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#my j&h photo discoveries
elv--eyera · 1 year
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1997 Flyer for Jekyll & Hyde
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cmcsmen · 3 years
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Look To God For Answers
“Then call on me on the day of distress; I will rescue you, and you shall honor me.”Psalm 50:15 
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Photo: Speak Lord for thy servant is listening - Black and White Photograph of Man in Prayer by Frank J Casella All Rights Reserved.
As Catholic men we are the ones who have the answers that society is looking for. But are we doing enough to tap into this and take positive action? Or are we, as Pope Francis says, complaining?
In our culture there is much fear, and anxiety, caused by many things that seem out of control. Many people seem to be in conflict, more than not, and not only on social media. In fact, one of the main messages we see is 
“We don’t look to a god for answers. . . .We are each other’s answers.”
Our societies are built by families.  And families are built by marriages. When marriages suffer, families suffer. And when families suffer, society suffers.
A Priest spiritual director once told me that unmet expectations can bring anger, because of things out of our control or unfilled dreams, to name a few. The solution is to understand hurts, and break through conflict to discovery. Too, when it comes to marriage, what blocks marriage the most is when man disengages, thus, someone’s needs or values are not met.
Men, more than women, are known to have inner tools to solve problems and provide solutions. Catholic men, we have Jesus and the Bible to show us the way. In Jesus’ day those who would accept him and his message would later spread the good news among the Gentile nations.
But do we take this relationship with Jesus for granted?
Do we trust God enough to ‘rescue’ us in our time of need?
For example, back when I was a photojournalist, I learned from my mentor John H White how to make pictures with the camera settings on manual mode. As he put it, if you depend on the auto mode, like everyone else, you’re going to miss out on knowing your equipment to make better pictures.
In fact, many colleagues would buy the same equipment that John used thinking their pictures would be like his, but when they were not they started looking for answers. Those pictures I made back then are now converted to art photographs and many say how much they resonate with them and are a work of art.
It’s not the equipment, rather how you use the equipment. It’s not the Bible or the Catechism, but how you live it and put it to use.
“What is the secret of a blessed life, a happy life? Recognizing Jesus as the living God. For it is not important to know that Jesus was great in history. What matters is the place I give him in my life.”
      ~  Pope Francis, August 30, 2021 Tweet
Every time I walk away from a men's group discussion (or online video meeting) I'm inspired with new information and confirmation about my own thoughts – The Holy Spirit speaks to me.  And this is from guys in all walks of life, not just the ones who are educated or can buy anything they want.
Likewise, in society, and especially on social media, we should not grade people according to external appearance, for a person's quality is something that derives from his union with God—the more humble and understanding he is, the more honor he deserves.
Life, with its trials and troubles and its brevity, has a meaning, a profound meaning, for Christians — it is a short period of preparation for the future which awaits us after death if we use it properly.
 Life is God’s gift to us. The best way to show appreciation of a gift is to use it fully and gratefully. Let us make full use of the divine gift of salvation by living according to its teaching all the days of our lives.
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What does it mean to be for a Place?
The following is a summary of a recent publication in Pacific Conservation Biology by a group of David H. Smith Conservation Research Fellows: Stephanie Borrrelle, Jonathan Koch, Caitlin McDonough MacKenzie, Kurt Ingeman, Bonnie McGill, Max Lambert, Anat Belasen, Joan Dudney, Charlotte Change, Amy Teffer, and Grace Wu. You can read the full article here.
When asked “Is protecting biological diversity and the ecosystems that support all life important to you?” most people would say “yes.” This is the work that conservation scientists like me and my friends do. We do things like figure out how to protect endangered bee species in Hawaiʻi (Koch), inform agencies how to manage the endangered whitebark pine in the Sierra Nevada (Dudney), and study how plants that grow on mountaintops in Maine are impacted by climate change (McDonough MacKenzie). However, many of us are not from the Places* we’re working to protect. In fact, many conservation scientists are descendants of colonizers and settlers (settler-colonizers) who removed, or benefited from the removal of Indigenous Peoples from these Places, which are their ancestral lands. Indigenous Peoples practicing diverse cultures lived for millennia in North America stewarding the land.
The Indigenous Peoples displaced by colonialism have distinct knowledges and cultural identities directly rooted in their lands. For example, Mauna Kea is more than a dormant volcano on the island of Hawaiʻi to the kānaka maoli (Native Hawaiians). The mountain is their biophysical and genealogical ancestor, a sacred site for cultural and spiritual activities. Another example is how Aboriginal Peoples in Australia practice cultural fire “for biodiversity, to protect the landscape, and for cultural reasons, all in one” (Steffensen 2019, p233).
Indigenous Peoples’ distinct genealogical and cultural relationship to the land and all the other beings they share the land with is far different than the relationship of settler colonizers to Place and nature. Industrial society is traditionally and intentionally very disconnected from nature, beginning with European states removing peasants from forests and the commodification of nature (Tsing 2005). For example, many of us don’t know where our food comes from; don’t have religious or cultural traditions connecting us to Place, the land, or nature; and don’t know the natural history of the creatures we encounter everyday.
So you can imagine it is more than awkward for settler-colonizer conservation scientists to be the only or dominant source of knowledge about how to conserve a colonized Place, yet for decades this has been a common occurrence. In some cases, conservationists have attempted to act as “white saviors” to local Peoples by centering the work around themselves and excluding local experts (see this piece about conservation in Africa by Mordecai Ogada). In other cases, settler-colonizer conservation has furthered the oppression of local Indigenous People by removing them from their homelands and calling them poachers when they hunt there (see this piece on US National Parks by Isaac Kantor). All with few long term conservation achievements to show for it—for evidence, look no further than the UN Convention on Biological Diversity. Turns out, preserving biodiversity is hard, as is adapting to climate change. At the local level, both of these issues require some global settler-colonial science as well as intimate knowledge of and human interaction with individual Places. I wonder who has that? ...
Some settler-colonizer/non-Indigenous conservation scientists are now beginning to listen to Indigenous knowledge keepers, collaborate on research with Indigenous groups, and, in some cases, supporting and following the lead of Indigenous managers of their ancestral lands and waters. Conservation scientists are beginning to understand that the only way to long term conservation successes is to develop conservation strategies that also support the social and physical wellbeing and self-determination of the people who live there. But these settler-Indigenous partnerships are built on a troubled history of colonial violence and oppression. So, how do settler-colonizer conservationists proceed in a way that does not perpetuate harms to Indigenous Peoples? In other words, what does it mean to be for a Place when you’re not from that Place?
Several of my scientist friends and I wrestled with this issue after visiting kia’i (protectors) of Mauna Kea (Mauna a Wākea). It was October 2019 and we were hosted by Moana “Ulu” Ching and Noelani Puniwai, both of whom are kānaka maoli, conservation scientists, and friends with one of us (Koch).
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Noelani Puniwai and Moana “Ulu” Ching (far left) met with our group of Smith Conservation Fellows at Pu’u Huluhulu near the base of Mauna Kea. We sat on black lava rock from an old lava flow. (Photo by Joan Dudney)
We met at the bottom of the access road to the summit of Mauna Kea. Here was a tent community of kiaʻi protesting the construction of a new telescope called the Thirty Meter Telescope on the summit of their ancestral Mauna Kea. They were occupying the entry road to prevent construction vehicles from accessing the summit; 33 kupuna (Elders, grandparents, ancestors) were arrested several months earlier marking the escalating tensions between the kiaʻi and the governmental and private institutions involved in developing the Thirty Meter Telescope. The telescope is the continuation of colonialism on Mauna Kea sponsored by 11 nations and universities against the wishes of and providing little economic benefit to kānaka maoli. Not only does construction of a 14th research structure threaten the fragile ecosystems and endangered species at the summit of Mauna Kea, construction also perpetuates a long history of colonization in Hawaiʻi that threatens the cultural, economic, and ecological well being of kānaka maoli.
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One of the tents at the protest site. The upside down American and Hawaiian flags represent the kānaka maoli rejection of these colonial powers. The upside down Hawaiian flag can be seen on cars and buildings throughout Hawai’i. (Photo by Joan Dudney)
We listened as Ulu and Noelani described their experiences and perspectives on Mauna Kea and the telescope. Afterward they invited us to participate in midday protocol, and we were humbled by the experience. Protocol is a sacred community building activity that happens every day and consists of oli (chants), pule (prayer), and hula (dance). Non-kānaka maoli were allowed to observe the protocol and were invited to participate in a certain part. We showed our respect to Mauna Kea by standing in our bare feet on the road to her summit for the protocol. In one hula we were sending our energy and strength to Mauna Kea.
As conservation scientists we wanted to show our solidarity with the kiaʻi. We wanted to voice our objections to the Thirty Meter Telescope in terms of conserving the fragile summit ecosystem, and equally important, call for an end to continued colonialist practices in the name of settler-colonizer science. We channelled this energy into a policy statement opposing the construction of the Thirty Meter Telescope on Mauna Kea, which was later adopted by the Society for Conservation Biology. We further reflected on the experience and wondered what first-hand learning we could share with other conservation scientists embarking on anticolonial conservation work. We came up with a series of recommendations for scientists. You can read all of them here. Here are three major ones:
Recognize the ways conservation theory and practice perpetuate the myth that North America was “empty” and “new” upon European “discovery.” For example, the mistaken belief that US National Parks never had human inhabitants despite the fact that Indigenous People have been living in and managing the lands and waters of North America for millennia.
Build authentic relationships with the Indigenous Peoples whose lands we are working on. Realize that settler-colonizer science is not the “correct” or only way of knowing.
Educate ourselves by learning about the history of the Places where we work and live and the Indigenous people affected by colonization. Read books and articles written by Indigenous scholars. Teach ourselves. After you have done the work to learn about the history and people(s), then reach out to Indigenous scholars, land stewards and managers.
We believe that being “for a Place” when you’re not from a Place means respect for Indigenous knowledge, continuous reflection on the consequences of our actions, and a willingness to act with humility, embrace complexity, and maintain hope. We are excited to grow and learn and contribute to the transformation of conservation science into a more inclusive, equitable, and just discipline.
*I capitalized Place throughout to emphasize its importance, akin to a person’s name being capitalized.
The Carnegie Museum of Natural History is on Seneca land and waterways, the homeland of the people we call the Monongahela, and lands and rivers used by and culturally connected to the Lenape, Shawnee, Wyandot, and Osage. I honor these ancestors, am grateful for their stewardship of these lands and waters, and acknowledge and respect their descendants alive today.
Bonnie McGill is a science communication fellow in the Section of Anthropocene Studies. Museum staff, volunteers, and interns are encouraged to blog about their unique experiences and knowledge gained from working at the museum.
Work cited
Steffensen, V. 2019. Putting the people back into the country. In: Decolonizing Research: Indigenous Storywork as Methodology. J. Archibald Q’um Q’um Xiiem, J. B. J. Lee-Morgan, and J. De Santolo, eds. Zed Books (London).
Tsing, A. L. 2005. Friction: An Ethnography of Global Connection. Princeton University Press (Princeton and Oxford).
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stxn-the-mxn · 5 years
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Alone Time || 2019!Bill Denbrough X Reader
IT CHAPTER 2 SPOILERS
! blood, death, mentions of rape !
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He couldn’t believe he forgot about her. Of all the things about Derry, he forgot, why did it have to be her. He knew there was something holding him back from marrying Audra and later breaking up with her. 
There was always something in the back of his head, yelling at him, telling him to hold back. And now he knew, it had been her the whole time. That voice in his head, his subconscious… they were all her.
When they passed by her at the Chinese restaurant, he paid her no mind, trying to get out of their as quick as possible, especially after Richie lost his shit at some poor child. He hadn’t even realised it had been her. 
***
Back in 1990, she had been his everything. It was a while after Beverly had left, and he could feel his feelings for her dispersing quickly. In time, he would find every second of the day was taken up with thoughts of her.
He was disappointed in himself for never having noticed her before. She was in literally all of his classes. Every single one, and yet he never paid her any attention. He had mentally slapped himself after that discovery.
After that summer, Bill didn’t really hang out with the Losers Club as often. Every now and again he would talk to Stan, maybe Eddie or Richie. Ben and Mike were a different story. Bill never seemed to see them anymore.
So, he turned to her for a new best friend. At lunch, he joined her at the table she sat at by herself usually. She smiled at the boy, and Bill swore his heart skipped a couple of beats. After that day, they seemed to be spending days on end with each other.
Later that year, the school decided to put on a play. The most basic school play, Romeo & Juliet. The week before auditions, Bill had discovered Y/N’s love for Shakespeare. She had been talking about it non-stop since the announcement was made.
“Y-yknow, you s-s-should audition for J-Juliet.”
She had choked on her juice, staring at Bill, waiting for him to laugh it off. It had to have been a joke, after all.
“I’m s-s-serious, Y/N/N. You’re a g-great actress. Look, if y-y-you audition, I will t-too.”
Bill regretted that promise. He wasn’t ready to play Romeo and was most definitely not prepared to kiss you on stage in front of everyone. But he was ready to admit that he loved you, truly he did.
You had believed him. He said he loved you. He said that he wanted to be with you forever.
And then he left Derry.
***
How could he have forgotten his Juliet? He could feel the kisses on his lips again, her hands tangled in his hair. He could feel everything he felt for her, just like he did before he left Derry. Had Y/N left Derry?
He wasn’t sure, but he sure as hell wanted to know. He would search this damn town top to bottom if it meant finding you again. But first, he wanted to pass by somewhere that meant a shit ton to him.
