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brittscafe · 3 months

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hii!! can i request the captains x reader where she has small breasts and she's kind of insecure about it

ughhhh yesss, small breast queens come together bc I am right there with you 😭

Jushiro: My man is such a sweetheart and he doesn't care about your breast size. He can start to tell when you're feeling insecure about your breast size when you're staring at them in the mirror, wishing you had bigger breasts so they would fit your shirt better. He'll wrap his arms around your waist, resting his chin on your shoulder. He'll whisper about how he loves every inch of your body, while his hands are massaging your breasts.

Shunsui: He knows that you have smaller breasts, but he doesn't care, but he loves you no matter what. Although when you see the other women in the soul society with fuller breasts, it makes you insecure. During intimate times with Shunsui, you start to stray away from him and not really focus on what's going on. You don't let him touch your breasts and then it clicks for him.

He definitely brings it up during an intimate moment which kind of isn't the best time, but whatever. Shunsui will hold eye contact with you and go on a whole rant about how he doesn't care about your breast size. He makes sure to give them lots of love; kisses, touching, squeezing, etc.

Byakuya: It doesn't even notice how small your breasts are when his fingers are kneading into your flesh during intimate moments or when his lips are sucking on your sweet skin. He's such a gentleman so that kind of stuff doesn't matter to him. He doesn't love you for your body.

So when you bring up how you're insecure about your breasts, he'll sit you down, cup your face and explain how he doesn't care about that and he loves you for you, not your body.

Toshiro: this man literally does not care about the size of your breasts and in fact, I think he prefers them to be smaller, but he doesn't really care. I think because Rangiku always accidentally shoves her breasts in Toshiro's face, he likes the size of yours.

He'll comfort you his words, telling you how much he likes them and he prefers them to be small, which makes you feel a little better. Of course, he reassures you that he doesn't care about the size of them, no matter what.

Kenpachi: Legit doesn't notice your breast size. Of course he likes to see them, but he doesn't focus on them all the time. It takes a lot of courage for you to speak up about how you feel since you don't know how Kenny is going to react.

He furrows his eyebrows and literally takes off your shirt, examining the size of your breasts.

"Small, huh? I don't think so. They're perfect," Kenpachi comments with a firm tone. You're stunned by his sweet reaction, but that's probably all you'll get from him tbh.

Shinji: He honestly probably feeds into your insecurity by making some playful comments. He doesn't mean to, but Shinji likes to tease you for literally anything. He can tell when his comments are getting too much when you start to pull away from him.

He pulls you into his lap and cups your face, apologizing and rambling about how sorry he is that he made you feel like that. He promises to never make comments again. At the end, he'll pull up your shirt and cover your breasts in soft kisses.

Mayuri: Hmmmm this one is going to be challenge. He shrugs it off the first few times you tell him that you don't like how small your breasts are. He really sees how much it effects you when you're out together in public, seeing other woman with larger breasts and you cover yours.

Literally forces you to sit down with his hands on your shoulders, staring into your eyes as he explains how you shouldn't be the tiniest bit insecure. Your face is burning hot as he's literally just spilling out how much he loves you and he'll lock you up if you say something degrading about your breasts again.

Kensei: I think that he's so chill that he doesn't even notice how insecure you're starting to become. It's only when you start to push his hands away from your breasts or when you turn his face to the side when he tries to look at them.

At first, he's really confused until you explain that you hate how small your breasts are. He's in disbelief, wondering how you could ever hate a part of yourself that he loves deeply. He makes sure to show his love for your breasts, massaging them and fondling them with gentle hands and love.

Rojuro: My man is soooo goddamn sweet and understanding. He can instantly tell when you're insecure about your breasts. He'll pull you aside and have a chat with you about how you shouldn't be insecure bc he loves you no matter what.

Honestly, he'll probably pull out his guitar and play you a song. It might be a cringy, but deep down it means a lot to you.

