#No I will not give context cause those are spoilers

[the-ideal-iplier]

#Just… discussing things with my best friend about the game… #No I will not give context cause those are spoilers #markiplier #theidealiplier #markiplierfangame #markiplieregos #markiplieregodatingsim #darkiplier #googleplier #dr. iplier #wilford warfstache #bingiplier #bimtrimmer

[moonydustx]

A not so funny story

requests | mastelist

Summary: With Uta controlling everyone and the marine attacking, you needed to contain an unconscious Law who was looking to join the fight. Now, you need to deal with the consequences of him finding out about this.

Pairing: Trafalgar Law x F!Reader

Warnings: blood, Law hurts Reader (not on purpose), they both love each other, but they are idiots who don't know how to talk. Law doesn't know how to express his feelings in this one. Angst, kinda fluff/happy ending.

W/C: 3.6k

A/N: I just saw the movie Red and the idea came to my mind. I need to shake off the rust and get back to writing, I thought it would be a good solution. Despite being linked to the film OP Red, there may be some things that differ from the canon.

For those who haven't seen the film, a spoiler-free context: in the film, we see a singer called Uta, who Bepo is a fan of and, together with Law, go to the show. Problems happen, she puts everyone to sleep and with her power, she manipulates these sleeping people to fight with other people who want to stop her.

italics apply to flashbacks and thoughts

Part 2 | Part 3 (NSFW)

The cold stone beneath you contrasted with your hot, sweaty body. You could feel the wounds burning on your body and if you reached out your hand, you could find the cause of them, your captain.

In the distance, you could hear someone calling your name and it didn't take long for Penguin to appear in your field of vision.

"Are you okay?"

"He gave me a hard time, but I'm fine. And you?" You grumbled, sitting up and taking in your surroundings. Apparently everyone had gone back to sleep.

"We're tired but fine. You're bleeding, do you need any help?"

"Everything is fine." You stood, with his help. "We need to get them out of here, I doubt the marines will miss the chance to catch so many pirates gathered in one place. At the very least, this will end in a fight."

You chose to help carry Bepo back to Polar Tang. Even though he was big, sharing the weight would be much easier than carrying Law alone. As soon as you entered the submarine, you disappeared from sight, leaving all of Uta's fight behind.

"Do you guys need help? I can see some pretty bad injuries from here." Ikkaku approached, already stopping the blood on your forehead. "Are they both okay?"

"We should take them to the infirmary and keep them under observation." you warned, seeing two other crew members carry them out of sight. "Can we get away from the fight?"

"Yeah, off their radar." someone answered you in the background.

"Perfect, keep us at this depth, keep an eye on the radios, any sign of change, if Law hasn't woken up, you look for me." You leaned against one of the tables, trying to ignore some of the pain in your body.

It was supposed to be just a quick show, at least that's what Bepo had said. Unfortunately for Law, he ended up being the polar bear's requested companion.

"Sure you don't want to change places with me?" Law appeared next to you, while you finished cleaning the kitchen.

"No captain, I'll be right here, with my duties." You smiled at him and, despite being frustrated, he let out a sideways smile.

"You know that I'm the captain right? That I can give the order and you have to go and I don't."

"You wouldn't be so mean, would you?" you asked indignantly and on one of the few occasions, you heard him laugh, even if it was low tone. "Captain!"

"I'm kidding. Just keep an eye on everything, okay? Don't let Shachi and Penguin cause any trouble."

"Yes, sir. And you, enjoy the show."

You were almost regretting not accepting the proposal. Law would certainly be much better at containing you and preventing you from getting into a big fight than you would be doing the opposite. But you liked the idea of ​​him trusting you.

"Everything is alright?" Ikkaku took you out of your reverie, noticing your body slightly bent and the blood falling on your forehead.

"Try holding back a furious Trafalgar Law from wanting to get into a fight and tell me if that's okay." You laughed, even though it took some of the air out of you. "Just a few bruises, nothing major."

"Come on, I'll help you take care of this." Ikkaku gently pulled you by the hand.

"Boys, do you deal with them?" you asked and they both nodded. "If Law wakes up, don't say anything to him about our little fight."

"You mean, about the big fucking beating he gave you?" Shachi teased you, earning a push.

"Exactly. He has bigger problems to worry about than dealing with this."

You and Ikkaku headed towards the dorm you shared. Your friend made a point of supporting you at every step, even if you insisted it wasn't necessary. She sat you down on the bed and grabbed a small first aid kit hidden on one of the shelves.

"Why not tell the captain?"

"Outch" you mumbled with one of the stitches she had on your face. "I have a feeling he's not going to like that we got into this fight without his presence."

"I think he'll be more resentful that you were the one who held him back." You laughed at her silly observation, then grumbled with another needle. Damn fight. "Don't act stupid."

"What you mean?"

"I'll let you choose. Between you being the only one who can steal books from him without him complaining or about every time we disembark, you having to be on his side. Should I mention that time he freaked out because Kid wanted to take you to the crew from him?" she laughed to herself, at her own memory. "What do you need to see that he likes you too?"

"And who said I like him?"

"Okay, you still want to keep hiding your feelings for him, just hide it better." she laughed again. It was clear to her - and anyone else who saw - that there was something between the two of you. You just prefer not to feed this illusion. "Still, I agree that he won't like all this one bit. Let's try to keep out of his sight."

Law was still trying to assimilate everything that happened. Uta's show had turned into a war scene and in the end, even he had become a puppet. That idea would haunt him for a long time.

Despite recent events, Polar Tang was quiet, too quiet. He could hear some buzzing, nothing he could identify. Another thing he couldn't place was you. The last time he saw you, he had tried to bargain for your presence at the show, even though he had asked to change places with you, he didn't think the idea of ​​going with you was bad. You'd probably hate the song, but he'd enjoy your sarcastic comments about any awkward situation. A small laugh crossed his lips when he thought about what you would say to see little Bepo.

At dinner, he observed Shachi, Penguin and Bepo, talking to each other. The concerned expressions denoted the seriousness of the matter, but that could come later. Even though he slept through it all, he still felt tired.

At lunch the next day, again, nothing from you. Ikkaku was also missing. It was impossible for the two of them to have disappeared together and without any justification. He tried not to think about the worst-case scenarios, but no matter how much he denied it, he wasn't such an optimistic person.

It only took a few seconds of your three companions stalling for him to know that you and Ikkaku were up to something or had already been up to something. He left them behind, following with firm steps to your room.

"I didn't see you two at lunch or yesterday at dinner, I wanted to know..." you two found Law leaning against the door of your room. His relaxed position disappeared in seconds when he looked at where Ikkaku's hand joined your forehead. "What happened?"

"Just a few scratches, nothing major." your colleague replied before you could open your mouth. She knew - actually, you weren't that good at hiding it - about your feelings and how easily you could wrap your head around your own words.

"Yeah, they're from yesterday, some scratches." you tried to complement, the captain's serious expression made it clear that that hadn't helped at all.

"Nothing much and that's why you haven't shown up since yesterday?" he grumbled and before he could continue his lecture, he felt his body being pushed forward, with Bepo, Shachi and Penguin falling beside him. "What the fuck?"

"We just wanted to know if you already know that she was the one..." before the bear finished speaking, the other two covered his mouth.

The grey eyes trailed from you to Ikkaku, to the group lying next to him, and back to you again. The small stress that was forming inside Law turned into concern when he saw the small trickle of blood dripping from your eyebrow.

It only took a few moments away for you to appear like that and he would never tolerate that, you didn't need to know about his feelings or how he was already thinking about taking revenge on whoever had done that, he would deal with it after taking care of your wound .

"Everyone out." you made to follow Ikkaku, stopping a few meters away. "Not you, I need to see this."

The door to the small room knocked subtly behind Law, who waited for a few seconds to approach you. The two of you already had a considerable height difference, but when you felt Law's cold, tattooed fingers on your chin, you felt even smaller. He turned both sides of your face, despite the cold touch, you could feel your skin burn beneath his fingers.

"You're warm, but I don't see any trace of infection." Not this one, you thought. "Give me the name?"

"Name?"

"Which idiot did this?" he replied without much patience, his fingers leaving your face behind.

"This is going to be a funny story." you laughed, stopping immediately when you saw him look deep into your eyes, his expression serious in an almost irritating way.

"Someone decided to hurt one of my crew. I don't think it's such a funny story. Who did it?"

"Captain of the Heart Pirates, Trafalgar Law." your answer didn't seem to catch him instantly, with each word that left your mouth, you could see him getting paler and paler. "I believe you already know, but Uta managed to control everyone who was asleep to attack the pirates and the marines and with that, you and Bepo were also controlled. The boys held Bepo and I had to deal with you, but everything is fine. "

"They told me about Bepo..." he seemed lost for words, taking a certain distance from you and leaning on the small table in your room. "So you restrained me, alone?"

"You, actually Uta, didn't have access to your Devil Fruit powers, it ended up being easier. After all, our mission was just to keep you two away from the navy." you explained, leaning on the opposite side to where he was, seeing his crestfallen expression. "Like I said, it's okay captain."

"Where else did I hurt you?" the question took you by surprise, making it difficult to hide your reaction. "I know my strength, I have a feeling it wasn't just that. I could see it myself, but I trust you, so please."

With your fists clenched and your gaze following your every step, Law could see your hand go to your ribs, along with a grumble, as you bent down to pick up a small cloth and fill it with something that smelled similar to alcohol. As much as he noticed you trying hard, he could see you limping. He watched you smear the contents on one of your cheeks and your arm, revealing some bruises.

You stopped in front of him, letting him analyze. Despite the pain throughout your body, Law's proximity was almost like an anesthetic. If he stayed there, you wouldn't mind spending the day under his gaze. Law took your arm, gently sliding his fingers under the bruise, watching you flinch in discomfort. His hands practically put your arm back in place and placed themselves on the zipper of your jumpsuit.

Your hands placed themselves next to his, pulling the device and opening the entire piece. Of all the times he had dreamed of touching your skin, none had felt like this. He liked to imagine how soft it would be, to think about how your body would shiver, to feel with his own lips every piece of exposed skin, while he heard you ask for more. All the purple spots he had dreamed of leaving on your skin were nothing like the one he saw. Thoughts would need to be put aside at that moment.

His hand knocked down one side of your jumpsuit, showing the large bruise on your rib, which made him hold his breath for a few seconds.

"What else?" his voice was barely audible. He knew there was more to it, but he didn't want to be invasive.

"Just this cut." you took off the other strap of your jumpsuit and let it fall below your waist, showing the wound on your thigh. It wasn't that big, but when you both looked at the place, you understood where all the warmth in your body was coming from. "Shit. It wasn't like this last time I looked." actually it was, you just wanted to spare him the worry.

You adjusted your jumpsuit, leaving the top hanging around your waist. Your eyes searched for Law's, but he seemed to be far away, even just a few centimeters away. For some time, he didn't say anything. His eyes followed one point you had shown and others, looking for other signs. His hands prostrated in front of his body, why had he done that? Why hurt you?

"Law?"

"I...I..." the words seemed stuck somewhere inside him. His hands placed themselves next to your face, a gesture you hadn't received from him yet. "I don't know how to apologize. Forgive me, I didn't want any of this to happen."

"No need, Law, really. I was doing what any of us would do, taking care of our crew, taking care of our captain."

Again the words seemed to have escaped him. He just wished he could hold you and apologize a thousand times, hold you there and heal every little part of you and never allow anything to hurt you again. Some conscious side of him screamed in the background that this wasn't anyone's fault, but the sound seemed so far away to hear, while the picture of what he had done was so close to him.

A few seconds passed, his hands were still on your face, while you just enjoyed the awkward affection you received. He didn't know how to deal with that feeling, it was a guilt like he had never felt. Along with a fear, a need to see you well. There were too many things to deal with and at that moment, he chose to be the most rational one.

"It's infected and may have broken something." Law let his medical side take control of the situation. "Room. Shambles."

Before you even noticed the blue dome surrounding you, the two of you had already been transported to the infirmary. You remained standing in your place as you watched the captain hurriedly walk around the room, collecting some materials and before you could try to get on the stretcher, the two of you were already being taken to another place.

The table full of books, the small window of the Polar Tang showing some little orange fish passing by outside, a cozy bed, even with the sheets spread out. That definitely wasn't your room. You watched Law leave the materials on the table and reach Kikoku. You saw the blue dome again, this time, you knew that he was using his powers to confirm that you had indeed presented all your injuries to him.

"I was worried about your rib, but apparently it was just the bruise. Now about your leg, I may need to redo those stitches and medicate you. I can't let the infection spread."

