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#ah a recap of a recap episode
m-once-oon · 8 months
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Twinkling Watermelon Ep 6 Recap
There is a montage of Cheong Ah’s childhood and how she came to like Yi Chan. Its extremely sweet, and to me, extremely insightful. It might seem redundant to say, but I never realised how alone someone like Cheong Ah could be. The classroom scene where she looks up to see her classmates laughing (all in silence to her and us) was impactful.
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On to a montage of the band mates and Se Kyeong in a theme park. I love how respective the band mates are hahaha. I doubt this would have been the reality in 90s South Korea, but lets take this sweet moment of alliance.
I also love this little moment Eun Gyeol and Se Kyeong have. Its a reversal (a subversion?) on most love triangles where the expectation is two boys fight over a girl, but there a reversal with the initial assumption that Eun Gyeol likes Yi Chan, and now the assumption that Eun Gyeol likes Se Kyeong as in most such triangles.
Eun Gyeol is right to say that the band shouldn’t be at Se Kyeong’s whims but also why not change to an easier, more manageable song? He’s trying so hard to put out this relationship when it's likely that it will end by itself.
So there was a contestant that was supposed to receive the shock, in place of Eun Gyeol. Who was that? Yi Chan? And again, we are left on a cliffhanger :(
The flood that Cheong Ah talked about - could it be this? Why did her mother leave her to a woman who wouldn’t be kind to her?
But I think we got our first clue as to the series’ name - the watermelon keychain of Cheong Ah? I have a post saying that the name is dumb, but I think its so cute, also in the world of kdramas with very generic names, this imagery is so integral for this story.
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dilsdelights · 2 years
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i accidentally didnt watch the episode and now i5s 830.
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stone-stars · 2 months
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in which murph has a very normal time at the hands of his players
Transcript:
Murph: Wel-come back to Bahumia everybody! [Jake, Emily, and Caldwell echo him with "Bahumia!". Caldwell sounds incredibly enthusiastic.] Murph: He's so excited! Caldwell Tanner, thanks for being here. Caldwell: Ye-ah! Murph: It's not your turn yet, dude! Caldwell: I'm so sorry sir! Murph: Okay? I'm your Dungeon Master Brian Murphy, joined by Jake Hurwitz-- Caldwell: Bahumia! Jake: [laughs] Hey! Dude! Murph: Caldwell! Caldwell: Sorry! Emily: [laughs] Bahumia! Bahumia! Jake: I'm trying to rhyme, man! Murph: Quit stepping on him with your enthusiasm! Caldwell: I'm just so ready to go! Emily: Bahumia! Jake: I worked really hard on this. I di-- [sighs] well forget it. Fuckin' forget it. Murph: No you gotta! Emily: Bahumia! [Overlapping crosstalk as Caldwell and Murph encourage Jake.] Caldwell: You've got this. Murph: You got this. Jake, go ahead, don't let these two enthusiasms get in your way, alright? Jake: Yeah. Alright, no, yeah. I got this. I got this. Yeah. Caldwell: Whoo! He's got this! Jake: Fighting alongside-- Caldwell: You've got this man! Do it! Murph: Stop! You have to stop! Jake: I know I got it! I'm doin' it! (Calder voice) Fighting alongside a frog and a bard with my brand new sword, Shard. [Emily and Caldwell laugh.] Murph: Yeah! Pretty good. I do feel like we built it up though, at a certain point. And there was just-- there was no way you could fully deliver. Jake: Yeah. It would've been perfect if I got it out clean right up top as soon as you introed. Murph: Yeah, if we did a super low energy intro. [Jake: M-hm. Yeah.] Caldwell: I think it was great man, I think it was amazing, I can't wait to hear it again! Murph: Who is this person. And then of course we've got Emily Axford-- Emily: Bahumia! [Everyone laughs. The others continue laughing harder as Murph talks.] Murph: Ohh. Okay?? That's the name of the world. Her character's name is Calliope Petrichor. If for some reason episode 57 of campaign 3 is the first thing you've listened to. That's Emily Axford. (laughing) She plays Calliope Petrichor. She did say before we started, I think almost as a counter-bit to Emily's bit, before we started (laughing) Emily said "I'm not gonna do a rhyme I don't feel like it." And I said "wild energy to bring into the episode!" so Caldwell went the opposite and went overenthusiastic. They're just fucking with me! Everything we do is just an inside joke to make me upset. Caldwell: And now you're caught up! Murph: Yeah, and now we're caught up. Caldwell: Bahumia! Murph: And-- [laughs] and Bahumia. And-- Uh, and then of course we've got Caldwell Tanner-- Jake: (yelling) Bahumia! Emily: Yeah!!! Jake's in on it!! Caldwell: See, it feels good! It feels good. Murph: Okay. Caldwell Tanner, of course, plays Sol-- Caldwell: Ohhh, Sol Bufo [Murph: Okay.] I'm feeling fine, just found out I'm two of a kind, [Emily: ooh!] and now I'm gonna go and find out if Swag's still alive. I'm really trying to thrive here. Bahumia. [The others laugh. As they talk, Caldwell laughs too.] Murph: You lost me. But you had me for a moment. And that's more that can be said for the other guys. Jake: Wow. Emily: Bahumia. Murph: [laughs] Bahumia. Jake: Bahumia, guys. Murph: Sure. Hey guys, Bahumia. We did it. We did it everyone. Alright? Everyone settle. Settle? Okay?
[The others sigh as if relaxing, and chorus "yeah."] Murph: Ready? Alright. Let's do-- let's do-- Caldwell: Eldermourne. Murph: Not the right campaign. Not the correct campaign. Caldwell: Shit, sorry. Murph: Let's go ahead and do a little-- [laughs as Emily interrupts him] recap-- Emily: That's Calliope's middle name. [Everyone laughing.] Murph: (through laughter) Shut. The fuck up. Everyone. Alright. [Pause as everyone continues to laugh.] Jake: S-- sorry. Murph: So last time, you left Calder's home to pursue Gowan to the Ice Knife, but received a call from Albin along the way-- [laughs] Shut up, dude. Jake: Bahumia. Bahumia. [Everyone laughs.] Murph: This is precious information! Jake: Bahumia! Emily: Bahumia! Bahumia. Caldwell: (exaggerated) Bahumia! Murph: Yeah, okay. You guys are like pokemon now? [The others laugh.] Okay. Alright. Worst bit ever. Okay. [Jake: Bahumia] You recieved a message from Albin--
Murph: -- You were greeted by a ghostly message in the ice that said Friends… Murph and Emily: Betray! Emily: I remember! Murph: You remember. Good job, Em. Jake: Holy shit. She's back. Murph: You get a sticker. Emily: I wrote it in my notebook. Murph: Very good! [Emily: Yeah, yeah, yeah.] That almost makes up to your behavior for the first three minutes of the show [The others laugh.]
