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thinkin-bout-milgram · 3 months

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Deep Cover: Initial Thoughts

Okay, this one is a lot to look at , especially given how relatively little is actually said. Still, I think I'm starting to make sense of it, so here's my analysis that I've figured out so far.

I'll be using @/oehale on Twitter's translation of Kotoko's voice drama Yonah. As usual, I'll be bolding my general topics/thoughts and moving forwards with that. Let's get started!

Kotoko sees herself as the new warden.

The most obvious comparison here is the mimicking of UNDERCOVER. Kotoko, like the original UNDERCOVER, has lyrics that start with "UNDER" and are followed by talking about the other prisoners. She also basically says as much to Es; they're working together now. They should work together to make the "right" Milgram.

It's pretty obvious that our little innocent deal with Kotoko has gone straight to her head. She now sees herself as part of the authority of the prison, and believes it's her role to give out the proper punishment for guilty verdicts. However...

Kotoko believes everyone in the prison (other than her) should be guilty.

This is pretty obvious based on those previously mentioned "UNDER" lines. They're all very critical. Notably, the ones that most clearly indicate this-- towards the end of the song-- only include the innocent prisoners, but she's made it pretty clear that she agrees the earlier guilties should have also been guilty.

“UNDER” Doltish “001 Parasite” “UNDER” Obscene “002 Slut” “UNDER” Incessant “004 Phony Queen” “UNDER” Doomed “005 Dissection Pawn” “UNDER” Concealing “007 Deceiver” “UNDER” Inept “011 Guard”

Even Es, the "inept guard," gets to face Kotoko's judgment! That line is interesting in conversation with the audio drama, which focuses on Kotoko calling Es weak because they've grown to like and have sympathy for the prisoners. Kotoko has come to view Es, someone who is willing to forgive the guilty (in her perception) prisoners, as being guilty as well for not condemning them.

(Also, 011? Are you implying that something will happen after the tenth? Am I right about a Trial 4 in which we'll vote on Es??)

Notably, for Kotoko, wanting everyone to be voted guilty basically means that she wants everyone else to die. In the intro to the second Trial, Kotoko said that she wouldn't go as easy next time, and Mahiru already nearly died this time around.

So ridiculous, isn’t it ridiculous They’re still here, still here, it grates me

This also definitely seems pretty "get everyone else out of here (kill them)" to me, especially given that it's shown after Kotoko smashes all the pieces representing the innocent prisoners as well.

The guilty ones were already broken earlier into the MV:

Futa's and Mahiru's were broken first; they've already been "broken" in the sense that they've been attacked. The other guilty prisoners go next, as they're Kotoko's next targets. Then, finally, the rest of the originally innocent prisoners, who Kotoko hopes will be voted guilty sooner rather than later.

This is also a small note, but I find it interesting that the line "I want a reason for judgment execution, I want it" was initially translated as "I need a good reason to give justice" in the Trial 2 Song Preview. The specific reference to execution was added/wasn't emphasized in the original version. I don't know what the "correct" direct translation is, but I always stand by the fact that if the translators chose to translate something in a certain way, it's intentional.

(Side note, but I wonder if UNDERCOVER's change in official lyrics to include all of the prisoners' Trial 1 song titles happened when they decided to mimic it in Deep Cover, which also includes the Trial 1 song titles. Could be a reason for the change in translation.)

And, uh... that's all I got. That I'm confident about, anyways. I still have other thoughts, though, so rather than me having bolded claims as section titles, I'm just gonna have, like... categories.

The Girl

You.

We've seen her before, in HARROW:

So, she's the one Kotoko rescued from this guy, right? That's what this seems to be telling us. However, there are a couple of important details to consider.

Where's her hat?

What about the girl in the white dress?

What about the girl in the pink shirt?

I'll get back to 1 in a bit.

The girl with the white dress in question only appears shortly in HARROW, and as far as I can tell, not at all in Deep Cover:

It could technically be the same girl, I guess, given that we can't see her face. However, then there's the pink shirt girl:

There's also still this thing from HARROW:

In my original HARROW theory, I theorized that the guy abducted Kotoko (the girl in the pink shirt), but the girl in the white dress distracted him/sacrificed herself long enough for Kotoko to get away. The memorial/potentially a police notification?/whatever the sign with the flowers is belongs to the white dress girl. Kotoko then later tracks down the guy who did it, when he's abducting the girl in orange. Kotoko then kills him.

