#oleg tabakov | Explore Tumblr Posts and Blogs

acupofbritishearlgrey · 1 month

Text

Ilya Oblomov [Oleg Tabakov] & Andrei Stoltz [Yuri Bogatyryov]

'...he sincerely loved and trusted only one person, perhaps because they had grown up, studied, and lived together. This person was Andrei Ivanovich Stoltz.' © ’Several days from the life of I. I. Oblomov’ (1980), dir. Nikita Mikhalkov

#soviet cinema #several days from the life of i i oblomov #sovietcinemaedit #filmedit #dailyflicks #cinemaspam #dailyworldcinema #dailykino #filmgifs #yuri bogatyryov #andrei stoltz #oleg tabakov #ilya oblomov #my gifs #несколько дней из жизни и и обломова #андрей штольц #илья обломов #юрий богатырёв #олег табаков

47 notes · View notes

slashfuhrer · 25 days

Text

just a normal day in soviet cinema: the gayest gif collection

To Kill A Dragon (1988)

The State Border (1980)

Balalaikin & Ko (1973)

I Am Twenty (1965)

We, The Undersigned (1981)

The Harbor on the other Bank (1970)

Sentimental Romance (1977)

The Gunshot (1967)

The Eternal Husband (1990)

#soviet actors #old movies #soviet movies #old gays #yeah ok none of them is gay #but still #станислав любшин #soviet cinema #oleg tabakov #oleg yankovskiy #slashfuhrer gifs

22 notes · View notes

quietparanoiac · 1 year

Photo

Кардинал так защищал вас, а вы так люто его... ненавидите!

Д'Артаньян и три мушкетёра | D'Artagnan and Three Musketeers (1979), e01

75 notes · View notes

littlemarylil · 11 months

Text

Head empty just Oleg Tabakov

#Олег Павлович Табаков #Олег Табаков #Oleg Tabakov #actor #Walter Schellenberg

11 notes · View notes

nordwest-minna · 2 years

Text

Banquet night...

#soviet #seventeen moments of spring #walter schellenberg #stierliz #soviet movie #world war second #oleg tabakov #vyacheslav tikhonov

31 notes · View notes

helenapsent · 1 year

Text

I got in the mood to draw a portrait of Trelawney…

/My pretty angel, my cinnamon bun 🤲💕💦

He is undeservedly neglected

unprocessed version:

#He reminds me of Oleg Tabakov in some way #And probably this idea can only be understood by the Russian-speaking audience. don't take it personally #helen thinks #treasure island #остров сокровищ #squire trelawney #art #fanart #portrait #sketch #artist on tumblr

85 notes · View notes

andryushas · 10 months

Text

Pierre | Natasha | Andrei | Marya

#nikolai rostov #war and peace #i gave the other option but i dont think i missed anyone #unless...?

