good morning val drivestraight I have a question for you... can you sell me on lestappen. I follow you for general attitude swag and don't really follow many max blogs (I actually found your blog after that omega George fic lol) but I feel like you of all people could make the greatest ship primer. mostly I'm not very into it bc I feel like the shared history part of it gets overblown by fandom compared to other ships, and they're friendly enough these days that I can't get hatesex vibes form it + Max comes across as really well adjusted and kind of an homeboy. so I'm like what's the hook? what do you like? what's YOUR platonic perfect idea of lestappen? I want to follow u down this road
omg what an honor...
this isn't much of a ship primer but mostly about me talking about why i like them if that's okay <3
i agree that we overplay their shared history, but it also provides a really nice backdrop for everything they are now. they've always been in each other's lives but in a peripheral sense. and it's that sort of distanced familiarity that is compelling to me. also the potential for intense physicality despite their inability to communicate like normal people. that's the hook to me: they are in each other's orbit but they never have been close. but then you get to the racing: and when it comes to the racing, they've really given some great battles. and that alone isn't enough. it's like - combined with who they are off the track: childhood rivals turned awkward work friends, the fact that they can race that hard and that they respect one another so much is just. so good. sometimes it feels like they can predict each other's moves. like silverstone/austria 19 (yes, mentioned to hell) and bahrain/saudi 22, the w2w there went crazy. and once again, this with everything else: that they have this one place and this one medium for them to communicate at such a high level, and are just so awkward everything else is very good. lewis and seb who have said in the past that max goes over the limit too much, while charles has always said with max, it's always on the limit and never above. obviously things might change if they ever get into a real title fight against one another, but i think they have such great foundations that it will be compelling no matter what. also they've lowkey like stood the test of time: look at how people characterized them in 2019 and how they characterize them today. they've changed so much and their relationship has changed so much but still, both of them are at two top teams, they have found each other again in f1.
also aesthetically, the red/blue of it all is really nice. and just like. They look good together. yknow
they also like. say crazy things about each other sometimes. "i will remember it all my life" / "i know max very very well" / etc. etc.
my perfect platonic idea of lestappen Is Not one where they're best friends and where max is his number 1 defender - because he is not, as many people would have you believe (everyone clipping moments from cooldown rooms and quotes from interviews are putting it out of context and putting words in max's mouth and twisting things weirdly), and because that's frankly so uncompelling and kind of pathetic to think that charles needs max to praise him/defend him for him to have any worth as a racer etc. etc. i could go on about this for ages but i won't. tldr max doesn't care enough to do that.
IN FIC my favorite lestappen is basically: an awkward lestappen who like each other so much and can't actually communicate it properly in any way that isn't physical. but maybe the physicality and the shared history and the racing can be enough.
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yeaah I am bored and have a headache from crying for like 5 hours last night so my mutuals as incorrect quotes
Ness: What are you planning to do?
Zipper: Hey, now. "Planning"?! Do you KNOW who you're talking to?!
Nia: What the fuck? People actually tell their crushes they like them??
Maddie: What the hell do you do?
Nia: I die? What kinda question...
Nia: *visiting the squad* Hello, I just came to-
Nia: *sees Zipper shoving Daniel into the washing machine while Ness records and Moony watches*
Nia: *retreating* Something suddenly came up.
Summer, to the Squad: If you’re happy and you know it, clap your hands!
*silence*
Summer: Damn, y’all depressed as fuck!
Maddie: You didn’t clap either-
Summer: SHUT UP!
Mars: I'll offer you some friendly advice-
Zipper: I don't want your advice.
Mars: Well, then consider it unfriendly advice.
Mars: *finds half a watermelon at Whole Foods*
Mars, holding it up for everyone to see: LIES!
Daniel: Maddie, please calm down.
Maddie: I asked for two large fries!
Maddie: *dumps fries onto table*
Maddie: But all they did was give me a MILLION FUCKING LITTLE ONES!
Daniel: I sort of did something and I need some advice, but I don't want a lot of judgment and criticism.
Zipper: And you came to me?
Zipper: Can I ask you for a favor?
Ness: I would literally die for you, but continue.
Zipper: We need to talk about you starting sentences that way.
Maddie: I am the left brain, I am the left brain. "I work really hard until my inevitable death" brain. You've got a job to do, you better do it right and the right way is with the left brain's might.
Zipper: I LIKE OREOS AND PUSSY-
Ness: Any questions?
Daniel: Uh, yeah, WHAT THE FUCK WAS THAT?
Ness: Uh, a plan, duh...
Mars: Daniel, chill, I know it’s weird, but Ness has a point.
Daniel:
Daniel: THAT WAS LITERALLY A PONY DOODLE WITH A HAT!!
Ness: *out cold on the ground*
Summer: Oh my god, do you think they’re okay?!
Kitty, holding a bucket of ice water: Who cares?! *dumps all of the water on Ness’s face*
Kitty: I’m sorry, I really flew off the handle back there. It was like the handle was a bald guy going really fast, and I was his toupée.
Kitty: :)
Mars: >:(
Kitty: Turn that frown upside down!
Mars: ):<
Kitty: Not sure what I was expecting...
Staring
@vyliie as Summer
@shift-dreamr as Kitty
@shiftingwithmars as Mars
@maddies-chronicles as Maddie
@realitycanbewhateveridesire as Ness
@moonyshifter as Moony
@romanoffshifting as Daniel
@theshifterbear as Nia
and
Me as Zipper
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*excerpts below — but I highly recommend reading the full article in link above*
Hit Me Hard and Soft dunks us headfirst back into that universe, from the deepest wallows of depression to the exhaustion that comes with the world speculating about her every move. There are no arachnids where they shouldn’t be, but getting in touch with her darker side has Eilish finally feeling like herself again. “I feel like this album is me,” she says. “It’s not a character. It feels like the When We All Fall Asleep, Where Do We Go? version of me. It feels like my youth and who I was as a kid.”
