#john zoller

[spacecamp1]

John Zoller, Translucent Orb, 2022, Acrylic on canvas, 48 in. diameter

#john zoller #art #abstract art #orb #black #black and white #op art #american artist #2020s art

[perceptuality]

John Zoller - The Slightest Deviation, 2022, Acrylic on canvas

#John Zoller #art #2022 #trippy #op art

[thefirsthogokage]

Some stuff I saw John Rogers retweeted today, May 11th, 2023

Click images for better quality

(link to post)

(link to thread that continues below)

(link to the Variety article)

(link to post)

(link to tweet) (link to TheWrap article)

A QT from that same article:

(link to tweet)

#carina mackenzie #brittani nichols #shawna benson #john rogers #wga strong #wga strike #matt zoller seitz

[1five1two]

John Zoller.

#art #illustration #geometric art

[supercalifragipopculturevomit]

FUCK, MARRY, KILL: Daniel Brühl Cinematic Universe Edition

Just for funsies. Don't have an aneurysm. Leaning towards Zemo, Laszlo, and Böse, in that order, at the moment. At some other point, I might have said Thomas Lang, Niki Lauda, and Erik Jan Hanussen.

Because of the 30-photo limitation, I removed his minor and/or underdeveloped roles and the ones that wouldn't be difficult to "kill". I also didn't include the ones I haven't seen, so you won't see Salvador on this list. p.s. if anyone has a copy/link to that movie with English subs, I'd be forever grateful!

Lukas, The White Sound (2001)

Daniel, No Regrets / Nichts Bereuen (2001)

Alexander Kerner, Good Bye, Lenin! (2003)

Paul Krantz, Love in Thoughts / Was nützt die Liebe in Gedanken (2004)

Jan, The Edukators / Die fetten Jahre sind vorbei (2004)

Andrea Marowski, Ladies in Lavender (2004)

Lieutenant Horstmayer, Merry Christmas / Joyeux Noël (2005)

Tonda, Krabat (2008)

Dr. Georg Rosen, John Rabe (2009)

István Thurzó, The Countess (2009)

Fredrick Zoller, Inglorious Basterds (2009)

David Kern, Lila, Lila (2009)

Hans Krämer, The Coming Days / Die kommenden Tage (2010)

Konrad Koch, Lessons of a Dream / Der ganz große Traum (2011)

Álex Garel, Eva (2011)

Iván Pelayo, Winning Streak / The Pelayos (2012)

Niki Lauda, Rush (2013)

Daniel Domscheit-Berg, The Fifth Estate (2013)

Thomas Lang, The Face of an Angel (2014)

Daniel, Colonia (2015)

Sebastian Zöllner, Me and Kaminski (2015)

Tony Balerdi, Burnt (2015)

Dr. Laszlo Kreizler, The Alienist (2018 - 2020)

Ernst Schmidt, The Cloverfield Paradox (2018)

Wilfried Böse, Entebbe (2018)

Thomas Fischer, My Zoe (2019)

Daniel Weltz, Next Door / Nebenan (2021)

Erik Jan Hanussen, The King's Man (2021)

Baron Helmut Zemo, Captain America: Civil War (2016) / The Falcon and the Winter Soldier (2021)

Matthias Erzberger, All Quiet on the Western Front (2022)

#daniel brühl #helmut zemo #the falcon and the winter soldier #laszlo kreizler #the alienist #fuck marry kill #baron zemo #tfatws #tony balerdi #niki lauda #Andrea Marowski #Sebastian Zöllner #Tonda #colonia #Daniel Wetltz #Thomas Lang #Fredrick Zoller #Konrad Koch #no regrets #alexander kerner #paul krantz #Álex Garel #Hans Krämer #the edukators #Joyeux Noël #Dr. Georg Rosen #István Thurzó #David Kern #The White Sound #Matthias Erzberger

[brokehorrorfan]

Guillermo del Toro's Pinocchio will be released on 4K Ultra HD, Blu-ray, and DVD on December 12 via The Criterion Channel. James Jean designed the cover art for Netflix's 2022 stop motion animated adapation of Carlo Collodi's 1883 novel.

