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#ricardo villalobos
grrlmusic · 5 days
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Ricardo Villalobos – Vasco EP Part 1
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caniscathexis · 3 months
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This mix CD, originally released in 2002 by Goodlife Records, was inexplicably pressed with one channel out of phase, rendering it completely unlistenable. By the grace of our Lady of the Sacred Heart, I have beatified the mix with "phase-inversion". This is but the first step toward its eventual canonisation. Amen.
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grrl-beetle · 5 months
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Ricardo Villalobos - Samasai
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grrl-bubble-acid · 10 months
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Ricardo Villalobos - Baby
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minimalist-tea · 10 months
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[PLAY083]Ricardo Villalobos - Alcachofa (2003)
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methdrinker · 2 years
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givemeatmosphere · 1 year
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filth-thezine · 2 months
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Divide and Dissolve, Selda Bağcan, Arthur Russell, White Town, Neneh Cherry, TR/ST, Porno For Pyros, Suburban Lawns, Disco Inferno, William Onyeabor, The B-52s, Mari Kvien Brunvoll, Ricardo Villalobos, Grace Jones, Suuns, Clouds, RP Boo
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sudexro · 3 months
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#RicardoVillalobos B2B #CraigRichards @ Club #FabricLondon - 10/11.02.2024 (10am - 11am)
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mywifeleftme · 4 months
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251: Nicolás Jaar // Sirens
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Sirens Nicolas Jaar 2016, Other People
Nicolás Jaar’s Space is Only Noise was the first electronic album to truly obsess me, and I remember going out the day the shipment of Sirens was due to drop at one of my local shops in Toronto feeling geekily breathless about whether anyone would snipe one of the coveted Deluxe Editions with the lotto scratch ticket cover and US quarter (legitimately one of the cooler sleeve concepts I’ve seen) before I could get there. (This was before I knew you could just… ask the shop to hold a copy for you.) Part of my anxiousness was down to the issues Jaar had with an uncleared Ray Charles sample on Space cut “I Got A,” which ultimately led to the track being pulled from subsequent pressings of the record. At the risk of sounding like the most congested kind of nerd, I am so accustomed to the pacing of the album as I first heard it that the song’s absence is so distracting I have trouble listening all the way through the expurgated version. Well, I did get my first pressing of Sirens, and then Jaar released an expanded digital version the following year that he described as “what it should have been all along.” The moral of the story is unclear, other than that being prissy about physical media is a sucker’s game.
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Anyway, (any) Sirens is great. I don’t know if anybody in the game today has a more varied or interesting palette of percussion sounds than Jaar—whether it’s Ricardo Villalobos-esque burps and burbles, samples of shattering glass, or the marching walls of drums that drive “Three Sides of Nazareth,” they all bear the mark of the producer’s meticulousness. Like the other records he’s released under his own name (versus the dancefloor-oriented Against All Logic), much of Sirens has a floating quality, nebulously structured songs that rely more on texture than melody or momentum. The body of “No” brings to mind the muffled, dissociated way things sound when your ears get plugged by water or altitude, but when it finally shifts into a swaying, Latin rhythm it sounds as crisp as the world does when your ears finally pop. Despite its downtempo overall vibe, Sirens does find Jaar flirting more directly with popular music than he really has since: “History Lesson” offers an uncharacteristically swooning vocal from Jaar (and predicts the minimalist soul Brittany Howard would perfect a few years later on Jaime), while “Wildflowers” feels like his stab at the ambient R&B/future garage style of a Burial or a James Blake.
I only pull Sirens off the shelf when I have the space to really lose myself in its grooves, but in the right mood it can be transfixing. It offers further proof that Jaar continues to be (somewhat) quietly one of the major artists of the past fifteen years.
251/365
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grrl-beetle · 5 days
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Ricardo Villalobos - Ananas [PERL16]
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werkboileddown · 5 months
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malonian · 6 months
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fieldworklondon · 8 months
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radiophd · 1 year
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ela minus & dj python -- kiss u (ricardo villalobos remix)
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