9 notes · View notes

kathogelia · 1 year

Text

⬇️ Tag drop ⬇️

Actors & Actresses

al st john

alan tudyk

aleksandr demyanenko

aleksandr trofimov

aleksei kuznetsov

alexandra yakovleva

alice lake

alice mann

alisa freindlich

alla demidova

anastasiya vertinskaya

anita page

andy whitfield

anne cornwall

barbara brylska

bartine burkett

ben barns

beulah booker

brown eyes

bruno ganz

buster keaton

conrad veidt

dmitri zolotukhin

dorothy christy

dorothy sebastian

edward norton

ekaterina savinova

eleanor keaton

evgeniy leonov

heath ledger

igor starygin

inna churikova

innokenty smoktunovsky

irene purcell

irina alfyorova

ivan pyryev

jack black

jason isaacs

joe keaton

joe roberts

karin boyd

kate beckinsale

kate price

kathleen myers

kathryn mcguire

klara luchko

klaus maria brandauer

larisa guzeeva

linda hamilton

liv tyler

luciena ovchinnikova

luke the dog

lyudmila gurchenko

marceline day

margaret leahy

margarita terekhova

marina dyuzheva

marion byron

marion mack

mikhail boyarsky

mikhail kozakov

mona maris

nadezhda rumyantseva

naomi watts

natalie talmadge

natalya krachkovskaya

natalya seleznyova

natalya varley

nora arnezeder

norman reedus

oleg menshikov

oleg tabakov

orson welles

paul bettany

paulette dubost

peter falk

phyllis barry

phyllis haver

renee adoree

rosalind byrne

roscoe arbuckle

ruth dwyer

ruth selwyn

sally eilers

sally o'neil

snitz edwards

sofiko chiaureli

sofiya pilyavskaya

sybil seely

tatyana lyutaeva

thelma todd

tilda swinton

tom hiddleston

valentin smirnitsky

veniamin smekhov

virginia fox

whitney houston

yanina zheymo

yelena ukrashchyonok

yuriy yakovlev

Characters

anne of austria

aramis

assol

athos

bagheera

baloo

buckingham

cardinal richelieu

constance bonacieux

d'artagnan

daryl dixon

edward rochester

geoffrey chaucer

grigori rasputin

king louis xiii

laura lyons

milady de winter

mowgli

peter the great

porthos

raksha

sarah connor

shere khan

van helsing

Origin

american cinema

american tv show

austrian cinema

barbie movies

behind the scenes

czech cinema

french cinema

german cinema

hungarian cinema

other peoplez edits

russian animation

russian cinema

silent cinema

soviet animation

soviet cinema

soyuzmultfilm

Directors

adolf trotz

aleksandr ptushko

aleksandr sery

alexander rowe

aleksey korenev

alla surikova

andrei tarkovsky

brian helgeland

don bluth

edward sedgwick

eldar ryazanov

gary goldman

georgi yungvald-khilkevich

gleb panfilov

igor maslennikov

istván szabó

james cameron

jim jarmusch

kirill mikhanovsky

leonid gaidai

mikhail shapiro

mikhail tsekhanovsky

nadezhda kosheverova

owen hurley

peter jackson

robert stevenson

sergey gerasimov

stephen sommers

svetlana druzhinina

vadim medzhibovskiy

vera tsekhanovskaya

vladimir menshov

wim wenders

Time Periods

1910s

1920s

1930s

1940s

1950s

1960s

1970s

1980s

1990s

2000s

2010s

Films & Shows

a cruel romance

a knight's tale

a man from boulevard des capucines

adventures of mowgli

anastasia

at the beginning of glorious days

back stage

barbie as rapunzel

barbie as the princess & the pauper

barbie in the 12 dancing princesses

barbie in the nutcracker

barbie of swan lake

battling butler

carnival night

cinderella 1947

clever dog sonya

college

coney island

convict 13

cops

d'artagnan and the three musketeers

dämen der frauen

daydreams

der himmel über berlin

doughboys

for family reasons

free and easy

gentlemen of fortune

give me liberty

go west

good night nurse!

hard luck

high sign

his wedding night

ivan vasilievich changes occupation

jane eyre 1943

le roi des champs-élysées

look for a woman

love and doves

maugli

midshipmen onwards!

mirror

moonshine

morozko

my wife's relations

musketeers twenty years after

neigbors

oh doctor!

one week

only lovers left alive

operation y and shurik's other adventures

our hospitality

out west

parlor bedroom and bath

pokrov gates

prince of foxes

prisoner of the caucasus or shurik's new adventures

scarlet sails

seven chances

sherlock jr

sidewalks of new york

spartacus: blood and sand

spartacus: gods of the arena

speak easily

spite marriage

steamboat bill jr

sweet november

terminator 2: judgement day

the adventures of sherlock holmes and doctor watson

the balloonatic

the beginning

the bell boy

the blacksmith

the boat

the bodyguard

the butcher boy

the cameraman

the cook

the electric house

the fellowhip of the ring

the frozen north

the garage

the general

the girls

the goat

the haunted house

the hayseed

the holiday

the hound of the baskervilles

the incredible hulk

the irony of fate or enjoy your bath!

