#mohanam

[wpip-raham]

.:14 Associations for Azha Agniezska (Since I already did Pip):.

🐍Animal: Bearded dragon. They're just so docile and cool.

💙Colors: Blue, charcoal, white gold

🎼Songs: Mohanam - YouTube

#️⃣Number: I guess I don't have one for him. Maybe 10. 10 is a nice number.

🌙Day or Night: Night

🌿Plants: Queen Sago

🍯Scents: Musk, tobacco

💎Gemstones: Mica

❄️Season: Spring

🗻Places: Thavnair, La Noscea

🍲Foods: Jhinga Biryani, Tandoori Raptor

🌌Eorzean Deity: Oschon

🌨️Eorzean Elements: Earth, Wind

☕Drinks: Coffee, Tea, Juice

tagged by: @disciple-of-frost thank you!!!!

tagging: @arinaxiv, @call-me-mr-8, @idol-ffxiv, @aces-and-kings, @voidwife

[dumdaradumdaradum]

Masterlist

Dheera Sameere Yamuna Theere

Vasathivane Vanamaali

Graama Sameepe Prema Kalaape

Cheli Thagunaa Rasakeli

Aakashame Naa Haddhugaa

Neekosamochhaa Muddhugaa

Thechhaanuraa Mechhaanuraa

Gichheyi Nachhina Sogasulu

Edit :: should i tag PPL in moodboards too?

#just thinking about it #it almost feels like im born in the wrong world wrong time wrong era #sometimes i feel scared of how much i daydream #desiblr #desi moodboards #desi moodboard #indian aesthetic #moodboard #dheera sameere #song recs #SoundCloud

[burlveneer-music]

Shakti - Mohanam - John McLaughlin, Zakir Hussain & co. reunite for first new Shakti studio album since 1977, this being the advance single

Born of an immense degree of both soul-searching and woodshedding, Shakti emerged in the early 1970s – shattering the barriers between Eastern and Western music with an ecstatic, soulful hybrid that knowingly embodied both traditions while setting out for uncharted musical terrain. Shakti’s catalyst was the meeting of guitarist and composer John McLaughlin and tabla virtuoso Zakir Hussain. Both had already achieved a certain degree of notoriety in their musical domains. John, through his association with Miles Davis and his immensely successful group The Mahavishnu Orchestra: Zakir through his amazing classical work and his collaborations with the California music scene. Hussain and McLaughlin had become friends in 1969 and met musically one evening at the house of the late great Ali Akbar Khan. To quote McLaughlin, “It was a revelation playing with Zakir”. McLaughlin subsequently began studying the Vina with Dr. S. Ramanathan and through him met with Dr. L. Shankar himself a head at the South Indian Music department at Wesleyan University and by 1973 had brought Zakir, violinist L. Shankar and the head of the percussion department Ramnad Raghavan playing the mridangamfor the very first time. It was at once, a marriage of the tonal and rhythmic intricacies of classical Indian music with the immediacy and soul of Jazz. This first formation of Shakti recorded its first live recording in 1975 and released in 1976. Their unprecedented music awakened subsequent generations to the rich, untapped potential of such pan-cultural fusions and helped to create what is now known as “World Music.” While the initial lineup of Shakti disbanded in 1978, Hussain and McLaughlin have periodically resurrected the Shakti group for live performances and concert recordings – but have not released a new studio album since 1977’s Natural Elements…until now. “Mohanam” – available for streaming/download – is the first new studio music from Shakti in more than 45 years. Drawn from the upcoming album This Moment (to be released on CD and vinyl in the summer of 2023 by Abstract Logix), the track glimmers with optimism and wonder as it moves with unhurried grace through a series of instrumental movements that acknowledge Shakti’s formidable legacy while proposing new routes. “‘Mohanam’ is a joyful piece,” explains McLaughlin, “and joy is the inherent nature of the Shakti group.” The lineup featured on “Mohanam” – McLaughlin (guitar) and Hussain (tabla) are featured alongside vocalist Shankar Mahadevan, violinist Ganesh Rajagopalan, and percussionist Selvaganesh Vinayakram (son of original Shakti ghatam player T.H. “Vikku” Vinayakram). On “Mohanam,” Hussain and Vinayakram are also featured on konokol – a traditional and demanding form of Indian vocal percussion.

