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#acting meta
kenobihater · 9 months
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tragedy enjoyers when a character perpetuates the cycle of violence they themselves were a victim of
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sleep-deprived-person · 3 months
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So apparently KOSA (2024 edition) is getting either thrown out until next year or put into effect in six days. That was a guesstimate based on a different person saying that's when Congress is back in session and may be false.
Update that's going in the main post at the top: it has enough support to pass Congress.
It failed the last two times because people were voting against it.
This time, KOSA has traction among the pro-LGBTQ parties. Because nobody is fucking calling their bullshit and screaming from the rooftops that calling it the "Kids Online Safety Act" is misleading.
What will it passing do?
Nothing much, only prevent any education on LGBTQIA+ (it's that stupid fucking argument about us grooming kids again), shut down nearly every fandom space on the internet, and make it required for most big tech companies to have your ID.
Want to have resources for kids to discover their identity readily available? Yes? Then fucking speak up against this stupid fucking bill.
Fandom spaces like Tumblr, Twitter (? I thought the MAGA assholes liked Musk?), Tiktok, Archive Of Our Own, and any other website that hosts fanfic or fanart? Either shut down permanently, forced to uproot to a different country and down for a while (best case scenario, and they likely won't be able to send any data, and therefore fanfics, to the US), or gutted so that you only get to put G rated cishet ships on there, if any shipping at all. How to avoid that? I've already said it: Call your fucking representatives.
Want to avoid the fucking dystopic task of being legally obligated to give big tech your government issue ID? Again, cause an uproar. Call your goddamned representatives.
If they can pass this, the ripple effects could be catastrophic.
So, for fuck's sake, any Americans that can impact this stupid fucking bill and see this? Do everything in your power to shut it down because you have until February twenty sixth (26th) to send this bill back to where it belongs.
And if you can't do that? Reblog, copy my tags, and boost the signal.
Sorry not sorry for ranting, making you scroll through that, and swearing a probably excessive amount, but KOSA is a bill with a GLOBAL IMPACT being passed by ONE COUNTRY because some old people are scared of two guys with who were told they were girls kissing within five hundred miles of a child. Fuck this shit, I shouldn't have to worry about bad bills in America but I fucking do because I use the internet and would like to avoid mass censorship. Fuck this, fuck conservatives, and fuck the fact that some boomers make your country's policies.
Now, if you won't mind me, I'm going to be up until three in the morning downloading fanfiction or copying and pasting them into a a text file if I can't so I can read them by the end of the week.
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ulgapodatkowa · 7 months
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I have so many thoughts but I at least want to address the "for the new unicorn" note. because first of all it's so incredibly gratifying for izzy to finally be accepted into a community. it was shown before that the crew cares for him in some way but it was the first time he really saw that. that he isn't useless and alone, that he still has a place on the ship. even more so the crew WANTS HIM to be on the ship. and also that they want him to embrace his disability which doesn't make them think any less of him.
but also the choice of words. because inherently it rings queer, unicorn as a symbol of queerness. and even if it may have a negative sound when you use it differently here it is extremely positive. izzy is not only accepted to the crew, he's also accepted to the queer community, to the family. the unicorn on the revenge was also the one that was leading the ship, so one can argue that they want him to take that role in their dynamic.
and you can see that he does so immediately. he puts himself together and starts helping the crew. he's still bitchy but no longer violent and cruel. he helps stede and lucius immensely because that is what he does now. he's part of the family. twat.
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egophiliac · 13 days
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Hi it's just to let you know that the official romanization of Revaan's name is Raverne ! Also they have romanized Baul's name to Baur !
Twst coming back at us again with the least expected romanization! thank you everybody (oh god my inbox) (no it's great, I literally asked for this and the reactions have been INCREDIBLE, thank you all!)
I do like Raverne though, I think it's got a nice fancy sound to it! (I had kinda suspected it was going to be an R instead of an L, so the fact that it's SO close to Laverne except for that is hilarious to me personally.) and Dragoneye Duke is honestly probably the best translation for his title, I wasn't envying the localizers that one. :') Baur instead of Baul I was NOT expecting, but in retrospect I think his name's supposed to be a reference to the Bauru crocodile, so that actually makes way more sense!