Sajin: I mean come on now. He understands you sooo damn well because he's hated who he was forever. He was ashamed to be seen without his face covering, but you make him feel like there's no need to wear it again.

He sympathizes with you sooo deeply and he just holds you in his arms, whispering how much it doesn't matter how small your breasts are and that he likes them anyways. He won't let you go until you feel better.

#bleach #jushiro ukitake #shunsui kyoraku #toshiro hitsugaya #byakuya kuchiki #kenpachi zaraki #shinji hirako #mayuri kurotsuchi #kensei muguruma #rojuro otoribashi #rose otoribashi #bleach x you #bleach x reader #bleach anime #bleach headcanons #bleach imagines #sajin komamura

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skatik · 3 months

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war

#Bleach #Bleach fan art #bleach fandom #Rose Otoribashi #rojuro otoribashi #bleach fanart #bleach tybw #izuru kira #gin ichimaru #3rd division

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seireiteihellbutterfly · 3 months

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Bleach Headcanons: Skincare

Who’s the skincare expert and who uses just soap and water?

Jushiro Ukitake:

He doesn’t believe in flashy skincare, thinking it needs to be convenient, gentle and affordable. Think of brands like Cerave, Cetaphil, and La Roche Posay. He’ll probably have a trusted cleanser he’s been using for years (centuries?), a reliable serum, maybe retinoid based (gotta use something anti-aging at this stage) and a good, hydrating moisturizer (illness makes his skin dry and he hates looking that way).

Byakuya Kuchiki:

Can and will only buy the best of the best. A skincare snob. Even if there’s an amazing drugstore brand, he refuses to use it. SK II, Tatcha, and La Mer are all you’ll find in his bathroom cabinet. Of course he follows the 7 step Korean skincare routine. Cleanse twice, toner, essence, serum, moisturizer eye cream. Adds a sunscreen if he plans on going out. He will not compromise his routine for anything, so be prepared to wait for him as he goes through this process everyday, twice.

Renji Abarai:

He’ll pretend like he doesn’t do any skincare but he has his little stash of items he uses for self-indulgence. He enjoys wearing face masks (thanks to Rukia), which he applies after using a cleanser that’s trending, like from Tula or Drunk Elephant. The man somehow has balanced skin so he’ll use an everyday moisturizer like the Clinique Moisture Surge.

Kensei Muguruma:

He uses his body wash as face wash, and whatever body moisturizer he has on hand he uses on his face too. What’s the point after all? It’s skin. As long as it’s clean and not cracking, there isn’t a problem.

Mayuri Kurotsuchi:

He creates his own skincare but it’s kind of questionable. He claims his skin can tolerate quite a lot, so his skincare always has heavy amounts of acids in it; glycolic acid, salicylic acid, ascorbic acid. Top this off with a heavy dosage retinol. Does it work? We may never know from all the makeup he uses on his face. At least he removes all of it before sleeping (?).

Kisuke Urahara:

He also makes his own concoctions, but in a much less dramatic way than Mayuri. Grows his own ingredients, like oranges for vitamin C, mint for salicylic acid, and carrots for retinol. Think of his products like a clean, organic skincare line that he wouldn’t sell to anyone unless he’s happy with it himself. He rarely buys commercially available products but the one thing he will spend his money on is sheet masks, they’re convenient and he honestly finds them tedious to make on his own.

Shinji Hirako:

He may not show it, but this man is very self conscious about his appearance. He has a mix of both popular and indie skin care brands. Think Belif, Youth to the People and Drunk Elephant. He probably regularly cleanses and uses a moisturizer, maybe something with vitamin C in it, since he can’t have people seeing the dark circles under his eyes.

Ichigo Kurosaki:

Essence? Toner? Serums? Isn’t a cleanser just soap? Give him some bar soap and a CeraVe moisturizer. He doesn’t have time to figure this shit out. There’s people that need to be saved and stuff.