You knew he was nervous, bordering on anxious, but you had known him long enough to know that stopping him from treating you would be even worse. You had chosen to hide your injuries so that Law wouldn't feel guilty, now that he knew, you didn't have much else to do.

"Law." you called out to him carefully, as he prepared the medication. "Do you mind if I bathe first?"

"Sure, I mean, no problem. Just wait a second." He walked away from the table and piled up some things, which he handed into your hand. "Here's my towel, I also left some clothes in case you want to use them, if you don't want to, that's okay. I can ask Ikkaku..."

"This is perfect, thank you Law." you hugged the small bundle of clothes close to your body.

"Room." again, in a matter of seconds, you were at the bathroom door. "I'm sorry, but your leg is really hurt, you shouldn't force it while walking."

"Okay" unlike the time he had taken you to the infirmary, now he had transported you close to each other, which made the air disappear from your lungs. "Can you wait for me? I mean, you said I wouldn't I should force my leg and..."

"I'll be outside, just call me and I'll be here." Please call me, Law's inner voice practically screamed.

Your shower was much quicker than you expected. Just knowing that he was waiting for you outside made butterflies fight in your stomach. You gently dried your body and took the clothes he had given you. Something that looked like shorts - it might have been underwear, but you didn't worry about that right now - and a black button-down shirt. As soon as you button the last button, you can pay attention to the smell of the fabric. Something soft, woody, you wondered if that was his scent.

"Law?" All it took was a small call and he soon entered the bathroom. Not as discreetly as he expected, his eyes roamed your body. "Can you help me?"

"Of course" your feet left the floor, giving you a few seconds to assimilate that he had picked you up and carried you back to the room. He hadn't done this before, but you preferred to just enjoy the sensation, locking your arms around his neck.

With a few steps inside the room, he placed you lying on the bed, pulling a rod further to the side, only then did you notice the hanging IV.

Law bent down, reaching your arm level, cleaning it with a small piece of cotton. He looked at the wound on your leg. In silence, he cleaned the area and took some bandages, placing them across the entire length of the wound. The contrast between your warm skin and his cold hands was strangely comfortable. You wished they would last a little longer there.

"I think we can leave these stitches for another day, but I need you to take this medicine. It's an antibiotic, the infection is small, but I'd rather take care of it soon." He pulled the small needle, seeing your face pale. "I'm sorry darling, but it's the best option we have."

Darling.

That word would echo in your mind for a long time. The fear of the needle that was about to come into contact with your skin eased when you saw the care he took with each gesture.

"Just don't look, okay?" He waited for you to close your eyes. "Just a few seconds and that's it. You'll feel sleepy, but that's normal. As soon as you wake up, I'll bring you something to eat."

He got up and started to adjust the pillows on the bed, the ones that were around and under you. His hands rested around your body, his body was on top of yours, even without any immediate contact. It was inevitable not to get lost in his eyes, or see him do the same with yours. You would like to engrave that in your memory, forever.

"Are you comfortable?" his face still had the same tense expression from the first moment he found you in the room.

"I am, I promise." you replied, in a burst of courage, you brought your hand to his face, touching his cheek. "Law, what worries you so much?"

He walked away, sitting at the foot of the bed. You just straightened up so you could look at him. His tattooed hands took off his hat, fingers tangling against the dark strands.

"I can't deal with the fact that I did this. I did this to you. Of all the people that could have been there, I hurt you." he grumbled, turning so he could look at you. "You do not understand."

"Actually, I understand." your answer left him stunned for a few seconds. "But don't blame yourself, you didn't choose this, captain"

"I know, but at the same time..." he huffed, trying to find the right words, which scratched his insides every time he looked at your scourged face. "You understand me, huh? I mean, I don't just see you as a crew member and something tells me you don't just see me as your captain. And knowing that of all the things that could have happened, I hurt you. I promise compensate you for everything."

"About what you said, about what we see in each other." your thought was interrupted by a long yawn. "What should we do about this?" You made to get up, but the IV attached seemed to transmit drowsiness straight to your body. Your eyes were already starting to get heavy.

"That we can deal with this later. You took care of me, now it's my duty to take care of you. For that, you need to rest." His hands reached yours, giving a slight laugh when he saw you fighting with your own eyes, wanting to leave them open. "I promise not to hurt you again or let anyone else hurt you."

Before you fall asleep for good, you can feel his lips on your hand.

#one piece #op imagines #trafalgar law #trafalgardwaterlaw #law x reader #trafalgar d law x reader #law x you #no use of y/n #fiction #reader insert #trafalgar law x reader #requests open #one piece film red #heart pirates

[cjrae]

Rank And Responsibility. Or: The Hairpin Scene from Jinshi's POV.

Be warned now about the consequences of choosing to do an English Lit degree - you end up doing lit crit for fun. With that in mind, let's break down the hairpin scene at the end of Covert Operations (Episode 5). Mild spoilers for Jinshi's arc are below.

While this moment does kick off the romantic subplot, with all the implications that giving Maomao the hairpin out of his own hair has, I would argue that this is not the moment Jinshi realizes he's in love with Maomao. Instead, from his point of view, this scene demonstrates how Jinshi handles failure.

Holding Power In An Open Palm

This is still very early in the story. Our first hint to Jinshi's true rank does come in this scene, but for now we know him as the manager of the Rear Palace. For the three thousand people who live and work there, for all intents and purposes, Jinshi is the highest authority they will encounter. He literally has the power of life and death over them, either directly in the case of the servants and eunuchs, or in the case of the consorts, his word to the Emperor directly can serve the same purpose. We also see Jinshi use this power early on - he's not just there to keep order, but also to test the consorts' loyalties and virtue. We never see what happens to the lower-ranked consort who attempted to invite Jinshi back to her room, but at the very least that report ensures that her already small chance of the Emperor choosing her as a potential mother of the nation is utterly cut off - and if she doesn't bear children, she will be discarded.

We also know that Jinshi will not hesitate to order corporal punishment if he views it necessary - for example, when Maomao discovers that the toxic face powder is still being used by Consort Lihua's ladies in waiting, she mentions in the aftermath that the eunuch who failed to recover the powder was flogged, while the lady in waiting who hid the powder is put in solitary confinement. These are brutal punishments - and if we consider the historical inspirations, these are also very restrained consequences. For hiding an item that caused the death of the prince (unfortunately, the more valuable child) and has put the life of one of the Emperor's favored High Consorts in danger, Jinshi would be utterly within his rights to order executions. If ignorance is a sin, ignorance in the face of knowledge is a greater one.

Microcosm of Li

For all that Jinshi holds his power lightly, he also takes the responsibility that power bestows upon him quite seriously. It's worth noting that Jinshi takes over governing the Rear Palace shortly after Maomao's service contract is purchased. (Remember, Xiaolan talks about the "beautiful, new eunuch that's been posted to the central courtyard," which tells us that Jinshi has not been in the Rear Palace long enough to become a fixture - he's an object of speculation and admiration from episode 1).

In context it's clear that, with the birth of two Imperial children, his job is to ensure the survival of the Imperial line and investigate why children of the Emperor are dying consistently in one of the wealthiest and safest places in the entire empire. We're shown him running in between Lady Lihua and Lady Gyokuyou to ensure that their very sick children are being seen to properly, investigating what could be causing it, while also managing tensions as rumors about the Emperor's children being cursed begin to spread and outright accusations of sorcery are being thrown between consorts. While the audience might immediately scoff along with Maomao at the idea of one consort cursing another, if Maomao hadn't found the cause of death, those types of accusations followed by Lady Lihua's and Princess Lingli's inevitable deaths could have ended with Lady Gyokuyou's execution.

The Rear Palace is a reflection of the nation as a whole. No Imperial heirs plus the deaths of two High Consorts with various foreign and domestic political ties had the potential to thrust the entire nation into chaos. Jinshi's choices have very real consequences, so when Maomao discovers what the true cause of death is and sends her warning, Jinshi looks at Maomao and doesn't see a person. He sees a "perfect pawn." A tool, one with talents that have ensured that at least one Imperial child has survived and providing a rational explanation why these children have died so that it can be prevented from happening again - and a skill set that can be turned to preventing any more shenanigans in the Rear Palace that could threaten the empire's foundation.

And, as Gaoshun points out, in the beginning of the hairpin scene, she is a toy. Maomao amuses Jinshi up until this point.

For all that Jinshi is shown wielding power with a light hand and a responsible mindset, it literally doesn't occur to him that the people working in the rear palace have stories - some tragic - about how they came to be there. They are resources to be used as befits the Emperor's (and therefore the nation's) need.

Hidden Beauty

When Maomao turns around and Jinshi doesn't recognize her until she speaks, he's shocked. He thought he knew exactly who and what this girl was - ugly and unremarkable, except for her intellectual brilliance and the challenge in managing her by other means than empty compliments and smiles. He attempts to recover and assumes that she is enhancing her looks - and is shocked again when he realizes that the face Maomao has presented to him so far is a protective mask against attracting attention. In a world where beauty is both a currency and a tool that others covet, Jinshi doesn't understand why Maomao would deliberately devalue herself like that. So she tells him.

This is the moment Maomao becomes a person to Jinshi.

Not a toy, not a pawn. Someone who has been ripped from her home and her life illegally and sold off. It's in this moment that Jinshi is forced to confront the ugly side of the society he lives in, people who would rape Maomao out of pure convenience or just take a "borderline marketable" girl off the street in order to get extra drinking money.

Worse, Jinshi is complicit in Maomao's captivity. The Rear Palace has bought her contract - and as the manager of the Rear Palace, Jinshi is responsible for everything that happens within its' walls. The fact that Jinshi does not personally oversee service contracts is irrelevant. The buck stops with him. If the Matron of the Serving Women or whoever is below her is buying these contracts without checking their sources, that is Jinshi's fault because he has allowed a lax enough system to flourish. He has failed to govern this microcosm of the nation wisely, with thought for the welfare of the least powerful among his people. Worse, he has failed to even notice the problem - Maomao may say she's angry about having been kidnapped and sold, but she doesn't react in a way that indicates anger. Instead, she's resigned. Yes, what happened to her was wrong and she's angry about it, but there's literally nothing she or Jinshi can do.

Or Is There?

Jinshi offers Maomao two apologies, the first of which is our first hint to his true status. "I'm sorry we couldn't police them better." Maomao immediately blows off this apology - she points out that there's no way Jinshi should have known and has a very "all's well that ends well" attitude about her situation - her contract will be up eventually and in the meantime she's managed to land in a fulfilling role. Essentially Maomao is telling Jinshi that this apology is not his to make - he's overstepping his responsibility. And, if Jinshi were simply the manager of the Rear Palace, she would be right. It's his job to ensure that the Rear Palace is properly staffed, not to regulate that all contracts comply with the law.

Jinshi apologizes again. This time, he offers no other context. He doesn't accept Maomao's absolution of responsibility - because he knows (even if we, the audience, don't) otherwise. It can certainly be read as Jinshi refusing to accept easy absolution, and the rest of those witnessing the scene, apart from Gaoshun, certainly take it that way.

Instead, he takes the hair stick from his own hair and places it in Maomao's. Their entire relationship has just been upended; Maomao is a person who has been gravely wronged and it is Jinshi's responsibility to begin to make it right. Aside from the personal implications of giving her the hairpin (and the faint blush on his face makes it clear that he's aware of them), it is a form of restitution. There is an unspoken social contract Jinshi is offering that Maomao does not understand in the slightest. It never occurs to her that Jinshi would do something for her with no thought of what he would receive in return, because of the difference in their social ranks. But, from Jinshi's perspective, that social difference is the point. He has failed her and, as the person of higher rank, it is his responsibility to do what is within his power to begin to remedy the situation in front of him.

And, of course, in that moment he sees Maomao in a new light, the other meaning of gifting her his hairpin has fertile ground to take root in Jinshi's mind.

#the apothecary diaries #kusuriya no hitorigoto #jinshi #maomao #jinmao #long text post #apothecary diaries meta #kusuriya anime #knh #jinshi x maomao #jinshi and maomao #lady gyokuyou #lady lihua #princess lingli #gaoshun #hair pin #episode 5 #covert operations

[yuri-is-online]

Was Lilia more “Oh my thorn fairy I have another child?! I can barely cast a spell as of now and future me wants a fucking KID?! AT THAT AGE?!”

Or more of a

I HAVE ANOTHER SON?! AND IT’S FROM ME!?

If his Yutu tells him he comes from the future? Because it could imply he does regain his remaining years and magic. Idk how you wrote that problem that even rn it’s giving talk about Lilia surviving book 7 or not.

