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#obviously not talking about personal preference bc that’s entirely different and totally valid
hayleysummers · 16 days
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being one of the only people who understands the nuances of hayley and elijah is a hard job, but nevertheless…I shall persevere
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catnippackets · 4 years
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have you seen/would u recommend pacific rim 2? ive heard some things about newt and idk lol
I feel like Im in the minority that actually did think pru was fun but that being said it ended SO abruptly and with like three separate plotlines completely abandoned that I was really frustrated for days after watching it until I had processed everything and had time to think deeply about it lol it just seemed rly unfinished?? it feels like it was deliberately made as 1/2 of two sequels and there needs to be one more to tie everything up. actually I’m gonna ramble abt this bc I have a lot of thoughts (obvs spoilers under the cut)
the thing about the second one was that I genuinely was enjoying it right up until it ended because I swear to god the moment the end screen went up I yelled "what the fuck, that's it?" out loud into my bedroom bc I was so SHOCKED that THAT'S how it all ended, because it just seemed so incomplete?? Like it seemed like one half of a story, that will only be made whole if there's a third one to tie up all the plotlines that they didn't go through with in the second and if that's the case then I will be completely fine with it but if it doesn't or if they dont have a third one at all I will stay so frustrated lol. one silver lining to this is that the vibe of this movie was so different from the first that it almost feels easy to separate it and just imagine it as an AU if you prefer which is sort of nice; usually if a piece of media I like does something bad I feel all gutted and anxious and terrible that this is the canon I have to accept, but something abt this movie just made it feel like it was sort of a totally separate deal. maybe cuz only 3 of the original characters were in it idk
to start off: I felt like there were a couple of plotlines in it that were just sort of introduced and then never seen through which was very ????? Amara & Vik's weird hate-rivalry thing was one of them; Vik instantly has it out for Amara bc she’s jealous, which is a very interesting concept, and then this prompts Amara to become hostile right back at her, which is also a very interesting concept, and then it never got resolved at all? like they couldve done something really cool with those two but it just never went anywhere. and then there was sort of a weird love triangle thing happening between Jake and Nate and Jules that felt so weird bc it had no significance to the plot at all and it felt like it was only thrown in there for the sake of having ~romantic drama~ idk maybe I wasnt paying too much attention and there was more to it than that but it really just seemed like they wanted to put romance in there and didnt want to bother to put any work into it
BUT the thing about romantic sub plots is that THERE ALREADY WAAAAS OOOOOOOOONE which brings me to the biggest frustration I have w this movie because--and DISCLAIMER, this was also my favourite plot point of the movie bc it was by far the most interesting, the biggest reason for me enjoying the movie at all, and the bit I feel like should have had WAY more attention--Newt and Hermann were like legitimately in love in this movie I swear to god I was watching it and thinking “this is GENUINELY the most blatantly gay thing I’ve ever seen in a feature film and I know that straight ppl are very talented at writing gay romances completely by accident so it’s possible that they just accidentally did it this way but also it is REALLY goddamn obvious oh my gooood?” (and then I did a lot of frantic googling and found out that I was right and Charlie Day & Burn Gorman knew what the fuck they were doing and I felt so validated lol), and yet despite this, the movie had them speak for the last time almost at the halfway point of the film and then spend the entire second half apart and not talking at all and even at the post-credits scene where Jake and Newt talked for a bit Hermann wasn't there?? not even behind Jake to give Newt any searching glances?? Nothing??
dude...Newt being possessed by the precursors is a HUGELY interesting concept that actually makes sense and I wish it had had more attention. I’ve seen a lot of ppl say that pru butchered Newt’s character and I don’t 100% agree bc like...being possessed will change you lmao so while yes I’m obviously sad that he wasn’t himself, I feel like it made sense that he had a slight personality change, because it...wasn’t him anymore. we don’t really see the Newt we all fell in love with in the first movie. we THINK we’re seeing him, but halfway through we find out we’re wrong.
