#after the horrors was narratively beautiful

[shadystranger]

Deep down, i believe the two brothers are both protagonists, and that's a given fact, but i have another more comprehensive reason Sam is the protagonist.

I dont wanna delve into it, but it's something along the lines that Dean has always existed as an ultimate extension of Sam. His standing within the narrative is that of a soldier, not a leader; he exists to protect (sam) and constantly needs an external drive (which sam fills) to do anything.

Dean is also heavily biased and prejudiced. He is not really a protagonist for a story who'd lead/take all under his wing bc he wouldn't. He is definitely a protagonist in Sam's life but not in the supernatural story.

He doesn't hold the axis of the general narrative as Sam does, and as he does hold Sam's.

Yea they both dont make the best selfless protags but Dean is by far the lesser chivalrous out of them, he is also unwilling to take that burden canonly, he HATES taking care of other people his role as a soldier/guardian has always kinda just extended to Sam and ended there that's why he says there's no me if there ain't no you to Sam. Dean IS the ultimate extension of Sam. Without Sam, he ends.

#it's also why he dies at the end but not sam bc the last girl in horror movies always survives after finally losing her boyfriend #samdean #dean winchester #sam winchester #first sam existed then dean did and every character kinda just morphed from there #but dean is NOTHING without sam by design sam is nothing without dean by choice #They're doomed by the narrative and still chose each other both by their will or against it. it's beautiful #supernatural #wincest

[lolexjpg]

I’m interested as to why all of your docs are .hemmingway (but seriously though ot3 wip plsss)

oooooooh SO hemingway is an app i bought years ago. there is a free version online but i dont recommend it bc since then they've gotten new ai features and i dont want yalls work being eaten by an AI bot :( the desktop app does not have ai features so i should be good~

ANYWAY the appeal of hemingway sans AI is that it highlights different issues in different colors, adverbs are in blue and run on sentences are in yellow or red, etc, etc. i like how the highlighted sections/words break up the writing and make it easier to look at, even if ignore the suggestions. i dont really care about using too many adverbs, but w/ run on sentences it's good to at least just know what sentences i should look at again to see if it's worth changing to be simpler. otherwise i just like it aesthetically lmao

ANYWAY OT3 WIP. this was actually my first ever f1 wip and i think it shows :/ i still like the idea but i was still so new to f1 and getting to know everyone and i'm not happy with the characterization of them anymore.

the ship was max/daniel/lando not as a triad but as a V, maybe going towards a triad? i hadn't decided. it was a normal people au where max and daniel are nesting partners, and daniel brings lando home w/o warning leading to a less than optimal first impression when max comes home, tired and grumpy after work:

Max realizes later he didn’t even introduce himself, needs to ask Daniel later what his name is. It’s all Daniel’s fault, of course, that Max has made a bad first impression. One of the many reasons they have a rule to warn each other when they’re bringing someone home. It’s not a flawless system, like last month when Daniel’s phone had died, didn't see Max's text, and he’d come home to Max fucking Charles over a kitchen counter. So, Max supposes he’s lucky that his first encounter with Lando hadn’t been worse. Daniel is much more of a serial dater of the two. Max works a 9-5, it takes up more of his time and he's less of a romantic anyway. Daniel works freelance, easy to drop everything when he meets someone new. Max doesn't mind the discrepancy—it works for them and it doesn't really matter what other people might think of it. He hears when Daniel goes out on dates, but they’re not the sort of couple to share a lot of details. At least not until it gets serious. Bringing someone home tends to mean it’s somewhat serious, so Max is surprised he hadn’t heard anything about Lando before. Daniel fills him in: that they’ve been going on dates for a few months now, that he’s an aspiring DJ (Max fights everything in him to not roll his eyes), and so, so, so wonderful, according to Dan. Daniel gets adorably giddy when he's falling in love, something that Max will never get tired of being witness to. He absorbs at least half of the information that Daniel is telling him, and commits to making a much better impression next time he sees Lando. Unfortunately, their next run in turns out equally as awkward.

#i dont recommend anyone buying hemingway btw its not worth it there are so many operational issues i just work around #i just spent that money 7 years ago so its basically free to me now. might as well use it if i like it #also it was ot3 (2023 version) because i had a kpop ot3 fic draft as my last fic draft before ~the horrors~ so this being my first fic draf #after the horrors was narratively beautiful #rip x1 and all the beautiful ships that didn't get the attention they deserved x.x #she writes #ask #ask game #i ramble a lot im SORRY i ahve a lot 2 say

[kingdomoftyto]

"Carlos, if you could just pause your experiment for a second--if you could only hear me out, hear my hypothesis! I think once you understand the science of the situation, you--" Carlos opened the door. He was crying. She had never seen him cry. He was overwhelmed and unsure of how to express his emotions, since he usually only did so in carefully worded sentences, not with water from his body. "The science of the situation?" he snarled. "That Otherworld. I was trapped there, Nilanjana. I couldn't see Cecil for ten lonely years. I was kept away from the people I love, in that desolate place where you never get hungry and you never have to drink water and so you never live. It is a place that devours. It is a place that is empty. That is the science of the situation, and I study it so I can fix it. Only I can do that. Only these experiments can do that. I'm sorry, Nilanjana; I'm not going to stop so you can tell me what science is."

🫠

#Tyto listens to WtNV #spoiler warning I guess for a book that came out a few years ago now #anyway yeah hi I finished the book #the resolutions to the plot and to Nils' character arc were pretty good. nothing to write home about but fun and serviceable #I personally get annoyed whenever a story pulls a ''you thought this romance would end with these two TOGETHER? lol NOPE'' #like we get it it's more realistic for whirlwind romances to end in a breakup and sometimes it's better for people to just stay friends #but firstly this isn't real life; it's fiction. with narrative devices and such. #and secondly WtNV of all media does NOT get to preach about realistic relationship trajectories when its lead fell in love at first sight #lmao I'm just saying. I'm not MAD about it or anything it just made me roll my eyes. #ANYWAY. that aside: it was good. and I do genuinely like the friendship Nilanjana builds up with Darrell at the end #but obviously the real star of the show was Carlos and the completely unprecedented character depth that they smothered him in. #not ONLY recontextualizing over a year's worth of the podcast but ALSO saddling him with LAYERS of guilt over the events in this book #he *KILLED* the *GODDAMN* *CENTIPEDE* #after his beautiful little speech about not killing things just because we don't understand them! #he was just SO traumatized by his time in the Otherworld and SO afraid for his family after Janice nearly got Got that he KILLED IT!!! #and THEN!!!! not only do they find out that the centipede wasn't responsible for the destruction!! #but it turns out it was HIS OWN MACHINE THE WHOLE TIME!!!!!!!!!!!!!!!!! #his attempts to keep everyone safe were what actually caused the danger!!!! AUGH HE WAS ONLY TRYING TO HELP #HE'S JUST SCARED AND HE WANTS EVERYONE TO BE SAFE AND NOT EXPERIENCE THE SAME HORRORS HE DID AUGHDUSHGHDH #...anyway yeah back to my regularly scheduled episode listening tomorrow

[dragonmuse]

Keep It In The Box : An Essay on OFMD Season 2 and the Failure to Heal

(here in is my season two reaction. It contains many many spoilers. It's also about 3k words long so you know what you're getting into.)

“See, I have a system for dealing with all the terrible things I've seen. There's a box in my mind, and I put the things in the box..” -Frenchie, Season 2 of Our Flag Means Death

…..and then he never opens it. Chekov’s locked box has no key in season two.

On first watch, it seemed clear to me that Frenchie’s declaration was a narrative plant. Clearly the whole season would be about that box of pain and trauma being opened, sorted through and at least the beginning of healing. The show had developed a reputation after season one of being kind and focused on queer narratives of healing from childhood. Ed and Stede’s parallels in their childhood traumas were frequently on display through season one and were repeated in flashback throughout season two. Jim’s season one arc about becoming someone who doesn’t think just of revenge and can now forge meaningful connections was profound, beautiful and often funny. Izzy is an antagonist because he doesn’t want Ed to move on or stop acting like the trauma-response version of himself. The antagonist wants to stop healing. The point is to grow, to change, to learn how to love. It’s one of the things that made season one work for me at the time, despite reservations about pacing and tone.

So naturally season two should follow suit. It’s a kind show! About healing and falling in love!

For the first several episodes, the remaining crew on the Revenge go through a gauntlet of trauma, forced to do and receive violence at Ed’s whims as he careens from self-destructive behavior to self-destructive behavior. This is the wounding setup. It was dark, but it seemed like it would have a payoff and at first it did.

Perhaps one of the most beautiful moments of the season comes in one of the small respites in those early episodes as Jim recounts Pinnochio to Fang to soothe him through his grief. That was the show that I expected. The kindness of that moment struck me very deeply. It gave me some understanding of Archie too, who seems to fall for Jim right at that moment.

That scene is the show season one promised. Season two led with packing Frenchie’s box full to bursting. Here is the fight to the death between lovers, there is a first mate who is mutilated and rotting in the very walls (the rot of the Revenge itself), and there is the storm of Ed’s rage and pain that threatens to consume all of them.

So surely these remaining episodes would concentrate on finding the humor in healing from those moments. That is the setup. Frenchie has a box. The box must eventually open.

Except time and again, all the characters who suffered are told that the only way to deal with what they’ve been through is to stick it in the box and never open it again.

Pete tells Lucius that he’s unable to move on and needs to let it go. Izzy has a story about a shark. Ed’s apology to the crew which doesn’t even contain the words ‘I’m sorry’ is just…accepted. I kept waiting and waiting for a meaningful apology to the people Ed had hurt the worst with his actions, but it seems all we get is Fang saying ‘eh, no problem, I got to hit you back so I feel better’.

The playful theme of ‘pirates are just violent sometimes’ from season one becomes a grinding horror machine in season two when every atrocity visited on someone is forgiven because the narrative needs it to be. Ed and Stede spend more time making amends with each other over the bloodless night on the beach than either of them spend trying to repent for their actions towards anyone else.

And let’s talk about Ed. Arguably this season pivots on his narrative, on his path to healing and growth. A path that starts at a very low point. His moment in the gravy basket, deciding he wants to live because there are still things to live for is so great! So one might assume that what would follow would be him pursuing those things, making amends, making connections. He and Stede have a wonderful moment, talking about being whim prone and how they’ll work to avoid that, build a relationship by going slower.

Yet, at no point do either of them stop following whims. They never heal or learn from what’s happened to them. They both keep running from thing to thing, particularly Ed. It’s a whim to sleep with Stede, it’s a whim to run off to fish, and the finale gives us just more of their whims. Ed drops fishing as fast as he picked it up. He finds those leathers in the ocean, murdering the symbolism of leaving them behind. Even the inn is a whim, one of those things Ed decided he’d be good at without evidence. And Stede joins him in that without a single on screen conversation about it ahead of the moment.

Ed needs to heal himself and to do that he needs to confront what he’s done and do the work to heal the wound. Instead, he doesn’t meaningfully apologize to anyone, besides Stede and Fang. Despite Izzy’s dying words (we’ll get to that), not only do we never see the crew caring about Ed, working to make him family in the same way they do with Fang and even Izzy, he also doesn’t choose to stay with them. So what is the point? Where is the healing? Or does even Ed, beloved main character, have to live with it all stuffed in a box?

He ends the season in the leathers he threw away, in a relationship that’s barely stabilized, going to live in a house which we are told by the narrative (in that they are very very clearly paralleling Anne and Mary with Ed and Stede or why do we even get that whole Who’s Afraid of Virginia Woolf? episode) will only end in them setting fire to each other to stay warm.

But Vee, I hear you cry, it’s a ROM-COM. This is all meant to be ha-ha funny and you are taking it so seriously!

Cool beans. Then why the hell isn’t it funny? Healing is often filled with comedy because people deal with pain with humor. You can heal and laugh at the same time. The finale especially is almost entirely devoid of laughs, almost entirely devoid of joy until the last minute for that matter. The episode that should show off with a flourish how far everyone’s come, mostly serves to show that no one has grown.

Okay that’s Ed. I want to talk about Lucius next. Our former audience surrogate (that’s taken away in season two when he doesn’t get enough screen time to perform that role and no one takes his place) really goes through the wringer. He experiences many many terrible things, including sexual assault (which is made into a grimace-laugh line that doesn’t take away from it’s seriousness because oh hey, that can be done as it turns out). He’s nervous, he’s smoking, it’s clear he’s suffering.

There’s a beautiful moment where Pete tells him ‘hey, I was also in pain. I grieved’ and that’s great. It’s good that Pete sets a boundary about Lucius not obsessing over the past to the point of occluding their future.

We even get our comedic moment where Lucius pushes Ed off the boat (still not apology, but I’d lost hope for that by then) and that doesn’t help enough. So Izzy comes in with a shark and the advice that you just have to move on.

Just…you know. Play pretend. Forget.

Shove it in a box. Ed didn’t take my leg, a shark did. Ed didn’t kill you, a shark did. Live with the person that tried to murder you because it’s your fault you dangled your leg over the side of a boat. That is the show’s message. I thought on first watch, that surely this would also come back up and be explained that you can’t live that way, that that is no way to heal. That it would become clear that this was no way through. You cannot make everything into sharks.

Lucius can move forward and still carry pain. He can still want a meaningful apology and still want to talk to his lover about what he’s dealing with while moving forward toward a brighter future.

And what of the flirtatious promise of relationships and connections being the way to heal? Look to Oluwande and Jim, whose heartfelt romance from season one was relegated to the bins of history in favor of a narrative that made him a brother Jim once had sex with. They could have had Archie AND Oluwande, who in turn could also have Zheng, but that never seems to be an option. With a single short conversation, they are broken up with, despite a brief tease at the birthday that they still ‘dance’ together, it never actually manifests. Jim and Archie never talk about what they went through. It’s swept under the rug as fast as knives are lowered.

Lucius also no longer flirts with other people, the solution to his pain is to propose and get married (but not too married, lest we forget that they’re two men, they don’t even get to be husbands or even the more respectful mates, no. They’re mateys.) This season proposes that the only happy endings are monogamous ones, where no one talks about anything painful that went before.

To ensure that message, beyond assuring the success of Oluwande and Zheng’s relationship, Jim and Archie almost entirely disappear from the narrative. Sorry you guys were given layers of trauma and no growth and not even much to do this season, we need to make sure that everyone remembers Oluwande is the break in Zheng’s day so when he says that to her five minutes later we know exactly what he’s referencing. No time for Archie to learn what an apology is or for Jim to get one line in with Oluwande that isn’t affirming their newfound broship. Must do more flashbacks to things we just did two episodes ago!

The show even dangles the conversation of the Revenge being a safe space. Why would any of them ever feel safe when the man who tortured them is allowed to walk among them and they are expected to forgive and forget? What’s safe about that? The ship is never made safe for any of them, but that’s never addressed.

And Zheng! Amazing, hysterically funny Zheng! She loses her ships, her entire way of life, the kingdom she built for herself and then…she doesn’t even get to captain the Revenge. We don’t know what becomes of her fleet, of her plans, her ambitions. Don’t worry about it, she has a romantic partner and isn’t that what every lady wants in the end?

(But Vee, I hear you cry again, there will be a season three! Maybe it will be All About Zheng! To which I say: then why did they present us with the most series finale feeling episode ever? If there’s more, I have no idea where it’s going. BUT VEE: BUTTONS AS SEAGULL ON THE GR- Fine. It’s time.)

Let’s talk about Izzy Hands.

Izzy manages more healing than anyone else this season. He reaches his lowest point, suicidal in the bowels of a ship that’s become a prison (very much in contrast to Ed’s suicidal low). The person he loves most in the world has shredded him physically and emotionally (and if you’re in the camp that thinks Izzy deserves the abuse that Ed gave to him, I would really like you to sit quietly with yourself and ask why you think there is ever anything anyone can do to deserve that treatment). He’s low, he shoots Ed to protect everyone, and then seems to plan to drink himself to death, mourning his losses.

And then another beautiful moment! The crew move past their own pain to help him. They work together for the first time and it’s to give Izzy mobility back. He treasures it. He cries over it. He uses that kindness extended to him to reach a new understanding of Stede and help him succeed, doing the work to make real amends. He sings in drag, he’s vulnerable and beautiful, celebrating the side of himself that he must’ve loathed in the first season. He’s an elder queer man, coming into himself.

