#kideo tv

[glimmerkey]

Kideo TV Ad

#kideo tv #advertisement #80s stuff #cartoons #kids programming #popples #the get along gang #lady lovelylocks #rainbow brite

[jradventure]

Muse list

* if a character is listed more than once you will need to specify which version you’d like to interact with!

Humongous Entertainment  - Spy Fox  - Putt-Putt  - Pajama Sam  - Professor Quack Cartoon Network Kids next door  - Wallabee Beatles (numbuh 4)  - Kuki Sanban (numbuh 3)  - Chad Dickson (numbuh 274)  - Benedict Wigglestein (Father)  - The Delightful Children From Down The Lane Totally Spies  - Clover  - Jerry Lewis PowerPuff Girls  - Bubbles

Teen Titans  - Wally West (Kid Flash)  - Dick Grayson (Robin)  - Koriand'r (Starfire)

Fusion Fall  - Dexter

Young Justice  - Wally West (Kid Flash)  - Bart Allen (Impulse)  - Barry Allen (The Flash)  - Dick Grayson (Robin / Nightwing)  - Will Harper (former Speedy / Red Arrow)  - Crusher Crock (Sportsmaster)

Justice League Unlimited  - Wally West (The Flash)  - Greg Saunders (Vigilante)  - Vic Sage (The Question) - Skeets

Disney

Gooftroop / Goofy movie  - Robert “Bobby” Zimmeruski  - Max Goof  - Bradley Uppercrust III

Big Hero 6  - Tadashi Hamada

Halloween Town  - Dylan Cromwell

Cinderella  - Cinderella

Toy Story  - Barbie  - Ken

Peter Pan  - Peter Pan  - Tinkerbell

DuckTales / Toontown  - Llewellyn Duck  - Doctor Gyro Gearloose  - Scrooge Mc'duck

Disney Parks -Dreamfinder -Figment

Kideo TV

Rainbow Brite (i will not be doing any non crossover interactions with this fandom <3)  - Rainbow Brite  - Red Butler

DCAU  - Conner Kent (Superboy)  - Hal Jordan (Green Lantern)  - Barry Allen (The Flash)  - Oliver Queen (Green Arrow)  - Jay Garrick (The Flash)  - Thom Kallor (Star Boy)

Adult Swim

Venture Bros  - Dean Venture  - Cody Batson (Wonder Boy III) iykyk  - Dale Hale  - Lance Hale  - Rodney (Action Man)  - Gary Fisher ( Henchman 21)  - Jimmy Benson ( Henchman 24)

Barbie Cinematic Universe

Barbie FariyTopia trilogy  - Elina  - Azura  - Sunburst  - Lumina  - Amethyst

Princess and the Pauper  - Princess Anneliese

Barbie in the Nutcracker  - Clara Stahlbaum

Barbie Life in the Dreamhouse  - Ken  - Ryan  - Chelsea Roberts

Invincible - Rex Sloan

Marvel Comics - Clint Barton (Hawkeye) - Jack Hammer (Weasel)

Star Girl - Crusher Crock (Sports Master) - Charles Mcnider (Doctor Midnite) - Sylvester Pemberton (Star Man)

DC Comics - Jimmy Olsen - Bart Allen - Roy Harper

Peacemaker - Adrian Chase (Vigilante)

House MD - James Wilson

#mobile muse list

[dalt20]

Tooning In 10. Greg Bailey part 2 of 7

DL: So your first DiC credit, M.A.S.K for LBS and Kenner.

GB: The best thing about the show is once they put the masks on then there were no more lip sync issues to deal with.

DL: `Ah everyone said when you hide the mouths, you don't have to animate lip sync!

GB: It makes a lot less cells to draw and paint that's for sure. Also we tend to mostly do retakes for lip sync issues . The way we worked at DIC Tokyo is we made the lip assignments before they went to the studio in Tokyo and when the final show was animated they sent it back to our studio where we had animators like myself as well as a team of editors. They would sync it up and cut the show to length and then we would call retakes directly in Tokyo. There were no further retakes called in LA. Or at least not often unless there was some huge problem. The show we shipped out to LA then had the post prod sound added and it went on air. Sometimes the shows were leaving Tokyo and it was scheduled to be on air that following weekend. There were about 400 episodes that went through our studio in a couple of the years I was there. It was both syndicated shows and Saturday morning network shows.