Murph: And that's where we are now. Caldwell: Alright! All my real betrayal heads get ready! Emily: Yeah! Caldwell: This is where it starts! Murph: [laughs] Shut up. All of you. [Everyone laughs.] Caldwell: (through laughter) I can't. I have to talk for another hour at least. I'm so sorry. Murph: It's all good. Alright. So--
Murph: Sweet, well we'll talk more about this over on our Patreon. That's patreon.com/naddpod that's N-A-D-D-P-O-D-don't sing yet-- [Emily and Jake start to sing "We"] Caldwell: Bahumia! Murph: Yeah, remember that. [laughs] D-- Do you guys remember that? Uh-- Emily: Bahumia! Caldwell: What are you talking about, man? Murph: Bahumia! Does anyone else have anything they'd like to plug? Emily: Bahumia! Murph: Bahumia, yeah. Jake: Oh, yeah, I would love to plug Bahumia. Murph: Yeah. Check it out. Campaign 1, campaign 3. Caldwell: The world. Emily: Oh! [Murph: uh-huh] Uh, actually can I plug Bahumia? Murph: Great. Really good job, guys. Awesome. Caldwell: It's an incredible world. Incredible place. [Murph: yep!] Check out all of the incredible environs there. Murph: Yeah. Check it out. Uh- You can follow us on, uh-- Emily: Bahumia. Murph: You can follow us on social media that we may or may not use. @ chmurph's me, @ caldy's Caldwell, @ eaxford's Emily-- [Emily: @ bahumia] -- @ jakehurwitz is Jake-- Jake: I'm actually-- I'm actually @ bahumia. Murph: Follow our campaigns on Bahumia-- Emily: I'm also @ bahumia. Murph: I don't think you are. And you can tweet about the show using #naddpod that's N-A-D-D-P-O-D. [They sing "We are, We are" as the audio fades out, but Caldwell and Jake replace the words with "Bahumia"]
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outlanderfandomfollies · 10 months
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MIK s2e2: MĀORI CULTURE: Sam recalls some poignant moments when he gets a Māori "moko"
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After reading a post about a TV Line recap of MIK episode 202, I decided to watch this episode about Māori culture for myself. I was touched by the scenes where Sam and Graham each tell their stories in the process of getting a nonpermanent version of a "moko" (or tā moko), a deeply meaningful form of tattoo in the Māori culture.
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Tā moko artist Hohua Mohi explains that someone who wants a moko will "sit down for a good hour" and start talking about some part of their life that is meaningful, like their family, where they came from, etc. As they are talking, the moko artist is drawing, and consequently, every moko is unique and very personal.
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The Story Behind Sam's Moko
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SAM: Well my dad left, when I was, uh, very young, three years old, so I didn't--I didn't know him at all. HOHUA: Yeah. SAM: I actually didn't know his name.
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SAM: And uh, my mum brought me up with my elder brother in the south of Scotland. She's--she's been very, very strong my whole life. And she struggled, I think, to look after two young boys.
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SAM: Um, and it probably wasn't until I was… mid-20s that I finally, uh, met my dad. And, actually, very recently, I got to see him just before he died, which was uh, incredible, just to learn about him and his life.
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SAM: And, uh, we spent a few days together. I work a lot, and I'm very fortunate. But I always put it first. So I guess, uh, relationships are difficult.
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Sam's Moko Explained and Revealed
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HOHUA: So, if you look at it, it talks about your--your father. It talks about your dad and then your brother in here. This manaia here represents your mum. And so it's obviously facing upwards. SAM: Yeah. HOHUA: I've been giving you advice. SAM: Ah, so she's been giving me advice, mm.
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HOHUA: And if you look at it, rather than just follow a single line, all of these colors, they branch off, they branch off, they branch off. SAM: Yeah, yeah. HOHUA: And it was-- They came from you talking about how you wanted-- ultimately, you know, you don't know whether or not you're gonna settle down there, but you- you want to go and see the world. SAM: Somewhere else, yeah, yeah. HOHUA: So that's what--that's what this will remind you of. You know? SAM: Different branches.
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HOHUA: Yeah, but also, no matter which way you branch off, never forget where... [speaking native language] SAM: Wow. HOHUA: Hmm. SAM: My friend. [shakes hand] So beautiful. GRAHAM: That is really-- SAM: Thank you so much. GRAHAM: It's pretty. SAM: Isn't that awesome?
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SAM: A strange experience as well. GRAHAM: A unique experience. SAM: Yeah, just also very personal. It felt like going to therapy a little bit. GRAHAM: Yeah. SAM: But, uh, very, very honored. GRAHAM: Yeah. Yeah. Really, thank you so much.
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Being a therapist myself, it seemed to me that the process of getting a moko is very much a therapeutic experience. The person getting a moko focuses inwardly and shares important parts of their past that define who they are. The moko artist appears not to be judgmental and listens at a deep level. Then the artist presents the moko, which is a visual symbol of something very unique about the person. And they also give verbal feedback to the person about what they have understood to be the essence of their story.
Sounds like a "therapeutic" encounter to me!
[edited]
___________ NOTE: Images of Sam's moko were enhanced for clarity and to accentuate the colors. Thanks @thetruthwilloutsworld for making the TV Line Recap post. I'd never watched any episode of MIK before. I'm glad I watched this episode. I enjoyed learning about Māori culture, as well as finding out more about Sam's and Graham's personal backgrounds.
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it-happened-one-fic · 2 months
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Congrats on your milestone! I'll put in a request. I chose Twisted Wonderland, a courtly drama and a tome falling apart to reveal its yellowing pages.
Good luck on your writing and I'll see you at your next milestone!
Thank you so much for the congratulations! I was so excited to see your name pop up in my inbox! It’s always so lovely to see anything about you in my notifications and to read your comments. I ended up writing this fic while listening to “For the Love of a Princess” from the Braveheart OST and, fair warning, I played a bit with accents which might be one of the reasons this fic ended up quite so long. I hope you enjoy your tale!
600 Followers Event!
Underneath the Highland Moon - Silver
Type: Gender Neutral reader/ Fluff/ romance implied/ 600 follower event/ courtly drama & A tome whose binding is slowly unraveling as the cover attempts to fall away and reveal the yellowed pages beyond/ isekai
Word Count: 3419
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I was barely able to react as the light flashed up brilliantly from all around. Blinding me as I dropped the weighty book from my hands in favor of shielding my eyes.
Distantly, I remembered Trein saying something about how books could be enchanted, and I almost cursed myself for being quite so foolish. To be fair, though, thus far all of the books I’d encountered in Twisted Wonderland had just been normal books.
But if the flash of light hadn’t been enough evidence of the less than average nature of this book, then the sinking feeling followed by utter darkness was.
And when I opened my eyes, I was no longer in NRC’s library.