my critiques with that plotline are basically that I wish the reveal had happened a little bit later on, and I wish that it had been a little more obvious I guess?? like, we definitely get hints of it (when Hermann excitedly asks Newt to help him with a dangerous unorthodox project and Newt says “dude why are you doing something so risky when we’ve already got a good plan in motion? just wait for that to be done, it’s fine” and Hermann IS us, he IS the audience when he reacts, because this is a completely insane thing for Newt to say. Newt, who, in the first movie, was so obsessed with finding knowledge that he went behind the marshall’s back to literally risk his life doing something incredibly dangerous just to see what would happen? being given the opportunity to do the same kind of dangerous frivolous act and refusing? this is blatantly out of character, and Hermann is all of us when he’s shocked, “what, you mean you...won’t help me??” which means it wasn’t bad writing on their part, it was purposefully supposed to stand out as something that was wrong and something that we needed to pay attention to. that was a really good scene to hint that something was Not Right with Newt), and I wish there had been a bunch more like it. I think the reveal should have been saved for the end of the second act; I think that should have been the moment that act 2 of a story usually has, that dreadful event that happens that leaves the main characters feeling completely hopeless and unsure what to do.
I also wish that he had managed to break through more than That One Scene, I think it would’ve been more dramatic if he’d had a few moments where he managed to take control for a second to remind us that he’s still in there and still fighting, and I’m sad they didn’t do that. I saw a fan comic that touched on this idea and I think it’s brilliant, even the idea of him suddenly getting a nosebleed and acting distracted to show that that’s the Real Him trying to fight through would have been sooooooooo good.
I also feel like it didn’t make any sense for Nate to be the one to subdue him in the end, I dont even think those two interact at all so like, why was it him?? it would have been so much more dramatic and heartbreaking if Hermann had been the one to confront him so they could’ve had a little conversation on the roof where Newt could once again break through for a second before getting taken over and then Hermann could like idk have a taser hidden behind him that he uses to subdue him and THAT wouldve been a way sadder and more interesting way to do it. I also think Hermann shouldve been the one to speak to him in the post credits scene, or to have him in the background behind Jake just watching him sadly so we can get a couple shots of intense eye contact like UGH I just wish there had been more interaction between the two of them after the reveal happened!! When the movie was over and I realized they never spoke again I felt so upset!!! they're soulmates!! they're literally in love!! this has been CONFIRMED!!!!!!!!!!!!!!!!!!!!!!!
and segueing in from the soulmate thing, another thing that made me sad was that nobody came in pairs anymore :( aside from Newt and Hermann, they were the only ones gjdfk but in the first one every character had another character that they were paired up with, both for drifting reasons and just for plot reasons (except Chau and Tendo but I’m pretty sure there's actually significance to that too), and in the second one it just sort of felt like everyone was drifting with each other with no strong connection needed and that made it feel way less special. granted, the movie takes place ten years after the first one so in that time maybe technology advanced to the point where you didn't need a strong neural connection to drift anymore, but for the sake of the story it would have been way better if they'd kept the whole soulmates concept from the first one, it made it way stronger and more special
so yeah in conclusion I did think pru was enjoyable and I probably would watch it again some time but also it definitely pales in comparison to the first one and I’m desperately hoping we get one more so they can tie everything together and FIX THINGS KFGH it’s not too late!!!!! I wish I could write Pacific Rim 3 I genuinely think I would do a good job I love storytelling and I’m very passionate about these characters!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
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azuremist · 5 years
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So, this post will dip its toes into some of The Discourse™, because today, I will be talking about something I found in the Professor Layton fandom that made me want a Burger King pissy meal. This may not be entirely coherent, as I am a very emotional person, but then again, neither are any of my posts, really. In case any of you are wondering, this is 100% okay to reblog, but if you aren’t an abuse survivor or have PTSD, don’t clown around on this fucking post. This is under a ‘read more’ because, believe me, you do not want this to be clogging up your dash. As many of you know, I’m autistic, so when I’m passionate about something, I tend to infodump, so this may be quite long.
 This post will also be covering possibly triggering topics, so please read at your own risk.
 Now, this post will be about a blog entirely irrelevant to this, except for the fact that it is where this whole thing is happening. I will not be tagging that blog, because I do not think the moderator of the blog is at fault or anything, they just happen to be a confession blog where people put their opinions on; opinions which I will be talking about today. But for anyone interested in seeing the posts, they’re @/professorlaytonconfessions. Obviously, don’t witchhunt, but I’d hope you all would know that by now.
