Tumgik
#ofmd musing
cahootings · 5 months
Text
Tumblr media Tumblr media
just thinking about how wee john used to make dresses with his mother. 😌
2K notes · View notes
nordarknessdimsthesky · 8 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
the amount of sheer GENDER stored in these images should frankly be ILLEGAL
5K notes · View notes
avastyetwats · 25 days
Text
Tumblr media
Izzy Hands.
566 notes · View notes
artsyhamster · 7 months
Text
Tumblr media Tumblr media
Madness
1K notes · View notes
johannestevans · 7 months
Text
the doylist explanation is that fang hugs izzy from behind so that we can get both of their faces in shot at once. the watsonian explanation is that fang has learned to hug izzy from behind because otherwise izzy's instinct is to go for his throat
632 notes · View notes
ofmd-ann · 4 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Happy New Year to my followers, mutuals and all the incredible people in this fandom ☠️ 🏳️‍🌈 💜
Lots of love x
Tumblr media
362 notes · View notes
fxckin-blackbeard · 4 months
Text
Tumblr media Tumblr media
89 notes · View notes
sunnibits · 7 months
Text
Tumblr media
slowly getting back into drawing that old man (not that I ever really stopped, but still)
unnecessarily lengthy art thoughts under the cut
started with that more realistic portrait in the corner but then I tried doing this new exercise where I just drew him as fast as I could without really thinking, trying to just be really quick and confident with my strokes, and I actually really love how those couple doodles turned out!! they have this really fun stylized quality that I enjoy a lot, like as someone who tends towards a more realistic style?? I feel like I don’t really allow myself to experiment with more cartoony/dynamic styles but this was a really effective way of forcing myself to make it happen naturally. anyways, I highly recommend trying it if you’re like me and maybe have a hard time stylizing faces, or if you just wanna do a fun exercise! just don’t overthink it and see what shapes you naturally chose to exaggerate :)
sorry for rambling sghshsh I just had a lot of fun with these doodles and izzy has always been so fun to stylize for me :) he just naturally has this sort of silly cartoonish quality to him, it’s so easy to exaggerate all his shapes <3
139 notes · View notes
bougiebutchbinch · 6 months
Text
can't decide if I like calico jizzy in a 'Jack is a gross pig who cockily refers to himself as Izzy's daddy in the third person right from the start and spanks him with 0 warning and does bad BDSM with him because you just know he's one of those fratboy types who THINKS he's a great dom, but luckily Izzy is a Capital-F Freak who is Really Fucking Into All Of That' sort of way, or in a 'Jack is possibly the only person in the universe who Izzy flat out refuses to call daddy when they fuck, and it is DRIVING JACK INSANE' one
106 notes · View notes
our-flag-means-ducks · 6 months
Text
Izzy and Ed are pirates who should be buried at sea but Ed ‘dies’ and Izzy insists on keeping his body on board in the same room they had their last conversation with a shroud lovingly placed over his face and Izzy dies and Ed buries him right next to his house with his ring displayed where Ed can keep watch over him they’re both unable to let the other go so intrinsically wrapped up in each other even in death I am foaming at the mouth
85 notes · View notes
cahootings · 13 days
Text
Man shoutout to Stede fucking Bonnet I am so proud of him. Going from having to ask his wife what being in love feels like, to writing the most earnest and saccharine love letters in bottles. Every day. “I long for you.” “Intertwined.” “We wrote our names on each other in permanent ink.” Kissing them before throwing them into the sea. Every day. He became the world’s biggest romantic dreamboat and he is exactly what Ed “I’m afraid I’m unlovable” Teach deserves. The classic Stede move of “I don’t know how to do this, but once I learn how to do it my own way, I’m going to completely reinvent what it means and it’s going to change lives for the better”
713 notes · View notes
ticcitavvi · 7 months
Text
I've been musing abt OFMD instead of studying and realized that, for me at least, the death of Karl (Nathaniel button's best friend who also happens to be a seagull) is one of the largest indicators of the tone shift within the last few episodes of s1.
