ALICE IN WONDERLAND 1951
If I had a world of my own, everything would be nonsense. Nothing would be what it is because everything would be what it isn't. And contrary-wise; what it is it wouldn't be, and what it wouldn't be, it would. You see?
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My Goodreads
The Stillwater Girls by Minka Kent
The Half of It: A Memoir by Madison Beer
A Certain Hunger by Chelsea G. Summers
At Certain Points We Touch by Lauren John Joseph
On the Savage Side by Tiffany McDaniel
They’re Going to Love You by Meg Howrey
The Force of Such Beauty by Barbara Bourland
History Keeps Me Awake at Night by Christy Edwall
Thrust by Lidia Yuknavitch
River Sings Me Home by Eleanor Shearer
Wandering Souls by Cecile Pin
The Day I Disappeared by Brandi Reeds
Maame by Jessica George
I’m a Fan by Sheena Patel
Horse by Geraldine Brooks
A Spell of Good Things by Ayobámi Adébáyò
The Quarry Girls by Jess Lourey
Demon Copperhead by Barbara Kingsolver
Woman, Eating by Claire Kohda
Penance by Eliza Clark
Brutes by Dizz Tate
I Who Have Never Known Men by Jacqueline Harpman
Big Swiss by Jen Beagin
Lapvona by Ottessa Moshfegh
Before I Fall by Lauren Oliver
The Candy House by Jennifer Egan
Forbidden by Tabitha Suzuma
Josie and Jack by Kelly Braffet
The Glass Castle by Jeannette Walls
Running with Scissors by Augusten Burroughs
A Stolen Life by Jaycee Dugard
Lessons from a Dead Girl by Jo Knowles
The V Girl: a Coming of Age Story by Mya Roberts
Little Peach by Peggy Kern
In the Dream House by Carmen Maria Machado
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So I looked it up, because of course the Holmes books aren't alone to enter the public domain this year, and Metropolis has too. So here's the list I found of creative works that are now public domain:
Books
— The Gangs of New York, by Herbert Asbury (original publication)
— Death Comes for the Archbishop, by Willa Cather
— The Big Four, by Agatha Christie
— The Tower Treasure, the first Hardy Boys mystery by the pseudonymous Franklin W. Dixon
— The Case-Book of Sherlock Holmes, by Arthur Conan Doyle
— Copper Sun, by Countee Cullen
— Mosquitoes, by William Faulkner
— Men Without Women, by Ernest Hemingway
— Der Steppenwolf, by Herman Hesse (in German)
— Amerika, by Franz Kafka (in German)
— Now We Are Six, by A.A. Milne with illustrations from E.H. Shepard
— Le Temps retrouvé, by Marcel Proust (in French)
— Twilight Sleep, by Edith Wharton
— The Bridge of San Luis Rey, by Thornton Wilder
— To The Lighthouse, by Virginia Woolf
Movies
— "7th Heaven," directed by Frank Borzage
— "The Battle of the Century," a Laurel and Hardy film directed by Clyde Bruckman
— "The Kid Brother," directed by Ted Wilde
— "The Jazz Singer," directed by Alan Crosland
— "The Lodger: A Story of the London Fog," directed by Alfred Hitchcock
— "Metropolis," directed by Fritz Lang
— "Sunrise," directed by F.W. Murnau
— "Upstream," directed by John Ford
— "Wings," directed by William A. Wellman
Musical compositions
— "Back Water Blues," "Preaching the Blues" and "Foolish Man Blues" (Bessie Smith)
— "The Best Things in Life Are Free," from the musical "Good News" (George Gard "Buddy" De Sylva, Lew Brown, Ray Henderson)
— "Billy Goat Stomp," "Hyena Stomp" and "Jungle Blues" (Ferdinand Joseph Morton)
— "Black and Tan Fantasy" and "East St. Louis Toodle-O" (Bub Miley, Duke Ellington)
— "Can't Help Lovin' Dat Man" and "Ol' Man River," from the musical "Show Boat" (Oscar Hammerstein II, Jerome Kern)
— "Diane" (Erno Rapee, Lew Pollack)
— "Funny Face" and "'S Wonderful," from the musical "Funny Face" (Ira and George Gershwin)
— "(I Scream You Scream, We All Scream for) Ice Cream" (Howard Johnson, Billy Moll, Robert A. King)
— "Mississippi Mud" (Harry Barris, James Cavanaugh)
— "My Blue Heaven" (George Whiting, Walter Donaldson)
— "Potato Head Blues" and "Gully Low Blues" (Louis Armstrong)
— "Puttin' on the Ritz" (Irving Berlin)
— "Rusty Pail Blues," "Sloppy Water Blues" and "Soothin' Syrup Stomp" (Thomas Waller)
Source: https://www.voanews.com/a/public-domain-debuts-include-last-sherlock-holmes-work-/6898309.html
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Rachel Leingang at The Guardian:
An Arizona grand jury has charged 18 people involved in the scheme to create a slate of false electors for Donald Trump, including 11 people who served as those fake electors and seven Trump allies who aided the scheme.