Honestly, I think that this still tracks. We didn't really get anything else about the memorial, the girl in white or the girl in pink in this MV-- or the guy she killed, for that matter-- so there aren't any conflicts. I'll be moving forward assuming that that's true.

So, then, back to the orange girl. She isn't wearing the hat Kotoko gave her when we see her getting dragged off. What does that mean?

Establishing the Timeline

It seems most likely to me that most of Deep Cover happens after HARROW's murder. That's not just because the opening shot of Deep Cover looks like the end of HARROW. There's a lot more going into that.

First off, there's the girl. I initially thought that she might be Kotoko's sister, given the apparent familiarity Kotoko seems to show to her, rubbing her head in the park scene. However, once I remembered my initial theory, there are only really two possible interpretations I can think of for her involvement with the man Kotoko kills.

Either

She isn't at all related to Kotoko, and they "met" when Kotoko rescued her by killing the man, OR

She IS Kotoko's sister, in which case Kotoko probably used her as bait to lure out the guy in order to follow him back to his warehouse and kill him.

The second one was my initial read, but after looking at it longer, I think the first one makes more sense on the whole. If I'm right that the first thing that happens in the Deep Cover MV is the murder, that means that the park scene happens after it.

This isn't hard evidence or anything, but notably, the hat the girl has says "LUCKY" on it. If she's lucky, it probably means that she's lucky that she survived the situation with the man. It wouldn't be luck if she was planted there by Kotoko; it would only be luck if she happened to be the victim who's abduction lined up with Kotoko's rescue mission.

The park scene is still a little confusing to me if they were strangers, though. After all, Kotoko pretty pointedly ignores the girl at 2:06 to 2:19ish, and as far as I can tell, nothing major happened between the park and then.

There are three main explanations I can think of.

The first one is that the girl tried to stop her. Like, maybe she thought it was really cool when Kotoko rescued her, but when she realized Kotoko went to go threaten/possibly kill someone who, like, stole something from a business or something, she thought that was too much. This is pretty much entirely based upon the fact that the "Tell me why you tell me stop" lyric lines up suspiciously well with the change in the girl's expression from happiness to surprise, and then eventually what looks like fear.

The second one is that Kotoko is distracted at that point. In the park, we see Kotoko still looking at her phone, presumably looking for more wrongdoers. She spends time with the girl while simultaneously working, so it's no bother to her to spend time with the girl. However, when the girl tries to greet her later, she's in work mode. After passing the girl, we see Kotoko marching on forward with smoke (?) around her. It's very dramatic and she looks very threatening. It's even possible that she's doing a werewolf transformation type of thing there. If Kotoko has her sights set on a target, she might be more unwilling to waste time talking to the girl. This would signify that the people she rescues are irrelevant to her; her focus is on punishing wrongdoers, not checking in on saved would-be-victims.

The third one is that the park actually happened after the thing on the street, but given that she's already wearing the hat on the street scene, which she first wears in the park, that doesn't make a lot of sense.

I think the second option makes the most sense, so it's what I'll be going with.

So, the timeline looks like this:

Kotoko, as a child, is abducted by that one guy. She wears a pink shirt in the flashback. The girl in the white dress intercepts and allows Kotoko to escape. Years later, after becoming a vigilante, Kotoko tracks down the same guy and kills him, rescuing the orange outfit girl in the process.

The orange outfit girl finds Kotoko in the park and either receives or shows Kotoko the hat she got. Kotoko, while still looking at information for her next target, entertains her because she isn't actively busy.

The girl tries to approach Kotoko on the street. However, Kotoko is heading after her next target, and there's no time to lose. The expression of intensity and general coldness Kotoko gives off intimidates the girl, and Kotoko proceeds with her plans.

So, that's how Kotoko's murder works, right? There's absolutely nothing else related to time that could drive me insane!

...

Becoming a Lunatic (The Moon Phases)

Okay, Kotoko's a werewolf, she attacks on the full moon, we all get it. Except... goddamn it, there's more moon than just the full moon.

As far as I can tell, there are three moon phases that are shown across HARROW and Deep Cover. The first one I'm talking about is the full moon.

The Full Moon

The wolf zone occurrence of the full moon in HARROW lines up with when she kills the guy, which makes sense. In Deep Cover, it's preceding the time where she smashes all of the remaining innocent prisoners. That hasn't happened yet.