someone else also said Meleanor has become Maleanor, which is the REALLY weird one to me, because I was so surprised it was written as Mel instead of Mal in the first place?! oh god no I can't decide which one I like better. 😭 (I wonder if they might change it to Mal...they have made romanization changes before) (like I remember House of Distraction being corrected to House of Destruction in Playful Land) (I did check and she's still Mel for now, but I dunno, they might Mal her up and some point and save me from having to make a decision about which one to use) (HECK I CAN'T DECIDE)
uhhhh thank you for letting me ramble about anime names, let's just say MONOGRAMMED SWEATERS FOR EVERYONE
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#twisted wonderland#twisted wonderland spoilers#twisted wonderland episode 7 spoilers#twisted wonderland book 7 spoilers#twisted wonderland episode 7 part 4 spoilers#twisted wonderland book 7 part 4 spoilers#mel is so cute but mal fits with the rest of the draconias better#eng version no you were supposed to save me not make things MORE confusing#anyway raverne huh#that uh. that sure feels like it's supposed to evoke raven doesn't it.#what does it mean WHAT DOES IT MEAN#hold on i'm going to flail around embarrassingly about anime character theories now#(okay first a disclaimer: i do think we need to sit down as a fandom at some point)#(and have a discussion about exactly what is actual canon versus meta speculation versus jokes)#(because i think there has been. some confusion. over that re:crowley and raverne specifically)#(but i do feel justified in being like THEY ARE PROBABLY CONNECTED SOMEHOW RIGHT?! right now)#like i really don't think it's as simple as crowley being raverne but with memory loss or something#(and if they pull that on us i'm going to need an EXTREMELY good explanation to go with it to justify that)#they've gone out of their way several times now to make a point about them acting and sounding different and it feels very intentional to m#(and once again: i super 100% absolutely do not believe that lilia wouldn't recognize him with the top half of his face covered)#i just think the contradictions are a lot stronger than the connections right now but there ARE some connections and i'm 👀ing at them#to be fair the connections are mostly meta like crowley being diablo/raverne being evocative of raven#also the general 'raverne mysteriously disappeared and apparently had distinctive eyes' thing#versus 'crowley's past is unknown and he never shows his eyes'#(i will argue that crowley DOES seem to have some kind of canon connection to briar valley)#(since he is clearly some sort of fae and the masks are a briar valley thing)#and that is kinda it right now isn't it#okay hold on i had to delete some tags because i used too many (thanks tumblr for letting me know and not just vanishing them OH WAIT)#so tl;dr: i'm in the 'crowley is connected to raverne somehow but it's more complicated than just him being in disguise' camp personally#but that will probably change as we get more info and also don't take this as an anti-speculation thing because i love theories HOORAY
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lenaellsi · 7 months
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“Crowley is still an angel deep down” “Crowley is more of an angel than any of the archangels” “Crowley was only cast out because he needed to play his part in Armageddon, he's not a real demon” “Aziraphale wants to rebuild Heaven to be more like Crowley because he’s what an angel should be” no. Stop it. This is exactly where Aziraphale went wrong.
Crowley is 100% a demon. He's not actually a bit of an angel, and he's not cosmically better than any of the other demons we see in the series. He's much less vicious than most of them, yeah, but he's also much less vicious than most of the angels, because how “nice” a celestial being is has nothing to do with which side they're technically on. Crowley's kindness comes from him doing his best to help people despite the hurt he's suffered himself, not any sort of inherent residual or earned holiness. He was cast out just like the rest of the demons, and that's an important part of his history that shouldn't be minimized, excused, or, critically, 'corrected.'
Being angelic is not a positive or negative trait in the Good Omens universe. It's a species descriptor. Saying that Crowley is still an angel deep down because he helps people is an in-character thing for Aziraphale to think, certainly--Job and the final fifteen showed that in the worst possible way--but it's not something Crowley would ever react well to, and it's the main source of conflict in the entire "appoint you to be an angel" fiasco.
We know that Aziraphale thinks Crowley's fall was an injustice, but why? Well, because Crowley is actually Good, which means his fall was a mistake, or a test, or a regrettable error in judgment, or…something. Ineffable. Etc. The point is, he’s special, much better than those other demons, and if they can fix him and make him an angel again, everything will be fine! (So once Job's trials are over, everything will be restored to him? Praise be!) Aziraphale has to believe that Crowley's better traits come from traces of the angel he used to know and not the demon he's known for 6,000 years, because that’s how he can rationalize his incorrect view of Heaven as The Source Of Truth And Light And Good with his complicated feelings about Crowley's fall.
But Crowley's fall was not an injustice because he's actually a Good Person who didn't deserve it. Crowley's fall was an injustice because the entire system of dividing people into Good (obedient) and Bad (rebellious) is bullshit. Crowley is not an unfortunate exception to God's benevolence, he is a particularly sympathetic example of God's cruelty.
And really, Crowley doesn't behave at all like an angel, especially when he's at his best. All of the things that he's done that we as the audience consider Good are things that Heaven has directly opposed. (See: saving the goats and children in defiance of God in S2E2, convincing Aziraphale to give money to Elspeth despite Heaven's views on the "virtues of poverty" in S2E3, speaking out against the flood and the crucifixion in S1E3, tempting Aziraphale to enjoy earthly pleasures because he thinks they'll make him happy, stopping Armageddon.)
Heaven as an institution has never been about helping humanity. And that's not an issue of leadership, as Aziraphale seems to think--it's by design. Aziraphale's first official act as an angel toward humanity was to literally throw them to the lions. Giving them the sword wasn't him acting like an angel, it was just him being himself. Heaven doesn't care about humans. It's not supposed to. It's supposed to win the war against Hell, with humans as chess pieces at best and collateral damage at worst.
Yes, it's easier to think that there are forces that are supposed to be fundamentally good. It's easier to think that Aziraphale is going to show those mean archangels and the Metatron what’s coming to them and reform Heaven into what it "should" be, and that God is actually super chill and watching all of this while shipping ineffable husbands and cheering for them the whole way. And of course it's easier to take Crowley, who Aziraphale (and the audience) adores, and say that he deserves to be on the Good team much more than all those angels and demons that we don’t like. But that's not how it works. People are more complicated than that, even celestial beings.