Kris Mayes, Arizona’s Democratic attorney general, announced the charges on Wednesday, and said the 11 fake electors had been charged with felonies for fraud, forgery and conspiracy.
Beyond the fake electors themselves, high-profile Trump affiliates have been charged with aiding in the scheme: Mark Meadows, John Eastman, Boris Epshteyn, Rudy Giuliani, Jenna Ellis, Christina Bobb and Mike Roman.
Those charged over their roles as false electors include two sitting lawmakers, state senators Jake Hoffman and Anthony Kern. The former Arizona Republican party chair Kelli Ward and her husband, Michael Ward, have been charged, as has Tyler Bowyer, a Republican national committeeman and Turning Point USA executive, and Jim Lamon, who ran for US Senate in 2022. The others charged in the fake electors scheme are Nancy Cottle, Robert Montgomery, Samuel Moorhead, Lorraine Pellegrino and Gregory Safsten.
The indictment says: “In Arizona, and the United States, the people elected Joseph Biden as president on November 3 2020. Unwilling to accept this fact, defendants and unindicted co-conspirators schemed to prevent the lawful transfer of the presidency to keep unindicted co-conspirator 1 in office against the will of Arizona’s voters. This scheme would have deprived Arizona voters of their right to vote and have their votes counted.”
Biden won Arizona by more than 10,000 votes, a close margin in the typically red state that immediately prompted allegations of voter fraud that persist to this day. The state has remained a hotbed of election denialism, despite losses for Republicans who embraced election-fraud lies at the state level.
Trump has not been charged in the Arizona case.
The indictment refers to Trump himself as “unindicted co-conspirator 1” throughout, noting how the former president schemed to keep himself in office, and how those around him, even those who believed he lost, aided this effort.
Some involved have claimed they signed on as an alternate slate of electors in case court decisions came down in Trump’s favor, so they would have a backup group that could be certified by Congress should Trump prevail.
An Arizona grand jury handed down 18 indictments to those involved in the scheme to award 11 fake electors to give Donald Trump the state of Arizona in 2020, despite the fact that Joe Biden flipped the state in his narrow win.
Donald Trump has been named unindicted co-conspirator #1.
The persons indicted for aiding and abetting efforts to help the fake electors: Jenna Ellis, Kenneth Chesebro, Christina Bobb, Rudy Giuliani, John Eastman, and Boris Epshteyn.
Some of the notable fake electors charged include: former AZGOP chair Kelli Ward, TPUSA employee Tyler Bowyer, and 2022 GOP US Senate candidate Jim Lamon.
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hiii do u have any recs for books on mormon history? i'm mostly interested in how joseph smith's doctrine was shaped by american society around him and how mormon pioneers adopted settler colonialism/how they thought about race, also how they clashed with the american government and where mormons' anti-federal views began. but i'll really take recs on anything!!! google is not very helpful for finding mormon history books that are written from ppl outside the church lol
oh I am SO happy to help you, I love giving book recs.
I think all of the topics you've mentioned are fascinating and they're actually things I really want to dig deeper into myself. Most of what I've read so far has been either more overview/biography or focused on women's issues or polygamy. Obviously, both Mormon settler-colonialism and conflict with the federal government comes up while researching other topics, but I feel like I both want and need to read more specifically focusing on those subjects because they are definitely very important. I can still point you in the direction of a few books with either direct or tangential connection to your interests that I've read and liked, and some others I haven't read but have heard good things about.
Joseph Smith
For your question about Smith's doctrine and how he was shaped by his society, I would strongly recommend Dan Vogel's Joseph Smith: The Making of a Prophet. This is sort of an origin-story biography, focusing on JS's life up until 1831, the year after he published the Book of Mormon and formally founded the LDS church. But it's also a close reading of the text of the BOM examining how JS's life experiences and the context of the world around him affected the book he produced. There's also a follow up book, Charisma under Pressure: Joseph Smith, American Prophet, 1831–1839, focusing on the Ohio and Missouri periods of the early church, which came out this year and I haven't read it yet. The first volume is fantastic, though, and it's very close to what you're looking for.
I also have some recs that less directly address your question but still are relevant, and I think they're just good overall. Benjamin Park's Kingdom of Nauvoo focuses on Nauvoo-era Mormonism and does a really good job of putting their doctrine and society in its cultural context and comparing them to broader American society. Spencer McBride's Joseph Smith for President focuses on JS's 1844 third-party presidential campaign and his assassination mid-campaign.