 So lately, as anyone following that blog may know, the hot topic of discussion is how Luke’s parents are portrayed as abusive in the Professor Layton fandom so that Luke can be portrayed as having PTSD/being adopted by Hershel, and how that is apparently a bad thing. Which, allow me to clarify: if you do not portray Clark and Brenda that way, that is totally fine. What is not fine is the way that these people react to an abuse survivor saying that they portray Luke’s parents that way to cope.
So, here is the original post in question:
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 (“Luke’s parents are not abusive. Clark and Brenda Triton ARE NOT ABUSIVE. You can say Luke was adopted by Hershel or whatever but the Tritons aren’t and never were abusive.”)
 This, from what I can tell, appears to be the first post on this matter. And, while it isn’t as bad as some of the stuff we’ll be seeing later, there is some stuff to unpack. Mainly, their language in saying that people can do one thing (say Luke was adopted by Hershel), but can’t do another (portray them as abusive). Can it be frustrating if a fandom misrepresents your favorite characters consistently? Of course it is!! I’m not saying it’s not! But what I am saying is that you can’t tell people how they can and cannot portray characters. It’s their choice. If you do not like it, then look for content of the Tritons elsewhere. Or, make it yourself! Everyone has the power to make the exact kind of content they want to see, if they just make it themselves. And if you don’t think of yourself as talented, commission somebody to write or draw it! Freelance artists need the money, you want the content… It’s a win-win.
 However, a different anon replies with this confession:
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“You guys can say that Clark wasn’t abusive in canon, and I guess I’ll agree. But fictional characters can be whatever we want, and some people want to project onto Luke and his relationship with his parents. Don’t make abuse victims feel bad for projecting themselves onto fictional characters.”
 And this? This is a perfectly reasonable statement. It is true that abuse survivors can project onto Luke’s relationship with his parents, and it is understandable that, as such, they may get upset when seeing a post that (as we just covered) tells people what they can and cannot do with these characters. People, especially people with trauma, project onto characters so much that it has become practically a meme, of sorts, especially in the artist/writing community. I would know, as I do this a lot, as well. So, while the tone of this post reads to me as slightly more frustrated than I initially was upon reading the original post, it’s honestly not a good feeling when somebody criticisms your healthy coping mechanisms just because they don’t like how you portray a character; especially if, like me, you struggled for a long time with unhealthy coping mechanisms before finding this one.
 And while I wish this was the end, and this could just be a nice post about how traumatized people cope, someone decided to send in the coldest, most brain-dead take here today, in my opinion:
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“my good dude, a fictional character may be a fictional character but they are still a… character. that’s literally the meaning of the word. they’re not blank slates. as someone who really adores luke’s parents, this is just really awful and pretty dismissive, please just move your projections elsewhere.”
 Now, this is so much to unpack that I feel tempted to throw away the whole damn suitcase. But okay, sure, let’s take a crack at it. Someone replied, to an abuse survivor, saying that projecting onto these fictional characters to cope with their literal trauma, by saying that their healthy coping mechanism is ‘just really awful’. Why? Because they really adore the characters, of course! That’s more important than an abuse survivor learning to heal from what horrible thing traumatized them! Of course! Yes, perfectly reasonable. (For those of you who have trouble reading it, that was sarcasm.) And then, immediately followed that insensitive remark with an almost doubly insensitive remark: ‘Just move your projections elsewhere.’ This truly shows how much this particular person cares about how two characters are portrayed over how a trauma survivor feels. The utter lack of respect to say, ‘Just move your projections elsewhere,’ to a real person with PTSD trying to cope, just because they dislike seeing fictional people get portrayed as bad people, is lacking empathy in every sense.
 For those who do not understand, allow me to make a comparison. Imagine a soldier with PTSD, who has a service dog to stop them from having a panic attack in public. Their service dog helps them cope with their trauma, and makes them feel safe. Now imagine that they took their service dog to their favorite public place. Perhaps a diner they went to when they were younger, someplace that comforts them… And someone in the restaurant came up to them and said, ‘As someone who hates dogs, this is awful and pretty dismissive. Please just take your canine elsewhere.’
 Now this may seem like an extreme comparison, but let me tell you, as someone who has both PTSD and a service dog: it’s not, really. Either way, you’re calling the way someone copes with their trauma awful for wanting to exist in a place (the diner, the Professor Layton fandom) where they can feel safe.