the kuban cossacks

the lord of the rings

the love nest

the navigator

the painted veil

the paleface

the passionate plumber

the rough house

the saphead

the scarecrow

the walking dead

the wild swans

the words

this is your life

three ages

van helsing

watch out for the automobile

what - no beer?

wings of desire

young russia

#tag list #tag drop #long post #last edited july 8 2023

5 notes · View notes

newb-id · 9 months

Text

i know that the soviet film fandom in tumblr is semi-dead and i won't be get a lot of likes posting about it,, but lemme just say that i just watched "Гори, гори, моя звезда" (Shine, Shine, My Star) and as much as i loved it, i cannot look at it and Oleg Tabakov the same way anymore after reading Elena Proklova's wikipedia pages (in both russian and english)

#soviet film #soviet cinema #i'm still oleg efremov's biggest foreign fan tho #i heart tragicomedy #i need moots pls

4 notes · View notes

byneddiedingo · 1 year

Photo

War and Peace (Sergey Bondarchuk, 1966)

Cast: Sergey Bondarchuk, Lyudmila Saveleva, Vyacheslav Tikhonov, Boris Zakhava, Anatoli Ktorov, Antonina Shuranova, Viktor Stanitsyn, Kira Golovko, Oleg Tabakov, Sergei Yermilov, Irina Skobtseva, Vasili Lanovoy, Vladislav Strzhelchik. Screenplay: Sergey Bondarchuk, Vasiliy Solovyov, based on a novel by Leo Tolstoy. Cinematography: Yu-Lan Chen, Anatoliy Petritskiy, Alexsandr Shelenkov. Production design: Mikhail Bogdanov, Aleksandr Dikhtyar, Said Menyalshchikov, Gennady Myasnikov. Film editing: Tatyana Likachyova. Music: Vyacheslav Ovchinnikov. No film adaptation of a great novel is going to satisfy admirers of that novel. The best we can hope for is a work that stands on its own, that supplies cinematic equivalents for some of the achievements of the prose work. But War and Peace, with its epic battles and accounts of the social lives and romantic entanglements of 19th-century Russians, cries out for filming on the grand and glamorous scale. And few films have assumed a grander scale than Sergey Bondarchuk's seven-hour-long version of Tolstoy's novel, particularly those moments when the camera soars away from the heat of the battle into what seems like the high heavens, or when it sails above the dancers at Natasha's first ball. But I've read the novel several times, and the best I can say, watching Bondarchuk's film again, is that his version is a magnificent failure. We get great gulps of the source material, sometimes in voiceover narration, and the performers are apt embodiments of the characters I see in my mind's eye as I read the book. But no film can capture the interiority of the novel, the psychological insights that make Prince Andrei, Natasha, and especially Pierre into people we feel like we know. Bondarchuk tries to supply some of this with voiceovers in which the characters speak their inner thoughts, but only succeeds in blurring the focus: The voiceovers are distractions from the drama that should be unfolding through action and dialogue. That said, watching the film over four successive nights is a unique experience. Part I: Andrei Bolkonsky The longest of the four parts of War and Peace, Andrei Bolkonsky is the expository vehicle, introducing the three major characters, though it gives the lion's share of exposition to the two men, Andrei ( Vyacheslav Tikhonov) and Pierre (Sergey Bondarchuk). Natasha (Lyudmila Saveleva), still a little girl, virtually bursts into the film when she flings open a door in a brilliant flash of light, but the narrative concentration is on the youthful indecision of Pierre and on Andrei's unhappy marriage. Why he's so unhappy with the pretty, pregnant Lise (Anastasiya Vertinskaya) is never made clear in the film -- and not much clearer in the book, other than that he's a man who hasn't found a direction in his life. Neither has Pierre, to be sure. He's still spending his time with boisterous companions. Vyacheslav Tikhonov and Bondarchuk are too old to be playing these characters -- Tikhonov was in his late 30s and Bondarchuk in his mid-40s -- but the war and the death of Andrei's wife allow