Rose Otoribashi:

Yes, he knows the difference between a toner and an essence. He also thinks essences are a gimmick. Give him a balancing cleanser for his oily skin, and a toner with some salicylic acid in it to further help the oil. Add a vitamin C serum and a lightweight moisturizer and he’s ready to rock.

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reikorun · 19 days

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BLEACH TYBW Anime Cour 2 Booklet: Behind the Scenes [Translation - Part 1]

Translated by @reikorun

Director's Note × Author's Eye

We pick out several points from all 13 episodes (#14 ~ #26) of the second cour. For each point, pay attention to the explanations by Director Tomohisa Taguchi and the perspective of the original creator and general supervisor, Tite Kubo!

Section 1

Start with Yhwach again

1. A baby being held. As that being, raised up by countless hands, grows and opens its eyes, cour 2 "The Separation" begins. (ep. #14)

D: Tomohisa Taguchi

"Let's place the focus on the Sternritter for the second cour", from the early stages, this is what was decided among the staff. On top of that, in order to make a link with the first cour which began with Yhwach reciting the Kaiser Gesang, we thought "let's begin the sequence of events in cour 2 with him as well." In that case, that scene depicting his origin would be appropriate. In the original work, it was drawn in a manner which took a comprehensive view reminiscent of folklore, but I struggled with how to go about creating a similar impression in the anime. As a result, the visual expression became closer to an art film represented through images alone, without the use of any narration or dialogue at all.

A: Tite Kubo

From the moment I laid my eyes on the storyboard for the first time, I had a feeling that it was going to turn out really good. Regarding this scene, there were actually various changes made until we arrived at the final cut, and even the versions we didn't use were very interesting. During the dubbing session, the process of overlapping the collective "Yū, Ha, Vē, Ha" was also enjoyable to listen to.

2. In addition, there was a memorable scene where Yhwach's 'power' was portrayed through a visual representation. This is the scene where a 'shadow' extends from the throne as Yhwach falls asleep, leading to the appearance of Haschwalth. (ep. #18)

D: Tomohisa Taguchi

The portrayal of that shadow was an idea I received from Kubo-sensei. In the original work, we were able to gain an insight into the power of Yhwach as well as the connection between Yhwach and Haschwalth through Haschwalth's words to Uryū, but since there was no concrete depiction in itself for the transfer of power, it lead to discussions where we considered that It would also become an element linking to the subsequent cour, so we thought “let's do that in the anime!”

A: Tite Kubo

At first, the manner in which the shadow emerged looked as if it were surging up from below, but viewing it from a choreography standpoint, I suggested that the shadow itself should appear in a sort of sliding manner, giving the impression that it had some mass to it. The transfer of power occurred while Yhwach was sleeping, so in order to preserve the nuance that the transfer to Haschwalth happened while he was in that state, I also had Haschwalth depicted standing with his eyes slightly lowered.

Section 2

Storytelling

3. In the second cour of 'BLEACH: Thousand-Year Blood War Arc', the war situation changes moment by moment due to the Sternritter invasion, and the outward appearance of the Soul Society also undergoes transformation. As a free-for-all breaks out in various places where enemies and allies intermingle in a state of chaos, the anime adds a scene where the newly appointed Captain-Commander, Kyōraku Shunsui, issues orders to each soldier. (ep. #14, #18)

D: Tomohisa Taguchi

One component of that is our desire to include explanatory scenes and scenes where the narrative is refreshed so that the audience are not confused by the ever-changing situation of the war. Another component was our desire to depict the organization that is the 'Gotei 13', which includes Kyōraku who became the Captain-Commander, in a renewed light, and these components overlapped seamlessly.

As a result, I think we were able to depict his status as Captain-Commander inherited from Yamaji, as well as his work ethic. In combination with the scene depicted in the original work that evokes the essence of Kyoraku, i.e. the handing over of Soul Tickets to Tatsuki and the others in the Human World, I'm happy if we were able to successfully delve deeper into the characters.