 Now, let’s just move on from that bordering-on-ableist post, because there are still more things to go. Here is the next post:
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“This isn’t aimed at abuse survivors… it’s more that there are so many artists in the fandom (a lot of popular ones) who push for this headcanon that the Tritons were horrible parents and Luke should stay with Layton instead. (Some artists outright refuse to draw the Tritons??? What?) As a fan of the Triton family, it makes me feel bad… no one ever projects these kind of headcanons onto a character who deserves it, like Descole (the one who ACTUALLY tried to hurt Luke) or Randall ect.”
 Okay, so first. ‘This isn’t aimed at abuse survivors, it’s more… so artists’. Implying that artists can’t be abuse survivors? Yes, this even includes ‘a lot of the popular ones’. Just because someone doesn’t say they have PTSD does not mean that they do not have it. You are not, and never will be, entitled to personal information, and that includes diagnosis. The exact artists you are making this vent about may very well be an abuse survivor, but you just don’t know. You shouldn’t have to know to decide whether or not someone is ‘valid enough’ to portray a certain character a certain way. Same goes for people who refuse to draw the Tritons all together. I’m going to say it again: you are not entitled to personal information, and that includes why someone may not want to draw a certain character.
 And, you feel bad? How bad do you think the traumatized people who are drawing this stuff feel? This is just like the autism moms who say stuff like, “But their autism is so hard on me!”
And, as for why they don’t project these headcanons onto Descole and Randall… Maybe it’s because they were abused by their parents specifically, and want to make Luke go through the exact same thing they did. Maybe they just like Descole and Randall more than the Tritons. But then again, as I’ve said: you are NOT! Entitled! To personal! Information!!
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“people’s headcanons, preferences and interpretations are not a personal attack. people like and dislike the same things and that’s okay. don’t take someone disliking something you like personally bc I can guarantee it’s not personal.”
 This one is easily the most tolerable of everything we’ve seen, but there are still certain things I’d like to point out. Particularly, ‘Don’t take someone disliking something you like personally.’ Because, for abuse survivors, it isn’t as simple as a matter as ‘liking’ or ‘disliking’. It’s how you cope. It’s how you feel safe. Fictional characters mean so much to people with mental illnesses and/or disabilities, so of course we may take it personally if you decide to tell us how we can enjoy them. And calling coping mechanisms ‘liking something’ seems to be infantilizing the issue quite a bit. But with that being said, again, this isn’t too terribly bad. Unlike this next one, which is, yet again, just a god-awful, brain-dead take.
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“i feel like an issue in this fandom is that often artists who get popular have these awful headcanons (like luke’s parents being abusive.) and because those artists are popular it feels like their hcs are EVERYWHERE and people copy them just to get in their good books. when in truth they’re probably just a vocal minority’
 And here we have, again, the return of the assumption that artists (even these ‘popular artists’ that you are trying so desperately to blame) do not have PTSD. Just, assumptions everywhere. We also see the return of the descriptor ‘awful’ to describe how abuse victims cope, which is just… Well, you know. And this particular post leaves me with so many questions! Most of them of the ‘how do you know who and who isn’t traumatized’ variety. “How do you know that artists, even popular artists, aren’t abuse victims?” “So, is what you’re proposing that abuse victims just don’t ever make vent art involving these characters? Or, at least, not post them anywhere?” “How do you know that the people presumably ‘copying the popular artists’ aren’t abuse survivors, either?” There are quite a large amount of assumptions being made here, and it’s just frustrating to see. Anybody can be traumatized, anybody can be trauma victims trying to cope. But, also, say it with me now: YOU ARE NOT ENTITLED TO PERSONAL INFORMATION, TO SEE WHO AND WHO ISN’T ‘VALID ENOUGH’ TO PORTRAY A CHARACTER A CERTAIN WAY.
 And, with that final post, we are up to date with all of the current posts on the matter. Now, allow me to remind you that ALL OF THOSE POSTS WERE IN RESPONSE TO AN ABUSE SURVIVOR SAYING THAT THEY USED LUKE AND THE TRITONS TO COPE WITH THEIR TRAUMA. Every time someone insinuated that no artists had trauma, called the headcanon ‘awful’, all of that, was in response to a literal, real-life traumatized person. Because… What? They portrayed a character in a bad way? So they should just find a whole new coping mechanism, and ditch this one that works, just because you, a stranger on the internet, told them to?
