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#a great example of how he fights
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Captain America: Civil War pisses me off so much. (I know i just said i love this movie and i do but man it pisses me off)
Like what do you mean you want to hand over control to the people who’s *in the words of the great Nick Fury* stupid ass decision was to NUKE NEW YORK in response to Loki’s attack
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tiedsh0es · 1 year
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i still think Tristamp is silly its own way, with how outlandish and exaggerated some of the movement and expressions can be 
like when Wolwood picks up Meryl and just scrambles away with her jumping from building to building to some guys face, or how Knives practically throws himself against the entire window to go after Vash
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lloydfrontera · 1 year
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the webtoon may have left out a lot of things but they did yassify the orcs which is the funniest thing to me right now
*sigh* they did yassify the orcs <3
now i want to see what they'll do with the sirens and whether i should be excited or worried lmao
#hey i got an ask#Anonymous#the greatest estate developer#tged#also. can we talk about the elephant on the room.#listen i may be totally be wrong about this and i would love to hear you guys' thoughts about this but.#doesn't it feel a little. weird. this thing the webtoon has about making muscular women look overly scary or rough?#like i feel it's gone under the radar because most of us just went 'oh hell yeah muscular women that shit rules let's go!'#but..... i think that wasn't... actually what the artists had in mind when they did. that.#like for example mellica. she's great i love her top tier character design. but look at her. and tell me the way they presented her#doesn't look like a set up for the audience to go 'oh super muscular woman is scary ha ha'. be honest.#now to be fair! all the elves look buff! like they actually look like people who train and fight and do archery constantly! they look great#so i can pass it off as a maybe a little clumsy attempt to give us more buff female characters it's fine whatever#but then we get to the lady ella bit. and uh. well.#how do say this.. it feels. mean-spirited? sorta?? a little mean??#not even because i was really looking forward to this arc i'm a big girl i can swallow my disappointments like an adult and all that#but it feels like the joke there was 'ha ha man in a dress looks weird isn't that funny? ha ha men are attracted to him that's hilarious'#especially because they went out of their way to make javier look overly burly and buff while wearing the dress#i joked about it but doesn't it feel weird?? we know javier is a pretty guy he's muscular but he's also lean and almost... delicate looking#when wearing his normal clothes#he's a pretty guy! in the novel he could easily pass as girl with no issues!#and instead the webtoon decided to make him look so big and buff he was almost ripping the dress because of how burly he is?#like clearly the joke was 'this guy can't pass for a woman and it's funny that no one seems realize it and even think he's beautiful'#and they even went with the 'i respect your fetishes' joke which. oh boi.#so i'm worried about what kind of jokes they'll make when we get to the mermaids which are described as really big and muscular#even in the novel. in which there are some illustrations that i still haven't decided how much i like tbh#and maybe i'm exaggerating! maybe i'm being paranoid! maybe i'm making a big deal out of nothing and seeing mean jokes#out of a simple gag with no ill intentions behind it!#but i just. think it's weird. and not really all that funny. and i wanted to acknowledge it cause i felt uncomfortable not saying anything#so i'd like to know what you guys think. i think i need more perspectives on this before i say something dumb(er) lol
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Kirby Star Allies is one of, if not my absolute favorite Kirby games, and I recognize while it's on paper one of the weaker entries in the core series, it appeals to me personally on multiple levels and I think I should revisit it more
#musings#kirby#no the reasons don't begin and end with 'dark meta knight is playable'#but that is a very big reason#to expand on it i think the dlc dream friends were amazingly designed#they still fit into the structure and playstyle of a playable kirby character but they also still feel like bosses#using dmk as an example they took his boss fight from triple deluxe and made it into a playable character#preserving most of his moves and adding new ones in the same vein#before unlocking dmk i played as marx and was surprised by how faithful he felt to his boss fight#and of course being able to augment these characters' movesets with elemental upgrades makes it even better#guest star allies was a great addition because if i want to i can play through the whole game in one sitting#as dark meta knight with fire powers#that's like my ideal kirby experience right there#did i mention the dlc was all free and very well-crafted?#that's not a given nowadays so i'm very appreciative of that#i also like the mage sisters and the lore implications the game offers#fransisca and flamberge are quite possibly the first lesbians in a kirby game#and they're ALSO playable! with their full boss movesets!#you can even tag out to the other elemental nuns whenever you want#so they're three very strong characters in one package#i seriously need to finish completing my save file in star allies so i can just start up a dmk or mage sisters run whenever i want#that would be nice i think#but of course because of the main mechanic being related to having teammates i can bring both characters with me#including in other guest star allies runs#because if i want to i can just ride their back and control them that way#i wonder how easy it would be to cheese a hard guest star allies run by piggybacking off an op dream friend
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hecksupremechips · 1 month