A: Tite Kubo

It was a really nice scene with both the essence of Shunsui and the essence of a Captain-Commander coming through.

4. In addition to Kyōraku, the appearance of the other troops were added, including Vice-Captains. (ep. #16)

D: Tomohisa Taguchi

While the scenario building sessions were moving forward, I realized that I also wanted to depict the Shinigami's point of view as they strive to fight back against the invasion and try to fulfill their duty to the Gotei. Rather than simply portraying the scene, we added a series of shots with the intention of showing the state of the Shinigami who remain unyielding even as the war situation worsens and they are gradually forced into a disadvantageous position.

A: Tite Kubo

Even in a fan service sense, I think the audience enjoyed being able to see a variety of characters in the anime.

5. With regard to the main character, Ichigo, extra scenes have been added, such as the manner in which he received training under Hyôsube Ichibei. (ep. #14 and others)

D: Tomohisa Taguchi

As mentioned earlier, the foundational principle for the second cour is to place the main focus on the Sternritter, while that's true, 'BLEACH' is still the story of Kurosaki Ichigo, isn't it? There were some concerns that the number of episodes in which Ichigo does not appear in the anime may end up feeling longer than it was in the original work, so we came up with the idea of showing what Ichigo is doing at the present time. The knowledge that Ichigo was training at the Soul King Palace is also depicted in the manga, so I speculate that even though Kubo-sensei undoubtedly had a concept and an image in his head, perhaps he deliberately chose not to draw the specifics. We had the privilege of making suggestions and consulting with Kubo-sensei about how we would go about incorporating the event into the story; those scenes were the result. In a sense, it's to be expected, but we were able to receive a tremendous amount of material from Kubo-sensei, far more than what we expected…. It made us think, "Ichigo, that's what you were doing in such a place!?'' As a fan of the original work, I was delighted, and I also maintained the feeling that I needed to put all my effort into portraying it.

A: Tite Kubo

About the Irazu Sandō part, I didn't include it because if I tried to draw it in the manga, the scene depicting the agonizing ordeal would span across multiple pages and end up too long. I'm glad that it could be expressed in the anime~!

6. The stage upon which Ichigo undergoes his training, Irazu Sandō. A mysterious and beautiful sight, yet it is also a peculiar place where a solemn air, a stillness and a sense of awe all coexist. (ep. #14 and others)

D: Tomohisa Taguchi

There's torii gates, a cobblestone pavement, shide (*zigzag-shaped paper streamers) adorning both sides…. If we hadn't received materials from Kubo-sensei, I don't think we would have been able to find our way to this point. Whilst enduring something which tries to push him away from the approach path, the more he walked, and the more he advanced, the heavier the wooden sword in Ichigo's right hand became. When he walks, he walks by moving his legs forward without letting his feet leave the ground. A lot of detailed images and ideas were provided, such as scenes of rain falling outside the path. This was then projected into anime visuals, and the Irazu Sandō came to a state of completion. I think this is a training ground packed with every element that is typical of BLEACH, down to the smallest detail, and that cannot be found in any other work. We've also incorporated an abundance of elements that will be connected to the third cour and onwards such as what happened to Ichigo during his training and the scenes he witnessed, so I would be happy if you could take another look.

A: Tite Kubo

Originally, the mental image I had was 'a sacred place, but at the same time, there is a sense that one is being cursed.' However, I thought that if I communicated this to the production team, the eeriness might end up being too pronounced, so I deliberately didn't mention it. The impression I had was that it was like an abandoned path. As a result, I think the team were able to capture that balance in the sense that it is a sacred yet potentially frightening place, and thus they were able to express it well.