If it’s the second I already see him passing by Silver’s room really excited and saying “YOU HAVE A BROTHER!” And zooming off, leaving a very confused Silver and thinking he refers to either Malleus or Sebek.

technically anon asked first but this ask is much longer so it was awkward to screenshot for an answer. Here is the link the anon used for reference, I obligated as an elderly hater to let you know it's from SAO. Anon's idea is extremely good and we're going to roll with it for this Yutu's Uniqe Magic because you know he was always going to be a little shit.

notes: they/them used for Yuu, context on the fyuuture kid au can be found here and here. SPOILERS FOR: Book 7, Lilia's back story, and Silver's unique magic. Please engage with this in mind. For more fyuutre kid au, please check out the series section of my masterlist.

I have a bit of difficult time writing for Lilia given how much older he is than the rest of the cast, so I tend to write his Yuu as being a bit older themselves. Maybe they had an extremely difficult childhood and connected with Lilia over their shared sense of robbed innocence. Whatever it was I think this Yuu has a bit of a fascination with creatures of the night and a lot of their weirdo reputation within their community comes from kids telling each other that Yuu and Yutu are vampires. That makes me tempted to say Lilia! Yutu's real name is Alucard or Sebastian, something vaguely vampire themed.

None of those rumors are helped by Yutu finding himself very lethargic when out in the sunlight or his preference for colder temperatures. From his perspective he can't exactly help being who he is, people should really just get over themselves and let him do his thing. It's not his fault that bats really seem to like him for some reason, the neighbors are exaggerating Mr. Animal Control officer he swears.

Because he prefers to spend his awake hours in the dark, he is waaaaay too comfortable doing things and going places he shouldn't. He's real familiar with all the abandoned buildings and sketchy alleys of your town and has tagged quite a few of them. I like the idea of Lilia! Yutu being really interested in street art and Graffiti. I could see him putting up a bunch of bats everywhere and getting in a bunch of trouble for it. He has very fond memories of Yuu letting him paint murals on portions of their house in an effort to meet him halfway. He might like a good prank but unlike his father Yutu is always pulling his punches with Yuu.

Lilia didn't exactly have a supportive parent while he was growing up, something I feel like Yuu remembers and is very conscious of in their parenting of Yutu. Unfortunately for Lilia they also remember that he had another child and was a lot older than them, something Yutu raises several eyebrows at and causes him to ignore the things Yuu tries to tell him about his "great sense of humor" and "desire for different peoples to learn and grow with one another-" yeah that's great can you back up a bit to where you said he had another family? Yutu goes through life thinking he was the product of an affair Yuu had with a much older, married man who was just trying to feel young again. The amnesia stuff... sometimes he wonders if his dad tried to have Yuu killed. He never says it out loud because something tells him he's wrong, but gut feelings aren't as trustworthy as statistics...

So you can imagine his surprise when he tumbles out of a coffin and is told that his dad was a faerie general bound in service to a family of dragons, veteran of an ancient war, and technically the adoptive father of the Prince of the children of the night and the Prince of the rival human kingdom that killed his best friends. One of which is alive and overwhelmed with joy to meet him. Silver wanted Yutu almost as badly as Lilia and Yuu did so to see him alive and awkwardly squirming in his arms? Silver hasn't cried this much since they lost Lilia and Malleus.

Having a proper older brother, not just the concept, is an extreme change for Yutu. He's used to it just being him and Yuu, and he was sort of expecting Silver to hate him just for existing. Nothing could be further from the truth, Silver wants his younger brother to have the same freedoms he did while attending school but he also respectfully requests that Yutu spend at least some of his free time with him. He tried desperately to find his dreams over the years and was never able to make firm contact, but he doesn't want to pressure Yutu into caring about him. Yutu is didn't realize how badly he wanted other family members until he got to have Silver, he's even willing to take up sword fighting so they can get closer.

Sebek is also overwhelmed with tears upon seeing Lilia! Yutu. He is a bit harsh on him for "not living up to Master Lilia's legacy" because he doesn't know anything about fighting. He does applaud him for his willingness to learn. Yutu thinks Sebek is hilarious and messes with him just as much as Lilia does. Something Sebek is completely willing to let him do because it makes him feel like Lilia never left.

All of the Yutus get to see some of the photographs Yuu left behind, but Lilia! Yutu is especially interested in them. He makes a small photo album of all the ones he can find of his dad, especially ones where he's with Yuu and Silver. He's partially driven by guilt for thinking his father was a terrible person, but really he just wants to feel closer to him. He's half fae, and sure he has Sebek to talk about that with but what he really needs is a connection with his father. Yutu doesn't really care about being a faerie. He just cares about his dad's acceptance, everything else can go hang.

I don't have a name for his unique magic, but going off of anon's idea it allows him to overwhelm his target's mind, forcing them to think about their greatest fears to the point they are convinced they are really going through it. Someone hates spider? All over their face and in their clothes. Crippling fear of failure? Suddenly that emotion is all they can focus on. And if it's a mindless creature like a blot phantom or a monster they become overwhelmed with the sensation that they are unable to breathe and about to die. Yutu can't control the illusion the person experiences so usually he tries not to use it on his classmates.

That changes when he goes into the past. Some rando want to shit talk Yuu? Nightmare. Macho NRC guy wants to rumble? Nightmare. Some random guy jumped out from behind him and yells "BOO!" Nightma-

If Yutu had been just a hair slower he would have been in extreme pain, the dangerous glint in those familiar ruby eyes scream that. The short fae smiles almost cruelly, advancing on him clearly upset even though Yutu has dropped the spell.

"Well now, that's no way to great a senior." Lilia's voice is strangely soothing, it occurs to Yutu that this is probably the first time his father has ever been angry at him and he can't help himself. He laughs,

"Yeah sorry about that." He makes sure to try and be cute about it, which helps to diffuse the tension some what. "You really scared me so it was all I could think to do."

Lilia is very impressed by Yutu's reflexes and control over his unique magic. He is even further impressed by how eager Yutu is to train with Silver. The kid has some real promise and fits into Silver and Sebek's dynamic better than Lilia could have dreamed of. He really hopes the two will benefit from having a relatively normal human friend their age to train with. Maybe he and Yuu will stick around and give him some piece of mind about the kids being in good hands when he's gone.

Yutu hanging around Diasomnia gives him an excuse to chat with Yuu more, not that he exactly needed it. Lilia sort of hates the way he's drawn to you, it feels unfair. Unfair to you to give you hope there could be something more and toy with your affections; unfair to him for life to finally allow him to realize what romantic love is like just in time to have to let it go. There is a bittersweet tone to all of your interactions that his housemates are a bit too socially awkward to pick up on but Cater does.

Yutu is surprised how much he likes Cater, he associates him with a terrifying monster he's had to fight multiple times, not a fun guy who is really determined to help his parents get together. And what's even better he's really chill when Yutu asks for stories about Lilia, he has a lot of them and a completely different perspective than his older brother allowing Yutu to glean some more insight to what his parents might have been thinking in the future.

He finds himself spending a lot of time with the pop music club, not as an official member though he's not great at carrying a tune. Kalim, Cater, and Lilia are glad to have another person to chill with, sometimes they'll play music and Yutu will draw something based off whatever noise they made. Cater wants to talk him into doing album art for them... you know if they ever get around to making a recording.

I think Yutu will only tell Lilia who he is if he has no choice. He wants to mess with the timeline as little as possible, but should a monster from his timeline appear in this one, say like an overblotted Yuu another asker was so nice as to bring up, well it's not like he says who he is. He just addresses the monster as his parent and has a very loud meltdown not wanting to fight them again. Something Malleus is more than willing to assist him with.

"Think nothing of it." Malleus's power is truly terrifying, Yutu is torn between sorrow that he wasn't on their side and relief he didn't overblot a second time. "You are Lilia's son yes? That makes you my subject, and a most precious one at that." Not that Yutu has avoided interacting with Malleus exactly, he's just found talking to him exceptionally awkward because well. He's not Yuu, he's very aware of how important Malleus is supposed to be. But the way he's looking at him now makes him think that maybe he was missing out on interacting with another older brother.

Something that's confirmed when he turns to see how big his father's eyes have gotten, the man is shaking as he stares at his face and flicks between him, Malleus, and Silver like he's staring at the most precious pieces of art in the whole universe.

As you brought up Lilia's survival isn't guaranteed, I did not solve that problem at all. I sort of just... wrote that Lilia would age more or less like a normal human and not really be able to use magic on par with what a fae would consider normal but would still be impressive to a human... so while Lilia might be a bit reluctant to show his face in Briar Valley he would still have enough years to have and raise Yutu. He might have actually died around the same time as Yuu if they had lived a normal life.

He is overwhelmingly excited at the thought of having another baby. Lilia might not know what to do with them but he does really like kids. What's harder for him to accept is his relationship with Yuu. Raising a child is something he's done before, being someone's long term partner is not. He is unused to feeling desirable, and unfamiliar with acting on his own desires. Sure Lilia might seem very free spirited, but much of his life has been dictated by a sense of duty. The thought of having something precious to him that chose him specifically of their own free will is... disarming. He's overwhelmed with how helpless you make him feel and how little he despises it.

Yutu's need to be accepted by his father is met and exceeded almost immediately. Lilia wants to cook a big family dinner for Yuu and all of his boys, something that Malleus politely rejects asking if he can instead show his Culinary Crucible skills off to Yutu (it's really so he can make babiest brother promise to never eat anything Paw Paw makes EVER) and it's all so normal Yutu almost forgets that he's listening to a practical god smugly tell him he knows all about edible weeds as his father flies around him cracking jokes and pinching his cheeks. His older brother is asleep on the couch waiting for the food to be done and his precious parent is helping his Uncle Sebek set the table, listening to him sniffle about how beautiful Master Lilia's family is.

Lilia might be practically retired, but his mind is still sharp. The information Yutu is able to pass on to him lands in good hands. When he tucks Yutu into bed that night, long after the boy has gone to sleep so as not to embarrass him he makes sure to take a good long look at the little miracle. He is beyond grateful Yutu exists, not even the Thorn Fairy could have given him a finer blessing (he'll have to make sure to tease you about that later, that's got to be a good pick up line) He will make sure that this risk his son has taken pays off, Lilia Vanrouge wasn't feared for no reason. Something it seems some foolish mortals need reminding of.

#<3 asks #twisted wonderland x reader #twst x reader #lilia vanrouge x reader #future kid au #i believe in big brother malleus supremacy #he wants to be called older brother but refuses to ask since that would be undignified #but if yutu calls him that he gets so excited the tail comes out and starts wagging

[emblazons]

so I swore I was not going to start speculating off of set images, but given the one's we've gotten of Dustin so far, I cannot help myself (plus it's fun). Still: none of the theories I've seen so far make as much sense to me as this being tied to Dustin's trauma and him having a Vecna Vision/Flashback, which becomes clearer the more you put the details revealed in the images into the context we've been given by S4 + The Duffers.

First, the images I'm referencing (TW: IMAGE SPOILERS):

Separately, these things (the basketball players, Dustin's hellfire fit being the same at both the grave and school + him wearing Eddie's rings + Mike's hair & attire) all feel a bit disparate...until you remember the things both Dustin is trying to cope with (Eddie's death + feeling like an outsider) and the Duffers have said re: Eddie and his effect on the characters (listen if you can, its only 3 min). Why?

Well, because we know for a fact that 1) Dustin and Mike were the ones who felt most aligned with Eddie given their being bullied—

—even though we spent all of S4 building the bond between Dustin and Eddie in particular, because Mike was in California with Will.

Similarly (and while I know it's not primary canon), we get this context from Lucas in Lucas on the Line, which corroborates Dustin's comment about Lucas "making all his sports friends" and feeling deeply betrayed by that fact—

—and even stuff about Mike's appearance "not changing" (pre-hellfire, in the moments he's still in S3/regressive conformist territory +not embracing himself)....something that Eddie talks about in S4 when he comments on the look Mike had when he met him.

(I've also already commented on that Mike's shirt looks a lot like the one El wears post Rink-O-Mania in S4—which plays a lot into the idea of Mike giving El a shirt that represents conformity to him (just like her being his girlfriend does, given he cannot be himself in front of her at all in S4).

Combining all of these things though—Dustin being the only one who is in the Hellfire shirt (while all the other extras look a very "S1 good suburban kid" I/ first day of school), Mike showing up (also looking like his 'conformist' self in contrast), Basketball players being on the scene (the people Dustin felt stole Lucas from him)...combined with him in the same outfit at the grave of the person he felt defended him from those losses and challenges in high school?

It's giving Dustin's grief / worst thoughts thrown back at him 100%.