DL: Dennis the Menace for General Mills and King Features Syndicate?

GB: Another syndicated series. If I recall we did one season with 65 episodes like most syndicated afternoon shows. That was the big thing in those years. Often they were cartoons made for marketing toys. I could be mistaken but I believe Dennis the Menace had some pre production done in Canada at Crawleys or maybe that was a different show. Those shows from Crawleys tended to be really screwed up and cause problems because they weren't very knowledgeable about pre-production for shipping overseas.

DL: Actually, Dennis for season 2 was done at Crawleys. Also C.O.P.S and Teddy Ruxpin.

GB: I do remember roughing out an animation for a Pas de Deux for the head animator . Or it was some typical ballet kind of move they needed for one of the Dennis episodes.

DL: Ok, did you read the comic strip or watch the old sitcom?

GB: I used to like the little comic books when I was a kid and the sitcom was made for my age. I remember walking around with an elastic in my hair to make my hair stick up straight like the kid in the sitcom. I saw it once in reruns about 10 years ago and it is something best left in the past.

DL: Ah great! you know the source material! As I heard that's important when working on an adaptation of a property.

GB:We did a lot of series that were really cranked out for the syndicated market. Dennis came in the second season I was there. We did some other pretty horrible shows besides Dennis like Hulk Hogan's WWF, Popples, Carebears, Dinosaucers, Beverly Hills Teens, Heathcliff, and so many of them all just blend together. But we also did some of the best shows on TV at the time and I still stand by them. Shows like Alf, Alf Tales, Kideo Video, The Real Ghostbusters ( network version) we also did a less good syndicated Ghostbusters. Usually Richard Raynis was creating and directing the better shows we were doing each year. So we really looked forward to working on them. The design and storyboard and the color and the animation were just amazing for back then.

DL: So by say, how was heathcliff?

GB: I can't forget Barbie and LadyLovely Locks in the list of bad syndicated stuff. Maybe I shouldn't have listed Heathcliff in the poor shows, it was actually better than that. There were a few others that had more going for them like Sylvannians, and Cadillac Cats and Gadget which was just finishing up when I first went there. These were kind of different shows that had the French directors doing them from LA or Bruno Bianchi in Tokyo.

DL: Did you read the comic strip or watch the original series from Ruby Spears?

GB: No I didn't. I know it was a series previously done by them. The one we did was Heathcliff and the Cadillac Cats.

DL: So how was the other segment, the Cadillac cats?

GB: It was fine in a peculiar way. It was the first show that the timing was actually done in Tokyo using western animators. Usually the Japanese like to time their own shows in the method they used. Cadialla Cats was the first American show even animated in China. It was done in Shanghai in about 1985. It looked really different but in a good way because the background painters were trained or experienced using watercolor for the backgrounds. So it looked very unlike all the Guache BG's were used in the US or Japan. But they were very experienced and skilled painters. It was strange to adapt a film-board like company that was making author films for China and get them trained to do work or American network TV. We did the timing because we were worried about having some really weird art film kind of timing if we sent that to be done in China. So the timing was quite accurate and controlled. We had also been the first to send work to Korea a few years earlier. A decade later all animation was done in China or Korea.

DL: So in Heathcliff, Riff Raff's girlfriend Cleo was drawn more anime-esque than the other characters. as all the over characters are drawn in an american cartoon style. Do you suppose the reason behind that?

GB: I think because it was directed from Tokyo and like I mentioned earlier Japan had become the center of the universe in the mid 80's. There were starting to be a lot of Japanese references in entertainment by that point.

DL: ah, I see.

GB: That would have been a better question to ask Bruno since he was directing it in Tokyo but he is deceased now. He would have the definitive answer. Bruno had a Japanese girlfriend that he later married at the time.

DL: Wow! Never knew. So why did you like working on the DiC shows directed by Richard Raynis?