Section 3

Design & Color Concepts

7. After the invasion by the Sternritter, the sky of the Seireitei was dyed red, and the squad barracks were transformed into unfamiliar, inorganic blue-white buildings. Director Taguchi's production plan is markedly reflected in those colors as well. (ep. #14)

D: Tomohisa Taguchi

The main goal was to dramatically shift the setting away from Seireitei in a time of peace. Additionally, the upper part of the frame is red and the bottom is blue, which serve as completely opposite elements in terms of hue, so the aim of the production was to consider how the image could be made into something vivid. After the invasion, the Seireitei became perpetually uniform to that coloring, so there were some concerns about whether it would be acceptable as there are very few anime that employ a color scheme which breaks away from the norm to such a degree. However, we wanted to convey the might of Yhwach's power and also the sense that his power had indeed transformed the world. Furthermore, since blue is also the color of 'Quincy Reishi', I considered that perhaps this extreme staging effect in which the space itself ends up dyed in the colors of the Quincy side would make it easier for viewers to perceive the phenomenon where visually, it no longer feels like the Seireitei = the world of the Shinigami.

A: Tite Kubo

When I first received this proposal for the color scheme, I thought the expression might be too extreme, but the way Taguchi-san uses backgrounds is masterful, so I decided that I would try to leave it with him. I harbored some concern that colors of the characters may become difficult to distinguish, but that aspect was also rendered in a well balanced manner. At various points during meetings and dubbing sessions, I often get the feeling that Taguchi-san is someone who can clearly see the final visual outcome.

8. From the standpoint of color, the attire and laboratory, which Kurotsuchi Mayuri contrived as a countermeasure against the Sternritter lurking in the shadows, are also very interesting. (ep. #15 and others)

D: Tomohisa Taguchi

Initially, the glowing Mayuri was only supposed to shine yellow. However, this time, Mayuri's lab itself also shines brightly, so it meant that when we tried to station him there, he ended up blending into the scenery quite a bit. While searching for a way to make Mayuri shine, an idea came from the color scheme designer Gōda-san: "How about a lighting method which shifts into a variety of colors like a gaming PC?" We adopted the idea thinking "it'll probably look great on screen!" We proposed the idea to Kubo-sensei, who readily approved, and it started to take form in the visuals. The colors continuously shifting midway through the plot is an interpretation that can only be represented in the anime, so I believe we were able to exhibit Mayuri's natural presence by using a different approach from the original work.

A: Tite Kubo

This was indeed an interesting portrayal that could only be done in the anime. It's also interesting that it was intentionally made to look like a moiré pattern. After all, this cannot be pulled off by any character other than Mayuri.

9. Mayuri's laboratory is designed to completely eliminate any shadow as a countermeasure against the Sternritter invasion. Evidently, it took a great deal of trouble to express this.

D: Tomohisa Taguchi

It took a lot of trial and error to figure out how to express 'no shadows' in the anime. The most significant factor in creating a three-dimensional effect in an illustration is the contrast of the shadows, isn't it? Given that it was necessary to reject that, we said "there is likely no other way to do this but to test an array of other patterns!" The art staff and I went through the process of trial and error a many number of times. As a result of taking into consideration various opinions that came up along the way, we translated them into the concept of 'creating gradation within the light', ultimately representing three-dimensionality.

A: Tite Kubo

When drawing it in the manga, the way I used to express the idea of 'glowing without shadows' is by erasing around the circumference of what I had drawn. I'm glad that I was able to have it portrayed in such a satisfying manner in the anime too.

10. Hirako Shinji's Bankai, "Sakashima Yokoshima Happōfusagari". A Bankai, which did not appear in the original work (※first appeared in the novelization), is made to enter the stage in the anime, therefore a great deal of enthusiasm has also been poured into its rendition. (ep. #16)

D: Tomohisa Taguchi

The bud of Hirako's Bankai pedestal is formed by the petals narrowing inward when open, retaining their form to become the bud, however I thought that if we produced it with cel animation, the petals would inevitably lose their shape, rather, there's a high possibility that it wouldn't look like a rigid object. So, in order to show the precise movement of a rigid object, we deliberately used CG. At first, what I imagined for the texture was a brass-like luster, similar to the lotus flowers used in Buddhist altar fittings. We struggled while attempting to express the feeling of that material and searched for ways to depict it using CG surface reference / textures and such.