He never gets an apology though. (‘Sorry about your leg’ without eye contact is not an apology. There is no responsibility taking, no acknowledgement of the weeks of torture that came with it.) Izzy also never really has an honest conversation with anyone about what it means that the man he loves punished him so severely for the crime of trying to protect the crew (yes, lest we forget, Izzy lost his leg because he was trying to keep Ed from re-traumatizing the crew and himself).

Izzy does all this work, but even he’s not allowed to take it out of the box. It’s a shark, not Ed. Ed is just ‘complicated’ (the language of abuse here is so upsetting and I think not even intentional).

And then he dies. His last act? To apologize to the man who tortured him and shot at him. To have done all this work, to take on all the blame. And then die.

In a rom com.

This show ends in a profoundly unfunny moment of telling the audience: this is the one character that did the work, that made amends, that tried his hardest to accept the parts of himself that he had a hard time embracing and formerly embittered him. He’s fully accepted his queerness and turned it into beautiful music. He’s disabled, and he worked hard to accept that. The man he loves will never love him back, so he worked hard to make Stede able to meet Ed on an even playing field. The Giving Tree gave up its limbs and its trunk, and it’s not even allowed to be a stump to sit on.

Kill the queer elder, who has managed to figure out how to live and in his own way how to heal. Kill him before he manages to teach anyone else how to meaningfully move forward (he almost gets it with Lucius, almost, but it’s meant to be rule of three, you know. Cigarette..shark…and then…and then fuck it, Lucius doesn’t even get to say a word at his funeral).

The message of this season again and again is that there is no healing, just moving forward. Like a shark. Like a bird that never lands.

That is not a kind show.

Season two is not a kind season.

It splinters people up and jams them back together without purpose or reason. It tells everyone who experiences pain that they should shove it in a box and not deal with it. No one who really needs one gets an apology of any sincerity. No one puts in the work to gain forgiveness. (Ed wearing a onesie is not The Work. Ed fixing a door is not The Work. Ed broke people that the show wants us to care about. Ed never does the work of making those amends. He fires off a Notes app apology at best. After all, it’s what he told himself via Hornigold in the gravy basket: you move on or you blow your brains out! Good thing he took his own advice and therefore had to change nothing to get his just rewards.

I would’ve taken just fifteen minutes of Ed trying to actually make amends. It could’ve been hilarious! Imagine awkward Ed trying to dance around what he’s doing with Jim and the two of them having a knife throwing competition about it. Or him and Frenchie attempting to make music together, writing a song about the raids they went on! It’s not just the crew robbed of their healing because of this, it’s Ed himself. He never meaningfully changes or makes amends. How is he any different at the end of the finale then he is standing on the edge of that cliff with Hornigold? He hasn’t moved on, he hasn’t healed. He tried one thing (fishing) that doesn’t fucking work and then he runs right back.

No one leaves this season better than they went into it. They’ve lost an elder queer, they’ve lost their joyous and queer polyamory, they’ve lost a chance for meaningful reconciliation with Ed and Ed lost any chance of looking like he gave shit if they did. Stede grows enough to accept the crew’s beliefs as important and then leaves them behind without a care.

Izzy gets a beautiful speech about piracy being larger than yourself. Ed and Stede, within twenty minutes of that speech, leave piracy. They are incapable of giving themselves to something bigger, apparently. They haven’t learned to be a part of a community. They haven’t healed from their childhood trauma or their fresher wounds. They are still just following their own whims.

Zheng’s life work is in tatters, but it’s fine, she has love. Oluwande and Jim aren’t together, but it's fine because they both have dedicated monogamous partners. Lucius was deeply scarred by what happened, never recovers much of his first season personality, but hey he got-well it’s not married exactly- but you know good enough!

Frenchie, who has a box forever locked in his head, is captain. Because the key to success is to lock it all in a box and never open it. What a message. What a show. Conceal, don’t feel. Smile because it’s a happy ending. Don’t mourn the dead, don’t try to tell people what happened to you (they will literally run away or cry too hard to listen and really you’re just bumming them out), and any meaningful change you make is only rewarded with death.

Frenchie is now a pirate captain with a box in his head full of trauma that’s never been opened, leading a crew with more wounds than scars. Wonder how that could turn out? Wonder how many years before he might want to retire and then happen to run across a gentleman pirate. As if no one learned anything at all.

#our flag means death #ofmd #ofmd spoilers #the strangest message sent #and no idea if it was on purpose #I kind of think it wasn't somehow #but boy howedy did it come across

[justruse]

Blood touched your lips.

One moment you were walking home, and the next you were waking up in a hospital room with a searing pain in your neck and an insatiable hunger lingering in your belly. The events of the previous night were a blurry and chaotic mess of fear, panic, and blood.

Your blood...

ONCE BITTEN is a dark romance interactive fiction game set in a vampire-infested 1990s New York City. Navigate the city as you try to regain your footing and find your place as a recently-turned vampire. Being a vampire isn't as glamorous as the stories make it out to be, especially when you have a group of Hunters that want you dead.

Content Warnings: suggestive themes, violence, gore, blood, body horror, drug use, death, animal cruelty, homophobia, and transphobia

* Note: Content warnings, with the option to disable them, will appear before each chapter.

DEMO ✦ PINTEREST ✦ SPOTIFY

Play as a customizable protagonist, with the ability to choose your name (including nicknames), gender, pronouns, and appearance.

Befriend a cast of characters and pursue one of five romance options.

Explore New York City and its vampiric nightlife as a newly-turned vampire. Experience what it truly means to be a creature of the night.

Adopt a dog, or don’t. Be warned, it will come back to bite you.

A focus on choices, rather than stats, that will alter your relationships with the cast as well as the narrative moving forward. Will you choose to embrace your new existence?

Dr. Joseph Levi (he/him)

A seemingly quiet, albeit quite sarcastic, professor at first glance, Dr. Joseph Levi is more than what meets the eye. In reality, he is a type of vampire hunter known as a Keeper—and he also happens to save your life and doom it too.

Vanya Kreisky (she/her)

Beautiful, cunning, and deceptive, Miss Vanya Kreisky is the queen of the Scarlet Palace, a historic hotel and casino nestled in the heart of Manhattan. She much older, and more powerful, than she first lets on, and seems to have an odd interest in you.

Rana Ayari (she/her)

Rana Ayari is the owner of Lilith's Lounge, a small bar near West Village. She's a welcoming face to strangers with an easy-going attitude. Unless you're stirring up trouble, you'll be welcome at Lilith's.

Addison Reyes (he/him | she/her)

Only turned about fifteen years ago, Addison is probably the youngest vampire you'll meet, and because of that, they have a sense of optimism and adventure many older vampires lack. They like to have fun and they'll share it with you—well, whenever they're not stuck working a shift at Lilith's, of course.

Dr. Michael "Ellie" Elliot (he/they)

Dr. Michael Elliot is a doctor working at the hospital you wake up in after being turned. They're quite zany, in a way you can't quite place, and it's obvious they've seen some things in their centuries long existence that they quite haven't processed yet.

#if: once bitten #interactive fiction #if wip #no demo #upcoming if #intro post #twine game #twine if #interactive game #queer characters #lgbtq #vampire

[sassydefendorflower]

I’m glad Maes Hughes died.

He’s a fan favorite character and I enjoy him a lot too, but I think fundamentally he’s a character who has to die. His role in the narrative is to haunt it.

I might be even more of a weirdo because I enjoy his manga characterization over his Brotherhood or ‘03 portrayal, but I love the idea of Hughes being someone the Elric brothers barely know - someone we, the audience, barely see.

Until he dies.

Because suddenly he’s everywhere. He was Roy’s friend and Armstrong’s superior officer and Winry’s acquaintance and Elicia’s father - and he was the soldier both Ed and Al knew, but didn’t actually know, that got killed because of them anyway.

In the manga Winry stays at Hughes’ place, but Ed and Al enter his house for the first time after they found out he died. For them, it’s not about losing a friend (though I am sure they liked him just fine) because that story is already Roy’s - for them it’s about realizing that this plot they’ve involved themselves in kills people that aren’t actually directly involved at all to begin with. It makes sense for their allies and friends and loved-ones to be targeted by the antagonists - but a soldier who mostly joined in because he was at the right (or wrong) place at the right (wrong) time? That’s not supposed to happen. And that’s what makes Hughes’ death so hard on them.

(and poor Elicia - abandoned children without their fathers were always a weakness of Ed’s)

But Roy? Yeah... he suffers. From the moment of Hughes’ dead on, Roy is haunted by it. By him. His best friend follows him everywhere. We see it in the way Roy only involves himself in the plot because Hughes figured something out and Roy is desperate for answers. He hunts down the homunculi to save this country, sure, but mostly so he can burn his best friend’s murderer to the ground. When Riza talks about winning against the Führer and their military dictatorship, she talks about all of them, not a hint of revenge coloring her vision - but Roy? It is telling that it isn’t a greater ideal that makes him torture Envy, but the agony of his best friend’s death.

The thing that almost breaks Roy is Maes.

No.

It’s Maes’ memory haunting the narrative.

And isn’t that beautiful?

The tragedy of it all, the horror, and the realization that Roy Mustang never really recovered from the War, that his friends are the only think keeping him in one piece, the fact that Roy Mustang is a Hero and a Monster and a fallible human capable of love.

Maes Hughes has to die to remind all of us of what Roy Mustang is capable of: love, loyalty, devotion.... and the slaughter and torture of numerous people.

His ghost is haunting the narrative - and for that I love him.

#fma #fmab #roy mustang #maes hughes #fullmetal alchemist brotherhood #fullmetal alchemist meta #maes is also a war criminal #just want to point that out #and in contrast to Roy not even one with a whole lot of morals #just fyi #but this post is about roy and his love for maes and how much i love that he died in canon

[winter2468]

The Hunger Games movie ending scene was bad, and here’s why

Yes I’ve been thinking about this for years, no I am not done being annoyed.

I’m just going to list things off.

No scars. In the books, Katniss gets caught in the fire from the bombs dumped on the Capitol’s children. The scarring is so extensive that not even Capitol plastic surgery can fix it. She explicitly says that she looks like a half-human mutt. But the movies won’t let her be ugly, so she’s smooth-skinned here.

Katniss is wearing a dress. Throughout the narrative, Katniss only wears a dress when the Capitol is forcing her to, be that at the reaping or during the many photoshoots and interviews. Even her mockingjay wedding dress was originally something she’d been forced to wear by President Snow, and the mockingjay details were added last-minute by Cinna, after Snow gave the order. Whenever Katniss gets to pick her own clothes, even if it’s the options presented to her by the Capitol, she goes for practical trousers, and never a dress.

She’s too young. In the books, it takes over a decade for Katniss to be in a mental place where she wants kids, and adding the age of her oldest child to that, she would be in her late thirties at the youngest in this scene, more likely in her forties. But god forbid that our heroine is allowed to age.

No leg hair. You might think I’m nitpicking here, but in the first movie, they had a scene when Katniss’ legs get waxed by the beauty team, so the movie writers definitely knew about it. In the books, Katniss explicitly says that she likes her leg hair, because the longer it grows, the longer it’s been since she was under the hands of the Capitol’s beauty standards. But women in movies aren’t allowed to show leg hair, so she’s shaved smooth here.

Losing the nuance. In the book version of this moment, Katniss and Peeta are watching their children play in the meadow. But what Katniss and Peeta know, but their kids don’t, is that the children are playing on a mass grave of those who died when District 12 was bombed. Just presenting it as a perfect golden meadow completely removes the horror from this scene.

[reposting this because t/erfs added horrible comments to the original version. trans rights!]

#this is not a hunger games quote #hunger games #katniss #katniss everdeen #the hunger games #catching fire #mockingjay #thg #thg series

[zapreportsblog]

Hi, so, I'd like to request a one shot with Billy and Stu x Reader who looks cute and innocent, she can even trick them into thinking she's a sweet lamb, they are kinda friends? Like, the boys like to hang around her house, since she's almost always alone, and they watch horror movies together and all, Billy being creepy as always and Stu weirdly cute. Anyways, she looks so sweet and innocent, but, in reality, she has some dark thoughts and when a guy from school treats her bad or something like that (I'm think of her bing like a hidden Pearl) she kills him, but no one knows, after that she starts to go into a killing spree and the boys get worried she'll be a victim of this new killer, until they catch her killing, being stained with blood. I'd love if you could write it, so thanks ❤️ (English is not my first language, so sorry for any grammar error)

Oh no this was perfect so even if English isn’t your first language I got what you had in mind

↳ devil in disguise ↲

✭ pairing : billy loomis x reader x stu macher

✭ fandom : scream

✭ summary : billy loomis and stu macher befriend the new girl, there something about the innocence in her that has them wanting to keep her close, but what they don’t know is that underneath all that innocence is a psycho killer watching and building up.

✭ authors note : this will be pretty fucking long let’s be honest but I hope you enjoy :)

Appearances can be deceiving, a truth that resonates throughout the intricate tapestry of human nature. In the complex dance of life, the most innocent of individuals often harbor the potential for both light and darkness, a duality that echoes the very essence of existence.

Beneath the gentle facade of a kind smile, the spark of laughter, or the softness of a touch, lies a spectrum of emotions and desires that can lead down paths both virtuous and treacherous. Each person is a canvas painted with shades of morality, their choices a brushstroke that can create beauty or chaos, depending on the journey they choose to undertake.

The predator lurking within, the shadow of primal instincts, is a reminder that human beings are products of evolution, shaped by eons of survival instincts and genetic predispositions. In the heart of every individual, there exists a part that craves power, control, or fulfillment, a yearning that can manifest as ambition, passion, or even obsession.

Yet, it is important to recognize that the coexistence of light and darkness within us is not inherently sinister. It is a reflection of the human experience, a reminder that every choice is a crossroads, offering the potential for change, growth, and transformation. The predator within can propel us forward, driving us to achieve our goals, protect our loved ones, and forge our destinies.

In a world where appearances often mask the intricacies of the human soul, it becomes crucial to acknowledge the duality that resides within each of us. By embracing both our capacity for kindness and our susceptibility to darker urges, we gain a deeper understanding of ourselves and those around us. The predator lurking within can serve as a cautionary tale, a reminder of the importance of self-awareness, empathy, and the conscious choice to channel our instincts toward the betterment of ourselves and society.

Ultimately, the dichotomy of light and darkness within us mirrors the complexity of the world we inhabit. It is a testament to the richness of the human experience, the endless potential for growth, and the ever-present opportunity to shape our narratives, whether we tread the path of the predator or harness the power of our inner light.

The sun hung lazily in the sky, casting its golden rays over the idyllic small town of Woodsboro. In the heart of the town, the high school's courtyard was a hub of activity, a place where friendships were forged and teenage dramas played out against the backdrop of lockers and laughter.

Stu Macher and Billy Loomis, the quintessential charismatic duo, leaned casually against the fountain. Their respective girlfriends, Tatum Riley and Sidney Prescott, stood nearby, laughter and conversations weaving a tapestry of youthful energy.

"Hey, ladies," Stu greeted with a grin, his bleached-blond hair catching the sunlight.

Billy's dark eyes sparkled as he echoed the sentiment, "Looking good as always."

As the quartet exchanged banter and shared glances, a figure caught their attention. Randy Meeks, known for his encyclopedic knowledge of horror movies and his perpetual enthusiasm, approached with a wide grin that stretched from ear to ear. At his side was a girl who looked almost ethereal—a new face in a town where everyone knew everyone else.

"(Y/N), meet the gang," Randy said with exuberance, presenting the girl to the group.

(Y/N) stood shyly, her presence an aura of innocence and warmth. Her eyes were like open books, wide and filled with curiosity as she took in her surroundings. A white dress, loose yet gracefully hugging her figure, accentuated her delicate beauty. The boys, Billy and Stu, exchanged glances that spoke volumes—here was someone who radiated innocence and gentleness.

"Hey, (Y/N)," Tatum greeted with a friendly smile, extending a welcoming hand.

Sidney's eyes held a soft kindness as she added, "Nice to meet you."

"(Y/N)," Stu's voice was friendly, his grin never faltering.

But it was Billy who couldn't tear his gaze away. In his eyes, (Y/N) appeared as if she could do no wrong—a portrait of purity in a world where darkness often lurked. Her eyes reminded him of Bambi's, wide and open, untouched by the harsh realities of life.

"Hi," (Y/N) responded, her voice soft and sweet, as if her words were a whisper carried by the wind.

As the introductions and pleasantries continued, a sense of intrigue filled the air. The new girl was like a breath of fresh air, and the boys found themselves captivated by her presence. Billy's heart stirred, his curiosity piqued by the enigma that was (Y/N).