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Girl like. The reason he said "this is how it should be" and faced death with a smile....is cuz he wanted to die. For 2 years he sat there thinking he was worthless and deserved to die. If he hadn’t be shot, his death would’ve been suicide, he was fully planning to die in a gutter somewhere undetected. When saying "this is how it should be" hes literally saying "don’t cry because I’m dying, my death is a good thing actually because I fucking suck and you are better off without me". I don’t think that’s badass even slightly, it’s actually really sad and really shitty. Shinjiro is so convinced that he deserves to die and hates the idea of anyone giving a shit about him because he literally can’t wrap his mind around the idea that he will be missed when he’s gone, that his death is a bad thing actually. And his last words were meant to be comforting because he fully did not intend for anyone to be there when he died, he intended to die alone, so he says them as a reminder that he’s not worth crying over
Personally, if it were me, if I was holding my dying best friend in my arms who was deeply depressed and suicidal and he said "this is how it should be" uh. I wouldn’t admire him for it??? Like am I losing my mind when I say the way this game handles Shinji is bad or is anyone else seeing this too 😰
#its like okay listen i understand the basic math of any persona game they say things and everything they say is actually#very bad when you think about it for more than 3 seconds#like what theyre intending to do with the death of this character is be like oh no your sad friend dies tragically thats so saddddd#but that doesnt mean you cant live a wonderful life full of meaning you cant let grief consume you life is beautiful awagga#and i guess shinji is a specific character whos used cuz i guess its more tragic that he never realized he was worthy of life and shit#and i guess its also like ‘dont be like this guy who let grief consume him and then died you gotta Be Different’#which i dont. love. that last part cuz if you think about shinji and what led him down this road#its like. of course hes depressed! he accidentally killed a woman with a child when he was 16!#he himself is an orphan and he just made some other kid an orphan as well and it happened cuz his persona went out of control#which very much can translate to ‘this must mean im dangerous and can hurt everyone if im not kept under control’#so of course he isolated himself and believed he was evil and became suicidal like who wouldnt feel that way#like am i supposed to be mad he left sees and took drugs cuz uh while i dont think isolation or Evil Drug is good for his mental health#i dont think him continuing to fight in sees is something he can just easily do again given how he killed someone like he shouldnt have to#be a part of this thing anymore like how would he even safely get castor to not do that??? he cant kill more people on accident!#so yeah like using shinji as an example of bad coping mechanisms is already just. a big fucking oof to me like it just feels like the game#is saying he shouldve gotten over it and simply not be suicidal and stayed on the team. idk if thats the intent but uh it wouldnt faze me#cuz persona games are notoriously awful at writing characters who are traumatized and abused#but what makes everything even worse is how the game kinda like. acts like shinjis death is a stepping stone#like we’re supposed to use it as a wake up call and understand the stakes but keep going on anyways#and akihiko and Ken get. ‘great character development’ according to the game telling you they have now developed#but damn all akihiko is is just repressed he cries for 3 seconds and then is like I SHOULD MAN UP and then neglects a depressed child#shinjis dying words are words to live by now even though they piss me the fuck off like girl am i crazy HES FUCKING#HES TELLING ME NOT TO CRY OVER HIM BECAUSE HE SHOULD BE DEAD ACTUALLY AND THIS IS A GOOD THING ACTUALLY#like if the game wants us to still find meaning in life despite losing someone it just really hurts that shinji has to die for that to work#apparently. cuz the character i see myself in is shinji. not some perfect prettyboy who does everything perfectly and has 4 gfs#his death seems like a punishment for bad behavior. the bad behavior being of course depression and drug use. and im simply supposed to be#better than that if i want to live. and we dont get to form a connection with him cuz thats gayyyyy#and his death is like a NOBLE HEROIC SACRIFICE idk its just such bullshit to me i hate it so bad#how is killing a suicidal guy and then treating it as admirable that he said ‘this is how it should be’ supposed to make me feel#makes me feel sick personally and it ruins the entire game’s theme to me because its fucking shallow and the story is bad and im tired
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spiritofjustice · 1 year
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last thing i’ll say about Clone High for now: i know a lot of people hated episode 1 (esp after it leaked online a couple months ago) bcs it was all about Cancel Culture after the 2003 clones have to readjust to 2023 culture, but honestly it didn’t bother me. some of it was kinda ~cringe~ ig but honestly it did a good job not just being like “cancel culture bad!!!” in that boring one-note conservative way a lot of shows do and showed the absurdity of all sides ig?
which is a centrist ass opinion to have i know but it’s a funnie comedy show and thats rly the best we can do in a show like this imo. Abe wasn’t right (they def showed that through Topher Bus and Ivan the Terrible supporting him through it but being terrible people that he shouldn’t get close with), the way the new clones handled Abe having a lot of outdated lingo and opinions wasn’t right, and the way Joan reacted wasn’t right either. funny enough i think Confucius was the one who was closest to getting it right, he just gets bogged down with his obsession with tiktok clout or whatever just to show how apologies / cancellation get wrapped up in this pageantry that’s pretty damn worthless ultimately
the episode could’ve been much stronger but i didn’t find it wildly cringe the way a lot of people did. it was just mad clunky like all the fucking episodes have been.