Guillermo del Toro co-directs with Mark Gustafson from a script by del Toro and Patrick McHale (Over the Garden Wall). Ewan McGregor, David Bradley, Gregory Mann, Burn Gorman, Ron Perlman, John Turturro, Finn Wolfhard, Cate Blanchett, Tim Blake Nelson, Christoph Waltz, and Tilda Swinton star.

Pinocchio has been digitally mastered in 4K, supervised by del Toro and Gustafson, with Dolby Atmos sound. It's presented in 4K with Dolby Vision HDR.

Special features are listed below, where you can also see the full packaging.

Special features:

Handcarved Cinema - Making-of documentary with co-directors Guillermo del Toro and Mark Gustafson and cast and crew (new)

Directing Stop-Motion - Featurette with Guillermo del Toro and Mark Gustafson (new)

Interview with Guillermo del Toro by film critic Farran Smith Nehme (new)

Interview with curator Ron Magliozzi on The Museum of Modern Art’s exhibition devoted to the film (new)

Featurette on the 8 rules of animation that informed the production (new)

Panel discussion with Guillermo del Toro, Mark Gustafson, production designer Guy Davis, composer Alexandre Desplat, and sound designer Scott Martin Gershin, moderated by filmmaker James Cameron

Conversation with Guillermo del Toro, Mark Gustafson, and author Neil Gaiman

Booklet with essays by film critic Matt Zoller Seitz and author Cornelia Funke

A classic tale is reborn through the inspired imagination of cinematic dream-weaver Guillermo del Toro, directing alongside Mark Gustafson. Realized through boundary-pushing, breathtakingly intricate stop-motion animation, this dark rendering of the fable of the puppet boy and his maker daringly transfers the story to Fascist Italy, where the irrepressible Pinocchio gradually learns what it means to be human through his experiences of war, death, and sacrifice. This Pinocchio imbues the oft-told tale with a bold new resonance about living with courage and compassion.

Pre-order Pinocchio.

#pinocchio #guillermo del toro #ewan mcgregor #david bradley #tilda swinton #criterion #criterion collection #the criterion collection #dvd #gift #james jean #burn gorman #cate blanchett #tim blake nelson #christoph waltz

[cosmonautroger]

John Zoller

[quoththemaven]

2023 Favoritest Book Reads

Vineland - Pynchon, Thomas

Prophet - Blaché, Sin & Helen Macdonald

And the Ass Saw the Angel - Cave, Nick

Lou Reed: The King of New York - Hermes, Will 

The Color of Magic (Discworld, #1; Rincewind, #1) - Pratchett, Terry

Steal Like an Artist: 10 Things Nobody Told You About Being Creative - Kleon, Austin 

Sonic Life: A Memoir - Moore, Thurston

The Fifth Season (The Broken Earth, #1) - Jemisin, N.K. 

Fuzz: When Nature Breaks the Law - Roach, Mary

Everyone's a Aliebn When Ur a Aliebn Too - Sun, Jonny

The Night Masquerade (Binti, #3) - Okorafor, Nnedi 

Home (Binti, #2) - Okorafor, Nnedi 

Binti: Sacred Fire (Binti, #1.5) - Okorafor, Nnedi 

Binti (Binti, #1) - Okorafor, Nnedi 

Black Paradox - Ito, Junji

David Bowie's Low (33 1/3) - Wilcken, Hugo

Faith, Hope and Carnage - Cave, Nick

The Sirens of Titan - Vonnegut Jr., Kurt

Zealot: The Life and Times of Jesus of Nazareth - Aslan, Reza

Smashed - Ito, Junji

Time Shelter - Gospodinov, Georgi

Brian Eno's Another Green World (33 1/3) - Dayal, Geeta

Armageddon in Retrospect - Vonnegut Jr., Kurt

Neverwhere (London Below, #1) - Gaiman, Neil 

The Committed (The Sympathizer #2) - Nguyen, Viet Thanh 

Into the Great Wide Open - Canty, Kevin 

Mongrels - Jones, Stephen Graham 

DisneyWar - Stewart, James B.