11. Many characters have made their Bankai debut in the original series. Ōtoribashi Rōjūrō's "Kinshara Butōdan", and Humanized Komamura Sajin's "Kokujō Tengen Myō'ō: Dangai Jōe" were also portrayed by utilizing 3DCG technology. (ep. #18, #17)

D: Tomohisa Taguchi

I think 'Kinshara Butōdan' managed to incorporate a finely tuned quality that doesn't look like it was made with cels, having said that, nor does it overly emphasize CG elements, rather it strikes a delicate balance between the two. Similarly, "Kokujō Tengen Myō'ō: Dangai Jōe" was also developed in 3D, I think we were able to well execute the way the gigantic body moves freely and abundantly as opposed to the challenges of producing it with cel animation, which is susceptible to making the movement appear choppy. In the story, there are various Bankai, but in terms of compatibility with 3DCG, rather than the type where it's just the sword changing, it's my opinion that Bankai transformations where the appearance changes completely or another entity emerges, is the kind that fits better from a direction perspective. As mentioned earlier, expressing it in 3D has the effect of altering the feel, so you can stress the distinctness and change in atmosphere brought about by performing Bankai. In a certain way, I suppose it's possible to convey a stronger sense of harnessing something that is not of this world. Therefore, from now on, I intend to continue requesting (to those in the field), that one doesn't adopt a cel animation look completely.

A: Tite Kubo

Both were really good. As Taguchi-san also mentioned, I wanted to avoid having the CG elements coming to the forefront in an odd manner. I think CG shines particularly during Bankai transformations that feature inorganic matter. The CG was skillfully utilized, especially in critical moments where traditional animation eventually tends to falter, like when Myō'ō comes in with a slashing attack, for instance, making it quite impressive to watch.

12. 3DCG is not the only technique utilized for showcasing Bankai. The skills of various staff members have also been brought together.

D: Tomohisa Taguchi

Even though I understood the principle behind it, figuring out how to visually represent Muguruma Kensei's Bankai "Tekken Tachikaze" in the anime, among other things, was challenging because how we'd go about expressing that is a different story. While the blades remain in contact with the target, it continues to explode infinitely. It creates the illusion that the punches being thrown are repeatedly landing tens of thousands of times without the arm ever being pulled back from the point of impact, doesn't it? We worked strenuously to express how immense the power of Kensei's Bankai is by doing things like deliberately adding cel style motion blur to make it look as though the opponent was being hit, aiming for a visual effect that makes it seem like he's trembling after being struck multiple times, and using an approach where we incorporated sound effects reminiscent of a drill used in road construction. In terms of his character and Bankai visualization, Rōjūrō is likened to an Opera, implementing theatrical staging such as the rapidly changing movement of his conductor's baton and the lighting. The music attached to the scene also became particularly important, director of audiography Nagasaki-san and re-recording mixer Hoshino-san fine-tuned it masterfully.

#bleach #bleach anime #tite kubo #tomohisa taguchi #translation #author interview #yhwach #jugram haschwalth #ichigo kurosaki #irazu sando #kensei muguruma #rose otoribashi #shinji hirako #ichibe hyosube #shunsui kyoraku

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the-port-mafia · 9 months

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𝒮𝑜 𝓁𝑒𝓉'𝓈 𝓇𝒶𝒾𝓈𝑒 𝓉𝒽𝑒 𝒸𝓊𝓇𝓉𝒶𝒾𝓃𝓈

#bleach #bleachedit #bleachgraphic #rose otoribashi #rojuro otoribashi #well damn #but now i'm sad #3 of my favourite vizards are down #mine

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cryinglittlepeople · 8 months

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Full hollow form Rose doodles!!