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chicago-geniza · 2 years
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Hey @horrid-little-pedant I can make you a Boy Scouts/international Scouting movement imperialism/colonialism/not-so-crypto-fascism syllabus if you’d like but for a first tantalizing taste here is:
Fig 1) Robert Baden-Powell, founder of the Boy Scouts and the Scouting movement, on the swastika symbol, from his 1917 sequel to the classic manual Scouting For Boys, entitled Young Knights of The Empire. Its companion book, for Girl Guides/Girl Scouts, authored by his sister Agnes, was called How Girls Can Help Build Up the Empire. The Baden-Powell family, prominent British military aristocrats, were instrumental in the British colonial expansion re: South Africa. Baden-Powell’s inspiration for the Boy Scouts was the Mafeking Cadet Corps, a group of child soldiers formed by Lord Edward Cecil shortly before the Siege of Mafeking that secured Robert’s place in annals of imperial military history. His niece Betty later became--I am choking and wheezing and coughing up a hairball getting this phrase out--Scoutmaster for the. Girl Guides of North Rhodesia. Do not even get me STARTED on, uh. The Peace Light of Bethlehem (tl;dr it’s a program inaugurated in Austria circa 1986 nominally to help ~handicapped children, but of course. In 2005. The International Commissioner of Austria symbolically passed the Peace Light to a delegation of Scouts and Guides from the Palestinian National Authority, comma, just after the Oslo Accords. And then in 2007 a delegation of Guides and Scouts from Austria, Germany, France, Jordan, Israel, and the PNA--by the way, all but Jordan and Israel are part of the Catholic international Scouting branch that generally, depending on region, ‘pledges allegiance’ to “[country], God, Church, and Christian Europe”--they symbolically lit the ~*~Peace Light together. In. Bethlehem. Scouting is the most fucked-up Bad Internationalism movement in the world.)
Fig 2) The Rodlo symbol was designed by a woman who was part of the Polish minority population in Germany, she went to a Sokol (also Scouting!!!) gymnasium, she got a scholarship to study with Wladyslaw Skyoczylas and other modernist naive folk-revival painters at the school of fine arts in Warsaw, she survived the war, she got into this bizarre movement of neo-pagan anti-clerical pan-Slavist ‘nationalism’ that confirms every single thing I said in my undergrad thesis, she wants to take these symbols back from Hitler and stress the uniqueness of the Polish-German border regions that are neither like, fashy Catholic nationalist Poland nor fashy-flavor Germany, unfortunately that’s not how history or visual semantics work. She says it’s ‘rod’ plus ‘godlo’ (pretend it’s a liquid l) but it’s rodnoverie, we know what you’re about, Joasia--or rather, if you have to give a paragraph-long disclaimer every time you present your lovingly-rendered symbol, you gotta just let it go once it reaches critical mass and recognize that that your defensive disclaimers come across as “my t-shirt is raising a lot of questions that are answered by the shirt.” Anyway. This Harcerstwo troupe named after...the Harcerstwo movement that became a WWII paramilitary and subsequently Catholic anticommunist movement adopted it as their symbol. They’re from a small town in the Katowice region and they are. Well. If you don’t want everyone to think you’re fascists then maybe don’t be a paramilitary organization with a Hitler Youth lite flag (if you put the Rodlo on the Polish flag...it’s...it scans as the swastika on the...they know! They’re not oblivious, they do 500 WWII memorial actions per year!). And don’t have your scouts swear fealty in military fatigues while doing the seig heil to the Slavic Hitlerjugend flag in the woods. Ya dig. Their website is like “why are our enrollments declining :(” 
idk man maybe your town’s teens want to smoke weed under the bridge and not be put through boot camp after school 
#NISHT REBAGELN#i have so much autism about scouting and it is extremely embarrassing but if  you have questions about it. i have Answers#also did you know the UU church got in a huge fight with boy scouts of america#and boy scouts of america got in a huge fight with baden-powell about being allowed to say god#i do not need to explain the context of the PNA & the oslo accords for tumblr user horrid-little-pedant but can if other people are not awar#*aware. Scouting: Bad Internationalism#OH. wanna hear about the officially recognized Boy Scouts Displaced Persons DIvision after WWII dissolved c. 1950#or Mury: Harcerki Troupe of Ravensbruck#did you know krupskaya once used komsomol and 'boyskautizm' as synonyms and that#ok i got distracted but again. rudyard kipling. he just tweeted it out. there are also 800000 examples in this book about Helping Police#and how scouts are like bees: serve their Queen & DISPOSE OF THE UNEMPLOYED#also baden-powell's sister agnes was great friends with marconi you know the long-distance radio transmission inventor who#joined the italian fascist party in 1923 like years before mussolini came to power and#used his authority as director of the science institute to mark all jewish applicants' papers with an E (italian word for jew starts with E)#& none were admitted during his tenure. before this became state policy & before this pressure was even. you know. subtly dispersed by#mussolini. just of his own initiative!#he has so many quotes praising fascism i couldn't fit them in one document#the british monarchy & aristocracy will see continental european fascism and especially german & go 'Tell Me More...'#the polish nobility AND endecja will see various permutations of fascism & say 'tell me more...' for different reasons#the polish intelligentsia will see ITALIAN fascism & say 'tell me more [eyes emoji] while condemning german fascism bc one has#better aesthetics#meanwhile stefania zahorska & bruno schulz are having stress-induced heart disease#pilsudski wants to be england so bad it makes him look stupid. & dmowski hates england & germany on paper but also#wants to be them so bad it makes them look stupid if he can do it with the slavophile side of the slavophile vs. westernizer debate#comma american industry and isolationism comma good old WWI 'ethnographic borders' comma#and solve The Jewish Question (threat)