Mormon Settler-Colonialism and Attitudes About Race
You absolutely need to read Virginia Kerns' Sally in Three Worlds: An Indian Captive in the House of Brigham Young. This is an absolutely fantastic and deeply moving book, I think it's one of the best works of Mormon-related history I've read. Kerns does a wonderful job of outlining the painful intimacy of how Sally's life intersected with the Young family, and there's a lot in this book both about how the Mormon settlement of Utah affected native people and about how Mormons settlers saw natives.
I would also recommend Pioneer Prophet, John Turner's biography of Brigham Young. It's a very engaging read and a really good biography of Young, and I think given his role as primary architect of Utah's colonization and the creator of the priesthood ban against black men, it's relevant to the topic.
I had mixed feelings about Joanna Brooks' Mormonism and White Supremacy, I think there are a lot of things she could have gone into more detail about and sometimes her arguments are a bit clumsy. I still think it's worth reading, especially for information about the church during the civil rights movement and the arguments over ending the priesthood ban. (Despite its broad title, the book is mostly focused on Mormon attitudes towards people of African descent, and chronologically on the 20th century rather than earlier. It is a good introduction to that subject, though, and it has a lot of really rich primary sources that are very informative).
I have not read Religion of a Different Color: Race and the Mormon Struggle for Whiteness, but I have heard very good things.
Conflict with the Federal Government
Unfortunately, this is the area where I think I can help you least. I've read a lot touching on conflicts with the federal government, which is in many ways the defining theme of Mormonism in the latter half of the 19th century, but not a lot focusing specifically on it.
I have not read any of these books, and cannot vouch for their quality, but they do seem relevant to the topic and certainly may be worth checking out.
Unpopular Sovereignty: Mormons and the Federal Management of Early Utah Territory
The Mormon Rebellion: America's First Civil War 1857-1858
The Mormon Question: Polygamy and Constitutional Conflict in Nineteenth-Century America
Pioneer Prophet will definitely also address this topic!
Please let me know if you have any other questions or you end up reading and enjoying any of these books! I love talking about this kind of thing!
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Gregory Peck and Jennifer Jones in Duel in the Sun (King Vidor, 1946)
Cast: Jennifer Jones, Gregory Peck, Joseph Cotten, Lionel Barrymore, Herbert Marshall, Lillian Gish, Walter Huston, Charles Bickford, Harry Carey, Tilly Losch, Butterfly McQueen. Screenplay: David O. Selznick, Oliver H.P. Garrett, based on a novel by Niven Busch. Cinematography: Lee Garmes, Ray Rennahan, Harold Rosson. Production design: J. McMillan Johnson. Film editing: Hal C. Kern. Music: Dimitri Tiomkin.
This is a bad movie, but it's one distinguished in the annals of bad movies because it was made by David O. Selznick, who as the poster shouted at moviegoers, was "The Producer Who Gave You 'GONE WITH THE WIND.'" Selznick made it to showcase Jennifer Jones, the actress who won an Oscar as the saintly Bernadette of Lourdes in The Song of Bernadette (Henry King, 1943). Selznick, who left his wife for Jones, wanted to demonstrate that she was capable of much more than the sweetly gentle piety of Bernadette, so he cast her as the sultry Pearl Chavez in this adaptation (credited to Selznick himself along with Oliver H.P. Garrett, with some uncredited help by Ben Hecht) of the novel by Niven Busch. Opposite Jones, Selznick cast Gregory Peck as the amoral cowboy Lewt McCanles, who shares a self-destructive passion with Pearl. Both actors are radically miscast. Jones does a lot of eye- and teeth-flashing as Pearl, while Peck's usual good-guy persona undermines his attempts to play rapaciously sexy. The plot is one of those familiar Western tropes: good brother Jesse (Joseph Cotten) against bad 'un Lewt, reflecting the ill-matched personalities of their parents, the tough old cattle baron Jackson McCanles (Lionel Barrymore) and his gentle (and genteel) wife, Laura Belle (Lillian Gish). Pearl is an orphan, the improbable daughter of an improbable couple, the educated Scott Chavez (Herbert Marshall) and a sexy Indian woman (Tilly Losch), who angers him by fooling around with another man (Sidney Blackmer). Chavez kills both his wife and her lover and is hanged for it, so Pearl is sent to live with the McCanleses -- Laura Belle is Chavez's second cousin and old sweetheart -- on their Texas ranch. It's all pretentiously packaged by Selznick: not many other movies begin with both a "Prelude" and an "Overture," composed by Dimitri Tiomkin in the best overblown Hollywood style. It has Technicolor as lurid as its story, shot by three major cinematographers, Lee Garmes, Ray Rennahan, and Harold Rosson. But any attempt to generate real heat between Jones and Peck was quickly stifled by the Production Code, which even forced Selznick to introduce a voiceover at the beginning to explain that the character of the frontier preacher known as "The Sinkiller" (entertainingly played by Walter Huston) was not intended to be a representative clergyman. There are a few good moments, including an impressive tracking shot at the barbecue on the ranch in which various guests offer their opinions of Pearl, the McCanles brothers, and other things. Whether this scene can be credited to director King Vidor, who was certainly capable of it, is an open question, because Vidor found working with the obsessive Selznick so difficult that he quit the film. Selznick directed some scenes, as did Otto Brower, William Dieterle, Sidney Franklin, William Cameron Menzies, and Josef von Sternberg, all uncredited. The resulting melange is not unwatchable, thanks to a few good performances in secondary roles (Huston, Charles Bickford, Harry Carey), and perhaps also to some really terrible ones (Lionel Barrymore at his most florid and Butterfly McQueen repeating her fluttery air-headedness from GWTW).