Crowley is a demon, and the tragedy of his character is not that he's secretly a good guy who is being forced to be evil; the tragedy is that he's lived his whole life stuck between two institutional forces that are both equally hostile to the love he feels for the universe and the beings in it. There are no good and bad guys. There are no "right people." Every angel, demon, and human is capable of hurting or helping others based on their choices. That is, in fact, the entire fucking point.
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flamingpudding · 6 months
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Bruce stared. He had just been lecturing one of his son on his gala manners. Dick or Jason were usually the ones misbehaving like that, not Tim! What had gotten into his son to behave like that in public when he wasn't even in a sleep deprived state. Of course, Bruce had to lecture his kid and benched him for the night to get some sleep because Tim had to be sleep deprived to act like that. That was untill said son, he was lecturing, came through the front door shouting at him for leaving him behind at the gala.
His head swayed between Tim and the teen he had apparently just abducted and possibly has now knowledge of their secret identities.
Okay, maybe Alfred was right about his amount of sleep. Bruce brain went to overdrive, he could play it all of with an extended Brucie act.
That was before the teen lifted on hand in a calming manner and sheepishly smiled at him.
Danny: I get the whole secret identity thing, but i dont think it's a good idea to bench me, when ghost might come attacking. I won't tell a soul about yours if you keep mine! I can make a death vow if that helps. So can I call vlad now? As much as I like getting on his nerves and away from him. HE is my original ride home.
Tim: Wait, Vlad Masters who pestered ME all night is your guardian?
Bruce continued staring at the teen that looked like Tim and was now talking to his son while his son was parallel texting on his phone. No doubt telling his other sibling.
Good, they will never let this go and Alfred will use this situation against him next time he works through several nights.
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createserenity · 7 months
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Aziraphale and Crowley's relationship dynamic fascinates me and what fascinates me even more is how people perceive them, partly because I seem to have a much more optimistic view of their dynamic than a lot of what I read suggests they do.
With that in mind I started trying to unpick how I see their dynamic and why and what I ended up with was a series of rambles on various aspects, including confidence, trust, silliness and what they ask of each other. This one is about what they ask of each other and why their relationship isn't some weird one-sided thing where Crowley gives Aziraphale everything he could possibly want or ask for.
I see a lot of posts and things suggesting Crowley always rolls over and does anything Aziraphale asks of him. I don’t know to what extent most people really believe this or if it’s just a fun joke (and I’m not saying that’s bad, I think it’s a fun joke too, I love reading all that stuff and it makes me laugh). The point I wanted to make here though is that I don’t think it’s true and also why I don’t think it’s true.
Everything from here on out is my opinion, but I won’t keep stating that in order to make it more easily readable, just take it as a given. If your opinion is different that’s absolutely fine, I love that we can all see this stuff in different ways depending on our experiences and personalities, it’s why the fandom is so fun. (It’s also why my opinion on so many things in season two ricochets wildly from one theory to another).
So back to Crowley and Aziraphale – I don’t think Aziraphale walks all over Crowley, or certainly not to the extent that people sometimes think he does. Also Crowley doesn’t and wouldn’t allow himself to be walked all over anyway. Why is this even relevant? Because I’ve seen people say that in the final 15 minutes Aziraphale finally asked Crowley to do something that pushed him over the edge and that Aziraphale was shocked when Crowley didn’t roll over and do it because Crowley always does what Aziraphale asks. This isn’t at all true for a start, but also this view tends to include a second assumption, which is that their relationship is one-sided and Aziraphale never does anything for Crowley, that he dismisses him and takes him for granted, which also is not true in a lot of ways. I think it’s a fundamental misinterpretation of their relationship dynamic.  
First of all why can Crowley’s actions be interpreted as just rolling over and doing whatever Aziraphale wants? Well, the answer to that is three-fold – firstly Crowley is a genuinely unselfish in many ways, he does things for people because that’s the way he is, it doesn’t make him a pushover, it just makes him nice. Secondly he loves Aziraphale deeply. Whether he knows it or not doesn’t matter, he cares for Aziraphale and wants him to be happy. This isn’t the same as being a complete doormat, it’s simply compromising with the person you are in a relationship with and occasionally prioritising them over yourself. Both these things come together in the third thing, which is that Crowley’s love language is acts of service – he enjoys doing nice things for Aziraphale, he enjoys rescuing him, or going along with him and letting him have his own way, so why not do it? The point is he’s never railroaded into it by Aziraphale, it’s always a deliberate choice. He is literally saying, I will do this thing for you because I love you and I enjoy making you happy and this is something I feel I can give to you.
How does Aziraphale see this behaviour?