As the days stretched into a week, the dynamic between Billy, Stu, and (Y/N) began to evolve. To the casual observer, it seemed like the boys were constantly bothering her, popping up unexpectedly and causing her to jump with exaggerated "scares." (Y/N)'s jumpy nature only seemed to fuel their amusement, and they reveled in the opportunity to tease her.

"(Y/N), you really need to work on your reflexes," Stu teased, a wide grin playing on his lips.

Billy joined in, smirking, "Yeah, seriously, what are you so jumpy about?"

Inside, however, their thoughts took on a darker undertone. Each little expression that flickered across (Y/N)'s face was dissected in their minds, and they toyed with the idea of involving her in their sinister games. But deep down, they couldn't shake the notion that she was different, that her innocence was genuine, and that she deserved more than the fate they had planned for their victims.

One night, as they lounged around in Stu's living room, the topic of their potential victims came up, their voices hushed as they spoke of Ghostface's next target.

"You know, man, I've been thinking," Stu mused, his tone contemplative.

Billy's eyes met Stu's, curiosity gleaming within them. "About what?"

"(Y/N)," Stu replied, his voice surprisingly serious. "I mean, yeah, we've joked about her being our next victim, but... I don't know, there's something different about her."

Billy's brows furrowed in thought, his expression mirroring Stu's. "Yeah, I've been thinking the same thing. Her innocence... it's real, isn't it? I mean, it can't be faked."

Stu nodded, a somberness settling over them. "She's the only one in this school who doesn't put on a facade. I mean, just look at her. She's not trying to impress anyone or play games. She's just... herself."

As the two friends contemplated (Y/N)'s genuine nature, a decision began to crystallize within them. The idea of involving her in their deadly plans felt wrong, as if they were tainting something pure. The darkness within them seemed to clash with the light that (Y/N) exuded.

"Maybe she's the exception," Billy mused. "Maybe she deserves something better than what we had planned."

Stu's gaze was resolute. "I agree. We can't touch her. She's... untouchable."

And so, in the midst of their twisted games and hidden motives, (Y/N) emerged as a beacon of authenticity, a figure they couldn't bring themselves to tarnish. Their dark thoughts and desires were held at bay, overruled by the recognition that some innocence was too pure to be tainted.

As the days continued to unfold, the bond between Billy, Stu, and (Y/N) deepened, shaped by unspoken understanding and the realization that appearances could indeed be deceiving. In the shadows of their minds, they grappled with their own darkness while protecting the fragile light that (Y/N) represented—an innocence they couldn't bring themselves to shatter, even in the midst of their sinister games.

The bond between Billy, Stu, and (Y/N) deepened with every passing day, an unspoken connection that drew them together. As the days grew longer, they found themselves gravitating toward her house, seeking her company whenever they could. They had adopted a role of self-proclaimed bodyguards, protecting her from a danger she didn't even know was real.

"(Y/N), you seriously need to upgrade your horror movie tolerance," Stu laughed one evening, sprawled on the couch as a horror movie played on the TV screen.

"Yeah, seriously," Billy chimed in from the armchair, his eyes fixed on (Y/N) with an intensity that sent shivers down her spine.

Despite her jumping at some of the movie's more intense scenes, (Y/N) laughed, trying to play it off. "Hey, don't judge me. I'm just not used to all this scary stuff."

Stu grinned, an idea forming in his mind. "You know what would be fun? A horror movie marathon. We'll toughen you up."

Billy's eyes gleamed with a sinister amusement, his gaze lingering on (Y/N) as he added, "Yeah, that's a good idea. Get you ready for the real thing."

Unbeknownst to (Y/N), their intentions were far from innocent. In their twisted minds, they envisioned her as the ultimate victim—the damsel in distress they could play out their darkest fantasies with. Billy's creepy stares and Stu's vivid imagination blended seamlessly with their supposed role as protectors.

As the marathon continued, (Y/N) did her best to keep her composure, laughing off her jumps and enjoying the company of her friends. She glanced at Billy and Stu, both absorbed in the movie, their expressions revealing something she couldn't quite put her finger on.

"Hey, you guys aren't actually planning to scare me for real, are you?" (Y/N) quipped, a playful glint in her eye.

Billy's lips curled into a charming smile, masking his true thoughts. "Of course not, (Y/N). We're your protectors, remember?"

Stu's grin was genuine, his gaze softening as he added, "Yeah, we're not gonna let anything happen to you."

Despite the odd tension in the room, (Y/N) felt a genuine warmth emanating from them. The camaraderie they shared was precious to her, and their presence was a comfort amidst the backdrop of uncertainty.

As the days turned into weeks, (Y/N)'s interactions with Billy and Stu continued to deepen, their friendship a blend of innocence and darkness that seemed to mirror her own conflicted thoughts. Beneath her sweet exterior, a hidden pearl of darkness lay dormant, waiting for the right catalyst to awaken it.

One day, after school, (Y/N) found herself crossing paths with a guy from school who had treated her with disdain. His words had been sharp, his actions cruel, leaving a lingering bitterness within her. As she walked away, her fists clenched and her thoughts turned dark. Anger simmered beneath her surface, and a newfound resolve began to take hold.

That night, the moon hung low in the sky, casting an eerie glow over the town. (Y/N) moved with a determination that belied her innocent appearance. Her actions were swift, her thoughts cold and calculated as she carried out a plan that would forever change the course of events.

The next day, news of the guy's death spread like wildfire. Whispers of foul play and shock resonated through the school corridors. Nobody suspected the innocent new girl, the one with wide eyes and a demeanor that seemed incapable of harm.

As the days turned into weeks, the incident faded into the background, but (Y/N)'s newfound darkness lingered within her. She grappled with the conflicting emotions that surged within, a duality that remained hidden from the world.

Billy and Stu watched from the shadows, unaware of (Y/N)'s secret but sensing a shift in her. They continued their roles as her protectors, the twisted bond between them growing stronger. Little did they know, they were not the only ones harboring darkness.

The trio continued to spend time together, their connection both genuine and unsettling. (Y/N)'s thoughts were a storm of conflicting desires, her actions a reflection of the hidden Pearl within her—a darkness that had tasted blood and now hungered for more.

In a town where appearances were often deceiving, (Y/N) navigated the delicate balance between innocence and darkness. The lines between right and wrong blurred as her hidden thoughts and actions remained shrouded in secrecy, while the world continued to see only the sweet, innocent new girl who could do no harm.

As (Y/N)'s dark inclinations grew, so did the trail of bodies left in her wake. The once-hidden pearl of darkness had been fully awoken, and her actions took on a chilling rhythm. Each victim was carefully chosen, their lives extinguished with a methodical precision that sent shivers down her own spine.

Billy and Stu, the twisted duo who had unknowingly played a role in (Y/N)'s descent into darkness, began to notice the change in her demeanor. Their concern grew as they realized that the one they had deemed untouchable was now capable of unspeakable acts. The irony was not lost on them—the protectors were now the ones who feared for her safety.

"(Y/N), are you okay?" Billy's voice held a note of unease as he approached her one afternoon.

She smiled sweetly, her eyes glinting with a hidden intensity. "Of course, Billy. I'm fine."

Stu's eyes were sharp as he added, "You seem... different lately."

(Y/N)'s laughter was almost melodic, a stark contrast to the darkness that seemed to dance within her eyes. "Oh, just exploring new aspects of myself."

As the bodies continued to pile up, news of the new killer on the loose spread throughout the town. Fear and paranoia took hold, and Billy and Stu's concern for (Y/N) grew exponentially. They watched her closely, trying to discern the truth behind her smiles and the shifting shades within her gaze.

One evening, as they gathered at Stu's house, the topic of the killer came up once again. "(Y/N), have you heard about this new killer?" Stu asked, his tone casual.

She feigned innocence, her voice dripping with sweetness. "Oh, I've heard. It's terrible what's happening."

Billy's voice was strained as he pressed, "You haven't seen anything suspicious, have you?"

She met their gaze, her eyes a storm of hidden secrets. "Oh, nothing suspicious. Just a town gripped by fear."

The tension in the room was palpable, a silent recognition passing between them that (Y/N)'s dark thoughts were far more than they could have imagined. In their quest for power and control, they had inadvertently unleashed a force they couldn't fully comprehend.

As the days turned into nights, the town continued to reel from the new killer's actions. While the trail of bodies grew, (Y/N) remained a step ahead, her innocence a perfect mask for her true nature.

Billy and Stu's worry for her safety intensified, their twisted roles as protectors becoming a desperate attempt to shield her from a danger they were unaware she posed herself. In a chilling dance of fate, the lines between predator and prey blurred as (Y/N) navigated her dark path, leaving those around her to grapple with the realization that appearances could indeed be deceiving.

The tension in the air was thick as the night sky hung like a heavy curtain over the town. Billy and Stu's concern for (Y/N) had reached a fever pitch, each body that dropped heightening their anxiety. Their roles as protectors had been twisted beyond recognition, their concern evolving into a fear they dared not admit.

In the midst of their own murderous pursuits, the two boys stumbled upon a sight that shattered their perceptions. Moonlight cast an eerie glow on the scene before them—their sweet, innocent friend standing amidst the remnants of a fresh kill, her hands stained with blood.

Frozen in their tracks, Billy and Stu stared at (Y/N), their breath catching in their throats. A palpable tension hung in the air, a silent acknowledgment of the darkness that now bound them all together.

Stu was the first to break the silence, his voice a mixture of confusion and desperation. "What... What the hell, (Y/N)?"

(Y/N)'s gaze remained steady, her eyes holding a mix of defiance and something deeper, something that Billy and Stu struggled to grasp.

"Billy, Stu," she said softly, her voice carrying a weight that belied her innocent exterior. "I know you've been worried about me. But you don't need to be. I've always known what I am."

Billy's voice trembled as he managed to speak, but it wasn’t from fear. No, it was something else he was feeling his heart pounding in his chest. "What are you talking about, (Y/N)?"

A knowing smile tugged at the corners of (Y/N)'s lips, her eyes glinting with a chilling clarity. "Predators and prey, Billy. It's the natural order of things. Carnivores feed on herbivores. But there are also omnivores—predators that feed on both."

Stu's confusion was etched across his face as he demanded, "What does that have to do with anything?"

(Y/N)'s gaze turned piercing as she took a step forward, her presence exuding an aura of both danger and inevitability. "I'm an omnivore, Stu. A predator that feeds on everyone and everything. It's just the way I am."

The stand-off continued, a twisted tableau of secrets, revelations, and darkness. The boundaries between their roles as predators and protectors had blurred, leaving them all to confront a reality they had never anticipated.

Stu's hand trembled as he reached up and pulled off his Ghostface mask, his expression a mix of vulnerability and confusion. "Why, (Y/N)? Why are you doing this?"

(Y/N)'s smile was haunting, her words carrying the weight of centuries of history. "Because, Stu, it's survival of the fittest. The world is full of predators and prey, and I've chosen to be a predator."

Billy's fingers gently grazed (Y/N)'s cheek, his touch sending a shiver down her spine. His eyes were filled with mischief as he moved her hair to the side, tucking it behind her ear. With a smirk playing on his lips, he leaned in closer, his voice barely above a whisper.

"You enjoy that, don't you?" he said, his words dripping with anticipation. "The thrill of killing."

(Y/N) stared up at him, her Bambi-like eyes wide with a mixture of fear and excitement. She nodded slowly, her heart pounding in her chest. It was a dark secret she had kept hidden from the world, a part of herself she had never fully embraced until now.

Stu, having observed the exchange, stepped forward after a moment of contemplation. He moved silently, his presence sending shivers down (Y/N)'s spine. As he stood behind her, his body pressed against hers, an unexpected warmth spread through her veins.

He wrapped his arms around her, holding her tightly. The embrace was both comforting and electrifying, a mix of tenderness and danger. (Y/N) found herself leaning into him, her breath catching as she surrendered to the darkness within.

Together, the trio began to explore the depths of their twisted desires. A newfound bond formed, fueled by their shared secrets and the thrill of the unknown. They reveled in the chaos they created, leaving a trail of darkness in their wake.

As the nights grew longer and their actions more audacious, (Y/N) realized she had found her true family. In Billy and Stu, she had discovered kindred spirits who understood her in ways no one else ever could.

Their connection went beyond the realm of friendship. It was a dark and wicked love, forged in blood and mayhem. They would stand together, united in their pursuit of chaos, forever entangled in each other's embrace.

And so, (Y/N) embraced her dark side fully, relishing in the exhilaration of the hunt, and finding solace in the arms of those who shared her twisted desires.

#x reader #x reader oneshot #x reader one shot #x reader requests #scream x reader #scream x yn #scream imagine #scream #scream imagines #scream x you #ghostface x you #ghostface imagine #ghostface imagines #ghostface x reader #poly ghostface #poly ghostface x reader #stu macher x you #billy loomis x reader #stu macher x reader #billy loomis x you #billy loomis imagine #billy loomis imagines #billy loomis x y/n #billy loomis x stu macher x reader #stu macher x y/n #slashers x reader #slashers masterlist

[sailor-aviator]

Amhrán na Farraige

Pairing: Bradley "Rooster" Bradshaw x Selkie!Reader

Summary: For centuries there have been legends of beautiful women who disguise themselves as creatures from the sea, only coming to land to sate their curiosity about the world above. Bradley was a simple man who had a taste for simple pleasures. A whole life spent at sea meant he was accustomed to these tales, but nothing prepares him for the reality of them.

Content Warning: ANGST, smut (brief, p in v), Pregnancy, References to the supernatural, Third person narrative, Some fluff, Dub-con, Kidnapping, Forced marriage (kind of, you'll see), Stockholm Syndrome, Some domestic violence (against spouse and towards children. Nothing heinous, just some grabbing and shaking), Anger, Celtic myths/legends, Celtic songs, Depression, Lies, Men driven mad, Descriptions of blood. I think I got everything, but PLEASE let me know if I missed anything.

Word Count: 13.2k

Helpful pronunciations (not exact, but close):

Amhrán na Farraige - [oh-ron nuh far-ig-uh] "Song of the Sea"

Sidhe - [She] "Fairy" (Also there's a whole etymology thing with this but yeah)

Mo Chroi - [moh khree] "My heart"

Mo Ghrá - [moh graw] "My love"

Mo Mhuirnín - [moh wor-neen] "My beloved"

Mo Stóirín - [mo store-een] "My Little Treasure"

Song One (The cliffs) || Song Two (The end)

God was not real, of this Bradley Bradshaw was sure and certain. At the very least, if he had existed at all, he was surely dead now. Or perhaps he was a neglectful deity. Bradley had seen too much death and hardship in his life to think otherwise.

He had seen men gasp for an unhearing god as they lay on battlefields, blood coursing out the holes in their bodies as tears streamed down their unseeing eyes. He had seen children starve, begging their still mothers for food that would never come, not while hardship endured in the land. He had heard the wails of women as their sons, brothers, fathers, and husbands never returned home, hand reaching out for an embrace that would never be returned.

All eyes looked to God, but God did not look back.

The only thing Bradley was sure of, was the existence of the fair folk, the Sidhe his mother had always called them. The beings who walked the between, never staying long in this world or the next.

“That shadow that lingers in the corner of your eye?” She had smiled, stroking the hair out of his face. “That’s the fair folk, honey. Always watching, but never seen. If they see let you see them, Bradley, then it’s already over. They’ve gotten you.”

His mother had done her best to keep him sheltered from the horrors of the world, but death and famine followed the people along the coast. His father had died in a shipwreck off the coast when he was young, and while his mother had done her best to keep her sorrow hidden, Bradley often caught her eye turned towards the sea. She disappeared when he was only sixteen.

Bradley had heard stories of people being taken by the fair folk, lured to the hills beyond the town, some never to be seen again, while others came back different. He wondered if the men who had gone off to war had been taken, replaced with something hollow, something not quite all there. Had his mother been taken by the Sidhe? Taken to the land beyond to be with his father? Or had her sorrow and longing for her long-dead husband become too much all at once, the grips of the icy waters too tempting an offer to resist?

It didn’t matter anymore, though. Bradley was alone and took work where he could, soft hands of youth turning to calloused hands of adulthood. His once bright eyes grew dull from the monotony of the jobs at sea, life becoming routine as day after day he boarded a ship to earn his livelihood.

As he grew older, the wages from the odd jobs allowed him to purchase his own vessel, a small boat that rocked in the choppy waves as he hunted the seals that littered the coasts.