Because moon cycles happen repeatedly, I think it's okay to say that the full moon happened in the past, when Kotoko killed the guy, and in the future, where Kotoko hopes to kill the other prisoners. It's even possible there's a full moon we didn't see when Kotoko attacked Mahiru and Futa.

Like, that's probably just a spotlight, but it definitely COULD be moonlight. Either way, we don't see the sky, so it at least isn't conclusively NOT a full moon then.

So, full moon = violence. What else?

The Waning Crescent

Disclaimer I know nothing about moons. I am working off of this chart from timeanddate.com. If it's wrong blame them, I can't find a better chart anywhere on the internet.

Notably, the waning crescent is what the moon is for pretty much all of HARROW, except the quick appearance of the full moon at the end. There are clearly visible shots of it around 1 minute and 2 minutes in.

I don't really know what specifically waning crescent is supposed to mean here. Google says that it's about change and reflection, but spoilers, that's what it also told me about the third moon phase that shows up, so I don't know how much stock to really put into that.

I think the most obvious (?) symbolism of it is that it's right before the new moon, when the light isn't shining at all. If I had to take a stab at what the new moon represented, I'd say it's times in which Kotoko is powerless. She's powerless when she's looking for information before the first murder, she's powerless when looking at her crossed out board (more on that later), and she's powerless now-- when we're going to vote. She can't give out justice without our help. This is the last part before we give our verdict on her, so as she's looking around at the other prisoners, innocent and guilty alike, she's preparing to be able to do nothing. She hopes she'll get back to that full moon and exact justice on the other prisoners, but that's only hypothetical for now.

Let's talk about that board really quickly. This is how it looks in the middle of Deep Cover, when the crescent shows up:

This is how it looks at both the beginning and end of HARROW:

This is another reason to believe that Deep Cover happens after the end of HARROW. After all, it'd be hard to un-black out the papers, and given that they're hanging in basically the same positions, it'd be surprising if they were replaced papers. So, that means that Kotoko blacks out her information sometime after she successfully kills the guy.

The scene with the blacked out board is immediately followed by the final moon phase, and then by the girl in orange in the park.

The Third Quarter Moon

The crescent moon on top of the board directly fades into this third quarter moon. This made sense to me until I saw the arrow on the moon phase chart telling me to read it counterclockwise. Then I was confused.

Because the third quarter moon happens immediately before the waning crescent, I think that this moon shift is meant to serve as a time rewind. The scene with the girl in the park (and therefore also, the girl on the street) happens before the scene with the blacked out board. This supports the idea that Kotoko ignored the girl because she was taking out a target; after that scene, all her targets are gone, so Kotoko can cross out the information about them on her wall.

This also checks out with the stuff with the girl in the park and on the street happening after Kotoko kills the guy, given that the third quarter moon comes a little bit after the full moon.

There's no occurrence of the third quarter moon in HARROW. However, it does actually show up one other time in Deep Cover.

At 2:28, the moon shows up in third quarter again, then transitioning to a pink full moon. I'd assume that this shift backwards in the moon cycle, as it did earlier, signifies turning back in time. However, the pink full moon refers to Kotoko killing all of the remaining Milgram prisoners, an event that's already in the future. What happens after the hypothetical future scenario of Kotoko killing everyone?

The answer is, Kotoko collapsing in the wreckage of the destruction she caused. She's in her warden outfit, so it's consistent. The scratch marks probably indicate that this is immediately after she turns back from being a werewolf, in the hypothetical pink full moon.

This indicates that, somewhere in her mind, Kotoko realizes that she might suffer from killing everyone else, collapsing under the weight. It does seem like Kotoko understands that being the one true savior is difficult.

K: I know it well. It's so hard to hold the responsibility of a guard all alone. I've also felt this way. You are such a kind person. You can't stand the prison changing with the power of your choices. So you need someone to be with. Leave all of the dirty work to me.

Even if she wants to present herself as someone who's crushed her own weakness, she still has to worry. The lyrics of the chorus are begging Es to give her her next target. If she doesn't have people to target, she doesn't have purpose. Her board is all blacked out; the guilty prisoners will be crushed. Once all that's said and done... what else is she going to do?

Conclusion

Anyways, that's my best shot at understanding this MV. It is... confusing. The main things I still don't understand across the two MVs are the many wolves with purple glowing eyes in HARROW and what the hell the pieces that represent the other prisoners in Deep Cover are. If they're not chess, then what are they???

oh wait lmao i forgot

VERDICT: GUILTY

We already knew this one.