I mean, feel free to disagree but from my pov. Karl is one of the first members of the crew to actually DIE, (yes, I consider him part of the crew) and whose death is felt by the entire crew.
even Nigel Badminton's death, which is arguably pretty horrible, has a certain comedy and light heartedness to it.
idk, I just feel like throughout the show death and murder is more or less some distant afterthought, not actually tangible in any really way-- at least, until Karl dies.
once he dies, everything is more real, more dangerous, and death is not only more tangible but imminent. I also feel like the last few episodes are when we really start seeing the consequences of previous episodes- Izzy being kicked off the ship, Stede's abandonment of his family, hell even Stedes decision to raid the fisherman's boat.
I'd be surprised if no one else has ever talked art this but thought I might as well share my own musings lmao
77 notes · View notes
avastyetwats · 4 months
Text
Tumblr media
Stede Bonnet.
118 notes · View notes
johannestevans · 6 months
Text
personally if i really wanted a third season of my already low budgeted show about multiply marginalised and oppressed sections of the community that are hugely underrepresented in media and television, i personally wouldn't do my best to alienate the audience on which i rely
but what do i know. i'm just some working class disabled homo. maybe i should die in the last few minutes of said tv show to absolutely 0 narrative or emotional gain whilst victim blaming myself for my abuse
380 notes · View notes
blackbeardsemophase · 7 months
Text
The thing is, Stede has never liked piracy for the same reason that Ed despises it.
It's just that Stede believes it's a matter of skill and experience that he needs to obtain in order to be a "real pirate" and that once he gains those things, he'll be magically okay with the gore-y bits. The soul crushing bits. The poison.
Stede desperately wants to belong and to have friends because more than anything he wants respect and love - things he has never had before. He's interested in the idea of community and team work and communication - it just so happens that he has made these interests pirate flavored because it facilitated the latter. Own a big cool ship, get a bunch of crew who were basically hired friends, and do something stereotypically masculine in an attempt to feel like a success.
We see Stede haunted/guilt ridden even by his involvement in the accidental deaths of the Badmintons. Yes, part of his guilt is due to feelings of inadequacy stemming from his failed marriage/domestic life, but the other half is feelings of inadequacy at being a pirate aka committing acts of violence. The whole reason Stede pushes back against the whole "traditionally piracy is a culture of abuse" is because it makes him uncomfortable to do violence. This is well established within the first episodes of season one, and during Stede's reaction to raids, or to Calico Jack, or Chauncey's death.
Episode 2x06 was a great culmination of this point about Stede. When he had Ned at swordpoint, he had to decide whether or not he was going to kill him. Ed, who knows extremely well how bad it feels to kill from his own firsthand experience, cautioned Stede against it in an effort to spare Stede these awful feelings of guilt and trauma (which I think Ed knows Stede would feel because he can tell how Stede handles violence and it isn't well). Stede is therefore torn between performing the violence that is expected of him as a pirate captain (there is so much to say about how this relates to masculinity that I don't have the words for) or saving himself the trauma of killing. In the end, Stede kills Ned and we immediately see in his expression that he is upset, so much so that he flashes back to his childhood; one scene of himself picking flowers and being soft and the other of him watching horrified as his father slaughtered the goose. He also retreats to his quarters to isolate where he sits on the sofa in much the same way as he did after Nigel died in s1. It was a perfect setup to illustrate that at the end of the day, Stede is never going to be okay with killing in the same way that Ed isn't. Their relationship to violence runs nearly parallel, and once Stede realizes this completely I think he and Ed will come to a compromise about how they want to spend the rest of their lives together and what they really want to do.
58 notes · View notes
cryptix23 · 7 months
Text
Okay listen I've seen a few people criticizing Ed for still feeling 'unlovable' despite Izzy's confession, but like, of course that means nothing to him?
Ed is afraid no one can love Edward. All of him. The parts of him that aren't all myth, the parts of a real and complex person who loves satin and fine dining and lavender soap and goofy outsider artists. The parts of him that aren't retold in hushed, awed voices. Izzy literally said to his face that he loves Blackbeard and hates Edward. That he hates all the softness and comfort and frippery and care and appreciation. That he wanted back the man who laughed while people burned. (And later realized that was a Huge Mistake but that's beside this point.) So when Izzy says "I have... love for you," what Ed hears is just a reaffirmation that he loves Blackbeard -- the myth up on the pedestal, the terror of the seas, the Kraken. The monster with no use for fine things like love.
And Edward is still unloved, because Edward is not worthy of fine things.
(yes he is, but he was not in a place to hear that and especially not from Izzy.)
55 notes · View notes