#Shakti #john mclaughlin #zakir hussain #jazz #fusion #indian music #indian classical #tabla

[ramayantika]

🎶✨when u get this u have to put 5 songs u actually listen to, publish. then, send this ask to 10 of your favorite followers 🎶✨ <33

*me realizing sare dance music hi hain*

#but nothing gets me in mood to get work done if i don't have taala and bols in the background #gotta do ta hath ta jham tari my way out of studies

[jukti-torko-golpo]

#krishna #song recs #Spotify

[hornpipetamilsongs]

P Susheela Top 10 Super Hit Solo Digital Tamil Songs சிறந்த பின்னணி பாடல்கள் |Hornpipe Record Label#hornpiperecordlabel #superhittamilsongs #psusheelasongs #besttamilsongs #60s #70s #tamilmusic #tamilvideosongs #oldsongs #classicsongs @superhittamilsongs P Susheela Top 10 Super Hit Solo Digital Tamil Songs சிறந்த பின்னணி பாடல்கள் |Hornpipe Record Label Song List: 00:00 என்னை மறந்ததேன் பாடல் | Ennai Marandhadhaen Song Movie: Kalangarai Vilakkam Actors: MGR, Saroja Devi Music: M.S.V Singers: P. Susheela Lyrics: Panchu Arunachalam 03:11 ராதையின் நெஞ்சமே பாடல் | Radhayin Nenjame Song Movie: Kanimuthu Paappa (1972) Actors: Jaisankar, Lakshmi, Jaya, Muthuraman Music: T. V. Raju Singers: P. Susheela Lyrics: Poovai Senguttavan 05:56 செல்வங்கள் இங்கே பாடல் | Selvangal Ingae Song Movie: Kannamma Music: Shankar Ganesh Actors: R Muthuraman, KR Vijaya, MN Nambiyar Singers: P. Susheela Lyrics: Kannadasan, Panchu arunachalam 10:10 உன்னை ஊர்கொண்டு பாடல் | Unnai Oorkondu Song Movie: Poojaiku Vanda Malar (1965) Music: M.S.V Actors: Muthuraman, Savitri, Manimala Singers: P. Susheela Lyrics: Vaali 13:40 ஆண்டவனின் தோட்டத்திலே அழகு சிரிக்குது பாடல் | Aandavanin Thottathile Azhagu Sirikkudhu Song Movie: Arangetram (1973) Music: V. Kumar Actors: Sivakumar, Prameela Singers: P. Susheela Lyrics: Kannadasan 17:00 புரியாத இன்பம் மெல்லிசை பாடல் | Puriyadha Inbam Song Movie: Annayin Aanai (1958) Actors: Sivaji Ganesan, Savithri Music: S. M. Subbaiah Naidu Singers: P. Susheela Lyrics: Va. Somanathan 20:21 கல்யாண பந்தல் அலங்காரம் பாடல் | Kalyana Panthal Alangaram Song Movie: Thattungal Thirakkappadum Actors: Chandrababu, Saavithri Music: M.S.V Singers: P. Susheela Lyrics: Kannadasan 24:08 என்னடி இத்தனை வேகம் பாடல் | Ennadi Ithanai vegam Song Movie: Selvam (1966) Actors: Sivaji Ganesan, K. R. Vijaya Music: K. V. Mahadevan Singers: P. Susheela Lyrics: Aalangudi Somu 26:41 எவளோ ஒரு பெண்ணாம் அவள் நான் பாடல் | Evalo Oru Pennam Aval Naan Song Movie: Mayor Meenakshi (1976) Actors: Jaisankar, K R Vijaya Music: M S Viswanathan Singers: P. Susheela Lyrics: Kannadasan, Vaali 30:29 மல்லிகை பூச்சரம் மஞ்சளின் மோஹனம் பாடல் | Malligai Poocharam Manjalin Mohanam Song Movie: Paritchaikku Neramaachu Actors: Sivaji Ganesan, Sujatha Music: M S Viswanathan Singers: P. Susheela, Vani Jairam Lyrics: Vaali For All Latest Updates: ▶Subscribe to our Hornpipe YouTube Channel For more Evergreen Hit Tamil Songs: https://goo.gl/oniuki ▶Follow Us on Twitter: https://twitter.com/hornpipelabel ▶Like Us Facebook: https://ift.tt/5ZcCQGw ▶Follow us on Instagram: https://ift.tt/n3ypfCQ ▶Follow us on Tumblr: https://ift.tt/bBI4cRP ▶Follow us on Dailymotion: https://ift.tt/WVsp2DE © 2021 Hice Telemedia Pvt. Ltd.

#IFTTT #YouTube https://youtu.be/loMD_yBoec4

[xerks44]

Raga Mohanam | Dr L Subramaniam | (Live at BCMF, Dhaka)

#youtube

[gravedadcerofilmsmx]

Listen/purchase: Mohanam by Shakti, John McLaughlin, Zakir Hussain, Shankar Mahadevan, V.Selvaganesh, Ganesh Rajagopalan

#bandcamp

[malapkv]

The Sanjay Subrahmanyan paradox

Let me begin like a textbook- The Sanjay Subrahmanyan concert/fan paradox may be defined as an audience state of mind, where you have listened to it all, yet it feels fresh and impressive each time you attend his concerts- where you have spoken about it and tweeted about it, but still want to keep talking about it. You just don't know what to write but all you want to do is, share that last concert experience with common minds. Where you are bashed and mocked for being his die-hard, but that critique only keeps pushing you to be a deeper die-hard!