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fawnarchive · 8 months
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I think it's pretty clear you love Jingliu so care to share your thoughts on her as a whole?
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MARTH. MARTH. I AM ABOUT TO BE UNBEARABLE. well. to non-hsr players take this as a quick summary as to what happens in my girls lore.. spoilers for her character stories and companion quest! i got carried away,
I love her a lot because there is just so much tragedy within her story and you can truly see how much she just. cares, if that makes sense. Jingliu is someone who's experienced so much struggle and heartbreak since she was a young really caught my attention: the image of her really just watching as everything around her falls apart, as countless die and then when she wakes up being given that sword and just being told 'THIS is what you can do. this is how you speak of that anguish in you' just immediately made me so. adsflkj its so sad.
AND THEN THE FACT SHE JUST KIND OF STAYS LIKE THAT. for the longest time jingliu is just static in that grief, consumed by it, this combat and pain the only thing that is there for her until the hcq happens and she experiences companionship.. i think about how scary that must of been too. to care again after losing so much is a terrifying ordeal.. to go from someone ready to die at the drop of the hat to someone who wants to live is much harder. But she gets comfortable and gains friends and companionship and gets to be a loser and boast when shes drunk and its just CUTE you know?? she gets to be happy for a while.
then it happens again. and its agonizing, of course, to lose someone like baiheng. someone who is a light that pierces the darkness and is a shining beacon for everyone but it seems like she can manage to handle it until she's revived as an abomination. An abomination created by her closest friend that SHE has to cut down. And its just so tragic to me for her to love and lose this much, to lose a home and gain a new one in these people and for it to once again fall apart and for her to lose herself in the process.. Honestly, it makes me think back to what her teacher said.
“It’s okay if you don’t wanna talk. You can speak with this.” “You can use this to vanquish the monsters that took everything from us. There are now few things as wondrous as this left in the world.” The woman in armor remained composed, her gaze cast onto the long sword by the girl’s side.
if the blade is her words.. i can't help but worry about what exactly she says. is every slice a cry of anguish? and for her to "become her own sword"... i don't know. i hope one day the blade will be able to rest is all. i love her dearly OKAY CUTTING MYSELF OFF SO I DONT TALK YOUR EAR OFF ANY WORSE
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lilgynt · 1 year
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y’all remember halloween and i had my worst meltdown to date outside of attempts? similar build up rn actually
#personal#:)#i’m not doing great. my brother asked how i’m doing and it’s the first time#in a very long time someones asked me that without me begging them to example when i broke my foot#anyway he sent me that after i was making sure he’s been calling our dad and it led to me violently sobbing bc no one ever asks me that#and i’m just overwhelmed constantly#and yesterday my mom said my brother offered to let dad stay with him#other brother than the one who asked im doing it’s the one who broke my door on christmas#and she said it was so nice not to feel alone in this fight and i want to scream#which i have been in my car my floor anywhere i can it’s really easy to just scream till i can’t and cry lately#and it’s like i mean nothing.#like all the talks we have all the constant venting to me every conversation ending with me giving her money or treats or WHATEVER#like the night my brother called her i was like hey. i know this is bad and dads abusive to you. that gets lost in translation a lot and#you get pained as the villain but you’re not. this is horrible and i recognize that and want you to know#between helping my dad all the time like even while in the rest room i just have to be available#and my moms calling me to make sure he eats im paying btw and clean the house and fix a lamp#and half i can’t do bc of my dad#and she came home and was like heat this up for dad and i just broke i lied and said i feel on my foot bc i was screaming#and she starting muttering some shit about me but took care of my dad#and then my friends want to hang out and i get it most people need to hang out with friend occasionally#but i turn them down and he’s like trying to keep asking me and i’m like no i need to rest and do my taxes it’s been a bit hectic between#family emergencies new full time job and a broken foot#but he keeps pushing ti im just like no i’m not going out. i don’t want to get into it but life is very bad for me rn#frankly speaking i would kill myself than go out tonight tomorrow or even next week (we have plans next week) but i should be normal enough#by next week to hang.#and it’s like this with so many fucking people and the only people i would willingly see rn#is audrey and gg and my brother and sure i have plans tomorrow but i’m not super excited about it#and they should be quick!#if i get anymore push back i’m just canceling all plans and going mia i just can’t do this
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/Cliffside clash/Disappointment & Numbness/
Just a creative project using my main that I felt like doing. Making a certain meme earlier today sparked my love for B&W shots with certain spots of color, mainly eyes. Enjoy~!    