Instead, I was lying in a plush, four-poster bed that had curtains hanging all around it. And was utterly covered in thick quilts with spiraling celtic patterns.
I blinked, immediately frowning as I sat up, sending rich fabrics everywhere with my motions as I heard a woman’s voice speak from beyond the curtains in a thick, undoubtedly Scottish accent, “Ma liege?”
I reached over, pulling back a curtain, only to find myself peering out at a young woman who was quite obviously dressed as a maid, with her plain dark dress and white apron decorated lightly with pale green embroidery in the corners. 
I stared at her, my eyes widening as she smiled sweetly back at me, “Ah, good. Yer up. Today is th‘day th’knight sent by th’royal family is coming.”
“The knight?” I faintly echoed her words as my eyes darted around the lavishly decorated but wholly unfamiliar room.
But, somehow, in some way, I knew exactly where I was.
This was my room. But it was also the room of the oldest child of a noble family connected to an ancient clan. And that person’s memories were wholly unfamiliar, but also bouncing around in the back of my head like a poorly buffered last-episode recap.
“Aye, ye know, th’wan th’royal family ha’ sent to keep ye safe? Come noo, ye must finish waking up so we can get ye ready! Ye’ll want to look yer best with yer history wi’ him after all!”
I was tugged out of the massive bed, stumbling to my feet as the maid pulled me along and sat me down, chattering away all the while as if all was as it should be, “ ‘At Duke is also coming today. I bet e’ll be right surprised to see a knight here to keep ye safe! It’ll probably ruin whatever schemes he’s cooking up in ‘at nasty old head of his.”
Slowly, the pieces began to fall into place as I dimly recalled more of Trein’s words from class: “For a period, there was an entire genre of enchanted books that were particularly popular simply because they allowed readers to live out and experience stories in real time. The book would pull you and perhaps a companion, if they were close enough, into the story itself and assign roles.”
I all but grimaced as memories came flooding back of the ancient-looking, painfully large tome of a book whose binding had been slowly unraveling when  I’d picked it up simply to snicker at its title while also wondering how such a book had ended up in a school library of all places.
‘Underneath the Highland Moon.’ It had doubtlessly been a romance of the particularly tropey variety.
It made sense for it to be at the school if it were a magical book, though. It was probably something that had been purchased for some form of test or experiment.
But now, through pure chance, or perhaps bad luck, I’d found myself transported into yet another world. But this time it was one within a book where I was apparently filling the role of a landed noble whom the royal family wanted to keep safe for inexplicable reasons that probably had some form of plot relevance.
And, if I had to make a guess, this knight was probably supposed to be my character’s love interest. A thought that had me grimacing.
But I had greater concerns to deal with beyond the appearance of a love interest. Namely, how I was going to get out of this book.
I hadn’t questioned Professor Trein about the specifics of the enchanted books, but if I recalled correctly, there was something to do with the plot of the story. Like it had to be completed, interrupted, or something along those lines.
“Ye just aren’t yerself this morning. Are ye feeling weel?” I blinked, snapping myself back into the moment as I glanced at the maid, who was eyeing me worriedly.
Now that I really looked at her, she might actually be the main character of this story. She certainly could fit the part with her sweet face, but with the amount of backstory that was flitting around in my mind and clogging my thoughts, the character I was subbing for had to be important.
Either way, though, I could tell the maid was genuinely worried, and if these character’s memories were anything to go by, we were close.
I shook my head, pasting on a reassuring smile, “I’m just distracted…. Why do you suppose the royal family has sent us a knight anyway? I would think they would want to keep all of their people closer than that…”
I trailed off, hoping to glean more information about the plot of the story I was in.
The maid smiled, almost sympathetically as she nodded, “Thought ‘at might be on yer mind.”
She sat down next to me, her hands taking one of mine into hers as she twisted to face me, “What with ye being the last member of yer clan and wan of the few nobles to hev come from a clan, Yer important to this country. I’ll bet that the royal family recognizes ‘at.”
I blinked at her words, that so perfectly matched my backstory information but also sounded disappointingly like the backstory of a main character.
Her gaze swiftly turned frigid though, and I felt myself tensing before she continued in a far colder tone than before, “But ‘at’s also why so many are after ye. For the power ye hold.”
She shook her head before straightening in a huff, “Lek ‘at Duke. But he won’t be able to do anything. No’ with ye having a knight of yer very own.”
Her tone was so final that I barely had any words. Especially not after the lengthy exposition she’d just given me about my entire situation in this book.
And I stayed silent for most of the rest of the time she bustled around, adjusting my clothes and cooing reassurances that all would be well now that the knight was coming and that I had absolutely nothing to worry about.
By the time I finally escaped what had felt like dressing room hell I was both up to date on my situation and exasperated with the plot of this book.
Evidently enough, I was supposed to be a shrinking violet who’d already been kidnapped once and held for ransom.
For reasons unknown, the royal family had, inexplicably, taken action and had been rescued before declaring that the situation was far-too risky to be left as it was and that they were going to send a knight to guard me.
Even as I went down the massive flight of stairs with my maid by my side she continued to coo over my apparent rescuer from that time, “I do hope this knight will be th’same wan who rescued ye. He was so... so…”
I smiled, cutting in before she could utter the word dreamy once more, “Yes, I also think it will be reassuring if it’s the same man.”
She giggled at my words, shaking her head and adjusting her plaid shawl in a manner that almost had me arching an eyebrow at her.
“Ye were quite taken wi’ him, weren’t ye? I dae no’ blame ye, o’ course. He did rescue ye after all,” She was all but beaming at me as I kept the same polite smile on my face.
Oh yes. This knight was definitely going to be the romantic lead of this plot. 
If I were lucky this wouldn’t end up with a love triangle situation. I wasn’t sure if I could handle that along with trying to figure out a way out of this book.
Especially considering my current run of getting out of worlds that I'd randomly been sent too.
Not that I could say that I regretted my time in Twisted Wonderland. I’d grown quite close to the people there. Like Silver, who’d been in the library with me when I’d been sent here.
Everything seemed to come screeching to a halt as I recalled the young man who’d fallen asleep after helping me carry books into the library. 
I’d been about to wake him to show him the book I’d found to see if he’d had any idea as to why such a book would be in the school library when I’d opened the tome and ended up here.
“Ma liege!” I blinked at my maid’s voice, briefly searching the room only to find that she’d moved on ahead of me to peer out the window.
Her eyes were bright as she pointed out the window, bouncing up and down on her toes in a way that had me frowning as I walked towards her.
“It’s him! It’s him! Th’knight who saved ye!” Her voice was pitched higher than it had been in excitement and I hummed. Leaning over to peer out the window and see who this love interest of mine was going to be only to go still. My eyes widening as I look at the knight who came riding up the rocky path on a magnificent, glossy black stead. A perfect opposite to his pale beauty.