Well that’s a tricky one, because in many ways Aziraphale is the more complex character, not least because he changes the most over the course of their history together. Is there a slight element of him taking Crowley for granted in some of their interactions, especially in season two? Possibly, but mostly I don’t think that’s it at all. When someone gives you things because their love language is acts of service you develop a (mostly sub-conscious) confidence in that relationship dynamic and if you also have confidence in yourself (which Aziraphale absolutely does – I’ll write more on this another time) then when you want something you ask for things. You ask not because you learn to expect, but because you think you’re worthy of asking and you think that your relationship is strong enough to stand up to the ask. I ask my husband for things all the time, sometimes they’re things I know he’ll give me – these are easy asks (I don’t just mean physical objects, I also mean acts of service such as helping me with something), sometimes though I’ll ask for things knowing he probably won’t give me that thing or without having a clue what his answer will be – these are harder asks, the sort you don’t do early on in relationships because they might break it either in one go or over time. Sometimes a hard ask results in me getting what I want, sometimes it results in a bit of back and forth before I get what I want, sometimes I get a no and I’m temporarily annoyed or upset, sometimes I get a no and I accept it because I knew it was the most likely outcome.
The point is that I ask, and so does Aziraphale. You ask because you have confidence that you are worthy of the ask and also that your relationship is strong enough to bear the request, even if the answer is no. Can a no still be annoying or upsetting? Yes absolutely. Can a no still be wrong on the part of the other person? Also yes. The point is that sometimes the no isn’t wrong and it doesn’t necessarily break the relationship. By the time season two comes along Aziraphale is confident enough in his relationship with Crowley to feel it can bear the weight of him asking.
So what happens when he asks? Does Crowley roll over?
Well no, he doesn’t. One big example of this is right at the beginning of the series, in episode one. Here Aziraphale makes a massive ask of Crowley and he knows it’s a big ask. Even before he tells Crowley what the problem is he’s aware of the possibility of a no. “Is it something I can help you with?” Crowley sayss, and Aziraphale merely shrugs. It’s not because Nina is there, she’s gone by that point. It’s also not because he doesn’t have faith in Crowley’s ability to help him, he always has faith in Crowley’s abilities (this is a whole other thing on trust). What he’s doubting is whether Crowley will help him. It’s why they’re meeting in the café, not the bookshop. He wants to break this one to Crowley a bit at a time – there’s a problem and I need help. I want your help, it’s why I called you, but you aren’t going to like it and I’m not even sure whether you will help so I’m establishing that I need help first, rather than showing you Gabriel immediately, so that you aren’t completely surprised when I present the whole problem to you.
Once they go to the bookshop and Crowley is confronted with Gabriel he offers the help he feels able to give by saying that he’ll drive Gabriel somewhere and dump him. He’s stating his willingness to help (which is important later), but for now he’ll only help in one specific way. What he isn’t willing to do is any more than that, not even for Aziraphale.
Help me take care of Gabriel. Help me sort this mess out, Aziraphale says, and what does Crowley say? No. Absolutely not. You’re on your own with this one. Even after Aziraphale practically begs him for help, complete with puppy dog eyes and the magic word, “I’d love you to help me,” Crowley still says no. That is not the reply of someone who lets themselves be walked all over or who rolls over every time the angel they’re in love with flutters their eyelashes.
Okay so what about the fact that he returns? Well, the stakes have been raised: for a start Aziraphale is now directly in danger, which alters the balance in favour of helping him, and remember he was already willing to help, he said as much, but he was previously only willing to help in one way. Now that’s changed. Doing things you wouldn’t normally do for someone you love when the stakes are raised is a perfectly normal rection in a relationship and does not indicate an unhealthy dynamic. Crowley has now realised that getting rid of Gabriel is no longer an option - his preferred plan (dumping Gabriel somewhere) will no longer work, so the only choice is now Aziraphale’s plan of keeping him in the bookshop and taking care of him.
This is why he returns.
A quick note on the call
Just backtracking a bit here – when Aziraphale calls Crowley to ask him for help Crowley agrees to be over in two minutes. It’s instant, no questions asked and at first glance looks like Aziraphale calls and Crowley comes running just because. But nope. Later we are very clearly told that Crowley knows something is wrong the moment he picks up the phone and Aziraphale starts speaking, “This was your ‘Something’s Wrong’ voice.” Crowley already knows there’s a problem and what do you do when your closest friend calls you and tells you about a problem? You try to help. Whether that’s advice, comfort, physically going around to help out or whatever the situation calls for. Of course Crowley says he’ll be there in two minutes, he doesn’t exactly have anything else on and his friend has just indirectly told him something is wrong. He’d be a pretty shitty person/entity if he didn’t agree to drop round and try to help.
So what about the 'I was wrong' dance?
This whole interaction, that many people say indicates how under the thumb he is actually shows us the exact opposite. What’s the first thing Crowley says when Aziraphale asks him to do the dance? “I don’t do the dance.” This tells us a hell of a lot about their relationship dynamic up to this point – for a start Aziraphale has clearly done the dance before, at Crowley’s request, and he lists off the occasions. The dance is silly and slightly demeaning and Aziraphale has done it several times for Crowley, whilst Crowley has never done it, yet somehow we read this whole scene as Crowley being the whipped one? Um. No. Also heavily implied in Crowley’s, “I don’t do the dance” statement is, You’ve asked me to do this before, I’ve always said no because I don’t want to. You’ve always accepted my no before and I want (expect!) you to accept it this time.