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mobtism · 2 years
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fire force things im thinking abt tn <3
#writing here for documentation ofc. anyway.#of most of these are abt arthur btw. lol<3 anyway#noticed that shinra had the bottom bunk in the first episode. then when arthur came along and they had to share a room#shinra switched to the top bunk. so basically im imagining arthur making a big fuss and argument abt how he wants the bottom bunk and shinra#has to take the top bunk. very fun this is canon to me#also ...... started looking at tv tropes for ff and. they pointed out arthur's lack of interest in women. so like. yeah💛 gayass mfr#also. i think abt their trope a lot where arthur VERY SPECIFICALLY TELLS SHINRA. that. while saving shinras life in season one finale.#arthur LITERALLY tells him. 'im the only one thats allowed to kill you' AND LIKE.#obviously that sent a signal off in my brain when i first watched it. but then tv tropes dot com had to go ahead and say this:#''​The Only One Allowed to Defeat You: He openly says this about Shinra but it's almost meant as a term of endearment.''#AND LIKE. LITERALLY. THATS LITERALLY HOW THE SCENE WENY#*went#anyway. also reallyreally love how arthur is very specifically 'the dumb one' in terms of booksmarts & comprehension#yet is consistently shown throughout the series that hes so intelligent in other ways.#examples are like. how he memorized pi to one million places due to his special interest/delusion of knighthood & king arthur's round table#and how he is very good at observations and ALWAYS quick to notice deceptions.#plus hes a very great at fighting. very strategic in my opinion.#ough anyway. i love this guy. really good character#🌟
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yamuraiiha · 2 years
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Rainy Day Dream Away is honestly one of my favourites stands now bc it's such an awesome and overpowered concept. I wish the fight vs Kocaqi had been longer but I'm still glad we got a good demonstration of its abilities and it's origin.
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tearlessrain · 3 months
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please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!
gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.
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SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:
diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.
non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.
the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.
now, on to how I apply this to bdsm in fiction.
if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.
if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.
this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.
it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.
but yeah, spontaneous writer plug aside, that's what I mean.
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who-is-there · 1 month
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I just started watching Dimension 20’s Fantasy high, halfway through sophomore year, and I do want a fic where people realise just how used to being part of a group the bad kids are. For example-
-I fully believe every single one of them is used to Riz climbing them so he can see better. It’s usually Gorgug, but it’s happened to all of them at some point. They might hold out their arm for him to jump onto a counter, or so he can pin a clue to his board. Before they all sit at a table, at least one of them makes sure their 4’4 friend can jump onto the table.
-Every single one of them has also caught Adaine after she had a vision. Sometimes she can just shake them off, but the big ones make her falter in what she’s doing, which can be dangerous. It happened once in a fight, and now the people standing closest to her are always ready.
-Fabian doesn’t really recognise he has a blind spot with his eye injury, because the others immediately clocked it. But this also means they walk in between him and the road, in case some idiot mounts the curb. They keep an eye on anything to his right, shifting drinks and pushing chairs if they can tell his depth perception is a little off.
-Fig usually stands in the middle of the group to intimidate people into not messing with them, so it’s sort of become habit to just crowd around her. After the battle, if no one’s seriously hurt or anything, everyone just wanders over to Fig. At this point, Fig is always the first one to yell out after a fight, just so they can regroup.
-Gorgug is the go-to for lap-sits, leaning, anything to do with being physically supported by another persons body. His hoodie is soft, and his headphones are loud enough that you can kind of hear it if your leaning on him. His parents weren’t great with nonchalant physical contact, in case he was already upset, so he takes great joy in his friends not being scared to hug him for fun.