I dashed to the side, my hands flying to the door handle as I yanked it open and I rushed out onto the porch right as he reigned the horse to stop.
I could hear my maid behind me shouting my name in surprise, but my eyes stayed on him as his gaze slowly lifted to meet mine.
“Silver,” I barely even whispered his name as I stared at him, neither of us moving as the wind blew. Causing leaves to dance through the air as it toyed with his hair.
And it really was a perfect scene from a historical romance and he dismounted and took only two steps towards me in utter silence before kneeling. One knee hitting the earth as he looked up at me, “I have come to guard and protect you, Y/n.”
I faltered before blinking myself to reality and nodding, “Please, get up. There’s no need for you to kneel like that.”
As I spoke I came off the porch, bending and taking his hands in mine before I straightened. Pulling him up with me and twisting to look back at my maid, “Could you prepare us something to drink?”
It was the first thing I could think of to ask her to do that would send her away and give me some time to confer with Silver.
If I was lucky he would know a way for us to get out of this book since the best I’d come up with so far was to finish the story, which would be difficult considering I had no idea what the plot might be.
Stories like this could get tangled up in their own drama so quickly that it was difficult to predict where this tale might lead us if we were going to have to follow it all the way to its end.
My maid curtseyed before zipping off into the house, and I could hear her giggling all the way. The sound of it making me sigh slightly as I turned to look back at Silver.
His horse was already being led off by a man whom I could only assume was a stablehand.
“Any idea what’s going on?” I questioned him, hopefully only to feel my hopes flag as he shook his head. Utterly calm despite the situation we were in.
“Only that we’re in an enchanted book,” He paused, tilting his head slightly, before he continued, “Do you know anything about the plot we’re in?”
I sighed, turning and heading back into my house, which I now noticed was quite large. In fact, it was probably better to say that I was living on an estate more than anything.
“My character is some sort of noble lady that your character apparently rescued by order of the royal family,” I started in a surprisingly weary tone, but it already felt like it had been a long day even though I’d only just woke up.
“Yes, you’d been kidnapped and were being held for ransom. My character saved yours and brought you back home,” Silver clarified, and I nodded. His story matched the backstory I had received upon waking almost perfectly.
I could only assume he’d also received a backstory for his character.
“And now the royal family has sent you to guard me because of something to do with my character being the ‘last member of my clan and one of the few nobles to have come from a clan.’” I quoted my maid directly as I slipped into what was the sitting room.
“You’re also distantly related to the royal family, which means a lot of people are after you for your position, power that comes from your family line, and relation to the royals,” Silver again clarified, but this time his words had me turning to look at him with a slight frown.
So my character was related to the royals? That was something I hadn’t realized, but it was also something that rang true with my character’s backstory that seemed to be continually updating itself in my head.
I sat down quietly and watched as he did the same across from me before I continued, “Just based on our current backstories and the title of this book, I suspect this is a dramatic romance. Probably of the variety that deals with court drama since I’m related to the royal family.”
Silver nodded, his gaze turning thoughtful as he blinked, his eyes growing steadily more hazy in a way that told me he was about to drift off.
“Do you know anything else about your character?” I questioned him again, my words snapping him back awake and causing him to nod as he focused.
“Yes, I volunteered to come and protect you on the basis of having already rescued you once,” I felt my eyebrows lift at his words and met his gaze directly.
“If this is a romance, then do you think you’re….” 
I trailed off, not quite able to finish only for him to finish for me with a nod of his head, “The love interest? If Father’s stories are anything to go by, then yes.”
I wrinkled my nose slightly and looked at him in confusion, “Your father reads romance novels?”
Silver shrugged slightly but remained silent, and mere moments later, my maid entered the space with tea.
Her gaze flickered between me and Silver, and she barely hid her smile as she bustled about, already beginning to question Silver as she looked towards him, “Do ye think ye’ll be able to-”
She was cut off by Silver darting across the room and tackling me to the side right as the window broke, causing my maid to shriek as I grabbed a hold of Silver in alarm and a startled sound squeaked out of me.
I stared in alarm over his shoulder as he slowly leaned back to glare out the window, but my eyes were on the arrow sticking out of the couch cushion where I’d just been sitting.
“Ma liege, are ye alright?!” I continued to stare wide-eyed at the arrow as my maid rushed to my side, grasping my arm before she leaned over before hugging me tightly. 
Instinctively, my arms curled around her, almost as if to reassure myself as I dragged my stare away from the arrow.
But in no way had I been prepared for such an attack. At the very least, I hadn’t been expecting for this book to be that sort of drama.
After another brief moment, Silver turned and yanked the arrow harshly out of the seat and frowned at it before his gaze lifted to meet mine.
Evidently, this story was going to be a little bit more action-packed than I’d initially expected.
Despite her genuine sweetness, it was honestly a relief when my maid finally left us once more after we all relocated to another room. This time one with no windows.
I glanced over at where Silver stood by the doorway with his arms crossed. Almost like he was ready to leap into action at a moment's notice.
And I couldn’t blame him; after all, I was still startled by what had just happened, though a numbness had now set in that kept me from panicking.
I started in a quiet voice, “The only two things I can figure out to get us out of this book are to either finish the story or to run its plot so off the rails that the book kicks us out.”
Silver nodded, his gaze shifting as he obviously considered my words and met my gaze, “Which option do you think is better?”
I shifted, leaning against the table in front of me as I frowned thoughtfully, “Finishing the plot could be risky if there are more action scenes like what just happened, plus we don’t know where the story is going….”
I trailed off, glancing his way and setting back in my chair as I started to nervously toy with my fingers, “Throwing the story of its rails might be a bit easier…. Especially if this is a romantic courtly drama.”
He nodded, “What do you want to do?”
I faltered slightly when he put the decision in my hands, but then I straightened. Steeling myself even as I made my decision, “If we shove our two characters into a relationship earlier than expected, then that will probably do.”
I stood, glancing at him and waiting for a sign of refusal, but he didn’t move. His expression was as stoic as ever, and I inhaled and called for my maid.
She came rushing in hurriedly, her face slightly flushed as she looked at me half-expectantly and half-worriedly. I couldn’t blame her, though; there had just been an attempt on my life.
My gaze flitted over to Silver as I balked, wondering exactly how he’d react but suspecting this would be the best and easiest way to derail the plot.
I squared my shoulders and looked back at my maid, “Please send out letters announcing my wedding to everyone of any importance.”
She stared at me like I’d lost my mind, looking around in an obviously lost fashion, as I did my very best not to look at Silver even as I felt myself warming from embarrassment.
“Yer wedding, ma liege?” She even sounded lost when she spoke, but I nodded firmly. Praying this would work and not land me in an even more awkward situation than filling the role of an utterly foreign character.
I couldn’t help but let my gaze flicker over to Silver in an apologetic fashion, and I could see in his eyes that he already knew where I was taking this as he straightened right as I spoke, “Yes. My wedding to Sir Silver.”