But this time Aziraphale doesn’t accept the no. Just like Crowley wouldn’t go along with his plan earlier, Aziraphale now won’t go along with Crowley’s no. Clearly he has done so in the past, but this time their dynamics are different. They’ve been much more open about their friendship for the past four years, they’ve both accepted that they are at least close friends, if not more. They’ve saved the world together and saved each other. They both acknowledge they “carved (this existence) out for ourselves” and that brings strength to their relationship. Now that Aziraphale has more confidence in what they are to each other, he takes that confidence and tests the limits of what Crowley will do for him, to push them more towards equality. Why should he always be the one to do the dance? Crowley responds by acquiescing not because he would just roll over and do anything for Aziraphale but because he recognises three things. Firstly that Aziraphale is pushing and that this is new and that this means something to him in the context of their relationship, secondly because he reluctantly accepts Aziraphale’s point that it isn’t really fair that he never does it, and finally because the request for him to do the dance isn’t about him refusing to help (Aziraphale was never certain he would), it’s about the fact that he’s broken Aziraphale’s trust by refusing to help (which is a slightly and very subtly different thing). To illustrate this, right before Crowley does the dance, just after he says “fine,” he gets this very brief, soft look on his face – this is him acknowledging to himself that Aziraphale deserves this dance, that he loves the angel and that he’s doing this because of both those things – he could have continued to insist on a no, he clearly has before, but this time he chooses not to.
I will do this thing for you because I love you and I enjoy making you happy and this is something I feel I can give to you.
All right, what about the car thing?
What about it? Lending your car to the person you love is very normal. Ok so the car means more to Crowley than a normal car does to us, but the point still stands. Aziraphale is making a reasonable request here. Does he expect a yes? Absolutely, because he also knows it’s a reasonable request given where their relationship is. Does he flirt to get his own way? Hell, yes. Does Crowley know exactly what Aziraphale is playing at? Also a hell yes. And Crowley totally plays up to it, he’s not as opposed to it as he claims. He’s playing up his “no” and his grumpiness for effect, to encourage Aziraphale’s silly flirtiness. Look at the difference between this no and the no he gave Aziraphale earlier. There’s no anger here, there’s no real sense that he thinks Aziraphale is asking too much, he’s playing a role in their relationship and they’ve both played this game before. Look at that little slap of the hand, which Aziraphale responds to equally playfully. The game even continues after Muriel turns up at the shop, when it’s already quite clear that Crowley is going to let Aziraphale use the car (he’s already taking the plants out). Even in the back-room Crowley still teasingly grumbles about trains whilst Aziraphale smiles flirtily, and Crowley playfully withholds the car keys when Muriel interrupts them. They both know Aziraphale is going to end up with them, there’s no point to him not directly handing them over in spite of the interruption, it’s just an excuse to tease Aziraphale back. I mean, look at him – he spends the rest of the conversation wiggling his hips, grinning smugly and confidently handling the Muriel problem by talking about love. Aziraphale’s very overt reaction tells you all you need to know about the dynamic of this one.
Two can play at this flirting game, angel.
But he follows him around like a little puppy!
Well, yes and no. Sure he follows him around whilst he goes around asking all the shopkeepers to the meeting, but he does that because it’s fun for him. He’s curious, Aziraphale is acting oddly, doing something he’s never done before and Crowley wants to know what it is. He’s always found him fascinating – what silly and ridiculous thing is the angel up to now?
Also wanting to hang out with the person you are in love with isn’t at all strange or a sign you are in some sort of weird relationship where only one of you calls the shots. It’s normal. Crowley knows Aziraphale has a tendency to be silly or do unexpected things and he wants to watch him do them and also flirt with him whilst he’s doing them. Looking grumpy and reacting to Aziraphale’s silliness with disbelief is how Crowley flirts-without-flirting. Both of them know, understand and like that dynamic, and he has that role not because he’s unhealthy levels enthralled with everything Aziraphale does but because of the levels of trust they have spent millennia establishing.
What Crowley doesn’t do is wait around for Aziraphale. Look at the scene where Aziraphale daydreams about Job. In that scene he’s aware Aziraphale has something else to show him (the record clue), but he doesn’t stick around whilst Aziraphale ignores him. He could have sat down somewhere in the shop and waited – he’s got an eternity, waiting an hour or so is no big deal, but waiting around like that would suggest he really is a doormat, just waiting for the next time Aziraphale shows him any attention. He doesn’t do that, instead he goes off and does… well, something. There’s a lot of speculation over what it is, but whether he goes off to read Pride and Prejudice or just wanders off to find something more interesting to look at than the back of Aziraphale’s head, he’s clearly saying here that he has a life outside of whatever Aziraphale wants to do.
Also side note - you know what else he doesn’t do for Aziraphale? Adjust his driving style. Aziraphale clearly hates it, it makes him nervous and he even asks Crowley to change several times whilst they’re in the car together, but Crowley never does. This is how I am angel, accept it or don’t, but this is the line and I’m not changing this for you. Related to this is his refusal to accept Aziraphale altering the Bentley. Aziraphale tries to persuade him, “But it’s pretty,” and Crowley really isn’t having it. It’s another hard line and he’s not going to let Aziraphale cross it.
Anything else?