Bonk: The Curious Coupling of Science and Sex - Roach, Mary

The Left Hand of Darkness - Le Guin, Ursula K.

My Bloody Valentine's Loveless (33 1/3) - McGonigal, Mike 

Suttree - McCarthy, Cormac

Life's Work: A Memoir - Milch, David

The Invisible Life of Addie LaRue - Schwab, V.E.

Against the Day - Pynchon, Thomas

Burn It Down: Power, Complicity, and a Call for Change in Hollywood - Ryan, Maureen 

Bruce Springsteen's Born in the USA (33 1/3) - Himes, Geoffrey

La Moustache - Carrère, Emmanuel

Janelle Monáe’s The ArchAndroid (33 1/3) - Favreau, Alyssa 

Sooner or Later Everything Falls Into the Sea - Pinsker, Sarah 

The Man Without a Shadow - Oates, Joyce Carol

The City & the City - Miéville, China 

Mem - Morrow, Bethany C. 

Sapiens: A Brief History of Humankind - Harari, Yuval Noah

Arcade Fire’s The Suburbs (33 1/3) - Eidelstein, Eric

Gutshot - Gray, Amelia 

The Price of Time (Watch What You Wish For #1) - Tigner, Tim 

The Revolution Was Televised: The Cops, Crooks, Slingers and Slayers Who Changed TV Drama Forever - Sepinwall, Alan 

Just Kids - Smith, Patti 

Sounds Like Titanic: A Memoir - Hindman, Jessica Chiccehitto 

Flicker - Roszak, Theodore

Tinderbox: HBO's Ruthless Pursuit of New Frontiers - Miller, James Andrew 

Flashback - Simmons, Dan

Flaming Lips' Zaireeka (33 1/3) - Richardson, Mark 

The Sympathizer (The Sympathizer #1) - Nguyen, Viet Thanh 

Pavement's Wowee Zowee (33 1/3) - Charles, Bryan

Neuromancer (Sprawl, #1) - Gibson, William

Invisible Cities - Calvino, Italo

Don't Fear the Reaper (The Indian Lake Trilogy, #2) - Jones, Stephen Graham 

The Wes Anderson Collection - Seitz, Matt Zoller

Flow My Tears, the Policeman Said - Dick, Philip K.

Kendrick Lamar's To Pimp a Butterfly (33 1/3) - Maner, Sequoia

The Nineties - Klosterman, Chuck

Tomorrow, and Tomorrow, and Tomorrow - Zevin, Gabrielle 

Wanderlust: An Eccentric Explorer, an Epic Journey, a Lost Age - Mitenbuler, Reid

A Heart That Works - Delaney, Rob 

Imago (Xenogenesis, #3) - Butler, Octavia E.

Cryptonomicon (Crypto, #1) - Stephenson, Neal 

Blacktop Wasteland - Cosby, S.A. 

Pearl Jam's Vs. (33 1/3) - Brownlee, Clint

Tracy Flick Can't Win - Perrotta, Tom

Devil House - Darnielle, John 

Adulthood Rites (Xenogenesis, #2) - Butler, Octavia E.

Heat 2 - Mann, Michael & Meg Gardiner

Joy Division's Unknown Pleasures (33 1/3) - Ott, Chris

Dawn (Xenogenesis, #1) - Butler, Octavia E.

The Diamond Age: Or, a Young Lady's Illustrated Primer - Stephenson, Neal 

The Republic of Thieves (Gentleman Bastard, #3) - Lynch, Scott 

The Year of the Flood (MaddAddam, #2) - Atwood, Margaret 

[byneddiedingo]

Knight of Cups (Terrence Malick, 2015)

Cast: Christian Bale, Cate Blanchett, Natalie Portman, Brian Dennehy, Antonio Banderas, Frieda Pinto, Wes Bentley, Isabel Lucas, Teresa Palmer, Imogen Poots, Ben Kingsley (voice). Screenplay: Terrence Malick. Cinematography: Emmanuel Lubezki. Production design: Jack Fisk. Film editing: A.J. Edwards, Keith Fraase, Geoffrey Richman, Mark Yoshikawa. Music: Hanan Townshend.