He remembered watching from the small house he and his mother lived in as the creatures hopped out of the water to lay on the rocks. He would inch towards the door until she caught him, a stern look on her face as she scowled at him.

“If I’ve told you once, I’ve told you a thousand times,” she scolded him, hands on her hips. “You leave those creatures alone. They’re not doing anything to bother you.”

“Elijah’s da’ hunts them,” he remarked once, only serving to deepen her scowl.

“He does,” she muttered. “And he’s a lucky man that the selkies are a forgiving lot.”

“What’s a selkie?” Bradley had asked, eyes lighting up in intrigue. His mother regarded him for a moment before gesturing for him to sit in one of the chairs by the fireplace. Bradley settled in, eyes eager as he waited for his mother to explain.

“The selkies are fair folk of the sea,” she began, eyes serious as they darted above his head to look out the window towards the beach. “They may look like seals, but underneath their blubber and fur, they look like people just like you and me. They’re beautiful, Bradley, but curious to a fault. They walk on land in human form, shedding their seal skin once every seven years.”

“Why seven?” He had asked, voice small with wonder.

“Just the way the magic works,” she had replied with a shrug. “You can always tell when a seal is a selkie based on the size. The bigger the seal, the more likely it is to be a selkie, Bradley. Killing it and taking the skin will earn you pay, but you’ll have blood of the fair folk on your hand. Remember that.”

And he had remembered, for a while at least. He would watch the seals as they basked on the rocks, always wondering if the ones that met his curious gaze were one of the fair folk - a selkie.

Now the years had passed, grown from a small boy into a man of large stature. He commanded respect from those in the small, seaside village. Long had the days passed when his mother had warned him of hunting the seals and long had passed the days when he took those warnings seriously. He had joined the few who hunted the creatures around the rocky shores, braving the misty seas to earn himself a living.

He sat in his boat, the waves rocking him side to side in the way they often do during misty weather. Bitter cold clawed at his skin, numbing his fingers as he waited. Waited for something to come out of the water. Waited for any sign that he would earn a meal.

He fiddled with the ropes that lie around the floor of the boat, tying knots that he would need later. Undoing them, tying them, undoing them again. Anything to keep himself occupied while he lay in wait.

His breaths came out as white puffs of clouds, matching the ones surrounding him. Ice water clung to the whiskers on his upper lip, dripping down to run along his jaw and throat. He shifted, burying himself further into the warmth his coat provided. It was worn. He would need a new one soon. All the more reason to keep hoping for a prize catch.

The sound of disturbed water drew his attention towards the shore, and he slowly crept forward to peer over the side of the boat. A large seal bobbed at the surface, taking slow, deep breaths of the cold air that surrounded them. Slowly, Bradley reached for his harpoon, watching as the seal floated closer and closer. He raised his arm slowly, taking aim. He took a breath. Then another.

He released the harpoon just as a wave crashed into the side of his boat, sending the weapon veering off course. The harpoon struck the seal’s side, creating a gash that seeped blood into the water. The seal gave a pained cry, diving down into the murky depths of the sea, and Bradley cursed.

He stared at the spot where the seal had disappeared, already feeling the pangs of hunger stab at him. His nostrils flared as the desperate sense of anger welled up within him. How could he have been so careless? The size of that pelt would have brought in enough money to last him months. He heaved a sigh, pulling the rope to bring the harpoon back towards him. His fingers dipped into the icy water, the pain of it distracting him momentarily from his despair.

Bradley tossed the harpoon to the floor, the item landing with a thud as he slumped onto the bench. He buried his face in his hands, mind moving with blinding speed. He could still earn enough money to survive, he thought to himself. He could still do this. He just had to be more careful next time, should wait until he’s closer so he doesn’t miss. Still, his mind wandered back to the seal. The sheer size of it had his mind drifting back to the stories his mother had always told him. Of course, Bradley was older now, and he wouldn’t be scared by tall tales. However, the foolishness of youth still clung to him, for though he was now considered a man, he was barely twenty-two summers old.

Bradley heaved a sigh, sitting up and rubbing his hands together to create some warmth that would awaken his freezing fingers. He gripped the oars in his hands and began to row back to shore, the sun already dipping towards the horizon. He was always tempted to stay out past dark, but the older fishermen and hunters warned him of the dangers that came about at night. While Bradley was a fool, he wasn’t stupid.

He neared the dock that stood on the beach outside his home, moving to secure the boat to one of the posts when something caught his eye.

It floated in the water, a silvery grey blob that moved with the tide. Bradley’s eyes narrowed as he tried to place what it was in his mind. The blob slapped up against the side of the boat, and it was then that he realized what he was looking at. It was a perfectly preserved seal pelt, much like the one he had just seen. He supposed that it had fallen off a cart on the way to market, the winding roads by the cliffs being one of the few ways to make it into town. It wasn’t unusual for things to be knocked off of carts, finding their way onto the beaches and eventually into the sea.

Bradley wasn’t about to look a gift horse in the mouth, not after his blunder. He scooped the pelt into the boat, laying it out to dry before lifting himself onto the dock. It would be days before he could take it to the market to sell, and he hoped no one recognized it when he did make his way into town.

An odd feeling overcame him in that moment, a feeling of unease and tension winding up his spine and gripping his throat. The feeling told him he was being watched, but by what, he did not know. His eyes darted around, expecting to see one of his neighbors by the house, but no one stood atop the cliff. The wind picked up around him, the cold of it stealing the breath from his lungs, and he curled in within himself to try and preserve some of the warmth he had left. The feeling told him he was making a mistake, but he ignored it, surmising that what he felt was guilt at having come into fortune from another’s strife.

Bradley shook his head to rid himself of the feeling, taking one last look around before trudging across the beach and up the path to his home.

The house was cold, but not for lack of warmth. Bradley kept the rooms heated well. No, the house lacked the happiness that made it a home, and this was something he was keenly aware of. It had been a home once, way back before his mother had disappeared.

Now, Bradley existed within its walls, hoping one day that he would find himself ready to settle for one of the pretty girls in town, the ones that smiled at him sweetly whenever he deemed it necessary to venture in. Perhaps he would finally give in to Orla’s flirting. She was a sweet thing, always filling his cup more than she ought to, setting it down in front of him with a bat of her eyes. She wasn’t a bad choice.

Bradley shook the thoughts from his head. He couldn’t entertain the idea of taking a wife, not when his circumstances were so uncertain.

He settled further down into his chair, feet propped up by the fire, the glowing embers serving to help warm him from his time out in the cold air during the day. The wood cracked and popped as the fire consumed it, and Bradley soon found himself dozing off. Exhaustion seeped down to the very marrow of his bones, his muscles stiff from the hours spent hunched over on the boat. His eyes began to flutter shut, urging him to embrace the sweet oblivion that came with sleep.

His body jerked, eyes snapping open. He wasn’t sure what had startled him at first, his heart hammering away in his chest as he let out a shaky breath. His ears perked, eyes darting as he waited for whatever it was that had roused him. He didn’t have to wait long, a second cry sounding from outside.

It was one of pure, unadulterated sorrow. The cry of someone so grief stricken, they sounded almost like an animal. A chill ran down Bradley’s spine at the sound, and cautiously he moved to stand, heading towards the front door. Every fiber in his body screamed at him to leave well enough alone, but he worried that someone might be heart or in trouble. Grabbing his coat, he slipped back into his boots and walked out the door.

The cold was something he thought he should be used to at this point, but it still shocked his system every time he stepped foot out into it. The moon was the only source of light save for the faint, orange glow that filtered out of the windows of his house. The air stung his lungs, and he suppressed a shiver that threatened to run up his spine. The cry had sounded far, coming from towards the beach if he had to guess. He began to walk, boots crunching against the dirt path as it gave way to sand. The waves crashed against the shore like thunder, so loud that he almost didn’t hear the faint cries coming from further down the strip of sand.

He almost missed her huddled in the sand, back pressed up against one of the large rocks at the edge of the shoreline where sand met grass. Her head was buried in the crook of her arms, shoulders shaking as she cried, quiet whimpers wracking her body.

“Miss?” He called out once he was a few feet away. “Are you okay?”

Her head snapped up, hair falling in her face as sorrow filled eyes peered up at him. The look of her knocked all air out of his lungs, and for a moment he couldn’t focus on anything but how beautiful the woman in front of him was.

“Can’t find it,” she croaked. Her voice was still sweet sounding despite the hoarseness of it, and Bradley found himself captivated even further by her. His eyes left her face then, realizing for the first time that she was naked.

“Oh my god,” he murmured, rushing forward as he shrugged off his coat. “Here, take this.”

He wrapped the coat around her smaller frame, the material dwarfing her. Her lips trembled, though Bradley suspected it wasn’t from the cold. She didn’t seem to see him as she continued muttering to herself, eyes darting wildly between her hands and the sea.

“Can’t find it,” she said again, her voice growing in pitch as the desperation took hold.

“Can’t find what?” Bradley asked, brow furrowing in confusion as he glanced around the beach. “Did someone hurt you? Where are your clothes?”

A choked cry spilled past her lips as a fresh wave of tears began to stream down her face. She shook her head wildly, hands darting out to grasp at his shirt. Her fingers seemed to push him away and pull him closer at the same time as another wail climbed up her throat.

“Can’t find it!” She shrieked, eyes growing wider as she stared at the water. “Wanna go home.”

“Where is home?” Bradley asked, his own anxiety beginning to peak as he gripped onto the woman’s shoulders. Her eyes glanced to his, but they did not see him.

“Between the light, between the dark,” she whispered, eyes boring into him. “Between the cold, between the warmth. Between the moon, between the sun. Between the north, between the south.”

The between was something Bradley’s mother had always cautioned him about.

“It’s where the fair folk live, Bradley,” she had told him. “They don’t live here, but they don’t live fully in the other. They’re from somewhere in between.”

He shook the thought from his head. He knew he was being superstitious, ridiculous even. The fair folk were prideful beings, surely one wouldn’t be sitting here talking with him like this.

And yet, as Bradley looked upon this woman, heard how she spoke, a voice in the back of his mind whispered to him that there was something strange about her. Something…otherworldly.

“Are you alone?” He settled on, trepidation clear in his tone. “Is there someone I can go get for you?”

“Can’t go home,” she muttered, eyes turned longingly to the sea as tears streamed down her face. “It’s too late.”

Bradley heaved out a sigh. He would have to take her home, let her rest and try again in the morning.

“Can you stand?” He asked her. She said nothing, nails biting into the skin of her arms as she continued to stare out at the water. Bradley reached out to her, Taking her arms gently to help her stand. Her lips curled in a wince, hand flying to her side. His eyes flickered down, and for the first time noticed the dried blood on her side.

“You’re hurt,” he frowned, moving closer to inspect the wound, but she shied away from him, her own frown tugging on her lips. His tongue darted out to wet his own nervously, as he glanced from her to the house.

“My house is a bit of a ways up the hill,” he started, nodding towards it. Her gaze was more focused now, eyes flickering towards where he gestured. “Do you think you can make it?”

She didn’t respond, instead tilting her head to the side as she regarded the distance. Finally, she nodded, and Bradley felt his shoulders sag in relief. The wind whipped around them, and he was reminded of how cold it was. It would be best to get her inside as soon as possible, though he couldn’t help but notice that she seemed holy unaffected by the freezing temperatures even though she stood in nothing but his coat.

He waited for her to move towards the house, but she remained still, watching him watch her. Finally, he pressed his lips together and began to walk towards the house, boots crunching against the ground once more. The woman made no sound as she moved behind him, her gaze fixated on him the entire time.

He paused outside the front door, hand hesitating above the knob. Slowly, he turned to look at her once more. Her eyes stared back at him, eyes that reflected the orange glow cast into the night, eyes that swirled with knowledge that Bradley could only dream of. She said nothing as they watched each other, those sorrowful eyes watching him with curiosity, so much like seals that littered the shores. Bradley sucked in a quick breath before turning around to push the door open.

The warmth was welcome, and he felt some of the tension ease from his shoulders as he stepped into the main room, turning to watch as the woman stepped across the threshold. Her eyes darted around, taking in the various pieces of furniture and decorations that were scattered about as Bradley closed the door softly behind her. She took a few more tentative steps into the house, head cocking to the side in such an unusual way as to further confirm what Bradley was slowly accepting.

She walked past him, eyes glittering with intrigue as she came up to the fire. She crouched down, head still tilting to one side, and Bradley was captivated by the sight of this beautiful woman bathed in the light of the fire in his home. Before he could react, she reached a hand out into the flame, letting out a startled, pained yelp as she retracted it. A whimper left her lips as Bradley rushed forward, kneeling in front of her and taking her hand in his.

“Why would you do that?” He asked, no real heat behind his tone as he inspected her fingertips. “Don’t you know it’s hot?”

Her fingertips were a little pink, but otherwise no real damage had been done. She stared at him with an unreadable expression, eyes still studying him. He hesitated for a moment before moving to stand, keeping her hand in his.

“I can show you to your room,” he told her, tugging on her hand lightly. Her eyes scanned him from head to foot and then back again before allowing him to pull her to her feet. The two padded down a small hallway before he pushed the door open to a bedroom that had long stood unoccupied. He tugged her inside, motioning for her to sit on the bed. She sat obediently, watching and waiting for him to make his next move.

“I’ll be right back,” he muttered, rubbing the back of his neck as he exited the room. He made his way to the washroom, grabbing bandages, a cloth, a bowl, and a pitcher of water. He returned to the room quickly, finding that the woman had not moved an inch in the time he was gone. He sucked in a breath as their eyes once again met, wary meeting curious. He set the items on the bedside table as he gestured at her.

“You’ll need to take that off so I can see the wound,” he murmured, heat rising to his cheeks as he glanced at her uneasily. She paid no mind to his discomfort, easily shedding the coat and exposing her naked body to him as simply as if he had asked her to close the door. He cleared his throat, eyes darting down to look at the angry-looking gash on her side. The wound appeared to be superficial, but he couldn’t be sure until he cleaned it.

He turned to ready the cloth, keeping the bowl of water close so he could rinse if he needed to. Tentatively, he reached a hand up, running his fingers over the dried blood upon her skin, eyes darting up to search for any sign of distress. Her face remained impassive as she watched him, and Bradley’s jaw clenched as he began to wipe gently at the wound.

He had been correct in his initial assessment, the gash was more of a flesh wound and thankfully wouldn’t require stitching. He grabbed some of the salve he had brought in, applying a decent layer before wrapping a bandage around her midsection. Bradley tried not to think of how close he was to the woman, of how beautiful she was, especially when she seemed wholly unbothered by his presence.

“I, um,” he stuttered, cursing his nervousness, “I can bring you something to wear. I still have some of my ma’s things.”

He didn’t wait for her to answer, not that she would give him one if the last half hour had been any indication. He made his way down the hall to the door he had not opened in years, taking a deep breath to steady himself before pushing inside.

The room was just as his mother had left it all those years ago, the only thing having changed was the layer of dust that coated everything. Bradley moved quickly to the wardrobe on the far side of the room, opening it to reveal several different clothing options. He grabbed what he could carry, making sure to grab some of the sleeping garments before heading back down the hall. The woman sat unmoved once more as he appeared, draping the options on the chair to his left by the vanity.

“I wasn’t sure what you’d like,” he said lamely, gesturing towards the clothing, “so I grabbed what I thought might look nice.”

The woman’s gaze moved slowly to the clothing before she rose to her feet. She padded across the room, not a sound from her as she walked over towards where he stood. Her eyes darted up to his for a moment before back down to the clothes. Small hands reached out to pick up one of the nightgowns he had grabbed, eyes studying it with a frown. Her hands tightened on the fabric, a look of despair washing over her face and disappearing just as quickly before she slowly eased it over her head, letting it drape down her form. She reached her hands up to pull her long hair out of the confines, letting it run down her back as she stared up at him.

There was something inherently wild about her, something that sent Bradley’s heart racing as he looked at her standing there in the room. She looked so out of place but so at ease with her surroundings, and he could hardly stand it.

“My room is just down the hall,” he told her, shoulders pulling back a fraction as he regarded her. “If you need me, I’ll be there.”

He gathered the things he had brought in, moving to leave when she grabbed his shirt, stopping him. He glanced at her from over his shoulder, brow furrowed in confusion as he waited for her to speak.

“Do you hear them?” She asked, voice barely above a whisper. “They’re calling for me.”