There’s a few other examples that I’ve seen listed in the, “Crowley does whatever Aziraphale says/wants” evidence piles. Things like Aziraphale assuming he’s going to get the drinks in the pub. Well, someone has to get them, and it makes perfect sense that they both assume it’s Crowley here because he’s the one more comfortable with pubs. Having a role that you take on within certain situations in a relationship is healthy and normal, imagine how exhausting it would be to debate who is going to do every little thing all of the time.
In the first series the coat cleaning is another example often cited, but this is something Crowley is perfectly happy to do. Aziraphale is flirting, which is delightful, and he’s not being asked to do anything difficult or dangerous. I will do this thing for you because I love you and I enjoy making you happy and this is something I feel I can give to you, which is totally different from, you always ask, I always give, and you always take.
What about Aziraphale. When does he give?
All the damn time. We just don’t notice it as much because Crowley asks different things of him. His love language is acts of service towards others, but he doesn’t really ask or require them in return. Sometimes he gets them from Aziraphale anyway (Holy water anyone?) Also notably in the Globe Theatre when he’s clearly the one pushing the Arrangement, and Aziraphale more or less agrees to do his work for him (“That doesn’t sound like hard work”) even before he’s asked, before they’ve gone through their little dance of Crowley pushing and Aziraphale supposedly-reluctantly agreeing.
The other things Aziraphale gives Crowley are much more nuanced, and much less measurable to us as the audience, but he gives them constantly, or more or less constantly, throughout their relationship. He gives him acceptance (although he occasionally partially withdraws it, such as in the bandstand scene), his silliness (which is more important than it first appears), a safe space (not just the bookshop, but also a safe space for Crowley to air his real views without fear of consequence, which is important irrespective of whether or not he persuades Aziraphale to agree with him), his physicality (by 1826 he’s really in Crowley’s space so much of the time) and most importantly he gives Crowley himself. Crowley constantly pushes Aziraphale to grow as a person, it’s one of the original reasons he entertains developing a friendship with him. What he asks of Aziraphale is for Aziraphale to think – really think – about what he believes. And Aziraphale does so, but only for Crowley. Humans have constantly questioned religious beliefs throughout history, they’ve written books, made speeches and even had wars over religious doctrine and the problems, inconsistencies and absurdities within it. Crowley is saying nothing to Aziraphale that he won’t already have indirectly heard from humans and dismissed or ignored. But when Crowley says it, he thinks and he changes. That’s what Crowley asks of Aziraphale and it’s what Aziraphale gives him.
What was the point of all this waffle?
Well, honestly there isn’t much of one. Only that their relationship is much more balanced than some suggest and I think I just wanted to spell that out. It also has an implication for the final 15 minutes. There’s no way Aziraphale goes into that with some sort of fake confidence that he can persuade Crowley to follow him to heaven simply because Crowley always follows him – Crowley doesn’t, he has very clear limits that he enforces with Aziraphale and Aziraphale knows this. He might feel confident for other reasons (such as thinking Crowley will be happy to be an angel again) or something else entirely different might be happening (so many theories!) but I’m pretty sure it’s nothing to do with thinking Crowley always does what he asks, because he very clearly doesn’t.
It's also why Crowley waits around afterwards to watch Aziraphale leave. It’s a way indirectly of saying one final time, I love you and I enjoy making you happy… but this is something I cannot give to you.
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tanglepelt · 8 months
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Dc x dp idea 133
Danny is really confused. Like sure he made a fake account in order “use” his parents completely valid and not in biased research on ghosts.
Cause obviously. Their completely legit research disproves multiple peer reviewed and factual papers.
Tucker made the fake account. No real names or numbers. So. They couldn’t know it was him right?!??
He just wanted people to see how wack the papers were and bring to light the very not accurate papers. He figured using botched research to counter claim others would do something.
But??? Why was the flash in his living room arguing with his parents about scientific articles. And proper research??
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I have a dumb idea
The justice league (Minus Clark and Diana) thinks that Robin is an immortal being that changes form every 5-10ish years because Bruce never told them he had different robins
Robin I and Bruce having issues near the end was just due to the transformation coming near
Robin II only lasting so long and Bruce’s grief after they attribute to something going wrong with the transformation and do think Robin is dead
However when Robin III comes they assume that Bruce’s grumpiness is attributed to him being over protective after the disaster of the last transformation
The Steph comes and goes back to Tim and they’re all thrown but like maybe this version of Robin is genderfluid and they don’t want to be rude so they don’t say anything
And when Damian comes after 5 years it just solidifies this theory as well as Robin probably being genderfluid cause of Carrie
Yes the bat kids have come to the watchtower as Nightwing, Red Hood, Red Robin, and Spoiler
Bruce is unaware
The batkids know and are keeping up the act as they wait for the perfect moment to descend from the celing, all wearing the robin uniform and traumatizing the Justice League
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aphel1on · 11 days
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AURGH auwarghh the autistic parental trauma... the epi was wacky hijinks then dropped this on us out of nowhere... (sobs) laios... laiiiiooooos
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knightingale · 2 months
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The "Sansa reminds Sandor of his sister" motive that some people try to hitch to his character really just flies in the face of his actual attachments to her, doesn't it? Sansa reminds Sandor of himself. He sees the little boy who used to love knights in this girl who's been swept up by the same romanticism. He sees his abuser in her abusers, the much larger knight(s) beating on the helpless child. He sees how she is betrayed by every level of authority that should have saved her and remembers his father's neglect and Tywin and Robert's apathy for Gregor's crimes. He's protective of Sansa because he was Sansa.