Although 2019 felt like a whirlwind of madness at the time, she has found herself missing it. “It was the best time of my life,” she says. “This whole process has felt like I’m coming back to the girl that I was. I’ve been grieving her. I’ve been looking for her in everything, and it’s almost like she got drowned by the world and the media. I don’t remember when she went away.”
The title Hit Me Hard and Soft derives from a conversation she had with Finneas, when she mistakenly thought the name of a synth in Logic Pro was called Hit Me Hard and Soft. “I thought it was such a perfect encapsulation of what this album does,” she explains. “It’s an impossible request: You can’t be hit hard and soft. You can’t do anything hard and soft at the same time. I’m a pretty extremist person, and I really like when things are really intense physically, but I also love when things are very tender and sweet. I want two things at once. So I thought that was a really good way to describe me, and I love that it’s not possible.”
Eilish and Finneas call Hit Me Hard and Soft “an album-ass album.” It’s not a concept record, but it is a self-consciously cohesive set of songs, inspired by auteurist works from the past 15 years or so, like Coldplay’s Viva La Vida, Lana Del Rey’s Born to Die, Tyler, the Creator’s Goblin, Marina and the Diamonds’ Electra Heart, and Vince Staples’ Big Fish Theory.
“Lunch,” a complete 180 in both sound and subject content. It’s a sexy, bass-heavy banger where Eilish is crushing on a girl so hard she likens sex with her to devouring a meal. Finneas remembers playing this moment for Interscope and witnessing the team shift in their seats. “What’s funny about starting the album with [the opener] is that it is a total false promise,” he says. “If you’re remembering ‘What Was I Made For?’ and then you hear [it], you go, ‘Oh, OK. I understand this world.’ Then the drums come in [on “Lunch”], and it really is the kill-the-main-character-type beat. It’s like Drew Barrymore being in the first five minutes of Scream and then they kill her. You’re like, ‘They can’t kill Drew. Oh, my God, they killed Drew!’”
Eilish and I spend a lot of time talking about the new era she is about to kick off, and how she’ll promote Hit Me Hard and Soft while prioritizing her mental health, privacy, and well-being. With all of that in mind, I wonder if she’s ready for journalists to pepper her with questions about the album’s subject matter, particularly the sexual nature of “Lunch.” “That song was actually part of what helped me become who I am, to be real,” Eilish says. “I wrote some of it before even doing anything with a girl, and then wrote the rest after. I’ve been in love with girls for my whole life, but I just didn’t understand — until, last year, I realized I wanted my face in a vagina. I was never planning on talking about my sexuality ever, in a million years. It’s really frustrating to me that it came up.”
Eilish is referring to her interview with Variety last fall, in which she mentioned she was attracted to women. The quote — “I’m attracted to them for real” — became a national headline. The following month, Eilish attended Variety’s Hitmakers event in L.A. While on the red carpet, she was asked if she intentionally came out in the story. “No, I didn’t,” she told them. “But I kind of thought, ‘Wasn’t it obvious?’” Eilish then posted about it on Instagram, with a caption that read, “Thanks Variety for my award and for also outing me on a red carpet at 11 a.m. instead of talking about anything else that matters. I like boys and girls leave me alone about it please literally who cares.”
Looking back, Eilish admits she overreacted with the Instagram post. “Who fucking cares?” she says. “The whole world suddenly decided who I was, and I didn’t get to say anything or control any of it. Nobody should be pressured into being one thing or the other, and I think that there’s a lot of wanting labels all over the place. Dude, I’ve known people that don’t know their sexuality, or feel comfortable with it, until they’re in their forties, fifties, sixties. It takes a while to find yourself, and I think it’s really unfair, the way that the internet bullies you into talking about who you are and what you are.”
As for that red-carpet quote that made all the headlines, Eilish says she tried to think of a response that would be entertaining for her fans and the internet. “I went into Billie Eilish interview mode, [like], ‘Oh, I don’t care. Yeah, I’ll say whatever. Wasn’t it obvious?’” she says. “And then afterwards I was like, ‘Wait. It wasn’t obvious to me.’”
Thinking about it now, she draws a bigger lesson from that moment. “I know everybody’s been thinking this about me for years and years, but I’m only figuring out myself now,” she says. “And honestly, what I said was funny, because I really was just saying what they’ve all been saying.” She adds that she liked the journalist she was talking to and didn’t want to be rude. But she still felt exploited. “Bro, I have asthma out here,” she says. “I fucking can’t take a breath.”
If Eilish had the opportunity to do it over again on the red carpet, she says, she wouldn’t have answered the question. But she acknowledges it could have been worse. “I’m lucky enough to be in a time when I’m able to say something like that and things go OK for me,” she says. “And that’s not how a lot of people’s experience is.”
Eilish has officially decided to make some changes to the way she presents herself to the world. “This album, to me, feels like a way to restart, in terms of my sharing,” she says. So let’s take a second to reintroduce Billie Eilish, the home-schooled bohemian who captured our attention as a teenager. She’s 22 now, yet she’s more self-aware than people twice her age. She would like some space to grow, to figure out exactly who she is — no label required. She is not the poster child for anything. And she is not, she’d like to note, a TED Talk speaker. So where does that leave us? Eilish sums things up with four simple words that point to her desire for normalcy and acceptance.
“I’m just a girl.”
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