-Kristin has left her staff at every single house she could with the bad kids. She leaves her bag in classrooms, the library, the cafeteria. Whenever the group leave somewhere, they do a full scan, because Kristin has probably left something and they grab it for her. No one has any clue who her bag actually belongs to, because all of the bad kids have been seen carrying it around school several times.
The school at large know who the bad kids are, and the town recognise them, but they still don’t know why all of them double check a room before leaving, or collectively carry a small stool around with them. One student with a fantasy iron deficiency faints in class and Kristin catches her before she hits the ground. Once, Fig isn’t in school for a day and all the bad kids have this restless energy about them. It is not uncommon to see them on the field during lunch, curled up in a pile on Gorgug. One guy tries to surprise Fabian from the right and gets body checked by Adaine before it even registers.
It’s sort of uncomfortable for everyone to see any of them without the others, because it means a) the rest of them committed a crime, b) the rest of them are committing a crime, or c) the rest of them are about to run in and start planning to commit a crime. And no one wants to lose their plausible deniability here.
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feluka · 23 days
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"How many of you like have you ever been to Jerusalem? Raise your hand if you have ever been to Jerusalem. We have 60 students here, and we have one... two, probably three... That's that's very few of you! I've never been to Jerusalem. We're Palestinians; we live in Gaza; we can't go to Jerusalem because of the Israeli occupation.
But we love Jerusalem, right? [A chorus of students saying "yes".] We love Jerusalem because of what it means to us. We've never been there, but believe me, when you go there you will feel that you've been there hundreds of times. Because you read about Jerusalem in literature, in stories. Of course it doesn't mean that that's it, that we should take the Jerusalem that's in the stories and that's it, no.
But in literature, Jerusalem comes back to us. It's true that there is suffering; there is pain; there is occupation, and that's why Tamim Al-Barghouti, as a young Palestinian poet, I think is doing a great service to the Palestinian cause and the Palestinian struggle.
When you listen to him reciting his poem from Al-Quds, or other poems, he takes you to Jerusalem. You live in Jerusalem. He takes you back to it. You liberate it for just a little bit of time.
And if there is hope; if you can imagine a free Palestine, a free Jerusalem, probably you will work towards that, and the same thing applies to occupied Palestine. We've never been to other parts of Palestine because of the Israeli occupation, but we've been told so many times by our parents and our grandparents, especially our mothers, they've been telling us stories about Palestine in the past, the good old days, when Palestine was all beautiful, unoccupied, unraped.
Therefore, I say in in this case how our homeland turns into a story. In reality, we can't have it; we don't have it, but it can turn into poems, into literature, into stories, so our homeland turns into a story. We love our homeland because of the story. We love our homeland because of the story, and we love the story because it's about our homeland, and this connection is significant.
Israel wants to sever this relationship, for example between Palestinians and the land; Palestinians and Jerusalem, and other places and cities, and literature attaches us back - connects us strongly to Palestine, so in my thinking, this is a very significant thing that literature contributes to. Creating realities; making the impossible sound possible.
In real life, again because we are here in Palestine and Gaza, I'll be giving you examples from Palestinian and Arab literature so we can compare and make things clearer. We all know Fadwa Tuqan, the Palestinian poet - and please do not introduce her as Ibrahim Tuqan's sister, let's talk about her as Fadwa Tuqan and then somewhere else mention that, "by the way, Ibrahim Tuqan was her brother". Let's not throw her under the shadow of a man, even if it's her brother, who was a great poet, we can't deny that.
So this is Fadwa Tuqan, a Palestinian poet, 40 years ago or 50 years ago, writing poetry... Of course, we always fall into this trap of saying "she was arrested for just writing poetry!" We do this, even us believers in literature, "Why would Israel arrest somebody or put somebody under house arrest if she only wrote a poem?!"
So we contradict ourselves sometimes. We believe in the power of literature, changing life as a means of resistance, a means of fighting back and in the end we say, "She just wrote a poem!" We shouldn't be saying that.
Moshe Daya, an Israeli general, said that the poems of Fadwa Tuqan were like facing 20 enemy fighters. Wow.
She didn't throw stones; she didn't shoot at the invading Israeli military jeeps. She just wrote poetry. And I'm falling for that again, I'm saying "she just wrote poetry".
So this is what how Israel's dealing with Palestinian poets, and the same thing happened to Palestinian poet Dareen Tatour. She wrote poetry celebrating Palestinian struggle; encouraging Palestinians to resist, not to give up, to fight back. She was put under house arrest. She was sent to prison for years.
And therefore I end here with a very significant point. Don't forget that Palestine was first and foremost occupied in Zionist literature and Zionist poetry.
Palestine was presented as these things, I'll be mentioning some of them, but there's a contradiction here, there's a paradox always. "Palestine is a land without a people to our people without a land", "Palestine flows with milk and honey", "there's no one there, so let's go". We'll see how later on, how many even Jewish people were disappointed when they came to Palestine. Number one, there was no milk and honey, because "flowing with milk and honey" sounds like you're just going to be groping around, and milk and honey will be thrown at you - and there were people! There have always been people in Palestine.