I’d barely even finished speaking before light flashed forth, utterly blinding me and blotting out the entire room before everything went black.
I opened my eyes hazily to find myself sprawled on the floor of the NRC library with a book on my lap.
Silver was sitting up from where he’d been at a table, his gaze resting weightily on me in a way that had me looking down at the book and away from him to avoid any further embarrassment.
And there it was, resting as innocently as could be on my lap, “Underneath the Highland Moon.”
And me and Silver hadn’t even made it to the moonlight hours before I was declaring our wedding.
I could only hope that I would make it through the rest of the day without dying from sheer embarrassment.
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thegratefulsouth · 3 months
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TWD Caryl - A Tree Fell in the Forest
I just finished watching TWD and searching a bunch tonne of stuff on this here Tumblr which I'm brand new to, and I have thoughts.
I am strangely drawn to imperfection, its beauty, and TWD sits in this place, hovering near almost faultlessness (characters), to being nearly unwatchable (where did the characters go), sometimes within the same episode. It's utterly fascinating! I am hooked! A little late, yes, but isn't that the story of my life.
I honestly have not felt this way about characters since the late 90's, when my 17 year old Willoz shipping heart waited desolately for Oz to return, and ... we all know how that turned out. Ah, shipping. I literally had not shipped a single ship since that day. Until I watched The Same Boat. TWD has some pretty special characters. Though I love Bojack and Ozark and Travis Fimmel's Ragnar, I did not feel compelled to examine the inner workings of those beautiful humans/humanoids beyond the show.
There I was, happily not shipping a ship, apart from my own relationship with my own beloved, which I ship ecstatically every day. (This is the kind of ramble I can indulge in when I think readership will be non-existent). Got another ship in!
Anyway, my point is that a Caryl romance is clearly canon, even though the relationship isn't (yet?).
I didn't actually fall in love with Carol until she listened to my urgent pleas to take care of the Wolves at the start of season 6. I should point out that I have ADHD so I didn't always have the dopamine? Emotional regulation? Focus? To listen to all of your speeches, Rick, or to watch entire episodes devoted to new characters, Tara, Magna, Alpha. So, apparently, I missed entire stuff.
Even after "C'mere", I just thought Carol and Daryl had this extremely unique soulmate bond, like that of Ragnar and Athelstan in Vikings. It is an extremely rare and unique portrayal of a transcendental devotion that cannot be likened to any other kind of relationship, because there are no other relationships like it. The bind encompasses every aspect of love and support needed to utterly fulfull and complete someone.
At this point I had stumbled onto Tumblr because I realised I needed pro-Carol recaps from Carylers, as they seemed to best understand and grasp this very special character. I went back and rewatched from the beginning and I was shocked. I rewatched (and noticed for the first time) the flirting, the hesitation, the banter, the unspoken LOOKS, oh so many. Drew the links from Consumed ("I kinda like it." "Stop.") Watched interviews, waded through the mass of gaslighting that abounds, which seems to wrap itself around every subtle, telling moment.
Why? Because it's fascinating. A mystery. Pretending something that happened, did not? A tree fell in the forest and some people did not hear it. Well I didn't hear it either! But I went back and found the tree. That tree is on the damn ground.
Carol and Daryl are so in love with each other it hurts. Their romance exists. Therefore, I'm gonna ship it.
TGS
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The Bad Batch 3.1 ‘Confined’ Recap
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Image from this post by @isthereanechoinhere96
Fuck you for starting with that line
Why are the captions in a serif font?
Going heavy on the theme of freedom for the clones already in the recap. Foreshadowing?
Rex!
CODY
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Meme by u/No-Needleworker5295 on Reddit
Ah fuck here we go again
Why must I be made to relive this?
Damn the music is really hitting hard and it’s only the recap
Spoilers for Season 3 below!
Mayday! *sobs*
Oh great, it’s fuck face again
Hemlock being a bastard as per usual
Poor Omega
“Prisoner? Omega, you are no such thing.” Said to the child kept in a cage.
Still not trusting and heavily side eyeing Emerie
Why do they let Omega carry around a little lunchbox? That seems like an obvious security risk. As does the cell with a window, even if it has a heavy grate on it.
LMAO Crosshair looks the saddest, wettest, most bedraggled little meow meow in existence
Who are those other clones??? I must know
Why are they taking blood samples from the top of the hand? That seems like the least useful place to take it from
“All of us serve a purpose here” Big oof
The shots and framing are making it pretty clear that the blood, and Omega's blood in particular, is important
So many commandos with the glowing visors
Oh, it’s a door scanner. I thought Omega was sitting in a cell in that shot in the trailer
Nala Se (derogatory)
Lmao that wasn’t even subtle. She just destroyed Omega’s blood sample without even hiding what she was doing
“This research, it’s not like what we did on Kamino, is it?” Pretty sure what you did on Kamino was just as horrific. Though you can’t really blame Omega for that seeing as she’s a literal child who was also probably experimented on
M-count. That’s midi-chlorians isn’t it. Lol they aren’t even being subtle about this. Force sensitive clones ahoy!
“Experiments on the specimens” Jesus H Christ
Vault? That doesn’t bode well
Everything about this episode is very eerie and sinister
Ok that is an excessive, overkill amount of security. Who the fuck is in there?
And straight into electrocuting space dogs. Great.
I knew the lunchbox was for hiding something!
Batcher? Aw, she named them after the Bad Batch
Yes, stick your arm into the cage with the aggressive space dog. That’s a good idea
Nuggies???
He was shivering T_T
Who are all of these clones??? I keep pausing the video and zooming in but I can’t see any identifying characteristics on any of them yet. 
And there he is
Oh fuck Crosshair’s hand is shaking. I know most people have probably watched the clip of this already but I deliberately didn’t. Shaking hands for a sniper is Not Good. That’s his right hand too, so presumably his trigger hand/finger/whatever it’s called? Is this a physical injury inflicted on him by their experiments or PTSD or both?
I’m intrigued at how much relative freedom they’re giving Omega. She’s not being kept in a cell all the time like the other clones. Though I suppose this is part of their plan to make Nala Se cooperate.
Ok the tap dripping in Omega’s cell is definitely a visual metaphor for how repetitive, dreary, and isolating this all is
That’s 21 tally marks
Oh, she made a straw Lula. Ow
[shrieking in distance] – what shrieking? Captions, what are you going on about?
Oh fuck that’s a lot of tally marks. And a hair change. Lots of time has clearly passed. They’ve updated Omega’s model too but I think it’s a tad heavy handed as she hasn’t aged that much.
Wow, she didn’t even look at Crosshair. Is this attitude change Omega being ground down by what’s happening to her or something she’s doing deliberately to try and play along and be more cooperative so she can find out about more stuff? Also, that’s the second time she’s walked past Crosshair in the same spot at the same time of the day. That seems deliberate. 
