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#I really hate this feeling
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Trying to “justify” why you’re having a meltdown over something “small” should be an Olympic sport.
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bloodystray · 9 months
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bastardlybonkers · 22 days
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i feel like not enough ppl are factoring in the cultural clash between laios and shuro and the many micro agressions shuro faced while being in their group. literally the name 'shuro' in itself is one
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his name is toshiro 😭 lets also not forget that he has his own communication issues, in the opposite way that laios does- thats literally a factor in their argument, that his envy for laios's ability to express himself sincerely manifested as part of his distaste for him.
ig all this to say like, was their fight heart wrenching, especially when reading laios as autistic? absolutely. anybody whos ever been in laios's position knows how much it hurts to realize someone you thought was your friend doesnt actually like having you around, especially when they didnt tell you and you had no way of knowing due to not understanding their cues. but im begging yall to step back and see the nuance of this situation cause im gonna be real a lot of you are kinda just brushing over it acting like everything is toshiros fault and that hes a terrible person when in reality hes an average guy who really, really clashed with laios and it led to a very long misunderstanding due to their supremely opposite methods of communication. even laios and toshiro, after letting everything out in their fight, were able to come to an understanding and start a foundation for an actual friendship built on better communication
ok yknow what Edit: i shouldve made it even more explicit at the end of this post, i hadnt thought i would need to since i started the post with this, but i think a few too many people are missing my point so i just wanna clarify. i shouldnt have said 'really clashed' and left it at that because yeah they did, but it wasnt just their opposite methods of communication, it is also very much that toshiro was experiencing microaggressions via laios. it may have been unintentional on laios's part, but it still happened and wore him down, made it harder for him to communicate on top of both the more subtle social cues that he was raised with and his own communication difficulties. i also want to say that the fandom reaction to toshiro and the complete ignorance of this point is also racist tbh or at the very least ignorant. i understand that the anime did not cover this panel, and neither did the manga, as this was an omake, but im gonna be real with you guys. there are enough context clues within the story to clue you into this. if you didnt pick up on it thats ok, but i think this is a good lesson in picking up subtext in the stories that youre watching and/or reading. kui shouldnt have to explicitly say 'by the way laios was racist to toshiro' for this point to be understood, and at the very least, when the author portrays a character in a sympathetic light (as kui clearly does) it should make you question Why they are doing so and what makes them sympathetic, rather than youre immediate and only reaction to be 'well i hated what this guy did/said so i hate them and they suck'. idk exactly how to finish this, just. idk. question your biases and gut reactions to things you see in media and stories, and think about whether or not theres subtext that youre missing.
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cozylittleartblog · 10 months
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@staff if you [change] the [design] of the fucking [dashboard] i will kill you
edit. i want it on the actual post that i am not actually making a de-th threat against the staff. that's shitty. the caption quotes the fucking costco hot dog meme, which i originally said in the tags. if any staff member sees this please do Not take it personally
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ars-matron · 1 year
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I really need to talk for a minute about this new mobile update and how much I as a legally blind person hate whatever the hell is going on with the photos and how it's making this app nearly impossible for me to use
I'm not sure the same thing is happening on the desktop version but for those who may not know in the app whenever you tap on a photo it used to just pop up and you could double tap to enlarge it and zoom in and scroll around and all was great.
A double tap now likes the photo and it must be pinched and pulled to zoom in and out. A mild annoyance, and nothing compared to the rest of the update. If you scroll up, which I do frequently when trying to navigate an enlarged photo, it will send you to ANOTHER photo based on the tags of the post.
That's right, a completely different photo!!! A feature no one asked for and no one wants!! This isn't facebook, or instagram, and maybe tiktok but I never had that so this is a guess. When I click on the photo I only want to see that photo (or in the case of multiple photos in a post I want to be able to easily scroll side to side for those). I do not want to be taken to another post!!! Also if you scroll too far to the left you are then sent to the profile of the person who reblogged the post. I do not know why. Who wants this feature? Is it a feature at all?