Tikhonov to assume maturity swiftly, whereas Bondarchuk is stuck playing the naïf, railroaded into marriage with Hélène (Irina Skobtseva) and later into a foolish duel with Dolokhov (Oleg Efremov). Part II: Natasha Rostova Lyudmila Saveleva is an exquisite Natasha, but I think Bondarchuk does the character a disservice by not allowing her more time to fall into the clutches of Kuragin (Vasili Lanovoy). Tolstoy's novel delineates the gradual stages of Kuragin's seduction and Natasha's yielding to him. It also makes more clear that Kuragin really does fall in love with her -- as who wouldn't? The ball is the spectacular set piece of the installment, and the camera dances along with the people. Andrei's father (Anatoli Ktorov) is the real villain of the story, and I wish we had more of the torture he inflicts on his daughter, Maria (Antonina Shuranova), and on her retreat into religion to bolster the depiction of the old man's cruelty. But as Bondarchuk has chosen to eliminate the very interesting (but not essential) story of Nikolai Rostov's (Oleg Tabakov) throwing over his cousin Sonya (Irina Gubanova) for Maria, there doesn't really need to be much development of the character. Too bad, because Shuranova does a fine job with what's left of Maria in the film -- like Tolstoy's Maria, she really does have beautiful eyes, but unlike her, she could never be considered "ugly." Bondarchuk has also cut, perhaps wisely, Pierre's involvement with the Freemasons, which takes up many of the less interesting pages of Tolstoy's book. Part III: The Year 1812 There are no more spectacular battle scenes than the ones in this film, and probably never will be, even now that we have CGI to supplant the thousands of extras and borrowed Soviet soldiers that Bondarchuk employed for the film. I think the thunder and carnage of war is made more impressive by the presence of Pierre, immaculately garbed, with a white top hat, absurdly stumbling around as the soldiers go about their terrible business. As the narrator puts it, "On June 12, the forces of Western Europe crossed the frontiers of Russia and war began. In other words, an event took place that was contrary to all human reason and human nature." Bondarchuk pulls out all stops in proclaiming the love of Mother Russia that animates the soldiers, but when the icon of the Holy Mother of Smolensk is brought out for mass adoration, I was ironically reminded of the scene in Sergei Eisenstein's The Old and the New (1929) in which a procession of Orthodox clergy comes out to pray for rain and is mocked by cuts to images of bleating sheep. Clearly, much had changed in the treatment of religion in the Soviet Union by the time Bondarchuk made War and Peace. This part does end on a rather heavy-handed patriotic sermon, which I suspect may have been inserted to placate the censors. Part IV: Pierre Bezukhov There is something rushed and jumbled about the concluding part of Bondarchuk's epic, which is forced to wind up the stories of Andrei and Natasha as well as concentrate on the burning of Moscow, the retreat of the French, and Pierre's imprisonment and release. This leaves little time for Tolstoy's epilogue, in which Pierre and Natasha wed and start a family, as do the mostly absent Nikolai and Maria. The coincidence of Pierre's rescue and Petya's (Sergei Yermilov) death feels particularly rushed: I wonder if anyone who hasn't read the book recently will even be able to follow the action. But we are also spared much of the interaction of Pierre and Platon Karataev (Mikhail Khrabrov), one of Tolstoy's founts of peasant wisdom, which even on the page tends toward mawkish sentimentality. There are still some enormously effective scenes. The burning of Moscow puts the burning of Atlanta in Gone With the Wind (Victor Fleming, 1939) to shame -- which may have been Bondarchuk's intent. The execution of prisoners by the French is movingly staged, as is the fate of the retreating French soldiers, summed up on one last spectacular overhead shot as the ragged and freezing French stream toward a huge circle around the fire.