 So you may be asking yourself, “Azure, I have read 2,000 words of your ragetyping. What is the point of all of this?’ Well, my friend, besides just getting all of this out of my system, I think the point of this can be summarized quite concisely by a post made by @/your-fave-has-ptsd: “It is far more important for us (people with trauma) to see ourselves in the media than it is for us to stay true to canon.”
 So, if you put how a fictional character is portrayed over abuse survivors’ feelings (and, again, I must reiterate: you don’t know who does and doesn’t have PTSD), then maybe you should really reevaluate your priorities. If you don’t like how someone portrays Luke’s relationship with his parents, maybe just make the content that you want to see yourself, and block those who make the content you do not want to see. Thank you for coming to my TED talk.
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eivor-wolfkissed · 5 years
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hey i saw ur tony stark posts and like i obviously don’t know if it was even about the ones i made but i just wanted to say i really hope it didn’t come across as me, like, directing it at you or fans at all, it’s seriously just a personal preference and i didn’t even realize i had people following me who were into him (if that makes sense). i don’t talk about it basically ever but i do tag all of it anti if u wanna blacklist it from me 😅 anyways i hope ur doing good stay safe !!!!!!
Oh! No, the posts weren’t from you at all, you’re good. I appreciate the message tho!
I’m totally fine when people don’t like him bc it’s valid, everybody is going to have different reactions to characters and that’s okay! It’s something I enjoy honestly because it adds diversity, depth, and nuance to the fandom when people are able to discuss their different opinions and interpretations on characters. The only time that causes issues for me is when civil debate turns into actual argumens, insulting people irl for fictional preferences, or having such a black/white morality view that they accuse people of being a genuinely problematic person just because they like a fictional character that they don’t.
The thing I saw was another post from somebody else entirely that basically ended in actually shaming ppl for enjoying Tony Stark, a fictional character, and the op was being really rude and toxic and just generally looking for excuses to insult people over fiction (I actually unfollowed the person who posted it lmao). I don’t want to name names tho and add to the drama however, I just blocked them and moved on.
Anyways, I appreciate the concern and the message, but I also wanna let you know that it definitely wasn’t anything you posted or said, you’re good! It’s just the extreme and genuine hatred of other fans that I don’t like, people just simply having different stances is ok and doesn’t bug me much. I hope you’re doing good as well!! 😊
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tricks-up-my-sleeve · 6 years
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((okay so spoilers for s8 ep 18 aka on the road to friendship under the cut w/ a bunch of spoiler tags just in case))
So uhhh this episode was everything I wanted? A lot of it’s subtle things, but, I’m ghkjlhgfd I’m not crying you are. I don’t do horse analysis or reviews or anything like that I grew tired of those types of things ages ago bc it personally gets to a point where it sucks out the fun for me but I’m just gonna make bullet points of all of my thoughts. Mainly involving Trixie and how this episode ties into my portrayal of her. Probably others too, though.
The little magic show at the beginning? Wonderful. I love these two performing together.. and together in general. Twi & Caddy even agree on how they’re such a good duo.
Speaking of which, Twi complimenting Trixie with a huge smile? HERE. FOR. IT.
Flurry Heart watching the show was adorable. Also the inclusion of Granny Smith was of course great.
“Doing a show with you is almost as much fun as counseling students at Twilight’s school.” Almost? I’m disappointed. It’s not the first time I’ll be disappointed in Glim this episode, but we’ll get there. She’s still loved.. but it gets rough.
Loved how Hoo’far called Trixie “Miss Powerful” and her reaction to it. Just cute and silly.
TRIXIE’S. LOVE. FOR. HER. WAGON. I didn’t expect this to be a big plot point in the ep or really ever brought up, but I was so thrilled because that’s always been a small part of my Trixie. She loves her wagon. It may be small and cramped (and also, it apparently has a pretty fucked up doorknob) but it has sentimental value. It means a lot to her. I loved this so much. Not once did she stop and consider trading it for something that a lot would look at and assume was superior.
Moonwalking Trixie.
Trixie bringing up how traveling gets pretty lonely a few times in this ep. Pretty much something that’s easy to guess or assume, but that’s also something my Trixie hasn’t been too shy of admitting, either.