I have the idea that his hollow hole is in the back of this mouth/throat so if you'd look into his beak there's just a void.

Him big...and coo's jaunty tunes for Izuru.

#bleach #rose otoribashi #kira izuru

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maounosekai · 1 year

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Mental image of Mashiro making custom cups for Squad 9, the Vizards, and Ichigo as Christmas presents.

Merry Christmas y'alls~! 🎄🎁

(I'm on vacation and on mobile and dang posting on Tumblr mobile browser is a drag 🥲)

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laughing-moonlight · 6 months

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There is only 1 (one) right choice for Toshiro and this is it

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niscuit-gravy · 4 months

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lo-fi-ish

#bleach #izuru kira #rojuro otoribashi #rose otoribashi #鳳橋楼十郎 #吉良イヅル #my art #rosezuru

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greyskyflowers · 3 months

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Ichigo has horrible nightmares, because I refuse to believe that he doesn't, and insomnia.

Most of the time he just gets up for the rest of the night, goes to train or on runs to try to burn off the anxious energy.

If they're bad enough, or he's at the point where if he doesn't sleep then he going to pass out, he develops a habit of goes finding certain people.

The nightmares leave him a little frazzled, mind messy from lack of sleep and fear. They leave him a little more vulnerable, a little less self conscious of getting comfort because he may shake out of his skin if he doesn't settle down. Sometimes he does things without realizing it, fight or flight kicking in along side unsettled hollow instincts, and he's off to find somewhere he feels safe and can sleep.

In the human world, he'll sneak in to find Kisuke. Right, sneak, like anyone in that building doesn't know he's there.

Sometimes Kisuke's in his labs so Ichigo just sits down outside the door, just enough out of the way to not trip anyone, back to the wall and arms crossed over them to rest his head on.

It soothes the vulnerable feeling, the sharp edge of terror in his chest. He trusts Kisuke to sense a threat and respond to it. He also likes the feeling of his reiatsu, cool like river stones and soothing like summer rain.

If Kisuke is busy or out, then he'll find a spot where he feels close enough to Tessai or Yoruichi to grasp at them for comfort.

They're all great about it.

Yoruichi will come and curl up next to him, her reiatsu brushing against his skin like fur, soft and warm. She purrs until the panic doesn't itch under his skin so badly. He's woken up to blankets pulled over him and sometimes a pillow between him and the wall.

The true problems arise whenever he stays in soul society.

No one says anything but he knows they can all tell when he has a nightmare, his reiatsu reacting to his fear and discomfort. Between the nightmares and the fear of waking everyone up, he's too anxious to sleep.

It's the 4th night with no sleep and he's restless, eyes burning and head reeling. It's familiarity that has him walking mindlessly until he finds Shinji's office. He slips in and ignores the sharp gaze immediately on him. This isn't new, he did this a few times while training with them.

He sits down in the far corner, back to the wall and facing the door. He draws his legs and rests his head on them. He already feels better, sleep creeping up on him fast.

All the visored have a eerie quality to their reiatsu but Ichigo likes it, especially like this. The sun warmed and soft sandy feeling of Shinji's reiatsu covering him is enough for him to sleep.

Shinji might be the only one beside Kisuke that Ichigo breaks his distance rule for. It's easier for everyone if they keep acknowledgement to a minimum when Ichigo seeks them out in the night. They've had years, centuries some of them, to make their peace with what they've seen and done. Ichigo has not. It's a topic they all avoid, pretending that not talking about it makes it go away.

He's a little touch starved, he'll admit it. He doesn't get much contact that isn't fighting, or that isn't meant to hurt or teach.

The clawing urge to be safe eats at him, especially at night. It won't let him rest, keeps him awake with anxious thoughts or wakes him up with fear.