As someone who only taps on a photo because I cannot see it and I need to enlarge it, this is beyond a simple annoyance. I cannot navigate the photo like I need, there's a hair trigger on whether it sends you to a new post completely or if you are sent to the profile of the reblogger. Neither, again, are things I want. this leaves me having to back track a lot, re-zoom the photo as it reverts back to normal, and hope dearly that this time I can just read the damned text before it freaks out again.
I haven't seen anyone else talk about this outside of the tags, but really this is making the app unusable for me, and I'm sure for many others.
@staff I know you guys haven't cared about your disabled community much in the past (other photo updates that stopped allowing me to zoom into gifs is proof of that) but please don't make this app unusable for me. I would rather not have to leave.
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inkiedraws · 2 months
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"LOL this flip-flop wearing loser thinks he's gonna kick my ass and destroy my whole kingdom in the span of an afternoon. What an idiot"
I didn't intend for this to be a full comic, which is why it just kinda ends. Sowwy
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hell0mega · 9 months
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it's incredible that tumblr fandom went from DESPERATELY trying to see ANY sort of queer love in the shows we liked, to having shows—high budget, well-made, interesting, mainstream shows staring known actors—that are ABOUT queer love. explicitly, without argument. and just ten years later.
i saw (and reblogged) a post about how GO, ofmd, and wwdits are the new superwholock and i havent stopped thinking about it. cuz i was there, i was in the trenches back in the day. i was there when the writers and actors made fun of us for seeing on screen chemistry and perfect stories to set up romances. they all humored us then shat on us and saw us as a joke. a bunch of weirdo faggy teens that don't think two men can just be friends.
and now look at us. we're seeing the on screen chemistry and it's REAL. it's ON PURPOSE. these ARE romantic stories about queer people. we're not projecting or have wishful thinking... it's TRUE!! it was written and directed and edited and acted that way in earnest. i will take NO SHIT regarding these shows and people's love for them.
and do you know WHY these shows are being made now? these well thought out, feels-real, non-pandering queer stories? it's BECAUSE OF WHAT WE DID ten+ years ago. a lot of queer media never got the green light to be made because execs don't think there's enough of an audience. that more people will dislike the gays than like them. and we've shown them that that's unequivocally untrue. the outcry we had for all those years, the reviews we left, the statements we made, the backlash, it gave show runners ammunition to say "hey. people will watch this. they will like it. let us make it."
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inkskinned · 9 months
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he says i hate everyone except you and that is addictive and that is kind of romantic and beautiful because you're young and you're kind of a sarcastic asshole too and you don't like bad boys, per say, but you don't really like good ones either. and you like that you were the exception, it felt like winning.
except life is not a romance book, and he was kind of being honest. he doesn't learn to be nice to your friends. he only tolerates your family. you have to beg him to come with you to birthday parties, he complains the whole time. you want to go on a date but - people are often there, wherever you're going. he's just so angry. about everything, is the thing. in the romance book, doesn't he eventually soften? can't you teach him, through your own sense of whimsy and comfort?
at first - you know introverts often need smaller friend groups, and honestly, you're fine staying at home too. you like the small, tidy life you occupy. you're not going to punish him for his personality type.
except: he really does hate everyone but you. which means he doesn't get along with his therapist. which means he has no one to talk to except for you. which means you take care of him constantly, since he otherwise has no one. which means you sometimes have to apologize for him. which means he keeps you home from seeing your friends because he hates them. you're the single exception.
about a decade from this experience, you'll type into google: how to know if a relationship is codependent.
he wraps an arm around you. i hate everyone except you. these days, you're learning what he's actually confessing is i have very little practice being kind.
