KONG: SKULL ISLAND 2017
And remember the story of Icarus, whose father gave him wings of wax. Warned him not to fly too close to the sun. But the exhilaration was too great. So he flew higher and higher, until the sun melted his wings, and he fell into the sea. The US Army is not an irresponsible father. So they gave us wings of hot Pennsylvania steel, guaranteed not to melt.
10 notes
·
View notes
Everything is Both - Jaquavis Coleman Review
"Everything is Both" is a gripping and intense film directed by JaQuavis Coleman, who is known for his captivating storytelling in urban fiction. With a reputation for creating raw and gritty narratives, Coleman brings his unique style and creative vision to the world of filmmaking.
One of the standouts features of 'Everything is Both' is Coleman's ability to weave a powerful and authentic narrative. The film delves into the complexities of urban life, exploring themes of love, betrayal, survival, and redemption. Coleman's storytelling captures the gritty realities of the streets with an unflinching honesty, giving audiences a raw and unfiltered look into the characters' lives. The authenticity of the story and its relatability make it emotionally impactful and resonate longer after the credits roll.
Coleman's transition from writing to directing is seamless, as he brings his unique literary style to the screen. "Everything is Both" boasts atmospheric visuals, gritty cinematography, and a carefully crafted ambiance that immerses viewers in the film's world. The use of lighting, camera angles, and sound design adds an extra layer of intensity, enhancing the overall viewing experience.
In 'Everything is Both', Mitchell's impeccable acting prowess navigates the intricacies of love, loss, and self-discovery, leaving viewers moved long after the credits roll. His ability to convey a range of emotions, from despair to hope, is truly remarkable, allowing the audience to connect deeply with the film's central themes.
"Everything is Both" is a compelling film that showcases JaQuavis Coleman's talent as both a writer and a director. With its powerful storytelling, authentic characters, engrossing cinematic style, evocative soundtrack, and thought-provoking themes, the film leaves a lasting impression on its audience. Coleman's foray into filmmaking proves successful as he continues to captivate viewers with his ability to portray the raw realities of urban life. "Everything is Both" is a must-watch for fans of Coleman's work and anyone seeking an engaging and emotionally charged cinematic experience.
2 notes
·
View notes
Mudbound (2017)
My ★★★★★ review of Mudbound - #MovieReview
#FilmReview
Mudbound (2017)
Plot – Two men return home from World War II to work on a farm in rural Mississippi, where they struggle to deal with racism and adjust to life after war – Mudbound.
Director – Dee Rees
Starring – Jason Mitchell, Jason Clarke, Carey Mulligan, Garrett Hedlund
Genre – Drama | War | Historical
Released – 2017
⭐⭐⭐⭐⭐
Rating: 5 out of 5.
If you liked – Da 5 Bloods, Detroit,…
View On WordPress
4 notes
·
View notes
Garrett Hedlund and Jason Mitchell in Mudbound (Dee Rees, 2017)
Cast: Carey Mulligan, Jason Clarke, Garrett Hedlund, Jason Mitchell, Mary J. Blige, Rob Morgan, Jonathan Banks, Kelvin Harrison Jr., Dylan Arnold, Kerry Cahill, Lucy Faust, Jason Kirkpatrick. Screenplay: Virgil Williams, Dee Rees, based on a novel by Hillary Jordan. Cinematography: Rachel Morrison. Production design: David J. Bomba. Film editing: Mako Kamitsuna. Music: Tamar-kali.
Mudbound is a solid, hard-edged, sometimes raw look at Mississippi in the post-World War II period, one I know well, having been born into that time and place. It only occasionally slips into the "Magical Negro" and "White Savior" tropes that afflict so many films about race relations. For example, it has Jamie McAllan (Garrett Hedlund) in his crippled bomber saluted by one of the Tuskegee Airmen, who have just rescued him from an attack by German fighter planes. This serves as a predicate for Jamie's friendship with Ronsel Jackson (Jason Mitchell) and his attempt to save him from a lynch mob headed by Jamie's own father, known as "Pappy" (Jonathan Banks). The screenplay also subverts some of the film's earlier harshness by tacking on a somewhat happy ending for Ronsel, who reunites with his German girlfriend and their son. It feels gratuitously sentimental in comparison with what has gone before. Nevertheless, Mudbound is a well-acted film, sometimes beautifully acted, as in the case of the Oscar-nominated Mary J. Blige as Florence Jackson, the tower of strength for both the Jackson and the McAllan families. Rachel Morrison also deserved her Oscar nomination -- the first ever for a woman -- for cinematography. She provides images of both the stark beauty of the Mississippi Delta landscape and the oppressiveness of the mud that clings to and clots the lives of its inhabitants.
4 notes
·
View notes