watched rrr for 17th time this weekend. this is not a joke caption I have fr watched it 17 times now. Let’s naatu!!
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Queerness in Indian Media
↳Film: RRR (2022, Telugu), dir. S.S. RAJAMOULI
RRR is a historical fantasy action drama that follows Bheem (NTR Jr), a Gond warrior who is in search of a Gond girl who was taken away from their home, and Ram (Ram Charan), the British Army officer assigned to catch him. Ram and Bheem meet under false identities and quickly grow closer, but everything is thrown into chaos once the truth is revealed and Ram is forced to choose between his ambitions and his attachment to Bheem.
Long before any white person had ever heard of RRR, queer Indians were cautiously optimistic that there would be something for us in this movie. There was the song Dosti, which felt more romantic than the average song about friendship; Bheem's intense declaration toward Ram in the trailer; Rajamouli explaining that there is no boy-girl romantic song (a staple of masala Indian cinema in any language) because "the romance angle is between these two guys only...bromance...they are the heroes, they are the hero and heroine, and they are the hero and villain"; the lead actors repeatedly questioning interviewers who referred to Jenny and Seetha as Bheem and Ram's love interests; and the writer, V. Vijayendra Prasad, being a huge fan of Salim-Javed movies, particularly Sholay, whose homosocial pairing has been read as queer by queer Indians for decades.
The movie itself gave us more than we could have hoped for from a project made on such a huge scale. Ram and Bheem mimic many of the "hero and heroine" pairings in so many masala movies, doing everything from the "slow-mo staring" for the first meeting, to getting a whole montage song for the progression of their bond, to dressing each other up, to dancing together at a party, to carrying each other, to rescuing each other.
The final rescue scene is perhaps the most telling, as it twists a well-known myth from the Ramayana by putting Ram and Bheem in the position of heroine and hero. It is not Hanuman who tells Rama where to find Sita in Lanka, but instead Seetha who tells Bheem where to find Ram. Bheem, upon finding him, promises to get him out 'even if [he has] to burn this Lanka down to do it'--then promptly carries him on his shoulders the way Hanuman carried Rama, to do away with any suspicions from homophobic audiences.
Those homophobic audiences still made their complaints--a glance at the oldest comments on any clip or behind the scenes video for RRR will make that clear--but they were drowned out by the many fans of the movie. Ultimately, like with any coded movie, the interpretation is up to the individual, but it is undeniable that a number of queer Indians felt that there was a romantic bond between Ram and Bheem. To dismiss that would do a disservice to the many queer people who have, are, and always will work quietly behind the scenes to write our stories, even if they can never say so directly.
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Watched RRR for the first time a week ago and I'm continuing to be veryyyy normal about it.
So in the spirit of sharing some good stuff, I'm gonna put this in the tag for the small fandom...
Here is the original Telugu version of the movie + English audio for the white actors + English subs, combined and shared on Google Drive by someone on Reddit.
Here is a ZIP file of the full soundtrack, including the vocal songs (in Telugu only) and the instrumental OST.
Under the cut are screenshots of how I organized the tracks for myself to slot the vocal songs in story order amidst the OST in case that's helpful for anyone else.
Enjoy :)
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Okay, I know it’s a mosquito net, but there’s something so gay about Ram’s bed canopy, especially with all the romantic, boudoir-style closeup shots that happen around it.
Honestly, Ram’s entire flat looks like some kind of Oscar Wilde level gay dandy professor homo bookworm heaven. No straight man can interior decorate like this!
It just makes me appreciate the attention to detail in RRR. This set was lovingly built and furnished to deepen the viewer’s understanding of Ram, and I feel like that’s something that’s totally gone in modern Hollywood. So many residential sets in American movies are sparse, minimalist, cold, clinical, barren. This set feels so much more REAL! It’s warm, lived in, and it tells me a lot about the man who occupies it. It’s not only more beautiful to look at, it’s more useful to the characterization. ESPECIALLY when you contrast it with Bheem’s intro sequence, what his home looks like. You can really feel how differently the two men had been living before they met in the middle.
Take this shot of Bheem sat comfortably on the floor while Ram stays in his wooden chair. This tells me SO MUCH about Ram’s internalized colonization and Bheem’s enduring connection to his roots.
And this shot of Bheem lovingly gazing at Ram asleep at his desk, with that tiny moment of confusion as Bheem tries to understand the words printed on the pages that surround him. The messy set is essential to my understanding of their dynamic! There are things which consume Ram that Bheem cannot understand.
Back to the canopy: Why is this shot so fucking sexy???? The intimate lighting, the delicate, diaphanous quality of the canopy and how it softens Bheem’s features… The camera treats this canopy like a wedding veil, not a functional mosquito net. It brings us into Ram’s bed with Bheem in such an erotic way… I fucking cannot get over it!!!!!
Anyway, I love Ram, I love his gay flat, and I love his mosquito net princess bed canopy. Fighting malaria AND serving interior design? You love to see it!
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can not will not stop thinking about this movie!!
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