Given that Eddie, who he lost in an extremely traumatic fashion is the one who said forced conformity (which Mike is showing up dressed as alongside Lucas's basketball friends) killed the kids—

—and now they are facing off with Vecna (and Henry by extension, whose says shit like THIS) on top of asking people to "join him" in his displeasure with the world when he 'takes their souls?'

On top of the fact that we KNOW for a fact there is time fuckery coming for us...and it's likely enough that it's 'now 'canonically 1986 (or near it), which is reminiscent of this moment (likely remembered and traumatizing for Dustin specifically)?

Yeah. Flashback / lead up into Vecna torture is exactly what it gives to me—the things causing the event / the moments that lead into the torture. Especially knowing the scenes shot first (aka now) are generally more SFX complex because they take the most time.

bonus: @magentamee also brought up some great points on this theory here!

bonus bonus: I wrote something on Dustin and standing apart from relationship conformity as early as S3 here and wrote up the relationship he has with nonconformity today, which I think plays into his feelings of alienation / what Vecna might pull him apart from his friends by showing him.

#analysis marie back with a vengance with only 6 pics smh #BUT I HAD TO MAKE THIS. IT WAS PULLING AT ME ON MY DRIVE TO WORK THE SECOND I SAW THE FINN PICS LMAO #st5 spoilers #st5 speculation #eddie munson #dustin henderson #mike wheeler #stranger things #st s5 #my st commentary

[genshinnrambles]

[4.0]: A Theory On Rhinedottir, Alchemy, and the Meaning of Sin

“One thought may end all calamity, and there will always be thoughts that may transcend time.” -The Meaning of Aeons “Separate the dust in the flames with joy, and extract the exquisite from the crude. For all in the universe comes from a single source, and all things may be derived from a single thought.” -Cinnabar Spindle

I’ve been wanting to do some Rhinedottir speculations for a while. With the new Ancient Colors world quest in Fontaine, I think now is a good time to propose a theory about this mysterious member of the Hexenzirkel, her approach to alchemy, and the reason she is a “sinner,” especially within the context of one of the Archon Quest’s central questions: what does it mean to be “born with sin”?

SPOILERS: Up to Act II of the Fontaine AQ (just Primordial Sea stuff), and Ancient Colors.

Although Rhinedottir is never mentioned by name in Ancient Colors, all of the signs of her are there: Mamere’s identity as an artist, Elynas’ otherworldliness and similarities to Durin, and the differences between the Melusine’s perception of the world and our perception of it (or their aesthetics, which we will touch on later). Ancient Colors is trying to remind us of Dragonspine and, if you were playing during this time, Shadows Amidst Snowstorms, and I believe it is doing so because it is key to the secret of the Primordial Sea and the prophecy of Fontaine.

We’ve heard Rhinedottir’s perspective only twice so far, and that was in the Windblume festival from this last year and in Cinnabar Spindle’s lore. Though we still don’t know much about her, she does identify herself as a “mother” of many children, and that she is raising the only son she has left. This, of course, is Albedo. 

We also know that she is considered a "sinner" at the center of the Cataclysm who unleashed "an army of shadowy monsters" onto Teyvat, but we have very little grasp of what exactly is meant by "sinner," and what if any consequences this label has had on her since then. Although every Hexenzirkel witch will undoubtedly be very important to uncovering the truth of Teyvat, Rhinedottir presents a particularly interesting case as the only one whose activities may have caused cataclysmic destruction, as opposed to Alice's general mischief and strange sense of humor.

It’s almost nothing to go off of, but I hope to demonstrate in this speculative theory that it’s more than enough to arrive at some answers.

Psychoanalysis 101, Round 2 

To better explain what Durin, Elynas, and Rhinedottir’s other children are, we need to use an analogy rooted in Freud’s psychoanalytic theory of dream interpretation. This is a super TL;DR version of it and way oversimplified, but if you’re interested I wrote a more detailed theory about the significance of dreams in Genshin that has a full explanation of it there. (Also, it should be said that these were just Freud’s theories, please do not take any of the following as an accurate description of the human psyche and how it works. We are just having some fun for the sake of media analysis.)

Freud thought that dreams are the mind’s means of expressing unfulfilled wishes, and that the psychological purpose of dreaming is to “fulfill” those wishes. In A General Introduction to Psychoanalysis, he gives an example of this through a little girl’s dream where she was sailing on a lake: this dream was born out of an unfulfilled wish in her waking life, where she had to stop sailing on the lake despite wishing to continue. Hence, “I wish to sail on the lake” becomes “I am sailing on the lake” through the dream.

Further, Freud thought these unfulfilled wishes are “forgotten” in our unconscious mind when we are awake, censored by the ego to protect our conscious mind, but that at night this censorship is weakened. This is what allows a dream to occur while we sleep. 

These unfulfilled wishes are often more complicated than a childish wish to keep sailing on a lake. Think about it this way: a wish is, at its core, a thought in our head, or a desire. What do we do with the thoughts we don’t like, the ones that are unbecoming of us or are unacceptable to fulfill? 

We deny them. 

Specifically, we repress them into the unconscious, where they are forgotten. Thing is, even if we temporarily forget these thoughts, they won’t just disappear from existence - they fester in the unconscious, waiting to be expressed. The dream, therefore, is the unfulfilled wish/repressed thought’s attempt to cross the boundary from the unconscious mind into the conscious mind - to be acknowledged, or indeed remembered.

“Unfulfilled Wishes”

Making sense so far? If so, try to think of Teyvat like this: everything that is visible, everything above ground that the light touches and that can be perceived is like the ego and conscious mind. All of these things are what you’re aware of, things that you “know” and can make sense of, things that you understand, things that fit into rules and laws and order.

Now, think of everything in Genshin that is “unseen” and “unknown”: the Abyss, the spaces underground, forbidden knowledge, things that are “not from this world,” from beyond the firmament…these are like things from the unconscious mind, the repressed thoughts that we deny in ourselves because they may reveal a truth we are unwilling to face. These things are comparatively chaotic in nature, things we’d rather avoid, or things that we wish to forget.

We know that Elynas’ and Durin’s bodies are composed of matter that’s foreign to Teyvat, and that this is a major reason why they are incompatible with Teyvat and cause its destruction. This would make them more similar to a repressed thought, something that we don’t understand or know, and attempting to understand it destabilizes our sense of self, our “truth.” It follows that their home, the Abyss, is most similar to our unconscious mind, and Teyvat is most similar to our conscious mind.

Elynas: Before I was born, I floated in the cosmic darkness. It was cold there, and lonely. I was so sad, then, and I would often cry.

So, as their mother, who or what is Rhinedottir in this analogy? Well, we can be a lot more specific than calling her a “sinner.” In fact, she’s a dreamer, and alchemy is the medium through which she “dreams”:

This was a story from long ago...  Unborn life, unfulfilled wishes,  Tragic dreams at the edge of the universal darkness that could never come true, Indwell my body, and descend unto this world.  Then, my lovely children,  Like rainwater flowing into creeks, and plants growing towards the sun,  Go unto a lovely place, and display your own beauty there with pride.  This is a memory, a memory that a child named Durin had of his mother… "Thank you, Mother, thank you."  "You gave me wings to soar and a mighty form."  "Mother, I wish to go to a land of lovely songs,"  "I will tell them about you, Mother, and about everyone else."  "I shall tell them that the place where I was born is beautiful." -Festering Desire

Rhinedottir’s children, then, are like thoughts or ideas that she is bringing to life, or “making conscious,” by moving them from the Abyss to Teyvat. It may even be the reason why the sword from The Chalk Prince and the Dragon is called Festering Desire in the first place - it’s a reference to the idea of repressed thoughts, wishes, and desires festering in the unconscious.

Should the analogy hold true, it provides some insight into what her intentions may have been in creating her Abyssal dragons. But before that, we need to take a little detour into Enkanomiya and brush up on some lore.

Denouement of Sin

Eboshi: However, the heavenly order seemed to not wish for those who remembered all this to remain on the earth. We searched and searched for a road of return, but there was none to be found.

Remember these hologram-looking dudes? They are the Shades of Tokoyo, also known as Sinshades. They are described as afterimages of the former citizens of Byakuyakoku preserved by Istaroth’s favor, specifically those citizens’ most powerful emotions, and they are only visible during Evernight:

Eboshi: Due to the phenomenon known as Sinshades, the “past,” “history,” and “truth” of Enkanomiya would endure even if left to their own devices. Eboshi: As such, great effort was expended, not that we might remember, but that we might “forget.” Lady Sangonomiya was of this view.

Like a dream, Sinshades only appear at night, and they are a kind of embodiment of history or “truth” that Watatsumi Island has chosen to forget, representing the thoughts and emotions of those who once lived in Enkanomiya. Using Freud’s theory of dream interpretation as a framework, Enkanomiya then functions as Watatsumi Island’s unconscious mind. 

Put another way, if all Sinshades are the result of strong emotions preserved in time through Istaroth’s favor, then those emotions are like thoughts, and that would make the Sinshade a “physical” form or expression of those thoughts. So, when we call the afterimages the “Sins of Tokoyo,” we are in effect calling them the “Dreams of Tokoyo,” because they are the thoughts and emotions of Enkanomiya given form, and that’s what dreams do: they convey thoughts and feelings through a series of images. 

Through the Sinshades, we see an implicit association with the concepts of dreaming and sinning in Genshin’s worldbuilding, and through them we understand that they are not so different from one another.

A Brief Note on Aesthetics

Jakob: Look at your feet. Blood, flowing like a river, fertilizing the very dust of the earth with their filthy fat.

It may have struck you how various Melusine perceive reality in a way that greatly differs from the things we see, as if at times their perception was “flipped,” if not somewhat strange. By the end of Ancient Colors, it’s clear that this is due to the Melusine being born of Elynas, who is not from this world. A similar phenomenon can be seen in both Durin and Elynas, the former imagining itself dancing with the people of Mondstadt before it “woke up” from this dream to Dvalin’s fangs in its neck, and the latter realizing that the things that it finds fun are destructive and harmful to the people of this world.

This is a part of the commentary present in several world quests and commissions in Fontaine that deal with “aesthetics,” or one’s own sense of beauty. Aesthetics are principles that differ on both large and small social scales, varying between groups of people and between individuals (see Salsa’s and Ubu’s aesthetic disagreement), and they can change throughout time as values change. In other words, they are informed by perspectives.

For example, think of what we know so far about the Primordial Sea. Neuvillette wonders how the Primordial Sea could be capable of giving life and then “suddenly reversing itself” so that it instead “devours life,” but this is just his judgment of what the sea does, and ultimately his perspective. Many others view the properties of the Primordial Sea differently from him: to them, the prophecy is comforting because it signals a “return,” or a “homecoming.” To take it a step further, Neuvillette may be making an assumption by stating that the sea has reversed itself. Perhaps this is just how the sea is, perhaps this is its “truth.”

Verenata: The "truth" will not be limited or constrained by the eyes and perspectives of the viewer, and won't be distorted by what is in their heart. It objectively exists, and it just is...like the white sand, like the bones of seastars, like the waves that crash and pound...those are "truth."

Now, imagine that you are staring at a 3D object from a 90 degree angle. If I ask you to describe the object from where you're standing, you'll be able to accurately tell me about what roughly half of the object looks like, but you won't be able to accurately describe the other half of it without help from someone standing on the other side of the object.

But how can you be sure there even is another side of the object, or that it's any different from the one you see now? From your perspective, what is already visible to you may seem sufficient to describe the object in its entirety. In other words, your perspective becomes your "truth."

It is only through considering additional perspectives that we broaden our own understanding of reality and expand on our "truth." However, broadening our perspective is usually not a comfortable experience, as is typical when we engage with ideas that differ from our own. Part of expanding our "truth" requires us to shatter our current understanding, pick up the pieces, and reassemble them into a shape that makes space for these other ideas and their "truth."

For example, when we confront Jakob at Elynas' heart, he describes the rushing currents beneath our feet as Elynas' blood. To the player, who has been swimming around in that for a couple of hours by that point, this idea is macabre and horrifying. However, when we consider Jakob’s perspective, his “truth,” it also expands our understanding of Elynas as a being that is somewhere between dead and alive, sleeping if you will, and that he is more than capable of waking up from his slumber with the appropriate stimulus. Another example is Canotila, who saw the wasteland in Rene's Book of Esoteric Revelations as a peaceful forest. When we consider Canotila's "truth," her aesthetic sense doesn't change the way we see the wasteland, but it does show us something equally important: the way that we experience the wasteland is not the only way it can be experienced.