Very, very few things would willing take on Kisuke Urahara or Shinji Hirako, even if the prize was Ichigo.

So getting a little more personal is common with them. He sits a little closer, holds on a little tighter, visits them a little more. The pressure of their reiatsu feels like a weighted blanket.

He also find others he trusts for those nights.

He's goes to Kensei and ignores Shuhei's questioning and semi concerned look.

Kensei complains about having too many people in his office, Mashiro sticks her tongue out at him and Shuhei looks genuinely ruffled at the comment, but he doesn't turn Ichigo away.

He won't, wouldn't.

Kensei's reiatsu reminds him of swaying bamboo leaves and splotches of sunlight through tree branches, Mashiro's is tall grass and wildflowers, and Shuhei's is heavy but comforting.

Ichigo wakes up to Mashiro snoring on one shoulder, the side between him and the door, Shuhei is asleep on the other.

He also goes to Rose, who doesn't seem surprised to see him either.

Kira usually sits in the office too, a familiar restlessness and unease to him that Ichigo recognized in himself. They sit next to each other and it's nice to have the warmth of someone next to him.

He relaxes and can almost hear Rose's reiatsu humming, Kira's a gentle rain storm at his side.

There's a simmering fury that burns hot in the Visored everytime Ichigo comes to them, exhausted and anxious, and joins lieutenants already there for the same reasons.

Aizen left a mark on the younger ones, dark circles under their eyes and nightmares a constant battle.

Ichigo does well with them though. He sits quietly with Kira, sometimes they talk in low voice until they end up slumped against each other. He usually ends up between Mashiro and Shuhei, all of them falling asleep in a mess of limbs. He's unsure with Momo, a lot of people are, but she's growing to like him and it won't be long before they start talking. It doesn't hurt that Tōshirō thinks highly of Ichigo.

Tōshirō just waves him to the corner, in the middle of arguing with Rangiku and eventually kicking her out for the night. He's quiet as he goes back to work and the room is almost chilly, but it feels good against Ichigo's flushed skin. Tōshirō pauses a few times like he wants to say something, the words almost spilling out of his mouth, but he doesn't. He resumes working and Ichigo falls asleep to a snowstorm. Rangiku wakes him up in the morning with a smile and the smell of smoke and embers.

The 11th is... unexpected. It's the worst nightmare he's had in a while and stumbling out in a panic had brought him here. Maybe because nothing was stupid enough to come looking for a fight with Kenpachi and his men. That longing for safe eventually made the decision for him and he sat on the far edges of the division, hidden by the shadows. He knows that anyone awake would know he was there and sure enough, Yumichika comes around the corner and raises an eyebrow at him while Ikkaku looks over his shoulder. Ichigo just curls in a little tighter and watches them, waiting for them to kick him out or laugh. They don't do either. Yumichika just sighs and says something to Ikkaku and they sit down further down the walkway. They don't look at him, looking away or even closing their eyes. The tension slowly leaves, and it's hard to stay awake as he relaxes. The reiatsu that rolls over him smells like iron and he can vaguely tell where Kenpachi is, his reiatsu twisting and cracking like lightning.

He wakes up with just enough time to sneak out, hovering in front of Yumichika and Ikkaku hesitantly, only taking off when Kenpachi start howling about a fight.

They're laughing as he runs off.

Byakuya almost doesn't allow it, but Ichigo must look as bad as he feels because he only gets observed for a minute before he's ignored again. It's the only sign he gets that he won't get kicked out and it makes him hesitant at the door before slinking into the far corner and getting comfortable. He falls asleep to flowers and the cool warmth of spring cautiously grazing his skin. He wakes up to the smell of cold steel and the feel of scale and furs. Renji and Rukia sit beside him, waiting for him to wake up.

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Do I go back and forth between Ichigo being everyone's secret crush or their collectively adopted, traumatized human? Yes, and everything/anything in between.

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