#War and Peace #Sergey Bondarchuk

3 notes · View notes

scot-suzukit · 2 years

Text

Hello again everyone, it is me, Suzuki Tadashi.

It is now 2004, and as you may have heard, I was in Moscow directing Mr. Shakespeare’s “King Lear” with the Moscow Art Theatre. It was an honor to be able to work with their artistic director, Mr. Oleg Tabakov. Moscow was truly a beautiful city, I recommend everyone to visit at least once, especially the Bolshoi Theatre.

On another note, I also have a book published by the Cambridge University Press, so please check it out if interested!

Signing off,

Suzuki

0 notes

atotalnewsblog · 2 years

Text

Alexey Serebryakov – biography, news, personal life

Alexei Serebryakov is a Soviet, Russian, and presently Canadian theater and movie actor. The title “Peoples Artist of the Russian Federation” Alexei Serebryakov became provided in 2010. Serebryakov is understood for the TV series “Penal Battalion”, “Dr. Richter”, “Gangster Petersburg” and the films “Leviathan”, “Blind Mans Buff”, “Cargo 200”, “Apocalypse Code”. In early 2012, the actor emigrated together along with his own circle of relatives to Canada. For his function in Leviathan, for the second one time withinside the records of Russian cinema, he became nominated for the European Film Academy Award. Childhood and schooling of Alexei Serebryakov Alexey Valeryevich Serebryakov became born on July 3, 1964 in Moscow. Father – Valery Serebryakov – a layout engineer, labored at an plane factory, became engaged in trying out plane engines. Mother became a doctor. Alexey Serebryakov believes that he had a satisfied childhood. Alex studied well. He went to a song faculty, found out to play the button accordion, in keeping with the biography of Alexei Serebryakov on Wikipedia. Once, a journalist from Evening Moscow made a file approximately the instructor Alexei studied with. In the article, he published a image of this instructor surrounded with the aid of using students. And with the aid of using chance, the newspaper stuck the attention of assistant administrators Valery Uskov and Vladimir Krasnopolsky , who have been seeking out actors for the series “Eternal Call”. So unexpectedly, a 13-year-antique schoolboy Serebryakov became decided on for the function of Dimka, the son of Fyodor (the function of the grown-up Dimka became performed with the aid of using every other actor). The younger guy lingered withinside the cinema. Then, withinside the faculty years, new works followed: Kuzma from the melodrama “Late Berry” (1978), Alyosha from the drama “Father and Son” (1979), Suvorov Vladimir in the journey movie “Scarlet Epaulettes” (1979), Vitya Chernov from the drama “The Last escape “(1980), bullfighter Misha from the heroic comedy” Look at both “(1981). After graduating from faculty in 1981, Alexei Serebryakov determined to go into the Boris Shchukin Theater Institute . However, notwithstanding the recognition withinside the cinema, he did now no longer input the primary time. Then Serebryakov left for Syzran and were given a task as an actor in a neighborhood drama theater. For a while he lived in a hostel. As pronounced withinside the biography of Alexei Serebryakov at the site “Know Everything”, the actor recalled with a moderate disappointment that the province quick placed him in his place. After eight months, he back to Moscow and attempted his good fortune at the choice committee of Sliver. This time he succeeded. Two years later, he transferred to Oleg Tabakov `s direction at GITIS, graduating in 1986. After graduating from excessive faculty, Alexey Serebryakov labored for Oleg Tabakov for approximately 5 years. However, he additionally performed in different theatres. So in 1988, he performed a prime function withinside the play “Phaedra” with the aid of using Roman Viktyuk at the level of the Moscow Taganka Drama Theater. For more info visit our site- https://atotalnews.com/

#news

0 notes

slashfuhrer · 2 months

Text

why this soviet baby twink so fine T_T

been obsessed since 2011 and very (not) normal about it