If we return to the other ever-present metaphor of alchemy as a form of painting, we can see that Rhinedottir’s aesthetic sense greatly differs from what is acceptable and compatible with Teyvat. But, just like Mamere, she paints regardless of whether her paintings are understood by a greater audience. In time, Teyvat's "aesthetics" may change again, and perhaps her "art" will be received differently when that time comes.

Concluding Thoughts

(A pool full of Water from the Primordial Sea. Countless sins were born of it…)

So, that is why I think Rhinedottir was deemed a sinner. She sinned by “dreaming” up these chaotic life forms that were not from this world, bringing them into being through the Art of Khemia, and telling those chaotic life forms that they were beautiful, too, that the ordered and lawful world of Teyvat just needed to realize how beautiful they were. Maybe Rhinedottir was dreaming of a new world, one where her children’s wishes could be fulfilled, where they could exist with everyone, and maybe creating that world required the destruction of this one. You could also think of her as someone who has introduced “external variables” into Teyvat, which, hmmm..:

“...No matter how many times I derive it, the result remains the same, though this result is not expected... Unlike the world depicted in these ancient texts, there will be no more new civilizations born... Unless we consider introducing "variables" from outside the system... If it was that sort of power, there might be a chance…” -Enigmatic Page I, Book of Esoteric Revelations

In this way, her “children” (thoughts) were all “born with sin,” or are born from sin (dreams). If Rhinedottir is a dreamer, then alchemy is the way that she dreams: it allows her to give forms to these thoughts. And if you buy that, then there are some serious implications to consider from this whole notion of Fontainians being “born with sin,” and just what exactly the Primordial Sea might be. Definitely something to think about while we wait for 4.1. 

One last point that is more of an aside than anything else: Rhinedottir’s only remaining child is Albedo, but through this lens we see that he is not just the culmination of the Primordial Human Project, the creation of a human through the power of alchemy, but also the only known example of Rhinedottir’s “ideas” that coexists with Teyvat as it is now. As for her known extant grandchildren, they have integrated with Fontainian society and don’t seem to cause them any trouble. I wonder if she knew something like that could happen?

But…that’s just my take on it so far. What do you think?

(also, fun fact: there is a parallel storyline to this one unfolding in Honkai Star Rail right now as it relates to being deemed a “sinner” for creating life, and another parallel storyline in Honkai Impact 3rd about creation and rebirth and “returning home to the sea” and I just love when Hoyoverse connects their games like that) 

EDIT (9/8/2023): Touched this up a bit and made some grammatical corrections. Thesis is the same, some added support and re-phrasing was done to better convey it.

Sources

A General Introduction to Psychoanalysis by Sigmund Freud

#genshin impact #genshin lore #genshin impact lore #genshin theory #genshin meta #genshin impact meta #fontaine lore #rhinedottir #theory #elynas #durin #melusine #long post

[torturedblue]

It’s the middle of the week, have some dancing turtles

Spoilers below as I gush about my Mutant Mayhem Monday experience 🤗 please feel free to gush with me I wanna hear other people’s thoughts too!

First off… When Seth wanted to put the teenager in TMNT he meant it. Like, all the versions act like teenagers, but like Nickelodeon PG stereotypical teens. MM turtles were the realest PG-13 outta pocket 21st century teenagers I’ve ever seen and I love that shit because it’s the first time I actually felt like I was around the kids in middle school and high school again with the way they talk. Kinda appreciate Superfly cussing too? Like idk it’s Ice Cube and this villain goes hard tryna kill some teenage turtles he formally saw as his lil cousins, let the grown mutant cuss

Also uh, was not expecting to be sad so early in the movie? Like I could tell from the trailers it was gon be an emotional rollercoaster but shit like ten minutes in and these turtles are fuckin depressed. And to see it really hit me because in every other version (except for Bayverse) the turtles literally never let not being part of the human world get to them. In the shows especially they’re so well adjusted and never bothered by sticking to the shadows. Then there’s Rise where they pretty much go out whenever they want and indulge in most of the human world stuff they want to. For these guys to be so stunted and desperate to have more freedom was so heart wrenching. Especially when Splinter grounds them for a whole month and the reality sinks in of how much they know the life they want isn’t an option for them

Wasn’t expecting any kind of ship or romance but that crush Leo has on April hit me like truck because…… holy crap the Leo-April pair has never been a thing? On top of that this is only the second on screen black April we’ve seen and I’ve been a Leo kinnie across the board since day one so to see this combo of my favorite character liking a black girl is making me lose my mind 🥲 and like it got me thinking of several of my favorite shows and the single characters I kin in those and if they’ve ever had black love interests and it’s just still not a common normalized thing honestly.

I’m sure a lot of people aren’t excited for the prospect of ships coming back (especially after 2012 scarred us) but as a Leo lover and black girl it got me so excited to see something like this. I’m just hopeful and optimistic they won’t mess it up like a lot of shows do. The “this is just as friends line” already makes me a little worried bc that trope never has a good history but I have faith they’ll handle things tastefully and not make it toxic or messy

MURDER THE SHREKS!

“I assume you’d wanna be on camera. ‘Cause you have, like a very camera ready look…” OKAY SMOOOOOTH LEONARDOOOOOO 👏🏽

Could not stop laughing while he was shooting his shot my face was literally donnie’s restraining myself from bursting out laughing

Just a couple of my favorite questions that April wrote down for them:

“Do you carry salmonella?” Look I still don’t know wtf salmonella is but it’s the second time a TMNT iteration has joked about it so I’m starting to think it has something specifically to do with turtles 👀

“Have you caught covid?” Oml covid exists in this world

“Are you the source of covid?” OUT OF LINE 💀

“How many people has the red bandana turtle stabbed? Does he need therapy?” Yes.

“Does sunlight cause you to burst into flames?” They’re- they’re not vampires? 😂

Leon Ardo deserves the world and whatever he wants in it give him everything 😭

I will never understand what made Donnie laugh so hard at the name Nardo other than it being because it’s his sibling and that it bothers Leo lmao

All imma say about the puke scene is that I’m glad I heard an “out of context” spoiler about it bc I knew exactly when to look away and I’m glad I did bc the scene lasted for so long??? 😀❓But hey at least I had Unwritten to listen too while I was sparing my eyes 😂

The sequence of them going around and shaking down those gangs and Superfly’s connections. BAD. ASS. And each of them got their own moments to shine? Loved it. Like they each even got to take point and have their moments where they got to kick in the door lol. And the fight scenes were just, muah. Chef’s kiss, they all looked amazing taking grown ass adults down together

Okay Splinter definitely gets the best dad award for putting together that little surprise party, with all the celebrity Chris’s and pretending to wait on them 🥺 so pure. It did make me sad the guys immediately left and you can just see such a sad dejected look on Splinter’s face, knowing he can’t provide what his kids really want or make them happy enough without it 🥲 At the very least they say thanks and that they appreciate but I would’ve at least stayed for a lil bit and gone along with it, Splinter just looked so excited about it and it was so sweet 😭

And he doesn’t even get upset though he knows they’re hiding something, he just says he’ll help them if they’ve gotten into trouble, which is something I’m sure almost every kid has wanted instead of having the kind of relationship where they’re more scared of telling their parents they messed up instead of handling it on their own

I love how musical Superfly’s family is 😂 Ray Filet just starts sing-introducing his name and Mondo and the other couple mutants when they drive with in the car trying to find music they could all sing to together 🥹 not to mention the musical references Superfly makes later that I’ll get to. “Kinda don’t wanna murder everyone on Earth, I just kinda wanna sing” Me too bruh.

Raph immediately going “goochi goochi goo” and playing peekaboo with Genghis frog is so underrated that boy has such a soft side he’s not even that afraid of showing at times, and maybe it’s continuing the trope of Raph having a soft spot for pets/animals? Who knows 😌

Yo I was kinda shook when that government guy knocked Leo out and he just fell unconscious on the ground 😶 Like we’re used to seeing the authorities be brutal especially in movies like this but that’s a whole teenager? You just assaulted a minor? 🙂 Crazy

Also I know it’s sad they got captured and drained painfully but Mikey in that scene was hilarious 😂 like even the way he was dramatically crying and Leo was just started to cry with him like “iM sO sOrRy mIkEeEeEy! 😭” gold. When one of his children is hurting Leo hurts too. One of my favorite moments 🤣

They literally started singing BTS while being tortured they’re so unserious but like in a serious way to them and I love it. Also the fact that they did it just to make Donnie feel better? So pure. Like Raph of all turtles offered to sing while being drained of blood (bc I refuse to use the m word 💀)

The way Splinter snuck in and soloed literal government soldiers single handedly? Badass. Never loved seeing a Splinter save his sons so much 🥹

“But it’s the only way we’ll be accepted.”

“No! We accept you!”

“You can come live with us! We accept you!”

“WE VIBE!”

Oml they’re so puuuuure 😭 I really thought this was gonna be a moment where the guys invite them all to come live with them and Splinter was gonna be like ‘aha 😬 whoa slow down there’ but damn nah he was just as enthusiastic as them inviting all those mutants to come live in their home forever “The more the merrier!” Like ugh he just loves finding family like Baxter Stockman and we see where the guys got their loving nature from 🥹

The amount of his soul Mikey put into that BROSEEEPH was so real like I’ve never heard the name broseph be said in any other way, I’m so glad they put that moment in there

“New York, New York!” “I’m the king of New York!”

Oml superfly’s a Broadway baby 🤗 he’s a big bad villain marching through time square and talking about King Kong but he’s fill gonna nerd out and make his musical theatre references 😂

“For once in your life you didn’t sound lame. You actually started to sound like a leader”

“That was really heartfelt Raph”

I love the Leo Raph dynamic in this movie. Like they don’t always agree or understand each other but they will show love towards one another and show mutual appreciation

Something about any of the turtles shells cracking always gets to me for some reason like those are some serious permanent injuries so I want to see if they do anything special with that in the sequel or show maybe 🤔 And I couldn’t tell if all of theirs cracked or just one, and if so which turtle it was. I think Leo or Raph. I feel like it was Leo but Raph’s are also starting to have a trend of getting cracks in their shells so 🤷🏽‍♀️

Also I do not want to judge what other people like to wear but why are Raph and Donnie the only normal dressed ones 😭 like Mikey looks like he’s going on vacation and Leo looks like he’s going to clock in at Best Buy 😂 tell me it’s because they have limited resources for clothes lmao. HE’S LITERALLY WEARING A LANYARD

Them taking off the masks was crazy honestly… like them deciding not to wear them made my brain pause until I realize they’re kids going to school now and not being ninjas all the time… they don’t need them anymore. I’m just so pleased with the fact that this movie was willing to do what all other iterations weren’t. I see why they’re getting a sequel and show already, these guys and the plot development deserve so much more exploration

Maybe I missed something in the beginning but I’m wondering where Stockman went. Like is he still in custody? Did he die? Because not seeing him again that’s what I assumed but we only saw him get arrested or whatever, so if anything I don’t get why Superfly and the others wouldn’t try to break him out 🤔 I was surprised they didn’t make him a villain though, but I’m pretty happy about him getting to be a more optimistic kind character tho

SHREDDER HAD ME SHOOK LIKE THE ARMOR ALREADY LOOKED SO COOL AND I WAS NOT EXPECTING THEM TO GET THE BIG BAD INVOLVED AHHHH I’M SO READY TO SEE THEM REACT TO THIS ANGRY GIANT TIN CAN

Although I do wonder if Shredder’s gonna have some personal gripe with them since they have a different backstory he doesn’t seem to be a part of. And shit now that they’re public and in school it’s gonna be so much easier for him to go after them 😅 pluses and minuses…

The soundtrack: golden. Cultured. Nothing but range. Goes from a 90’s rap song to Natasha Bedingfield’s soulful 2000’s song. Most movies only ever have all pop mainstream songs or only rap songs because they think they can’t mix but MM does it effortlessly. The turtles are so versatile not just with music genres but they make old and new references ‘cause they’re well rounded kings 💪🏽 Between rizz, Adele, broski, Hey Arnold, K-Pop, Ferris Bueller, etc… I mean Donnie’s literally doing the sprinkler and the funky chicken in that gif up top 😂 they’re born in 2008 I doubt any kids today know about those dances anymore

Clearly I have all the thoughts and feelings about these boys and the movie, but I think this is probably my favorite TMNT movie? I’ve loved all of them but I think this one definitely brings me the most comfort fr

#mutant mayhem spoilers #tmnt #mutant mayhem #tmnt 2023 #tmnt mutant mayhem #tmnt mm #tmntmm #mutant mayhem tmnt #tmntmm donnie #tmntmm leo #tmntmm mikey #tmntmm raph #tmnt mm splinter #superfly #tmnt superfly

[that-ari-blogger]

An Interesting Character

Usually, when character is brought up in discussion, it is in reference to the people. If you think of the characters of The Owl House for example, you probably think of Luz, Eda, Bellos, Hunter, and Principal Bump.

