#maya Edelman

[mtaartsdesign]

Maya Edelman’s digital animation “Dream City” celebrates the resilience and ‘round-the-clock possibility of New York City, following the return of 24-hour subway service. Featuring jubilant characters depicted as straphangers riding through a fantastical city of the future, “Dream City” reminds us of the joy we can find along our commuting journeys.

Airing for two minutes at the top of every hour at Fulton Center in Lower Manhattan, “Dream City” is presented by MTA Arts & Design with technical support from Westfield Properties (@urw_group) and ANC Sports (@ancexperiences).

#mtaarts #digitalart #maya Edelman #dream city

[dear-indies]

full list of biden letter 2:

Aaron Bay-Schuck Aaron Sorkin Adam & Jackie Sandler Adam Goodman Adam Levine Alan Grubman Alex Aja Alex Edelman Alexandra Shiva Ali Wentworth Alison Statter Allan Loeb Alona Tal Amy Chozick Amy Pascal Amy Schumer Amy Sherman Palladino Andrew Singer Andy Cohen Angela Robinson Anthony Russo Antonio Campos Ari Dayan Ari Greenburg Arik Kneller Aron Coleite Ashley Levinson Asif Satchu Aubrey Plaza Barbara Hershey Barry Diller Barry Levinson Barry Rosenstein Beau Flynn Behati Prinsloo Bella Thorne Ben Stiller Ben Turner Ben Winston Ben Younger Billy Crystal Blair Kohan Bob Odenkirk Bobbi Brown Bobby Kotick Brad Falchuk Brad Slater Bradley Cooper Bradley Fischer Brett Gelman Brian Grazer Bridget Everett Brooke Shields Bruna Papandrea Cameron Curtis Casey Neistat Cazzie David

Charles Roven Chelsea Handler Chloe Fineman Chris Fischer Chris Jericho Chris Rock Christian Carino Cindi Berger Claire Coffee Colleen Camp Constance Wu Courteney Cox Craig Silverstein Dame Maureen Lipman Dan Aloni Dan Rosenweig Dana Goldberg Dana Klein Daniel Palladino Danielle Bernstein Danny Cohen Danny Strong Daphne Kastner David Alan Grier David Baddiel David Bernad David Chang David Ellison David Geffen David Gilmour & David Goodman David Joseph David Kohan David Lowery David Oyelowo David Schwimmer Dawn Porter Dean Cain Deborah Lee Furness Deborah Snyder Debra Messing Diane Von Furstenberg Donny Deutsch Doug Liman Douglas Chabbott Eddy Kitsis Edgar Ramirez Eli Roth Elisabeth Shue Elizabeth Himelstein Embeth Davidtz Emma Seligman Emmanuelle Chriqui Eric Andre Erik Feig Erin Foster Eugene Levy Evan Jonigkeit Evan Winiker Ewan McGregor Francis Benhamou Francis Lawrence Fred Raskin Gabe Turner Gail Berman Gal Gadot Gary Barber Gene Stupinski Genevieve Angelson Gideon Raff Gina Gershon Grant Singer Greg Berlanti Guy Nattiv Guy Oseary Gwyneth Paltrow Hannah Fidell Hannah Graf Harlan Coben Harold Brown Harvey Keitel Henrietta Conrad Henry Winkler Holland Taylor Howard Gordon Iain Morris Imran Ahmed Inbar Lavi Isla Fisher Jack Black Jackie Sandler Jake Graf Jake Kasdan James Brolin James Corden Jamie Ray Newman Jaron Varsano Jason Biggs & Jenny Mollen Biggs Jason Blum Jason Fuchs Jason Reitman Jason Segel Jason Sudeikis JD Lifshitz Jeff Goldblum Jeff Rake Jen Joel Jeremy Piven Jerry Seinfeld Jesse Itzler Jesse Plemons Jesse Sisgold Jessica Biel Jessica Elbaum Jessica Seinfeld Jill Littman Jimmy Carr Jody Gerson

Joe Hipps Joe Quinn Joe Russo Joe Tippett Joel Fields Joey King John Landgraf John Slattery Jon Bernthal Jon Glickman Jon Hamm Jon Liebman Jonathan Baruch Jonathan Groff Jonathan Marc Sherman Jonathan Ross Jonathan Steinberg Jonathan Tisch Jonathan Tropper Jordan Peele Josh Brolin Josh Charles Josh Goldstine Josh Greenstein Josh Grode Judd Apatow Judge Judy Sheindlin Julia Garner Julia Lester Julianna Margulies Julie Greenwald Julie Rudd Juliette Lewis Justin Theroux Justin Timberlake Karen Pollock Karlie Kloss Katy Perry Kelley Lynch Kevin Kane Kevin Zegers Kirsten Dunst Kitao Sakurai KJ Steinberg Kristen Schaal Kristin Chenoweth Lana Del Rey Laura Dern Laura Pradelska Lauren Schuker Blum Laurence Mark Laurie David Lea Michele Lee Eisenberg Leo Pearlman Leslie Siebert Liev Schreiber Limor Gott Lina Esco Liz Garbus Lizanne Rosenstein Lizzie Tisch Lorraine Schwartz Lynn Harris Lyor Cohen Madonna Mandana Dayani Mara Buxbaum Marc Webb Marco Perego Maria Dizzia Mark Feuerstein Mark Foster Mark Scheinberg Mark Shedletsky Martin Short Mary Elizabeth Winstead Mathew Rosengart Matt Lucas Matt Miller Matthew Bronfman Matthew Hiltzik Matthew Weiner Matti Leshem Max Mutchnik Maya Lasry Meaghan Oppenheimer Melissa Zukerman Michael Aloni Michael Ellenberg Michael Green Michael Rapino Michael Rappaport Michael Weber Michelle Williams Mike Medavoy Mila Kunis Mimi Leder Modi Wiczyk Molly Shannon Nancy Josephson Natasha Leggero

