Procol Harum
Secrets of the Hive
2007 Salvo
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Tracks CD One:
01. A Whiter Shade of Pale
02. A Christmas Camel
03. Quite Rightly So
04. Long Gone Geek
05. All This and More
06. Whisky Train
07. Broken Barricades
08. Simple Sister
09. A Salty Dog
10. Fires (Which Burn Brightly)
11. Bringing Home the Bacon
12. Beyond the Pale
13. Nothing But the Truth
14. Something Magic
15. Holding On
16. Into the Flood
17. An Old English Dream
18. Repent Walpurgis
Tracks CD Two:
01. Homburg
02. She Wandered through the Garden Fence
03. Magdalene (My Regal Zonophone)
04. Shine on Brightly
05. The Devil Came from Kansas
06. Whaling Stories
07. Power Failure
08. Conquistador
09. Grand Hotel
10. A Souvenir of London
11. The Idol
12. As Strong as Samson
13. Pandora’s Box
14. (You Can’t) Turn back the Page
15. A Dream in Ev’ry Home
16. This World is Rich (for Stephen Maboe)
17. Weisselklenzenacht (the Signature)
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* Long Live Rock Archive
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I have actually included so many different musicians in my discussions about the American rock groups from the 80's that I can't really say what their most common characteristics might have been. Sure, the official moniker of New Wave does put them all under the same umbrella, yet I would dare to suggest power pop might have been a better term. Then again, what could that be? The nebulous term doesn't really define anything, though you can usually locate the musicians of the idiom. I mean, listen to The Romantics to notice the way the guitars and the vocal harmonies update what The Beach Boys did in the 60's, but observe how the production favours the grit associated with the punk ethos. True, we have only met one example of power pop, there are many variants of the latter.
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El loquísimo mundo de Arthur Brown echando chispas desde la azotea. "Fire" fue su gran éxito en 1968, temazo psycho- groovy, proto heavy también, no hay más que escuchar como este cabrown sacaba todo el "metal" de su voz pa'fuera. En las imágenes, el teclista Vincent Crane (> Atomic Rooster > Katmandu > Dexys M.R.) ya no estaba. Peter Solley es quién toca el órgano, y es posible que el baterista enmascarado fuese Carl Palmer (> Emerson Lake & Palmer). A cada baja que sufría El Loco Mundo de A.B. tiraba mucho de los reputados Thunderbirds de Chris Farlowe como cantera. "Fire" la produjeron Pete Townshend y Kit Lambert para Track Records.
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MONDAY MATINEE MUSIC VIDEO: “Hold On” by Rupert’s People https://www.youtube.com/watch?v=EYbrxbXH5bs. Rupert’s People was a “made in the studio” band formed around members of Fleur de Lys. In 1967, Rod Lynton was a rising songwriter, so managers and record companies got behind him to record his songs by using bands-for-hire—in this case it was Fleur de Lys with Chris Andrews on lead vocals. To avoid confusion over the Fleur de Lys “brand,” the band re-named themselves “Rupert’s People” to avoid confusion. “Hold On” was the B-side to the Rupert’s People “Reflections on Charles Brown,” a single issued to positive response in 10 countries. However, many said “Hold On” is the stronger track, amped up with muscular organ by Pete Solley (future sideman w/Eric Clapton, Al Stewart, Whitesnake, etc.) and edgy lead guitar by Phil Sawyer. The song was co-written with bassist Gordon Haskell (later of “Harry’s Bar” and King Crimson) and guitar hero Bryn Haworth (not credited on the record label). On a cosmic jukebox “Hold On” plays next to the soulful hard-edged blues-rock fusions of Spencer Davis Group, Pretty Things, and Brian Auger & The Trinity.
Lynton went on to collaborate with John Lennon, and Rupert’s People tracks have been reissued on soundtracks and compilations celebrating the best of 60s British rock. Fleur de Lys became a launching pad for several careers, with Chris Andrews going on as a solo act and collaborator with Roger Daltrey, David Essex, Davy Jones (Monkees), and other notables. This video was made in 2023 with remastered audio: https://www.youtube.com/watch?v=EYbrxbXH5bs
#chrisandrews #rupertspeople #charlesbrown #psychedelicrock #britishrock #classicrock #britpop #fleurdelys #rodlynton #johnlennon #brynhaworth #gordonhaskell #kingcrimson #spencerdavisgroup #prettythings #brianauger #rogerdaltrey #davidessex #davyjones #monkees #singersongwriter #bluesrock #britishinvasionrock #60srock
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The Romantics - Talking in Your Sleep
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Album Review: Procol Harum - Something Magic (Expanded & Remastered)
When it came out in 1977, Something Magic, the 10th - and final - album of Procol Harum’s initial run, represented the sound of a band running on creative fumes.
Filled out with the side-long (18 minutes) “The Worm & the Tree,” an orchestral, spoken-word treatise on greed, it has but a few high-quality tunes, including the symphonic title track.
Remastered - brighter and with more high end - and expanded with studio cuts, including the uncharacteristic bluegrass of “This Old Dog” with organist Pete Solley on fiddle, and a terrific BBC Radio 1 concert, the Something Magic reissue is worth a 21st-century revisit for the bonus material.
