And why was there a searing hot pain in your gut?

“Im surprised you managed to push him out of the way on time, makes this whole effort for assassinating pointless don’t you think?”

As you slowly looked down you finally realized a sword had been stabbed into you, and that there was a new face right behind you

Ah, thats why then

“Y/n!!” Satoru yelled, blue eyes widening as he saw blood seep through your clothing and onto the concrete

As he and suguru instantly went into battle mode, the sword was harshly ripped out towards your side and cut an arm off in the process

As suguru used curses to hold toji back, satoru swore he teared up a bit as he picked you up and moved to a more safer spot

He couldn’t lose you, literally anyone but you

He’d be willing to die if you got to live

“Y/n your stomach..and arm..!” he yelled watching the blood pour out of you and showing no sign of stopping

Which just made him grow more and more panicked

You could feel his arms tremble as he held you and see that it was taking everything he had to not let the tears spill

“I-I don’t--this..this is my fault! The second i stop using my power this happens to you!” his emotions where spiraling more and more out of control

He couldn’t even see that the blood had already stopped

“Nothing is your fault Satoru. You can deal with the blame game later and instead go deal with the situation at hand” “But-”

“Satoru. i’ll be fine, focus on the enemy and protecting Riko.” you say wincing, already feeling it everything heal itself

“Fine?? Those injuries arent a ‘im fine’ injuries--!” you cut him off by harshly placing your hands onto his face to help him snap out of it

“Satoru. Im perfectly fine okay? So stop panicking.” you say pressing your forehead to his, though it was a bit awkward since he was taller than you

(if your taller than 190cm props to you and just ignore that part)

“Huh? Can reverse techniques be this advanced for shamans?” he asked, eyes still wide as he gently placed his hand on yours

He was in complete awe that your arm was back and looked perfectly normal

“My ability is basically a more advanced version of Shoko’s ability. I can regenerate anything and will be perfectly fine even if i lose my head. So ignore me for the time being and go kick the intruders ass” you say and he takes a deep breath before nodding his head

“wish you could have told me this before so i could have prevented all this panic” he said making you feel really guilty

“sorry! it just never came up before” you say flexing your regenerated arm, seeing if it felt right or not

You watched as he took off his sunglasses and handed them too you and turned towards Toji who was busy slaying a curse suguru threw at him

“Suguru and I will take Riko to Master Tengens place, im leaving this guy to you okay? Not like he’d win anyways, since after all-” he cut off what you were saying with a kiss before smirking

“After all, Im the strongest”

#itadori yuji x reader #gojo satoru x reader #gojo satoru #itadori yuji #jjk x reader #jujutsu kaisen headcanons #manga spoilers #kinda

[crystalelemental]

With Book 4 in FEH out of the way, I guess it’s time to talk about the stories so far.  Book 2 is still the best, in my opinion.

I don’t think I’ve really talked about this, so let me explain.  Book 1 sucks.  It’s nothing, it doesn’t even try.  The only hint of events occurring is that Veronica’s possessed by some evil dragon god of Embla, but that never got resolved in any way, and has really never been brought up again.  We’re so far outside of that plotline that Veronica’s basically a dedicated ally now.  Nothing about that book had a plan.

Book 2 had a plan, and a structure, and it worked.  It wasn’t flashy or interesting, and I can respect anyone whose stance is that Book 3 or 4 had a more interesting concept.  I personally liked the cast overall for Book 2, even though some got limited screen time and Surtr’s about as boring a villain as you can have.  But Book 2 wins because Books 3 and 4 flopped.