Neil Blair Neil Druckmann Nicola Peltz Nicole Avant Nina Jacobson Noa Kirel Noa Tishby Noah Oppenheim Noah Schnapp Noreena Hertz Odeya Rush Olivia Wilde Oran Zegman Orlando Bloom Pasha Kovalev Pattie LuPone Paul & Julie Rudd Paul Haas Paul Pflug Peter Traugott Polly Sampson Rachel Riley Rafi Marmor Ram Bergman Raphael Margulies Rebecca Angelo Rebecca Mall Regina Spektor Reinaldo Marcus Green Rich Statter Richard Jenkins Richard Kind Rick Hoffman Rick Rosen Rita Ora Rob Rinder Robert Newman Roger Birnbaum Roger Green Rosie O’Donnell Ross Duffer Ryan Feldman Sacha Baron Cohen Sam Levinson Sam Trammell Sara Foster Sarah Baker Sarah Bremner Sarah Cooper Sarah Paulson Sarah Treem Scott Braun Scott Braun Scott Neustadter Scott Tenley Sean Combs Seth Meyers Seth Oster Shannon Watts Shari Redstone Sharon Jackson Sharon Stone Shauna Perlman Shawn Levy Sheila Nevins Shira Haas Simon Sebag Montefiore Simon Tikhman Skylar Astin Stacey Snider Stephen Fry Steve Agee Steve Rifkind Sting & Trudie Styler Susanna Felleman Susie Arons Taika Waititi Thomas Kail Tiffany Haddish Todd Lieberman Todd Moscowitz Todd Waldman Tom Freston Tom Werner Tomer Capone Tracy Ann Oberman Trudie Styler Tyler James Williams Tyler Perry Vanessa Bayer Veronica Grazer Veronica Smiley Whitney Wolfe Herd

Will Ferrell Will Graham Yamanieka Saunders Yariv Milchan Ynon Kreiz Zack Snyder Zoe Saldana Zoey Deutch Zosia Mamet

#fc help #rph #rpt #banned fc #zionist fc

[bishopusa12]

The Power of Positivity: Inspiring Education Quotes to Transform Your Mindset and Approach to Learning.

Positive education quotes are a powerful tool that can be used to inspire and motivate individuals to pursue their goals and achieve their dreams. These quotes come from a diverse range of thinkers, educators, and leaders, and offer insights on the value and potential of education in our lives.

One such quote comes from American author and poet Maya Angelou, who said, "I've learned that people will forget what you said, people will forget what you did, but people will never forget how you made them feel." This quote highlights the importance of positive relationships and emotional connections in education, and emphasizes the need for educators to create safe and nurturing learning environments where students feel valued and respected.

Another perspective on the value of positive education comes from British educator and author Ken Robinson, who said, "The role of education is to enable students to understand the world around them and the talents within them, so that they can become fulfilled individuals and active, compassionate citizens." This quote emphasizes the potential for education to empower individuals to realize their full potential and to make positive contributions to their communities and society.

Similarly, educator and philosopher John Dewey once said, "Education is not preparation for life; education is life itself." This quote highlights the importance of viewing education as a lifelong journey of discovery and growth, rather than simply as a means to an end.

By incorporating positive education quotes into their teaching practices, educators can inspire their students to value education as a means of personal and societal growth, and to develop a lifelong love of learning. These quotes can also serve as a reminder to educators of the important role they play in shaping the future of their students and society at large.

Positive education quotes can also serve as a powerful tool for individuals outside of the formal education system, such as parents and caregivers. These quotes can remind us of the importance of fostering a positive and supportive learning environment for children, both in and outside of the classroom. One such quote comes from American civil rights leader and educator, Marian Wright Edelman, who said, "Education is for improving the lives of others and for leaving your community and world better than you found it." This quote highlights the important role that education can play in creating positive change in society, and reminds us of our responsibility to use education as a tool for improving the lives of others.

Another perspective on the value of positive education comes from American author and motivational speaker, Zig Ziglar, who said, "You don't have to be great to start, but you have to start to be great." This quote emphasizes the importance of taking action and pursuing our goals, even if we do not feel fully prepared or confident. It can serve as a powerful reminder to individuals of all ages that education is a journey of growth and development, and that we must be willing to take risks and step outside of our comfort zones in order to achieve our full potential.