He pedalled up to his old house, and he was surprised to see it hadn’t been changed one bit. It was the same colour, just freshly painted. He glanced up at the top window that used to be his bedroom and saw a woman in the window.
She seemed familiar, and the second they locked eyes, it didn’t feel awkward. It felt right. He watched as the woman ran downstairs. The door swung open, and the woman ran out to Bill.
“Bill, holy shit, it’s you! You’re right in front of me, breathing and everything oh my god.”
He knew it was her. He knew immediately. How could he not? All these years later, and she still had the same smile.
“Y-yeah, yeah it’s m-me. You h-h-haven’t changed. And you live in my old home?”
She chuckled, and it sounded like music to Bill. Her smile was the same, except the silver braces were gone. He examined her face. She had more noticeable freckles, her glasses gone, likely being replaced with contacts.
She was still the Y/N he was utterly in love with.
“What can I say? I missed you, this was the closest I could be to you.”
“Mom? Sewer guy?”
Both adults whipped around to meet the small kid with his skateboard. Bill’s jaw dropped, as he stared at the kid he had yelled at only an hour ago. It was just his luck, wasn’t it? He and Richie had both yelled at this poor kid, only to find out he belonged to the love of his life. 
“You know Dean?”
Y/N questioned, pure confusion in her voice. How on earth did Bill know her own son? Bill didn’t answer, just staring between Dean and Y/N.
“Bill? Come in, we need to talk. Dean, don’t stay out too late, I need you back from the fair at least 10 pm.”
Dean skated off, staring at Bill weirdly as he passed him. Bill watched the kid go, his eyes darting between Y/N and skateboard kid. 
“Fuck,” he thought “that probably means she’s married.”
Sensing that Bill was in a state of mild shock, Y/N sighed and dragged him inside. The floor plan was still the same as when he had lived there. Georgie’s old room now belonged to Dean. His old room was now occupied by Y/N and her husband.
They sat down on the bed, closer than Bill expected for a married woman.
“I’m not married.” Y/N seemed to read Bill’s mind. He glanced at her hands to find, to his joy, not a single gold band in sight.
“Well, where’d D-Dean come f-f-from then?” Bill had genuine curiosity in his voice, as he glanced at a photo of Y/N and Dean. he couldn’t help but smile at how happy they were. He had to ask about Dean’s father, but he didn’t want to come across as pushy or nosey. He failed that last part.
“He, uh, he never had a father. It’s always been just me and him.” She was holding back the truth. He needed to be nosey and pushy. He didn’t feel like he had any other choice.
“Y/N, even after 27 y-years, I k-know when you’re not t-t-telling me the truth. You d-do the thing with your h-h-hands.”
She looked down, seeing her right ring finger tapping her thigh. He really remembered everything after all those years. 
“Dean… he wasn’t a child of consent. That’s all I want to say on the matter.” Y/N’s words were quick and sharp. Bill could tell she was touchy about the subject. Who wouldn’t be? Silence fell over the room.
Bill held her tightly, as her sobs broke the silence. It was painful, seeing the woman he loved break like this. She had always been the second strongest woman he knew, as no woman would ever be as strong as Beverly Marsh, and that was fact, not opinion.
“I remember when Dean first asked about his dad. I told him he was off in California, writing stories and making movies that he wasn’t allowed to read or see yet.” Y/N laughed softly as she saw Bill’s dumbstruck expression. He still seemed to be processing it all, but that didn’t stop her from continuing.
“He had smiled, yelling that his daddy was famous while jumping in circles. I never had the heart to tell him the truth. I still don’t think I could.”
“So, what y-you’re telling m-m-me… is that y-y-your son thinks I-I’m his dad?”
She had looked down awkwardly, mentally calling herself stupid for bringing that up. Bill probably thought she was insane at this point.
“Maybe… maybe he n-n-needs a dad. One who’s a-actually around.”
“W-what?”
Bill pressed his lips against hers, those 27 years of lost emotions rushing into this one kiss. It was messy, rushed, somewhat chaotic. It was everything the both of them had wanted. It was perfect and beautiful and everything in between.
***
Bill, Ben and Beverly surrounded Eddie as they stared at the hole in his cheek where Henry Bower’s switchblade had been. Everyone was in a panic, not knowing what to do when someone gets stabbed through the face.
While Bill was also worried for Eddie, his mind was elsewhere. Specifically, his mind was on her. The voices of Ben and Bev and Eddie’s painful moans dissolved as Bill saw a skateboard roll over to them. It looked identical to Dean’s.
Bev noticed it too. Blood trailed upwards. It was floating. 
They flipped the board over, and Bill’s knees buckled.
Guess he couldn’t cut it either.
“I have to go.”
He ran, ignoring Silver and Bev’s calls for him to wait. He couldn’t let Dean get hurt. He couldn’t let Y/N get hurt. The fair was quite the distance from the Inn, but he ran the whole way. Dean wasn’t safe, no child was in this devil town.
The screams, happy screams, of kids and neon lights signalled his destination was extremely close. As he turned the corner, he immediately scanned the crowds for the mop of curly blonde hair.
Like a hitman finding his target, his eyes closed in on Dean L/N. He had made it time. Dean was there, breathing, all limbs attached. Bill continued sprinting. Dean was running with his friends towards the funhouse.
“Kid! Dean! Stop!” His pleas were useless as Dean ran through the spinning walkway. Bill stumbled across the walkway, feeling dizzy.
The next hallway was filled with swinging clowns. Dean must have already made it through. A clown slammed him into the wall, but he got back up and ran, only being hit by one more stuffed clown.
“Oh, you can not be serious?”
Bill faced the mirror maze, his head spinning. He didn’t stop to get his bearing though, sprinting through the maze, running into almost every mirror. He turned the corner successfully and saw the blonde boy up ahead.
“Kid!” He yelled, running at full speed, before cracking his head against another mirror.
“Kid?” He looked around, feeling his surroundings. It wasn’t possible. Not in some attraction designed for kids.
He was completely surrounded by those fucking mirrors. He continued to feel around, eventually finding an open passage. Bill stumbled through more hallways, this time avoiding running into anything.
Around another corner was Dean, walking idly. He ran towards the kid again but found himself stuck behind another barrier of mirrors. He shouldn’t have been shocked, running into mirrors in the mirror maze.
Spinning around, he saw him again. Dean was at the end of the hallway, staring through the mirrors. Bill ran, for the millionth time that day, calling out for Dean. and, for the millionth time that day, he found himself trapped behind a wall of glass.
Dean spun around at the thump on the glass. He stared at the man who seemed to be following him around this town and had been hugging his mom not that long ago. Bill clutched his face in pain, muttering “shit” not so quietly.
“K-kid! Hey, hey!” Bill smiled, and Dean backed away.
“What are you doing here?” 
“H-h-hey, I-I’m here to help,” Bill said, and Dean scrunched up his face in annoyance.
“Stop following me!”
“I’m gonna, I’m g-gonna get you o-out of here.” Bill walked backwards, and as his eyes drifted down past Dean, he seemed to freeze.
Dean followed his gaze, his breath catching in his throat as he saw the creature staring them down.
Pennywise The Dancing Clown stared at the two of them, trailing his tongue up the glass. He had hunger in his eyes as he watched Dean’s every move.
“No.” Bill pleaded. Pennywise moved up the glass, his tongue still licking the glass. Dean didn’t move, frozen in place.
“P-please..” Bill felt helpless.
Pennywise stared at Dean, who was shaking. Bill realised he was shaking too, as strong as he always made himself seem. The fucking clown smiled creepily at Dean, the poor boy crying and trembling.
Neither Dean nor Bill could say anything, both standing in silence as Pennywise reared IT’s head, before hitting it on the glass.
IT laughed at their fearful silence, the only other sound being Dean’s wavering breaths. IT smashed its head on the glass, harder this time, and Bill responded by pounding on the glass. Dean backed away, straight into the glass Bill was on the other side of.
IT repeatedly smashed its head on the glass, not holding back. Bill did the same, only with his fists. Dean yelped in fear, each cry a spear through Bill’s heart. The clown was relentless, never holding back as its head came in contact with the glass.
Dean was crying, and Bill felt tears welling up too. This wasn’t happening. This couldn’t be happening. But it was, and it was a real as the fear pounding through their bodies.
The glass was cracking, Dean was screaming, and Bill was trying, but to no avail. IT slammed its head faster, more aggressive. Dean turned to Bill who was punching the glass. He knew he couldn’t do anything, but he didn’t want to believe it.
Two pieces of glass separated Dean from either safety or… something else. 
Bill moved to kick the glass, but it still remained intact. The other piece of glass did not. Dean’s screams echo through Bill’s mind, and they motivate him to try harder, to be stronger. He tries everything. Kicking, punching, pushing against it, all while looking into Dean’s fearful eyes. The same eyes he would have to look into after this. The same eyes that would fill with uncontrollable tears.
IT stops. But the glass is one tiny hit away from shattering. ITs face contorts, the horrifying smile it displays burning into Dean’s memories. Bill and Dean breathe heavily, and Pennywise can smell their fear.
IT rears its head back, before smashing it through the glass. Razor-sharp teeth slash out, latching onto Dean, who is still screaming. 
A gruesome blood splatter signifies Bill’s failure.
***
The incident had happened two days ago. In those two days, Bill had never felt more enraged. That anger, however, had been one of the keys to defeating IT. But as the Losers left the sewers, hauling an injured but living Eddie with great difficulty, the anger wasted away, and the sadness took its place.
He didn’t know how to tell her. He now knew how his parents felt, the day they had to tell him of Georgie’s fate. He felt so utterly useless. He had walked to her house, not ever wanting to arrive.
On the slow travel to the house of death and despair, Bill had contemplated how he would tell her. Nothing seemed right. He knew he needed the other Losers by his side if he was ever going to make it through.
Once the six of them had made it to your doorstep and rung the doorbell, Bill had broken down. And that’s how Y/N found them all, huddled around a sobbing Bill. They had all immediately noticed the tears in her own eyes.
“B-Bill?” 
She brought them all inside, making each one a cup of coffee or tea. They sat in silence, waiting for someone to say something. No one spoke, Bill and Y/N simply let out quiet sobs every now and again. An hour after, and a few coffee/tea refills later, Bill finally spoke up.
“Y-Y/N. Can we g-g-go upstairs?’
Bill held the woman close to him as they made their way upstairs. They both froze outside Dean’s old room, and Bill made the move to push her next door.
“What happened to Dean? Why did he never come home, Bill?”
Bill knew that deep down, she knew the answer to that. Not the specifics, of course. But he knew that Y/N could not have ignored the signs, like the missing posters that only seemed to be around when he was.
“Y/N, h-h-he’s gone.”
She couldn’t do this anymore. Bill held the sobbing woman, and he knew the other five Losers downstairs could hear everything. Her crying eventually brought the other five upstairs, one by one.
It reminded them of 1989 after they first defeated IT, when Bill had found Georgie’s yellow raincoat. Bill made the connection too, which hurt even more. They all found their tears dotting each other's clothes as they hugged the woman that they had not met until an hour ago.
“I… I think I need some time alone.” She mumbled, and the Losers left her room. Bill was about to leave when she pulled him into a kiss. It was like the one he shared with Beverly all those years ago; a farewell kiss.
***
It had been more of a farewell than Bill hoped. Not even two months after he left Derry for the second time did he receive the letter. It was addressed to him, from an address he didn’t know.
Opening the letter, he immediately recognized her handwriting. It hadn’t changed since high school. The note was short.
I’m sorry. I tried to be strong, I really did. I couldn’t do it without you and Dean. And I feel so selfish for doing this, and I don’t want you to be mad. It was best for everyone. I promise I’ll see you again, but as I said that horrible night, I need some time alone.
Yours forever, Y/N L/N
Dropping the envelope, another piece of paper came flying out. He didn’t want to, but he had to pick it up. Turning it over, he wanted to believe he was back in Derry, and this was just some cruel trick that clown was playing on him.
But it wasn’t. He wasn’t in Derry. If he was, maybe it would’ve changed things. It would’ve for sure stopped him from receiving the letter he currently held in his hand.