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@fakrichie tagged me to post four characters who are "my man." so, in no particular order:
Endeavour Morse (Inspector Morse: 1987-2000)
We have the exact opposite taste in opera, but I do love the Jag Mark II. And his love for Lewis and Max and Strange, no matter how much he might like to act like he doesn’t care. He’s an arrogant, insecure, brilliant, oblivious mess who can’t stop getting in his own way and making himself lonely, but you can’t help rooting for him all the same.
Jep Gambardella (The Great Beauty: 2013)
A feted writer who hasn’t written a book in decades, Jep is surrounded by beauty and ugliness and vacillates wildly between focusing on one or the other, facing 65 and the closing salvo of his life. The ennui cursed intellectual is an old European cinematic trope, but he’s fleshed out enough to make a fascinating, if not always especially sympathetic, character and his endless search for something is relatable in the most disquieting way.
Howard Justin (The Passionate Friends: 1949)
I have a soft spot for all of Claude Rains’ characters, but Howard has always struck me as one of the most interesting, particularly for the age of the film. He’s a man married to a woman who he knows full well doesn’t love him, and whom he doesn’t love, because he prizes companionship and mutual freedom above romantic love. And then discovers, in the course of having his heart broken, that those things aren’t mutually exclusive.
Joseph Kern (Trois couleurs, Rouge: 1994)
In any other context, ex-judge who eavesdrops on his neighbors phonecalls would probably be the beginning of either a bad sex comedy or a horror-thriller in French cinema. But Joseph develops into something entirely different, and I never get tired of watching him rediscover having a reason to live through his parallel relationship Valentine and Rita/her puppies. It’s a very bittersweet, but ultimately uplifting take on a found family late in life.
Hate that I’ve gotten to the end of this and really shown that I have a thing for sad, unloved-feeling intellectual old men, but we’re just going to ignore that.
Tagging: @agentidiot , @charliesmydarling , @smittyjaws , and whoever else would like to participate.
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I'm excited to be participating in the #transrightsreadathon which is being put on to promote and show support for trans authors and trans books, and to raise funds for trans support groups!
Thanks to @sim_bookstagrams_badly for creating this readathon! If you want to know more about it head on over to their page.
As for what books I might be reading see above. I'm excited to get at least a few of these read this week.
I'll be donating some of my money to The TGI Network of RI and Thundermist for every book I read.
Are you participating? And if so what are you reading and where will you be donating?!
I can't wait to see what everyone else is reading :)
Image 1: a stack of books on teal fabric. Books in the image include: - Lost Boi by Sassafras Lowrey - Dead Collections by Issac Fellman - Feed Them Silence by Lee Mandelo - When the Angels Left the Old Country by Sascha Lamb -Hell Followed with Us by Andrew Joseph White -The Genesis of Misery by Neon Yang - The City in the Middle of the Night by Charlie Jane Anders
Image 2: 4 book covers on a colorful background. Books in the image include: -Fierce Femmes and Notorious Liars by Kai Cheng Thom - Once Stolen by D.N. Bryn -Depart Depart by Sim Kern Self-Made Boys by Anna-Marie McLemore
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Post Modern Art
Escaping Confines of Museum
City, Michael Heizer. Located in Garden Valley, a desert valley in rural Lincoln County in the U.S. state of Nevada. land art sculpture. 1970-2022
Collapsing Boundaries Between High and Low
Curious Kitten watercolor painting is a painting by Svetlana Novikova which was uploaded on February 23rd, 2013.
Rejecting Originality
Andy Warhol 1928–1987. Silkscreen ink and acrylic paint on 2 canvases. 1982
Jouissance
Fred Tomaselli, 2014, 60″ x 84″, photo-collage, leaves, acrylic and resin on wood panel, © 2014, courtesy of James Cohan Gallery and the artist
Working Collaboratively
Meow Wolf. Sept. 13, 2021.
