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telekitnetic-art · 1 year

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Have you seen the formline art in splatoon? It's present in a variety of salmon run decals and on some of the locker graffiti. Idk if the Devs just googled "salmon art" and got indigenous art and decided to copy it or what. Not sure how I feel about it personally.

Long post incoming, gonna put a break here. Also sorry for the late response, I wanted to take a couple days to formalize my thoughts together before responding fully.

I have, I remember noticing in 2018-2019 (when i first started playing splatoon 2) how much one of the decals/graffiti located on the ruins of ark polaris back in 2 sort of resembled a formline bear and salmon. (near the logo in this screenshot, I couldn't find a clear picture online)

Back in 2019, it was pretty easy to think of it as coincidence or a stretch for a comparison. But with splatoon 3's salmon run decals, the resemblance is far easier to see, specifically with the TS-ORBRS graffiti and the TS-SCHL graffiti.

(also this was the best image size I could find for the graffiti images, sorry)

A couple of the banners have the designs on them as well:

The website Sealaska Heritage has info such as textbooks and an online doc about formline art (specifically geared towards Haida, Tlingit, and Tsimshian nations' style) with lots of info about formline art, and the Seattle Art Museum website has an info sheet (with credits listed as being from the Sealaska Heritage site as well) breaking down some of the basic shapes of formline art.

with this chart, you can definitely begin to notice the similarities between the Salmon Run graffiti and formline art. the ovoids, crescents, and u-shapes appear noticeably in some of the graffiti such as ORBRS and SCHL.

For perspective, here are some formline pieces featuring salmon or fish from various Indigenous artists from various nations.

"sk’ug sdang" (Two Dog Salmon) by Robert Davidson (Haida)

"metal medallion", by Crystal Kaakeeyáa Rose Demientieff Worl (Tlingit Athabascan)

"Salmon People" by Alano Edzerza (Tahltan)

"Jumping Chum" by Stephanie Anderson (Wet'suwet'en)

"Salmon" by Art Thompson (Nuu-chah-nulth)

And that's literally just the surface of dozens of Indigenous artists from the PNW.

With these pieces, you can begin to see the resemblance that the graffiti designs have. A lot of the heads follow the pattern of utilizing ovoids for both the head and eyes, and u-shapes for the bodies and crescents to fill in specific areas are also common. For example, TS-SCHL has a small school of fish where the bodies are entire ovoids.

However, there are a couple flaws in the graffiti designs too. With a few of the designs, you can see they utilize the u-shape (see the formline shape breakdown from Sealaska again) in designs like TS-WHP and TS-SMFR. I can't speak for every Indigenous formline artist ever, but from how I've been taught to design formline art from my family, the u-shape should connect to the rest of the form instead of free-floating. I drew a quick example here:

you can see similar mistakes with a different kind of u-shape with TS-RLPL and TS-C0HK.

Another very specific mistake that takes a bit of squinting to make out is that ovoids are sort of top-heavy, for lack of a term I can't think of right now. The line or the area should be thicker on the top then the bottom. This mistake is frequent in the graffiti designs utilizing ovoid or ovoid adjacent face or body shapes, like TS-ORBRS, TS-C0HK or TS-SCHL.

Full disclaimer, I am not an expert at formline art. I've been practicing it under the tutelage of my aunt and father for about 3 or so years now, and there are definitely cultural variations that come into play as well. My culture's formline art style can look completely different from someone who is Haida or otherwise. This critique of the graffiti designs is based off my knowledge and skill at formline art, as well as critique and feedback that I've gotten from family. Formline art isn't just something you look at and replicate, there is a specific process of utilizing the shapes and negative space that you need to account for too. Some shapes have their own rules for how they're used as well.

Despite the beginner mistakes, the clear resemblances are pretty definitive proof that a good section of the sticker/graffiti designs for the salmonids are meant to be, or at the very least based off of or inspired by, formline art.

Splatoon's lore has a lot of elements of taking inspiration from real life culture (which is sort of one of the main elements of the story, the squids and octos are basing their society off long dead humans). Hell, Shiver and Frye are two prime examples of Splatoon working in real world culture into their setting and characters.