Two films kept coming to mind as I watched Terrence Malick's Knight of Cups: Federico Fellini's La Dolce Vita (1960) and Andrei Tarkovsky's Mirror (1975). Fellini's film because the journey of Malick's protagonist, Rick (Christian Bale), through the decadence of Hollywood and Las Vegas echoes that of Marcello's (Marcello Mastroianni) explorations of Rome. Tarkovsky's because Malick's exploration of Rick's life exhibits a similar steadfast refusal to adhere to a strict linear narrative. Most of us go to movies to have stories told to us. Our lives are a web of stories, told to us by history and religion and science and society, and most explicitly by art. We tend to prefer the old linear progression of storytelling: beginning, middle, end, or the familiar five-act structure of situation, complication, crisis, struggle, and resolution. But artists tend to get weary of the straightforward approach; they like to mix things up, to find new ways of storytelling. The modernist novelists like Joyce and Woolf and Faulkner eschewed linearity, and filmmakers have tried to take a similar course. They have the advantage of working with images as well as words. So Malick, like Tarkovsky and Fellini and others, experiments with editing and montage to meld images with language and gesture to probe the psychological depths of human character and experience. The problem with experimentation is that experiments fail more often than they succeed. Some think that Knight of Cups is a successful experiment, but most critics and much of the film's audience seem to disagree, to judge from, for example, a 5.6 rating on IMDb. Knight of Cups spent two years in post-production and there are four credited film editors, which suggests that Malick over-reached himself. For me, what was lost in the process of making the film was a clarity of vision. Granted, the lives of human beings are messy, loose-ended things, but what do we depend on artists to do but try to make sense of them. I think Malick lost sight of his protagonist, Rick, in trying to interpret his life and loves through the film's odd amalgamation of John Bunyan's Pilgrim's Progress and the Major Arcana of the tarot pack and then overlaying it with a collage of images provided by Emmanuel Lubezki's camera. We glimpse Rick through filters, grasping for moments that will resolve into something substantial about him, his problems with his family and with women. And for all the casting of fine actors like Bale and Cate Blanchett and Natalie Portman, the production negates their attempts to create characters. In fact, their starriness works against them: Instead of being drawn into the character of Rick or Nancy or Elizabeth, we're removed from them by the familiarity of the actor playing them. I understand what admirers of the film like Matt Zoller Seitz are saying when they proclaim, "The sheer freedom of it is intoxicating if you meet the film on its own level, and accept that it's unfinished, open-ended, by design, because it's at least partly concerned with the impossibility of imposing meaningful order on experience, whether through religion, occult symbolism, mass-produced images and stories, or family lore." But I wonder if that's enough to make an experiment successful. I came away from Knight of Cups knowing nothing more about its characters than I did before I met them.

#Knight of Cups #Terrence Malick

[extremeconsumption]

Film: Midnight Run (1988)

There is a lot of this movie that makes little sense, but it still works. It's a nice caper story with enough twists and turns to keep you satisfied. I really enjoyed the chemistry between Grodin and DeNiro. This was apparently DeNiro's first big comedy starring role.

I really enjoyed the cast as well. I grew up watching Homicide so Yaphet Kotto was a welcomed surprise. Dennis Farina, Joe Pantoliano, and John Ashton as well. If you watched movies from around this time period, there's a lot of "THAT'S THAT GUY!" moments.

I saw this film at the IFC in NYC. Matt Zoller Seitz and Alan Sepinwall hosted a viewing with a talk afterwards. This is Sepinwall's favorite movie of all time. While it is certainly not mine, it was a fun enough watch.