And GRRM's design, that one of the strongest warriors in the series, a fearsome and cynical 6'8" guy who's "muscled like a bull" and has the face of death itself, sees himself in this soft and effeminate teen girl, and empathizes with her because he was an abuse victim too, is INFINITELY more compelling than "Oh yeah I bet she just reminds him of his sister," who he's never mentioned and who we know literally nothing about. Way to unnecessarily water down a character, you couldn't have ignored the black and white text more efficiently if you tried.
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quotidian-oblivion · 1 month
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May I just say... Colin Morgan's background stage business is impeccable. There are so many actors who just stand there watching or aimlessly shuffle around, but I've noticed that when Colin Morgan is in-character, he is in-character.
I haven't watched him in anything other than Merlin, but when he's not the focus of the camera, he's still doing things just as Merlin does. Like, trying not to laugh during the feast when Elena was visiting and displaying poor table manners, actually looking deep in-thought and mouthing the name 'Alice' when Gaius was talking to him about her, glaring at Gwen from the bedpost when she was enchanted and was monologuing about who could have possibly poisoned Arthur, polishing or doing a chore or keeping his head down when Uther's talking to Arthur but still watching them with a keen eye-
and so many more instances! His background stage business is just amazing.
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it's the fact that crowley became more protective of aziraphale after he thought he lost him in the fire.
he experienced what it would feel like to lose him and he knew he never wanted to go through that again, so in season two he does everything he can to keep him from harm.
he threatens and he fights and he leaves only to return just as quickly, and he makes the promise "i won't leave you on your own" because the last time he left in anger he came back to find that aziraphale was gone.
and if he has to experience that heartwrenching grief that had him sobbing on the floor of a flaming bookshop ever again then what would be the point of it all?
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sunflowernyx · 7 days
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I keep thinking about how much of a statement they make about Mulder being a runner.
It's in the first episode. In the second. We see him jogging. He invites Scully to come with him. And then the sprints when he's chasing down a suspect. This man can outrun a horse.
This man is a runner. And he's stupidly fast.
And then there are all of those scenes where he and Scully are getting chased. and it's such an unspoken, yet deliberate, thing cinematically that he matches his stride to hers always. He never rushes her, never pushes her. He just matches her. And even with his long legs he's always a step behind, always a step in front. Wherever he needs to be to stay between Scully and danger.
Because it's so ingrained in his entire personality that Scully has to be safe.
That her life is the one thing he can't risk
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twosides--samecoin · 1 month
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Can we talk about how beautifully Lucy's character represents someone picking up Fallout for the first time?
She has all the perks she thinks she needs to have and is prepared as she thinks she needs to be until she barely survives her first fight against a raider. Dr. Siggi tells her if she insists upon being here, she must adapt. Lucy tells The Ghoul "I won't ever be like you" but has no idea what he had to do (or what she will need to do) to survive. She wants to be kind and fair to solve problems but utterly fails speech checks. She gets lost in side quests. She's shocked to learn her privilege when she sees a family of skeletons sat around a table who took poison together, and is forced to encounter it again when she says the "I recognize my privilege" line to Ma June and Ma June rejects her for it - getting by in the Wasteland is a life hard lived, one she can't understand.
And in the end she encounters a painful truth she couldn't have imagined. She finds what she's looking for and it's all fucked up. And her last move is still choosing kindness. She is faced with some bullshit "choose between two factions" decision that feels like it has no meaning in the face of war and cruelty. But when one door closes for her, another door opens for The Ghoul. So she chooses to follow him; to give back instead of take. And the world moves on. There's a billion more quests to follow. Lucy isn't done with the Wasteland yet, and the Wasteland is not yet done teaching her the game.
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thranduel · 9 months
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some facts about astarion that i find very cute/meaningful :)
i wanted to share this so more people can learn about him and appreciate who he is deep down, behind the mask he wears. before cazador turned him, he was just like any other person; he had hobbies, passions and emotions. those things are still there, but they’re just hidden amidst all the darkness. he was so young when he first turned that he barely had a chance to enjoy life or figure himself out. so many people miss out on the complexity of his character due to only focusing on his physical appearance or labelling him as a cruel villain, but in order to see that he’s so much more than that and he’s capable of growing as a person, all you need to do is show him a bit of love!