Bradley listened in the silence that followed, and it was a second before he heard the quiet, distant barks of seals mixed with the keen of something he could not place - something not quite human, not quite animal. He looked at the woman, her eyes having grown distant once more as a tear slid down her face. Bradley sucked in a quick breath as a shudder ran up his spine.

“You should get some sleep,” he whispered, breaking the silence. “You seem like you’ve had a long day.”

The woman looked at him once more, sadness swelling within her eyes before she slowly nodded, letting him go. She turned towards the bed, padding silently across the room once more.

Bradley closed the door behind him as he left, hands shaking as he listened for the click of the latch before putting away the items in hand. He put out the fire, washing the room in darkness as he dragged a hand over his face. With a glance towards the hall, he crept towards the front door, opening it and shutting it behind him carefully as to not make a sound. The cries from before could be heard louder now, and Bradley thought his heart would burst from his chest from the unease that enveloped him.

The moon still shone bright, lighting his path down towards the dock and his boat. The waves lapped against the shore, the cries louder the closer he came. His boat knocked against the wooden stands of the dock with every crash of the waves, and sitting there, on top of the bench, lay the pelt.

Bradley’s heart quickened at the sight, a sense of dread filling him at what he might find once he inspected it. His boots clicked against the wood as he made his way down to the edge. He kneeled down, snatching the pelt from its perch and into his hands. It was soft, nearly dry. He ran his hands over it, inspecting it closely as he squinted in the dark.

He was lost in the sensation of the pelt, how smooth and soft it felt in his hands, and for a moment he allowed himself to close his eyes and compare it to how soft the woman’s skin had felt under his fingertips earlier. He was pulled from his thoughts as the soft fur transformed into a matted and cracked mess. His eyes flew open, breath catching in his throat as he took in the bloodied tear down the side of the pelt.

Right where the gash on the woman was.

There was no denying it in his mind now. The woman in his home was one of the Sidhe - a selkie.

The cries grew louder, and Bradley’s head whipped up to stare out into the water. He couldn’t see them, but knew they were out there, searching for a sister that was lost to them. His grip on the pelt tightened, and his heartbeat thundered in his ears. He scrambled back to his feet, boots stomping against the wood and then the ground as he ran back to the house. His mind raced with thought after thought as his lungs burned from lack of oxygen. His hand reached out to open the door, but he stopped short, fingers hovering over the knob.

The cries off in the distance sounded as he stared at his front door before looking down at the pelt in hand. He could return it to the woman, let her return back to the sea she called home. But a more sinister thought crossed his mind. Why should he give it back? The woman was safe with him, after all. He could protect her from those that wished to hunt her, keep her warm and fed like a man should. He could love her, give her a life beyond what the sea had to offer. The memory of her skin under his fingertips once again rushed to the forefront of his mind, and he allowed his hand to drop back to his side. Yes, he would keep the pelt. Keep it hidden away where she nor anyone else would ever find it.

He turned on his heel, running towards the small shack just a few yards away from the house, ripping the door open and stepping inside. The structure held mostly items necessary for fishing and repairing his boat, but an old trunk sat in the back, practically hidden by various tarps and other objects. The cries of the other selkies grew louder, almost like they could sense the pelt in his hands and were coming to find it.

Bradley pulled the trunk out into the open, moving to the workbench and grabbing one of the keys that sat in the top drawer. He kneeled down in front of the trunk, unlocking it and opening the lid with a quiet creak. Inside lay old photos and trinkets that his father and mother had collected over their years together. He pulled a few items out before placing the pelt gently into the trunk, covering it back up with the aforementioned items.

He closed the lid, locking it. The wailing cries coming to an abrupt and sudden stop as he did so. He stayed there for a moment, the only sound to be heard being his heavy breathing and the waves crashing against the shore below. Slowly, he moved to stand, shoving the trunk back where he found it and hiding it away once more. No one would think to look in there. No one would know what he kept hidden. He tossed the key back into the top drawer, stepping out of the shack and back into the night.

The air was still around him, eerily so, and Bradley made his way quickly back to the house. His fingers were numb, whether it be from cold or nerves he wasn’t sure, but the tension didn’t ease as he closed the front door quietly behind him, his back pressed against it for a moment as he listened for any sound that the woman might have heard him. Hearing nothing, he toed his boots off, setting them by the door before making his way quietly towards his room, noting that no light shone under the woman’s door. He changed quickly for bed, crawling under the blankets as if they might shield him from the consequences of his actions that evening. He took a few calm, steadying breaths before closing his eyes.

Sleep did not come easy to him that night.

The first morning had been awkward, Bradley rising with the dawn to find the woman already sitting at the dining table, fingers fidgeting with the sleeves of the nightgown. Her eyes darted up to meet his as he entered the room, stopping short at the sight of her.

“You’re awake,” he murmured, shock clear in his voice as they stared at one another. She blinked at him, saying nothing. She seemed perkier this morning, albeit still cautious as she watched him walk further into the room. Bradley grabbed the box of matches from the shelf, taking one out and striking it with a pop. The woman jumped at the sound, eyes flickering to the watch as he leaned down to light the stove, shaking the match out once he was done.

“What is that?” She asked, and Bradley turned to look at her in surprise.

“What is what?”

“The colors,” she supplied, nodding at the burnt match in his hand. She pointed towards the fireplace. “They were in the cave over there last night as well.”

Bradley’s gaze flickered over to where she pointed before landing back on her.

“It’s called fire,” he started slowly, a frown tugging on his lips. “I use it to cook things and keep the house warm.”

“Fire,” she repeated, testing the word out on her lips. “It hurts.”

“It can,” Bradley agreed, a ghost of a smile on his lips. “You shouldn’t touch it.”

She nodded solemnly, clasping her hands out in front of her. She watched as he began to prepare breakfast, turning on the toaster and slicing up the fish to cook in the pan.

“I like those.”

Bradley turned back around to find the woman sitting with most of her torso on top of the table, her legs stretched to accommodate her. Eyes shone with delight at the sight of the fish, and Bradley arched a brow at her.

“Yeah?” He hummed. She nodded enthusiastically, tongue darting out to lick at her lips.

“There’s lots of them,” she told him. “They swim in groups and they’re easy to catch. The fishermen catch them using nets.”

“They do,” Bradley nodded, laying a strip of the mackerel down in the pan. It began to sizzle, and he was struck with how hungry he truly was.

“What are you doing?”

He jumped, turning to look where the woman now stood, eyes wide as she watched the fish cook down. He stared at her for a moment before turning his attention back to the fish, flipping it over before it burned.

“I’m cooking,” he told her. The woman leaned forward, sniffing at the food before wrinkling her nose.

“It smells weird,” she muttered, and Bradley laughed.

“It smells fine,” he smiled, sliding the fish onto one of the plates on the counter. “You’ve just never had it cooked, I’ll bet.”

He ushered her back towards the table, setting the plate down at the spot she just occupied and handing her a fork. He turned back towards the stove, laying another slice of the fish down as the woman took a tentative bite. Chewing slowly, she perked up as the taste rushed over her, shoveling more into her mouth with a satisfied purr. Bradley soon joined her, chuckling as he watched her. He couldn’t remember the last time he felt so light, the last time he laughed so freely.

“You should slow down,” he smirked, taking a bite from his own plate. “You don’t want to choke.”

She peered up at him, pausing in her feast as she considered his words. She cocked her head to the side in that curious way before taking a slower bite, looking up at him for approval. The two ate in silence for a few moments before Bradley cleared his throat, drawing her attention.

“My name is Bradley,” he said, glancing up at her as he swallowed a mouthful of fish.

“Bradley.”

“What should I call you?” He asked, and she frowned in confusion.

“What do you want to call me?” She asked him.

“Don’t you have a name?” He chuckled, disbelief coloring his voice. Surely even the fair folk had names to give. Her face drew tight in sorrow once more, and Bradley felt a twinge of pain in his chest at the sight. Her gaze slowly turned towards the window where the sea lay just out of sight.

“Only the water knows my name,” she told him, grip loosening on her fork as it clattered against the plate. “Only it can say it.”

Bradley watched her. Watched how her breathing grew ragged. Watched how her eyes glistened with unshed tears for a home she would not return to. Her lips trembled, and Bradley cleared his throat.

“I need to head into town,” he said. “Need to see a man about a job. Do you want to come with me?”

She turned to look at him, eyes still hazy from wherever she had let herself wander. She blinked once, twice.

“I suppose,” she whispered finally. Bradley nodded, clearing the plates from the table.

“You’ll need to change,” he told her. “You can’t go out wearing that.”

She looked down at her nightgown with a frown before looking back up at him.

“It’s, uh,” he stuttered, rubbing the back of his neck. “It’s not appropriate for others to see you dressed like that.”

“I don’t understand.”

“Just,” he blew out a breath, “please pick a different dress?”

She gave him a sour look before standing and disappearing down the hall. Bradley blew out a breath before moving to clean the kitchen area. The woman reappeared, wearing a simple, blue dress. Bradley nodded in approval before his eyes landed on her bare feet.

“Stay here,” he told her, walking down the hall to the far bedroom. He walked in, straight up to the wardrobe and began rummaging through until he found a pair of his mother’s old shoes. He reappeared in the kitchen, handing the woman the shoes with a shy smile.

“I don’t know how well they’ll fit,” he started, “but they should work until we get you some new ones.”

She eyed them distastefully, nose wrinkled in disgust.

“I don’t want them,” she said finally, moving to hand them back to Bradley. He shook his head.

“You need them. They’ll protect your feet, and people will expect you to wear them.”

She scowled, pushing them forward once more, but Bradley stopped her.

“Please, mo chroi,” he pleaded. “Just while we’re in town. You can take them off as soon as we’re home.”

Her gaze softened at the endearment, and reluctantly, she shoved her feet into them. He helped her lace them, calloused fingers making nimble work of them, and soon they were ready to go. He grabbed a thin jacket for himself while he made sure to hand her the heavy coat to combat the frigid air outside. The walk to town took about an hour, and the weather was sure to still be cold and damp as it often was during the time between spring and winter.

Bradley turned to her, a thin-lipped smile on his face as his hand rested on the door. He gave her a once over.

She looked like any other person upon first glance, but if you stared too long, something wild shone on her person that drew you in. Like it would suffocate you if you stared too long. He sucked in a breath, torn between keeping her in his sight and making her stay. If she came, the townsfolk would surely be able to guess that she was not a mere human girl, but if she stayed? If she stayed, she might find the one thing he hoped she never would.

“Alright,” he breathed. “Let’s go.”

Weeks had passed, and the two had developed a routine of sorts. Bradley had started work as the lighthouse keeper, walking every day down the path along the cliffs to clean and polish the light that guided ships to shore. When he finished, he began work on the nets for when he ventured out into the sea to catch fish. It was a steady source of food, and food was not something Bradley took lightly. Memories of what it felt like to go hungry when there was so little to go around, fueled his drive to ensure there was enough, always enough and plenty to spare. He showed mo chroi how to prepare and salt the fish they couldn’t eat, showing her how to store it for future meals.

She was a quick learner, performing the tasks diligently as the days passed, and soon she took over most of the household chores. The widow Callahan checked in on them from time to time, her wise eyes studying the new woman of the house every time she came by.

“Be careful, young man,” she’d always say, dark eyes narrowed up at him. “You may have tamed her now, but the fair folk were not meant for gilded cages. Don’t give her what you cannot spare.”

Bradley would assure her that he wouldn’t, but in truth, he had no idea what she was telling him. He was content with how things were, content to have a partner by his side to help with the work he had done by himself for years. He still caught her staring longingly out at the waters she once called home, but the longing looks grew farther and farther apart the longer she stayed with him, resigning herself to her new life on land.

He was mending a tear in one of the nets when she appeared beside him, silent as always. He was used to it now, no longer startling every time she appeared around him without a sound. He became attuned to her presence, sensing when she came and when she left.

She said nothing to him at first, content to watch him as he worked, and he was content to keep working. It wasn’t until she kneeled beside him, gentle hand placed on top of his arm that he stopped.

“What is it, mo chroi?” He asked, gazing up at her. The sun was sinking towards the horizon, casting a faint golden glow onto the summer evening. Bradley couldn’t help but to admire her beauty in the dimming light, eyes glittering and skin smooth as porcelain as they looked at him. She wore only a white chemise, something she was prone to do when it was just the two of them. She didn’t like the heavy, scratchy feel of the dresses, only wearing them when there was company or when the two ventured into town. Bradley complied with her whims, finding it hard to say no to her.

“Why do you not have a woman?”

The question caught him off guard, eyes widening as his jaw went slack.

“What?” He blinked, scrambling to make sense of her question. She hummed, pressing closer to him. Bradley found it hard to think with the feel of her soft, warm body so close to his, one hand tracing over the planes of his chest as she continued.

“The men in the village,” she pressed, eyes never wavering as they bore into his own, almost hypnotic in the way they captured him, “they all have a woman to keep them company, to hold them, to love them. But you do not.”

Bradley’s eyes darted back and forth between her own, words failing him. She lifted a leg, resting it in between his own as she straddled his thigh. The hand that rested on his arm trailed up to play with the curls at the base of his skull, her body flush with his now as his hands came up to rest on her thighs. The hem of her chemise rode up to reveal smooth thighs that had Bradley reeling with lust. She leaned forward, a purr on her lips as she trailed her nose along his jaw and up to his ear.

“Is it me?” She asked softly, hand splayed on his chest as her lips brushed along the shell of his ear. A shudder ran up along Bradley’s spine at the sensation, mind growing hazy and clouded with lust for the creature before him.

“Am I yours?” She breathed, meeting his eyes once more. The air between them was charged, and for a moment Bradley could think of nothing but the way she felt against him. The way her lips hovered over his.

He lunged forward, pulling her impossibly closer as their lips melded against one another. He was spellbound, captivated, obsessed. His hands tightened on her thighs, and she sighed against his mouth, spurring him on to nip at her bottom lip. She granted him entrance, gasping as he licked hungrily into her mouth, the sweet taste of her driving him mad as a hand slid up to press against her lower back.

She wasted no time lifting herself off of him long enough to free him from the confines of his trousers, small hands gripping his hardening length. He let out a pleasured groan, head tilting back as she stroked him slowly before positioning herself atop him. There was no buildup between them, Bradley gripping at her as she slowly eased herself down onto him. A keen left her lips as he stretched her, mind numbing pleasure coursing through his veins as her velvety walls fluttered around him.

Her eyes were closed tight as she rested on top of him, her hips flush against his as her hands rested on his chest for balance. Bradley had never seen a more beautiful sight. Slowly, she rolled her hips against his, breathing ragged as she built a rhythm. Bradley laid against the wood of the dock as he watched her take her pleasure from him, a hand running up her stomach to rest between her breasts. He could die a happy man right then and there.

Her pace grew faster as she approached her climax, whimpers and cries spilling past her lips as she rode him, and Bradley pushed himself into a sitting position, careful to not disturb her. A hand rested on her back as he nuzzled into the space between her breasts where his other hand had just been. The sleeve of her chemise fell off her shoulder, and Bradley lifted his face to nip and lick at the skin there. He could feel his own high approaching as she ground down on him, and his free hand rose up to wrap around her throat, squeezing gently. She froze, hips stopping as they locked eyes. The only sound to be heard between the two of them was their ragged breathing.

For a second, Bradley thought he had crossed the line, but she made no move to remove his hand. The two stared at one another for a long moment before one of her hands came up to rest atop his own, squeezing them lightly as she began to move her hips once more, slower this time, drawing out the inevitable. He groaned at the sensation, feeling his stomach tense as her eyes never left his, her gaze intense as she chased release. Her walls fluttered and tightened around him, and with a final cry, she came, her head thrown back and her hot, wet cunt milking his own orgasm out of him with a shout. His spend coated her walls, leaking out around him as he shuddered and fell back against the dock with eyes pinched closed. Her hips still moved against his, drawing out every ounce of pleasure she could, giving herself to him with every movement.

She was his now, he had marked her.

Her hips finally stilled against his, and he could feel her staring at him. Her fingers trailed up his chest, along his jaw, before finally stilling on his lips. Bradley peeled his eyes open slowly, and he would have sworn he had died and gone to heaven for if he didn’t know any better, he would have thought he was looking at an angel. The setting sun cast a halo around her head as her hair blew in the wind, hypnotic eyes boring into him as the golden glow of the evening enveloped her. His lover smiled down at him softly, fingertips stroking his lips before leaning down to press her own against them.