Trixie!!! Levitating!!! Herself!!! She obviously learned that from Starlight. Although we didn’t see it much, I’m so fucking thrilled that we see that Trixie’s been improving her magic. An issue I had with To Change A Changeling (which is just a nitpick) is that they really don’t bring that up. Personally, ever since All Bottled Up, I’ve definitely been convinced that Trixie actually has strong potential for magic, given the right teacher. Glim Glam succeeds there. I could go more into detail to why I think this is but I’ll spare you.
Trixie on the couch in Starlight’s office. I don’t even have to say anything. Just perfect.
I love how Trixie painstakingly made room for the both of them in the wagon. To it’s credit, looking at it paused, it at least isn’t as small on the inside as it is the outside. It has an entire cannon in there. It seemed like she set up two beds for them? Perhaps at least one of them was makeshift? It’s hard to tell, since Star brought stuff and then she set up hammocks. It did look slightly cozier in there before the extra luggage, though. What I guess I’m getting at, is that although it’s a tight squeeze, it’s good to see that it can at least fit two ponies, although it’s not entirely ideal. 
Seeing the inside of the wagon’s been a thing I’ve wanted for ages. I could sit and look at every little thing in there and just smile for a while. Super cute.
Trixie really is sweet and considerate, you know. Seriously. Asking if Starlight is sure she doesn’t want to ride instead of walking with her, and giving her more than one chance to back out on the trip if she wants to.
THE SONG. Tell me I’m biased, I don’t care. This is my favorite horse song. I’ve waited patiently for pony Trix to sing... and it’s just.. all so fucking cute. Too much to take in.
More of Trixie’s magic shown in her shielding Starlight. Love it.
“For untold seasons yet to come, our friendship will be here!” “For nine, at least.” FUCKING. WOW. That’s clever but it also hurt my heart. Especially since my favorite friendship duo has only known each other for three of those seasons thus far, and ultimately it’ll only be four. Too soon, Glimmy.
Trixie talking about how she learned the hard way about life on the road and saving bits and all that. I like that. It shows her more mature side, and that she’s a little street smart from experience. Usually she’s kinda shown as less mature than Starlight, and this episode shows the flip side, which I really like.
I love how she’s adamant on buying hay cakes (Haycakes? They’ve used the word pancake before, though. What’s the difference?) from her preferred stand. Like.. me too, Trix. Clearly there’s a higher quality in the line that’s actually got ponies in it.
This is where Trixie and Starlight really start to argue like a married couple. Here I thought Applejack and Rainbow Dash took the prize for that. This is so domestic tho.
The first argument, at least, is short lived. I really liked that. Trixie sighs, presumably not wanting to push farther to where she hurts Starlight’s feelings. Love how she says “No, of course not.” and continues to apologize for getting snippy. She’s really improved on being.. to put it lightly, less bitchy. It’s what I love about watching her, and while To Change A Changeling was hilarious, that was my other nitpick. She had an attitude almost the entire time.. but it was funny, and I wouldn’t go as far as to call it OOC, so I wasn’t mad. The reason Trixie appeals to me so much is that she’s definitely a much nicer pony, but she’s still her. She hasn’t seemingly changed overnight from the first time we saw her, but she’s definitely made an effort. She’s quite the sweetheart when she wants to be.
I love how Trixie states that it’s taken her years to collect all of her magical items. I just think it’s neat. Also, rightfully getting offended when her stuff is called junk.
Coward Trixie returns. This is definitely me looking too deep into it but personally I’d like to think that yeah, after the Ursa event, I’d be scared of animals outside, too.
Starlight snoring and Trixie outright performing in her sleep. Lmfao. I’ve said this like fifteen times already about other things but I love it.
I relate to these tired and grumpy girls, but even I would have made sure to save some food / juice for my pal. Well.. maybe the juice was definitely out of spite. Wish I could scold her, but I would’ve done the same thing.
The grouchy magic show hurt me to watch. It was still funny though. Again, definitely arguing like a married couple. Two tired, angry friends trying to work together is just never gonna turn out right.
I love their voices in the “Practice makes perfect.” “Not today it didn’t.” exchange. So sassy. So higher pitched. Those faces, too. Lol.