GB: His shows were amazing. He was always pushing animation to a new level that I had never seen before. Up until then we always had very much Pablum-like kinds of shows for American TV. The Real Ghostbusters was actually quite shocking and scary for its time and especially for TV. Alf was just bizarre and had such incredible design and weird fun stories. Everything else in those days was like the same standard set of stories that showed up in every series from Hanna Barberra to everything. You know the typical staple of stories like , the baseball episode, the long lost twin arrives in town, the birthday party that they forget to invite one of the kids, .... These are all the same predictable stories in every series but for sure we never see that in a show from Richard Raynis. I still keep a lot of the designs and bg's from his shows because they still look good and I think we were really cutting through some barriers and taking chances on his shows.I would suggest watching Tough Shrimp Don't Dance from Alf if you aren't familiar with the series. It was probably animated at Korumi Studios in Tokyo which was everyone's favorite animation studio at the time. They were really great at animation and special effects. And from Ghostbusters something from season one with the original Slimer and Janine design like Killerwatt.

DL: Wow! I only know him for the Simpsons!

GB: That's right he went there pretty well after the DIC days ended or when things fell apart. So maybe the last time I worked with him was in 1987 or 88 and then Simpsons was going by then. At least on the Tracey Ullman show. I imagine he joined pretty early on.I forget if he did the first season on Alf Tales. That was also a great show. He also did Kidd Video which was just finishing up when I started in DIC. It looked pretty good. He was a producer on King of the Hill but I had lost contact with him long before then. So he had a great track record.

#animation #animation interview #tooning in. #greg bailey #Arthur #dic #dic entertainment #Heatcliff #dennis the menace #the real ghostbusters #anime #Tokyo

[elcinelateleymickyandonie]

''LA TIERRA DEL ARCOÍRIS'' (RAINBOW BRITE)

Es una serie animada de la franquicia de medios creada por Hallmark Cards. Fue producida por DIC Audiovisuel y escrita por Woody Kling con una animación proporcionada por Tokyo Movie Shinsha.

Rainbow Brite hizo su debut animado en el especial Peligro en los pozos, estrenado originalmente el 27 de junio de 1984. Posteriormente se realizaron cuatro especiales más, La Amenaza del poderoso Monstromurk y El comienzo de Rainbowland. En abril de 1986 se convirtió en una serie regular, integrando el bloque semanal de antología sindicada Kideo TV de DIC, ocho nuevos episodios se hicieron para esta sección. Rainbow Brite fue parte de la cadena Kideo hasta mayo de 1987.

Año de inicio: 27 de junio de 1984

Año de finalización: 24 de julio de 1986

Dirección: Bruno Bianchi, Osamu Dezaki, Rich Rudish

Créditos: Tomado de Wikipedia

https://es.wikipedia.org/wiki/Rainbow_Brite

Para ver el tráiler ingresa al enlace:

https://www.youtube.com/watch?v=rlL9VdVD5_E

[allroadsareconnected]

I got distracted from writing yesterday and allowed myself to stay distracted.

I am not happy about it. I am also not happy about what it was that started the distraction.

Have you ever had the memory of something suddenly appear, like movement in the corner of your eye? Every time you try to look at it, to turn and get it into focus it darts away as quickly as it comes and leaves you wondering if you ever saw it at all. The idea of it sticks with you, though. Follows you throughout your normal day as you do your normal things, make breakfast, clean the bathroom, pet the cat and then, there! Again! The echo of that memory flits just out of view.

The problem is, especially if you have an overactive imagination like mine, I couldn’t be sure if the memory was even real or some odd construct I’d come up with as a lonely only child. It was an absurd enough idea that either was a possibility, though I was far more concerned with the latter.

Yesterday I was haunted. Haunted by what I hoped was the memory of a children’s TV special from the early 90’s. As I desperately tried to search for proof that it had actually existed, my attempts became more and more frantic.

I searched for everything I could think of, and considering what I thought I remembered, keywords did not come easily. I scoured google until I found something that made my heart skip a beat. A reddit thread. Someone else had been looking. Someone else had found it.

KIDEO. AKA: KIDS CAN ROCK AND ROLL.

Please, please tell me someone else remembers these three rock’n’roll icons. And someone come cry with me about the “Rap” section.