I can't tell Kotoko that it's right to kill the rest of the prisoners, and she really needs to be restrained. I don't know exactly what the damage is gonna be to Kotoko's mental state, but for the safety of everyone else, I kinda have to. She makes fair points about us verbally torturing prisoners not being that different from physically harming them, but... we're at the very least not shooting to kill?? Like, if you kill them, there's no hope at redeeming them. That's what we're trying to do, even if the tactics Milgram gives us are less than ideal.

Anyways, tell me your thoughts and if any of this made sense! Happy end of Trial 2!

#milgram #ミルグラム #admin venus #kotoko yuzuriha #milgram theory #long post #5:43 am hell yeah #normal things #this mv did NOT make sense to me the first time that i watched it #like at all #the moon phases almost made me cry /srs #but i think i figured it out by the end!!#kotoko is such an interesting little creature #i want to study her #which i guess is what this post is doing lol #i should go to sleep

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little-svt · 10 months

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GENDERNEUTRAL | FLUFF | ft. Uncle Minghao (always)

Wc: 1.4k+

Taglist: @pastel-princess-please @kiki-woo @fishsquishh

Baby you

Jun was not expecting to meet his little one on his way out the door, all ready for the gym. Duffel over his shoulder, he had one foot out the door when he’d called out to you for the last time. When he said goodbye before grabbing his things previously, he’d left you on the sofa. Snuggly as always, he let you know he’d be back in a few hours and not to wait up. Taking care of his body was important to his career, you knew that. But you got to thinking how sad you would be home all alone, especially when he was so busy with promotions and preparing for the next album. Maybe he’d have made it out before you noticed if he hadn’t forgotten his AirPods, quickly backtracking through the apartment to grab them. The way back however, it was him being grabbed by desperate hands, bunched up tightly.

“Daddy, I wan come too!”

Your teary eyes were just too much for his heart. And sure, he could have just said screw the gym so he could stay home and care for his baby. But his little one was a stubborn one, so insistent on tagging along, clinging close. Or so he told himself after giving in almost immediately while he dressed you in his sweats so you would look the part, even if the equipment wasn’t safe for a little baby to use.

The two of you didn’t have to travel far to get to the gym thankfully, he was sure you’d be falling asleep standing the longer both of you were away from the house. After checking in , he bought you a juice to keep you entertained. Seeing how excited you were to see all the pre and post workout goodies available for members, he barely managed to talk you out of getting the pretty pink pre-workout energy drink that definitely wouldn’t be good for his little one. (Not that it wouldn’t be cute to see you bouncing off the walls like the little klipspringer that you were).

The first part would be fun.

“Are you ready?”, Jun giggled, taking your juice and setting it on the floor next to him.

Ready? Ready for what? Did that mean you were gonna work out too?

“Are you watching? You look like a fish.”, he reached out to squish your cheeks once, referring to the way your eyes grew in size and the small ‘o’ that formed from your mouth, before stepping back.

Reaching down towards his feet, he began stretching, taking it slow to see if you’d join in. You always liked to do the things your daddy did. Kitty see, kitty do.

“Yah!”, he laughed, quickly catching his breath and standing back up before all the blood rushed to his head. It wasn’t your fault you were a little slow sometimes.

“Ahh!”, you yelped, bending over to do as he did.

“Okay..”, he sighed with a smile, stepping forward to help you stand up.

“Can you come down here with me?”, he asked after sitting on the ground in front of you and spreading out his legs.

Once you sat down he teased you again, helping you get into the right position to stretch with him. They weren’t exactly the stretches he needed to be doing today, but he was having fun ‘working out’ with his baby.

Making sure you were sat next to him where he could clearly see that you were safe and sound, sipping on your juice with his phone in your hand, he began on his sets. After moving from one machine to another, he couldn’t help but at least glance to check on you. There you were, playing all by your little self in this strange place. Suddenly, he felt as if he was neglecting you.

Jun sighed to himself, cleaning off the equipment. The gym was no place for a baby. He’d just have to take special care to make sure you were safe and cared for.

Crouching in front of you, he gently transferred the phone to his hand before pocketing it.

“Come here, baby. Wanna come hang out with Daddy or is the game more fun?”, he teased, brushing your hair behind your ear and kissing your head.

“Wanna come with Daddy! Can I??”, your eyes twinkled, presented with this curious opportunity. With just enough unsureness not to smother your excitement, you peeked at the scary equipment around you. Everything would be okay as long as you stayed with your Daddy, right?