But, by pure mechanics, a character is just a force at work in a story. One with personality, and agency, sure, but it's just a force.

This means that, if you squint a little, the Boiling Isles itself is a character, and the Wild Magic is an extension of that. It certainly gets treated like a character by the story, especially in Adventures In Elements.

Let me explain.

SPOILERS AHEAD

Before I start, let me give one attempt to argue with the pedants. By definition, a character is a person. So, hear me out, the Boiling Isles is literally the body of a titan, who actively talks to Luz later on in the series. That is my justification.

So... why is wild magic a thing?

I'm not asking for an in-universe answer, because that is multifaceted and not really the point. I'm asking why the writers decided to include this idea, and what effect it has on the story?

The phrase "magic is..." is used four times in this episode. Once by Eda, and thrice in quick succession by Luz. And it is worth taking a look at these statements.

"I know my lessons seem weird, but this is what wild magic is all about! Making a connection with nature. The earliest witches understood that. Human witches need to understand it, too. You wanna learn a second spell? ... Then you have to learn from the island."

There is a lot going on with Eda's guidance. First up is the small detail about the tense. The earliest witches knew that magic is about nature, implying now it is different. But mainly, this is an explanation of the nitty gritty of The Owl House's magic system. It's about two things, nature and connection. And I want to delve into that a little bit.

There is something fascinating about Bellos and his roots in witch-hunting. Because that was specifically defined by an opposition to things, rather than any actual views of its own.

Malleus Maleficarum, the book that kicked off the witch-hunts is a fascinating read, as long as you understand what it is that you are reading and don't use it as a set of instructions. Internet Archive has a translated version by Prof. Christopher S. Mackay, complete with commentary from latter authors that I highly recommend.

This single book caused a ton of harm to people, and you can examine it from almost any angle you like. The original was written by a terrible person with terrible intentions, and I also recommend Overly Sarcastic Productions' video on Werewolves for more information on that section of history.

What I want to focus on is the vernacular. References "devils" about 400 times and namedrops "witches" with similar regularity. The word "demon" comes up over 1000 times, and the word "pagan" comes up about 40 times. Specifically in reference to "pagan nations" which is about as racist as it sounds, as well as a ton of using the word as a catch all insult ("x type of person is worse than a pagan", etc. etc.). I don't want to get into the theology and history of this word, because it's a complicated minefield. But in this context, specifically around Europe in this time period, it means just about all regional faiths and mythologies. Celtic, Norse, Germanic, and several others.

Fun fact about me, I am Welsh, which means is that I have a connection to Welsh mythology, and so my analysis of wild magic is through that lens. If you have an understanding of other similar cultures, let me know, I'm fascinated to learn how that affects the reading of the Owl House.

Now, Modern Druidism is a living religion that I am not well versed in and want to treat with the respect befitting any living faith. So, I am sticking to what I know about the history and mythology and trying to make the differentiation between those two and Modern Druidism clear.

So, Druids in Celtic mythology are religious leaders, and peacekeepers. But what is possibly the most famous thing about them is their connection to nature. And here is where the analysis of The Owl House comes into play. Because the Owl House takes great care to associate magic with the natural, and Bellos with the unnatural.

"It means magic is a gift from the island. It means magic is everywhere. Magic is everywhere!"

Bellos creates artificial magic through his artificial staff and the destruction of the Palismen to fuel his life. Hunter wields an artificial staff, and in Adventures In Elements, Amity trains with an artificial training wand, which is linked to Bellos through the coven system.

But you would think that Luz's runes would also count as artificial. So what gives?

This episode shows them as part of nature more than the more refined spell circles. Luz's magic is that connection to the island in its purest, rawest form, and as I have said before, Luz's greatest strength is her ability to connect.

The dynamic between Wild Magic and Coven Magic isn't a dynamic between the artificial and the natural, it's a dynamic between empathy and utilitarianism. Wild Magic borrows, or is gifted, Coven magic takes and uses for its own ends. They are similar concepts, but it's in the minutia that the meaning comes out.

Final Thoughts

There is one final thing that Wild Magic reminds me of, and its off on a limb a bit. I currently live in Australia, and while Aboriginal spirituality is varied and complex and not my story to tell, I have been gifted this piece of advice that I would like to share: Humans don't own the land, we are a part of it, just as the trees and the beasts and the storms and the fires. Humans are mere custodians, our duty is to watch over and protect, and to connect.

I thought that was relevant.

I am away next week, but I'll be back in the new year with some analysis of The First Day, so stick around if that interests you.

Previous - Next

#literary analysis #rants #literature analysis #what's so special about...? #the owl house #toh #character analysis #wild magic #witchcraft #titan magic #owl house

[lu-is-not-ok]

horrid thought i had: if your theory on k corp hong lu being semi-conscious during stasis is right, does that not mirror carmen during lobotomy corporation?

...

Wait. Hold on. Wait. Wait hold on.

Ok, so here's the thing: For a while now I've already had a suspicion that Hong Lu's deal is like, way more important than he lets on.

This might sound like a conspiracy Game Theory Matpat rant, but here me out.

First of all, Hong Lu has this weird tendency to break patterns in much less obvious ways than the other suspicious Sinners, to the point it's been driving me insane?

Like.

Okay.

First.

Remember those promo PVs of each Sinner? And how each of them ended on a glimpse of their trauma and All of them either directly referenced a potentially traumatic event or had the Sinner sound distraught? Except for Hong Lu, who doesn't sound in any way distressed like the others did, and then after the game logo is revealed he asks if something he said was weird.

Like, sure, it does make sense for him to say that in context of what he says during that video, but isn't it so fucking weird that the one Sinner with a section in his promo that seems slightly off is also the one who asks if anything he said during that section was weird?

Second.

You know those intro segments during the prologue, that are also on the official limbuscompany.com website? The ones that offer managerial instructions for each Sinner?

Pay close attention to those. For every Sinner, these instructions specify how to deal with that specific Sinner's eccentricities.

Don't show Gregor your disgust. Wait for Rodya's bad mood to pass. Give Sinclair positive reinforcement. Wait patiently for Yi Sang to finish thinking. Look Ishmael's way for sound advice, but don't break her trust. Understand Heathcliff is simple-minded and contact HR if he causes problems. Play along with Don's Fixer act. Don't make Ryoshu breed personal resentment towards you. Give clear and concise commands to Meursault. Give Outis short replies of agreement but keep an eye on her. Simply nod and get it over with when conversing with Faust.

...But then there's Hong Lu's. Which says nothing how to deal with his eccentricities, but rather to not let Other Sinners get physical with him over them. It's not about keeping him in line, it's about keeping other people's reactions to him in line.

I want to note this especially because several other Sinners break patterns in their introductions as well. Meursault's is one sentence. Ryoshu and Outis have a warning. Don Quixote's particulars include a [REDACTED] on the website. Faust's directly asks the manager to fuck around and find out. However, the way Hong Lu's intro instructions break the pattern is the most subtle out of all of them, to the point I genuinely did not realize that was the case until I had read all of them over multiple times.

Third.

Hong Lu's Base E.G.O animation. If you watch all of the Base E.G.O animations in a row, you'll notice that for all of them, the Sinners start already in frame... Except for Hong Lu, who visibly jumps into the frame from off-screen.

Now, you could argue that, technically, Don runs into her animation from off-screen as well, however I think there is a bit of a difference here. Don's animation is too quick to see her actually run in. We see she's not there for maybe a frame, before she pops with an animation that implies she had just run in and needs to break her momentum. This is unlike Hong Lu's, whom we Actively See descend from Off-Screen.

Now, I know what some of you may be thinking.

That I am coping. That these are coincidences. That I'm looking too deeply into things.

However. Here's a connection that I just recently realized, that has been Fucking Me Up.

Mild spoilers for Canto IV and like the first two chapters or so of Dream of the Red Chamber, if anyone cares.

You know how Limbus Company has this... fixation on stars? There's the whole thing with Dante following a star, stars granting wishes, people turning into weird beings from wishing to be stars, and there's this general connection to the sky and space because of Demian also doubling as a reference to The Little Prince.

And then something weird hit me.

See, Dream of the Red Chamber starts with a bit of a backstory to the jade that would later be reincarnated into Bao-yu. You see, it was one of the many stones used by a godess to create the sky. However, this one specific jadestone ended up being the only one not used in that creation, which then led to it feeling horrible about itself, which then led to a monk and a taoist deciding to have that stone reincarnate as a human and live through a human life, kickstarting the rest of the novel.

I'm like, heavily simplifying this, but that's the gist of how that whole thing starts.

Which. Made me think. A jadestone that was part of the ones meant to build the sky, but ended up being left unused. The sky. Stars. Hong Lu being seemingly named after the jade rather than Bao-yu directly.

Holy shit there's no way they won't reference this in some way, right? Right?

So, now imagine me, at my fucking wit's end, having the biggest crackpot theory brewing in my mind.

And you send this ask comparing K Corp Hong Lu to Carmen.

I am going insane.

#limbus company #limbus company project moon #hong lu #hong lu lcb #lcb analysis #lcb speculation #lcb canto iv #lcb spoilers #ask #mulberriesandtea #lu speaketh #no i'm not normal thanks for asking

[sentienttoastah]

Trying out new art styles. Whale skeletons are very cool :) And of course it wouldn’t be complete without the usage of the colour green for no reason in particular (Spoilers: I think I like the colour green).

Thoughts on Moby Dick for today: A bit of the cetology chapters and a bit of Ishmael! Because… Whale.

We all know there’s copious amounts of whale anatomy lessons in Moby Dick, some of which are true and some are more outdated. This is usually the least favourite part of the book for many people, and understandably so. It can be annoying for those who only read for the story and probably even more annoying for people who are actually interested or knowledgeable on the modern topic of cetaceans (or marine biology in general I mean like Ishmael called a seal (or was it a walrus? I forgot) an amphibian I don’t think I have to elaborate).

But I’ve always thought the way Ishmael narrates the story, even though it’s through a book, is as if you were actually there sitting in front of him while he tells you the tale. Like listening to an actual sailor ramble about the ocean. Like a one-sided conversation, you could say. It just gives those vibes. That feeling of a naturally flowing conversation was actually what kept me really interested in the book because even though he barely talks about himself you can feel a kind of connection to Ishmael.

So if we were to treat it like him actually telling you all of this in one sitting on the spot I thought wouldn’t it make sense for him to want to avoid the worst parts of the story? So he drags it out before getting to the sad part. Or alternatively, the more logical explanation is the fact it’s a sailor telling a story about the sea to a land dweller so of course he would want to give them quick context notes. And especially considering the time this book was first published many people were unaware about even the basic facts of a whale.

Because among the many reasons Melville wrote Moby Dick was to educate people on the wonders of whales. And he succeeded! …Partially. He might not be the one we should give all of our credit to for the research of whales but at the very least he sparked a kind of curiosity in the common people back in the day. Sure it’s outdated but he tried his best and I think that’s very cool :) shout out to Herman Melville for that.

Oh oh wait! I just thought of something. We can also view it as Ishmael writing a personal diary instead of being an actual book to publish to many. That works well too, and gives him more reason to want to drag out the tale. He’s not just writing about their death and demise he’s writing about their lives to remember as well. A diary.

But on a different note, since I think that whole previous subject is already commonly thought about enough by Moby Dick readers;

Whale skeletons like I mentioned before are very cool too. But at the same time they kinda freak me out. Cause it looks like both a fish and a mammal at the same time. The skull especially reminds me of I think horses or other medium sized quadrupedal herbivores?? And the fingers are freaky too. The fingers are the freakiest. I’m sure if you showed them to someone who has never seen a whale skeleton they’d be very confused or scared. Maybe both.

But it really is curious to see the remnants of their land dwelling days through their bones!

#moby dick #DAILY DICK!! #whale weekly #art #fanart #Whale bones scare me #literature #discussion #and thoughts #herman melville #🐟

[vallkary]

Prime Defenders Headcanons that might actually be more like AUs but let me have this

(THIS INCLUDES SPOILERS BASED ON S1, S2, AND THEIR FINALES)

William Wisp has a body cam on 24/7 (I think this is actually canon), and posts the footage to his 3 subscriber YouTube channel as unlisted videos.

The second Bell Tech “heist” was either put on Private or Deleted entirely.

Every encounter in Deadwood for the final episodes of s2 was put on a public or unlisted livestream, because he thought if something happened, at least somebody would have to know.