Book 3 flopped because they backed out.  The idea of the realm of the dead is cool, and facing off against the god of death is cool.  But the god of death is about as stock standard evil as you can get, with no actual plan beyond “swell the ranks of the dead.”  Why massacre these worlds?  Why does she need to kill Eir a million times to create more of the dead, shouldn’t you have plenty?  Like it doesn’t add up.  And Eir starting out as the concept of Merciful Death was amazing, that was the best setup possible.  And then it turns out no, she’s not even associated with death, she’s with the life dragon in opposition, none of that was real.  Oh okay. Way to undermine your entire theme for nothing I guess.  Also I hate to be like this, but I actually dislike the Veronica and Alfonse as Thrasir and Lif thing.  I thought it was substantially more interesting when they were presented as the ancient rulers of their kingdoms.  But then no, it’s just Veronica and Alfonse, and while Thrasir continues to get nothing except being omnicidal for funsies, Lif gets all the heavy drama and dialogue and focus, because god forbid this story stop riding Alfonse’s dick for five seconds.  Book 3 had interesting concepts that just didn’t pan out, and the characters all wound up being less interesting than they initially started out.  Also, let’s be real.  For a fucking DEATH GOD, they sure had no problem working around her ability to inflict absolute death in the most standard way possible.  Which kind of immediately nerfed Hel’s threat level for me, not gonna lie.

Book 4 started out interesting, immediately tanked harder than I’ve seen anything in this game tank, had a redemption arc, and then decided it had enough of success and ended in a pathetic squelching fart noise.  Fairies and dreams?  Awesome.  Aesthetic approved.  But it takes them like two chapters to introduce Plumeria as the fucking wet dreams fairy, and immediately all sense of this being serious is dead.  They even had the audacity to outright explain that no no, she may be the lewd fairy, but she doesn’t actually like that job!

Listen guys.  I get it.  You know the sexy outfits and character designs sell, but you also know that people are insane, and they somehow expect the slutty fairy to present this concept of being exclusively available to them so you can sell that fap bait.  I really get it.  But oh my god you could not have handled this any worse, because now that just feels like rape fetish.  “No no, her job is to be a prostitute, but she’s not a slut because she hates it!” is not the save you think it is, friend.  You’d have been better off either giving her a sadistic streak with this and enjoying toying with people who can never truly have her, or just making her slutty.  That would’ve been so much less uncomfortable.

So until the halfway point, we’re kinda just dealing with the fact this incredibly uncomfortable character just exists around here.  And then Freyja drops.  And initially it’s like oh, I just appreciate there’s an evil fairy whose costume design isn’t a fucking disaster, she actually looks good.  And then they have her motivation being assuming complete control over dreams by taking her brother’s power, and ensuring that the dream world can’t die like it almost had.  And they introduce this really cool concept of her taking in abandoned children and giving them a new life as the fairies, and...well...

Plumeria.  Again.  Okay, so it wasn’t quite enough that we had a fairy who’s apparently forced into being the wet dreams fairy despite hating it, now she’s also a child who was abandoned by her mother and is desperately seeking to be loved.  This is...this is next level of discomfort.  Plumeria’s character bothers me.  Like sure, fine, I get that this isn’t a badly developed character or anything, but it’s never really addressed how absolutely fucked up this is, and it’s especially disquieting considering this is IS’ sexy character for the book.  This is their sex appeal pandering character, and this is the direction they wanted to go.  Just...ew.  Come on, guys.  Have at least a bit of class, will you?

But the rest of the book at least continues to amp things up.  Are Peony and Sharena actually swapped around?  Freyr is dead, and Freyja is now literally unstoppable within the dream.  Oh shit, Alfonse is fucking dead.  There’s all this cool stuff happening, and then the final chapter happens.

Are Peony and Sharena actually swapped around?  Who cares!  Game’s not gonna tell you, because “it doesn’t matter.”  Well good, glad that was a huge mystery that didn’t need solving so nobody bothered.  Why even bring it up?  The message of “It doesn’t matter” only works if there’s a crisis of identity and you’re getting the support of your long-time friends.  Instead it’s just a mystery thrown in for nothing with no value, and the “it doesn’t matter, you’re my friend” comes from someone Sharena has no actual memories of and has only been around for like...a couple of hours or however long these events take place.  It’s a completely meanningless subplot that goes nowhere and does nothing.