The fact that Israel worked hard to ethnically cleanse Palestine, to kick Palestinians out, first and foremost in literature - yes, in politics and everything - shows how significant poetry is.
To sum up, Palestine was occupied metaphorically in the poem long before it was physically and militarily occupied in your life, so let's do the same. Let's fight back; let's restore Palestine in in our writings; in our poetry; in our stories."
-Professor Refaat Alareer explaining to his students the power of poetry as a means of resistance, and why the occupation targets poets, during one of his lectures at IUG.
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tender-rosiey · 3 months
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What would happen if gojo has 2 babies? And they both start crying at the same time and poor gojo has to find a solution in this situation 🥲 his younger baby that is only months old starts crying which makes the older sibling that's 2 years older wake up and starts crying 😭
little voice — gojo satoru x f!reader
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you’re on a girls’ vacation. it’s okay. it’s cool.
but it isn’t.
throughout his entire life of fighting curses, emotional trauma, technique training, and unending migraines, he has never felt so much stress like he does right now.
his two kids are truly angels: full of kindness, compassion and—as expected of a child of gojo satoru—full of mischief.
they also share the same amount of love he has for you and, of course, even more. so separate two kids who adore their mother and you get chaos.
satoru just found out that the one who keeps the balance in the house is you, and thinking back about it, it should’ve been obvious because everyone in this house listens to you.
for example, one time when you were out on a simple visit to nanami to take some of the sweet bread he has, you had strictly told satoru to put the two kids to sleep at 8:30 exactly.
he thought it’s too early, but then you explained to him that s/n sleeping gave him time and freedom to look after your baby daughter who was, admittedly, a handful that would not sleep unless she was carried.
so satoru obediently listened, or at least he tried to.
a shameful failed trial at that.
in his defense, what was he supposed to do when s/n gave him puppy eyes asked for a mere 10 minutes more, say no? of course not!
so, like the great father he is, he gave him a couple more minutes, and nothing will make satoru regret his decision since to him his son’s smile is worth the world.
…except maybe the chandelier that is now on the floor and his precious baby daughter who just took one the biggest poops he has known of and his son who is panicking about how to clean this mess before you come home.
and come home you did and to all this mess.
swiftly, you picked up your daughter and changed her diaper, even making her giggle and squeal in between.
then you hugged your son and cleaned up the shattered glass together and disposed of the chandelier. lastly, you stood in front of your husband with a big frown after you’ve put the kids to sleep.
satoru could swear that he couldn’t fall more in love with you. hell, he could even twirl you around and kiss you breathless, but he feels like that would just lead him to the couch.
so he works to butter you up first before trying anything, “hey my sweet cute honeypie—“
you simply quirk an eyebrow.
and he falls to his knees, “I am sorry! I just couldn’t resist his puppy eyes! you should’ve seen them; he looked so cute!”
“I saw them a million times before he was even born, ‘toru.”
your husband gasps, “how!?”
“our son is an exact copy of you, sweetie.”
so yeah that was one of too many times, and if it isn’t apparent that you are the mediator then satoru wants to let the world know that even his students listen to you.
like that one time at school when the first years were caught up fighting with each other, the second years were trying to pull them apart, and satoru was too busy cackling at them while holding d/n that no one noticed panda’s little tail being—god knows why—on fire, not even panda himself.
that was until your precious son tugged at your husband’s shirt and pointed at panda, saying a simple sentence (phrase), “papa, panda fire.”
satoru’s eyes zero on panda then they widen, before he gapes, “oh shit, you’re right!”
“bad word!”
“sorry!”
however, despite satoru almost bolting to put out the fire, panda was finally able to smell it and hummed, “something’s being cooked.” then he looked at his tail, “oh it’s me.”
hit the panic button.
“I am being cooked!” he screams and starts running around, “panda meat doesn’t taste good; I promise!”
the rest start running after him with the intention to help, but panda could only translate it into one thing as he screamed, “don’t eat me!!”
“no one is gonna eat you, dumbass!!” maki yelled but to no avail as no one could get to the panicked panda.
your husband is running as well, half taking photos and videos and half ensuring that d/n does not fall from his hands—considering how she keeps giggling, squealing, and wriggling her entire body.
ijichi took matters into his own hands and called the only person he knows will be able to solve this.
“hello?”
“panda is on fire, the kids are running after him, and gojo is just recording!” he wails, eyes frantically following said people then straying to a particularly small person, “also s/n is trying to eat the grass.”
“what?!”
and like lightning, you’re on the field. you lightly scold s/n and tell him to cover his ears.
you turn to the walking fire hazard and scream, “everyone stop! and panda get over here!”
