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Replayed Henri's route on a guest account and —it says the update will be on Summer 2024 now. Previously it was June 2024. 🤔

#the ssum #damn war flashback #I already saw this story and I'm not sure I like where it's heading

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I know this isn't ninjago guys but I finished this 17 hour painting for my art class and I was proud of it so...enjoy.

I love Egypt fun fact about me. :)

#i

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apparently this retailer is selling their T Rex action figures in three flavors: Brown, Green, and HOLY SHIT A GHOST

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In a perfect world, that's what job interviews would be like 😔

#the ssum #harry choi #Harry's route #day 97

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"You're glorifying a fictional murderer!" NO I'M NOT!!!!!!I'm sexualizing him.

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No one absolutely no one

Biblically accurate All for one

#afo manga cap #mha manga spoilers

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moodboard for when you open the replies on a popular tumblr post

#funnily enough it almost never happens to me on tumblr anymore lol #tik tok on the other hand....

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Maybe it's just my speculation, but it seems to me that AFO has a soft spot for a certain type of person.

That moment when Mineta talks AFO out of stealing Tokoyami's quirk always struck me as very strange. AFO really had no reason to pass up the opportunity to steal a powerful quirk, but he looked into Mineta's tear-stained eyes, while also remembering Jirou's tear-stained face, and suddenly changed his mind. We don't know what AFO was thinking at that moment. All we see is a meaningful "…", after which he leaves, because "every precious second counts now".

Although, to be honest, it seems to me that this whole situation looked like he was looking for an excuse for himself not to steal Tokoyami's quirk. He pretended that he just didn't have time to get a quirk, but I think that's bullshit. AFO is definitely fast enough to steal multiple people's Quirks in a matter of seconds. He had already done something similar when Eri's quirk first started affecting him.

He definitely could have taken Tokoyami's quirk, but he decided not to.

I suspect that the students reminded him of Yoichi when he was still a child: a weakling with tear-stained eyes. The reminder of his brother made him feel uncomfortable, so he hurried away.

Maybe this weakness for people who remind him of Yoichi will play a role in the near future. After all, Izuku has a lot in common with Yoichi: Izuku is small and weak/worthless (according to AFO), but more importantly, Izuku is very stubborn and he is hopelessly kind, just like Yoichi. Izuku, like Yoichi, is a gentle person, but he has strong moral principles that he will stand up for if he has to. They have similar personalities, and I think Izuku is really very similar to little Yoichi.

I don't expect AFO to get redemption or anything like that. Unlike Tomura, who was manipulated from his birth, AFO committed evil knowingly and deliberately. AFO is the real villain and after everything he's done, he doesn't deserve to be forgiven. However, I believe that until AFO accepts his brother's death and admits that he regrets the way he treated him, he will not leave Japan alone. Even now that AFO has accepted that Yoichi's death has left a hole in his soul, he still views his brother's death as a tool for achieving power. "It is tragedy that makes people stronger" is what he said.

But at the same time, AFO spent nearly a century trying to bring back his dead brother, only to lose him again, this time perhaps for good. Regardless of what AFO says, this is indeed a major blow to him. And as long as this wound bleeds, he will be a threat to heroic society. Someone needs to help him heal this wound so he can leave.

I'm guessing that Yoichi might return at some point to talk to his brother one last time, but I'm not sure how that could happen considering Eri's quirk failed to return OFA to Izuku.

Even if Yoichi doesn't end up coming back, I think Izuku will still make an attempt to talk to AFO to help him. Whether this attempt will be successful or not.

#bnha #bnha spoilers #bnha manga spoilers #Since Izuku's pupil changed to white DFO fanfic authors had a field day making this parallel #and while I don't expect a DFO moment anymore I'm dying for hori to use this similarity to affect AFO emotionally #I don't care how #I just want this parallel to be explicitly drawn and used ><

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this is purely for fun and I've certainly been guilty of a few of these things myself in my years of fic writing. don't be weird in the notes and don't use this as an excuse to insult someone's writing.

#A few of them is bad #but none compare to the beef I have with “~” #as a tone indicator #it never work #it's so cringe #I read this with a sing song voice~ #hate it #particularly when you make the villain use that #ew ew ew #And I think I liked it at some point #but it's just never used right #better to just drop it

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#depends on the wind tbh #I'd rather have 35 with wind #and - 6 without wind

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Since the OP made their post unrebloggable (and blocked me. Both actions they are well in with their right to do)

I'm going to make my response it's own post because I think the point is important

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As someone who is autistic and has BPD and CPTSD and loads of trauma yes you sometimes need to change how you interact with others to keep people around

When I was 13 I hit the few friends I had when I was angry

I had to change that in order to keep those friendships

When I was in my early 20s if I was losing an disagreement with my husband I would threaten to kill myself. My husband told me it hurt him and was cruel and manipulative behaviour, because it was.