“Only if you give daddy two - no - three kisses.” he grinned, tapping on his left cheek.

“Okay!”, you giggled.

“One for Daddy. Thank you, cutiepie.”, he counted, “Ooh, another? Thank you.”

Giggling, and sitting back on your feet, you covered your warm cheeks bashfully.

“Hey, you're not done!”, he chuckled, “One more, a big big smooch.”

You give him his last kiss, your playful laughter now echoing through the space. Picking you up on your feet, he shushed you, his own laughter almost matching yours. With you sitting next to him, giggly, teasing, counting his reps, he felt a lot better. Right next to him was where you belonged, where you’d be safe and happy.

“Seven…. Eight….”, the pause after ‘eight’ was a little long, making him pause his rep, his muscle twitching slightly in the flexed position as he looked at you with a smile.

“Nine! Ten…. ‘leven…”, and giggle or laugh as the two of you may, that was the extent of your three-year-old regressed knowledge.

That was alright with him. He could do multiple sets for you. That was until you started getting creative.

“One… two… three… goyangi”, and again, your impish smile spiraled into a fit of giggles.

Dropping the weights, he shook his head, breathing heavily through laughter at the sudden animal input.

“Goyangi??”

“Haohao, tell Daddy he is goyangi.”, you insisted, the phone centered between your little hands.

“Hao..?”, Jun questioned, glancing around, absolutely sure he’d put his phone in his pocket when he’d taken it from you. But, alas, sighed as you turned his phone screen toward him so he could see the FaceTime call that you’d started with Minghao.

“Ah, straighten your shoulder Jun Ge!”, Minghao instructed with a light giggle. Setting his phone up in front of him so he could be hands-free.

Drying his face and neck with his gym towel, Jun sat up on the bench with an eye roll and a smirk, and took the moment to sip some water.

“Giving up already? That’s okay. Y/n, would you like to come with Uncle Hao to the gym next time? Maybe you can teach your Daddy how to do it properly.”, Minghao grinned, taking the opportunity to take a quick swig from his drink as well.

“Where’s my drink??”, you pouted.

“Oh, you finished your juice, baby?”, Jun glanced around, picking up his water again, “Have some of Daddy’s, kitten.”

“Don’t want Daddy’s. Hao has juice. I want some. Hao can you bing me juice, pwease?”, you asked genuinely, tilting your head when they didn't respond immediately.

For a moment they really wondered if you couldn’t understand it would take longer for him to bring you juice than for Jun to just get you one of your own. Gathering his things, Jun pulled you up again but let you hold on to the phone.

“How about you tell him how much fun we had while we get you some juice? How’s that sound? Maybe we could get some ice cream too?”, he offered, knowing transitions were hardest for little ones, some sweets might make things a little easier.

“Wow, did you work out so much that you can eat ice cream?”, Minghao scoffed playfully.

“Daddy eats ice cream all the time!!”, you announced, thrilled to be part of the conversation.

“I do not. You shush before I turn you into ice cream.”

No one quite knew what that ominous threat meant exactly but it was enough to end that conversation. With the two of you headed home, the night coming to a close, Minghao said his goodbyes.

“Goodnight, kiddo.”

“What about me?”, Jun gasped, the call making it all the way to the shop.

“That was for you. Goodnight, y/n”, Minghao teased, ending the call before Jun WOULD argue further.

The walk home was almost too fast, Jun taking his time with getting you ready for bed to compensate. But he knew he couldn't hold off bedtime much longer. It was late and your yawns were coming in threes.

“You had fun with Daddy tonight, baby cakes??”, he asked, pulling your pajamas over your head.

“Uh-huh. Wanna go with goyangi every day”, you yawned, your ramblings nearly unintelligible.

“Oh, yeah?”, he asked with a smile, lifting you in his arms to carry you to bed, your sleepy stance, wobbling left, forward, right and back.

“Meow.”

‘Ah, again. My fault.”, he snickered lightly, pulling you into bed with him, close to his chest.

“Meow. Close your eyes, my sleepy kitty. We’ll go again another day.”

🧸Endnote: This has been in the works since he posted these photos honestly 😭 and it’s not a Jun fic if there’s no mention of our Hao so here we are. And I’m so not sorry about posting Junnie a lot lately because it’s been a long time coming 😏😚 and thank you so much again to my 🎬 anonie for doing some great editing to really make my ode to Junnie shine 🤭💖💖💖~ 🐶🐰🍓

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