Freyja went from the villain tormenting the protagonists to suddenly having empathy toward everyone at the drop of a hat.  They set up the frustration of not understanding why we’d fight so hard to return to reality when dreams are more comforting, but that doesn’t really establish much about Freyja herself.  We get exactly one moment, where she calls for Triandra and Plumeria only to realize they’ve died, and feels sad about it.  So when she gives up and everyone returns to reality, everyone’s back.  Triandra and Plumeria are fine.  Peony and presumably Mirabilis are fine.  Alfonse isn’t actually dead so what was the point of bringing it up?  Oh, but Freyja’s dead.  How?  Don’t...don’t worry about it.  She just is, okay?  Also if both masters of dream are dead, and the dream world was already dying before...how are the fairies still there?  Wasn’t the point that all the old ones were dying because people from the real world (don’t even get me started on that bullshit) gave up on dreaming, and thus they needed to make humans into fairies to keep the dream world going?  How are you all here as fairies?  Explain??  Game?!?

And then they just...loop back to the start.  Like nothing happened.  Because nothing did happen.  For all the interesting setup, all the interesting concept behind the new characters, and especially behind Freyja as an antagonist...it goes nowhere.  The ultimate defining feature of this book was “Pointlessness.”  Nothing mattered.  No one did or accomplished anything.  Except I guess killing the god of another realm, good job guys.  I just...I don’t get it.  What was the point of any of this?  Maybe Book 5 is going to focus on Triandra and Plumeria wanting to join up and have you help get Freyja back, so there’s continuity, I don’t fucking know.

I honestly don’t know where I’d rank Book 4.  I want to put it above Book 3 based on concepts and the fact that Freyja was actually interesting, just rushed to her development in the last book so it felt forced.  But on the flip side, Book 4 was incredibly pointless.  At least stuff happened in Book 3.  Sure it undermined its entire theme and purpose, but stuff happened!  You can’t say stuff didn’t happen!  But I can definitely say that Book 2 is the only one I think turned out well.  Because it was self-contained and made sense.  Yes it was simple, but using simple tools to tell an effective story will always be better than trying to reach for complexity and falling flat on your ass.  And yes, IS, I’m telling you maybe you should stop trying.  Between two consecutive failed books and some of the Forging Bonds events of the last year just...completely doing nothing or even hurting the characters presented...maybe just...don’t try to be complicated.  Because you’re not doing a good job.

#fire emblem heroes

[sol1056]

multipart ask on Keith

I would honestly love your thoughts on Keith’s character development, specifically him leaving for the Blades in S4. Personally I’ve always been on a fence with how they wrote Keith’s character after that. For one, he started as a lone wolf and I always thought they would subvert that along the way with more character interactions and team building episodes like in S1, but apparently S4 throws all of that away. I thought him forcibly being the leader of voltron would be a great opportunity for development but Shiro takes his place in the black lion and Keith just leaves. 

It really didn't help with all the signs pointing as him as the true leader of voltron when he barely even interacted with the team personally (except for shiro) after that point. To top it all off his “maturation” was a two year time skip montage with his mom and he suddenly became level headed and ready to fly Black. So when he finally returns and become the leader of voltron it felt a bit underwhelming and hollow. To be honest I also find his interaction with the team afterwards kinda out of character [...] 

I just wanted to hear from a writers perspective if Keith leaving was a good idea for his character in general. He had some really good scenes in his time with the Blades but i personally think in exchange it took way too much [away from] his development with the others. I also wonder if it's even possible [to execute well] leaving for the Blades and then becoming the leader of Voltron. 

Here’s a general rule: avoid leaving any of your protagonists at a bus stop. 

A few chapters is already pushing it; the equivalent of 1.5 seasons is out of the question for all but the most superlative of writers. I’ve met superlative, and believe me, no one on the VLD staff qualifies. If they did, they wouldn’t have been writing for VLD in the first place. 

The start of S4 will forever baffle me. Had S3/S4 been broadcast as a complete season, I might’ve assumed there was a technical error, and would’ve tweeted at Netflix and not returned to watch until I got word this really was the midpoint episode. No warning, no foreshadowing, not even a peep out of Keith, and suddenly he’s working with the Blades. 