So I worked hard to change that to keep my relationship

It's easy to say "I shouldn't have to change for others" and that's true to an extent. You shouldn't change your interests or passions or dim your light. And you should have space to be imperfect and flawed and not have to pretend your ugly bits aren't real. But if something you are doing it causing other people harm you kinda need to change that.

That's called "living in a society"

People adapt to each other and make space for each other in their lives. You adapt to them and they adapt to you

You start being more diligent about throwing away the empty toilet roll because it really bothers them. They start warning you before they run the blender because you hate loud noises

I stopped threatening to kill myself because I was mad I was losing an argument and my husband stopped being so vocally judgemental amount media he personally dislikes

There is a certain type of person who heard the phrase "your emotions are valid" and took that to mean "my emotional reactions and my behaviour are always objectively correct because my emotions are valid and if you have an emotional response or react to what I'm doing negatively then you are wrong and you can't be hurt because my emotions are valid"

And that's a recipe for disaster

Your emotions are valid to feel. They are how you feel and there are reasons you feel the way you do

However, your reactions and behaviour are something you can learn to control and can be irrational

We live in a society and we as people change each other as we interact and that isn't necessarily a bad thing

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i hate when a villainous character gets popular enough to become a hero and writers try and retcon their histories so they never fucked up in the first place. "harley quinn was actually a good psychiatrist who cared about her patients!" "eddie brock was actually correct in his exposure of a serial killer and it wasn't negligent journalism!" i think it's way more compelling if they did in fact actively choose to do awful things and then actively chose to try and become better people afterwards.

#Me with Rika #And everyone who loved Rika as far as I know #Mika was just a collective hallucination #And I'd always find it funny that even Rika haterd agreed on that #mystic messenger

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Funny answer is always my number one priority so I picked the imagination option, but out of all the characters in this game that the first one we get a full body tastefully soap-censored bath scene is Malong... I kind of wanted to pick the I'm getting a bit mad option

#the ssum #Harry's route #Harry choi

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Wish I was what? Wish I was whaaaat :333c

#the ssum #harry choi #Harry's route #day 94 #cuuute #I'd be happy to be your roomate instead of Malong lol

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some highlights from my writing seminar with honestly one of my favourite authors of all time who shall remain nameless bc i dont want her to know i was spilling her secrets online

The first trick is to detach yourself from your idea. You don’t have just one novel inside you, and it’s not a big deal if you don’t finish this novel.

She was skeptical of the common advice “just write!!1!” - she talked about how long ideas for her most popular novels were marinating inside her before she properly wrote them

As a continuation of that, she was a big believer in knowing what you want to write before you write it. Not what you’re going to write, what you want to write. 

The first thing she decides about a novel is what the mood is going to be, and this informs every other decision (e.g. the mood for Shiver was bittersweet)

Ideas should be personal, specific, exciting and they should exclude secondary sources. A personal idea isn’t necessarily autobiographical (which should be avoided), but it speaks to your emotional truth. 

She said she had been read Ronsey fanfiction and she couldn’t view her car in the same way since. 

Story is the thing that seems most important to reader but is most changeable to the author - story is subservient to your mood and your message. Change what you like in the plot as long as your book retains its sense of self.

Story is conflict, exploration and change. A good story has active tension -the characters want something, instead of just wanting something not to happen (e.g. wanting to kill an enemy instead of simply defending a stronghold against an enemy) 

A story needs to have a concrete end, something to be done. 

Satisfaction is important - deliver what you promise to the reader. The other shoe has to drop. Ronan Lynch doesn’t ever talk about his feelings, so its rewarding when he does. 

Earn your emotional moments (she threw shade at Fantastic Beasts lmao)

Forcing a character to be passive is dissatisfying to the reader. 

Characters are products of their environments, consistent/predictable, nuanced and specific, moving the plot, and subservient to other story elements. 

She always starts with tropes for ensemble casts like sitcoms. Helpful for building good character dynamics.

Write scenes with characters saying explicitly what they’re thinking and then go back and make them talk like real people in the edit. 

An action can also prove what they’re thinking, instead of making them say it or another character guess it (e.g. Ronan punching a wall). 

Move the reader’s emotional furniture around without them noticing. 

All her books follow the three act structure. Established normal -> inciting incident -> character makes an Active Decision -> fun and games -> escalation -> darkest moment -> climax. 

Promise what you’re going to do in the first five pages. 

Read your book out loud. Record yourself reading it. 

If you have writer’s block, it’s because you’ve stopped writing the book you want to write. She likes to delete everything she’s written until she gets back to a point where she knew she was writing what she wanted to write, and then carrying on from there. 

#writing reference

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