The live performance finds the band playing much of its classically tinged music - “Something Magic,” “Conquistador,” “Grand Hotel,” et al. - sans strings, leaving vocalist Gary Brooker and Solley to recreate those parts on piano and organ, respectively. This sets the songs in unique arrangements and allows the band - not to mention Brooker on the mic - to show off its formidable musical chops.
“Wizard Man,” meanwhile, foreshadows every rock ‘n’ roll song Bruce Springsteen would pen for The River and “A Whiter Shade of Pale” proves this Procol incarnation - despite having only Brooker and drummer B.J. Wilson, plus non-performing lyricist Keith Reid, from the original lineup - capable of recapturing decade-old magic just before the end of the line.
Grade card: Procol Harum - Something Magic (Expanded & Remastered) - B
3/30/21
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MONDAY MATINEE MUSIC VIDEO: “Hold On” by Rupert’s People https://www.youtube.com/watch?v=EYbrxbXH5bs. Rupert’s People was a “made in the studio” band formed around members of Fleur de Lys. In 1967, Rod Lynton was a rising songwriter, so managers and record companies got behind him to record his songs by using bands-for-hire—in this case it was Fleur de Lys with Chris Andrews on lead vocals. To avoid confusion over the Fleur de Lys “brand,” the band re-named themselves “Rupert’s People” to avoid confusion. “Hold On” was the B-side to the Rupert’s People “Reflections on Charles Brown,” a single issued to positive response in 10 countries. However, many said “Hold On” is the stronger track, amped up with muscular organ by Pete Solley (future sideman w/Eric Clapton, Al Stewart, Whitesnake, etc.) and edgy lead guitar by Phil Sawyer. The song was co-written with bassist Gordon Haskell (later of “Harry’s Bar” and King Crimson) and guitar hero Bryn Haworth (not credited on the record label). On a cosmic jukebox “Hold On” plays next to the soulful hard-edged blues-rock fusions of Spencer Davis Group, Pretty Things, and Brian Auger & The Trinity.
Lynton went on to collaborate with John Lennon, and Rupert’s People tracks have been reissued on soundtracks and compilations celebrating the best of 60s British rock. Fleur de Lys became a launching pad for several careers, with Chris Andrews going on as a solo act and collaborator with Roger Daltrey, David Essex, Davy Jones (Monkees), and other notables. This video was made in 2023 with remastered audio: https://www.youtube.com/watch?v=EYbrxbXH5bs
#chrisandrews #rupertspeople #charlesbrown #psychedelicrock #britishrock #classicrock #britpop #fleurdelys #rodlynton #johnlennon #brynhaworth #gordonhaskell #kingcrimson #spencerdavisgroup #prettythings #brianauger #rogerdaltrey #davidessex #davyjones #monkees #singersongwriter #bluesrock #britishinvasionrock #60srock
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THE THURSDAY TIME TRAVELER—https://timchrisandrews.bandcamp.com/track/hold-on ...The Time Machine whirs back to London 1967: Rod Lynton was a rising songwriter, with managers and record companies getting behind him to record his songs using bands-for-hire—in this case the “band du jour” was Fleur de Lys with Chris Andrews on lead vocals. To avoid confusion, FDL re-named themselves “Rupert’s People.” “Hold On” was the B-side to the Rupert’s People “Reflections on Charles Brown,” a single that was issued to positive response in 10 countries. However, many said “Hold On” is the stronger track, amped up with muscular organ by Pete Solley (future sideman w/Eric Clapton, Al Stewart, Whitesnake, etc.). The song was co-written with bassist Gordon Haskell (later of “Harry’s Bar” and King Crimson) and guitar hero Bryn Haworth (not credited on the record label), tracking next to the soulful hard-edged blues-rock fusions of Spencer Davis Group, Pretty Things, and Brian Auger & The Trinity.
Lynton went on to collaborate with John Lennon, and Rupert’s People tracks have been reissued numerous times on soundtracks and compilations celebrating the best of 60s British rock. Fleur de Lys became a launching pad for several careers, notably Chris Andrews, going on as a solo act and collaborator with Roger Daltrey, David Essex, Davy Jones (Monkees), and other notables. https://timchrisandrews.bandcamp.com/track/hold-on
#chrisandrews #rupertspeople #charlesbrown #psychedelicrock #britishrock #classicrock #britpop #fleurdelys #rodlynton #johnlennon #brynhaworth #gordonhaskell #kingcrimson #spencerdavisgroup #prettythings #brianauger #rogerdaltrey #davidessex #davyjones #monkees #singersongwriter #bluesrock #britishinvasionrock #60srock
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Procol Harum
Something Magic
1977 Chrysalis
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Tracks:
1. Something Magic
2. Skating on Thin Ice
3. Wizard Man
4. The Mark of the Claw
5. Strangers in Space
6. The Worm & the Tree
· Part One: Introduction · Menace · Occupation
· Part Two: Enervation · Expectancy · Battle
· Part Three: Regeneration · Epilogue
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Gary Brooker
Chris Copping
Mick Grabham
Keith Reid
Pete Solley
B.J. Wilson
* Long Live Rock Archive
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