In an ensemble cast, the point is that it’s an ensemble; you don’t forget one of your core cast at the bus stop while the story-bus trundles on. If Keith were meant as a protagonist, then sidelining him for 1.5 seasons is an even worse crime. If the intent of the story, thematically, is 'stronger together’, shoving one of them out of the picture is pretty much the antithesis. 

This is not to say you can’t do it; in hindsight, I think the clone should’ve been shelved and the real Shiro returned at the end of S3/S4. But that comes with the assumption that a) the team would struggle a great deal more in his absence, b) prompting development that would create a new dynamic once Shiro returned, and c) that Shiro himself would change in some degree, from/during his absence: one that, by definition, that would need to be complete.

In other words, if you’re going to remove a protagonist, two things must happen. One, they must be removed, which Keith wasn’t. The story checks in on him irregularly, and each time, he's treading water while the story moves on. Two, the absence must become a driver: in a sense, the absence is a presence of what’s missing, and regaining the character must be paramount. 

VLD put minor effort into recognizing the impact of Shiro’s absence, limited mostly to the torture-porn of watching Keith isolated in (and by) grief. It couldn’t even be bothered to do that much, when it was Keith’s turn to fall off the team. No one missed him, no one needed him. The result was a clear message there was nothing Keith brought to the team that couldn’t be done by someone else. There was no presence in his absence. 

Consider the few scenes in S4-S6 with anything of Keith. His storyline did nothing to push the main story forward. In S4, the Blades are focused on tracking a new quintessence, a subplot that discovers nothing, provides no twists, and goes nowhere. In S5, despite Keith being with the Blades, the two groups have dropped communication to such degree that neither is aware of the other’s participation in the Kral Zera. 

If you’re determined to leave a protagonist in another castle, for heaven’s sake, use that distance to allow them to continue to impact the main storyline. Make their absence into a working presence that can link the two groups; the complete radio silence just underlines how meaningless the story considers Keith, in the overall plot. 

In that light, Kolivan’s left-field decision for Keith to extract Krolia feels like VLD was grasping at straws, trying to find something to occupy Keith. Worse, that mission contradicts S4: the quintessence is no longer blue, no longer notable for its energy levels, and no longer transported to secret bases in massive quantities by major warships. It’s back to the usual maroon, carried on small cargo ships in limited quantities, and now a dangerous substance with questionable side-effects. 

In a nutshell, VLD left Keith mired in pointless actions with no bearing on the rest of the characters (hello, suicide attempt never mentioned again). Late S5, VLD realized it needed to get a move on, if Keith was to get an upgrade. So it took the easy way out: an overload of exposition flashbacks that neatly evaded any emotional beats between Keith and Krolia. VLD had no idea how to get Keith from point A to around point K, so it settled for just telling us Keith had grown up. On a space whale.

Had we been given a better reason (or any reason) for Keith joining the Blades, had we been given a hefty sub-plot for Keith that led him back to the team in an organic fashion (or at least dovetailed with the main throughline), had the story used those seasons to show us Keith learning with the Blades in a way he couldn’t or wouldn’t with the team... well, for one thing, it’d still contradict the ‘found family’ and ‘stronger together’ themes, since it’d be even more clear that Keith was stronger elsewhere. 

But setting that aside, at the very least, Keith wouldn’t have returned feeling he’d gotten a personality transplant. We would’ve seen his progression, such that any given point along the way would’ve been recognizably Keith, even if the starting and ending points were almost a one-eighty. It’s called character development; most stories do it as a matter of course. 

I’m left concluding that the creators genuinely don’t grasp that characters will change per their experiences. It’s a crucial element in storytelling, because characters are the core of any story. If you can’t figure out what would make a character choose A this time and B next time, you’re failing on one of the most fundamental aspects of characterization. In fact, you’re missing the entire point of a story: character choices are the plot.

I do have to take exception to ‘signs pointing to [Keith] as the true leader.’ I’ve posted before about the mentor trope, and how Shiro’s S1/S2 arc contradicts Keith as Black Paladin. I suggest you read those before coming at me with the assumption VLD did any of the work required to establish Keith's leadership as inevitable. 