Ultimately, positive education quotes offer a powerful reminder of the transformative power of education, and the potential for education to create positive change in our lives and in society at large. By incorporating these quotes into our daily lives, we can inspire ourselves and others to value education as a means of personal and societal growth, and to embrace lifelong learning as a key to success and fulfillment in life.

In addition to inspiring us to value education, positive education quotes can also serve as a source of motivation and encouragement during difficult times. For example, American educator and writer, Jaime Escalante, once said, "Mathematics is the key and door to the sciences." This quote reminds us of the importance of persistence and hard work in pursuing our goals, even when faced with challenges and setbacks. Similarly, American philosopher and educator, William James, once said, "The greatest discovery of my generation is that a human being can alter his life by altering his attitudes." This quote emphasizes the power of our thoughts and attitudes in shaping our lives, and encourages us to adopt a positive and growth-oriented mindset in all areas of our lives.

Positive education quotes can also serve as a valuable tool for promoting diversity and inclusion in education. For example, American civil rights activist and educator, Malcolm X, once said, "Education is the passport to the future, for tomorrow belongs to those who prepare for it today." This quote highlights the importance of equal access to education for all individuals, regardless of race, ethnicity, or socioeconomic status. By promoting a culture of inclusion and equity in education, we can ensure that all individuals have the opportunity to realize their full potential and make positive contributions to society.

Furthermore, positive education quotes can help promote creativity and innovation in education. American entrepreneur and inventor, Thomas Edison, once said, "I have not failed. I've just found 10,000 ways that won't work." This quote emphasizes the importance of persistence and experimentation in the pursuit of innovation, and encourages us to view failure as an opportunity for growth and learning.

Positive education quotes can also serve as a reminder of the importance of community and collaboration in education. African American poet and civil rights activist, Maya Angelou, once said, "I've learned that people will forget what you said, people will forget what you did, but people will never forget how you made them feel." This quote highlights the importance of empathy and connection in education, and encourages us to foster a supportive and compassionate learning environment for all individuals.

Finally, positive education quotes can help us appreciate the beauty and wonder of the world around us. American naturalist and writer, John Muir, once said, "In every walk with nature one receives far more than he seeks." This quote reminds us of the transformative power of nature and the importance of fostering a deep and abiding connection with the natural world.

positive education quotes offer a diverse range of perspectives on the value and potential of education. By reflecting on these quotes and incorporating their messages into our teaching practices, we can inspire ourselves and our students to value education as a means of personal and societal growth, and to embrace lifelong learning as a key to success and fulfillment in life.

positive education quotes offer a wealth of insights and perspectives on the value and potential of education. By incorporating these quotes into our daily lives, we can inspire ourselves and others to value education as a means of personal and societal growth, to embrace lifelong learning, and to create positive change in our lives and in the world around us.

Positive education quotes offer a powerful tool for promoting personal and societal growth, fostering a culture of inclusion and equity, promoting creativity and innovation, encouraging community and collaboration, and fostering a deep appreciation for the beauty and wonder of the world around us. By incorporating these quotes into our daily lives, we can inspire ourselves and others to embrace the transformative power of education, and to create a better and more just world for all.

#positivity #Education

[etcemais]

Confira a lista completa dos indicados ao Annie Awards, o Oscar das animações.

-MELHOR LONGA-METRAGEM Red – Crescer é uma Fera Pinóquio por Guillermo del Toro Gato de Botas 2: O Último Pedido A Fera do Mar Wendell & Wild

-MELHOR LONGA-METRAGEM INDEPENDENTE Charlotte Inu-oh Le petit Nicolas: Qu’est-ce qu’on attend pour être heureux? Marcel the Shell with Shoes On O Dragão do Meu Pai

-MELHOR PRODUÇÃO ESPECIAL Planeta pré-histórico Superworm O Menino, a Toupeira, a Raposa e o Cavalo The House Sandman MELHOR CURTA-METRAGEM Amok Black Slide Ice Merchants Love, Dad The Flying Sailor

-MELHOR ANÚNCIO Can’t Negotiate the Melting Point of Ice Minions: The Rise of Gru/The Office Save Ralph Ted Lasso: The Missing Christmas Mustache Today’s Holiday Moments are Tomorrow’s Memories

-MELHOR ANIMAÇÃO PARA TV – IDADE PRÉ-ESCOLAR Elinor, a Curiosa A casa de bonecas da Gabby Rise Up, Sing Out Guardiões da Floresta The Tiny Chef Show

-MELHOR ANIMAÇÃO PARA TV – CRIANÇAS Abominável e a Cidade Invisível Big Nate Moominvalley A Casa Coruja Ursinhos em Curso

-MELHOR ANIMAÇÃO PARA TV – PÚBLICO ADULTO Bob’s Burgers Harley Quinn Rick and Morty Os Simpsons – A Casa da Árvore do Horror XXXIII Tuca & Bertie

-MELHOR MINISSÉRIE Baymax! A Surda Absurda HouseBroken ONI: A Lenda do Deus do Trovão Undone

-MELHOR FILME DE ESTUDANTES Au revoir Jérôme! Birdsong Synchronie Passagère The Most Boring Granny in the Whole World The Soloists