#i used to think it was romantic too and then i was like. now i see it as a HUGE red flag#writeblr#it is also almost EXCLUSIVELY said by immature ppl who think this is normal#fyi even if u think it's funny and ur like 'im an introvert it's just TRUE' like. you need therapy (ily tho)#healed introversion is just ''i would prefer to be by myself'' not ''i hate every person'' ... hate is not normal. that is not healthy#im sorry. i know it feels accurate. but if you're walking around with that kind of rage....#1. you're making a LOT of assumptions about every single person u have ever met. which is often unfair and unkind#and also usually involves judging people based on their worst moments or little mistakes#2. you are being unfair to the person who is ur ''exception''#3. there is a VAST difference between ''ur my favorite person'' and ''the ONLY person i like.''#idk i think this is just a personal bias thing tbh#im sure there are people who have this experience normally#but i have YET to find a man who thinks like this and ISNT absolute DOGSHIT. although tbh.... like. im sure he exists#when u hit like 30 some of the things that were once kind of hot now just sound fucking exhausting. like ''im in a band''#edit in the tags: i used to kind of be like this too. but the thing is that like. my life became so much more peaceful#once i started believing that people are generally good. like yes i am mad at the world at large#but it's just.... a very hard way to live. you're not a bad person or wrong for the ways other people hurt you and taught you to be angry.#but that anger will continue to hurt YOU. it will punish YOU. it will prevent YOU from making new deep connections. it will protect you yes#but it will also cause MASSIVE blowback. bc if you lose the One Person... your life will fall apart. i know this personally.#i really recommend just trying to be... cautiously optimistic instead. like. yes#people can be horrible and cruel and there are some communities (incels for example) that aren't worth that optimism#but i think like... most people will hold a door for you . most people want to help you find your wallet .#i hope one day you are able to find peace. i hope that rage eventually smooths over. i know how hard it is PERSONALLY#and i know what must have happened to you. and im deeply deeply sorry we share the same wound.#but i promise - sometimes we all need someone else to help us carry the weight. eventually the rage has to die so that we can let help in#i had to spend years biting at outstretched hands. i still often do. im still very wary . and my heart breaks that you flinch too.#here's the thing: i don't blame you. but we were both acting out of fear and pain. .... not out of healthy behavior. and ... change#was needed. i needed change too. rage was useful for a while. then it just left me isolated and bitter. i had to (with effort)#choose to let that rage go. and let people in . VERY SLOWLY THO LOL
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piss-off-erik · 1 year
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things I expected from watching glass onion with my family: a fun evening with a movie I know we’ll all enjoy
things I did not expect from watching glass onion with my family: my mother going on a 15 minute rant about how much she hates Hugh grant (based on his 15 seconds of screen time) and how Benoit Blanc deserves better, and then my dad defending Hugh Grant because he was holding a sourdough starter and that’s the ‘sign of a caring partner’
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hairmetal666 · 19 days
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Everyone in the league knows about Eddie Munson. He has the makings of a great pitcher, except for the fact that his slider has a 75% chance of sliding too high and his fastballs mostly end up in the dirt. His technique is wild, flailing, unrestrained. Which is why Steve is beside himself when he learns about the trade.
The owners, they think that Steve being the best catcher in the league means he can work with Eddie, settle him, make him a real prospect. Steve's input isn't needed with the decision already made, but Munson--with all his tattoos piercings and leather--looks like he'd rather hock a loogie at Steve than take directions from him.
And Steve is the best in the league, the glue that keeps the team together. They're a well-oiled machine, and Eddie is--Eddie is a squeaky wheel.
They meet for the first time, briefly, in the locker room. He's seen the guy before, of course, but now, like this, he can't help but be intrigued by his pale skin and long curls and brown doe-eyes, his lightly muscled frame. And they're in the locker room, Eddie with just a towel around his waist, exposing his toned chest and stomach and the black swirl of his tattoos.
"Steve Harrington!" Eddie reaches out a hand. "Great to meet you, man."
"You too. Excited to have you with us." The handshake is quick and firm and Steve is trying not to be surprised about how excited and genuine the guy sounds, keep his mind away from thinking of how Eddie is naked aside from the towel.
With only a few weeks until the start of the regular season, Eddie starts pitching to Steve. And Steve, he so expects Eddie to fight and grumble and refuse, that his head sort of spins when, on the first day, Eddie claps him on the back with his glove, says, "where do you want me, cap?" and that's that.