Adam Christopher
Andi Todaro
Ashley Frazier, Michael Sperandeo
Brandan Styles "Bzurk”, Ellie Rusinova
Brian Corrigan
Cal Duran, David Ocelotl Garcia
Cami Galofre
Chris Bagley
Christopher Owen Nelson
Christopher Short
Collin Parson
Corrina Espinosa
Dan Taro
David Farquharson
Dice 51
Douglas A. Schenck “DAS”
Dylan Gebbia-Richards
Frankie Toan
Ian McKenna
Jaime Molina, Pedro Barrios
Jennifer Pettus
Jess Webb
Jodi Stuart, Libby Barbee
Joseph Lamar
Joshua Goss
JUHB.
Justin Camilli
Justin Gitlin aka Cacheflowe
Kalyn Heffernan, Gregg Ziemba
Katy Zimmerman, Erika Wurth
Kia Neill
Kristin Stransky
Laaiaim Mayer
Lauri Lynnxe Murphy
LORDSCIENCE UNIVERSAL
Lumonics
Marjorie Lair, Kyle Vincent Singer
Maya Linke
Myah Sarles
Nicole Banowetz
Nolan Tredway
Ramón Bonilla
Reed Fox, Ben Weirich
Sabin Aell, Randy Rushton
Scott Hildebrandt
Sean Peuquet
Shayna Cohn
Sigrid Sarda
Sofie Birkin
Thomas Scharfenberg
Viviane Le Courtois
Wanderweird
Wynn Earl Buzzell Jr.
Andrew Novick, Pamela Webb, Robert Ayala
bearwarp
Chad Colby, Lexis Loeb, Hayley Kirkman
Charles Kern, Ty Holter, Ben Jackson, Rachel Bilys, Brett Sasine
Demiurge LLC: Joe Riche and Wynn Buzzell
Eriko Tsogo, Jennifer Tsogo, Tsogo Mijid, Batochir Batkhishig
F. Ria Khan, Armon Naein, Blake Gambel, Calvin Logan, Charles Candon, Harrison Bolin, Luke Collier, Maria Deslis, Sky Johnson, Sofia Rubio-Topete
Ladies Fancywork Society
Merhia Wiese, Annabelle Wiese, Maggie Wiese, Eunseo Zoey Kim, Dan Griner
Mike Lustig, Mitch Hoffman, Tim Omspach, Nathan Koral, Evan Beloni, Ryan Elmendorf, Scott Wilson, Charlis Robbins
Molina Speaks, Stevon Lucero, DJ Icewater, Felix "Fast4ward" Ayodele, Diles, Emily Swank
Oren Lomena, Alaine "Skeena" Rodriguez, Alius Hu
Peniel Apantenco, Kim Shively, Colin Richard Ferguson Ward, (In memoriam)
Sam Caudill, Sean Louis Rove, Juancristobal Hernández
Secret Love Collective: Katy Batsel, Lares Feliciano, Colby Graham, Piper Rose, Frankie Toan, Katy Zimmerman, Lauren Zwicky, Genevieve Waller
The Church of Many: Andrea Thurber, Elsa Carenbauer, Anna Goss, Maddi Waneka and Emily Merlin
Waffle Cone Club: Kyle Vincent Singer, Scott Kreider, Marjorie Lair
Everything is Terrible!
Kevin Bourland
Michael Lujan
Moment Factory
Nina Mastrangelo
Scott Geary, Wayne Geary, Gary Ashkin
Appropriating
Paneel "Rehearsal for an Icon 2001 - Mona Lisa" von Olbinski, Grafikdruck. Digital Print
Hybridizing
Untitled (Studio)2014
Kerry James Marshall
Simulating
Andy Warhol
(American, 1928–1987) 1962. Synthetic polymer paint on thirty-two canvases, Each canvas 20 x 16" (50.8 x 40.6 cm). Overall installation with 3" between each panel is 97" high x 163" wide
Mixing Media
Mama, Mummy and Mamma (Predecessors #2)
Njideka Akunyili Crosby. 2014
Layering
Zephyrus Rising, 2022. Acrylic on Acrylic. 32 × 16 × 22 in Duncan McDaniel
Mixing Codes
Recontextualizing
Leonardo da Vinci’s Mona Lisa, 1503-6; On Winnie: Denis Colomb stoles (worn as a headdress, top and sleeves)
Confronting the Gaze
Harley Quinn in Suicide Squad David Ayer 2016 (left), Harley Quinn in Birds of Prey Cathy Yann 2021 (right)
Facing Abject
Jane Alexander, Butcher Boys, 1985/86, mixed media (Iziko South African National Gallery, Cape Town, photo: Goggins World, CC BY-NC-ND 2.0)
Constructing Identities
Creating Metaphors
Martin Puryear. Ladder for Booker T. Washington, detail, 1996. Installation view at the Modern Art Museum of Fort Worth, Texas. 2003
Using Narratives
Damien Hirst
The Physical Impossibility of Death in the Mind of Someone Living, 2013 Lentikulardruck80 x 120 cm
Irony, Parody, Parody Dissonance
A Subtlety, or the Marvelous Sugar Baby (2014). Kara Walker Photo: Andrew Burton/Getty Images
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Sorry about being gone for an extra week! Finally putting up my TRR Reviews, starting off with “Hell Followed a with Us” by Andrew Joseph White!
