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#leverage!*
secondbeatsongs · 10 months
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somehow instead of saying "as a treat", I've started using the phrase "for morale", as if my body is a ship and its crew, and I (the captain) have to keep us in high spirits, lest we suffer a mutiny in the coming days.
and so I will eat this small block of fancy cheese, for morale. I will take a break and drink some tea, for morale. I will pick up that weird bug, for morale.
I'm not sure if it helps, but it does entertain me
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coldalbion · 1 month
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As a disabled person who's loved LEVERAGE and LEVERAGE REDEMPTION since the beginning - for the characters but also the whole ethos of performing acts that help people against crap systems, it's wonderful to be reminded that it springs from reality.
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aquariumfaguncle · 3 months
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he's fighting a beautiful buff lady. her shirt gets ripped and she's left in her slutty little tank top. "come on," you think. "why is the woman always wearing sexier things than her male counterparts." but fear not. now HE takes off his shirt and he's left in HIS slutty little tank top. equality. and then they kiss
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thundergrace · 1 year
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Just a couple of dudes reminding you that Aldis Hodge is, in fact, the sexiest man alive. In addition to being a horologist, he's also a painter and a violinist. He also went to school for architecture.
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aardvaark · 1 month
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leverage season 1 plot
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ancient-string · 3 months
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Anyone: *is watching Leverage for the first time*
Me: have you heard about watch order? Do you know the watch order? Hey. Hey. Are you aware that season one is out of order and requires a specific watching order. Hey. Hey. Hey. Have I told you about watch order yet?
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deanmarywinchester · 5 months
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oh I do love the Leverage Gloat when the mark has only met one or two of the leveragers. POV you are being arrested for corporate malfeasance and your company’s inept new IT guy, a european duchess, and three random weirdos are lined up with their arms folded smugly like a boyband
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scattered-winter · 6 months
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the dichotomy between an attack dog vs a guard dog is like. an attack dog is sent out to carry out violence. it's starved and abused to ensure aggression. it has no other purpose outside of Attacking at the whim of its master. it's constantly on guard because a threat can come from any direction at any time. it's the dog chained up in a basement that's only set loose when there's something to kill.
but a guard dog is protecting instead of attacking. instead of being sent out to fight, it comes home to defend the house. it may be constantly on watch for an external threat, but it is content to lay with the sheep until a wolf comes to the door. the guard dog has a warm place to sleep, and is well fed and treated like a member of the household. it's free to leave at any time but it stays to protect the house anyway. do u get it. do u understand.
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departmentq · 1 year
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The first link is the NY Post Page Six article (celebrity gossip column) from 2008
Response on Page Six, from Fraser's reps, promising to get the VFX artists paid
Dave Rand's original tweet
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littled0lls · 5 months
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Leverage parodying The Office was 10/10 much better than The Office
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5ivebyfive · 1 year
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Leverage 2x15 - "The Maltese Falcon Job"
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thatgirlonstage · 2 months
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The Nigerian Job is such a special pilot to me. “THE Parker?” “Is there someone better?” “No, but Parker is insane”. “I don’t even know what it is you do” to “That’s what I do”. The OT3 elevator scene. Eliot helping to haul Hardison out of the warehouse before it explodes. Their mini-con escape from the hospital. “What’s in it for me?” “Payback, and if it goes right, a lot of money” “What’s in it for me?” “A lot of money, and if it goes right, payback” and “I was just gonna send 1000 porno magazines to his office but hell yeah”. The Sophie “this isn’t her stage” reveal. The bait and switch that they meant for Dubenich to know he was being conned. “It’s a walk away job” but none of them do. “So go find some bad guys. Bad guys have money.” It does so much good work to establish what this show and these characters could become without jumping the gun on making them get too close too fast.
Like, the thesis of the episode is Nate’s “You all know what you can do, but I know what you can do together” and it’s such a fantastic way to handle a pilot because it’s all about potential: we understand immediately that these people are already hyper competent, but by the end of the episode we see what they could become together too. It’s about showing you the tentative beginnings of this partnership and all the space it still has to grow.
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churchofthecomet · 4 months
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Sophie grifting: hot duchess. seductive investor. mysterious businesswoman.
Eliot grifting: ridiculously competent chef. hot athlete (any sport). heartthrob country musician.
Hardison grifting: overly-confident criminal. assertive FBI agent. heartthrob classical musician.
Nathan Ford grifting: goddamn piece of shit oily slimy scumbag ambulance-chaser untrustworthy con artist with a stupid fucking voice and a silly hat
the show is not doing Nate any favors in the likeability or attractiveness departments here
(Bonus mention: Parker grifting: autism creature)
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united-under-skyfall · 11 months
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leverage is so fucking funny. man manages to find the most mentally ill and neurodivergent group of thieves on the market + an even more mentally ill guy whose literal job description was trying to chase all of them, and forces them into a found family speed-run by trying to blow them all up. they lowkey stage a full fucking country wide coup and are like eh 🤷 just another wednesday. this might be a fun place to vacation tho i guess. sophie shows up to her own funeral twice. they're so good at convincing people of their shit that they make a guy's body start reacting to an illness he doesn't have because it isn't real. go completely out on a limb and basically hand this one guy a new password for his computer so they can get into it and he goes with it. parker and hardison have straight up just "fake it 'till you make it"d into the fbi without even attempting to cover their tracks beyond just These Two Guys. half their clients never asked to be their clients and don't know they're their clients, and the other half are random people who find them who fuckin knows how, meanwhile no government agency can track them down without selling their soul to sterling. they make a point to have a dramatic scene w a Big Bad Shadowy Government Guy who doesn't actually get caught or brought to justice or anything telling them he's going to hunt them all down, and in any other show this would probably earn at least a minor arc later on but he literally never shows up again. an entire season finale hinged on a cake and a bunch of clams. they accidentally made eliot a celebrity not once, not twice, but three times. parker blew up her foster parents' house when she was like. nine. and it's hardly a footnote. hardison is just casually an artistic prodigy but it's only ever brought up for the most background of background gags. eliot's biggest beef with parker and hardison for like two and a half seasons is that they won't stop making weird food with lasers and refuse to realize they can't make a decent beer to save their lives. sophie's immediate response to being shot is to call her shooter a wanker. there's a character who has literally killed a man with a mop and they had the audacity to only put her in one episode.
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aeide-thea · 1 year
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on principle opposed to describing art i dislike as 'masturbatory' because even though it's an alluringly contemptuous word to sneer it's impossible to reconcile with my pro-masturbation stance
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