-MELHORES EFEITOS VISUAIS PARA TV Carros na Estrada Love Death + Robots Planeta pré-histórico O Menino, a Toupeira, a Raposa e o Cavalo The House

-MELHORES EFEITOS VISUAIS EM FILME Avatar: O Caminho da Água Lightyear Pinóquio por Guillermo del Toro Minions 2: A Origem de Gru A Fera do Mar

-MELHOR ANIMAÇÃO DE PERSONAGENS NA TV Aziz Kocanagullari (Entergalactic) Toshihiro Nakamura (ONI: A Lenda do Deus do Trovão) Henrique Baron (StoryBots: Answer Time) Tim Watts (O Menino, a Toupeira, a Raposa e o Cavalo) Kecy Salangad (The House)

-MELHOR ANIMAÇÃO DE PERSONAGENS EM FILME Teresa Falcone (Red – Crescer é uma Fera) Eric Anderson (Red – Crescer é uma Fera) Tucker Barrie (Pinóquio por Guillermo del Toro) Jorge Capote (Os Caras Malvados) Min Hong (Os Caras Malvados)

-MELHOR ANIMAÇÃO DE PERSONAGENS EM LIVE-ACTION Avatar: O Caminho da Água A Fera Finch Jurassic World: Dominio Peacemaker

-MELHOR ANIMAÇÃO DE PERSONAGENS EM VIDEOGAME Cuphead – The Delicious Last Course God of War Ragnarök Horizon Forbidden West Moss: Book II Potionomic

-MELHOR DESIGN DE PERSONAGENS NA TV Joe Sparrow (Amphibia) Entergalactic (Meybis Ruiz Cruz) Alberto Mielgo (Love Death + Robots) Rebecca Chan (ONI: A Lenda do Deus do Trovão) Marie Delmas (Guardiões da Floresta)

-MELHOR DESIGN DE PERSONAGENS EM FILME Massimiliano Narciso (Sorte) Jesús Alonso Iglesias (Gato de Botas 2: O Último Pedido) Ida Hem (O Despertar das Tartarugas Ninja: O Filme) Taylor Krahenbuhl (Os Caras Malvados) Pablo Lobato (Wendell & Wild)

-MELHOR DIREÇÃO NA TV Lissa Treiman (Baymax!) Yûzô Satô (exception) Amy Bench e Maya Edelman (More Than I Want To Remember) Daisuke “Dice” Tsutsumi (ONI: A Lenda do Deus do Trovão) Peter Baynton e Charlie Mackesy (O Menino, a Toupeira, a Raposa e o Cavalo)

-MELHOR DIREÇÃO EM FILME Domee Shi (Red – Crescer é uma Fera) Guillermo Del Toro e Mark Gustafson (Pinóquio por Guillermo del Toro) Dean Fleischer Camp, Kirsten Lepore e Stephen Chiodo (Marcel the Shell with Shoes On) Nora Twomey (O Dragão do Meu Pai) Henry Selick (Wendell & Wild)

-MELHOR MÚSICA NA TV Rob Cairns (Love Death + Robots) Zach Johnston e Matteo Roberts (ONI: A Lenda do Deus do Trovão) Isobel Waller-Bridge e Charlie Mackesy (O Menino, a Toupeira, a Raposa e o Cavalo) Ego Plum (The Cuphead Show!) Gustavo Santaolalla (The House)

-MELHOR MÚSICA EM FILME Ludwig Göransson, Billie Eilish e Finneas O’Connell (Red – Crescer é uma Fera) Alexandre Desplat, Roeban Katz, Guillermo del Toro e Patrick McHale (Pinóquio por Guillermo del Toro) Dan Wool (Mad God) Daniel Pemberton (Os Caras Malvados) Mark Mancia, Nell Benjamin e Laurence O’Keefe (A Fera do Mar)

-MELHOR DESIGN DE PRODUÇÃO NA TV Primal Histórias de Shopping ONI: A Lenda do Deus do Trovão O Menino, a Toupeira, a Raposa e o Cavalo The House

-MELHOR DESIGN DE PRODUÇÃO EM FILME Pinóquio por Guillermo del Toro Mad God Gato de Botas 2: O Último Pedido Os Caras Malvados A Fera do Mar

-MELHOR STORYBOARDING NA TV Kaneko Yoshiyuk (Cyberpunk: Mercenários) Grace Liu (Kung Fu Panda: O Cavaleiro Dragão) Mike Ruocco (Looney Tunes Cartoons) Emily Dean (Love Death + Robots) Karl Hadrika (The Cuphead Show!)