#midnight run #robert deniro #charles grodin #yaphet kotto #alan sepinwall #matt zoller seitz #film review

[readingsrantsrambles]

On the eve of the publication of their book 'The Sopranos Sessions', TV critics Alan Sepinwall and Matt Zoller Seitz meet at Holsten's in Bloomfield, NJ, the location of the controversial last scene of the 'Sopranos'. Their wide-ranging conversation covers television, movies, psychiatry and gangsterism. They also discuss their 20-year friendship and the experience of covering the HBO series for The Newark Star-Ledger, the newspaper that Tony Soprano picked up most mornings at the end of his driveway. The screening will be followed by a discussion between the two reporters and Kristian Fraga the director of the documentary. ‘My Dinner With Alan’ at the Alamo Drafthouse in Yonkers https://drafthouse.com/yonkers/show/my-dinner-with-alan-a-sopranos-session-qa-and-book-signing ‘My Dinner With Alan’ at the Garden State Film Festival https://tinyurl.com/y4yakqkx Thanks for all the hard work from Kristian Fraga, John Sikes, Marc Perez, Bianca Rosario Ramirez and Adrian Padarath. @sirkproductions @sikes_j @ipadarath @biancarosr @beerforallthebulls @sepinwall @mattzollerseitz @abramsbooks @holstensicecream ​ https://www.instagram.com/p/CqOMvYsPptB/?igshid=NGJjMDIxMWI=

[spacecamp1]

John Zoller, Marble Orb, 2022, acrylic on canvas, 60 in. diameter

#john zoller #art #abstract art #op art #orb #black and white

[perceptuality]

John Zoller - Gravitational Wave, 2022, Acrylic on canvas

#John Zoller #art #2022 #trippy #op art

[mathhombre]

Moiré 22

For Mathober Day 20: Moiré

The function was inspired by this John Zoller piece I saw today. Play in GeoGebra!

#mathart #GeoGebra

[brookstonalmanac]

Beer Events 7.4

Events

Louis Hoster 1st arrived in Columbus, Ohio (1833)

Phillip Best died (1869)

Albert Zoller patented a Cooler for Beer and Other Liquids (1882)

Fireworks set off a fire in Oppmann's Brewery (Cleveland, Ohio; 1889)

Miller Brewing's Milwaukee Beer Garden destroyed by fire (1891)

John Freese patented a Beer Dispensing and Pipe Cleaning Apparatus (1899)

Frank Carris and Clarence Gardner patented an Apparatus for Filling Bottles (1911)

James Kornblatt patented a Beer Dispensing Apparatus (1939)

Arthur Webb patented a Mashing and Lautering Apparatus for Brewing (1950)

Nils Elsner and Hans Nilson patented a Method for Packing Carbonated Beverages into Containers Using Electromagnetic Energy (1972) 

C. Lund & Sons' 1st beer brewed (Timaru, New Zealand; 1976)

Brewing Research Foundation patented the Separation of Wort from Mash (1989)

Heineken informed Myanmar Brewery that they were ending their business relationship with them (1996)

Riverwalk Brewery reopened with new owners as the Independence Restaurant & Brewery (Ft. Lauderdale, Florida; 1996)

Caldera brewed their first beer (Oregon; 1997)

Brett Pulli patented a Collapsible Container for a Beer Keg (2000)

Brewery Openings

Hale's Ales (1983)

Abita Brewing (Louisiana; 1986)

Manhattan Beach Brewing (California; 1991)

Cardinal Brewing (West Virginia; 1994)

Bayou State Brewing (Kansas; 1996)

Cleavelander Brewery (Florida; 1996)

Independence Restaurant & Brewery (Florida; 1996)

New Holland Brewing (Michigan; 1997)

Rattlesnake Mountain Brewery (Washington; 1997)

Triangle Brewing (North Carolina; 2007)

#Events

[rahelzoller]

ABC OFFICE at DZIALDOV, Berlin 16.9.2022-22.10.22 PV: 17:00 - 22:00 ABC OFFICE is an anonymous work environment; will present specially made artists multiples exploring the office, bureaucracy, co-working and print culture in what is sometimes referred to as the "aesthetics of administration'!. With works by: Claudia de la Torre, David Schulz, Duncan Wooldridge, George Gibson, John MacLean, Jonathan Lewis, Louis Porter, Mishka Henner, Monika Orpik, Oliver Griffin, Jonathan Schmidt-Ott, Rahel Zoller