With that in mind, using an art style that's exclusive to an ethnicity of people as inspiration or baseline reference for the game mode that's all about taking natural resources from a species that in-game dialogue tends to treat as dangerous and lesser-minded is... not a good choice. Especially an ethnicity that has historically been ravaged and attacked by settlers for natural resources.

Now, technically if you do digging into lore for salmon run, you can find out that the salmonid are not as simple-minded as the dialogue in-game (I am staring directly at the deep cut big run announcement dialogue we've gotten so far -_-) makes them out to be. The salmonids do trades and commerce with the octarians for equipment and gear. That's why they have such technically high tech gear, like the scrappers with their shields that actually resemble octarian shields and the flyfish with their missiles and flying aircraft. That's also why power eggs show up in the story mode; they're from the salmonids' trades with the octarians.

So the salmonid could technically be as just as smart as the inklings, which is why the dialogue and some of the portrayals of the salmonid are confusing and contradictory (shiver's dialogue from the first big run, that one promo picture of an inkling walking a smallfry on a leash????). I think a good bit of the fanbase sort of thinks of the little buddy we get during the game as a pet, and I'm sure that much more of the fanbase/playerbase doesn't really care about the lore whatsoever. Salmonids sort of have a similar vibe to me as hilichurls from Genshin Impact, where the lore tells you that they're smarter than people assume while NPCs talk of them as less intelligent monsters. And you're also caught in this paradox where killing/fighting them feels morally wrong but the gameplay loop has you continuously doing that while also telling you on the downlow that you should sort of feel bad about it.

Rassicas did a really good video on translating salmonid lore from various interviews, which is where I learned a lot about the salmonid lore that doesn't really get explained/brought up in the game.

The usage of formline art in Splatoon has me sort of mixed on my opinion, because besides using an Indigenous art style for an enemy species that are considered lesser in intelligence by the NPCs, Indigenous art and culture as a whole has suffered a lot under colonialism. I don't know how much awareness whoever is reading this has about Indigenous history and colonialism, but Indigenous culture as a whole was banned in North America by the respective governments from being practiced by the respective cultural groups. Things such as ceremonies, regalia, and even practicing formline art were banned from being used by Indigenous people. Non-Indigenous people however were free to use it, which is why a lot of bastardized versions of Indigenous regalia and culture exists. You can see it in non-indigenous spiritual practices utilizing Indigenous practices and terminology like spirit animals and dreamcatchers, and sports teams utilizing Indigenous culture in its labelling and mascots. That is where cultural appropriation comes into play. And before I get anybody commenting about this, the salmonid formlines don't count as "cultural appreciation" because as far as the info available is concerned, there wasn't any Indigenous people that were consulted for the designs. And even if there were, I again have mixed feelings about Splatoon utilizing an Indigenous art style as a design piece for an enemy character in the franchise.

On another note, this isn't the first time Indigenous cultural appropriation has popped up in the Splatoon franchise. There was actually a headgear that was unreleased in the first Splatoon game called "Warrior Headdress", and you can guess what it looked like.

Yeah. That was all levels of yikes and I'm thankful as hell that it didn't make it into the game (technically it's not in the game as a wearable item, but you can spot it at the very back of the headgear shop ingame)

So Splatoon has utilized Indigenous culture as inspiration beforehand with the games, so it's not much of a stretch anymore to think that the salmon run graffiti designs were based off formline art or was an attempt at formline art.

I'm not really sold on the idea that the salmonid are meant to be representative of Indigenous people though, nor do I believe that utilizing formline art for the salmonid was a malicious decision. But it was a slightly ignorant decision at best, because again using Indigenous specific art for a species of enemies that gets fought for their natural resources and is referred to by some of the NPCs as basically being lesser-minded animals is really not a good decision.

This whole thread is not meant as a guilt trip for anyone who likes the salmonid lore, has bought any of the salmonid graffiti stickers, or enjoys salmon run, nor is it an accusation of the devs for maliciously misusing Indigenous culture. I actually really enjoy salmon run for it's PSP and concept, but this design aspect gives me mixed feelings as an Indigenous person. And to be honest it's hard to label intentions or the thought process because there isn't any info available on the development of salmon run and those graffiti designs specifically. So it's hard to know if the devs employed an Indigenous artist for feedback or if they indeed just looked at some formline art of salmon and tried to replicate it or used it as inspiration. I'm inclined to believe the latter judging by the beginner formline mistakes seen in some of the designs. There is an art book coming out soon for Splatoon 3, so maybe that will give more info.