Lol could you be any more obvious with the lighting in that shot that Omega’s blood is important? It’s like the vial of her blood has a moody spotlight on it. Important plot point here!
Nooooo Batcher’s hurt 😭
Bacta sponge?
“If I get the chance to escape, I wouldn’t think twice about leaving you behind.” Hmmm, you keep telling yourself that Crosshair
“I’m not them.” T_T
“Don’t risk anything for me. I belong in here.” Oooooooooowwwwwwwww
“None of us belong in here.” Damn right
There is some really lovely cinematography and framing in this scene between Omega and Crosshair
Well that was brutal and heavy handed
A successful transfer? A successful transfer of what?
The “specimen” has a high M-count. So they’re force sensitive. Now for the speculation on who it is?
“You should not question my loyalty to science, Doctor.” LMAO bitch what?
Urgh, of course they’re killing the dog once it’s friendly
Ahahaha squished
Aw, she’s setting Batcher free but she doesn’t want to go. 
“I didn’t know you were so cruel, Omega.” Oh fuck right off
Piss weak attempt to help there Emerie
Hemlock getting his evil baddie laugh moment
Clever. Omega knows why she’s here.
Urgh, of course Hemlock would threaten Crosshair to get Omega to cooperate.
Re-education?!?!?! You sick fuck
“Actions always have consequences. Sometimes not in the ways we imagine.” I am really hoping that line comes back to bite him in the ass later on
Oh fuck off with bring back the doll Emerie. That is such a bait to try and get Omega to like her and behave
That’s 164 tally marks. Omega’s been on Mount Tantiss for 5 and a half months
Aw, Batcher made it out. And that’s the crashed shuttle from earlier that she’s howling on the top of. More foreshadowing?
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notfreetoday · 8 months
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MPW Language Analysis Part 2
Segasaki x Yoh: Shifts in Emotion and Acknowledging Roles
Masterlist || Language Analysis Part 1 || The Importance of Amae ||
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In Japanese, one cannot utter a sentence without communicating at least two things: (1) the actual content of the message itself, the referential meaning; and (2) a metamessage about the relationship between the speaker and the listener, an indexical meaning. A striking feature about Japanese is that it is the latter message that most often assumes greater importance.
From: Creating an Ideal Self: Theories of Selfhood and Pedagogy at a Japanese Ethics Retreat by Dorinne K. Kondo
Every sentence that Segasaki and Yoh say to each other carries 2 meanings - the one we read in the subtitles, and too often, the one that never travels across the screen. The "miscommunication" that many perceive to be happening isn't always just about "using actions vs words" (though there is much to be said about that too) - the words are being used, but it's hard to hear them when said words are in Japanese and packed with information English is simply not designed to carry.
So, with 6 episodes of corrections made and nuances explained, it's finally time to get back to actually talking about how all of this adds to our understanding of the characters and of their relationship. In these 6 episodes, both Segasaki and Yoh have run the entire gamut of speech levels - but where Segasaki shifts consistently and with purpose, Yoh tends to shift as a reflexive, or reactionary response.
Or, what Segasaki choosing to shift up a speech level means to Yoh, and what Yoh's inconsistent shifts tells Segasaki (and us), about his emotional state. I'm kinda sorta not really sorry about this but ah, it's maybe possibly probably even longer than usual??
Quick Recap of Part 1:
We established two key aspects of their relationship:
1) They both acknowledge the power differential between them - Segasaki, by using "rougher" speech patterns, and Yoh, by tending to stick to the more polite end of the scale. 2) They both consider themselves to be from the same "in-group" - Both of them default to informal speech patterns when speaking to each other (even Yoh, despite being the junior/lower on the social hierarchy)
And now on to Part 2!
Changes in Emotion: Yoh
Yoh tends to experience his emotions rather intensely, and through his monologues we understand that he isn't always able to process these emotions immediately. As such, the shifts in his speech levels tend to happen subconsciously - there isn't an immediately obvious, predictable pattern to those shifts, because they are simply a reflection of how he's feeling in the moment.
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Y: あ、いや。なんでもない…です* Y: Ah, iya, nandemonai…desu* Y: Ah, no, it's….nothing* The shift to polite form, and the awkward manner in which he does it, reflects Yoh's growing insecurity (See EP 2 for other examples).
From the moment Segasaki starts returning home late, Yoh becomes more and more unsure of where he stands with Segasaki, and this growing emotional distance is conveyed through his speech patterns becoming (awkardly) more polite than in Ep 1. He speaks hesitantly and indirectly, until he gets drunk (and even then, his insecurity still shows in how he barely switches down to rough speech during their not-argument).
In Ep 3, we again see Yoh shifting up to polite forms often, except this time, the shifts show his gratitude as well as sincerity.
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Because of how ridiculously expensive the pork bun is, Yoh expresses his thanks by saying the full ありがとうございます (arigatou gozaimasu) here as opposed to just "arigatou" or other more casual forms. In return, Segasaki acknowledges the formality Yoh pays him with a nod (and a mouthful of pork bun).
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Y: すいません Y: suimasen Y: I'm sorry This is the more formal version of "I'm sorry" (textbook pronunciation is sumimasen, but textbooks are for nerds Yoh's version is very common as well and still polite)
In both these scenes, Yoh switches to suimasen as opposed to his usual, and more casual, ごめん / ごめんなさい (gomen/gomen nasai), that he also uses in this episode. As previously mentioned, "sorry" in Japanese can also be used to mean "thank you". Here Yoh is doing both - apologizing for Segasaki having to "go the extra mile" to take care of him (ie, he feels he has imposed upon Segasaki - a fear he has mentioned a few times), and at the same time also expressing his gratitude for being taken care of. However, it's the shift up to the polite version that conveys his sincerity, and carries the extra message that - despite his regret at imposing on Segasaki - Yoh still values these moments and feels touched by them.
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Both times, you see Segasaki taking note of this, albeit slightly confused, and probably a little shy too (Segasaki is after all, very good at picking up on social cues - especially Yoh's - and spends the whole of Ep 3 doing just that).
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Y: 漫画が とてもだめです Y: manga ga totemo dame desu Y: (My) manga is... really bad.
Yoh spends most of Ep 5 safely ensconced in the informal speech level, switching up only twice - the above scene, and later when he attributes his recovery to Segasaki's care as a way of thanks. The switch in the bathroom is sudden, and adds a sense of certainty to his statement that reflects the intensity of the despair he feels (even though he comes across as more kicked puppy than anything). The formality is also a way to "distance" himself from the reality of it, because it does hurt to acknowledge this.
All of these instances show us that Yoh's shifts up in speech levels tend to reflect when he's feeling vulnerable in some way - when he's insecure, dejected or hurt, or when he feels that he has imposed upon Segasaki.
So then, does Yoh also shift down?
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Well, yes and no.