The final Trickster encounter was on a seperate, PUBLIC stream, and was ended when The Trickster impaled William. The stream was Public in order to show civilians what happened in case the heroes failed, giving them a sort of warning like “hey this is what’s up if it goes bad don’t mess with these things”

His footage, when posted publicly or the link is shared for any reason, is a hot topic for Superhero debate and “politics,” with many conspiracy theorists using the footage as proof that superheroes aren’t real and it’s all “behind the scenes” effects

William doesn’t title any of his videos, and he almost never posts things for himself. It’s always the date the footage was taken.

Days after The Trickster fight when 67% of YouTube thought he was dead, he posted another video just showing off the Wisps and gave zero context for if he actually died or not, causing even more conspiracies

Ashe Winters is a somewhat popular gaming YouTuber and streamer because I think that’s fun

When she began working with the Prime Defenders she took an unannounced break

After William’s footage of the final Trickster encounter was brought to public attention, Ashe checked her YouTube channel to find way more subscribers than before, and slowly went back to posting gaming videos again

Ashe kept traits of The Trickster

That’s it. I like to think that the Trickster had a lot more inhumanness than red skin and wings, like horns, maybe spikes somewhere I guess I love me some spikes. Anyway. Those traits lessened but didn’t totally disappear when Ashe was freed from The Trickster, and she’s getting used to them (slowly)

Dakota is by far the most popular Prime Defender

I’m pretty sure this is canon again

I like to think he doesn’t post anything anywhere that often, but despite that he by far gets the most attention.

He doesn’t keep his identity secret and most people assume that William and Vyncent are his sidekicks.

He sometimes posts on YouTube and it’s the most dogshit quality videos ever and they gets millions of views every time because that visual is delightful to me. Bonus points if William and Vyncent pop up in the background and he just doesn’t edit them out

Vyncent does hallucinate voices sometimes

Maybe it’s happened from the start, or maybe it only happened after The Greats were put in his head, but either way, he does experience some audial hallucinations.

I do not experience any kind of hallucination so if this is offensive please tell me /genuine

#vallkary #vallkary loses mind over media #jrwi #jrwi prime defenders #jrwi prime defenders spoilers #prime defenders #prime defenders spoilers

[serialadoptersbracket]

Round 3, Match 10: Jean Valjean vs. The Fix

Submitted kids:

Jean Valjean: Cosette; Marius; Enjolras; Gavroche

The Fix: Conrad Schintz, and then he adopted like, an whole orphanage, named Madam Loathings home for wayward interests

Propaganda under the cut! (Spoilers ahead!)

Jean Valjean:

“Cosette is a given, but let’s be real, as Valjean became wrapped up with the revolutionaries, he became all of their dad”

The Fix:

“Ok ok so. Spoilers for mentopolis: First some context that mentopolis is a show that takes place inside one guys brain, all the characters represent something in the brain, and the guy whos brain they are in, named Elias Hodge, is so so very sad.

Ok so, The Fix, the personification of hyper fixation, is like is someone who has spent most of his life working for people, where his job was to 'eliminate distractions' (He kills people, basically). Then one day he is told to eliminate a child. His name is Conrad Schintz (Or the Conscience, due to an accident that happened to the guys who's brain they are in when he was a child- Conrad stopped thing he was useful, aka Elias stopped using his conscience, so his conscience has not grown since the incident, leaving him a small child)

The Fix has never had to hurt a kid before, and he doesn't want to do that, so he instead goes into protecting Conrad. Conrad kind of hates himself though and also kind of thinks he deserves to die so that's not good.

The Fix gave this like, beautiful speech to Conrad once about how hes important, I wont give the whole thing but something along the lines of "There is a butterfly who has a tail that is there for if a bird was to grab on to the tail, it would break off and the butterfly would escape. I don't think you are the tail of the butterfly, I think you are the butterfly." (its better in the actual show). I cry. There is another speech about eagles he gives Conrad when Conrad offers himself, to basically die, but i don't remember it that well.

Other then Conrad though! So There is this orphanage, called Madama Loathings home for wayward interests. Basically its a bunch of kids that represent past interests of Elias. Its run by this women called Madam Loathing (represents Elias' self Loathing)(she is very mean to the kids). The Fix donates a lot of money to this place, and visits a lot, the kids there love him and think he is so so cool. There is this one kid named Ronnie Reptile. He loves reptiles, and The fix gives him reptile facts, its cute. In the first episode, The Fix tells Madam Loathing how any of those kids/interests could be rediscovered by Elias at any time, and madam loathing sort of taunts The Fix, sort of saying how ""Oh I'm sure I can tell the kids they will call be adopted by The Fix soon, but that would be kind of cruel, wouldn't it?"" Implying that that won't happen. (cause, The Fix is hyper fixation, and hyper fixation adopting an interest would be good, you know.).

Note that Conrad used to live at madam loathing's, because he was mis identified as just a simple interest and not Elias' whole sense of conscience, but Corad ran away with his best friend, a dog named Justin. He lived on the streets after that.*

So a bit later on in the series The Fix and Conrad have to go to to madam loathing's together (and another character is with them but he isnt relevant for this). When they get there Madam Loathing asks The fix if he is here to drop of Conrad here, and The immediately is like "Absolutely not, shut the fuck up." (I think that's the direct quote). I just really like that scene.

At the end, end of the series. Some plot stuff happens. The Fix met a women named Pasha N (She represents Passon), and they are in love, The fix proposes to her, its sweet, but then madam Loathing, who got some like, character growth I won't really go into here, and she says to The Fix how, she needs to go on a trip to find herself, and then she offers the entire orphanage to The Fix and Pasha, which is accepted. So in the end of the show, The Fix has basically adopted, that entire orphanage, so thats a lot of kids, along with Pasha, but she isn't in the show as much so I wont submit them as a pair. I didnt mention it before but The Fix is known for knowing a lot of facts and saying "Did you know." before saying a fact, which a lot of the time, it is a fact that is truly terrifying but thats a lot, and The narration at the end of the shows, says how The Fix and Pasha spend their lives with kids around them, constantly saying "Did you know? Did you know?" and it is very sweet. Conrad sort of had his own ending away from The Fix, but I still head cannon that The Fix adopted him too and Conrad comes to the orphanage sometimes.”

#jean valjean #les mis #les mierables #the fix #mentopolis #dimension twenty #dimension 20 #dropout tv #serial adopters bracket #round 3 #tumblr polls #tumblr tournament

[ddarker-dreams]

Hi Lock~ I wanted to ask you abt how you got into literature, and how you’d maybe recommend someone else to start? I want to expand on my reading (and also you’ve hyped up Dostoevsky sooo much I’m hooked but I KNOW I’m not at that lvl yet haha) but there’s so many different sources and stuff idrk where to start. I have seen your list of recommendations and other people’s lists as well but Im never sure if they’re a good place if someone is just starting into literature; I’ve been really interested in Picture of Dorian Gray, Jane Eyre and Frankenstein right now, do you think they’d be okay? Did you look at books you knew you’d be into? Or did you try out smth new entirely? Also did you look at any sources online that you could recommend? I know I’ve asked a lot so you of course don’t have to answer them, but please let me know what you think!!

I also wanted to ask, as someone who’s read many classics in literature, in your opinion, how would you define literature? And what do you think makes a book a classic?

From a very clueless anon, hope you and bun bun have a great day and stay hydrated!!!!

hello anon!!! there are so many interesting questions here, i'll try answering them to the best of my abilities!!!!

(how i got into literature)

i'd been neglecting published works for most of my life because i just preferred fanfic way more. it wasn't until a bit into 2021 that i saw this Discourse Causing Post that 'you can't grow as an author if you don't read published works,' or something among those lines. i thought this was really interesting because i'd never given it much thought. around that point, even though writing was a hobby, i felt really motivated to improve. i normally spent no more than a day or two on a story before moving onto the next. which is fine, because fanfic writing is a hobby, but i felt i'd be capable of more if i put in the extra time and effort.

so basically i got into it because i wanted to write my silly little yandere fics better jdfklgjsdg

(recommendations for getting into literature)

i focused on the genre i thought i'd be the most interested in: horror. then i branched out from there. i looked up what people considered must-reads for the genre because i figured that'd be a good place to start. if you know what sort of genres you like, doing some research into its most prevalent/foundational works isn't a bad idea. that's the approach i took. authors throughout the centuries influence and inspire one another, i wanted to be able to map those connections out. this also helps give some context to older books with references that'd be loss on a modern audience.

(how i went about looking into books to see if i wanted to read them)

i research everything like my life's on the line, so i do look into books before i read them. i go for a synopsis that doesn't include spoilers and consider if that's a story i'd get invested in. if not, i'll read some reviews for fresh perspectives. if i'm still kinda meh by then, the book gets passed on.

(defining literature/classics)

UHHHHHHHHHHHHHHHHHH literary theory is not my field of expertise ... i'd personally define literature as any written work such as fiction and nonfiction. it can encompass so many things that defining it feels tricky. as for how i'd define a classic, all art is subjective or whatever, but there are stories that just have the It factor. whether that is their cultural impact, or works that are pillars to the genre(s) they were written in. you can see the ripples that it made after its publication.

finally, as for the books you listed (jane eyre, the picture of dorian gray, and frankenstein), i'd highly recommend them!!! all of them are apart of the gothic genre, which is one of my favorites. they've all stood the test of time for good reason.

#lock lore #answered #Anonymous

[connorsnothereeither]

Okay I’ve said that Ulysses is Epic the Musical coded from the very beginning (which admittedly is hard not to be because they’re both based on the Odyssey, even if one is way more loosely based).

BUT it’s not like, all of the songs, ya know? I have specific songs which are ingrained in my brain and I can finally tell y’all most of the reasons…

(Also minor spoilers for the canon Ulysses fic “Cycles”)

The Horse and the Infant - [spoilers] but also I like to think the beginning of this song reflects Ulysses in his days as a soldier with Vess, and the final pushes on the front lines which led to Vesperae’s death.

Just a Man - This song sort of inspired what Ulysses was as a character in the very beginning. The idea of what pushes a man to do the things the Telchin did. The desperation, and the loss of innocence, and loss of the self in becoming a monster. I tend to think of this current Fable Ulysses, looking back and trying to find the point he went over the edge as he begs for forgiveness from his friends. Looking into the eyes of the people around him and only being reminded of the things he’s lost and the people he’s hurt.

Open Arms - This only recently occurred to me, and wasn’t something I was going for when I wrote Oenone, but she’s really Polites coded? They were initially conceptualized as sort of loosely what Garden Duo is to Rae, he was to Ulysses, but looking back this attempt at pulling Ulysses back towards kindness… I dunno Open Arms is super Oenone coded. There’s also some flavour of their final interaction before Oenone’s death in the conversation with Eurylochus in Puppeteer, when they’re both older, but like… This one.

Remember Them - In my mind this is Ulysses during the Levithan incident, trying to lead the team of scientists to survival as they run from Leviathan. There’s shades of upcoming lore in this too, but the culmination of himself standing up, throwing his identity on the line to distract Leviathan as the others escape, moving directly into him taunting Lenarius in the prayers in the aftermath.

My Goodbye - LENARIUS👏AND👏ULYSSES👏 a god who viewed a mortal as an acolyte, rejecting them entirely as the mortal becomes disenfranchised with religion as they witness the horrors brought upon them by the gods??? Mr Jorge how did you pull this so directly out of my brain??? The final emotions in Odysseus’ last “You’re alone!” is so much the same energy as Ulysses breaking down in his final confrontation with Len in his attic in the episode “28 - What is Best”.

Ruthlessness - I NEED EVERYONE TO KNOW HOW MUCH I CARE ABOUT RUTHLESSNESS BEING A ULYSSES AND C!OCIE SONG- Ocie giving Ulysses so many chances. Giving him so much kindness, despite knowing what he did, only to finally snap when he tries to help on Oscar, and she learns about what he did to Vorago. God fuck if I could animate THIS would be the song. Ocie chasing Ulysses down in an attempt to finally kill him after he went after her son. Ulysses genuinely trying to be merciful, to help, and it didn’t work. It works in the context of Oscar and of Leviathan, pleading his case that he was only trying to do what’s best, and it’s just… god it’s so perfect to me I have so many feelings- Ocie and Ulysses are such an embodiment of “the line between naivety and hopefulness is almost invisible”, especially in “Ep.28 - What is Best” and “Ep.29 - Spear Fishing”

The Underworld - Just given the many canonical nightmares Ulysses has about those he hurt in the projects, and those he lost in the war… yeah. Yeah this one too.