-MELHOR STORYBOARDING EM FILME Nima Azarba (Minions 2: A Origem de Gru) Dave Feiss (Minions 2: A Origem de Gru) Anthony Holden (Gato de Botas 2: O Último Pedido) Jeff Snow (Mundo Estranho) Javier Ledesma Barboll (Mundo Estranho)

-MELHOR ATUAÇÃO DE VOZ EM TV Candi Milo (Looney Tunes Cartoons) Fred Tatsciore (StoryBots: Answer Time) Tara Strong (Os Jovens Titãs em Ação! e DC Super Hero Girls: Caos no Multiverso) Karen Malina White (A Família Radical: Maior e Melhor) Maurice LaMarche (Zootopia+)

-MELHOR ATUAÇÃO DE VOZ EM FILME David Bradley (Pinóquio por Guillermo del Toro) Gregory Mann (Pinóquio por Guillermo del Toro) Jenny Slate (Marcel the Shell with Shoes On) Wagner Moura (Gato de Botas 2: O Último Pedido) Zaris-Angel Hator (A Fera do Mar)

-MELHOR ROTEIRO NA TV Cirocco Dunlap (Baymax!) Mitch Watson, Emily Brundige, Ben Lapides e Sarah Allan (Big Nate) Andrew Kevin Walker (Love Death + Robots) Enda Walsh (The House) Lisa Hanawalt (Tuca & Bertie)

-MELHOR ROTEIRO EM FILME Domee Shi e Julia Cho (Red – Crescer é uma Fera) Jason Loftus (Eternal Spring) Akiko Nogi (Inu-oh) Dean Fleischer Camp, Jenny Slate, Nick Paley, Elisabeth Holm (Marcel the Shell with Shoes On)

-MELHOR EDIÇÃO NA TV Amphibia Ovos Verdes e Presuntos O Mundo de Karma Star Trek: Lower Decks O Menino, a Toupeira, a Raposa e o Cavalo

-MELHOR EDIÇÃO EM FILME Lightyear Red – Crescer é uma Fera Pinóquio por Guillermo del Toro Gato de Botas 2: O Último Pedido A Fera do Mar

#Premiação #Premiacao #Oscar #AnnieAwards #Animação #Animacao

[rockhyrax]

Concert projection designs I did for Crowded House on their March tour in New Zealand (Animation director: Maya Edelman, @longunevenhair / studio: Human Person)

#animation #motion #loop #abstract animation #design #Something So Strong #Crowded House

[npr]

Children's Defense Fund founder Marian Wright Edelman is sitting in a rocking chair on a farmhouse porch in the hills of rural east Tennessee. She's granting a rare interview on the farm she bought 25 years ago to use as a retreat to train a new generation of activists.

"Everybody needs beauty," she says, looking out on the verdant landscape. A creek meanders through the 150-acre property, once owned by Roots author Alex Haley, in Clinton. There are porch-wrapped farmhouses, an apple orchard, a fishing pond and two structures designed by architect Maya Lin — the cantilever barn library and a chapel in the shape of an ark.

"It's a metaphor for hope," Edelman says.

Haley Farm harks back to the Highlander Folk School, where leaders of the civil rights movement trained in the 1950s.

Edelman says it's home to a new social justice movement — "a modern movement that goes beyond the civil rights movement that ends poverty."

A Tennessee Farm Grows A New Generation Of Social Justice Activists

Photos: Shawn Poynter for NPR

#photos #NPR #civil rights #social justice #people of color #african americans #tennessee

[deepartnature]

“Bringing Back Bowery: Public Art as Protest” at Howl! Happening and on the Streets on and off the Bowery

"Following the murder of George Floyd, the spirit of resistance that once characterized Lower Manhattan once again permeated its streets, as the boarded-up stores became canvases for politically driven murals. Several of these artworks no longer on the streets are on view in a splendid exhibition — curated by  Sono Kuwayama, Bob Holman and Howl! Happening — at Howl! on 6 East 1st Street. Others remain on the streets. The image featured above, Black Trans Lives Matter, was fashioned with acrylic and house paint on plywood by Maya Edelman, Scooter LaForge, and Sono Kuwayama. Several more images follow — from both the Howl! exhibition and its neighboring blocks. ..."

Street Art NYC

The noted painter Izhar Patkin, as seen on Cooper Square

[loudlylovingreview]

Video: collective: unconscious

https://vimeo.com/178011614 . Five of independent film’s most adventurous filmmakers join forces to adapt each other’s dreams for the screen. The results are, “like nothing you’ve ever seen with your eyes open.” (Rolling Stone) . 00:04:31 Black Soil, Green Grass (Directed by Daniel Patrick Carbone // Dreamt by Lauren Wolkstein) 00:23:22 First Day Out(Directed by Josephine Decker // Dreamt by Lily…

View On WordPress

#collective: unconscious #Daniel Patrick Carbone #Frances Bodomo #Josephine Decker #Lauren Wolkstein #Lily Baldwin #Maya Edelman

[madisonavenyc-blog]

Valentine's Day Outfit Inspiration by mvdisonbecker featuring a perfume fragrance

Chicwish red jumpsuit, €45 / Sam Edelman high heel shoes, €110 / Urban Expressions envelope clutch, €16 / Bloomingdale's gold earrings, €410 / Kenneth Jay Lane faux pearl necklace, €40 / Maya Magal gold jewelry, €88 / Flavored lipstick, €5,88 / Perfume fragrance, €115

#polyvore #fashion #style #Chicwish #Sam Edelman #Urban Expressions #Bloomingdale's #Kenneth Jay Lane #Maya Magal #clothing

[mogulinteriororlando]