We the Sanjay Sub fans have not changed- we keep singing his praises. Nothing is new right? But wait, wasn't this all impossible for a whole three years-where we were all masked up and not knowing what the future of music itself was? That tunnel seemed like it had no light. And those of us who progressed to be his fans all started with being curious backbenchers in his overcrowded concerts. Slowly inching ourselves towards the dais-for we wanted to catch his every expression (I miss taking photographs by the way :)) To us Sanjay meant amplified mass energy but paradoxically personalised and customised music. His viruttams would translate to personal philosophies according to each one's situation and struggle in life.

However, truth be told-during the last two plus years sitting amongst some minimal audiences watching this doyen perform some of his signatures was not easy. That was a time I tried controlling tears because I just could not relate to the experience. The fact that a performer like Sanjay was suddenly restricted to a limited audience and all we could do was access him virtually and vice versa was a very hard reality to accept.

Why would that be? Because this man is a man of the masses. He draws his energy from that overwhelmed audience who in turn submerge him in their uproars and ovations. That relationship was real. It could not be boxed into virtuality. A Sanjay concert translated into crowds of energy. Live electricity and human fireworks!

I genuinely missed that exchange of vivacity that a Sanjay concert was. But as all things would pass, that phase is also “hopefully” behind us. Couple of his admirers also fell along the way causing us some deep moments of grief. I have seen Sanjay through their eyes, and I miss that profoundly. All the losses only made me reflect and appreciate whatever is left of life and music, so to say.

After the confinement stage and those moments of melancholy we are in the era of live concerts once again. My own life moves at such a fast pace that each day’s events roll by like a film strip and I wonder where am I in all this cosmos? What’s the role am playing? City hopping and transport jumping - amidst a brash cyclone I land in Chennai for yet another Sanjay concert.

And as I sat there listening to his Mohanam and Kamboji and Varali -suddenly those pieces that kept falling apart started regrouping themselves. At the very least I know I belong here. I have waded through floods in this same city listening to the same Ambigai Jagadambikai for patience through those waters. I know that his music gives me what is needed to wade through this uncertainty called life. Amidst all the changes and losses his music has remained my constant.

And watching him yet again, all over again, in his elements- where he , like a magnet, absorbs the spirit of each person in the large audience and gives it back multifold through his unfeigned renditions was a scene that could not stop me from jumping with joy. His impeccable renditions enhanced by the season’s magic, reawakens my spirit! It makes me dance internally along with his brigas in glee, it makes me admire the way he weaves his own persona into every phrase of the music - when all else fails there is always Sanjay’s music to fall back on.

And for the moment while we are all still alive and kicking, the surety of his large live concerts, all over again being the key phrase, lingers…

Like someone rightly said, his energy is therapy. He is made for a large audience and those overflowing audiences are made for him. In this ephemeral eternity, his concerts are hope!

#sanjaysubrahmanyan #sanjaysub

[ltdbanana]

Gurukula carnatic music lessons download

#Gurukula carnatic music lessons download software

There are, however, a plethora of new resources coming up for Hindustani, instruments and dance classes as well. The majority of online classical classes focus on Carnatic music - Shashikiran attributes this to the fact that “Carnatic music is more structured and there is more focus on composition, while the Hindustani form is more relaxed, raga-based and arbitrary". Santhanagopalan has more than 50 students across the world who learn from him and his senior disciples over the Internet. According to him, a guru can transfer “90% of the teachings" online, “provided the student has the gift of music in him or her". But Santhagopalan believes that the online method can be almost as successful as the traditional. Santhanagopalan is one such modern-day teacher who trained at his guru’s feet. Ironically, most of the teachers who offer online classes learnt their art sans any technological assistance - they were not even allowed to record the lessons with their teachers for reference during practice. And maintaining a strict regimen of regular music classes is one way of keeping those roots alive.