Starlight throwing all of Trixie’s shit out followed by Trix yelling “You can HAVE IT ALL!” Oof. Almost like I’m watching a breakup right before my very eyes. Also the way she runs off. These poor hopeless gays.
STARLIGHT GLIMMER CONFIRMED WORST GIRLFRIEND. I’mjustkidding. Naturally I saw this coming from a mile away, but still. Wow. Ouch. I do like though how it seems to be consistent that she can be defensive of her bad decisions. Not really realizing that what she’s doing is wrong.
TRIXIE FREAKING OUT, THEN BEING BROUGHT TO TEARS BECAUSE STARLIGHT TRADED HER WAGON. This hurt me more than you could imagine, but what hurt me even more is that Starlight didn’t even flinch, and was completely insensitive about it for a while. Yikes. I already went into how much I love Trixie’s attachment to her wagon, but this killed me.
Also, pretty sure that selling or trading somebody else’s stuff is illegal, Star. Trixie shouldn’t have beef with Hoo’far. She should just be planning a lawsuit against Glimmer instead.
Am I just crazy or stupid? When Trixie tells Starlight that at least the wagon wouldn’t have traded her away, I was like, yEAH, you’re valid. Tell her. It made total sense to me. Then Starlight just responds with “That’s ridiculous.” Like?? It wasn’t to me? I sound silly now bc I get the joke, it’s an inanimate object, but what I’m trying to get at is that Trixie was pretty much trying to say that if Starlight really was her best friend she wouldn’t have done that.
I love how Trixie doesn’t accept the flattery from Hoo’far like she normally would bc she’s real pissed. To be fair, though, it’s really not his fault. I mean.. okay, a little, considering he should have known that it didn’t belong to Starlight, and that the trade needed to be given the okay by Trixie. He’s not a bad guy, though.
TRIXIE LYING IN FRONT OF THE CART FOR HOURS BC NO WAY IN HELL IS SHE LETTING THIS GUY TAKE IT. AMAZING. Give it up for his patience, too.
Starlight finds out that you win some and you lose some with the bigger caravan. Also, I love how she didn’t realize how fucked up stuff was when she was with Trixie and having a good time. Her regret sinking in seems about right. You can see her start to miss her.
“Sometimes travelling together is hard.” “But you reminded us that you can also make it fun!” Definite lesson that these two needed. Obviously Starlight was breaking before hearing that, but those big sad eyes she gets after. Regret.
“What are you two doing?” “Taking a stand! By lying down!” Lmao. Never change, Trixie.
“Best friends who share a deep bond but weren’t prepared for the emotional challenges of traveling.” Oh, definitely. Really feel like their first trip should have been a short one. Possibly with more planning ahead of time.
Best. Friendship. Chant.
“Only true friends would be willing to act so ridiculous for one another.” Aww. True.
“At a certain point, I don’t even like travelling with myself.” Line I really liked. Also Starlight saying that it’s harder than she thought.
Despite their exchange about knowing not to do it again, eh, still not wanting to completely rule out the thought of them travelling together in the future. Like I said, with more precautions taken, pretty sure they could’ve been just fine. Mainly reserving a room at an inn, since the big issue really just seemed to be them getting crabby sleeping in the wagon. Would’ve preferred it if it kinda gave that lesson and had Trixie say that they’ll know how to handle it next time, with both of them saying yeah, but let’s not make that anytime soon.
Trixie and Starlight almost killed an old man.
That’s it, if anyone even read through all of that. Can’t really say much more. This may or may not be my favorite Trixie episode. I’ll have to give it some time, but I loved almost everything about it. (No Second Prances is my current favorite I suppose, due to it also validating a lot of how I viewed Trixie at the time, and still do.)
Like I said.. it’s just really refreshing to see her take on a more mature stance than Starlight for the most part, since other episodes usually show the exact opposite. Not that Starlight is incredibly mature in her own right, but she does usually take that role when it comes to her dynamic with Trixie. I love any chance we get to see Trixie, but in episodes like To Change A Changeling, sometimes I worry that they don’t give her enough credit. She’s not a complete incompetent bitch, and to be fair, I don’t think she ever really has been. I won’t go into how I personally view her flaws, though. Guess that could be another post.
Until next time. Hopefully there is another next time. Starlight’s line in the song about nine seasons still has me all fucked up and I need help. Maybe one day I could go back and do these for past Trix episodes.
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