Celebrating a life well lived
Y/N M/N L/N
Loving mother, daughter and friend
1976-2016
***
@chipoisaloser
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luckersnwalsh · 4 years
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✦ –– / J U L I E T T E | W A L S H . ˚ ⁎ * ·
✦ –– /  f a c t s ;
name: juliette walsh age: thirty two gender: cis female pronouns: she/her sexuality: lesbian place of residence: brooklyn, nyc occupation: paralegal face: emmy rossum zodiac: capricorn ennegram: tba temperament: melancholic
tw; brief mention of drugs
✦ –– /  h i s t o r y ;
i. born in cork, ireland. father never stuck around. already had a second family by the time jules was six, a third when jules was nineteen. not that she cared too greatly. dad was an absolute loser with several speeding convictions and anger management issues so no big loss. the financial loss was certainly felt, however. mum worked three jobs to keep food on the table. the two were inseparable and despite her mother’s misgivings, they still are to this day.  maybe thats why jules takes ‘independent living’ a little too far nowadays.
ii. in primary school, jules was quickly labelled as a ‘problem child’.  her mother thought she was doing what was best for jules by not pushing for a diagnosis in autism, let’s just say it kinda fucked jules up even more. with a high IQ and a low EQ, most people assumed jules had some sort of savant syndrome. top 3% in the country! aren’t you proud? i have no friends, though. oh you’re just mature for your age. focusing on better things! the pressure mounted, her relationships non-existent and jules found herself closed off from the world, nose forever stuck in a revision book. 
iii. these problems follow her throughout her educational career. eventually she hit a burnout in her first year of sixth form college after trying to juggle too many subjects at once. that brainy maths whizz of a girl ended up going from an A+ to an E in less than a year. every subject failed in the most spectacular of manners. the gifted child suddenly wasn’t so gifted anymore, and it only fueled her resentment towards her teachers who pushed her to take on so much in the first place. there was, however, one shining light. law. the only subject she passed in her first year. the one subject she rebuilt her entire course to fit around when she applied to retake her college classes. 
iv. jules was destined to get a degree. after all, her mother never managed to get one, so jules had to go to university. freshers was... an Event, to say the least. the discovery of alcohol, marijuana and roommates who she had to force herself to interact with certainly morphed jules into quite the temporary wild child. it didn’t last long though. jules learnt the hard way that it doesn’t matter how hard you change yourself for your ‘friends’, you’ll never be good enough for them. by the start of her second year, jules was living on her own in a crappy one bedroom apartment with two cats. needless to say, this suited her much better. (still lights up on occasion though, oops)
v. half way through university, offered a placement in a new york firm as part of an exchange program. change is difficult for jules, but her ambition overcame her nerves. she had no attachments keeping her locked in at home, and with her mothers (unquestioned) blessing, jules hopped on to a plane with two furry passengers in hand.
vi. it’s difficult to find a job in new york when you’re foreign, young, female and don’t have any connections. and then there’s the issue that jules never wanted to be an actual solicitor, after all. no no no, that would require public speaking, keeping emotions in check, not swearing at the prosecution. for the most part jules worked as an intern to a small public defender firm. ( and then i need to talk to oaklynn mun before i fill the rest of this bc we need to work out details of this firm she eventually joins )
✦ –– /  e x t r a ;
juliette’s ideal is j u s t i c e. pretty obvious for the lawyer, but needs to be said. this ideal was present at a very young age, and coincided with her more... violent tendencies. juliette might be lawful, but she’s not exactly lawful good. for example, is there a kid who keeps pushing you off the slide so they can have multiple turns? don’t worry, jules will be waiting at the bottom to punch them the next time they come down. kid keeps hitting you during class? can’t hit you if jules bites off his arm. really, jules would’ve made a damn good vigilante, but sadly this isn’t that kind of story. 
jules comes off as quite stoic, a little bit cold and cynical. in her worst moments, she’s aggressive and like i said, can be pretty violent. since academia has been hard drilled into her since she was a bubby, she can tend to come of patronising and a little holier-than-thou.
get on her good side though and you find someone extremely logical and focused, and the most reliable person you can meet. generous and giving, jules is the type willing to give up her left leg if it meant someone could walk again. manage to make her smile and you’ll probably fall in love. whilst she keeps them hidden, she has a variety of special interests (in fact, she’s actually quite the nerd). unlock them all and you get a prize! (its her heart, you are now her best friend)).
her cats are called jasper and fred. yes i will eventually provide photos as they are models off my cats.
eventually there will be a pinterest and playlist here
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funkymeihem-fiction · 5 years
Text
Strange Honey- Chapter 5
Danger.
All her instincts screamed of danger. Something new and terrible was standing in front of her, looming over her. Adrenaline coursed outward from its source, the glands behind her gut, which clenched tight and painful as her limbs began shaking, ready for the inevitable fight or flight that was sure to occur, with such a predatory force within killing distance. The animal part of her brain bid her to flee with all her might. It also bid her to evacuate her bladder and do whatever it might take to get away. Just get away from it.
But luckily, she was trained beyond such primal thoughts. Logic and manners bid her to stay her course, even in the face of the unknown. Even though she was trembling, which was quite beyond her control, she made herself stay still. It would do her no good to panic, especially after it had taken such coaxing to even get the entity to show itself. Although, what a form it had chosen…
And he certainly did not seem to be shy now. Jamie slunk low once more, circling and slinking around her, still chortling to himself with that dry, scraping, buzzing sound from earlier. The soft hush-hush-hush of crackling straw was faint with every one of his movements, moving around her like a hyena closing in on some unlucky wounded calf. The faint yellow glow of his eyes occasionally clicked or focused, and the open mouth of his mask remained wide open and grinning. Mei could not help but wonder what was inside of that gaping mouth, if it wanted to devour her.
She cleared her throat, and her voice was more quavering and shrill than she wished it was. “H-hello Jamie. I-it’s so n-nice to meet you in…in person.”
He laughed again, swerving back to stand in front of her and bend back down to her level, still seemingly gleeful at her visit. He leaned close, and the stench of moldered hay was almost overwhelming. “Hello, Mei. Mei. Out here again.”
“Y-yes. Ahem. Although I’m afraid I can’t stay very long. But I j-just wanted to speak, um, face to face?” Her eyes darted to his grinning mask. “So to speak.”
“Faces? Yes. Speak, out here with me. Nice sweet girl. Don’t worry.” He reached out as if he wished to touch her, but drew back at the last moment, spindly fingers curling inward.
His method of speech was strange and halting, seeming to blurt things out too suddenly, and his tone went up and down in strange places, becoming questions in the middle of sentences or dropping to a rattling or giggling growl at the end. It was impossible to tell much from his inflection. He had told her not to worry, but she could not gauge his sincerity at all. She couldn’t help but worry.
“You sent that bee to contact me, didn’t you? To introduce yourself?”
“To show you.”
“To show me the pictures in the attic? The ones Mr. Rutledge drew when he was a child? May I ask why?”
He swayed back and forth in front of her, and her eyes moved to and fro to watch him, like a snake being charmed as he thought about his answer. “Drawings. Little boy. He’s gone now, but I remember.”
Mei looked up at him with a startled blink, straightening her glasses. “You remember? You said that before. Is that what you meant when you said that you were remembering? Drawing with Mr. Rutledge as a boy?”
“Yes…NO. More. Before the boy.”
“You remember…” The talk of ‘remembering’ made her jolt a little, and she remembered something as well. Her equipment. She was here to record this Jamie, to secure her discovery with physical evidence. But she also didn’t want to scare him by moving to retrieve it so suddenly. So she held up both hands where he could see them, which caused him to tilt his head curiously as she went to undo the straps to her bag. “Listen, Jamie. I’m going to get something so I can record you, okay? Just going to get it out of my pack.”
“Reeee-cording?” Jamie echoed. “Recording?”
“It’ll play your words back to me. It’s like…I guess it’s a bit like putting a drawing on paper, but with sounds. Is that okay with you?”
He didn’t answer, just standing there as stiff as the scarecrow he was pretending to be. Mei’s eyes darted, but after a moment she carefully maneuvered the pack off her shoulders and onto the ground. Praying silently that nothing was broken, her groping hand found the shape of her phone and she drew it out… The screen was cracked on the lower left side and her heart dropped, but it lit up and responded to her touch, bathing her face in harsh blue light.
Jamie uttered a strange noise, between a hiss and a shriek, reeling back and taking a step back towards his field, and Mei nearly panicked.
“No! No no no, it’s okay. See? It’s just a phone. I guess you might not have seen one like this before? Mr. Rutledge certainly doesn’t use one. It’s just a phone, and it lights up.” She held it up again, the electric blue light almost drowning out the yellow that he emitted. But he took a hesitant step forward and relief almost flooded through her that she hadn’t scared him away. “It’s fine! I’m just going to use it to record you. Okay?”
“Phone drawings pictures…” His eyelights clicked as they focused on the glowing screen, and he muttered as if trying to recall a word. “…Photograph. Photo. So pretty.”
“Hm?” She turned the phone back around, and saw he must have meant the picture on her home screen, a photograph of her looking excitedly up a the camera while bottle-feeding a baby goat wearing a Christmas sweater. “Oh! Um. Thank you. It’s a silly picture, but it was sooo cute.”
“Sooo cute!” “So you know what photos are? Then…how about I take your picture?” she asked, perhaps a bit slyly. Perhaps he would agree to it all so long as he understood that it was non-threatening. “You just stand there, okay? And I’m going to take your picture and then I’ll show it to you.”
He didn’t answer, merely tilting his head again with a soft rustle. She guessed that was as good as any affirmation, and lifted the camera up. The lighting wasn’t the best, but now was no time to be picky and she didn’t want to scare him with the flash. She lifted her phone, waited for it to focus, and then clicked the button. It beeped and she eagerly looked down to see how this new evidence was turning out… only to find that it had not turned out at all. The picture she had taken was absolutely distorted, streaks of brown and two yellow lights that were smeared in all directions, as if he was moving rapidly in many different ways all at once.
But he hadn’t moved at all, standing placidly before her. She tried again. Click. More streaks and blurs, and what vaguely might have been his smiling mouth. It seemed that getting picture evidence was not going to be so easy after all. She turned it to video, and was greeted once more with nothing but a distorted warp field around his form…which dissipated when she aimed the camera away from him. But focusing on him was going to be impossible. This might be harder than she’d thought.
And Jamie seemed to be growing impatient while she stupidly fumbled with her phone. He rocked back and forth on his broken-parts peg leg and his bare foot, watching her. His glowing lenses clicked down occasionally, and she noticed he kept looking at the stained red part of her shirt. That was fine enough. Perhaps he was curious, or worried. What was not fine was when he started to reach out one filthy leather glove, stretching long fingers towards her wounded ribs.
“Red.”
That was a little too much, and Mei lowered her camera and shied away, taking a step back. “Oh! Y-yes, it’s red. I told you, I fell down and scratched myself pretty bad, I’ll have to clean it up when I get back.” She bit down a bit into her lower lip, curiosity lifting its head. He seemed so interested in its color. Maybe it was unusual to him? “Jamie, do you have any red? Are you like a human, where you can bleed? Red?”
He thought for a moment, lifting one gloved finger. Then pointed down to the ground, staring straight at her.
She looked to where he was pointing, but saw nothing. Just the dry grass. “Oh, is that…Sorry, are you trying to show me something?” She tried looking, adjusting her glasses and leaning closer, but still nothing. Grass and dirt. “I’m sorry, I don’t see anything.”
“Red.” He pointed down again.
The grass was definitely not red, and that prickling and unpleasant feeling was back. Something that told her that this topic was not something she wanted to pursue further. Not with…him. So she just nodded. “Okay. Maybe I can look another time! H-how about you tell me about yourself, Jamie? Maybe you can tell me what you are, first? Since you’re not a human, do you have a name?”
“Jamie.”
“Yes, but- I mean your other name, the name of what you are? Your species? Or, maybe you can tell me what you’re doing here? How long you’ve been here?”
“A…long time. Waiting.”
That got her attention. So he had a purpose- some sort of goal. “Oh? Can you tell me what you’re waiting for, Jamie?”
“To be over. No. Over?” Once again, the scarecrow seemed to be having a bit of trouble getting his thoughts in order, and the apparently challenge of verbalizing them. It jerked to one side, head rustling as it turned, looking up at the darkening sky as if searching for words that it could not find. “Over. Over. Under? No…!”
“That’s okay,” she said, trying to be soothing as she saw his frustrations grow. She definitely did not want him to become upset. “That’s okay, we can talk about that later, all right? It’s fine. Has it been a while since anyone has been out here to talk to you?”
He nodded, wrapping long, long arms around himself in what might have been a rather pathetic gesture if it had been on anyone else. Even then, despite his frightening countenance, she felt a tinge of pity. Even if he was unnerving, she could recognize loneliness when she saw it. Perhaps that was even an explanation as to his strange behavior and manner of speech. Maybe it had been so long that he’d forgotten how to talk to people.
“That’s a shame. Both you and Mr. Rutledge are out here so far away from everyone else, and you’re not talking to one another. Is it okay if I ask why?” She almost reached out to him, but thought better of it, clutching her phone instead. “When was the last time you spoke to him?”
Jamie thought things over once more, then leaned down with one arm, holding out one hand somewhere above his knee, wavering a little. “Little boy. Little fat boy.”
Instinctively, she narrowed her eyes at the insult, scolding before she could stop herself. “Jamie!”
He looked somewhat taken aback, the lights cutting off as he ‘blinked’ at her.
“I’m sorry, it’s just…we shouldn’t say those sorts of things about someone. That’s rude.”
“That’s rude,” he echoed, clearly not understanding. “That’s rude!”
She shook her head, deciding to let it go. He was having trouble using his words enough, and now was no time to spring a lesson on manners on him. Again, she could not risk upsetting him. For her research, and for her own safety. He was just a little too interested in the concept of her blood for her to let her guard down. She still had no idea what she was dealing with, and unfortunately, he did not seem to be able to answer her yet.
‘Yet’. He was still talking to her, able to speak and form sentences and he understood humor- albeit a warped form of it that made her a little uncomfortable. Maybe he just needed to be socialized with more, and then she could get more out of him…maybe even find a way to record him somehow or get evidence of his existence out to the proper academic channels. And if this Jamie had been out here for almost half a century, alone, maybe the poor thing would appreciate having company again.
It would do neither him nor Mr. Rutledge any good if she suddenly had news vans and paranormal investigators sweeping across the farm like locusts, disturbing the way of things here. It had taken her so long just to coax him out of the flowers, and he seemed to… like her? In his own strange and maybe slightly disturbing way. It had been cute when she had known him as a bee, or a scribble on a paper, or a flower on a windowsill. But the gangly scarecrow, if that even was his real form or just another one of his affectations or guises, had to be approached carefully.