#unrelated nonsense #kideo #i dont even know how to tag this #early 90’s kids tv #Canadian kids tv #Are they clowns? #Are they KISS cosplay? #WHY ARE THE WIGS SO BAD #haunting #memories from childhood #memories i dont want #kids can rock and roll

[allisonswrittenwords]

Seas are shining bright, and I’m gonna take you to…today’s Retro Rewatch!

In the last few Retro Rewatches, I’ve been covering one-off children’s specials, from puppets who know how to hug, stuffed bunnies who feel more than stuffed, a cartoon icon who learned math is, in fact, useful, and a Mongoose who bravely defends his territory, and his owners, against cobras.  All of these specials were ones I saw as a little kid, and some I hadn’t seen in years, other than a revisit as a teenager.  Today’s Retro Rewatch, while serving as the pilot for a series that didn’t really air as a series initially, qualifies because it has been quite a few years since I’ve seen it.

The (Sporadic) Adventures of Rainbow Brite

“Peril in the Pits” served as the pilot episode for Rainbow Brite, but it would be six months before the next episodes, a two-parter, aired.  The first six episodes were considered “specials,” and aired sporadically through 1984 and 1985, until after the release of Rainbow Brite and the Starstealer in November 1985.  Episode six aired in January 1986, and the second half of the series, episodes seven through thirteen, would air continuously from June 5, 1986, until July 24, 1986.  The entire series, all thirteen episodes, moved to the DiC syndication block Kideo TV.  That is more than likely how I saw the show in its entirety.  By that point (1987), Rainbow Brite had run its (first) course.

Surprisingly, the San Diego Zoo Adventure video eluded me until adulthood.  I still don’t know how that happened!

I mean, I have an idea of how it happened, but how did I not beg to see this when I was three years old?

Anyway, the Retro Rewatch.

I’m definitely going to watch the entire series at some point, which would mean quite a few Retro Rewatches in my future, but for today, I’m covering the first special, which serves as the pilot episode.

From June 27, 1984, this is Rainbow Brite’s first adventure on Earth…we assume.

“Peril in the Pits”

This is Brian.

He’s down, and tells his dog that he didn’t make “the team.”  He feels that nothing has gone right today, while ignoring the beautiful rainbow making itself known across the sky that his dog cannot otherwise ignore.

Meanwhile, a little girl riding her horse, with a furry companion of her own accompanying her, wonders what she has to do to get that boy to look at the rainbow, knowing that seeing the rainbow would make him happy.

Said girl unleashes the star sprinkles and magic from her color belt to plant the rainbow onto the ground…which the oblivious Brian walks right into.

He wasn’t supposed to walk into the rainbow, and the girl decides she needs to go and talk to him, despite Starlite’s objection about revealing themselves to the boy, who doesn’t seem to be overly upset with being covered in colors…yet.

Rainbow Brite comes down the rainbow and greets her new friend, who has “more questions than colors” about who she is, and how her horse flies.  So she introduces herself and Twink, but Starlite introduces himself.  “Staaaarlite…The Magnificent Horse, the Glory of the Galaxy.”

Pretty sure this is all mindblowing to Brian, until he realizes that he needs all these colors off of him, and informs Rainbow Brite that his father is a lawyer.

Whoah, whoah, when did he get all Entitled Brat who needs a Safe Space, whose Lawyer Daddy could sue the colors off of Rainbow Brite?

Rainbow’s solution is to help get the colors off (because she doesn’t wanna be sued an all, right?), but it means having to go to Rainbow Land!

On the way there, the two introduce themselves to each other.  The girl tells Brian she is Rainbow Brite!

Meanwhile, Murky Dismal is concocting a plan to rid Rainbow Land – and in turn, the world – of all colors, and make everyone gloomy.  Murky, along with his bumbling sidekick, Lurky, drive off in their Pollution Mobile (that’s not its real name) toward Rainbow Land to hatch their plan.

If they can stand all the colors on the way into Rainbow Land, that is.  They’re spotted by another one of those cute and cuddly creatures (this one is orange), who races off in his car to warn others of Murky and Lurky’s arrival.

Meanwhile, at Child Labor Land – er, Rainbow Land – other kids dressed similarly to Rainbow Brite, but with a single color work on mining the lands.  The babbling cuddly creature arrives and babbles to the kids, who understand his panic as Murky and Lurky are in Rainbow Land.  A boy in red, and a girl in orange (Red Butler and Lala Orange), decide that they’ll take care of Murky and Lurky.