Monster - In my mind, this is Ulysses immediately after Oeone’s death. Not a brutal snapping point, but a gradual accepting of everything around him. Of all he’s done and has to do. His kindness is a danger and has only left him alone, and caused the only person he cared about to die, and worse, be forgotten. For the first time he truly learns to push away guilt and kindness and humanity, and do whatever it takes to save the telchin, no matter who or what he had to hurt.

Get in the Water - Absolutely current Ulysses and Leviathan. Without a doubt. Like, particularly I’m thinking of them meeting in the telchin temple in “Ep. 12 - Cydonia” and Ulysses not even knowing how to react. His first time seeing the consequences of his action, as Levithan just… finishes what he already started. Not angry. Not malicious. Just… there to kill him. There to do what he has to.

#I’ve been thinking about Ulysses so much recently #and I’ve listened to so much Epic while working on things lmao- #fablesmp #I’m really excited for what we have coming for him #fable smp #fablesmp ulysses

[lmk-aus-galore]

@imminent-danger-came’s Eldritch MK Theory could actually be plausible in this context to be honest…

Season 4 Special Spoilers!

Some people are a liiiiitle bit concerned about the last phrase of the Season 4 Special.

???: The universe is parlously close into tipping into chaos…

Ink K: They will destroy you, harbinger of chaos!

If you ask me, those are some PREEEETY neat choice of words there…especially since in the ending of the special they say:

???: But only a fraction compared to what will come to pass…should you succeed…

Now…some people theorize that these are the Kings of the Underworld, and that they are angry that Wukong wrote his name off the book of the dead, and they are still salty about it…

Soooo with this motivation…why not I just add the possibility that these guys…are trying to release whatever MK is, cause what better way to kill off Wukong, than a creature he just could not beat?

The way the Ink acts around MK is a little off compared to previous scenes of the ink around others.

The first time it manifests into Wukong’s guilt, It was manifesting as multiple people, Wukong angered in his lifetime, their voices echoing and overlapping with one another.

It was the same for the other Monkie kids, with Mei, Tang, Pigsy and Sandy, they were experiencing their ancestors/past lives, but their voices were once more, overlapping with other phrases the Pilgrims have spoken.

The second time the ink taunts Wukong, he taunts him with MK’s voice…he isn’t even just taunting Wukong, he’s taunting everyone, with MK’s voice…

Unlike MK who he speaks DIRECTLY to, he DIRECTLY taunt MK, he makes him QUESTION himself, he makes him try to REMEMBER himself, he’s pressuring him, forcing him to remember as if it WANTS him to remember, it WANTS him to know what he is, and since it’s created from the Underworld, and they have no other reason to give Azure the scroll without killing off the Jade Emperor and making inconveniences for themselves, I think they only GAVE the scroll to Azure because they NEEDED to awaken whatever MK was…

And my little thoughts go…MK and Wukong fight but that’s their plan all along, to make them fight.

Am I thinking too much? Maybe…Hell I’ll just add this into the theory because I’m slowly going insane from how much I’m overthinking things…

#lego monkie kid #lmk #lmk sun wukong #lmk monkey king #monkie kid #mk lmk #lmk mk #lmk qi xiaotian #lego monkie kid season 4

[that-ari-blogger]

"Eda, do you have kids?" (Eda's Requiem)

The Owl House is a series about identity and the freedom to express oneself the way they wish. It explores the ways in which that affects relationships with others and oneself. Self-image, mental health, love, all fall under this bracket. This is partly why I would refer to The Owl House as a queer story rather than just a story with a queer protagonist. It engages with the concept in a nuanced way that I think is interesting.

The Owl House is also about family. The theme was present at the beginning, but it was very much a background thought. However, season two examined this idea in a ton more detail, through the Golden Guard, through Amity, and even through the side characters.

But the single best part of The Owl House is its ability to weave themes together. Family and identity are parts of each other. A family is a group of people with a shared identity, and a persons sense of self is usually defined by their experiences with their family. That is why found family is a part of family, it’s not about blood, it’s about connection.

This duality is directly the cause of my two favourite episodes in the show, Reaching Out, and Eda’s Requiem, the latter of which deals with a crisis of identity and a juxtaposition of past and future.

Let me explain.

SPOILERS AHEAD (The Owl House)

How does Eda define herself?

That is a question that grows more complicated over time. She is the Owl Lady, the most powerful witch in the Boiling Isles, which is a neat thing have while it remains true. However, she stops being that at the end of season one, and still clings to the moniker, why?

“How did you become the Owl Lady with your stage fright?”

It’s a persona, an act that she puts on to impress everyone, including herself. It is an identity that she wears like a mask, and who would know more about wearing masks than Raine Whispers.

I’m going to take a brief moment to talk about my favourite little detail in the series, and I give all credit to @Idlescreee’s video, Names in The Owl House: Breakdown and Analysis, which pointed this out to me.

I am one of those people for whom silence makes my skin crawl, and so I like to put on music or white noise while I work. One of my go to sounds is that of rain, I am literally listening to it as I write this post.

So Raine Whispers is a quiet name about the beauty of nature and the quietness of a natural sound. Perfect for a bard, right?

Well, not exactly. Context gives meaning more than anything else, and Raine’s context is the Boiling Isles, in which the rain is acid, making a hissing sound as it destroys everything in its path. Raine Whispers is a name that refers to the fury of nature. It is quaint at first glance but could destroy you if given the chance. A fitting name for a spy.

In any case, the purpose of Raine in this episode is to provide a contrast to Eda, they are someone from their past who has changed a lot since the two last met. Raine is unconditionally the wisest character in the series, and their ability to read people is unrivalled. So, they can see through any illusion she throws up.

They are also the first named non-binary character in the series, and it is a neat piece of storytelling that a character who’s sense of identity involves not being confined by binary gender would be against a villain who runs on categorising people. It’s not dwelled on, which is a strength of the show’s normalisation, but it’s cool, none the less.

The mirroring of Eda means that the audience can notice the two’s similarities more easily. Most importantly, Eda has also changed, although not as much as she thinks.

I am going to bring back the concept of a lowest common denominator style of character analysis. Essentially, a character can be boiled down to a single concept that cannot be changed for the character to stay the same person. The character can switch up their entire identity, allegiance, or even body in some cases, but it is this attribute that keeps them recognisable.

For example, Hunter is brave. He switches up characterisation almost entirely over the series, going from the Golden Guard to the most precious boi over the course of two seasons, but he keeps the fact that he is, at all times, bone numbingly terrified, and still able to persevere. Hunter is brave.

Eda, meanwhile, is complicated. She is an agent of chaos, but she brings stability to the lives of everyone she is close to. She is against authority, but that is an allegiance rather than a descriptor. So, with the full understanding that this is inaccurate, I will say that Eda is free.

Again, this is inaccurate, and oversimplifying, but it’s the best I can come up with. Eda is unabashedly herself, and the primary conflict of this episode is trying to work out who that is. So… Eda is Eda? That’s unhelpful but hold onto it for a moment.

The episode itself follows an opportunity to live the good old life with an old friend, and Eda jumps on it. She is growing distant from Luz and King, and she doesn’t quite understand why this upsets her as much as it does. She has become a parent without even realising it.

So, she takes the chance to go with Raine, chasing the high of connection and creating the persona of Mama Eda, although that is where the analysis gets weird.

Maternal and paternal behaviours are different across cultures, but they are usually not specifically necessarily reliant on gender. Yes, they are linked by association (it’s part of the words), but it’s not intrinsic.

Case and point, in the culture that I read this story from, Eda is absolutely terrible at being maternal. So she doesn’t try to be, instead, she fills a ton of paternal roles in the lives of those around her. But it’s also inaccurate to read her as entirely paternal. Instead, she fits both roles, leaning further into one, but not entirely.

Essentially, Eda parents in her own way, and struggles when trying to live up to “the right method” of doing things. Eda is Eda. She excels at doing her own thing. Trying to define her as one archetype is reductive and misses the nuance of her character.

What I think is really interesting, is that Eda realises she has become a parent when the story essentially threatens to take her family away, and she is surprised by how she feels.

While I have my opinions on the fake out, it is an effective way to see what the fear of loss does to a person, or rather, the fear of unimportance.

Being a parent is about guiding your children, but its also about letting go. Eventually, every bird will eventually leave the nest. However, that doesn’t mean the relationship is over. People still need guidance, even as adults.

Eda is willing to throw her life away as a last-ditch effort to help her family without having to say goodbye. She doesn’t think they need her anymore, so she is willing to go out with a bang. But she is wrong.

Eda clings to the instrument, even as it kills her. She thinks that love means dying for the people she cares about, but that's not entirely true. You have to live for them as well. I wonder who else in the series could learn that lesson.

A rhapsody is a musical piece associated with strong, enthusiastic emotions. A requiem is about remembrance. Raine’s song is about hope, and the joy of a future yet to be. Eda’s is about a past well lived, and the memory of that love. If you put the two together, you get a song that can bring down a mountain.

“Eda, do you have kids?” “Uh, they're not mine-mine. Well, it doesn't matter. They both have real families to return to.” “I don't know what you're running from, but a great witch once told me... something about punching fears in the face? What I'm trying to say is don't give up so easily. They probably need you more than you realize. We can find another way to stop Belos together.”

Remember what I said about Raine being wise? This is that.

Raine teaches Eda that she is still needed. She lets Eda know that her purpose isn’t gone, its just different. You are different people all throughout your life, you just need to remember what you have seen, and change with the times.

Why is the line read of this girl realising she's back in the conformatorium so heartbreaking?

I also want to point out the fear of insignificance from a found family perspective. Eda thinks that her relationship with Luz is less valuable than their blood relations, but I don’t really believe that. Eda has taught Luz magic and sheltered her from a literal dictator. She has raised King from childhood. I think those are pretty important things for a family member to do, whether through direct relation or not.

In the resolution of this episode, King changes his name to be an official part of Eda’s family, which, sure, that’s how things work in the Boiling Isles.

“Surprise, Eda! Now we're connected for life, and there's nothing you can do about it!”

She’s a parent now, and that relationship is as important to king as finding out who his biological father is. In other words, Eda still has a purpose, and the fact this surprises her means that she has a lot to learn, but she is better at it than she thinks.

One last thing I want to talk about before I go is that Raine is a unique rebel. Usually, in stories about fighting an authoritarian regime, the cost of rebellion comes up. This is the conceit of Andor, but also part of Wicked, and She-Ra and the Princesses of Power. In these stories, the idea that one person must use the tools of their enemy. Not as bad as their opponents by any stretch of the imagination, but sacrificing their own morality in a small way for future generations.

Raine doesn’t do that. Raine is fighting for a better world, and at all times, they will sacrifice their plans to save the individual. Raine has plans in motion that can counteract any single “failure”, but crucially, preserving the world they want to protect is never a failure to them.

So, in summary, found family is just as important as blood family. More important in some cases. Eda has built her identity around being a parent without realising that is what she has been doing, this episode is her confronting that. Raine is cool. Defining people is difficult and takes away from who they are as people. The Owl House is a good show.

A Kikimora is a creature associated with sleep paralysis. So her ability to paralyse people is a neat thing, as well as that "night night" line.

Final Thoughts

This season has a string of episodes that are determined to break me, but I will stay strong. Through The Looking Glass Ruins, Hunting Palismen, and now this. But I’m fine, I’ve got this.

Eda’s Requiem is one of my two favourite episodes in the series. I can’t gush enough about the music, the pacing, the purpose seeking. This is so compelling, and it really works as a piece of storytelling.

The episode does have one flaw, in my opinion, and to me, this is an example of how one weird piece of direction can mess with my suspension of disbelief. The extended syllable whenever anyone says “legally” in this episode is so… off putting. It’s like King is expecting to be cut off, and it’s asking for Eda to misunderstand him. It’s such a small detail, but the episode is almost perfect otherwise, and this sticks out to me like a sore thumb.

The episode is still phenomenal though, and so to balance out my criticism, here’s a small detail I really liked. When Eda punches the guard, his head spins around 360 degrees. First up, the casual worldbuilding that this guy can do that but also the fact that the outfit doesn’t react that much to it means that it has been made especially to fit his anatomy. That’s a cool detail.

Anyway, next week I’ll be looking at Knock, Knock, Knockin’ on Hooty’s Door, which is a Hooty episode. Something fun, and entertaining. I’m sure nothing plot relevant will happen then, right? Right?

Stick around if you want to see my analysis of that chaos.

Previous - Next

#rants #literary analysis #literature analysis #what's so special about...? #character analysis #the owl house #toh #toh eda #toh raine #toh raeda #raine whispers #eda clawthorne #lgbtq #nonbinary