“So the last time you and he talked, he was a little boy? That must have been a long time ago. Has anyone else come to see you since then?” she asked, leaning back very slowly as he bent down to look at her again. She just needed to keep her cool. Nothing to be afraid of. He was a little spooky, but nothing to be afraid of. Yet.
“You’re here,” he pointed out, mask still smiling widely as ever. “Mei.”
“That’s true. Still, that’s an awfully long time to be alone. Are you okay out here, on your own?”
He looked at her more sharply, the glass lenses of his masks clicking. And for a moment he seemed…Well, she wasn’t entirely sure. He seemed affected by such a simple question, maybe even a little choked up. “Sweet sweet girl, Mei. No, not alone. Look. Look!”
His gangly form moved so quickly that she almost didn’t see it. There was a blur of dull color, almost like when she was trying to take his picture, and then he was suddenly behind her, and leaning down with his arms open. She froze up, body going stiff as a corpse, and her eyes widening behind her glasses. The stench of old straw was thick enough to choke her at such close range, and there was something else behind that…some other smell she couldn’t yet put her finger on. And she could not stop to wonder, as his arm looped around her almost as if to embrace her, but not touching.
A gloved hand rested in front of her face, spreading trembling digits. She did nothing, said nothing- fairly sure that even her heart had stopped beating. There was a faint buzzing sound in her ears, and she wondered if he was laughing at her again. But then the buzzing got closer, and it was accompanied by a yellow and black striped body that landed on his outstretched fingers. Then another, and another. For a moment, she thought them to be bees, but a quick glance proved otherwise.
They were too long, too shiny, and too dangerous looking. Wasps. Several of them, clinging to his glove. He was holding a hand full of wasps right in front of her face.
“See!” he gleefully whispered behind her.
Bravery in the face of the unknown was one thing. At least there, there was some uncertainty. But she knew what wasps were. She knew what wasps did, and this time she couldn’t stop herself. She screamed, jolting backward, felt her hurt back brush the front of his tattered overalls. So she jolted forward, almost into the wasps, and then finally managed to duck and stagger out from under his spindly arms, spinning in a stupid little circle as she fled to a safer few steps away.
Jamie just stared at her, and with his masked visage and lack of expressions, she had no idea if he was angry, or amused, or offended, or anything else. He slowly stretched back upright, still holding the wasps clinging to one hand, skittering over him with their skinny little legs moving their striped bodies all over. Fortunately, he did not offer them to her again, and seemed perhaps a little confused if anything.
“Mei?”
“Y-you scared me, is all. Those are wasps, and I don’t want to get stung.”
“No. No, they won’t. My friends. Your friends. Mine yours.”
“So you’re ‘friends’ with insects around here? The bees and wasps and flies and everything? M-may I ask how?” Her nerves were still shot from having a fistful of wasps almost pressed against her nose, heart still thudding. “And…you won’t let them sting me, right?”
“Sweet, nice, never! Tell them not to.”
“Well that’s…that’s good to know?” she answered nervously. Honeybees were one thing. Wild wasps were entirely another. “I guess I’ve never met anyone who can talk to insects, much less ask them to do things. I know you can speak to the bees. In fact, I bet there’s so much we can learn from you, Jamie. About the bees and everything else. I was learning all about the honey around here, too. If you asked Mr. Rutledge’s bees to pollinate these sunflowers, you m-”
“NO!”
Yellow blared bright in her vision, blinding her. He was suddenly in front of her again, and she nearly fell right back on her rump. But he lifted out of her face a moment later, limping a few steps away to face the field of sunflowers. The wasps crawled up and down the stitches on his arm.
“Those…are mine…” he said. And for once it was not a string of words trying to escape him as he got his thoughts in order, it was a full sentence with clear intent and meaning, downright threatening.
Mei dared not say anything for a long while, and her voice was a little watery when she spoke up again. “I…I’m sorry? I can give you back the flower you gave me? I didn’t mean to try taking one before, I didn’t know…”
“No. No, that one, for you.” He turned back upon her, seemingly cheerful again. Hobbling back over, he once more slouched down to her level, his masked visage grinning. As she watched, one of the wasps crawled into the stitched hole that was his mouth, and did not emerge. He took no notice, his echoing voice continuing. “Only for you. Not him.”
“Y-you mean Mr. Rutledge? I don’t understand, Jamie. Why is it you’re so angry at him? You said he was just a little boy when you met.”
“Not a little boy. Not anymore. Big. Dangerous.”
She frowned. “Well he is quite a bit larger than a lot of people. And he’s not what I would call friendly. But he’s been as kind as he can be to me, since I arrived. He’s a lonely man, but he’s certainly not dangerous.” She paused, biting into her lip. “Er…is he? Dangerous? Why would you say that?”
A shudder passed through his gangly body, and the insects clinging to him went buzzing off in all directions, one of the wasps circling around her head before it flew away. She winced and shut her eyes, though they sprang open again a moment later when there was a very brief pressure atop her head. The lightest touch of a filthy glove, pressing down and then lifting away. He had just patted her like a dog, seemingly trying to be comforting despite her feeling very much the opposite of comforted.
“Won’t let it happen to you. Mei. Keep you…safe.”
“Let what happen to me? Jamie, please, if I’m in danger, you have to try and tell me why.”
“Don’t believe them...”
“You mean Mr. Rutledge? Don’t believe him about what?” Frustration and alarm was starting to take over her nerves, only precariously held in check. “I don’t know what you’re trying to tell me. Please, can you try and elaborate? Does Mr. Rutledge want to hurt me? Should I leave?”
“No! No don’t leave!” He whirled around on her once more. “No! No, keep you safe. Don’t leave.”
Despite his frantic reassurances, a quick glance past him and up at the sky belied that she did actually have to leave. The sun was down and the night would soon truly be upon her. Already the last rays were starting to fade from orange to purple, and there was absolutely no way that she intended to stay out here after dark. No matter the scarecrow’s intentions, she couldn’t even fathom the thought. His glowing yellow eyes were already looking more and more eerie as the shadows grew darker around them.
Problem being, she was no long sure if she would be safe back at the house either. Jamie either wouldn’t or couldn’t tell her what the threat seemed to be, or why he was so at odds with Mr. Rutledge despite acknowledging that he had only known him as a young child. And even though he was not the most gentlemanly of people, she had a hard time imagining him as the sort that would lure young women to his farm and then feed them to his pigs….Right? Surely not…?
She took a deep breath, clasping both hands. “Jamie…If I go back to the house, will I be safe?”
“Yes. Yes, safe, don’t worry.”
“Okay. Then I’m going to head back, but-” she held up a hand when he started towards her, as if alarmed about the prospect of her leaving. “But! Just back to the house. I’m going to come back as soon as I can. Hopefully soon. I’ll come back. But for now I need to wash all this blood off m-”
“Red.”
“Yes, red. I need to wash off and clean up these scratches. And then I’m going to look into some things. And then maybe next time, you and I can have more time to talk and you can tell me more about you, and Mr. Rutledge, and your flowers, and everything else. Because I’m going to be safe, right? You’re sure?”
“Sweet, safe, Mei.”
“Okay. Okay.” She inhaled deeply, trying to soothe her frazzled nerves. “Then…Have a good night, Jamie. I’ll be back soon, okay?”
“Soon.” He said it firmly, both a demand and a promise., tilting his masked head one way and then the other.
She nodded one last time, then shouldered her bag and started off on a brisk pace back across the field and back to the footpath that would lead her back to the house. One last glance back towards the sunflowers saw that Jamie was already gone, though she couldn’t be sure where. Her head was buzzing with thoughts. She had come to get evidence and answers, and was leaving with uselessly smeared blurry pictures and more questions than ever.
Jamie hadn’t exactly been forthcoming, but she couldn’t blame him. He was not a person like her, seemed to have trouble getting himself in order, and had earnestly seemed to be trying to converse with her, as much as he could. But she still had no idea as to what he was, or what the interference was when she tried to get him on film.
Plus, there was now the concern that he seemed to think Mr. Rutledge was dangerous in some way. The odd entity seemed intent on keeping her ‘safe’, but she had no idea from what. And something about not believing them? Although he had said ‘them’, which was confusing in itself. What wasn’t she supposed to believe? And what exactly were Jamie’s methods for keeping her ‘safe’?
And she reached the outskirts of the farmhouse proper, there was another important question.
How was she supposed to get back up to her room?
Both doors opened to the main hallway, and she could see the blue glow of the TV playing through the window. The screen doors were not exactly quiet, and the wooden doors had squeaky hinges. He would definitely see her try to sneak in if she tried to use the stairwell. He didn’t lock the doors at night, so maybe it was better to just wait and try to sneak in after he had gone to bed? Although…that would be hours from now, and her ribs hurt and she felt awfully exposed out here, wrapping her arms around herself and looking about in a rather lost way. Even if the room wasn’t technically hers, it was a sort of safe haven for her, and she wished she was inside it. Maybe then she actually would feel ‘safe’.
She paced out in the backyard, trying to sort out the mess inside her head as the dark closed in around her. The nightly chorus began their song; crickets and frogs shrieking from the direction of the half-dried pond, and somewhere an owl was hooting. The fireflies were also out in force, their tiny yellow lights blinking all over, mimicking the little pinpricks of light where the dazzling stars were starting to appear one by one in the sky.
It would have been a lovely evening if she wasn’t stuck outside in it.
Something buzzed, and she waved a hand against any errant mosquito. But it wasn’t the keening whine of a bloodsucking pest, it was the buzz of a flying insect. A bee? The little insect flitted past her, then hovered in the air, and she frowned. It was not a bee, but a wasp. Likely sent after her by her watcher in the fields.
Casting a nervous glance at the window where the TV lights still flashed, she lowered her voice. “Jamie, it’s okay. I’m fine, see? I’m safe. I just…I guess I just need to wait until I can get back inside, since I broke the trellis to the window?”
The wasp buzzed closer to her, and she reeled back. Halting in the air, it spun in a circle, flew a distance off, then turned and waited on her. Sighing, she followed. It led her towards the back porch, to the back the house, and where one of the shrubs was still a little flattened on one side where she had landed on it. Oof. Hopefully Mr. Rutledge wouldn’t notice that?
The buzzing sounded again by the broken wires of the trellis, and then there was a different noise. A sort of rustling? It sounded like leaves in a breeze, but there was no breeze tonight. No relief from the stifling heat. And it was constant, almost like something was moving in the flowers? It was hard to tell in the dim light, but after a few moments of inspection, she realized that there was nothing moving in the flowers. It was the flowers themselves, moving.
Before her very eyes, the morning glory vines were shifting. Slowly, but surely, they were moving on their own. Slithering up as a living thing, their gnarled vine roots clutched at the broken wires where her foot had gone through, weaving themselves over each other. She watched, wide-eyed, as they spun themselves thicker, cheery little blue flowers dragged along for the ride. The metal wire of the trellis had been dragged back into place, reinforced with the vines, and now gave her a path back up to her window.
Well, that was…admittedly, a little wondrous to behold. It seemed that Jamie, whatever he was, had more tricks up his sleeves than just insects. Shaking away her awe, she looked for his latest messenger. It was only polite to thank him, after all.
“Jamie? Where are you? I mean, where’s your…You know. If you can hear me, thank you.”
There was a buzzing noise somewhere down by her feet. She almost jumped a little, but clicked on her phone. She was standing in the flattened area where she had fallen, and there was the wasp from before…standing with its head and antennae waving furiously, inspecting and circling around a collection of dark speckles on the dirt, right where she had landed. Blood. It had found where her blood had seeped into the ground.
Red.
She almost could hear him saying it, though she shook her head clear and stepped away quickly. Mounting the once-broken trellis, she began the laborious process of climbing. To her surprise, it was easier climbing up than climbing down, and the wires- now reinforced and knitted with morning glory- held fast. It was a bit of a squirm to get onto the roof proper, and it scraped her ribs and made them hurt, but with one last heave, she pulled herself up, carefully standing and throwing out both arms in a balancing act as she walked the slope back to her window.
Tossing her bag inside with a little thud, she hefted herself up and crawled through. It was just as she had left it, with her lamp glowing a warm welcome and the cold bowl of dinner noodles right where she had left it. With a relieved sigh, she took in a shuddering few breaths. Safe. Well, not entirely safe. The gifted sunflower was still bright and cheery as ever in its vase full of water, and she could swear that somehow its very presence meant he was still watching her.
A pang from her ribs reminded her of more important matters, and she headed for her bathroom, clicking on the pink-tinted antique light above. Rifling through her medicine cabinet, she came upon a collection of cotton balls, peroxide, and slightly out-of-date anti-infective creams. Hiking up her bloodstained shirt and bra, she examined herself in the mirror.
Owch. No wonder it had been aching all evening. The scratches were worse than she’d thought, and her entire side was smeared with crimson. Wetting the cotton and wiping it away, she saw the telltale magenta marks that were sure to deepen to blue and purple bruises as the blood settled beneath her skin. Nothing to be done for those. Instead she focused on the jagged cuts, hissing a breath as the foaming ichor cleaned over the open pink beneath.
Slapping on an entire collection of band-aid adhesives over the worst of them and splashing her sweaty face with water, she peeled off her ruined t-shirt and tossed it away, pulling on her fresh pajamas. Even that made her feel so much better, no matter how chaotic her thoughts. She returned to her bedroom, grabbing her cold bowl of noodles along the way, pulling out her notebook and her collection of drawings, and her cracked phone with the useless blurred photos. Snatching up a pencil, she began writing, going over their questions and conversations as best she could remember, while it was still fresh.