According to their character descriptions, Lala Orange has a crush on Red Butler, albeit a secret one.  I guess this makes them the Fred and Daphne of Rainbow Land, since they’re going off together?

It sounded funny when I wrote it, friends.

Anyway, Murky brings his “Gloom Cloud,” which will make Rainbow so gloomy, she’ll be compliant enough to hand over her Color Belt.  It is at that moment that Rainbow Brite returns.  The other kids run to warn her of the situation, but of course, Murky and Lurky are hiding in the bushes.  Rainbow says she will never hand over her color belt, and a blast of the “Gloom Cloud” is countered with Star Sprinkles which hit Lurky and make him “full of pretty colors!”

And those colors clearly make him happy, wouldn’t you say?

A blast of the “Gloom Cloud” rids Lurky of all the pretty colors, and the two retreat from Rainbow Land, their plans foiled.

It won’t be the last time.  This is about 24 minutes, so it won’t take long for them to return.

Meanwhile, the two hide on a mountain, with plans to capture the Color Kids.  The kids check on their Star Sprinkle supply, when they get hit with the Gloom Cloud.  Compliant and moody, the Lala Orange, Red Butler, Patty O’Green, and Indigo accept their capture and go willingly with Murky into the cave.

That seemed to be a little too easy, wouldn’t you say?  I mean, even the My Little Pony characters kidnapped and taken hostage in Midnight Castle put up more of a fight than the Color Kids did.  It was all one spray of the Gloom Cloud and “we’re sad and moody.”  It all feels so…lazy.  And that, my friends, makes me sad.  I know it is a kiddie cartoon, I know it is the first episode, but I just don’t get it.  They’re supposed to be brave, and they don’t even try to put up a fight.

Oh heck, I’m just rambling on.  Moving on…

Rainbow successfully removes the colors from her new friend, and seriously, this is how she does it.

Brian braces himself like he’s getting a shot.  Look at that trembling and holding his breath!  All that worry, and it is over in four seconds!

Not over in four seconds, a potential rescue mission!

The sprites become frantic, informing Rainbow Brite and Starlite that Murky has captured the Color Kids, all because he wants her Color Belt.

Rainbow knows there is one thing she can do…rescue the kids!  With Brian along for the ride, she creates a rainbow that takes them to the Treacherous Pits, where the color kids are being held.  This is where her belt stops working, and causes Starlite to float in the air toward the pits!

Starlite cannot fly, but is able to break a potential fall and lands safely.  Unfortunately, he cannot fly (and can barely walk) in the pits, but is able to join the team when they set out in search of the Color Kids.  Rainbow informs Brian that if Murky were to get his hands on her Color Belt, the rest of the world would look like the pits.

Brian is appalled by the thought of this.  But hey, at least he won’t be getting his dad on Rainbow for what she did to him earlier.  There’s that.

Lurky is on lookout, and Murky uses blue Star Sprinkles he stole to disguise quicksand as water to entrap our heroes.  And of course Starlite, who refuses to look anything less than magnificent, sees the opportunity clean himself up and, well, leads himself to water.

Hasn’t he seen The Neverending Story?  This doesn’t end well!

Starlite becomes trapped in the quick sand, but Brian has an idea to form a chain to pull Starlite out.  Rainbow ends up in the quicksand with Starlite, and they very nearly sink.  It is the Color Belt, used as a rope, which saves them.

Seems this belt has more than one use, aside from The Most Important Use…providing all the colors!

But removing Rainbow’s belt proves disastrous, as the group is overtaken by their efforts, and weak and compliant (but not overcome by the Gloom Cloud!), they are put in a cage and captured by Murky, who now has the Color Belt for himself.  Again, it just seemed way too easy.  But I digress.  Now, he can succeed in removing all the color from Rainbow Land, which will remove all the color from the world.

In Rainbow Land, Murky dons the belt and uses it to make Rainbow Land lose its color.