It’s possible to have someone strike out on their own, learn valuable lessons, and return grown-up and able to handle the situation they’d originally fled. It’d be a very different story, though, one that isn’t focused on a titular robot, but on a single protagonist’s journey. It’d also be a story that has nothing to do with ‘stronger together,’ as the movement away (to learn) and back (to reclaim) means the protagonist only became stronger when they weren’t with the rest. 

Keith taking command of Black in S6 should feel like a victory in terms of his arc: where once he’d recoiled, now he steps forward. But since we never saw how or why his perspective changed about leadership, all it would’ve taken is a subtle shift in Yeun’s delivery and we could be talking instead about how Keith returned and was still in his ‘you want me to lead, this is how I lead’ pique. 

Shiro’s return creates another turning point where the question would be logically raised, and it’s almost as though (once again) there’s an episode or two we didn’t get. It’d be reasonable for someone to raise the question of whether the team now swaps again. Yet no one does, and we’re supposed to expect Keith --- who waved the little ‘Shiro is Black’ banner far more and for far longer than any other character --- is now content to command Black, with no need to even broach the topic. 

That’s a radically different perspective Keith shows in S7 onward, and it’s a problem created by the lack of development for Keith, in S4-S6. In the course of a single episode, we literally went from Keith being his slightly out-of-his-emotional-depth awkward self, to someone clear-eyed and commanding almost to the point of arrogance. It’s not helped when his original characterization returns for the duration of his fight with Shiro --- only to blip out again as soon as Keith returns to the team. 

And forcing that abrupt shift on Keith’s part meant the rest of the story (and the characters) got shoved around into their respective places and out of shape, as well. Stories are made of characters, and characters are dominos. You knock one over, and it has a cascade effect. Changing Keith from the character we knew to someone else wearing his face could not happen in isolation, and every character around him suffered as well. 

Like Shiro and Lance, Keith had major potential to be a groundbreaking character. He was introduced as the kind of independent, socially awkward, spitfire character usually pushed to the forefront in American media, yet S1/S2 gave him a solid place as Shiro’s greatest supporter. Keith had all the makings of a hero we rarely see: someone who truly believes the title of leader is beside the point, that the team is what matters.

I’m used to Gundam, which almost always strives for a resting place of five (or four) protagonists standing shoulder-to-shoulder. There might be one among their ranks who gets the central position, but the narrative is firmly consistent that should the team lose any one person, it would fall apart. There’s no need to ever tell us the team is ‘stronger together,’ we can see that lesson play out, over and over, whenever the team is divided, split up, or loses someone. 

AtLA followed a similar pattern; by the end, it’s obvious the strengths each person brings to the final battle. There’s no question that every single one is crucial for victory; there’s no point where someone leaves and there’s not immediate and significant impact on the remaining characters’ successes. Sure, Sokka may not be able to bend like the rest of them, but without his brains, they’d be sunk. Katara, Toph, and Zuko might not be able to bend every element, but if any one of them isn’t there, the team is going down. Aang may command the central position, but he can’t do it all on his own. 

While AtLA shone in having characters who visually broke the mold of our usual white-dominated, male-dominated American cartoons, it also broke away from the lead hero + band of intrepid (but far less capable) sidekicks. Like Gundam, it presented a group of characters who grew into a true team. The pictures might show Aang in the middle, but every one else contributes an equal amount, in their own way.

VLD had the makings in its first two seasons to go that route. But its EPs wanted dark and edgy, a perspective too cynical to embrace the optimism inherent in a team-based story. Sure, their deconstruction of VLD’s S1/S2 trope-subversions brought the story to a point where Keith was declared the definitive top guy, the true Black Paladin, head of the paladins. 

Thing is, pushing Keith into that position required altering his personality beyond all recognition, destroying the team dynamic, and gutting any chance of recognizing the other characters as equally integral to team success. In effect, making Keith the de facto leader required destroying the team: and what’s the point of leadership, then?

#vld #voltron #characterization #character arcs #analysis #sol thinks about stuff