Hello, Tumblrians! As some of you may know, I participated in Sim Kern’s Trans Rights Readathon this year! I only posted about it on my Instagram, since I don’t use Tumblr that often, but I read 5 books within the original deadline. The first of which was Hell Followed With Us by Andrew Joseph White.
Mandatory summary time! Hell Followed With Us follows Benji, a teenage trans boy turned into a bioweapon called The Seraph by the religious cult he grew up with (and is now on the run from). He’s found by a group of ragtag queer folks from the Alcheson Youth Center(affectionately called the ALC), but must keep a secret: the bioweapon virus’s been mutating him into a new entity altogether, and if he loses his humanity to it, he runs the risk of the group’s leader, the mysterious Nick, killing him. (Body horror ensues.) But Nick’s got secrets of his own, too. Can Benji trust him, as the cult and background he’s just left behind starts to catch up with him?
This is definitely a book that you can only read if you’re a) in the right headspace for it, and b) have a strong stomach. The (frequent) body horror and gore is both beautifully and vividly described, throughout the story our protagonist, Benji, is fighting to survive, and a multitude of tough subject matter is covered relating to toxic relationships and religious trauma/bigotry. But, I found myself so engrossed in the pages, and finished this in such a short period of time(this was something I read in under a day, started in the backseat of my drive to school and ended by my bedside lamplight).
The premise itself was so interesting, and I just loved all of the horror elements, the parallels to the current day in how religion is used to oppress, how current events and the censorship of trans individuals and their creative works make this book an incredibly, disturbingly relevant read right now. Seraph was also written interestingly: oddly, it tied into Benji’s gender identity, as he began to embrace his transformation and view it as a way of separating himself from the female body he’d been born with. This was demonstrated in the final fight scene, with him being a little disoriented by his brief transformation back to his original human body, and how he got to eventually tell the rest of the youth center teens about being turned into a bioweapon (and choosing not to use those abilities to benefit the cult that raised him). Depending on how you view or analyze that, it can be a bit muddy, but I personally liked that approach; there’s something so fascinating about queerness being reclaimed in horror, after years of queer-coded villains and queerphobic archetypes within the genre. I enjoyed that in some of the subtext for The Honeys’ ending, and I liked it here. (Yes, before you ask, It Came From The Closet is on my TBR, lol.)
I do wish, though, that the other queer kids within the youth center were fleshed out a little more. Found Family was such an important part of this book, as both of our main characters (Benji and Nick) came from unaccepting backgrounds(although the latter’s backstory isn’t revealed until much later), and both queer joy and survival is an essential part of this story. If we had a little bit more time, if the book was a little longer, we could have more time to really become deeply invested in all of these characters (well…except for that one asshole who I couldn’t wonder if he had an infamous truscum commentary YouTuber as his namesake). A bit of a side note, though, I think that this was the first book I’d read that featured a character that used neopronouns?!?! I use ze/zir along with he/they, so it meant so much to see that representation! And xe was also one of the highlights of the youth club, imo, xe had a talk-no-shit attitude that is useful in an environment like this.
I don’t know what else to comment about this, except for that I loved it a lot! I don’t know if “enjoyed” is the right term considering its heavy subject matter, but it had a satisfying ending.
(And here are some pictures I made of Benji, as I was making fanart for TRR.)
Book Rating: ⭐️⭐️⭐️⭐️⭐️/5 stars!
(Book content/trigger warnings: Graphic body horror and gore, violence; murder and mass murder including children, arson, warfare, and terrorism, transphobia; deadnaming and forced de-transition, return to abusive relationship and victim self-blame, ableism, religious abuse/Christian terrorism combined with elements of eco-fascism, emetophobia warning throughout, some instances of racism.)
(Andrew Joseph-White has a comprehensive list of trigger warnings in his Goodreads “review”, with more general warnings included at the start of the book.)
~Paz, signing off!
