the funniest part of any Robin meeting the JL is that every Robin is so distinctly different from the previous one in terms of personality and vibes that the league literally gets backlash. and like, I don't blame them. not to mention that they are non-meta children that dress as a traffic light and fight crime alongside batman in gotham on a nightly basis. i'd also be a bit concerned.
Batman, literally The Night of Gotham personified in the League's eyes, coming into a JL meeting: This is Robin, my crime-fighting partner.
11-year-old Dick Grayson, dressed in the brightest primary colours possible, vaguely hidden murder behind those eyes, never stops moving even for a moment: Hi!
Superman: That's a child. That's-- Bats that is a child. You let a child--?
Batman, deadpan: You try to stop him. Would you rather he try and murder a grown man with a wire?
Batman: This is Robin.
12-year-old Jason Todd, with the biggest grin on his face, about 3 books in his hand, stars in his eyes and a distinct street-kid drawl: Hey!!!
Green Lantern: That's ... that's a different child. What??
Jason: I stole his tires :)
Batman: Tried to.
Jason, stage whispering to the League: basically did.
Green Lantern: that is a different kid, right?? I'm not seeing shit??
Batman: This is Robin.
14-year-old Tim Drake, bo staff clutched in his hand, a wary and tired expression on his face, more on the quiet side, the literal walking definition of don't judge a book by it's cover: hello
Flash: Where do you even find these--
Tim: I found myself.
Batman: This is Robin.
17-year-old Stephanie Brown, literally blonde, with a shit-eating grin, eyes full of nothing but mischief and the most explosive personality you've ever seen: hiya!!
Superman: I give up.
Stephanie: I know, I have that amazing effect on people.
Batman: This is Robin.
13-year-old Damian Wayne, a literal wet cat that will hiss at you, has a sword, the most judgemental stare you'll get from a teenager, ready to jump anyone there:
Green Lantern: WHY DOES HE HAVE A SWORD?!
Batman: ... he came with the sword.
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remembering the time i drunkenly told a stranger i was a trans man and he started going off about alpha sigma and beta males and how each one was equally important no matter what anyone says and that i shouldn't feel pressured to be a strong alpha male because emotionally intelligent beta males were just as important
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Thinking a LOT about Lucifer in the latest Hazbin episode. Idk what I was expecting but not this??
As I was watching my immediate thought was just "huh... Lucifer is kinda of weird..." but as the episode went on I realized the issue
the dude is off the chain depressed, like he says it as a joke but holy cow it is SO BAD
He's manically just creating rubber ducks cuz his daughter really like it that one time but it's empty, it's never good enough but he keeps doing it, maybe cuz he doesn't know how to pass the time otherwise.
like I get the feeling he HAS better things he SHOULD be doing than making rubber duck after rubber duck. At first I was like, "Bruh why isn't the king of hell doing anything?" aaaaand then it became clear...
The dude is disassociating so bad he can barely hold a conversation let alone remember information. He clearly WANTS to, he wants to be involved with his daughter so bad, he wants to care about the things she's doing so bad, but his depression keeps interfering. It's like he can only hear every other word and he grasps onto the ones he does hear semi-out of context. Like you can see every time he catches something that he hadn't before and he just "well shit I didn't catch that part"
and that's why he reacts so weird when people talk to him. He is struggling so bad to engage with the conversation he's only getting 50% of it
does that look like the face of a man who knows what the hell the conversation is even about??? he is STRUGGLING
like Charlie spent so long telling him about the hotel, and he STILL didn't understand what she wanted. Yeah it comes off as ditzy but literally I've been in that position where your brain just "nope, not doing this right now" and nerfs your conversation comprehension. So as someone who's BEEN in that position, to me it feels exactly like what he's dealing with. He's sorta engaged with the conversation, but only as much as his brain will allow
For example, when I'm dealing with this, this is what someone talking to me feels like this where the crossed out parts are what I missed and bold is what I catch, "Hey! You know I was thinking for dinner we could either make some chicken with rice? But if you don't feel like cooking, pasta is super easy and you love that right? What do you want to do?" you can kinda get that someone is trying to talk to you about dinner, and towards the end you get the impression that they asked something that needs your input so you can decently put 2 and 2 together and try and pass off, but crucial bits were left out, I would have no idea that either chicken or pasta is in the conversation only having heard "rice". When someone is just talking at me, I can decently pass off as being engaged but the second I'm required to participate in the conversation I'm screwed. Seem familiar? At which point I have 2 options, try to give a bullshit answer, or admit that I missed what they were saying and ask them to repeat
Lucifer, unfortunately, is trying so damn hard to hide that he's dealing with like 24/7 dissociation, so he can't admit that he's missing entire chunks of the conversation, hence his really weird replies. He does eventually get the full picture and then he and Charlie start having the real conversation
Also, the Alastor/Lucifer rivalry was hilarious but also really indicative of more of what Lucifer is dealing with
Alastor is, unfortunately, really good at picking up people's insecurities, and thanks to Charlie's description earlier and watching Lucifer clearly trying to overcompensate, he immediately picks up on the fact that Lucifer KNOWS he struggles to be a good dad (we know cuz it's cuz of the depression, hard to be engaged when your brain keeps turning off) and decides to rub salt in the wound by pretending he's been acting as a surrogate father to Charlie. Now why Alastor decided to pick a fight with the king of hell is beyond me, I do not understand Alastor (and I LIKE IT) (maybe it's cuz Alastor thinks he's hot shit and was expecting Lucifer to at least have heard of him but Lucifer just treats him like a nobody? who knows)(why would Lucifer listen to radio anyways when he can't even pay attention to a conversation it'd just be white noise)
But yeah I just was expecting someone who oozed either charisma or presence and instead I got a depressed dad who's dissociating so bad he can barely function and be present in his life. The only thing it seems he CAN do is make rubber ducks cuz his daughter really liked it that one time
Idk Lucifer is tragic to me. Whatever the full details of what heavan did to him absolutely broke him and he can't deal with it. He's aware of it, and he doesn't know how to fix it, so he tries to over compensate and sorta makes an ass out of himself but no one says or does anything cuz this guy is supposed to be THE king of hell
Suddenly it's making a lot more sense why he just rolls over and lets heaven do what it wants and even told Charlie to go in his place the start of the show. He's not in any headspace to hold a basic conversation let alone negotiate! He didn't even know who Alastor was, he's been so out of touch
idk I like him, he seems sweet, I hope Charlie brings some light back into his life. He really needs to get out of that rubber duck room
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it drives me bonkers the way people don't know how to read classic books in context anymore. i just read a review of the picture of dorian gray that said "it pains me that the homosexual subtext is just that, a subtext, rather than a fully explored part of the narrative." and now i fully want to put my head through a table. first of all, we are so lucky in the 21st century to have an entire category of books that are able to loudly and lovingly declare their queerness that we've become blind to the idea that queerness can exist in a different language than our contemporary mode of communication. second it IS a fully explored part of the narrative! dorian gray IS a textually queer story, even removed from the context of its writing. it's the story of toxic queer relationships and attraction and dangerous scandals and the intertwining of late 19th century "uranianism" and misogyny. second of all, i'm sorry that oscar wilde didn't include 15k words of graphic gay sex with ao3-style tags in his 1890 novel that was literally used to convict him of indecent behaviour. get well soon, i guess...
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