She didn’t look to the sea much anymore, her longing gazes turned to brief flickers as she went about her days. Still, there were nights when her eyes would glaze over as the sound of seals calling out in the night made their way up to the confines of the house. Bradley would watch as her lips trembled briefly, the look in her eyes growing farther away until suddenly she would snap back to the moment, offering him a loving smile as she continued her mending.

Her stomach began to swell in the autumn months, and Bradley often found himself reluctant to leave her side. He would place a hand on her stomach, eyes lighting up in delight every time he felt a kick to it. He’d rest his head on top of her, muttering sweet words and promises to the babe that grew within. She would rest her hand on his head, stroking his hair soothingly as the fire crackled in front of them.

They were happy.

There was one night, however, when Bradley came back from the village to find his wife no longer at home, and panic overtook him. He tore through the house, ripping open every door he could find until he was faced with a horrifying possibility. He ran outside to the old shack, nearly ripping the door off of its hinges in his haste to open it. His eyes scanned the dark interior, his lantern casting shadows across the walls as he sighed in relief at the realization that his secret was still hidden underneath tarps and old traps.

His brow furrowed as he stepped back out onto the open cliffs, the wind whipping around him as he scanned the dancing grass. His eyes stopped at the edge of the cliff, terror gripping him once more at the thought that his lover might have done the unthinkable. Had she tried to return to the depths from where she came? Her body would not survive the plunge, not without the skin that lay hidden in shadows. He trudged towards the edge of the cliffs, the wind biting his skin and seeping to his bones as his heart thundered in his ears. He peered down at the rocks below, stopping only when a song sounded on the wind.

Little sister, sister hu ru

My love, my sister hu ru

Can you not pity o hol ill eo

My grief tonight hu ru

The voice was beautiful and full of sorrow, cries carried on the wind and out to the sea. Bradley swung the lantern towards the rocky path that led up to the lighthouse, the moon casting ribbons of silver that silhouetted the tall structure.

I am a poor woman hu ru

Sad and miserable hu ru

I climbed up o hol ill eo

Ben Sgrìobain hu ru

Bradley moved quickly through the grass and up the path, the sound of the song growing louder with each step he took. The stone structure stood proud against the backdrop of the sea, the waves crashing against the rocks below, almost drowning out the song as he rounded the walkway, finding his wife standing on the edge of the cliff.

I didn’t find there hu ru

What I wanted hu ru

A girl o hol ill eo

With hair like a daisy hu ru

Tears streamed down her face as he watched her, her hair whipping in the wind as her hands cradled her heavily swollen belly. Her feet were bare, and she wore a thin chemise that did little to protect her from the gusts that enveloped her body. No sobs left her as she finished her song, only the look of someone who had been lost, lost and never found in a world that was not her own. Bradley sucked in a breath, lips pressing firmly together before he stomped towards her. He dropped the lantern at his feet, the flame within dying at the impact as he gripped her shoulders and whirled her around to face him. Her eyes grew wide as his rage flooded to the surface, nostrils flaring and fingers digging into her skin hard enough to leave bruises.

“What were you thinking?” He hissed, shaking her with every accusation. “You scared me half to death! What are you doing out here dressed like this? It’s too cold for you to be out here with nothing to protect you. I thought you had-”

He gestured towards the cliffs, the words dying on his lips as he choked on a sob. The tears sprang to his eyes unexpectedly, rolling down his cheeks as his hands gripped onto her even tighter. If he held on tighter, she would never leave, would never return to the sea, would never leave him. He couldn’t bear the thought of being alone again, not when he had tasted a life that was shared.

She stared at him, eyes wide and searching as the wind danced around them. Her hand slowly reached up to cup his jaw, thumb smoothing over the stubble that grew there.

“I’m sorry,” she murmured, voice almost lost on the wind. She leaned forward, and Bradley lurched back, eyes wide and scared as they watched her. The two stayed like that for a moment before she moved once more, hand holding his face in place as she brushed his nose with hers before pressing her lips to his in a gentle kiss. Tears continued to stream down Bradley’s face as his eyes flickered closed, embracing her as different emotions swirled inside him.

“Never leave me,” he begged in a whisper against her, one hand dropping down to cup her stomach as he rested his forehead against hers. He opened his eyes to find her already looking at him, black water dancing in her gaze.

“Never, mo ghrá.”

Their son was born a month later, loud cries spilling into the night as Bradley waited outside with some of the older men from the village. His head perked up at the first wail, eyes shining with excitement as her screams were replaced by those of the infant. The widow Callahan opened the front door moments later, apron covered in blood as she wiped her hands on a rag.

“You have a son,” she announced with a small smile, and Bradley grinned so hard, he swore his face would split in two. The men around him clasped him on the back, cheers ringing out in the night as they opened up spirits brought with them for the occasion. Bradley was keen to see his wife and son, but one of the men shoved a mug into his hands.

“Have a drink first, lad,” he hollered with a laugh. “The misses and the wean will still be there after.”

Bradley downed the drink as quickly as he could, much to the amusement of the others. He shoved the cup into the hands of the man nearest to him, not waiting for it to be refilled as he made his way into the house. The widow Callahan was cleaning up her supplies along with her apprentice when Bradley entered the room. His wife lay propped up in the bed, a small smile on her face as she cooed at the small bundle in her arms. Her eyes flickered up to his for a moment before back down. He crossed the room, easing down gently beside her on the bed. The babe gurgled, eyes closed as he yawned, and Bradley felt his heart swell.

He reached a hand over to run a finger over his son’s hands, heart dancing in his chest when the babe gripped it, small hand so strong for someone who was only moments old.

“What should we call him?” Bradley asked, cuddling into her side, exhaustion seeping through her.

“I thought we might call him Ronan.”

Bradley paused. The meaning of the name was not lost on him, and his gaze flickered to her profile for a moment before nodding.

“Ronan,” he murmured, eyes turning back to his son, nodding. “Aye. I like it. Ronan it is then.”

The babe gurgled once more, and Bradley reached over to take him in his arms, cooing softly as the bundle fussed.

“We should let your mother rest,” He whispered to the baby, a small smile on his wife’s lips as she nestled into the inviting warmth of the bed, her eyes drooping as she fought to remain awake. “She’s had a long day, don’t you think? It’s not easy bringing someone into the world.”

He tore his eyes away from his son to gaze at her, adoration shining bright as he reached a hand to smooth the hair out of her face.

“We’ll be here when you wake up,” he promised, bouncing the baby lightly as he moved to stand, his eyes already fixated back on the bundle in his arms. Her eyes followed him as he walked towards the door, lips curled into a smile as she slipped further and further into oblivion.

Bradley offered her one last smile as she fell asleep, walking towards the main room and sitting down by the fireplace, the orange glow of the fire bathing the two in the warm light. The men outside still celebrated, and Bradley rolled his eyes, smiling down at his son.

“I wanted to talk to you, man to man,” he started, rocking the baby in his arms. “I can’t guarantee you an easy life, Ronan. In fact, it might be a hard one. What I can promise is that I’ll be by your side as only a father can be for his son.”

Ronan cooed, opening his eyes for the first time to look up at his father, and Bradley’s heart soared.

“You’re born from two worlds, you know,” Bradley continued, a small frown tugging on his lips as he considered what this would mean. “A living bridge between the seen and unseen, but what does that mean for you, I wonder.”

The fire popped as it consumed the wood, the crackling the only thing heard besides the faint sound of Ronan breathing. The men had left to continue their drinking in the village, and soon even the widow Callahan and her apprentice left, bidding him a good night as they did. Bradley said nothing to them in response, eyes trained on the baby in his arms even as the sun rose above the horizon.

Ronan grew quickly, much to Bradley’s surprise, and soon he was toddling around and talking, a smart lad whom Bradley found he never had to instruct more than once, eager to take on the responsibility of being the eldest. Two years after he was born, another bundle joined their home, a boy they named Rían who grew to fill the house with peels of laughter everywhere he went. His wife showed no more signs of longing for the sea, too enamored with her children to pay much mind to the sea which she once called home.

Three years after Rían was born, they welcomed Cillian into their fold, a quiet babe who grew into a curious and bright little boy. Bradley was happy with his life and even prouder of his family. He soon began teaching Ronan how to weave nets for fish and how to fix the traps they used to catch the migrating salmon, and it wasn’t long until Rían joined them. Cillian was too young, staying behind with his mother as the other three made their way out to sea to bring home food for the next day.

Their evenings were spent sitting by the fire, the boys playing with their toy soldiers as their mother worked on her mending, Bradley resting from a hard day’s work as he smoked a pipe, a habit he had picked up to help ease the tension he often felt these days as he grew older. It was on one such evening that Cillian pulled on the skirt of his mother’s dress, eyes so much like hers as they gazed up in curiosity.

“Ma,” he chirped, earning her attention. She smiled down at him, setting down her latest project to give him her full attention.

“What is it, mo mhuirnín?” She asked.

“The people in town say you’re not from here,” he continued, earning the attention of the two other boys and Bradley as well. “If you aren’t from here, then where do you come from?”

The silence was heavy in the room, not a soul moving as the words hung in the air. His mother’s eyes glazed over slowly as she thought about the home she left behind so many years ago. A look Bradley had not seen since before their first son was born made its way onto her face, and his heart began to thunder in his chest. Time seemed to stand still as she considered her words.

“Between the here, between the now. Between the day, between the night. Between the land, between the sea. Between the awake, between the asleep. Between the real, between the myths. That is where I am from,” she told him, a hand coming up to cup his chin gently. In that moment, Bradley remembered the wild that dwelled within his wife, the constant call from within to return back to the sea. He remembered that while he grew older, she remained forever the same, never changing. He remembered the fear that gripped him each night at the thought that she might leave, and rage filled him.

“Enough,” he snapped, drawing all four pairs of eyes to him. Bradley was a kind, easygoing man, not prone to anger, and the sight of him now shocked his children, fear flashing in their eyes at the look of anger that clung to his face.

“I won’t hear another word,” he hissed, grip tight on the pipe in hand. He gestured wildly at his children as they sat, paralyzed with fear. “To bed, all of you!”

They did not need to be told twice, scrambling to their feet as they hurried down the hall, the sounds of doors shutting behind them. Regret filled Bradley almost instantly, but it was not enough to quell the fear that still raged on inside of him. His eyes watched the hall before sliding over to look at his wife. Her head was bowed submissively, an impassive look on her face as she continued her mending, and Bradley settled back into his chair, an air of unease settling in around him.

It was a few weeks later when Bradley had taken the two older boys off that his world turned upside down.

Cillian was a curious boy, too curious for his own good, one might say. He loved to experience the world around him and oftentimes found himself in more trouble than he could handle. His father had warned him to stay away from the old shack that stood by the cliff, telling him that there were things in there that could hurt him if he wasn’t careful. Cillian heeded the warning, but grew more and more curious the longer it remained unexplored. It was for that reason he found himself opening the door, the creeks of the old hinges causing him to turn around to make sure he wasn’t heard. Confident that his actions still remained a secret, he crept into the dark shack, eyes wide as he took in the different trinkets strewn about.

It was nothing of import, mostly old tarps and broken traps his father had not seen fit to fix yet. An old desk sat against the far wall, and as Cillian crept farther and farther into the room, he noticed how more and more things lay stacked atop one another, as if trying to convince him to turn back. There was something that called out to him though, and the need to find what it was became stronger with each passing second. The pull pulsed around him, almost like a heartbeat as he inched closer and closer to the far side of the shack. It wasn’t until he came upon an old chest that the energy suddenly calmed, almost like it disappeared and Cillian reached out his little hands to try and pry the lid open. It did not budge, locked so that prying eyes would not find what was not theirs to seek.

Surely there must be a key? His eyes scanned the area around him, frowning when one couldn’t be found. His gaze landed upon the desk, and he stumbled over the items strewn about as he made a beeline for the lone piece of furniture. His hand reached up to drag the top drawer open, little legs stretching as far as they could to allow him to look inside. There were several keys that lay on the bottom of the drawer, but only one was carved ornately enough to match the old chest. Grinning at his prize, he seized it in his little fist, scrambling back over to the chest.

He let out a giggle as the key slipped easily into the lock, twisting it until a click could be heard. Looking behind him to make sure he was still alone, he lifted the lid of the trunk slowly. He vibrated with excitement at the thought of the treasures he might find, only to be met with the sight of trinkets tossed haphazardly inside. He reached a hand in to rummage through the piles of junk, frowning at the piles of nothing. He was about to close the lid once more when his fingers brushed against something soft, and his breath caught in his throat. He gave it a tug, but the object did not move. Huffing, he wrapped both hands around the object, grunting as he tugged it free from the confines of the trunk. He fell back with the force, landing against an old crate with a thud and a shout. He scowled at the crate, rubbing his backside before turning his attention to the prize at hand.

It was a seal pelt, the silver reminding him of the moonlight that danced through his window at night, the same beams that glittered atop the water of the sea. His hands ran over it, delighting in how soft it felt against his skin, and with a grin, he wrapped it up in his arms and ran out of the shack into the late afternoon sun.

His mother was hanging laundry out to dry, the sheets billowing in the wind as she pushed hair out of her face. Her stomach was swelling once more, just enough to be noticeable through her dress.

“Ma!” He cried out, running to her quick as his little feet could carry him. “Look what I found!”

She smiled down at him, gaze adoring before landing on the item in his hands. Her smile faded, the faraway look from that terrible night when his father had lost his temper returning to her face as she beheld the pelt in his hands.

Bradley and his sons walked up the path, smiling amongst each other as they hurried home, eager to be reunited with their mother and brother. Bradley’s eyes darted up the path, itching for a glimpse of his wife when his eyes landed on the scene unfurling before them. Her hands reached out to the pelt his youngest son held up to her, and his stomach dropped as he blanched.

“No!” He shouted, breaking out into a sprint up the path, but it was too late. Her fingers wrapped around the pelt, and something awakened inside of her, something long thought dead. A grin stretched across her face as she snatched the skin into her arms, letting out a delighted cry as she ran down the path, narrowly avoiding her husband’s arms and past her children. Bradley stopped short, turning on his heels to chase after her, legs pushing as hard as they could in a desperate attempt to catch her, hand reaching out to grab her. He was so close, fingers brushing the ends of her hair, but the call of her nature was stronger than any love he carried for her. She threw the pelt around her shoulders, a laugh leaving her as her feet touched the water, and with a leap into the air, the woman was once more a seal, landing in the water with a quiet plop. Bradley continued after her, feet pushing through the resistance of the sea as he clawed his way forward.

“Come back,” he cried, water up to his waist now. “Come back!”

It was no use, his wife was gone, stolen back by the sea, and tears streamed down his face as he scanned the surface for any sign of her. The water was oddly calm given how frantic he had become, and the despair inside him rose to a fever pitch, released in a guttural cry as he unleashed his anguish for the sea to hear.

“You promised!” He screamed, throat strained with the force of it. He let his face drop into his hands, clawing at the skin of his face as his eyes darted wildly all around like he was a man possessed. Sobs wracked through his body as the reality of what happened settled over him.

“Come back.”

Bradley was not the man he once was, and he would never be again. The house felt cold and empty with his wife gone, and he could not find it in him to do much of anything. Numbness filled his bones, the sorrow of losing that which he loved too much for his mind to bear. Most days were spent along the shore, desperate eyes searching for any sign of his wife before one of his children was able to coax him back to the house, usually well after the sun had disappeared below the horizon.

He didn’t eat much, sullen gaze turned down towards his plate, but never eating more than a mouthful or two of whatever was placed in front of him. His face grew gaunt as the weeks turned to months, dark circles growing under his eyes.

A house that was once filled with laughter now served as a tomb, the once happy memories enshrined within its four walls. The children no longer laughed, no longer played. The love of their mother was no longer there to keep them warm. Few words were uttered amongst each other, and no one was quite able to meet the eyes of another.

Utensils scraped against each other, not a word spoken as all eyes remained cast downward.

“I saw a seal today,” Rían whispered, jumping as the sound of metal dropped against a plate. Bradley’s eyes bored into his son, a haunted look on his face as he turned to him.

“What did you say?” He asked, leaning forward, tears gathering in his eyes. Rían stared at his father before casting a nervous glance to Ronan. Bradley pushed out of his chair, kneeling in front of his son as his hand gripped his shoulders painfully. Rían whimpered, trying to get out of his father’s grasp.

“Where did you see it?” Bradley rasped, voice croaking from under use. His nails dug into the boy’s skin, a pained cry spilling out of Rían’s lips. Ronan scrambled up out of his seat, hand wrapping around his father’s arms to try and pull him away from his brother.