Trans Rights Readathon Reviews: 1/5
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Books I read in 2022
just posting this for my own amusement but if anyone’s looking for recs I’ve bolded what I really liked. I read 44 books this year, plus 3 rereads (The Secret History, Maurice, and Detransition, Baby lmao) which is by far the most I’ve ever read in a year! feeling rly good about that!
Time's Monster by Priya Satia
The Rules of Attraction by Bret Easton Ellis
Females by Andrea Long Chu
Dinner at the Homesick Restaurant by Anne Tyler
Nevada by Imogen Binnie
Capitalist Realism by Mark Fisher
A Room With a View by E. M. Forster
Female Husbands: A Trans History by Jen Manion
On Beauty by Zadie Smith
Speak, Memory by Vladimir Nabokov
Lolita by Vladimir Nabokov
The Wedding by Dorothy West
My Education by Susan Choi
The Fellowship of the Ring by J. R. R. Tolkien
The Two Towers by J. R. R. Tolkien
The Return of the King by J. R. R. Tolkien
Goodbye Without Leaving by Laurie Colwin
Among the Isles of Shoals by Celia Thaxter
Summer Fun by Jeanne Thornton
Rip It Up: Rock 'n' Roll Rulebreakers
Drawing the Line by Erich Matthes
She Who Became the Sun by Shelley Parker-Chan
Sense and Sensibility by Jane Austen
The Blackhouse by Peter May
How to be both by Ali Smith
Raven Black by Ann Cleeves
Autumn by Ali Smith
Winter by Ali Smith
The Smiths: Songs That Saved Your Life by Simon Goddard
The Black Friend by Frederick Joseph
A Little Devil in America by Hanif Abdurraquib
Spring by Ali Smith
The Culture of Time and Space 1880-1918 by Stephen Kern
Eternity by the Stars by Louis-Auguste Blanqui
The Queue by Vladimir Sorokin
A Portrait of the Artist as a Young Man by James Joyce
Summer by Ali Smith
The Scent of Time by Byun-Chul Han
The Compendium of (Not Quite) Everything by Jonn Elledge
Doxology by Nell Zink
The Idiot by Elif Batuman
Ghosts of My Life by Mark Fisher
Murder Must Advertise by Dorothy Sayers
Whose Body by Dorothy Sayers
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Between 1917 and 1943, Broadway was a vibrant hub for theater and saw a wide range of plays and musicals. Here are some notable Broadway productions during this period, reflecting various genres and themes:
1. **"Porgy and Bess" (1935):** A groundbreaking opera by George Gershwin with a score that blended classical, jazz, and spiritual elements. It focused on African American life in the American South.
2. **"Show Boat" (1927):** A landmark musical by Jerome Kern and Oscar Hammerstein II that addressed issues of racism and class while incorporating memorable songs like "Ol' Man River."
3. **"Of Mice and Men" (1937):** A stage adaptation of John Steinbeck's novella, exploring themes of friendship and dreams during the Great Depression.
4. **"The Front Page" (1928):** A comedy by Ben Hecht and Charles MacArthur about the fast-paced world of newspaper reporting, known for its rapid-fire dialogue.
5. **"The Little Foxes" (1939):** A drama by Lillian Hellman exploring greed and betrayal in a Southern family.
6. **"Our Town" (1938):** Thornton Wilder's Pulitzer Prize-winning play about life and community in a small New England town.
7. **"You Can't Take It With You" (1936):** A comedic play by Moss Hart and George S. Kaufman focusing on an eccentric family's adventures.
8. **"Arsenic and Old Lace" (1941):** A dark comedy by Joseph Kesselring about two elderly women with a peculiar hobby.
9. **"Oklahoma!" (1943):** A classic musical by Rodgers and Hammerstein, known for its innovative integration of music and story.
10. **"Anything Goes" (1934):** A musical by Cole Porter featuring energetic songs and witty lyrics.
11. **"Cat on a Hot Tin Roof" (1955):** While it premiered after 1943, it reflects the continuing tradition of Broadway's focus on family drama and intense emotion.
12. **"Life with Father" (1939):** A long-running comedy play based on the book by Clarence Day, depicting family life in a humorous way.
13. **"The Philadelphia Story" (1939):** A play by Philip Barry that became a classic comedy film, featuring witty dialogue and themes of class and love.
14. **"The Petrified Forest" (1935):** A drama by Robert E. Sherwood set in a remote desert diner, examining societal tensions and existential themes.
These plays and musicals represent a broad range of topics and styles on Broadway from 1917 to 1943, reflecting the cultural shifts and evolving artistic approaches during that time.
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An Arizona grand jury has charged 18 people involved in the scheme to create a slate of false electors for Donald Trump, including 11 people who served as those fake electors and seven Trump allies who aided the scheme.
Kris Mayes, Arizona’s Democratic attorney general, announced the charges on Wednesday, and said the 11 fake electors had been charged with felonies for fraud, forgery and conspiracy.