- he loves embroidery and poetry
- he approves when you pet the owlbear cub because most people view it as a monster (the same way people have always viewed him). it’s like he finds comfort in the fact that you can love and care for something that most people are afraid of, and it gives him hope that you may feel the same way about him too
- if you put a flower on his grave, he smiles and says "cute"
- he comes up to you in camp just to thank you and tell you how grateful he is that you allowed him to make his own decision (after you defend him and don't force him to drink the drow's blood) because he is so used to being told what to do and he was forced to use his body for so many years
- in that same scene, he will hold your hand whether you choose to stay in a romance with him or be friends instead, because he loves and appreciates you no matter what, and any sort of relationship with you is so important and meaningful to him
- if you try to romance karlach and astarion at the same time, he tells you to choose karlach over him, even if he loves you and it hurts him to do so, because he can see that karlach loves you too. he says that normally an arrangement would work for him, but after everything karlach has been through and how fragile her heart is already, he doesn’t want to get in the way or see her hurt
- if you try to romance halsin and astarion at the same time, he just wants you to do what makes you happy, even though you can tell it hurts him if you choose halsin. he’s also worried that you’re unhappy because he hasn’t slept with you (he should never have to worry about that ☹️), so he doesn’t want to stop you from enjoying yourself. in this situation and the one with karlach, you can see that there are moments where he puts others before himself and thinks about their feelings more than his own
- if you’re playing as the dark urge and you’re trying to resist it, he is so incredibly comforting and tries to give you strength and encouragement. one of my favourite astarion lines is this: “you’re not alone in this, none of us are.”
some more lines that i love:
“i don’t hate you. because this is not you. but whatever it is, you’ll get through it. and i’ll be here to make sure you do.”
“whatever it is that’s controlling you, we can fight it. i know that better than anyone.”
“this thing won’t have you. it won’t win.”
“easy now, darling. you’ve got this. and i’ve got you.”
- when you try to break up with him because you’re transforming into a mindflayer and you tell him you’re becoming something horrible, he gets so upset that you would even think that way and tells you that you’re wonderful and he doesn’t care about what you look like. then he says he would get more stares walking down a street than you to try and make you feel better
- if you love and care for him and remind him that there is still good out there, he genuinely wants to grow, be a better person and break the cycle of power and terror that started centuries ago
- he approves when you help people that are considered outcasts or "freaks" because he has felt that way too
- he risked his life and got punished for letting a man go instead of luring him back to cazador because it’s implied he cared about him in some way and he couldn't hurt him (not entirely sure about this one, this is just how i interpreted it based on his voice and mannerisms when he was talking about him)
- he approves when you give an orphaned child food (act 3)
- he becomes vulnerable, honest and more gentle with you once you start treating him like a person, because for the first time in his life, he actually feels safe with someone
- he's extremely insecure despite the mask he wears at the beginning of the game and he doesn't believe he is capable of being genuinely loved for who he is as a person. when you get close to him and tell him you care for him and give him a hug, he is taken aback at first, but then he believes you and hugs you back. also, when you're playing as the dark urge, you get this line: "you like him for more than his looks, but he will never believe that." this is proof that astarion is so used to being reduced to his physical appearance after what he was forced to do for so many years, and he thinks that's the only reason why people like him. he struggles with intimacy and forming strong emotional bonds, so that's why it makes your relationship with him even more meaningful when he realises that you truly do love him for who he is, not just for his looks and body
- when the drow you met at moonrise shows up in act 3 and tries to make you drink something, astarion tells you to say no, because the only thing she's offering is pain and he doesn't want to see you hurt
- if you romance him, stop him from doing the ritual and help him defeat cazador, he tells you that you are the only person he's ever truly cared for
- if you defeat cazador without him and tell him you just wanted to protect him, he gets upset at first because you left him behind without telling him and he wanted to take revenge himself, but then he becomes understanding and says “maybe this is what’s best? the kind of power that ritual offered could ruin a person. even me.” this shows how much he’s grown and matured as a person and he’s aware of the consequences of too much power. the scene also ends with him telling you that he’s grateful for something that you did to help him (again).
- he becomes more self-aware, straightforward and honest over time and he doesn’t pretend like he’s perfect. he tells you that you were by his side through all the bloodlust and pain and misery, despite all of his flaws and mistakes. you remained patient with him and trusted him even though it was an objectively stupid thing to do, but he is so grateful for it because you believed he could become a better person (and he did)
- this is sad but he remembers some of the names of the people he had to lure back to cazador and even the memories he shared with them. you can see this during the scene with sebastian, and it’s clear that he actually cared about him (not sure how many situations were like this, but there was definitely more than one)
- if you say “i’m sorry we couldn’t save the other vampire spawn”, he says:
“we could have tried. we could have given them the same chance i had. i was able to go out into the world and make better choices. to go against my nature and become more than a blood-sucking monster. maybe they would have done the same. or maybe not - but did we have the right to take that choice away from them?”
this scene shows how much astarion has grown and how compassionate and empathetic he can be towards others. he understood what it felt like to have his own freedom taken away while cazador made all his decisions for him, so he didn’t want to put the other vampire spawn through that too (especially because he still feels so guilty for luring them there in the first place)
- if you romance him and he stays as a vampire spawn and you choose to help him look for a cure so he can stand in the sun again, this is revealed during the epilogue scene:
“one night, he tells you that these last six months of happy memories are the counterweight to two hundred years of misery.”
he’s finally truly happy and free, and the short time he’s spent with you is already so incredibly powerful and important to him. being with you has positively impacted his life in such a massive way that it makes all those centuries of pain and misery feel so much smaller
- another sweet line from astarion during the epilogue scene after he tells you to go catch up with your other friends and see how they’re doing:
“i’ll be here when you’re ready. i’ll always be here, my love.”
THE CHARACTER DEVELOPMENT AND GROWTH 😭🫶🏼 he’s become so kind, loving, respectful, genuine and sincere. i’m so proud of him 🥹
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