“Tell me where you saw it!” Bradley shouted, shaking the boy roughly, eyes wild and unseeing.

“Da please!” Ronan hollered, pulling with all his might, and Bradley’s grip loosened, sending Rían flying back into his chair with a cry. Tears streamed down his face as he stared at his father, limbs trembling from fear. Bradley’s eyes focused, seeing his son for the first time in that moment.

“Rían,” he whispered, eyes darting around to look at the other two. Cillian sat on the opposite side of Rían, tears streaming down his own face as his bottom lip trembled in terror. Ronan stood behind him, face unreadable as stone as he watched his father.

“I’m,” Bradley breathed, stumbling to his feet as he ran a hand through his hair. “I’m so sorry.”

He didn’t wait for a response, exiting the room in a hurry.

The next day had them returning to their new normal. Ronan took charge of the fishing, bringing home what he could, which was just enough to keep everyone fed. Rían had taken up the housework in the absence of their mother, Cillian helping where he could at his young age.

Bradley’s days were spent at the shore, watching and waiting for a love that would never return to him. His thoughts often turned to the happier memories, of days spent in her embrace, the feel of her lips against his, the way she smiled at him. He longed for it. Longed for the time when he didn’t feel so alone, so listless.

The children had changed in the months since their mother left as well.

Ronan had taken up the mantle of provider, taking what he could to the village to barter and trade, but few would do dealings with someone who was not wholly human, mistrustful eyes that had once been focused on his mother now turned to him with disdain.

Rían’s once bright laughter was now nothing but a memory, something thought about only in passing now as he worked his way through the chores that needed doing. He slowly forgot how it felt to smile.

Cillian, who had once been the most inquisitive of the bunch, now never strayed far from his brothers, never moving far from sight. He did only as he was told, and his brothers started to wonder if he ever used to talk at all.

Much like every other night, it was Ronan who bade his father to return to the house once the sun set, frost hanging in the air now that winter was upon them. Bradley allowed himself to be pulled back to their home, head hung low as he trudged up the path behind his son. He sat in his chair by the fire, hand stretched out to hold someone who was not there as he stared into the flames, eyes unseeing, and his children wondered if they would forever see the unseen.

One by one, the boys left for bed, Ronan being the last to bid his father a goodnight, a frown tugging on his lips before shaking his head and disappearing around the corner.

Bradley sat motionless as the minutes turned to hours, still as a statue as he continued to mourn.

A knock sounded at the door, and he shifted in his seat. Another knock had his head turning in that direction. Who would be calling at that time of night? Slowly, he rose from his chair, walking towards the front door. He grasped the handle, twisting it and pulling it open.

The night was dark, the moon, which normally cast light onto the path that led down to the beach, was hidden behind the clouds. Bradley stared into the night, unfeeling and unmoving. He moved to close the door when a song rang out, the voice so alarmingly familiar.

Hò i hò i hì o hò i Hò i hò i hì o hì Hò i hò i hì o hò i Cha robh mi m' ònar a-raoir

'S mairg san tìr seo, 's mairg san tìr 'G ithe dhaoine 'n riochd a bhìdh Nach fhaic sibh ceannard an t-sluaigh Goil air teine gu cruaidh cruinn

His eyes alighted in recognition, tearing out of the house and onto the path as fast as his feet could carry him. The voice grew no closer as he ran, breaths coming out ragged as he gulped for air. The waves crashed against the shoreline as loud as thunder but never drowning out the voice he had longed to hear.

Hò i hò i hì o hò i Hò i hò i hì o hì Hò i hò i hì o hò i Cha robh mi m' ònar a-raoir

'S mise nighean Aoidh mhic Eòghainn Gum b' eòlach mi mu na sgeirean Gur mairg a dhèanadh mo bhualadh Bean uasal mi o thìr eile

He stopped, spinning wildly in search of her, crying out in frustration when he saw no one. A scream ripped its way through him, desperate and haggard as he continued to spin, only stopping when he caught sight of something on the dock. The same dock he and his lover had spent countless afternoons on, basking in the glow of each other and sharing stolen touches. He walked slowly towards it, boots crunching in the sand and then knocking against the wood as he came to the end of the dock. His eyes glistened with unshed tears as he kneeled down beside the small bundle.

Hò i hò i hì o hò i Hò i hò i hì o hì Hò i hò i hì o hò i Cha robh mi m' ònar a-raoir

Thig an smeòrach, thig an druid Thig gach eun a dh'ionnsaigh nid Thig am bradan thar a' chuain Gu Là Luain cha ghluaisear mis'

His hands reached out, stopping when the bundle moved, a gurgle sounding. His heart skipped a beat, the cold seeping through him in the winter’s night. It was then that the clouds moved, allowing the moon to shed light down on where Bradley crouched.

It was often said that Cillian was the son that bore the largest resemblance to his mother, but gazing at the babe in front of him, Bradley knew that this was the child his wife carried before she left. His hands crossed the distance to pick her up, hands gentle as he cooed down at her. He was struck then by the discovery that she was wrapped in silvery grey fur, the same size as a seal pup.

The baby let out a tiny cry, and Bradley shushed her softly, rocking her gently. He and his wife had discussed different names before that fateful day, but only one stuck out to him as he gazed at the babe in his arms.

“Aisling,” he whispered reverently, holding her tighter to his chest as tears streamed down his face. Aisling let out another cry as Bradley moved to stand, never taking his eyes off of her.

“‘s alright now,” he cooed, turning back towards the house. “Your da is here now, mo stóirín.”

His fingers wrapped around the fur with a frown. The small bundle in his arms would never leave him, not like her mother had. He would see to it this time.

Hò i hò i hì o hò i Hò i hò i hì o hì Hò i hò i hì o hò i Cha robh mi m' ònar a-raoir

A/N: I kid y'all not, this fic has been on my mind for MONTHS ever since someone suggested it. Selkies have always been one of my favorite stories from Celtic legends, and I really hope I did this justice because it was such a pleasure to write and pour my heart and soul into. I highly recommend you check out the stories if you have time because a lot of the inspiration for this fic came from them!

Another quick note as I wrap up here, I wanted to touch on the meaning of the names I chose. Ronan actually translates to "seal" or "oath, promise." Rían (pronounced Ree-on) means "king" or "ocean" depending on the etymology. Cillian (pronounced kill-ian) means "war, strife." Finally, Aisling (pronounced Ash-ling) means "dream, vision."

The first song I actually looked up the English translation, but it's a song sung by a woman who was stolen by the fae, calling out for her sister to come and help her. I thought it would be interesting to see it used in the reverse. The second song is actually one said to be sung by the selkies themselves, very fitting for this fic, I think.

Thank you all so much for reading this one! As always, reblogs and comments are appreciated. You can also find me on AO3 under sailor_aviator. Until next time!

#amhran na farraige #bradley rooster bradshaw #bradley rooster bradshaw x reader #bradley rooster bradshaw x you #bradley rooster bradshaw fanfiction #bradley bradshaw #bradley bradshaw x reader #bradley bradshaw x you #bradley bradshaw fanfiction #rooster #rooster x reader #rooster x you #rooster fanfiction #rooster top gun #top gun rooster

[areyoudoingthis]

you're genuinely missing out if you don't read stede as having a funky superpower that protects him from the horrors of the world when he's being true to himself and deserts him when he tries to emulate the idea of a man the world wants to impose on him.

he defeats the badmintons without trying because they're bullies and they're just plain wrong all the time. they attack everything that makes stede lovely: his tender heart, his love of soft things, his beautiful body. they mock him and they hurt him and they die for it practically without stede having to lift a finger. the narrative avenges him.

he bewitches ed body and soul without realizing he's doing it, just by being himself, because he's funny and sweet and he gets ed's love for the bit and he's the first person who's happy to join in on his silly games. also because he's kind and generous and an absolute bitch, and because he makes ed feel safe to let down his armor around him, which is the thing ed wants most in the world. and so ed rescues him from the firing squad, because stede's unwittingly earned his devotion.

he turns the crew's opinions about him around in a few weeks by telling them bedtime stories and doing the voices for them without shame, like they're his kids. he comes up with fun activities for them, encourages them to talk about their feelings and offers to share his books with them (not his clothes tho. he's silly and oblivious and a spoiled only child after all). so by the time the british show up they've started thinking maybe things are better this way, maybe stede's showed them a better way of living (olu knew all along because he's soft and smart too), and they rally to defend him.

he defeats a much more skilled and experienced swordsman by thinking on his feet and being whimsical, throws izzy off his game by smacking him in the ass with his sword instead of stabbing him because he knows he can't win, so he comes up with a tactic that has the most chances of success for him in the moment.

he rescues the crew from zheng's ship by knowing about chamomile (sure, jan) and being the congenial towel guy. he rescues the crew and everyone else again from ricky and his goons by making them play dress up, and it works!!!! (minus that one exception, you know). he has the situation under control with ned's gang within minutes just by listening and paying attention to the way they feel about him and his treatment of them. he knows exactly what to say to turn them around, compliments hellkat maggie so deliciously because he's a charming bastard at all times.

but he's lost the magical protection of his whimsical stedeness by turning against himself by the time he's picking a fight with zheng. he's spinning with unresolved trauma and heartbroken and probably exhausted and hangover by the time she tries to poach olu, jim and archie, and then she insults ed (not cool, girl), so he lashes out. he's not defending or protecting anyone this time, not his crew nor ed nor himself. zheng isn't a bully or a villain, she hasn't attacked anyone, only accidentally hurt his feelings. he's lost sigh of the goal that's driven him since the beginning of season 1. there's no ed by his side and he isn't running towards him, he's not working to make a nice, safe world for the people he loves either.

he felt attacked by low the previous night for not measuring up to the ideal of a man and a pirate that's constantly being dangled in front of him, and he triggered his most painful memories by killing him the way he did and then refused to deal with them, chose to overcompensate and throw himself wholly into pursuing that ideal instead. and this is the price he has to pay: his crew wants to leave with zheng and she humiliates him in public and kicks his ass (very cool, girl). every trick he tries to pull fails, like a wizard that's been cut off from his magic.

it's not until he's reorganized his priorities the next morning and he's back to being stede that things turn around for him (but not until he's near ed again, zheng still has to rescue him from the two british soldiers he tries to ambush). and even then he's not a perfect fighter, can fend for himself but needs help to pull his sword out of that one guy so he can run towards ed. and it's so important that he needs help and that he gets it. it's been stede against the world his whole life, and now he finally has allies and friends and a lover who will support him and fight for him.

#hello????? I'm crying again if you care #ofmd #ofmd meta #stede bonnet #alex watches ofmd #i love this bitch!!!!!

[probablyhuntersmom]

The contrast is so poignant when it comes to Belos isolating Hunter for years and instilling the fear of wild magic, versus Hunter's future in carving palismen to connect with nature and with others.

We have his signature gloves as part of all his outfits before he went to the human realm, representative of that isolation and fear: Belos wanting to keep 'Caleb' to himself, wanting to prevent Hunter from forging connections and thus finding freedom. The gloves come off once Hunter has room to create and experiment and explore.

During the many many months in between him beginning to learn the palismen-carving craft and us seeing him mastering it in the epilogue, there would've been many setbacks. Many cuts and splinters via mistakes (thus, more wounds and scars...small, but numerous) and bandages on his hands, like what happened with the sewing needle. Thus, many times when he was reminded of what happened with his best friend. I can imagine that on the more difficult days of learning under Dell, remorse and horrible memories eating into him, he'd be more at risk of leaving more cuts because it would be harder to focus. There would've been days where he got close to giving up.

In his arc, this changed everything:

He was found by a free-spirited, strong-willed palisman.

This was when things began to be truly dangerous:

but by then he gathered enough courage to finally question Belos directly.

What a high price to pay. Recovery from trauma is certainly that way in real life too. But it led him on that path towards transformation, towards what he truly wanted.

In his old life, he'd point a staff at others to intimidate, to instill fear, and be Belos's instrument in furthering a cause that Hunter didn't truly support.

In the future, he generously gives palismen to others from the heart, via new creations made with his own hands, to bring more love, connection and wonder into the world. Letting others live out their truth via the bonds forged with their new palismen, the same kind of truth he himself had to fight so hard for.

If we rewind back to what the Bat Queen said in Hunting Palismen:

contrast that with this point in Hunter's arc:

Still blocked and numbed out from fully experiencing the worst thing he had ever been through: being possessed and in that process, slaying Flapjack.

Willow and Gus had just began to reach that vulnerability within him, moving him with their love and support (which is why the anger he had for around 2/3 of For the Future began to subside).

But it wasn't enough.

In the finale, he gets some temporary respite and relief:

But I believe the real gruelling work was to begin beyond this exact point:

More vulnerability ahead, to pave the way for healing.

Putting the scene of him looking at the old Flyer Derby photo (in For the Future) next to the scene where the Bat Queen sums up what palismen are all about...it indicates to me how steep the climb would be to connect with the full range of his emotions and memories, which parallels his development under Dell's mentorship. To bring some beauty out of that horror he has endured. To bring about the conviction that yes, he deserved Flapjack's gift, from Flapjack's sacrifice.

It would've been years before he would confidently and effortlessly rest in the truth of who he really is, and who he would like to be (remember his "Even if I'm not who I'm supposed to be, I like who I am right now" in front of the mirror, right before getting possessed?).

Liberating himself from enmeshment with his violent abuser and that old life, a process he'd have to repeat again and again even beyond Belos's death. Changing that narrative of "supposed to":

into freely choosing the person he would like to become after Flapjack granted him love and literal life. We receive the one clue that he wanted to freely choose, as early as this scene:

When it comes to palismen, we have "emotion" and "conviction" and also the deepest wishes that witches have in their hearts.

For emotion to flow freely, there must be vulnerability, generosity and love: Hunter integrating even the most difficult emotions into his story.

For him to grow into acceptance of his future major role, it would have involved wrestling with many questions to reach that place of conviction.

#whoops I got emotional. again. now you guys get this #the owl house #toh hunter #palismen #the bat queen #loz writes a meta

[orchideous-nox]

The Amazing Devil are underrated storytellers

Like I'm sure many people did, I discovered alt-folk band The Amazing Devil through Joey Batey as a fan of The Witcher. Someone on TikTok was talking about the song Fair and how the actor who plays Jaskier (or Dandelion, depending on preference of material) from The Witcher sang it.

Instantly, I knew I had to listen to this song and I sat with it on repeat for an hour, picking through references and laughing at how pure and simple the love conveyed in those words was. It's the kind of love you dream of, where your partner completes you and life without them seems impossible. A love that goes beyond you both, as if there was no choice but to fall for one another. It's not pretentious or impossible to understand. It's universal and I fell in love with it.

Months later, I found Battle Cries, a song of overlapping whimsies. It tells the tale of two lovers ending their relationship and trying to find pieces of calmness in the uproar of their breakup, comparing it to a war not just between each other but within themselves. There a metaphors deeply woven within the lyrics and each line is magic as Joey and Madeleine sing over each other, words occasionally syncing up, representing the way they struggle to feel in tune with each other at the end of their relationship.

Battle Cries lead me to Marbles, the story of a couple where one of them is suffering from memory loss, the trials and tribulations of watching the person you love forget who they are and who you are too. It is a beautifully told story that feels so genuine, making me wonder how close to home the inspiration was. This song is an absolute guarantee at tears while also making you laugh.

Ruin came to me next, as wells as Drinking Song for the Socially Anxious and The Horrors and The Wild, three songs with such incredibly different vibes that don't just need to be listened to but thoroughly devoured.

Finally, a song I can never praise enough, Inkpot Gods. This song brings together so many ideas and images I love. Again, it is heavy on its use of metaphors but contains one of my favourite references they have ever used. The song discusses the love you can hold for another person and the lengths you will go to so you can protect them. It talks of breaking generational expectations and being there for someone when they can't defend themselves.

The best part of Inkpot Gods, however, is the Lord of the Rings reference where Madeleine sings "you might not fear a man//but to a woman by the end you'll kneel and plead". This is popularly theorised to be about Eowyn in The Return of the King and the line "I am no man" she speaks as she ends her foe's life, a show of her strength not despite of her gender. Easily the best line of the trilogy to me, and hearing it in song form cements this, following it with "I'm more than what my mum told me", breaking this tradition what what a woman can or should be.

While Joey Batey was the draw to The Amazing Devil's music for me, Madeleine has kept me there, she has such a beautiful voice and her and Joey together have made some stunning music that I will always love. They tell these fantastic stories within a few minutes, creating characters worthy of epic tales and narratives so deep and complex it leaves you thinking for long after.