#Gurukula carnatic music lessons download software

Today, has more than 500 students from all over the world on its rolls - some as young as 3, while the oldest is 78.Īccording to Kalamegham, the average online student is a software professional living abroad who is trying to “mitigate his homesickness by getting in touch with his roots". “Not only has there been a tremendous response from students in the US, UK, and wherever I perform and teach," says Shashikiran, “but there are people in India, even here in Chennai, who are learning through this medium." Shashikiran’s website started a “cyber vidyalaya" (school) in 2000. One of the pioneers of this teaching method is renowned Carnatic singer K.N. Teachers and students now use applications such as Skype, Vonage, Magic Chart and IBM’s Citrix to connect with each other in real time through audio and video. Pillari Geetha#3 - Kereya neeranu Mandrasthayi Varase - Mayamalavagoulai - Adi Amrutha Venkatesh - SSV 36 - Vandanamu Raghunandana -Sahana(3)- Sri Tyagaraja ಸರಳೆವರಸೆಗಳು | 1ನೇ ಸರಳೆವರಸೆ||Carnatic classical music | Saralevarasegalu | Bettada Melondu Vachana by Akka Mahadevi Devotional Carnatic Krithi (Mohanam) on Sri Rama (Violin-Venu-Veena) - "Mohana Rama" (Thyagaraja) 22 Shrutis Simplified - Chapter 1: In a Nutshell Pillari Geetha - Malahari - Tisra Triputa, Pt.Today, long distance music lessons have evolved from rudimentary methods such as phone calls and audio files sent over email. Видео Gurukula - Carnatic Music Lessons Vol 5 - DVD канала Kalakendra Music & Dance All elimentary lessons, Shlokas, Varnas, Keerthanas, Thillanas, Padas, manodharma sangeetha (Raga alapana, swarakalpana, Nerval, Tanam, Pallavi) musicology, notation and lecture demonstrations. Music (Singing lessons), Theory(Musicology)and notation (script of the compositions) and lecture demonstrations have also been presented in English in these DVDs. It caters to the needs of both beginners, senior students and music lovers. In these DVDs the carnatic music lessons have been taught in typical traditional gurukula style, the students being with the Guru (Teacher) in person through an Audio-Visual presentation from basics to Masters. So, she started teaching Carnatic music from basics to masters through an audio visual representation brought forth in the form of 100 to 150 DVDs. She thought that such an experience gained by her should not go a waste but should be propogated to the future generation. There will be a greater interaction between the student and teacher in this style as they live together in the pursuit of knowledge. Ramnad Krishnan, a musician of musicians in a traditional gurukula style, an age old practice known as Sruthi parampara being in vogue from Vedic period. She had her earlier education in music from teachers of repute and later learnt the nuances of music from a great master Vid. Mysore Nagamani Srinath is a multifaceted personality, a combination of a teacher, organizer, composer, administrator, director and a concert musician of international repute. Gurukula - Carnatic Music Lessons Vol 5 - DVD

#Gurukula carnatic music lessons download

[unsungtunes]

Amazing rendition of “Kapali”, a Papanasam Sivan composition in Mohanam sung by Sanjay Subrahmanyan

#mohanam #kapali #carnatic #carnatic vocal #Sanjay subrahmanyan #Indian classical #papanasam sivan #Youtube

[shyampyari]

Swathi Thirunal krithi

Ragam: Mohanam

Thalam: Adi

Bansi vale ne man moha

Boli bole meethi laage

Dar dar umang karaave

Benan baje thaanu gaave

Nisadin gopiyaan ridhaave

Sanvaro rang mohini ang

Sumaran than ki dhulave

Kalindi ke theer thade Mohan

Bansuri bajaave

Padumanabh prabhu deena bandhu

Suranara charana manaave

Omg i had to google this 

I have never heard this song before omg 

TYTYTYTY 

its beautiful 🥺

[arunsastricbse]

Adisthana Padavali Malayalam Standard 9 Solutions Unit 1 Chapter 2 Haritha Mohanam

#HSSLive #KeralaClass9thSolutions #KeralaClass9thMalayalam #KeralaClass9thMalayalamChapter2HarithaMohanam

[yogiburra]

Mohanam by Aruna Sairam and Jesse Bannister

[rajjisharmakumarji]

MOHANAM R A0002771C 1/47,PILLAIYAR KOIL STREET, ULLI ROAD, MADANUR POST - 635804 [email protected] 9443104531

[thetubethambi]

The Mohanam Cultural Center began in 2001 under the Auroville Village Action Trust in a rural village, which is located in the Kaluveli/Auroville Bio-region in coastal Tamil Nadu, South India. The aim of Mohanam is to provide the young generation of the villages with an opportunity for extracurricular activities, which help them to find identity and connection to their own original culture, which faces tremendous change in the globalization process.  

In this new series brought to you through Auroville Radio, Mohanam is conducting an inaugural function entitled the ' Tamil Connection to  Asia and the World ' , for which we are inviting some key personalities in the area of Anthropology , History ,Tamil Research ,Tamil heritage and culture.

#mohanamculturalcenter #aurovilleindia #tamilheritage #villageoutreachprograms #historyoftamilnadu #tamilculture