To wrap this all up, I don't think there is really anything to be done about the designs. The game has been out for a while and I don't know if the game would change the designs at this point. I also don't think this should stop people from buying the sticker designs in game or playing salmon run. However, it is important to learn about the context of these designs so that you know why they exist and why they can be harmful, and so devs and creators can avoid making the same mistake in the future, and so Indigenous issues with cultural appropriation can be made more aware in the public space and not be ridiculed by non-Indigenous people. And again, I am just one Indigenous person so there may be other opinions from other Indigenous people on the graffiti designs and how they should be handled or viewed.

If you made it this far, thanks for reading and have a good day!! Be sure to check out some actual Formline art made by Indigenous people, like the ones I listed near the top of the post!

#long post #salmon run #indigenous discussion #cw cultural appropriation #whoof that took a while to write #I really don't think this whole situation is one of maliciousness #but one of ignorance.#the devs had the foresight to (almost completely) remove the headdress item from the first game #so good on them for that #I just sort of wish they'd thought through using Indigenous art for the salmonids a lot better.#I wish the salmonids had a different sticker design entirely tbh #graffiti is such an open-ended style concept so they could've found lots of inspiration there #instead of using an Indigenous specific art style #(and making beginner mistakes while doing it)#also if you're here to cry cultural appreciation or about how “oh this is preserving Indigenous culture actually” I'm gonna need you #to walk back out that door.#I did not spend four hours writing this whole post to deal with “but cultural appreciation actually!!!” chuds.#Look up the definition of cultural appreciation vs cultural appropriation and get back to me.

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targaryenluvs · 5 months

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DELICATE

pairings: dark!coriolanus snow x innocent!wife!reader

warnings: erm we’re back at it with another dark corio! possessiveness, literal murder, threats, vulgarity, nc touching -dumbification/babying, emotional manipulation and vulnerability, sexual undertones and thoughts, ownership?? NOT PROOFREAD

summary: coriolanus had to marry. lucky for him one of the most eligible girls of the capitol was up for grabs. only problem? he hoped his cold exterior would keep her away but nothing broke her sweet spirit. what happens when he finds himself being drawn to her light? and how far was he willing to go to keep it untainted and all to himself?

word count: 2.09k words

a/n: i swear i can only think of dark ideas for him because he is practically crayz - i loved this concept tho so enjoyyyy - annoyed i can’t find any post-lucy gifs snd i’ve already used the other one help me plz

taglist: @sleepydang @aspieundercover @darktrashsoulbear @3lliesrifle @rafeysbafey @zejjef @themorriganisamonster @cryfordemie @winterblu2 @earthangel-111 @taylarxse @alexameliamg @katastrophic04 @jjggdfvvy @joshwifeyslaymamaballs @10ava01 @kis9na @princessdaella @princessloveweird @prettybiching @justacaliforniandreamer @bxtchopolis @witchafterz @har-rison-s

PART TWO

coriolanus wanted nothing more than a relaxing night. he’d been at a campaign meeting for about four hours and he’d gotten absolutely nothing out of it.

he was in the right mind to fire them all and work it himself but he knew he couldn’t. all he wanted was to go home, have a bath drawn for him, eat dinner with you and go to sleep.

coriolanus had seen a number of weird things in his life but nothing was weirder than seeing you, hanging up the laundry to dry. you’d stopped him in his tracks but hadn’t yet noticed his presence as you hummed to yourself and went about your business. after staring in confusion for a few minutes he cleared his throat, “y/n. what are you doing?” you turned towards him with a smile, “it’s christmas! so i sent the staff home for the rest of the day so they could be with their families. don’t worry i had them prepare your bath, dinner and everything else. there were some things left to do so i thought, why not do them myself? i cleaned my room and yours, ironed the previous batch of laundry and placed them away, dusted the library and i was hanging up the laundry until you showed!” you beamed as you continued to hang the clothing.

coriolanus took a seat on one of the lawn chairs as you continued. he decided to watch you, to make sure you were okay. because who on earth wants to do laundry? that was the very reason you had so many servants. but here you were.