Coffee time

Coffee time by denisee-denisee featuring quote wall art ❤ liked on Polyvore

#polyvore #fashion #style #Sam Edelman #Gucci #Louis Vuitton #Deepa Gurnani #Coach #Maya Magal #Marc Jacobs #RetroSuperFuture #Deborah Lippmann #Rustic Arrow #clothing

[rockhyrax]

More Crowded House tour projections for Something So Strong (Design and animation: me, Animation director: Maya Edelman, @longunevenhair / studio: Human Person)

#crowded house #tour #motion #animation #abstract animation #live projections #design

[freenewstoday]

New Post has been published on https://freenews.today/2021/04/25/mayoral-candidates-a-very-mixed-bag-on-fixing-nycs-public-schools/

Mayoral candidates a very mixed bag on fixing NYC’s public schools

Mayoral candidate Maya Wiley leads the pack when it comes to hypocrisy on education.

As co-chair of Mayor Bill de Blasio’s advisory panel on school diversity, Wiley pushed for ending the city’s Gifted and Talented programs, the specialized high schools entrance exam and all admission screens.

She told The Post, “There should be no discriminatory admissions, period.” But The Post’s Susan Edelman found that Wiley took advantage of selective public-school programs for her oldest daughter.

In short, she would close the doors to first-rate educational opportunities for other aspiring families now that her kids don’t need them.

The other major candidates are at least more nuanced on public-school issues.

Scott Stringer wants to preserve existing G&T programs and add new ones to boost opportunity. He’d like to replace the test for specialized-school entry with the state exams that all kids take.

Eric Adams would keep the exam and add new selective high schools, while adding admissions slots for the top kids from every city middle school. He also wants more G&T to better help lower-income areas.

Andrew Yang wants to keep but “de-emphasize” the existing test, which presumably translates to adding more alternatives to selective-HS entry. He, too, wants to open more selective schools so each borough has at least two.

Ray McGuire would also expand G&T for underserved communities and again add new paths for admission to the top high schools. He’d clearly support opening more specialized schools, too.

But McGuire stands out from the pack when it comes to charter schools: He wants to lift the cap that prevents new ones from opening, telling supporters recently, “We need to give our children the best education possible. I want to give parents a choice.” Yang, Adams, Stringer and Wiley all want to keep the cap.

Adams says he supports charter schools, but notes the cap is in in the Legislature’s hands. His focus would be on getting lawmakers to allow the re-use of the dozen or so “zombie charters” where schools granted a charter closed or never opened.

To be clear: Any support for charters can make a difference from the de Blasio years, as this mayor has endlessly harassed existing charter schools, regularly working to deny them space to expand.

That’s because the United Federation of Teachers hates charters, so you can consider the UFT’s endorsement of Stringer a huge black mark if you care about educational choice and excellence.

Yang, notably, publicly blamed the UFT for the failure to reopen public schools in the face of COVID — but then backed down after a meeting with UFT boss Mike Mulgrew. At least he and McGuire are passionate about the learning lost amid the school shutdowns.

Indeed, McGuire waxed eloquent on the need for choice and school reform generally when he met with The Post Editorial Board last week, the first candidate to do so. We look forward to seeing if any other candidate can stand so firmly for change on this crucial issue.

Source

#Andrew Yang #department of education #editorial #eric adams #Gifted and Talented #mayoral race #New York City #opinion #public schools #scott stringer #State Education Department

[danselzer]

Maya Edelman - Reel 2018

#Vimeo #animation #reel #celanimation #collectiveunconscious #mayaedelman #broadcity #outofmyhead #water #eggs #explosions

[luisbunueldondeestas]

Strand 1: Theorising Moving Images

1.   Ontology

Reading:

André Bazin, "The Ontology of the Photographic Image.” In What is Cinema?. Volume I. Hugh Gray, ed. and trans. (Berkeley: University of California Press, 1967), pp. 9-16.

Alessandre Raenga, On the Sleeve of the Visual: Race as Face Value (Dartmouth, NH: University Press of New England), pp. 21-51.

Stanley Cavell, The World Viewed. Cambridge, Massachusetts: Harvard University Press, 1979), pp. 10-25; 118-133.

Jean-Luc Nancy, "The image--the Distinct.” In Nancy, Jean-Luc. The Ground of the Image. Jeff Fort, trans. (New York: Fordham University Press, 2005), pp. 1-14.

Further Reading

Martin Heidegger, 'The Question Concerning Technology', The Question Concerning Technology and Other Essays, William Lovitt, trans. (New York: Harper Perennial, 1977), 3-35.

Screening

Electrocuting an Elephant (Edison, 1903)

Study in Choreography for the Camera

How It Feels to Be Run Over (Hepworth, 1900)

Blow Job (Andy Warhol, 1963)

(nostalgia) (Hollis Frampton, 1971)

The Girl Chewing Gum (John Smith, 1976)

2. The Aesthetic

Reading  

Immanuel Kant, The Critique of the power of judgment, Paul Guyer and Eric Matthews, trans. (Cambridge: Cambridge UP, 2000 [1790]), pp. 89-127; 182-187.