Back in the pits, the Color Kids regain their grip on positivity and try to figure out a way to escape, until they find that everyone else has been captured.  When there seems to only be despair at the realization that Rainbow’s Color Belt is gone, it is Brian who pulls everyone together to plot an escape.

This boosts Rainbow’s morale, who says that they have hope, which doesn’t come from the belt, it comes from “inside us.”  It’s time for the group to get “unmurked,” and with the help of Brian’s baseball glove, Starlite (now magnificently unmurked!) kicks Twink to the top of the pits.

Seems dangerous, but it works.  Definitely the opposite of the “get captured” moments!

Meanwhile, Murky’s Gloom Cloud balloon is nearly ready to spread its dark gloom all over the world.  But Rainbow has escaped the Pits, and the group are ready to thwart Murky’s plans.  This involves climbing the rope to the Gloom Cloud balloon, and Brian successfully nabs the Color Belt from Murky. The balloon flies away, but Lurky lets too much air out, and the duo crash back into the cave, their plan a bunch of hot air.

Yeah, yeah.  Let me have my fun.

Easy come, easy go, the Color Belt is back in the right hands, and Murky has twelve more attempts to capture it from Rainbow Brite.

That’s not counting the movie.

Meanwhile, back at Rainbow Land, Rainbow’s adoring crowd of Sprites bid a newly-confident Brian goodbye, and Rainbow and Starlite help get Brian home.

His dog is happy to see him return.

Rainbow says goodbye to Brian, who responds (very shyly) in kind when Rainbow Brite tells Brian she will miss him.

Brian seems sad that his adventure is over, but Rainbow reminds “Grump Face” that next time there’s a rainbow, to “look up,” and that he might see her.  Brian promises he’ll look for her, and promises he won’t let things get him down.  He’s so confident, he says he is going to try out for the team again.

Didn’t they cut him?  How is he going to try out again?  Does he mean next time?

Ugh, I’ve got more questions than colors!

As Rainbow, Twink, and Starlite leave, and the Rainbow disappear behind them, Rainbow blows a kiss to Brian…

…who gets all bashful over that cute blonde girl with the flying horse.

As the familiar lyrics of Rainbow Brite’s theme play under the closing credits, thus ends Rainbow Brite’s first (documented) journey to Earth, and the first (that we’ve seen) encounter with Murky Dismal.  It won’t be her last.

As I said, he has twelve more attempts – ok, thirteen if you count the San Diego Zoo – to nab that Color Belt and destroy the world by removing all of its colors.  This also won’t be the last time we encounter Brian.  I do know he returns for the movie, but I haven’t seen the other episodes in a loooong time, so I’m guessing Rainbow Brite might need his help again?

We shall see.

Reaction

In all, not bad for a first outing.  The story itself has a lazy moment or two (the capture of the Color Kids, the stealing of the Color Belt).  I don’t know, it just seemed those moments could have had a little more effort written into them.  Like, why didn’t the Color Kids charge at Murky? I know I’m overthinking something that was mind-blowing for me when I was little.

I loved Rainbow Brite growing up, and even as an adult, I can remove my rose-colored nostalgia glasses to see through the childhood love and understand why I loved it so much.  It was fun (despite the lazy moments) and colorful.  As I said, for a first episode, it isn’t terrible.  It was actually entertaining.  The incidental music reminds me of Inspector Gadget, but there is a connection – Shuki Levy and Haim Saban.  Two composers that basically had their musical hands on everything 80s kids know and love.

Knowing that it wasn’t the human struggle to get through “Peril in the Pits,” I will most definitely watch the other specials/episodes of Rainbow Brite, and perhaps, the movie.

As for my next Retro Rewatch, I have a few ideas in mind, so I shall see which one comes to fruition.

Until then, if you see a rainbow, look up…

I’m kidding.  Like she’s ever going to come back.

I’d probably wind up with Joel McHale’s version of Rainbow Brite.

That’s my luck.

Have a great day!

        Retro Rewatch - Rainbow Brite: "Peril in the Pits" - My look at the "pilot"/first special for Rainbow Brite! Seas are shining bright, and I'm gonna take you to...today's Retro Rewatch!

#1984 #Peril in the Pits #Rainbow Brite #Retro Rewatch

[huntinggearsuperstores]

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[retrotrendy]

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