Left (Ep 4): Y: ふざけんな [very rude] Y: Fuzakenna Y: The hell are you doing! Right (Ep 5): Y: バカにすんなよ![slurred vowels] Y: baka ni sun na yo Y: Don't look down on me!
Even if we include (just barely) the non-argument of Ep 2, there honestly aren't many scenarios in which Yoh shifts down to a "rougher" speech pattern - and he never drops as low as Segasaki does. This has to do with both his acknowledgement of the power differential that exists between Segasaki and him, as well as his less assertive nature. In fact, even when speaking to Man-san, with whom he shares his thoughts more freely, Yoh remains casual, but not rough. (Man-san is waaaay rougher than Yoh, tbh). Hence, when Yoh does shift down, it tends to be explosive and short lived, just like his frustration or anger.
So why "yes and no"? Because being lower in the social hierarchy also introduces another, more interesting way to express yourself - by choosing not to switch up.
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We see this in Ep 5, when Yoh tries to lie about going to Man-san's place. He sticks to his baseline informal speech when he announces this, whereas he previously used polite speech in Ep 4. Is it possible that Yoh was simply overcompensating and trying too hard to sound casual to hide his lie in Ep 5? Yes. But before coming to that conclusion, there is another important detail to note - that instances like this, where Yoh doesn't switch up, have gradually been increasing as the show progresses.
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In Ep 5 and 6, Yoh uses the slightly less formal gomen nasai to apologize (contrast this with Ep 2's suimasen mentioned earlier). Given that Yoh himself mentions in Ep 5 that he thought Segasaki would be angry, and in Ep 6 clearly underscores his apology with a proper bow (yes, there are standards to how you should bow in Japan) - you would think that these 2 situations would be the perfect time to switch back up again. So why? Once again, the key to unlocking the metamessage is the wider context; i.e., we need to consider what Segasaki has been doing. please indulge my desire to sound cool and mysterious despite already announcing it in the title
Establishing Roles: Segasaki
In direct contrast to Yoh, Segasaki is very consistent with his speech shifts, and a clear pattern emerges. First off - when Segasaki is angry with Yoh, he drops straight down.
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Left (Ep 2): S: てめぇ [very, very rude] S: temee S: You Right (Ep 5): S: 分かってねぇだろ 分かってねぇから 泊りで仕事とか言い出すんだろうが [slurred Rs, word contraction, slurred vowels] S: wakattenee daro wakattenee kara tomari de shigoto toka ii dasun darou ga S: You don't do you? You don't understand and that's why you can just say things like you'll stay out to work overnight.
Like, waaaaaaaay down. The argument in Ep 5 is the most obvious example of this, but using "temee" to address someone like he does in Ep 2 is very very rude and, together with the "haaah?!" Segasaki says before this line, also does a lot to convey that he is Not Happy.
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S: 明日は仕事すんのか [word contraction] S: ashita wa shigoto sun no ka S: すんのかしないのか、どっちだよ [word contraction, informal, assertive end particle] S: sun no ka shinai no ka, docchi da yo S: Are you working tomorrow? S: Working or not, which is it?
The lines in this interaction from Ep 3 aren't really rude per se - certainly not compared to temee - but they are rougher than his usual and very direct. We've seen Segasaki do this multiple times throughout the episodes - dropping his levels when he's being assertive, and it is in response to that assertiveness, that Yoh gives the following reply:
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Y: いや、ないです [plain forms, but with the addition of desu form] Y: Iya, nai desu Y: No, I don't [have anything planned]
Mixing plain forms with -desu at the end makes Yoh's reply a little more formal, and is another way in which Yoh acknowledges the power differential between them. Being higher in the social hierarchy means Segasaki enjoys a greater sense of linguistic freedom, and shifts down in speech level are therefore unsurprising, and indeed, expected.
So, if there is no real need for Segasaki to shift up, then, what does it mean when he chooses to do so?
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Left: S: まあ 残念ながら 相手は大嫌いな俺ですけど S: Maa... zennen nagara aite wa daikirai na ore desukedo S: Well, unfortunately, your partner is me - who you hate so much Right: S: 好きにさせてもらうけど...な ? S: suki ni sasete morau kedo... na? S: I'll gratefully do as I please...yea?
After an entire episode of using Yoh's own words to tease him as a way to try and get Yoh to face his own feelings, Segasaki lands his sharpest and strongest push of the day in these 2 scenes not by reinforcing the hierarchy between them, but by subverting it. Shifting up to a more formal speech level when he doesn't have to, particularly in the second scene where he uses deferential word forms, creates the illusion of elevating Yoh in the hierarchy, which is then immediately undermined by the irreverent tone in which Segasaki says them.
In other words, Segasaki only shifts up as a power play.
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S: よくできました S: yoku dekimashita
We first see Segasaki use this formal way of saying "well done" at the end of Ep 3 and again in Ep 4, and it brings to mind the literal stamp of approval that teachers often give to students in school. Here, there is no teasing or subversion of the hierarchy going on. Segasaki is establishing his role in Yoh's life - to provide and care for him - through the use of polite speech, and reinforcing the power differential between them in the most straightforward way possible.
This use of polite speech allows the speaker to indirectly index their social identity - often as one who is in charge or responsible. Within the Japanese household, it also happens when a role/obligation (often parental) is being carried out - eg , a parent might switch to polite speech to indicate their role as provider when asking the rest of the family "What would you like to eat?". Similarly, we again see Segasaki underscore his role in the following:
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Left (Ep 5) S: ごちそうさまでした S: Gochisousama deshita S: Thank you for the food Right (Ep 4) S: 寝るなら部屋いきな* S: neru nara heya ikina S: If you're going to sleep, then go to the room alright?
In Ep 5, Segasaki leads the saying of this standard phrase, customarily said at the end of a meal to express gratitude to everything that made the meal possible. It is the use of the full, more formal version (as opposed to just gochisousama) that indexes his role as Yoh's caregiver when he leads in saying this, and indeed he spends most of Ep 5 enjoying that role. In Ep 4, although he does not quite use the -masu form here, the imperative form "ikina" brings to mind a parent trying to coax their child to bed, the same way Segasaki is doing to a very drunk and sleepy Yoh.
This is the key we were looking for - with every episode, Segasaki consistently reinforces his role in Yoh's life, the same way he consistently responds to and encourages Yoh's amae. And with every episode, Yoh becomes a little more confident of his place with Segasaki, a little more willing to believe that maybe Segasaki might really return his feelings. It's easy to look at Yoh in Ep 2, see him push Segasaki away, and think that the same Yoh appears in Ep 5, but that couldn't be further from the truth. Because in Ep 2, a drunk Yoh barely drops to rough speech, whereas in Ep 5, a sober Yoh feels safe enough to even "curse" a little (well, as far as cursing goes in Japan at least, which admittedly is not far). In both word and action, they have both grown, and have both contributed to the strengthening of their relationship.