Gilles Deleuze, 'Having an Idea in Cinema', Deleuze & Guattari: New Mappings in Politics, Philosophy and Culture Eleanor Kaufman and Kevin Jon Heller, eds. (Minneapolis and London: University of Minnesota Press, 1994), pp. 14-19.

Jacques Rancière, The Politics of Aesthetics, Gabriel Rockhill, trans. (London: Continuum, 2004), pp. 12-34 and 42-45.

 Further Reading

Jacques Rancière, 'What Aesthetics Can Mean', From an Aesthetic Point of View: Philosophy, Art and the Sciences, Peter Osborne, ed. (London: Serpent's Tail, 2000), 13-33.

Douglas Burnham, An Introduction to Kant's Critique of Judgement (Edinburgh University Press, 2000)

Fiona Hughes, Kant's Critique of Aesthetic Judgement: A Reader's Guide (London: Continuum, 2010)

Screening  

Bamako (Abderrahmane Sissako, 2006)

Mothlight (Stan Brakhage,1963)

Study in Color and Black and White (Stan Brakhage,1993)

3. Form and Medium

Reading

G.W.F. Hegel, Aesthetics: Lectures on Fine Art, T.M. Knox, trans. (Oxford: Clarendon Press, 1975 [1835]), pp. 1-55.

Karl Marx, Capital, Vol. I, Ben Fowkes, trans. (London: Penguin 1990), Chapter 7, Part 1 'The Labour Process', pp. 283-292.

Maya Deren, An Anagram of Ideas on Art, Form, and Film, in Essential Deren, Bruce R. McPherson, ed. (Kingston, NY: Documentext, 2005), pp. 85-109.

Bernard Siegert, ‘Doors: On the Materiality of the Symbolic’, John Durhan Peters, trans. Grey Room 47 (Spring 2012), pp. 6-23.

Further Reading

Erwin Panofksy, Perspective as Symbolic Form, Christopher S. Wood, trans. (New York: Zone Books, 1997)

Peter Bürger, Theory of the Avant-Garde, Michael Shaw, trans. (Minneapolis: University of Minnesota Press, 1984), pp. 55-82.

David Bordwell, Narration in the Fiction Film (Madison, WI: University of Wisconsin Press, 1985), pp. 3-47; 48-62.

Eugenie Brinkema, The Forms of the Affects (Durham, NC: Duke University Press, 2014), pp. 26-46.

Lorenz Engell, ‘Ontogenetic machinery’, Radical Philosophy 169 (September-October 2011), pp. 10-12.

Screenings

Ritual in Transfigured Time (Maya Deren, 1946)

Playtime (Jacques Tati, 1967)

4. Watching

Reading

·         Karl Marx, Capital, Vol. I, Ben Fowkes, trans. (London: Penguin 1990); Chapter 1, Section 4, 'The Fetishism of the Commodity and its Secret', pp. 163-177.

·         Sigmund Freud, 'Fetishism' (1927), The Complete Psychological Works of Sigmund Freud, Vol. XXI, James Strachey, trans. (London: Hogarth and the Institute of Psychoanalysis, 1950), pp. 147-157.

·         Laura Mulvey, 'Visual Pleasure and Narrative Cinema', Screen 16:3 (Autumn 1975), pp. 6-18.

·         bell hooks, 'The Oppositional Gaze: Black Female Spectators'. In Black Looks: Race and Representation (Boston: South End Press, 1992), pp. 115-152.

·         Jonathan Beller, The Cinematic Mode of Production: Attention Economy and the Society of the Spectacle (Dartmouth College Press, 2006), pp. 1-33.

Further Reading

·         Theodor Adorno and Max Horkheimer, 'The Culture Industry: Enlightenment as Mass Deception', in Dialectic of Enlightenment, John Cumming, trans. (London: Verso, 1997 [1944]), pp. 120-167.

·         Jean-Louis Baudry, 'Ideological Effects of the Basic Cinematographic Apparatus', trans. Alan Williams, Film Quarterly, 28.2 (Winter 1974-5), pp. 39-47.

·         Jean-Louis Baudry, 'The Apparatus: Metapsychological Approaches to the Impression of Reality in Cinema', Camera Obscura 1 (Fall 1976), pp. 104-128.

·         Christian Metz, Psychoanalysis and Cinema: The Imaginary Signifier. Celia Britton, trans. (Basingstoke: Macmillan, 1982)

Screening

·         Imitation of Life (Douglas Sirk, 1959)

5. Time

Reading

Mary Ann Doane, 'The Representability of Time', in The Emergence of Cinematic Time: Modernity, Contingency, the Archive (Cambridge, MA.: Harvard University Press, 2002), pp. 1-32.

Mary Ann Doane, 'Zeno's Paradox: The Emergence of Cinematic Time', in The Emergence of Cinematic Time: Modernity, Contingency, the Archive (Cambridge, MA; London: Harvard University Press, 2002), pp. 172-205.

Laura Mulvey, 'Passing Time', in Death 24x a Second: Stillness and the Moving Image (London: Reaktion, 2006), pp. 17-32.

Laura Mulvey, 'Uncertainty: Natural Magic and the Art of Deception', in Death 24x a Second: Stillness and the Moving Image (London: Reaktion, 2006), pp. 33-53.

