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#Lucy Lippard
lascitasdelashoras · 5 months
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Lucy Lippard - Desmaterializacion del arte
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la-semillera · 1 month
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HELENA ALMEIDA & REBECCA SOLNIT
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Es decir, un camino no se revela a sí mismo en ningún punto en particular, ni desde ningún punto en particular.
Los caminos aparecen y desaparecen... No tenemos un único punto de vista para un camino, excepto uno móvil, moverse a lo largo de él.
_ Lucy Lippard citada por Rebeca Solnit en Wanderlust. Una historia del caminar.
_ Helena Almeida, de la serie Desenhos Habitados (Inhabited Drawings «Sem Título» 2004
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garadinervi · 10 months
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Nancy Holt, Crossword Work, (4 parts overall: 2 parts graphite on paper; 2 parts ink on paper), 1966 [© Holt/Smithson Foundation, Santa Fe, NM / VAGA at ARS, New York]
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rbolick · 2 months
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Books On Books Collection - Michelle Stuart
The Fall (1976) The Fall (1976) Michelle Stuart Saddlestitched with staples in landscape format, glossy paper. H x W mm. 28 pages. Acquired from Specific Object, 15 March 2024. Photos of the work: Books On Books Collection. The Fall is one of the earliest publications of Printed Matter, founded in 1976 by a group of individuals working in the arts (among them artist Sol LeWitt and critic Lucy…
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notchainedtotrauma · 1 year
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The tension between Pindell and Lippard is palpable in the correspondence between the two, in which Lippard remarked she was "getting pretty damn sick of all this" as she sought to defend the Center and correct what she cast as misinformation about the circumstances of the show. These textual ephemera suggest that Pindell's multipronged activism against art world racism strained relationships with her own allies. And her antagonism was a precursor to an even peskier mode of discord.
from Embodied Avatars by Uri McMillan
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profeminist · 2 years
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"At the beginning of the 1970s, American artists were demanding more equitable representation in institutional shows. Organizations such as the Black Emergency Cultural Coalition and the Ad Hoc Committee of Women Artists staged protests over the Whitney Museum’s omission of Black and women artists in their exhibitions. Against this landscape, the writer, critic, curator, and activist Lucy Lippard mounted “Twenty-Six Contemporary Female Artists” at The Aldrich Contemporary Art Museum in 1971 in Ridgefield, Connecticut. With this show, Lippard hoped to help shift the white, patriarchal paradigm that had long pervaded American institutions.
In her accompanying exhibition essay, Lippard wrote: “Within the next few years, I expect a body of art history and criticism will emerge that is more suited to women’s sensibilities. In the meantime, I have no clear picture of what, if anything, constitutes ‘women’s art.’” Lippard hoped that the show would offer a platform for emerging female artists of the time and midwife a new generation of even more liberated female artists.
“52 Artists: A Feminist Milestone,” a new show at The Aldrich , curated by Amy Smith-Stewart and Alexandra Schwartz, tracks the evolution of feminist art practices in the decades since “Twenty-Six.”
Read the full piece (including multiple art pieces) here: https://www.artsy.net/article/artsy-editorial-expansive-new-celebrates-five-decades-feminist-art
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hyperallergic · 1 year
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abwwia · 1 year
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Lucy Rowland Lippard (born April 14, 1937) is an American writer, art critic, activist, and curator. Lippard was among the first writers to argue for the "dematerialization" at work in conceptual art and was an early champion of feminist art. She is the author of 21 books on contemporary art and has received numerous awards and accolades from literary critics and art associations. Via Wikipedia
www.artspace.com/magazine/interviews_features/qa/lucy_lippard_interview-52240
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inthemarginalized · 2 years
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Feminism is not just about standing up for yourself, it’s about standing up for other women.
-Lucy Lippard (b. 1937)
She is an internationally known writer, art advocate, activist and curator. She was among the first writers to recognize the "dematerialization" at work in conceptual art and was an early champion of feminist art. She is the author of 21 books on contemporary art and has received numerous awards and accolades from literary critics and art associations.
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standingatthefence · 2 months
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 | "Faith Ringgold Flying her own Flag" in Ms. Magazine, July 1976 by Lucy R. Lippard
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Mary Beth Edelson (intro by Lucy R. Lippard) - Seven Cycles: Public Rituals - self-published - 1980
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mypinkblog · 2 years
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Dilute me, I tell them. / Make me easier to love.
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“Let someone love you the way you are - as flawed as you might be, as unattractive as you sometimes feel, and as unaccomplished as you think you are. To believe that you must hide all the parts of you that are broken, out of fear that someone else is incapable of loving what is less than perfect, is to believe that sunlight is incapable of entering a broken window and illuminating a dark room.”
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"I don't want your love unless you know I am repulsive, and love me even as you know it."
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You can have my heart if you have the stomach to take it.
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Nobody is worthy to be loved. The fact that God loves man shows us that in the divine order of ideal things it is written that eternal love is to be given to what is eternally unworthy. Or if that phrase seems to be a bitter one to bear, let us say that every one is worthy of love, except he who thinks that he is. Love is a sacrament that should be taken kneeling, and Domine, non sum dignus should be on the lips and in the hearts of those who receive it.
Love is holy because it is like grace—the worthiness of its object is never really what matters.
Not worthy of love but loved nonetheless
Franz Kafka
Idk
Stephen Adly Guirgis
Alain de Botton
Mark Hack
Lucy R. Lippard
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George Bataille
Rune Lazuli
Yves Olade
George Bataille
Oscar Wilde
Marilynne Robinson
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garadinervi · 2 years
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Nancy Spero letter to Lucy R. Lippard, October 29, 1971 [Lucy R. Lippard papers, 1930s-2010, Archives of American Art, Smithsonian Institution, Washington, D.C.]
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catmint1 · 2 years
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Travel is the only context in which some people ever look around. If we spent half the energy looking at our own neighborhoods, we'd probably learn twice as much.
Lucy R. Lippard, On the Beaten Track: Tourism, Art, and Place
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kamreadsandrecs · 7 months
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kammartinez · 8 months
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