Beyond the fake electors themselves, high-profile Trump affiliates have been charged with aiding in the scheme: Mark Meadows, John Eastman, Boris Epshteyn, Rudy Giuliani, Jenna Ellis, Christina Bobb and Mike Roman.
Those charged over their roles as false electors include two sitting lawmakers, state senators Jake Hoffman and Anthony Kern. The former Arizona Republican party chair Kelli Ward and her husband, Michael Ward, have been charged, as has Tyler Bowyer, a Republican national committeeman and Turning Point USA executive, and Jim Lamon, who ran for US Senate in 2022. The others charged in the fake electors scheme are Nancy Cottle, Robert Montgomery, Samuel Moorhead, Lorraine Pellegrino and Gregory Safsten.
The indictment says: “In Arizona, and the United States, the people elected Joseph Biden as president on November 3 2020. Unwilling to accept this fact, defendants and unindicted co-conspirators schemed to prevent the lawful transfer of the presidency to keep unindicted co-conspirator 1 in office against the will of Arizona’s voters. This scheme would have deprived Arizona voters of their right to vote and have their votes counted.”
Biden won Arizona by more than 10,000 votes, a close margin in the typically red state that immediately prompted allegations of voter fraud that persist to this day. The state has remained a hotbed of election denialism, despite losses for Republicans who embraced election-fraud lies at the state level.
Trump has not been charged in the Arizona case.
The indictment refers to Trump himself as “unindicted co-conspirator 1” throughout, noting how the former president schemed to keep himself in office, and how those around him, even those who believed he lost, aided this effort.
Some involved have claimed they signed on as an alternate slate of electors in case court decisions came down in Trump’s favor, so they would have a backup group that could be certified by Congress should Trump prevail.
But, the indictment says, the defendants intended for these false votes to pressure former vice-president Mike Pence into rejecting the slate of accurate electors for Joe Biden during the electoral college vote-counting on 6 January 2021. Pence did not declare Trump the winner, use these fake electoral votes, or otherwise delay the official count.
Arizona’s charges are the latest turn in the fake electors saga. Seven states saw similar schemes, but two states – New Mexico and Pennsylvania – hedged their language in their documents enough to prevent prosecution.
Democratic attorneys general in Michigan and Nevada have indicted Republican fake electors in their respective states. In Georgia, three of 16 fake electors were indicted as part of a wide-ranging racketeering indictment against Trump and allies. The remaining were given immunity for helping in the district attorney’s investigation.
In Wisconsin, the fake electors acknowledged Biden’s win as a way to settle a civil lawsuit over the issue.
Mayes’ investigation fell behind other states because she narrowly won office in 2022, and her predecessor, Republican Mark Brnovich, had not pursued the line of inquiry. She had confirmed the investigation in early 2023.
The investigation – along with a host of other disagreements – have put Mayes at odds with Arizona’s Republican-led legislature, which started a committee to investigate Mayes and her office over concerns she was working beyond her authority as attorney general.
In a video on Wednesday, Mayes said the investigation was “thorough and professional” and would provide justice for the plot to overturn the state’s electoral votes.
“I underst...
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What If Gravity is NOT A Fundamental Force? | Entropic Gravity
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There are four fundamental forces - the strong and weak nuclear forces, electromagnetism, and gravity. Except maybe gravity is no more fundamental than the force of a stretched elastic band. Maybe gravity is just an entropic byproduct—an emergent effect of the universe’s tendency to disorder. If you allow entropy to keep you in your seat for a bit, I’ll tell you all about it.
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What to Read for the Trans Rights Readathon 2024
NonFiction:
I Hope We Choose Love by Kai Cheng Thom
Ten Steps to Nanette by Hannah Gadsby
Safe and Sound by Mercury Stardust
Spectrums: Autistic Transgender People in Their Own Words (Various)
Fantasy:
The Final Strife by Saara El-Arifi
Cemetery Boys by Aiden Thomas
Lark and Kasim Start a Revolution by Kacen Callendar
Our Bloody Pearl by DN Bryn
Pet by Akwaeke Emezi
Venom & Vow by Elliot McLemore and Anna-Marie McLemore
Sci-Fi:
Mazarin Blues by Al Hess
Winters Orbit by Everina Maxwell
Strictly No Heroics by BL Radley
Horror:
Hell Followed with Us by Andrew Joseph White
Your Body is Not Your Body (Various)
General Fiction:
The Free People's Village by Sim Kern
Future Feeling by Joss Lake
Jonny Appleseed by Joshua Whitehead
The Thirty Names of Night by Zeyn Joukhadar
Romance:
A Taste of Gold and Iron by Alexandra Rowland
The Stars and the Stage by DN Bryn
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