He wants to say that they dislike each other, that they're a bad fit, that Eddie is full himself and refuses constructive criticism.
Instead.
Instead it's easy.
Eddie doesn't complain, doesn't argue, just watches Steve, learns him, takes his advice and notes and implements them as much as he can. They like each other, have an easy rapport, get each other. He's tight with all the pitchers, but Eddie is different. They settle each other.
They're best friends. They hangout constantly. And he doesn't have a crush; he doesn't. It would be unprofessional. They're best friends.
But sometimes, sometimes he thinks he catches Eddie looking at him. It's impossible. Of course it's impossible. Eddie couldn't be into the guy Sports Illustrated called "baseball's Ralph Lauren model" in the intro to Steve's Body Issue photo spread. And it doesn't matter one way or the other because Steve won't make a move. He won't jeopardize the team like that.
They don't touch. He touches everyone on the team, often, and Eddie particularly is a physical guy, but aside from that first handshake, he keeps his distance. Steve's afraid--even though it's silly, he's afraid--that once they start touching, he won't be able to stop, and he can't let that happen.
The team is good, competing for first place in the National League. Eddie's success has made everyone else better.
It's late July, they're in first place in the league, and Eddie's pitching a perfect game. There's only been 24 perfect games thrown in the history of Major League Baseball, but it's the eighth inning and Eddie's doing it.
A pitch goes wild, veers high over the umpire's head. Eddie's shaken, Steve can tell with how his fist tightens compulsively around the ball. The next pitch swings wide, towards the batter's knees.
The count is at 2 balls, no strikes, and he can see, even from behind home plate Steve can see, that Eddie's losing it. He heads for the mound, refuses to let it end like this. He closes the distance between them, has a quick internal debate before he puts his hand on Eddie's lower back. They've never touched, this is it, this is--warmth bleeds from Eddie's skin, through the fabric of his jersey, goes straight to Steve's head.
Eddie frowns. "I don't think I--"
"You're going to do it, Ed. I know. I can feel it." He pats his chest, over his heart. "It's gonna happen."
Eddie's breathing settles and it's only then that Steve realizes he's rubbing circles into Eddie's back with his thumb. He's not sure when he started, doesn't want to stop, loves being able to feel.
"Okay," Eddie says.
"Okay."
Steve removes his hand, heads back to home, still tingling with the warmth of Eddie's body even as he crouches behind the plate.
He closes out the inning with three definitive strike outs. The crowd goes wild.
They take the field for the top of the 9th, the crowd is screaming, ready for this, the energy zipping through every player on the field.
It goes by in a blur. Nine pitches. Eddie's perfect game is wrapped up in nine phenomenal pitches.
As the ump calls the last out, there's a moment of complete and utter quiet in the stadium, Steve's heart a pounding hum in his ears, before pandemonium breaks loose. There's screaming, fireworks, someone is crying--
All he can see is Eddie. Eddie's who's thrown his glove to the dirt, is barreling towards him with a triumphant smile bright on his face. Steve stands, runs to close the distance. He sees the moment that Eddie decides to jump into his arms, catches him easily--will always catch him--but his legs are tired and the momentum gets him, sends them tumbling back into the grass.
They're both yelling, laughing, smiling hard enough to hurt. Eddie's hair has fallen out if its tie, tumbling around his shoulders, and Steve gazes at him, can't help it, in this moment can admit that he's so, so astronomically in love.
It's only then Steve realizes that the laughter's stopped, that Eddie's gazing back. Brown eyes shining bright with happiness, cheeks flushed pink, lips parted. Thoughtless, he reaches up to caress Eddie's cheek.
The team reaches them, streaming around them, yanking Eddie and Steve to their feet. The celebration stretches around them, the moment slipping away. He wants to finish what they started but there are interviews, champagne showers, congratulations, that keep them apart. Sometimes, from across the room, their eyes meet, and there's heat there that's new, that sparks something low in Steve's gut.