David Rodowick, 'The Virtual Life of Film', in The Virtual Life of Film (Cambridge, MA: Harvard University Press, 2007), pp. 1-24.

Garrett Stewart, 'Introduction: An Optical Allusion', in Framed Time: Toward a Postfilmic Cinema, (Chicago: University of Chicago Press, 2007), pp. 1-19.

Screening

La Jetée (Chris Marker, 1962)

L'Année dernière à Marienbad (Alain Resnais, 1961)

Arrebato (Iván Zulueta, 1979-80)

6. Sensation 

Reading

Viktor Shklovskii, 'Art as Device', (1919), in Theory of Prose, trans. and ed. Benjamin Sher (Illinois: Dalkey Archive Press, 1990), pp. 1-15.

Dziga Vertov, 'The Cine-Eyes. A Revolution', (1923), in Richard Taylor and Ian Christie, eds., The Film Factory: Russian and Soviet Cinema in Documents (London : Routledge, 1994), pp. 89-94.

Sergei Eisenstein, 'The Problem of a Materialist Approach to Form' (1925), in Richard Taylor, ed., S. M. Eisenstein: Selected Writings 1922-34, Selected Works, Vol.1 (London: BFI, 1998), pp. 59-64.

Béla Bálazs, Béla Bálazs: Early Film Theory, Erica Carter, ed.; Rodney Livingstone, trans. (Oxford: Berghahn, 2010), pp. 1-15; 40-45. See also Erica Carter, 'Introduction,' pp. xxiv-xxv.

Walter Benjamin, 'The Work of Art in the Age of Mechanical Reproduction', in Illuminations, Hannah Arendt, ed.; Harry Zohn, trans. (New York: Schocken, 1969), pp. 217-251.

Miriam Hansen, 'The Mass Production of the Senses: Classical Cinema as Vernacular Modernism', Modernism/Modernity 6:2 (April 1999), pp. 59-77.

Malcolm Turvey, 'Balázs: Realist or Modernist?', October 115 (2006), pp. 77-87.

Screening

Man with a Movie Camera (Dziga Vertov,1929)

Further screening

Film Eye (Dziga Vertov, 1924)

Three Songs of Lenin (Dziga Vertov, 1934)

The New World (Terence Malick, 2005)

7. Exclusions

Reading

Frank Wilderson, Red, White, Black: Cinema and the Structure of U.S. Antagonisms (Durham, NC: Duke University Press, 2009), pp. 1-32.

Lee Edelman, No Future: Queer Theory and the Death Drive (Durham, NC: Duke University Press, 2004), pp. 1-31.

Meg Wesling, ‘Queer Value’, glq: A Journal of Lesbian and Gay Studies, 18:1 (2012), pp. 107-125.

Hito Steyerl, 'In Defense of the Poor Image', in The Wretched of the Screen (Berlin: Sternberg Press, 2012), 31-45.

Further Reading

Saskia Sassen, Expulsions: Brutality and Complexity in the Global Economy (Cambridge, MA: The Belknap Press of Harvard University Press, 2014)

Colin Dayan, The Law is a White Dog: how legal rituals make and unmake persons (Princeton: Princeton University Press, 2011)

Judith Butler, Bodies That Matter: On the Discursive Limits of Sex (Routledge: 1993), pp. 121-140.

bell hooks, ‘Is Paris Burning?’. In Black Looks: Race and Representation, (Boston: South End Press, 1992) , pp. 145-156.

Eva Cherniavsky, Incorporations: Race, Nation, and the Body Politics of Capital (Minneapolis; London: University of Minnesota Press, 2006), pp. 71-99.

Susan Sontag, ‘Notes on Camp’. In Against Interpretation (New York: Dell Publishing, 1966), pp. 275-292.

Silvia Federici, Revolution at Point Zero: Housework, Reproduction, and Feminist Struggle (Oakland, CA; Brooklyn, NY: PM Press; Autonomedia, 2012).

Alyson Nadia Field, Jan-Christopher Horak, and Jacqueline Najuma Stewart, L.A. Rebellion: Creating a New Black Cinema (Oakland: University of California Press, 2015).

Cheryl Harris, 'Whiteness as Property', Harvard Law Review 106:8 (June 1993), pp. 1707-91.

Screening

Several Friends (Charles Burnett, 1969)

Looking for Langston (Isaac Julien, 1989)

Formation (Beyoncé Knowles, Melina Matsoukas, 2016)

Further Screening

Paris is Burning (Jenny Livingston, 1990)

Mariposas en el Andamio (Butterflies on the Scaffold,  Margaret Gilpin and Luis Felipe Bernaza; 1996)

Daughters of the Dust (Julie Dash, 1991)

8. Periodisation

Reading

Fredric Jameson, Postmodernism, Or the Cultural Logic of Late Capitalism (Durham, NC: Duke University Press, 1991), pp. 1-54.

Fredric Jameson, ‘Historicism in The Shining’. In Signatures of the Visible (New York and London: Routledge, 1992), pp. 112-134.

Steven Shaviro, Post Cinematic Affect (London: Zero Books, 2010).

Screening

The Shining (Stanley Kubrick, 1980)

#reading