With her chopsticks in one hand and her pen in the other, she started recording the night’s happenings. And there had been quite a few. She had been left with more questions than answers, more confusion, and more danger than before. This farm was a veritable treasure trove of discoveries to be made, and she had barely scratched the surface. She just hoped that as she dug, she wouldn’t find murdered chickens or deadly buried secrets along the way.
He had promised to keep her safe, but from what? Could Mr. Rutledge be trusted? Then again, could Jamie? She knew so little about either of them. What else did Jamie know, and what was he ‘remembering’? What was Mr. Rutledge hiding from her? She would need to get information out of both of them. Carefully. She still had a lot to do.
Glancing up, she eyed the sunflower on her dresser, listening to the faint thrumming base of the television playing in the den below her, barely audible over the shrieking choir of the summer night.
Starting tomorrow, it was time to start digging.
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a-y-t-g-blog · 5 years
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Blog Post 1B.
A Critical Analysis of Joseph and the Amazing Technicolor Dreamcoat.
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      This blog post will critically analyze the 1999 film Joseph and the Amazing Technicolor Dreamcoat based on Andrew Lloyd Webber’s musical which was inspired by the Old Testament story of Jacob from the bible. Firstly, a synopsis will be provided on the hit film. Secondly, an analysis will occur on how this film resembles the theoretical approach of religion in pop culture. Finally, a critical analysis will articulate how reception theory is very personalized and varies based on the viewer. These aforementioned points argue the following thesis; Joseph and the Amazing Technicolor Dreamcoat is a film that is a religious form of popular culture. Despite its religious origin, through reception theory viewers can find a variety of value within this film due to its creative execution.
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       The story of Joseph and the Amazing Technicolor Dreamcoat is based on the biblical story of Joseph, which can be found in the Book of Genesis in the bible. The film opens with a scene of dozens of children who are waiting for a presentation at school. Maria Friedman who is the narrator throughout the film introduces the students to Joseph and prepares them for a journey of self-discovery and never giving up on a dream. The story of Joseph is about the son who is the youngest of twelve brothers. Joseph was Jacob's favourite son, which resulted in deep envy and jealousy from his siblings. This jealousy caused Joseph to be sold into slavery and be sent to Egypt by his brothers. 
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       Joseph was held as a slave for quite a long time but eventually escaped due to his special gift. Joseph was fortunate enough to have the gift of interpreting dreams. This gift eventually led him to predict the future for Egypt, saving the entire country of famine. The story ends with Joseph forgiving his brothers for their actions, reuniting with his father, and eventually becoming the most famous man in Egypt.
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       Way-way back many centuries ago, just kidding, in November 1999, the hit film, Joseph and the Amazing Technicolor Dreamcoat (JATD), was released. Originally written by Andrew Lloyd Webber in 1965, this musical has become one of the most frequently performed musicals in the world (Chandler, 65). With such outstanding feedback, the hit musical was adapted into a film which was directed by David Mallet. By 2004, the musical had been performed in more than fifteen-thousand schools alone (Chandler, 63). In the reading, Bible Lite for Schools: How Joseph and the Amazing Technicolor Dreamcoat Redefines Classical Old Testament theatre for young audiences, David Chandler argues that JATD is a unique musical as it combines a classic story with modern pop music (63). Songs include a variety of styles ranging from ballads, such as, Any Dream Will Do,  to disco hit Go, Go Go Joseph and even rock and roll tune Song of the King (Seven Fat Cows).  This variety of musical style caters to multiple people's interests, ensuring that anyone who watches the film will have a part to personally connect with.
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       The film, Joseph and the Technicolour Dreamcoat (JATD), is considered a media that is a religion in pop culture. This means that the religious story of Joseph has been transformed into a film, resulting in a religious story that is communicated through popular culture. Other examples similar to this is the story of Aslan in the Chronicles of Narnia or Superman who resembles Jesus from the bible (Forbes). What is interesting about JATD is that it is explicitly about a religious story. Based on examples used in class, we have witnessed many multivalent figures who resemble religious tropes within pop-culture (Forbes). This particular example of JATD is unique in some sorts, as it is explicitly based off a religious figure. This requires an intricate analysis to occur in order to understand the reason behind the production and the meaning of the movie.
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       In the reading, God on Stage? Religious Themes in Public Educational Theatre, Allen Reeves Ware and Perry L. Galanzer argue that religious productions are often criticized due to the message it sends to viewers (564). Ware and Galanzer argue that despite the fact plays such as JATD, and Jesus Christ Super Star showcase a positive message, their explicit connection to religious story can cause apprehension for those who view the production (564). With this sentiment, it raises the question of why religious productions are more scrutinized than non-religious productions. Musicals such as, Les Miserables, have religious tropes within their production, yet face no retribution. To understand this confusion, it is important to look at the reception theory. Reception theory refers to when meaning is negotiated between the creator of the story and the viewer (Tatum, 81). This means there is a conversation that allows for assimilation to the story but can also create oppression. Furthermore, reception is often personalized based on the receiver (Tatum, 81). In the reading, It Could Have Been So Much Better,  Kathleen Gallagher argues that Melancholia is an important factor for reception theory. Gallagher argues that a persons lived experience, and personal interests affect whether or not someone poses an interest in an artistic vessel. This notion supports the ideology that reception is very personalized
       Despite its explicit resemblance to the story of Joseph within the book of Genesis, the story of JATD has a deeper message for audience members. Audience members who are religious can witness a musical about the story of religious figure Joseph and alternatively, viewers can also simply enjoy the cinematic experience of a man named Joseph on his journey.
       Joseph and the Technicolour Dreamcoat is a film about the biblical character of Joseph and his journey through slavery and overcoming turmoil. It is a religion-based musical, that is unique in its execution as it combines modern pop-culture songs with engaging cinematography. Despite the heavy apprehension that occurred with it being a religious musical, it is evident that reception theory ensures that each individuals response to the production is personalized. These points support the sentiment that despite its religious origin, through reception theory viewers can find a variety of value within this film due to its creative execution.
Works Cited
       Chandler, D. (2010) Bible Lite for Schools: How Joseph and The Amazing Technicolor Dreamcoat Redefines Classical Old Testament Theatre for Young Audiences. ATLA Religion Database. P.63-76. 
       Gallagher, K., Freeman, B. & Wessells, A. It Could Have Been So Much Better: The Aesthetic and Social Work of Theatre. Research in Drama Education: The Journal of Applied Theatre and Performance. P. 5-27. 
       Glanzer, P. L. & Ware, A.R. (2005). God on Stage? Religious Themes in Public Educational Theatre. Journal of Church and State. P. 563-581. 
       Tatum, J. (2014) A Real Short Introduction to Classical Reception Theory.  A Journal of Humanities and the Classics. P. 75- 96.
       Forbes, D., Mahan, J,H. (2017) Religion and Popular Culture in America, Third Edition. ProQuest Ebook Central.
Below are some photos of me (far left in both photos) in my highschool production of Joseph and the Amazing Technicolour Dreamcoat! (2015)
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collectorscorner · 4 years
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Dead Day #1 (Cover A Andy Clarke), $4.99
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vsuvo768523 · 4 years
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Top 3 Reasons Every Small Business Needs A Virtual Assistant
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Tell me if these things sound familiar. You need to work late nights or at the weekends. You get to stress over those day-to-day tasks that you dislike doing yourself. You are spending less time with your family and friends. Rings a bell? You might need a Virtual Assistant. Virtual Assistant (VA) can help you from general admin tasks to complex projects, almost everything you can think of that can be done remotely, VAs got it covered for you. Do you need someone to handle your email marketing campaigns? Perhaps curating content for your social media accounts? Or some help in managing your calendar? Just name it. With the rise in popularity of making money online and remote jobs in the global marketplace, you can easily find a VA that specializes in areas your business is shouting for help. Why hire a Virtual Assistant? You might be wondering about the benefits your company can get from hiring a VA. 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ebenvt · 4 years
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Introduction to Bacon & the Art of Living
The quest to understand how great bacon is made takes me around the world and through epic adventures. I tell the story by changing the setting from the 2000s to the late 1800s when much of the technology behind bacon curing was unraveled. I weave into the mix beautiful stories of Cape Town and use mostly my family as the other characters besides me and Oscar and Uncle Jeppe from Denmark, a good friend and someone to whom I owe much gratitude! A man who knows bacon! Most other characters have a real basis in history and I describe actual events and personal experiences set in a different historical context.
The cast I use to mould the story into is letters I wrote home during my travels.
Letters from New Zealand
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The Calne experience came to an end, just as dramatically as it started.  Upon our return from Dublin, Oscar was already waiting for us in Calne.  We had an amazing time with John Harris, Mike Caswell, Anita Waite, and Susan Bodington. Minette and I decided to take Stu up on his invitation to visit New Zealand before we visit Dawie in America.
Lord Landsdown on Saltpeter (3)
One afternoon, Mr. Petty from Bowood called on us.  Lord Landsdown returned the previous day and invited Minette, Oscar and I to dinner.  It was a grand affair and reminded me of the send-off that we received from Jeppe when we left Denmark.  It was an honour meeting Lord Landsdown.  He struck me as a very intelligent man and a great sportsman!  I could tell that his heart was in Canada!  Of course, we discussed the saltpeter trade until deep in the night and as Viceroy of India, he knew quite a bit about the inner workings of the saltpeter trade.
I thought that where Denmark was my introduction to saltpeter and mild cured bacon, England was my schooling in salt, refrigeration, sugar, and mechanisation of every process on the bacon production floor.  With our host that evening, the matter of saltpeter was back on the agenda!
Lord Landsdown informed us that “by far the largest natural known natural deposits of saltpeter to the Western world of the 1600s were found in India and the East Indian Companies of England and Holland plaid pivotal roles in facilitating its acquisition and transport. The massive nitrate fields of the Atacama desert and those of the Tarim Bason were still largely unknown.   In 1300, 1400 and 1500 saltpeter had, however, become the interest of all governments in India and there was a huge development in local saltpeter production.”
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“In Europe, references to natron emerged from the middle of the 1500s and were used by scholars who traveled to the East where they encountered both the substance and the terminology.  Natron was originally the word which referred to saltpeter.  Later, the word natron was changed and nitron was used.”
“At first, the saltpeter fields of Bihar were the focus of the Dutch East Indian Company (VOC) and the British East Indian Company (EIC).  The VOC dominated the saltpeter trade at this point.  In the 1750s, the English East Indian Company (EIC) was militarised.  Events soon took place that allowed for the monopolization of the saltpeter trade.  In 1757 the British took over Subah of Bengal; a VOC expeditionary force was defeated in 1759 at Bedara; and finally, the British defeated the Mughals at Buxar in 1764 which secured the EIC’s control over Bihar. The British seized Bengal and took possession of 70% of the world’s saltpeter production during the latter part of the 1700s. (Frey, J. W.; 2009: 508 – 509)”
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Lord Landsdowne had an interest in bacon curing due to a business that he recently invested in.  He told us with great authority that “the application of nitrate in meat curing in Europe rose as it became more generally available.  Later, massive deposits of sodium nitrite were discovered in the Atacama Desert of Chile and Peru and became known as Chilean Saltpeter. This was only a re-introduction of technology that existed since 2000 BCE and possibly much earlier.”
I was very excited about this statement.  I recounted what I learned in Denmark.  That “the pivotal area where saltpeter technology spread from across Asia, India and into Europe, is the Turpan-Hami Basin in the Taklimakan Desert in China. Here, nitrate deposits are so substantial, that an estimated 2.5 billion tons exist, comparable in scale to the Atacama Desert super-scale nitrate deposit in Chile. (Qin, Y., et al; 2012)  (THE TARIM MUMMIES OF CHINA)  Its strategic location on the silk road, the evidence of advanced medical uses of nitrates from very early on and the ethnic link with Europe of people who lived here, all support this hypothesis.”
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The main course was served and Lord Landsdown continued.  “Large saltpeter industries sprang to the South in India and to the South East in western China.  In India, a large saltpeter industry developed in the north on the border with Nepal – in the state of Bihar, in particular, around the capital, Patna; in West Bengal and in Uttar Pradesh (Salkind, N. J. (edit), 2006: 519).  Here, it was probably the monsoon rains which drench arid ground and as the soil dries during the dry season, capillary action pulls nitrate salts from deep underground to the surface where they are collected and refined. It is speculated that the source of the nitrates may be human and animal urine. Technology to refine saltpeter probably only arrived on Indian soil in the 1300s.  Both the technology to process it and a robust trade in sal ammoniac in China, particularly in western China, predates the development of the Indian industry.  It is therefore unlikely that India was the birthplace of curing.  Saltpeter technology probably came from China, however, India, through the Dutch East Indian Company and later, the English East Indian Company became the major source of saltpeter in the west.”
“To the South East, in China, the largest production base of saltpeter was discovered dating back to a thousand years ago.  Here, a network of caves was discovered (1) in the Laojun Mountains in Sichuan Province.  Meat curing, interestingly enough, is also centered around the west and southern part of China.  Probably a similar development to the Indian progression.”
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“In China, in particular, a very strong tradition of meat curing developed after it was possibly first introduced to the Chinese well before 2000 BCE.  Its use in meat curing only became popular in Europe gain between 1600 and 1750 and it became universally used in these regions towards the end of 1700.  Its usage most certainly coincided with its availability and price.”  Lord Landsdown told us that he has not compared price and availability in Europe with the findings on its use in meat curing which is based upon an examination of German and Austrian kook books by Lauder  (2), but he is confident that when he gets to it one day, the facts will prove the same.