Hours pass, and finally he finds himself alone in the locker room. He's just pulled on his t-shirt when the door shuts behind him. He spins, finds Eddie, waiting, watching.
He crosses the room without a word, can't not, not now, not after everything. They grapple for a second, the wanting so strong that it takes a second to settle, to find each other. They kiss hard, desperate, seething with desire.
Steve hopes it never ends and it doesn't, just tapers into soft kisses, gentle nips. He can't bring himself to step away.
"Is this for real ?" Eddie whispers.
"I've been insane about you since the trade."
Eddie's smile is blinding. "I used to have those pictures of you--the ones with the little red shorts?--in my locker in the minors. Feel like I'm living in a dream right now."
It lights him up inside, knowing that Eddie wants him, has wanted him. "Let me take you home and show you just how real it is?"
He snorts, but his dimples deepen, eyes shining. "What a line, sweetheart."
"Yeah well, the baseball field isn't the only place where I hit home runs."
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naturecalls111 · 10 months
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poorly-drawn-mdzs · 4 months
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Laios's three Boy Best Friends. And yes, they hate him.
#dungeon meshi#laios touden#toshiro nakamoto#chilchuck tims#kabru#BF in this context could be boyfriend or best friend. The line is so blurry.#Chilchuck less so but whatever is going on between Shuro and Laios & Kabru and Laios is giving strong:#“dude if you were a girl I'd date the hell out of you”. And from the genderswap extra's that sentiment is canon for BOTH.#This was made prior to the translation of the Laios & Kabru & Shuro restaurant date comic and honestly I am just feeling vindicated.#I don't even know what to call this dynamic other than a situationship. There is so much going on between all of them.#Even on a purely platonic reading - the miscommunication and male yearning for friendship hurt so bad.#When we got the Big Hug scene in the epilogue arc I was whooping and hollering! Pure catharsis moment!#I also don't like hugs very much so I really felt it went Shuro ('hates being touched') went in for the bear hug.#Do not get me started on the agony of 'always lying' Kabru telling the truth (I just wanted to be friends)#and 'always believes' Laios thinking it's another lie and brushing him off.#I am once again supporting dungeon meshi day by posting art. Please watch dungeon meshi.#obligatory edit because I’m tired: YES. Chilchuck cares for Laios and him admitting it was a huge part of his arc#YES he is more just fed up with him that actually hating him.#I needed a third guy to be canonically done with his ass for the THREE WEED SMOKING GIRLFRIENDS reference
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lazylittledragon · 4 months
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do any other artists feel like. yeah you're a 'good artist' because you draw things that look nice, but like. TECHNICALLY? you're really not great
i really hate that i can recognise that yes, my art is good, but is it VARIED? is it dynamic?? is my anatomy good? is it full of texture and colour theory? do i know how to do This? can i do That? no, not really. and that's quite painful actually
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cuddlytogas · 2 months
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So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.
See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.
But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...
What is the difference between this and this?
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Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?
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Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.
But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.
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And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.
But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.
See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!
As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.
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And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:
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So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?
Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.
In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.
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In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.
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This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).
Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.
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More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.
This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.
A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.
But also. At least it fucking says something with its leather.
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chez-cinnamon · 2 months
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AUGHH The site update was sooooo good- It motivated me to finish something I've been wanting to do for a while now: tweak and redesign the RW AU designs!!
Looking at the old one it's crazy to see how far they've come, being around before the Halloween update-- idk it's fun to see, same w my art style changes!! <3
Linking the old just for comparison,,,,,
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mayasaura · 1 year
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I don't wanna further hijack that poor poll, but the thing about Harrow's schizophrenia is that it's canon. The author has confirmed it, and shared that it's based on her own experience.
It's a pretty obscure bit of canon, so of course there's no shame in not already knowing, but that's why I'm so obnoxiously persistent about letting people know.
Whatever else is up with Harrow, autism or cptsd or any number of likely headcanons, she is also schizophrenic. I feel like that's too important to be handwaved away as a difference of opinion.
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