“you can head inside corio, no need to wait for me!” you said sweetly. coriolanus was a strong man, always rational. but god when you spoke so sweetly to him- no. “there’s no need, i’ll wait till you’re done.”

the sun was hanging low as the last rays illuminated the dining room. you’d set out candles, flowers and other pieces on the table. back home you loved setting the table, until your father would reprimand you for doing something you didn’t need to. what will people say if my daughter is acting as a servant?

but right now you felt at ease.

you had a good life. good friends which were rare to find in the capitol. good family and a good husband. he was proper, took care of you in every way, even if he didn’t love you, you were grateful to be married to someone you liked. admired. you’d heard whispers of corio’s childhood, his depleted resources and poor upbringing. but you couldn’t care less. he was more of a man than anyone you knew. and he was extremely pretty, your parents would’ve probably married you off to whomever they thought would help with social standings so this match? a lifeline.

coriolanus kept himself in check. he was up for presidency, his name and wealth restored and he was respected and feared. you were a diamond in the rough. whilst all the other girls in the capitol were, special, to say the least, you weren’t like them. first of all, he could tolerate you. like you even. you were exceptionally smart, well-read and spoken, respectful of those worthy but even those beneath you. you were kind, not the fake kind of the capitol. kind to everyone, helping everyone however you could.

and to him it was more than perfect. someone kind would be easy to have, easy to be married to. he knew from the second he saw you as marriage material that you’d never endanger those around you. you cared, enough to put your happiness to the back of the line. you’d be easy to control. after the wedding he expected you to be clingy, desperate for his love and affection. as any girl would from their husband, but you kept your distance. you didn’t push yourself on him, you did your duty. you did what was required and more. but you always listened, listened to him.

so he assumed you’d be easy to be married to, but he was always in awe of you. your sweet smiles every time you passed eachother in the halls, in the morning at breakfast and at night for dinner. always catering to him.

“what should i wear?” “you can choose.” “you tell me.” “it’s your choice.” and god did it inflate his ego. you were always asking about him, how his day was, what he did, who he saw etc. but it wasn’t just small talk, you were always listening. absorbing his words like a sponge, wide eyes, head nodding along dumbly. he loved it. and over the year he found himself, caring, on the inside at least.

every time you’d go out there were hungry eyes consuming you. your face, body everything. and he wanted to personally pluck out each eyeball and feed it to their families. so again, overtime, he’d shield you, protect you. his sweet wife who knew nothing of what the others wanted to do to her. a hand on your back, an arm around your waist, a peck on your forehead and his large red coat around you. all for show right?

he wanted to puke.

the smell of cabbage wafted to his nose and he was oh so close to putting this fist through the wall. who on earth-

you were humming, again. “corio!” your voice was music to his ears, corio, no one said it to him anymore. not even tigris. but he only liked, only wanted it to come from you. “dinner is served, some of your favourites are here. i asked tigris what you use to eat as a kid. ooh, you never told me you liked cabbage, me too! guess that’s another thing we have in common.” you beamed as you walked over with a bottle of wine, “tell me when to stop.”

he eyed you up the entire time. trying to catch a fleck of disgust whilst you ate, andddd, nothing. you weren’t lying, you actually liked it. he swallowed his own fear and began to eat.

“mm, i was wondering what you wanted me to wear tonight? i’d like to match corio, if that’s okay with you.” corio smiled slightly, “i would like to match. i have something i would like you to wear tonight sweetheart.” your eyes darted forwards as the word fell, sweetheart.

you couldn’t help the smile that came to your face, he only used terms like that in public. and based on his reaction afterwards, of which there was none, it meant that he probably didn’t even realise. or he did, you could never read him.

the red dress did things to coriolanus. the idea of you in it has his head spinning, but to actually see you in it? he wanted to throw you onto his bed and never let you out.

but to you it looked as if he was studying the dress rather than looking at you in it. “you look good.” you grinned, “thank you corio! i love your suit, you look very handsome.” you straightened his suit as he looked over your shoulder, your back was bare. “do you have a throw?” you quickly nodded and picked it up from the dresser. “good.” you already got a million stares in ordinary clothing, tonight was going to test his patience and anger.

the gala was gorgeous. for once there wasn’t ugly statues and weird color matches. a clean and pristine white hall, chandeliers, gold accents.

your heels clicked on the floor as coriolanus held his arm for you. “your hand please.” corio stared, waiting for your further explanation. “when we link arms your arm is too high for me. i end up with my arm at my neck.” you laughed as he lent his hand, which you gladly took.

stares and compliments at every corner of the room, everyone was looking at you two. the future president and first lady of panem. a match made in the capitol. you and coriolanus made the rounds, talking to present sponsors, potential sponsors and other candidates, much to coriolanus’s distaste. after a while you realised you were sort of just standing there, so you excused yourself for a drink and a closer view of the band.