“yes ma’am!”
he stands still in front of you, almost ignoring his ‘fiery’ tail. you effectively put it out and ruffle his fur until he calms down. the others take turns in greeting you and getting their daily dose of motherly hugs.
your son sprints to you and holds onto your leg, refusing to let go.
and they all make way for the star of the show: the all-mighty gojo satoru.
he beams, “wifey, yet again you save the day!”
he easily picks up s/n and pulls the four of you into one big hug. he rubs his cheek against yours, “have I told you how much I love you?”
“I was gone for 3 minutes.”
“I haven’t?!” he gasps, completely ignoring you, “I am a terrible husband!”
he sobs and starts slowly melting to the ground where he believes a ‘disrespectful, good-for-nothing husband who doesn’t tell his wife just how much he loves her’.
anyway, back to the present. the kids have been miraculously put to sleep—a process that satoru does not have the time nor the energy to describe.
when he stops ‘reminiscing ‘, he starts paling at the fact that all of these were mere examples of things going wrong without you, and you were in the freaking area.
now, you’re not 10 steps away, and satoru is feeling very threatened.
he is sprawled out on the couch, eye bags ever so prominent. he sighs and lets his head fall back, grateful for the silence that fills the house, but he hates it at the same time.
satoru was never fond of silence—the type that feels so heavy on the heart—even when he was a teenager. it gives space and time to think about all the things he is desperate to avoid.
he did eventually come to love silence but only the silence that accompanies the times he spends with you, but that’s a story for another time though.
opening his eyes, he looks around and his gaze lands on your recent family photo. his smile is almost instantaneous.
if there’s anything he will rub in suguru’s face when they meet is that he managed to score himself such a lovely wife and an adoring family, a real family. he mentally writes a plus one on the score chart between him and suguru then relaxes.
he would like to scurry to the bed where your scent still lingers, but his fatigue has simply chained him to the couch—he is overreacting you’re only gone for three days.
so, he decides, it’s time to rest and hope for a dream where he gets to hold you and live with his longing until he can feel your lips against his skin again.
the great gojo satoru closes his eyes and welcomes his slumber.
that is until, his little sweetheart decides to breakout into a wail, effectively causing her dad’s eyes to snap open.
he jumps to his feet and sprints to her room, “d/n, what’s wrong, honey?”
he softly cradles her in his—gigantic—arms and starts rocking her slowly. “it’s okay; papa’s here,” he murmurs in hopes of calming down, but his daughter doesn’t register his voice yet.
she can, however, feel his all too familiar chest against her cheek, so she grips at it tightly and continues crying.
satoru’s expression is full of distress, and his heart contracts painfully at how his daughter’s cries. then it’s almost like the entire world is against him right now because he also starts to hear small little sniffles from the door of the room.
your husband looks back to find his son dragging his teddy bear with him in one hand and in another, trying to wipe his tears as much as possible.
your husband quickly shifts d/n into one arm and leads s/n into him with the other. your son nuzzles into his dad’s chest and murmurs, “I want mama.”
almost like she understands the mention of you, she calms down a tiny bit and her hands start reaching for the air—reaching for you.
satoru slides down to the ground and pulls them both into his chest, and he starts rubbing s/n’s shoulder and kisses the top of his head and sighs, “me too, s/n, but, hey, we are strong and capable, so we have to hold on until she comes home, right?”
a little sniffle escapes s/n as he nods before saying a soft, “yeah.”
satoru smiles and ruffles his hair, “that’s my champ.”
s/n lets out a little smile and snuggles into his dad’s embrace.
so satoru shifts his attention to the sniffling baby in his arm, he frowns, “now what are we going to do with you, little missy?”
your son purses his lips for a moment, before placing the teddy bear in his hands into his little sister’s tiny arms. curiosity takes over for a moment, and she starts exploring the new item.
then s/n presses on the teddy bear’s chest and it plays a little voice message from you:
“hey sweetie! mama loves you, so don’t worry about those nightmares! I am always here.”
your daughter’s eyes shine and she hugs the teddy as much as possible and utters a small, “ma!”
satoru blinks owlishly then looks at s/n with smile, “so you had that all along?”
s/n nods slowly and holds into his father tighter, obviously getting tired and getting ready to sleep. satoru would love to say the same about his other angel but—oh she fell asleep.
looks like all it took was a little listen to your voice.
he will probably make you record a thousand voice messages when you come back and make you get him his own special build-a-bear as well cause what the hell? what about your husband?
he shakes the thought away, realizing that he can finally fall asleep, albeit on the floor.
with no blanket.
no pillow.
not even his favorite cushion.
but he wasn’t raised to be ungrateful, so he will take what he can get. he will simply make up for lost sleep when you’re back. it will feel better that way in any case.
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