“The Dutch and English arrived in India after 1600 with the first shipment of saltpeter from this region to Europe in 1618.  Availability in Europe was, generally speaking, restricted to governments who, in this time, increasingly used it in warfare. (Frey, J. W.;  2009) This correlates well with the proposed time when it became generally available to the European population as the 1700s from Lauder.”  I again interjected that I believe that a strong case is emerging that the link between Western Europe and the desert regions of Western China was the place where nitrate curing developed into an art.  The exact place, I believe, in Western China is the Tarim depression.
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Lord Landsdown concluded that “dry curing of meat changed from salt only to a mixture of salt and saltpeter, liberally rubbed over the meat.  As it migrates into the meat, water and blood are extracted and drained off.  The meat is usually laid skin down and all exposed meat is plastered with a mixture of salt and saltpeter.  Pork bellies would cure in approximately 14 days. (3) (Hui, Y. H.,  2012: 540)
Farewell to England
With that, the evening was over.  Oscar was thoroughly impressed with the work we have done.  He had ample time to spend with the engineering manager of C & T Harris and took with him back to Cape Town a suitcase full of engineering drawings and factory plans.  Whenever we had a spare moment, we would work on the plans for our own small factory in Cape Town and he made sure to discuss the layout and factory flow with the people who matter before he left.
He enjoyed Lord Landsdown and Bowood tremendously!  Within a week we all set sail from England to Cape Town from where Minette and I would take another steamer to New Zealand.  In Cape Town, we spend a week with the Tristan and Lauren and my parents.  We managed another week with Minette’s parents and of course saw her twin sister, Luani, her husband Fanie, and Liam and Luan, their adorable kids almost every day.  I spend an afternoon with Oscar and David de Villiers Graaff where we took him through our factory plans, careful not to reveal too much to him. On Wednesday evening, 31 May 1893 we celebrated at the newly constructed Mount Nelson Hotel in Cape Town.  The big novelty was that it was the first hotel in Cape Town with running hot water. (4)
Photo of Mt Nelson, curtesy of Didi Basson. c 1900
Our Passage to New Zealand
On 1 June 1893, Minette and I greeted our families and set sail for the shores of New Zealand.  What insane adventures would await us there and what amazing lessons to learn about bacon.  What Minette did not know was that it would become more an “art of living” trip!
What follows are our letters to the kids from New Zealand!
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Further Reading
Bacon Curing – a Historical Review
(c) eben van tonder
“Bacon & the art of living” in bookform Stay in touch
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Bacon and the art of living
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Notes
(1)  The discovery was made in 2003.
(2)  Lauder published in 1991.
(3)  The discussion is entirely fictional.  Lors Landsdown was a very intelligent man and very fond of sport, but this discussion never took place.  Everything is from the research of Eben on the subject.
(4) The hotel was the first time opened on Monday 6 March 1899
References
All quotes from Bacon Curing – a Historical Review
Photos
All photos from Maori lore, 1904, by Izett, James.
Chapter 10.00: Letters from New Zealand Introduction to Bacon & the Art of Living The quest to understand how great bacon is made takes me around the world and through epic adventures.
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elv--eyera · 1 year
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OK but just learned - that 2014-2015 tour? Eryn Lecroy (Phantom & 1776) was Emma Carew! She’s wonderful!
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grazrhet-blog · 5 years
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*What is Rhetoric to me?*
In Communication 320, Rhetorical Traditions, I learned about many theories of rhetoric. This essay highlights how my definition of rhetoric shifted from the beginning to the end of the course.
In my initial artifact, I stated rhetoric is the language that is used to create and deliver a message from one party to the next. It is the word choice, the use of metaphors and figurative language, the use of tone, attitude, satire, and other linguistic components that are employed by the speaker. After learning about rhetoric and studying rhetorical artifacts, it is clear to me now that it is much more than crafting a message simply using language. Rhetoric is an object that changes reality through the creation of narratives and/or truths. Rhetoric is ethical, dynamic, and influential ultimately inspiring an action or reaction.
Rhetoric is more than language. First and foremost, I understand rhetoric to be anything supporting a message. This is the most significant discovery I made over the length of the term: the realization that rhetoric can take many different forms going beyond mere language. Rhetoric is a style. Rhetoric is a study. Rhetoric is a tool. Rhetoric is a picture, a speech, a video, an advertisement, a movie, an article of clothing, and so on. The most common form and the most easily conceptualized form of rhetoric is the written or verbal form, but to believe that rhetoric is only found in the form of language is naive and limiting.
Rhetoric changes reality through the creation of narratives and or truths. Palczewski, Ice, Fritch describe the potential of narratives to depict events, messages, values, and identities. Narratives shape a reality based on what the author has chosen to say just as much as the reality that is shaped based on what that author has chosen not to say. The creation of narratives change the reality of the audience if the audiences uses the rhetoric and the narrative to form an identity, set standards, understand publics, etc. The creation of truth also shapes and changes reality. Realities are created with truths. Take for example, I were to proclaim in my narrative that, “the sky is purple.” If that narrative and truth were to be adopted by the society around me, I have altered the reality that used to believe that the sky is blue. Change initiated by rhetoric is seen throughout history as we have accepted narratives and adopted truths.
Rhetoric is ethical. With the discussion of truths, comes the discussion of ethics and what is productive for society. Rhetoric has evolved and the voice of the people has a lot to do with is. Athens’ democracy invited the polis to deliberate as part of its political regime. This is an example of a forum in which rhetoric would have been used to persuade or to advocate for a cause, narratives were told, and truths were dispersed thereafter. On one hand, this rhetoric would have been ethical as the ‘people’ were represented in the society more so than other nation-states. Yet there are limitations to even this democratic government because the rhetoric created by the ‘people’ was devised of the citizens of athens which was limited to educated men. This qualifier prompts questions regarding the productivity of the conversations for the larger society, that is, the society besides the educated, white men that were born in Athens.
Rhetoric is dynamic. The creator of the reality built upon narratives and truths influences the community and the culture. The creator aids in the society’s decision to adopt a belief or not, which is pretty phenomenal. Because of the fragility of the influence, it is a dynamic element of rhetoric that is being created and recreated over and over again. Truths are slightly more complicated as there are ultimate ‘capital T’ truths that society tends to follow, but there are others that will change from culture to culture, generation to generation, making truths just as dynamic as the narratives.
Rhetoric is influential. The pieces of rhetoric that have been studied throughout the term have all demonstrated the influence rhetoric has. I would like to reference a few specifically due to the influence each had on my learning experience. First, Pericles’ Funeral Oration is an example of rhetoric that builds a narrative for the people of Athens as they are leaving a state of war. At this time, leaders were expected to be prominent speakers to be deserving of their title. Pericles is speaking about a public concern, but he is following a clear set of guidelines set by expectations  of the public. Pericles satisfies the people, but without challenging them how does his rhetoric serve any good? Studying Pericles was influential in that is taught me about drafting a narrative and the ethicality of a speaker and his or her rhetoric. Next, Gorgias’ Encomium of Helen is an attempt to demonstrate the power of rhetoric. Gorgias is unbelievably confident in his skills as a rhetor and he writes the piece for his own “amusement” and simply to prove to the others that he is ‘that good.’ He speaks on the use of persuasion and the effect that a rhetor can have. This piece of rhetoric is emblematic of the dynamism of rhetoric and how a narrative can redefine something as big as who was to blame for the war and the fall of Troy. Finally, Isocrates’ Against the Sophists describes the imperativity of the speaker to understand different audiences and situations in order to inspire action to be taken. Isocrates’ goal was to teach in order to inspire the people to be leaders and take action themselves. Isocrates discusses kairos, appropriateness, and originality when speaking with good rhetoric. The emphasis that Isocrates puts on understanding the context and allowing the truth to emerge when the people reflect and react, was paramount to my understanding of rhetoric.
Each new rhetor and piece lead to the deepening of my understanding of rhetoric and resulted in the progression of my definition. So much so that, I could accurately define the self-created artifact pictured above as rhetoric. The image is a compilation of three images representing of Augustana College and Christian Lutheran University (CLU). The third image is a bible verse that speaks of strength. I created the image as a gift to be framed from Augustana College’s campus ministries team to the campus ministries team at CLU. It is our hope that this image (rhetoric) was able to change the reality of hardship that CLU was facing by creating a narrative reminding them of the truth that God may be a source of strength. It is ethical and productive based on the intentions of the creator. The entire team had a voice in the decision process as far as what gift to give and the team was communicated with throughout the design of the gift. It is dynamic as there were many drafts and designs. Lastly it is our hope that it will be influential on the campus ministries at CLU and inspire a renewed spirit and a renewed sense of hope.
Gorgias. (1995). Encomium of Helen. In M. Garagin and P. Woodruff (Eds.), Early Greek political thought from Homer to the Sophists (pp. 190-195). Cambridge, Cambridge University Press. (Original publication date unknown)
Graziano, E. A. (n.d.). Augie and CLU [Photo].
Isocrates. (2000). Against the sophists. (D.C. Mirhady and Y. Lee Too, Trans.) (pp.61-66). Austin: University of Texas Press. (Original work published in c. 390 B.C.E)
Palczewski, C. H., Ice, R., Fritch, J. (2012). Narratives. In Rhetoric in civic life (pp. 117-146). State College, PA: Strata Publishing, Inc.
Pericles. (1994). The funeral oration. In J. J. Murphy and R. A. Katula (Eds.), A Synoptic history of classical rhetoric (2nd ed.) (p. 217-221). Mahwah, NJ: Hermagoras Press. (Orginial work published in 430 B. C. E.)
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duaneodavila · 6 years
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Harvard Law School Graduate Accused Of Murdering His Mother Wants To Represent Himself
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Kyle D. Tucker (Photo via Hamden Police Department)
The man at the center of an incredibly grisly murder case may have somehwat of an advantage if he’s allowed to represent himself in court: he has a degree from Harvard Law School.
Meet Kyle D. Tucker, a 2009 graduate of Harvard Law. Tucker’s Twitter bio states that he’s “the Jewish messiah, also known as Jacob.” It is unknown if Tucker ever passed a bar exam or practiced law.
Tucker shared a house with his mother, Donna Tucker, in Hamden, Connecticut. When his aunt, Denise Tucker, filed a missing persons report after not hearing from her sister for some time, she told police she was concerned about her nephew Kyle’s mental health. When police got in touch with Morgan Tucker, Kyle’s brother, he shared some disturbing thoughts about his mother’s disappearance after seeing a series of strange tweets his brother had posted on Twitter: “My brother killed my mother.” The Hartford Courant has the details:
Detectives visited the home Friday, spoke with a cooperative Kyle Tucker, and made a grisly discovery in the fire pit in the back yard: skeletal remains, including a crushed human skull. Next to the pit was a gasoline container, the court records state. …
A short time after detectives brought Tucker back to headquarters and sat him down in an interview room, . . . [h]e confessed to beating his mother, dragging her body outside and setting it on fire. He admitted to returning to the kitchen, where the attack occurred, and scrubbing it with several chemicals. When he couldn’t get his mother’s blood of the wall, he repainted the wall, detectives reported.
In his confession, Tucker, 34, said “God got into my body” and led him downstairs to the kitchen, baseball bat in hand. He said he struck his mother on the top of her head and hit her in the face after she’d collapsed on the floor, the police records state.
Featured in Tucker’s string of erratic tweets was this family photo, taken on the day he graduated from Harvard Law School almost a decade ago:
Tucker is currently being held in lieu of $5 million bail, and exactly one month ago, New Haven Public Defender Beth A. Merkin filed a motion on his behalf because he wanted to “exercise his constitutional right to represent himself.” Last week, Superior Court Judge Patrick J. Clifford ordered that Tucker undergo an examination to determine whether he was competent to stand trial.
Hamden Man Said He Beat Mother, Burned Her Body For 8 Hours [Hartford Courant] Hamden man defending self against charge of murdering mother has Harvard law degree [New Have Register]
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Staci Zaretsky is a senior editor at Above the Law, where she’s worked since 2011. She’d love to hear from you, so please feel free to email her with any tips, questions, comments, or critiques. You can follow her on Twitter or connect with her on LinkedIn.
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Episode 55: Submarines, Unions & Savage Avengers
We long to be, under the sea, in the Octopuses garden in the shade. Hi everyone, wow, apparently Boeing are now making submarines, that’s right, subs! We start off with the news that Boeing is to supply 4 large unmanned submarines with a very large payload to the US navy. We would rather use them for science and building an underwater habitat, but hey, this means the tech needed is becoming a reality. Trust me, this is a cool topic to check out. Then we look at unions in the gaming industry and discuss what that could mean. Not everyone will be a fan, but if it helps protect people from overwork and burnout then it is worth considering as the owners and management of a lot of the software developers are only interested in themselves. Then DJ has news that Marvel is poaching another character and ruining it, Conan the Barbarian is now going to be a Marvel character in the new Marvel Suicide Squad, oops, erm, we mean Savage Avengers. Sorry for the confusion there, but it is easy to understand the confusion when it appears that once again Marvel is presenting content that is so similar to DC. Then we have our games currently played, and the plethora of shout outs for your enjoyment. We hope you enjoy and if you think of anything we should cover (other than the DJ in gaffer tape) let us know, until next week, see ya.