“you look, ravishing.” charles operman. a sight which no one wanted to see, but to you he was just an ex-peer of the academy. “charles! thank you, corio picked it out for me.” you’d missed the way his jaw clenched at the mention of your husband, but you were to engrossed by the angelic singer and band. “you know, i always thought we’d end up together.”

the abruptness of his sentence had you choking on your drink, “excuse me, i’m married charles. i’m sorry if you thought that we would be together, i see you as a friend. i’d hate to lose a friend.” you smiled as he got uncomfortably closer and leaned into your ear, hand on your bare back.

coriolanus’s grip on his cup was tightening as he listened to lucky drone on and on. he wanted to see the life leave charles’s eyes, maybe his head would make as a nice present for you. “excuse me.” he nodded his head as he placed his cup on a passing waiters tray. you were helpless, and he was here to help you.

his breath was hot in your ear and you could smell the liquor on him as he was grabbed from you. “coriolanus, sir.” charles mocked salute as coriolanus stared at him, maybe he thought if he stared long enough hed burn into the floor. coriolanus rarely smiled, but this one was unsettling to say the least.

“if you ever put your hands on my wife, look at her, speak to her. it will be the last time you do so. i might just call in a favor with dr gaul, i hear your fond of snakes?” charles’s eyes widened, he hated snakes. he couldn’t even watch the 10th hunger games, the second he saw the snakes he ran to the bathroom and hurled.

“when i become president, you better keep yourself in line. it’d be horrible to see your family in the games no?” charles took a step back, “you can’t do that, i’m capitol.” coriolanus drew back,

“you won’t be for long.”

you couldn’t believe your eyes, of course he’d protect you but, threatening? he’d never do it right? the shutters of cameras had you reaching for corio, “can we leave my love?” coriolanus turned to you, “of course sweetheart.”

he’d stayed up for a long time. a smile came to his face when he remembered the sound of charles’s neck snapping. the door creaking open revealed a disheveled you, “corio? are you awake?” he sat up as you released a breath.

“what is it y/n?” you took a shy step forward, “i uhm, i can’t stop thinking about charles. he scared me, i didn’t know what to do corio. i-” you couldn’t stop the tears from falling as coriolanus swiftly got out of bed, helping you into his bed. “i- can i sleep here tonight? please?”

this was definitely not how he first expected to have you in his bed, but how could he say no to you? your hair in its braid, messy and lose, puffy eyes and tear stained face. he wished he’d first seen you cry underneath him but he’d take what he could get. what he didn’t expect was for him to like this, the scene of you crying, needing him. he was the one who could help you, console you, coddle you.

coriolanus nodded as he moved back to the bed, tucking himself and you in softy, caressing your hair and kissing your forehead. god he’d held out for so long, denied himself and his feelings but having you in his arms was all he could ever want, but the idea of being in you flooded his head.

would you cry like this? would you shout and scream? did you like it soft and sweet? he couldn’t be soft and sweet, he’d savour the moment but he loved the idea of unravelling you, he’d be the only one to see you like this, him being the only one to make it happen.

you curled into his chest, like a baby. your soft cries and whimpers went straight to his crotch and soon enough you were asleep.

his sweetheart, his delicate little wife.

corios hand slipped downwards and into your pants, he promised himself he just wanted to feel but god you made it difficult. he saved you tonight, didn’t he deserve a reward? didn’t matter if you detested he had you where he liked. so he slowly rolled over and placed you on the bed.

your eyes fluttered at the change of placement but he couldn’t care less. he was done waiting.

you squirmed underneath him in your sleep but his worries faded away.

#coriolanus snow x fem!reader #coriolanus snow x reader #coriolanus x reader #coriolanus snow #yandere coriolanus snow #dark!coriolanus snow #dark!coriolanus snow x reader #hunger games x reader #the hunger games

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