#the amazing devil #joey batey #madeleine hyland #the witcher #jaskier #music #music analysis #eowyn #lord of the rings #return of the king

[saccharinescorpion]

4 Things You Can Try Now That You’ve Read THIS IS HOW YOU LOSE THE TIME WAR

(technically 5 things)

Mabel - a podcast by Becca De La Rosa and Maybell Marten.

Anna Limón is a home help worker currently looking after the elderly Sally Martin. When Sally has a bizarre and frightening reaction to a box of letters Anna finds in her attic one day, Anna attempts to seek answers by contacting Sally’s only known living relative: Mabel Martin.

“A podcast about ghosts, family secrets, strange houses, and missed connections,” Mabel is a story that is difficult to describe, but one of the most important points is that the vast majority of it is an epistolary narrative between Anna and Mabel, just like how This Is How You Lose The Time War is an epistolary narrative between Red and Blue. It also has a very distinct writing style- dramatic, flowery, and a little bit intimidating. However, if you loved the writing style of TIHYLTTW, I personally think that Mabel is a perfect match for you.

And I’m not just saying that because Mabel is a story about two extremely overdramatic women who are somehow both frighteningly caustic yet almost adorably useless.

The Honey Month - a book by Amal El-Mohtar 

I certainly hope I don’t have to tell you this, but Amal El-Mohtar is one of the authors of This Is How You Lose The Time War, and The Honey Month is a short book she wrote several years ago.

The Honey Month is almost more of an experiment than a book- in its introduction, a friend of El-Mohtar explains how she sent her several small samples of honey, leading El-Mohtar to use the gift as in a unique way. For one February, every day she used a different vial of honey as inspiration for a small piece of writing.

The Honey Month contains 28 short pieces of writing, poetry, prose, and some things in between. It’s a small book full of things with big impact, and contains the lyrical yet meaty writing I enjoyed from El-Mohtar in TIHYLTTW.

Otherside Picnic (裏世界ピクニック) - A series of novels by Iori Miyazawa (illustrated by Shirakaba)

College sophomore Sorawo Kamikoshi longs to find an escape from other people, and in trying to find it discovers the Otherside, a strangely beautiful yet unfathomably dangerous parallel world inhabited by the-once-fictional creatures she knows from net lore. She also meets Toriko Nishina, another young woman with a knowledge of firearms and a desire to find her missing mentor. Together, these two girls explore the Otherside and find themselves changing little by little, both due to their adventures, but also due to their relationship with each other.

If you know me you probably aren’t surprised at this reccomendation. Otherside Picnic is a truly odd beast- it’s sci-fi, it’s horror, it’s comedy, it’s yuri. It’s about trauma, it’s about Japanese creepypasta, it’s about useless lesbians, and it’s about how the scariest thing of all is being vulnerable with another human being. I think fans of  This Is How You Lose The Time War  will enjoy it- Otherside Picnic’s writing style will likely feel almost spartan compared to TIHYLTTW, but in my opinion there’s a similar level of poetry in it. There’s also a similar level of women who are “badass” yet kind of messes. You’ve heard of “Enemies to Lovers,” get ready for “Accomplices to Lovers”!

(there’s also a manga adaptation by Eita Mizuno, as well as an anime adaptation directed by Takuya Sato)

The Handmaiden (아가씨) - a movie directed by Park Chan-wook (written by Park and Chung Seo-kyung, based on the novel Fingersmith by Sarah Waters)

In Japan-occupied Korea, the pickpocket Sook-hee is recruited by a con-man to aide him in his scam of a Japanese heiress, Lady Hideko. While the con-man poses as “Count Fujiwara” and woos Hideko, Sook-hee will play the part of her maid and subtly push the heiress towards him. But as time passes, Sook-hee begins to realize there are things occuring in the mansion that are even more sinister than her and the Count’s scheme, and there is much, much more to Hideko than meets the eye.

This is a list of recommendations for “people who have finished “This Is How You Lose The Time War,” but I try to recommend The Handmaiden to as many people as I possibly can. I’ve described it in the past as the cinematic equivalent of running a marathon: with a 144 minute runtime full of gorgeous direction and set design, dark machinations, twisted yet romantic writing, often troubling themes, and so, so many plot twists, it’s a movie that nearly feels like too much of a good thing. But for fans of TIHYLTTW, I’m sure what will intrigue you most is the relationship between the two main characters, one so complicated that “Enemies to Lovers” can’t hope to capture the roiling feelings of pity, guilt, hatred, desire, annoyance, sympathy, and everything in between. 

It’s also just really hot.

The Handmaiden is a movie that is best enjoyed going in knowing as little as possible. That said, it is also a story with dark and often upsetting themes that are absolutely crucial to its narrative. If you are concerned about that statement,  I reccomend looking at the movies’ entry on DoesTheDogDie, which I have looked at and found to be a pretty comprehesive list of content warnings that can be examined in a way that doesn’t spoil the twists of the story.

Fingersmith - a novel by Sarah Waters

I’m sorry, I’m sorry, I swear I’m going to get around to it!! I can’t technically recommend the book that inspired The Handmaiden since I haven’t read it yet, but I have at least one friend whose opinion I trust who sings its praises, so it’s good enough for me. Besides, if the recent popularity of This Is How You Lose The Time War has showed us anything, it’s that people constantly crave stories about complicated women, so it certainly can’t hurt, right?

#this is how you lose the time war #max gladstone #the honey month #amal el mohtar #the handmaiden #fingersmith #mabel #mabel podcast #otherside picnic #tihylttw #trigun #bigolas dickolas wolfwood #yuri #gl #sapphic #wlw #lesbian

[arkhamjack]

CW for gore and suicidal ideation (TriMax Vol. 7) also Spoiler warning!

EDIT: I am a drama queen and just assume a lot of Trimax readers misinterpreted this scene bc I saw like only two people do it but I’m also using this as an excuse to yap about Vash and Knives’ personalities bc it was super interesting in this volume ok byyeee read on:

Is it just me or is the majority of the fandom under the impression that it was Knives who stabbed Rem?? Because it was actually Vash. Which I think says a lot about their actual personalities vs how the fandom perceives them.

Analysis under the cut!

In classic Nightow fashion, it's hard to figure out wtf is going on and you gotta read over it multiple times, but look:

After the discovery of Tesla, Knives faints and is placed in a little incubator thing or whatever and Vash laments the fact he remained awake to mull over the horrors. From this point on, Knives is not in the picture bc he's busy honk mimimi (which is actually something he employs as a coping mechanism throughout the story... his precious beauty sleep...)

Now, Vash is refusing to eat and lashes out at Rem, expressing his disdain for being stuck on a spaceship with all these nasty humans.

Rem once again tries to get Vash to eat, peeling him a fruit.

Vash lunges for the knife and attempts to stab himself, but Rem stops him.

Vash is locked in a reactive state - he's in shock and acting out. This is where I think ppl miss the mark in interpreting the twins and why Vol. 7 is so important.

Vash can actually be nasty as hell. He ain't all that babygirl. His silly goofy facade is a way of integrating himself into the human world sure - but it's also lying to himself. He's impulsive, stubborn, and dare I say arrogant with his Messianic martyr type shit. (EDIT: I’m being a bit harsh here… I mean yeah he’s the only person on Gunsmoke who’s got a chance against Knives but like getting up in townspeople’s business gets really annoying imo like I understand why he does it but man…that’s why we’ve got Wolfwood bc narrative foil and whatever… anyway)

Knives on the other hand, internalises everything. Though he may appear to be the one who lashes out, and yes of course he's also arrogant, but it's mostly projection. He is in a MAD state of denial. For all his talk of being a superior being, that humans are icky and should all perish, yada yada yada, he actually wishes for love and acceptance - he wants to be safe.

Obviously, his head is too far up his ass to admit it, and he's always too busy tweaking about how annoying Vash is and blaming Rem for everything to actually try and sit down and think of better ways to do things but ANYWAY

(You know who else's head is up their ass? Vash. The twins are actually so alike if you really study them!! Anywayyyy)

That was Knives' whole deal from THE VERY BEGINNING. Knives was the one to cry in relief when Conrad and the crew accepted them, not Vash. Vash was more like "ok cool! life might not be so bad! yipee!" and then Knives had to Big Fall about his internalised plantphobia or whatever etc etc.

I AM GETTING SIDETRACKED !! ok so

The stabbing occurs. Again, hard to tell it's actually occurring bc Nightow, but yeah Vash stabbed Rem. Not Knives! Bro has passed out for a couple days now lol.

More evidence it's Vash - Vash was the one to express feeling suicidal. Knives cannot express anything to save his life bc he's the king of internalisation and deflection and projection lmao. Also yeah he's still eeping.

Oh look! He rises! Completely unaware of the drama that has unfolded! Not that he'd care! He's set on a mission to hurl humanity to the dust bowl of Gunsmoke! Little scamp.

Ok take from all that what you will!

Thanks for reading <3

#trigun #trigun maximum #trimax #millions knives #trigun knives #vash #vash the stampede #trigun vash #trigun rem #rem saverem

[immediatebreakfast]

A lot of things happened today, a lot of horrible things. A full circus of errors orchestrated by the narrative to serve the high end of tragedy. Everything thrown to this poor young lady who just wanted to get married, and live happily.

And yet it's incredible to read how Dracula practically organized the worst way possible to deliver the last blow to poor Lucy.

Every action, and horrible moment translates into a domino effect that traps Lucy in her own house, surrounded by death, and then utterly alone.

Dracula is merciless as we have known. The poor mother with the wolves, those babies only knowing pain and then death, even the Weird Sisters as horrible as they were are subjected to this man's orders and treatment. Plus, all of the locals of Transylvania being terrorized for centuries.

Then it comes Jonathan, and now Lucy.

All of Dracula's actions feel full of rage. Rage of being foiled, of seeing how his target keeps on living despite being utterly drained of blood two separate times. He was capricious with Lucy in Whitby by capturing her nightmares as he drank in leisure, but now it became about power over a life.

"but I did not fear to go to sleep again, although the boughs or bats or something napped almost angrily against the window-panes." - Lucy Westenra.

Our dear Lucy doesn't fear the nightmares anymore, she doesn't fear the darkness, nor is worried about the fog inside her head ordering to do things that cause her harm because Lucy is now surrounded by love, by medicine, by people that care about her.

She knows about the horrors, about the nightmares, about the harm that has been inflicted upon her. However, lucy doesn't fear that anymore, with her beautiful garlic wreath around her neck, healthy, and clear of mind she doesn't fear.

And what happens when it's clear to Dracula that Lucy doesn't fear his power?

"I went to the window and looked out, but could see nothing, except a big bat, which had evidently been buffeting its wings against the window."

This single moment, this tiny moment of simply looking at Dracula directly, it's probably the drop that made the glass explode. This is all speculation of course, but just imagine the miriad of emotions, questions, and decisions that traveled through Dracula's brain in that single moment.

The girl, not dead, full of life, eyes as clear as the morning sky, with a wreath of garlic flowers (mountain ash to repel) around her neck looking right at him without a shred of fear... those wretched peasants arming themselves with their knowledge thinking that they could survive him. The young solicitor with the crucifix, denying him of what is rightfully his, and striking him down with a simple shovel.

What does she deserve after this? Death. Death to her mother, death to her loved ones, death to herself... or maybe something worse.

This ancient evil got so angry that this young lady was holding so much to her life that he orchestrated a living nightmare to kill her.

Because who is this mortal human to deny the orders of a lord defeating time itself?

#He straight up exploded #If Lucy not dying when he tries to kill her made him boil in rage #I don't want to know what would have happened if the Count had decided to pursue Jonathan #dracula daily #dracula #count dracula #lucy westenra

[sassydefendorflower]

People love to compare Roy and Bradley or Ling and Wrath, but I think there is a special beauty in the narrative parallels between Riza and Winry.

Because these woman manage to break out of the Shounen mold in a way that reaches beyond the Strong Female Character trope and quickly secures itself as... good character writing. Period.

And they do so in a very clever way. Someone else on here once pointed out that Hughes/Mustang/Hawkeye are the trio that runs parallel to Ed/Al/Winry and while they aren't narrative foils to each other - at least not in the way many of the other characters are - they do present a similar function within the story. The three young people who went on an adventure. Only Hughes died and Riza and Roy were permanently altered - and Ed, Al, and Winry got a chance to save the world.

But especially when it comes to Riza and Winry there is something more to the comparison. Especially when it comes down to the choices they made.

But why are Riza and Winry more interesting?

Because when Roy recruits Ed and Al, Riza tells Winry that she followed Roy into the military because she had someone to protect - and this - in other stories - would clearly be a setup for Winry later following Ed and Al into the military to "protect" them. A direct parallel between the two "girls" in a Shounen trio. We've all seen it before.

And I think we see Winry play with that thought when she sticks around Central with them after her first apprenticeship in Rush Valley - she tries to be the third girl to Ed and Al's action duo… but it doesn't work out.

She - strong, clever, genius, confidant Winry Rockbell - suddenly feels weak. Because she can't punch danger away from Ed. She can't repair Al's scratches and dents. She can't kill Scar to save her friends and avenge her family. She can't learn how to shoot and kill just to protect her friends - no, that's not quite correct, is it? She won't. She won't learn how to kill.

And that sucks. Because Winry isn't used to feeling like that, so lost and insecure, at least not constantly. Yeah, when Ed and Al are away, she worries, and that's part of the reason why she tried to join in, but that is nothing compared to the powerlessness she's facing now. Maybe she would worry less if she could be there when they fight, if she could protect them like Riza does with Mustang… but that's just not who she is.

Her job isn't to protect Ed and Al - her job is to give people arms and legs and good costumer service. I really like that scene/episode (23, me thinks) where she gets a phone call from Rush Valley and all these people ask for her to come back. Because Yes, Ed telling her thanks for helping him is VERY important for her character… and yet I think this phone call is the moment Winry realizes that she's not Riza. That she won't take a gun into her hands and kill for Ed and Al.

She will never be Armstrong or Hawkeye or even Izumi… she will be Winry Rockbell, automail engineer and genius.

And that's the reason why only she could have pulled Scar on their side. Because she chose healing over killing - her telling Scar in Baschool that she'd save his life because her parents would want her to honor their choice? That was Winry following the deeper themes of the show, by adding positive energy to the flow of the universe.

Riza saving Scar? Wouldn't have worked (why would he listen to the woman with a gun in her hands?). Armstrong helping Scar? Wouldn't have happened (what reason would General Armstrong have at this point to spare a murderer?). Mei saving Scar? Would have ended with the Ed/Marcoh/Scar/Al alliance falling apart (it is so much easier to fall apart if no one has been forced to see past the horror yet).

And it's not because these characters were even a touch less well written than Winry - if anything it showcases how unique all of the female characters in FMA were/are.

In this we find Riza again - because Riza chose differently than Winry. She followed Roy into the military, she learned and perfected how to shoot and kill. Their narratives mirror each other - Ed carefully prying a gun out of Winry's hands so she doesn't kill, only to give Riza a bloody gun a few episodes later, knowing she will clean it and use it to kill.

When Riza tells us that she has lost the right to feel squeamish about killing because of often she'd pulled the trigger, she is Winry's foil - Winry who was stopped before she could make a similar choice.

And it's not just that, is it?

Riza let her hair grow because a young Winry Rockbell had long hair and seemed to like it - and Riza needed a change after coming back from Ishval.

Winry got her ears pierced because the strong Lieutenant visiting them had looked cool (and because she needed a place for all of Ed's little gifts) - and Winry needed something steadfast, now that her friends were growing up.

There's just something about the two of them, so similar, so loyal and stubborn and full of love, that fascinates me. Because at every turn they make a different choice, at each turn one walks deeper into hell and the other chooses healing - and yet, while they couldn't be more different, they also couldn't be any closer.

I can't imagine how glad Riza was, when she realized Winry hadn't followed Ed and Al into the military.

I can only guess how happy Winry was, when she saw Riza follow Mustang further if only to make sure the future actually changed.

A mirror doesn't have to be a perfect thing, and if anything I think that is on purpose.

#fma #winry rockbell #riza hawkeye #fma meta #edward elric #roy mustang #royai #fullmetal alchemist #fullmetal alchemist brotherhood #fmab #a meta for the girls #because so much of the meta analysis i see about them #boils down to Strong Female Character #and i think we can do better than that #so lets talk about parallels