EPISODE NOTES:
Extra Large Unmanned Submarines - https://www.popularmechanics.com/military/navy-ships/a26344025/navy-extra-large-unmanned-submarines-boeing/?fbclid=IwAR3bKUe869x4urVpp3dMSv7QfYXdkgzmsN0QqzbVVWTgUh3aKr5HlOfE5ds
Unions in the Games Industry
- https://variety.com/2019/gaming/news/game-workers-unite-fire-bobby-kotick-1203139767/
- https://www.kotaku.com.au/2019/02/an-open-letter-to-game-developers-from-americas-largest-labour-organisation/
Savage Avengers - https://comicbook.com/marvel/2019/02/14/conan-barbarian-savage-avengers-marvel-gerry-duggan-mike-deodato/
Games currently playing
Buck
– Tentlan – www.tentlan.com/
Professor
– Tetris 99 - https://www.nintendo.com/games/detail/tetris-99-switch
DJ
– Apex Legends - https://www.ea.com/games/apex-legends
Other Topics Discussed
Yellow Submarine (Beatles Song)
- https://en.wikipedia.org/wiki/Yellow_Submarine_(song)
- https://www.youtube.com/watch?v=m2uTFF_3MaA
Tomahawk Missile
- https://en.wikipedia.org/wiki/Tomahawk_(missile)
A wild Orca attacked a diver
- http://www.takepart.com/article/2014/02/24/did-wild-orca-really-just-attack-diver-new-zealand/
United States ship naming conventions
- https://en.wikipedia.org/wiki/United_States_ship_naming_conventions
Nintendo CEO Satoru Iwata takes a 50% pay cut
- https://www.wired.com/2011/07/nintendo-satoru-iwata-pay-cut/
Japanese Airlines CEO pays himself less than the pilots and takes a bus to work
- https://boingboing.net/2011/02/25/japan-airlines-ceo-p.html
- https://www.cbsnews.com/news/japan-airline-boss-sets-exec-example/
The Hand (fictional supervillain organization)
- https://marvel.fandom.com/wiki/Hand_(Earth-616)
Adelaide pilot leaves a message on flight radar
-  https://www.abc.net.au/news/2019-02-20/bored-adelaide-pilot-leaves-message-on-flight-radar/10829262
Kissing Sailor statue vandalised
- https://www.telegraph.co.uk/news/2019/02/20/kissing-sailor-statue-graffitied-metoo-death-george-mendonsa/
Hugh Jackman & Sir Patrick Stewart share Guinness World Records
- https://www.cnet.com/news/hugh-jackman-patrick-stewart-share-guinness-world-record-for-xmen-roles/
Shoutouts
19 Feb 1878 - Thomas Alva Edison patents the gramophone (phonograph), the first device to both record sound and play it back. He was awarded U.S. Patent No. 200,521 for his invention–the phonograph–on this day in 1878.
 - https://www.history.com/this-day-in-history/thomas-alva-edison-patents-the-phonograph
Patent - http://pdfpiw.uspto.gov/.piw?PageNum=0&docid=00200521&IDKey=BC2615746C41%0D%0A&HomeUrl=http%3A%2F%2Fpatft.uspto.gov%2Fnetacgi%2Fnph-Parser%3FSect1%3DPTO1%2526Sect2%3DHITOFF%2526d%3DPALL%2526p%3D1%2526u%3D%25252Fnetahtml%25252FPTO%25252Fsrchnum.htm%2526r%3D1%2526f%3DG%2526l%3D50%2526s1%3D0200%2C521.PN.%2526OS%3DPN%2F0200%2C521%2526RS%3DPN%2F0200%2C521
19 Feb 1942 – The Bombing of Darwin, also known as the Battle of Darwin was the largest single attack ever mounted by a foreign power on Australia - https://en.wikipedia.org/wiki/Bombing_of_Darwin
19 Feb 2008 - Toshiba announces its formal recall of its HD DVD video format, ending the format war between it and Sony's Blu-Ray Disc - http://edition.cnn.com/2008/BUSINESS/02/19/toshiba.hdd/
Remembrances
17 Feb 2019 - George Mendonsa, the U.S. Navy sailor pictured in the iconic V-J Day in Times Square photo on August 14, 1945 where he kissed a stranger—a woman in a white dress—on Victory over Japan Day. He died of a congestive heart failure at 96 in Middletown, Rhode Island - https://www.abc.net.au/news/2019-02-19/kissing-sailor-george-mendonsa-dies-at-95/10825008
19 Feb 2019 – Karl Lagerfeld, German creative director, fashion designer, artist, photographer and caricaturist who lived in Paris. He was known as the creative director of the French fashion house Chanel, a position he held from 1983 until his death, and was also creative director of the Italian fur and leather goods fashion house Fendi, and of his own eponymous fashion label. He was recognized for his signature white hair, black sunglasses, fingerless gloves, and high, starched detachable collars. He died after battling privately with pancreatic cancer at 85 in Neuilly-sur-Seine - https://en.wikipedia.org/wiki/Karl_Lagerfeld
20 Feb 1895 - Frederick Douglass, American social reformer, abolitionist, orator, writer, and statesman. After escaping from slavery in Maryland, he became a national leader of the abolitionist movement in Massachusetts and New York, gaining note for his oratory and incisive antislavery writings. Douglass wrote several autobiographies. He described his experiences as a slave in his 1845 autobiography, Narrative of the Life of Frederick Douglass, an American Slave, which became a bestseller, and was influential in promoting the cause of abolition, as was his second book, My Bondage and My Freedom. He died of massive heart attack at 77 in Washington D.C. - https://en.wikipedia.org/wiki/Frederick_Douglass
Birthdays
19 Feb 1924 – Lee Marvin, American film and television actor (Paint Your Wagon, Cat Ballou, Dirty Dozen) known for his distinctive voice and premature white hair, Marvin initially appeared in supporting roles, mostly villains, soldiers, and other hardboiled characters. A prominent television role was that of Detective Lieutenant Frank Ballinger in the NBC crime series M Squad. Born in New York City - https://en.wikipedia.org/wiki/Lee_Marvin
19 Feb 1943 – Sir Tim Hunt, a British biochemist and molecular physiologist. He was awarded the 2001 Nobel Prize in Physiology or Medicine with Paul Nurse and Leland H. Hartwell for their discoveries of protein molecules that control the division of cells. In particular, Hunt discovered cyclin, a protein in fertilised sea urchin eggs which cyclically aggregates and is depleted during cell division cycles. Born in Neston, Cheshire - https://en.wikipedia.org/wiki/Tim_Hunt
19 Feb 1957 - Raymond Andrew Winstone, English film and television actor. He is mostly known for his "hard man" roles beginning with his role as Carlin in the 1979 film Scum. He also played Kevin, an ex-army soldier, in Quadrophenia as well as Will Scarlet in the television series Robin of Sherwood. He has also become well known as a voice over actor and has recently branched out into film production. Born in Homerton, London - https://en.wikipedia.org/wiki/Ray_Winstone
20 Feb 1925 – Robert Altman, American film director (M*A*S*H, McCabe & Mrs Miller & Nashville), screenwriter, and producer. A five-time nominee of the Academy Award for Best Director and an enduring figure from the New Hollywood era, Altman was considered a "maverick" in making films with a highly naturalistic but stylized and satirical aesthetic, unlike most Hollywood films. He is consistently ranked as one of the greatest and most influential filmmakers in American cinema. Born in Kansas City, Missouri - https://en.wikipedia.org/wiki/Robert_Altman
Events of interest
19 Feb 2002 - NASA's Mars Odyssey space probe begins to map the surface of Mars using its thermal emission imaging system. - https://en.wikipedia.org/wiki/2001_Mars_Odyssey
20 Feb 1952 - "African Queen" film directed by John Huston, starring Humphrey Bogart and Katharine Hepburn is released in the US at New York City at the Capitol Theatre - https://www.nytimes.com/1952/02/21/archives/the-african-queen-starring-humphrey-bogart-katharine-hepburn-at-the.html
20 Feb 1986 - The Soviet Union launches its Mir spacecraft. Remaining in orbit for 15 years, it is occupied for ten of those years. https://en.wikipedia.org/wiki/Mir
20 Feb 1962 - Colonel John Glenn becomes the 1st American to orbit the Earth, aboard Friendship 7 - https://en.wikipedia.org/wiki/John_Glenn
Intro
Artist – Goblins from Mars
Song Title – Super Mario - Overworld Theme (GFM Trap Remix)
Song Link - https://www.youtube.com/watch?v=-GNMe6kF0j0&index=4&list=PLHmTsVREU3Ar1AJWkimkl6Pux3R5PB-QJ
Follow us on Facebook - https://www.facebook.com/NerdsAmalgamated/
Twitter - https://twitter.com/NAmalgamated
Spotify - https://open.spotify.com/show/6Nux69rftdBeeEXwD8GXrS
iTunes - https://itunes.apple.com/au/podcast/top-shelf-nerds/id1347661094
RSS - http://www.thatsnotcanonproductions.com/topshelfnerdspodcast?format=rss
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krinsbez · 5 years
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Book Recommendations: Da Big List, Non-Fiction Edition
(same disclaimer applies)
-The Seven Lives of Colonel Patterson: How an Irish Lion Hunter Led the Jewish Legion to Victory by Denis Brian. A slim biography of Colonel John Henry Patterson, a man who, among other things, led the hunt for not one but TWO man-eating lions, got involved in a scandal that inspired a story by Hemingway, and helped form what eventually evolved into the core of the Israeli Defense Force. -The Dead Travel Fast: Stalking Vampires from Nosferatu to Count Chocula by Eric Nuzum. A fun little book in which the author tries to explore vampires in pop culture from every possible angle (at the time; it was written pre-Twilight); he goes on a tour of Transylvania, visits a Dark Shadows con, watches all of Buffy, reads Dracula and Anne Rice's Vampire Chronicles, plays Vampire: The Masquerade, works as a vampire at a haunted house, makes a noble effort to watch every vampire movie ever made, and more. -Popular Crime: Reflections on the Celebration of Violence by Bill James. A somewhat weightier tome, in which the creator of sabermetrics turns his attention from studying baseball to studying murder, or at least the pop culture appreciation of murder. It's rather more entertaining than you'd expect, and includes lots of good stuff; my favorites are how he explains that it is simultaneously impossible for Lizzie Borden to have murdered her parents AND for anyone else to have done it, and the bit at the end when he suggests a novel approach to prison reform. -The Devil in the White City: Murder, Magic, and Madness at the Fair That Changed America by Erik Larson. You've probably heard of this one, which explores the efforts to build the 1893 Chicago World's Fair and juxtaposes 'em with the crimes of serial killer H. H. Holmes in the same time and place. -The Golden Age of Quackery by Stuart H. Holbrook. Everything you can ever want to know about the age of patent medicines is in this book. -Sacred Monsters: Mysterious and Mythical Creatures of Scripture, Talmud, and Midrash by Rabbi Natan Slifkin. In this book, banned by several Haredi Rabbis, the author discusses various creatures mentioned in Jewish holy texts that are known not to exist and tries to figure out what it's talking about; was the term for a mundane creature mistranslated? was it a metaphor? or were the Sages of old mistaken? -1920: The Year of the Six Presidents by David Pietrusza. A fascinating look at the US presidential race for 1920, in which, as the title notes, six men who were or would become President were majorly involved. -The Ten-Cent Plague: The Great Comic-Book Scare and How It Changed America by David Hadju. A marvelous book that is exactly what is says on the tin. -Gun Guys: A Road Trip by Dan Baum. In which a man who is somehow both a liberal and a gun-lover travels America exploring various facets of American gun culture. As close to an unbiased look on the subject you're liable to get, and fun besides. -Triumph in a White Suburb: The Dramatic Story of Teaneck, N.J., the First Town in the Nation to Vote for Integrated Schools by Reginald G. Damerell. Exactly what it says on the tin. Admission; I have family in Teaneck (though they moved in much later), so my enjoyment of the book may have been skewed. -Death in the City of Light: The Serial Killer of Nazi-Occupied Paris by David King. As it says, the tale of a serial killer who used the climate of fear created by the Nazi occupation of Paris to lure his victims and cover up his crimes, and afterwards tried to escape justice by claiming to be a resistance fighter. -The Forger's Spell: A True Story of Vermeer, Nazis, and the Greatest Art Hoax of the Twentieth Century by Edward Dolnick. The tale of Dutch art forger Hans van Meegren, who's counterfeit Vermeers were only exposed when he was put on trial for selling one to Goering. -Operation Mincemeat: The True Spy Story That Changed the Course of WWII by Ben Macintyre. The story of how British Intelligence used a corpse to convince the Nazis that the Allies were planning to invade Sardinia instead of Sicily. -Charlemagne's Tablecloth: A Piquant History of Feasting by Nichola Fletcher. As the subtitle suggests, this book looks at feasting throughout history, exploring not only what people of different times and places chose to ate when they feasted and why, but the cultural activities that accompanied the eating. -Longitude: The True Story of a Lone Genius Who Solved the Greatest Scientific Problem of His Time by Dava Sobel. Tells the story of the 18th Cenutry quest to create a reliable method of telling time at sea, and of John Harrison, the man whose invention of the chronometer solved the problem. The book was later re-released as The Illustrated Longitude, with a lavish array of photos and such, which is what I read. -Why Did the Chicken Cross the World?: The Epic Saga of the Bird That Powers Civilization by Andrew Lawler. In which the origins of the world's most common barnyard fowl are explored and it's surprisingly powerful impact on history are explicated. -Connections by James Burke. Written as companion to a 1978 TV documentary, this is a marvelous history of science and invention, showing how seemingly disparate discoveries and events led to many of the cornerstones of the modern world. -A. J. Jacobs is a writer for Esquire magazine who will periodically spend a year doing...something, and then write a book about the experience, spiced up with interviews with relevant experts. I've read four of these books; they are vastly better than they have any right to be and I adore them. In order (seriously, read them in order, some of the best stuff is seeing what lifestyle changes stick between stunts), they are The Know-It-All: One Man's Humble Quest To Become the Smartest Person in the World (in which he reads the entire Encyclopedia Britannica); The Year of Living Biblically: One Man's Humble Quest To Follow The Bible As Literally As Possible (the subtitle is fairly self-explanatory); The Guinea Pig Diaries: My Life As An Experiment (a collection of shorter stunts, EG the time he impersonated a C-List movie star and crashed the Oscars, a week where he tried to live according to the precepts of Radical Honesty, stuff like that); Drop Dead Healthy: One Man's Humble Quest For Bodily Perfection (where he tries out a bunch of fad diets and exercise regimes and so forth); and It's All Relative: Adventures Up and Down the World's Family Tree (genealogy, the fact that ultimately everyone is related ot everyone else, which fact leads him to attempt to create a "Global Family Reunion") -Moveable Feasts: From Ancient Rome to the 21st Century, the Incredible Journeys of the Food We Eat by Sarah Murray. A collection of essays that explores, of all subjects, the transportation of food. Ranging from ancient Roman amphorae to modern refrigerated shipping containers, and subjects as diverse as the influence of the grain elevators of Buffalo, New York on Bauhaus architecture, the logistics of the Berlin Airlift, and the science of making MREs. -The Fortune Cookie Chronicles: Adventures in the World of Chinese Food by Jennifer 8 Lee (no, that's not a typo, her middle initial is the number eight). This is another one of those "layman author looks at a particular subject from a wide array of angles" books that I'm so fond of. In this case, as the title suggests, the subject is Chinese food, ranging from investigating the true origins of the fortune cookie and discovering who the hell General Tso was to documenting how running a Chinese restaurant caused one immigrant family to disintegrate and delving into the Great Kosher Duck Scandal of 1989. -Kosher Nation: Why More and More of America's Food Answers To A Higher Authority by Susie Fishkoff. And speaking of Kosher food, that's the subject here. I admit to being somewhat biased for obvious reasons, but this is actually a really interesting subject, and there's a lot of ground here for Fishkoff to cover; the Agriprocessors scandal, the current "kosher revival" in the Reform and Conservative movements, the intersection of Jewish kashrut and Islamic halal, the sometimes surprisingly cutthroat competition between kosher certification agencies, not to mention the nitty-gritty details of being a kashrut supervisor from the Midwest to China. -Brainiac: Adventures in the Curious, Competitive, Compulsive World of Trivia Buffs by Ken Jennings. After achieving national prominence for having the longest winning streak in the history of the game show Jeopardy!, Ken Jennings was naturally paid to write a book about it. Rather than simply produce a memoir of his experience, he decided to explore the world of trivia in general. The result is thoroughly entertaining, and of course introduces one to loads of fascinating, if useless, information. He later went on to write Maphead: Charting the Wide Weird World of Geography Wonks, which is equally entertaining. -Supergods: What Masked Vigilantes, Miraculous Mutants, and A Sun God from Smallville Can Teach Us About Being Human by Grant Morrison. This one's actually a bit difficult to define; it's partially a history of superhero comics, partially the autobiography of an acclaimed comics writer, and partially a somewhat rambling philosophical interrogation of superhero comics. It's great fun AND makes you look at certain aspects of superherodom in new ways. -Storm Kings: The Untold History of America's First Tornado Chasers by Lee Sandlin. This book chronicles the long and twisted path of tornado research. While it starts with the first documented cyclones of colonial America, the bulk of the text is taken up covering the great scientific debates of the early and mid 19th century over the nature of tornadoes. Men long forgotten, such as Espy, Hare, and Redfield are brought back to life, along with their bitter rivalries. Later sections on the efforts of the Army Signal Corps to predicate tornadoes and of the political battles on the nature of weather forecasting are equally fascinating, though are cut somewhat short - I really wish the book lasted a bit longer. Either way, Storm Kings was a truly great look at a little-known facet of history. (NOTE: This review was originally written by Alamo, but I second every word) -The Inventor and the Tycoon: A Gilded Age Murder and the Birth of Moving Pictures by Edward Ball. You've probably heard of the story about how the motion-picture was invented, and how it involved a bet made by the Governor of California on how horses galloped. However, the tale of Eadweard Muybridge, the actual inventor, is often ignored, or glossed over. As one reads this book, the reasons for that become increasingly clear. Ball chronicles the long and twisted journey that brought Muybridge from his native Britain to the wild west, and the then-famous murder he committed. (NOTE: This review was also originally written by Alamo, but again I completely agree) -Priceless: How I Went Undercover to Rescue the World's Stolen Treasures by Robert K. Wittman. This is an inside look at the FBI's efforts to recover rare pieces of art and antiquities. (NOTE: This one was also one of Alamo's, etc.) -The Secret History of Wonder Woman by Jill Lepore. A fascinating biography of William Moulton Marston, the idiosyncratic creator of the world's most famous superheroine. Really fascinating stuff. -Banquet at Delmonico's: Great Minds, the Gilded Age, and the Triumph of Evolution In America by Barry Werth. The story of how the theory of evolution became accepted a smainstream by the American elite, and the corollary origins of Social Darwinism. -Engines of Change: A History of the American Dream in Fifteen Cars by Paul Ingrassia. Honestly, the subtitle is fairly self-explanatory. -The Great Detective: The Amazing Rise and Immortal Life of Sherlock Holmes by Zach Dundas. This is another one of those "layman author looks at subject from multiple angles" books, that I'm so fond of. Very well written, occasional insightful, and with lots of cool trivia.
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The long walk
Anna Stadlman invites you to join a learning journey
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Originally published International School Magazine Spring 2018 Issue
www.is-mag.co.uk
This is a story about a man who, one day, pulled on his walking boots, kissed his wife goodbye and set off to walk the world. The journey is expected to take him ten years to complete and to cover 21,000 kilometers. It is a story that will interest teachers and their students across the globe. The man is Paul Salopek, Pulitzer Prize-winning journalist and National Geographic Fellow. On 10 January 2013 he set off from Herto Bouri, Ethiopia, on a mission to trace the footsteps of our ancestors who left the Rift Valley of Africa 60,000 years ago and headed eastward. On his journey across the planet, he has encountered and will encounter many obstacles created by religious conflicts, wars, and geographical barriers. However, like the archetypal hero on his odyssey, Salopek will also meet characters who help him on his way. He collects their stories and shares them with the world in his dispatches to National Geographic magazine, in videos and in tweets. Through technology, we get a glimpse of people in the world’s distant corners.
 ‘Traveling: it leaves you speechless then turns you into a storyteller.’ 
The journey, which Salopek calls the ‘Out of Eden Walk’ and describes as ‘a global storytelling project’, began in Ethiopia’s great Rift Valley. Situated beside the field camp of paleoanthropologist Tim White on the Middle Awash River, it is considered to be one of the world’s greatest hominid fossil sites. His route follows the archaeological sites where evidence of the first humans has been discovered. He retraces their journey as they moved from Africa eastward across the globe, settling in the Middle East, Europe, Asia and the Americas, until he reaches Tierra del Fuego, his final destination. 
Writing in National Geographic (2013), Salopek explains that:
Tiny groups of Homo sapiens had been taking similar strolls from this very spot for at least a hundred thousand years. Why? Climate change? Overhunting? Famines? Population pressures? Curiosity? Nobody knows for sure. But for early peoples, this first discovery of the Earth would be a key test of human survival, ingenuity and problem solving.
 ‘Traveling: it makes you lonely, then gives you a friend; it gives you a home in a thousand strange places.’
As he walks across the world’s remotest places, Salopek meets people. He stops to hear their stories, asking three Spring | | 2018 23 Autumn Features questions: ‘Who are you? Where are you from? Where are you going?” He observes their lifestyles and traditions closely and, with the help of an interpreter, he listens to their stories, hopes, fears and dreams. Then he writes their stories. This sort of journalism he calls ‘slow journalism’, something he says that you cannot do “if you are hurtling across the world by train, plane or automobile”. 
‘Out walking, I constantly meet people. I cannot ignore them or drive by them. I greet them. I chat with strangers five, ten, twenty times a day. I am engaged in a meandering, threemile-an-hour conversation that spans two hemispheres. In this way walking builds a home everywhere’. Curious children join Salopek as he passes through their lands. ‘They brim with a thousand questions. 
Who as a child has not dreamed about walking away from home? To the farthest corner of the world? To the edge where the seas falls off? Children remember. Children understand’, wrote Salopek in a dispatch from Tajikistan to National Geographic in August 2017.
He travels lightly, carrying in his backpack a change of clothes and the equipment he needs as a journalist: cameras, a laptop and notebooks. He stops every 100 miles to record the milestone by taking a photo, some video footage, and to interview whoever is nearby. He captures on film amazing historical monuments and geographical wonders like the badlands of the Ustyurt Plateau in Kazakhstan. 
‘Traveling: it offers you a hundred roads to adventure, and gives your heart wings.’ 
The ‘Out of Eden Learn project’ set up by Harvard University’s ‘Project Zero’ is a unique online learning community, inviting teachers and students to participate in Salopek’s adventure. Described as a ‘learning journey’, the project provides weekly, well-structured activities for its international participants. Students from around the world are grouped together, to follow Salopek’s travels. They post their responses, read and respond to others’ posts. It’s a project that teachers could include in Global Citizenship units, Social Studies projects or after-school programs.
Since a significant part of ‘Project Zero’ encourages students to explore and observe their neighborhoods, thousands of students and teachers are now using this form of slow journalism as a teaching tool. ‘You don’t have to go to Patagonia’, says Salopek in an interview with the BBC (2015), ‘you don’t have to go to Chechnya. Go out into your own neighborhood and walk around’. Salopek wants students to understand that the world is not as dangerous as they may think; he wants them to explore, observe and record what they see. ‘Yes, there are wars’, he says, ‘there are famines, there are diseases like Ebola, but you can also get killed by just staying at home.’ With a notebook or iPhone and by slowing down, students can look around their localities and ‘discover the world’. 
‘Traveling: All you have to do is take the first step.’ 
A group of Grade 4 students at Marymount International School, Paris took part in an experimental project to find out about Out of Eden Learn. It was incorporated into the existing Social Studies curriculum. The students were excited to find out about Paul and his journey: ‘Learning about all the countries Paul is walking through was so fascinating’ observed Wyatt, a fourth grader, while Luiza was in awe of Salopek’s courage to ‘cruise through the world and its cultures”. Others wanted to know the brand of boots he wore! They were pleased to discover that his wife did not wait and weave like Penelope, but joined him on the walk from time to time! In addition to mapping his route and discovering little known corners of the world and their cultures, students considered essential questions such as how physical geography may shape the walk, and whether it could have shaped the migration of humans around the world. Students also researched our ancestors and human migration. 
The project took the students in several other directions, discovering for example Lucy the Australopithecus, the oldest hominid ever discovered. Literature and history collided as the students read stories about Ibn Battuta, a medieval scholar, who spent almost thirty years from 1325 to 1354 traveling from his home in Tangier towards Mecca. This journey of 75,000 miles took him throughout the Islamic world, across the Middle East, Europe, Asia and Africa, and is beautifully re-told in the poetic picture book entitled ‘Traveling Man’ by James Rumford. The students’ curiosity was endless and, just like the children Salopek is meeting on his journey, they brimmed with a thousand questions. 
The class was linked with three schools in other countries: Portugal, Singapore and Brazil, via the Out of Eden Learn website. They commented on Paul’s progress and engaged in ‘slow journalism’ by taking walks in their own localities. They shared their observations, pictures and maps of their neighborhoods with their ‘walking partners’. They photographed things that interested them or that gave insight into the culture and particular traditions of the local people, and sent them to their partners.
By joining this ‘Learning Journey’, students of all ages can join this amazing long walk across the world while at the same time discovering the world just beyond their own doorstep. For Salopek, the walk has gone beyond that threshold. ‘The walk has turned into my life … It is to find out what’s over the mountain.’ 
References
Salopek, P (2015) Exploring the World on Foot: The New York Times
Siminara, D (2015) 
Paul Salopek BBC Travel http://www.bbc.com/travel/ bespoke/story/20150326-travel-pioneers/paul-salopek/ 
Other information referred to in this article comes from the Out of Eden Project Dispatches from National Geographic magazine.
Some relevant resources
Out of Eden Walk: outofedenwalk.nationalgeographic.com 
Out of Eden Learn: learn.outofedenwalk.com
National Geographic, December 2013: Our Greatest Journey: To Walk the World by Paul Salopek
Hayes Jacobs, H 
Who Am I? Curriculum created for Pulitzer Center Education
Rumford, J (2001) Traveling Man, The Journey of Ibn Battuta 1325–1354, Boston: Houghton Mifflin Co.
Sharafeddine, F (2014) The Amazing Travels of Ibn Battuta, Toronto: Groundwood Books, House of Anansi Press
Anna Stadlman teaches in the Elementary section of Marymount International School, Paris. Email: [email protected]
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