So! In conclusion (omg we made it to the end) we have established that:
Segasaki has a clear, predictable pattern in his shifts - he switches up to formal when establishing or reinforcing his role in Yoh's life, but when he's serious, or angry with Yoh, he drops all the way down.
Yoh is less consistent, because his shifts tend to be more subconscious and reflective of his emotional state. He's more inclined to switch up when he's in a vulnerable state, eg, feeling insecure or dejected, or when he wants to express his sincerity in apologizing or showing gratitude. When he's nervous, or in response to Segasaki either being direct with him or upset with him, he'll sort of switch up too (ie, he'll mix polite forms with informal forms, or he'll try to say things in an indirect way).
Through the use of speech level shifts, both Segasaki and Yoh indirectly reinforce and acknowledge their individual roles in each other's life, and by observing the changes in these shifts over time, we the audience are able to track the progression of their relationship as well.
In the next part, we'll look at the differences in the way they speak to others versus between themselves - looking specifically at examples from Ep 4, 6 and 7.
As always, thank you for reading, and feel free to ask any questions! (*ˊᗜˋ*)/
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reduxulousoctopus · 2 months
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Okay, have just finished Courage and now I feel like I gotta write my review of "the Morpherine episode" lol
Before we get into it, I have to say I'm a bit disappointed by the Sentinel plot after what happened during the finale of season one.
To recap, it turns out that the Sentinels are abducting world leaders because their programming told them to defend humans from mutants, but because "mutants ARE humans," Mastermold interpreted that to means their mission is actually to defend humans from themselves by taking control of the world. Brilliant way to resolve that arc, and a clever subversion of both the human bigotry that created them AND Xavier's/the X-Men's mission to promote equality between humans and mutants (because the Sentinels are still their enemies even while technically agreeing with them).
So having the Sentinels, especially Mastermold, just be generic mutant-hunting robots again is a let-down, especially without any explanation. They could have kept the Sentinels as the villains for this episode without ignoring all that, y'know? Ah, well. More superficially, they also changed the voice of the Sentinels for some reason? They just sound like guys now, it's weird.
Alright, that's enough of the actually respectable media analysis, let's get into what we're really here for:
While I didn't notice any bombshell lines like "Or maybe it's love you're missing?" in this episode, there were plenty of cute moments. For the most part, nothing they do really steps outside the bounds of best-friendship. For example, Logan is the only one who hugs Morph to welcome them back, but that's not particularly suggestive of anything besides a confirmation that the two of them are closer to each other than they are to the other X-Men.
That said, as soon as Wolverine and Morph are alone, there's a moment where they're both watching some drone footage of the factory they're going to investigate--or, at least, they're supposed to be watching the footage. Instead, the two of them keep staring at each other, then quickly glancing back at the screen as soon as they notice the other one looking. It's like they both know they should be focused on the mission, but all they can think about is each other and the fact that they're finally back together after so much time apart. Or they understand each other so well and have that kind of chemistry where they can have an entire silent conversation just by looking at each other.
There's also some dialogue during their mission together which could be interpreted as slightly flirtatious:
Wolverine: "Still haven't lost your touch, I see." Morph: "Just like riding a bicycle."//"Looks like you haven't lost your touch, either. [laughter]"
It's wild that Wolverine--the jackass who once loudly demanded "Yeah, who? No deserters in this crowd!" after Cyclops tried to subtly explain that some mutants (Rogue) might want to be "cured" (Rogue) and live a normal life (Rogue) because their powers cause them so much pain and isolation (Rogue Rogue he's talking about Rogue she's literally sitting right next to you, catch a fucking hint!), and made fun of Gambit for reacting with alarm at the sight of a (deactivated) Sentinel--is so openly concerned for Morph's emotional well-being after realizing that Sentinels are involved. Like at one point Cyclops even has to step in like "the Professor's just been abducted by giant robots can you shut the fuck up about Morph's feelings for one second???"
We get yet another scene of Logan reacting to Morph's scent, this time as a direct parallel to the one in 'Till Death Do Us Part when he first realizes that Morph's still alive. There's something so weirdly intimate about Logan being able to identity people by scent, considering how closely smells are tied to memories and emotions. Add the fact that Morph's shapeshifting powers can change everything except their scent, so that means Logan can always recognize them no matter what they look or sound like-- it's so good. And the writers must have agreed, because they put in more scenes of Logan tracking or recognizing Morph by their scent than anyone else (at least at this point in the series, we'll see if anyone catches up).
When Morph does their usual shtick, Logan's right there grinning from ear to ear like a doofus. Sir calm down, you're one step away from giggling and twirling your hair around your finger. This is kicking your feet in bed writing "Mx. Morph Howlett" in your dairy type behavior, stoooooop.
Wolverine calls Morph "kid" a couple times this episode, the flip-side of Morph calling him "old man" in Whatever It Takes. Morph also calls him "big guy," which is cute.
Speaking of names, I think this is the first episode where Morph calls him Logan instead of Wolverine. While crying, too, which-- how dare you?? Like yeah, a moment of intense emotion is exactly the correct time to have one character switch to using a more personal name for another character, but also it hurts my feelings so stop it. Look at Wolverine's face, show-writers, you made him sad too.
Morph's very pretty brown eyes get a lot of focus and close-ups in this episode. I wonder if Logan misses seeing them more often now that Morph's going for the inhuman blank-eyed look in '97.
Not relevant, but I have to mention how much I love Wolverine's line-read of "keep your shirt on, puh-rettay boyuh." lol I don't think that's a Canadian accent Mr. Dodd but I do appreciate it thanks. Bringing it back on topic though, at the end, the heartbroken delivery of "Morph, wait!" when Morph takes off to go back to Muir Island is so freaking sad. His voice even breaks a little on the word "wait". He tried so hard to bring Morph home was so happy to finally have them back only to to lose them again and I
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So anyway. Yeah. The hype is real. I was disappointed by the Sentinel plot, but that isn't really the focus of the episode. Despite my complaints, the time they could have spent explaining why the Sentinels are back to hunting mutants would have cut down on the exploration of Morph's character, their terribly-timed attempt to return to active duty, and their relationship with Wolverine.
And although nothing explicitly "shippy" happened between them in this episode, Whatever It Takes already established (in my opinion) that there was something not-platonic going on between them before Morph's supposed death (whether they were in a romantic relationship, friends with benefits who caught feelings, had a mutual attraction they never acted on, etc).
With that context, I think their interactions in this episode could be seen as an example of what they're like as a couple. We get to see their dynamic, how they banter, what names they call each other, an example of something that they argue about (Morph feels like they're being babied by Logan's over-protectiveness), an indication of how sentimental/outwardly affectionate they are (Morph mockingly asks if Wolverine's "going to get all mushy on me" and Wolverine answers "I don't get mushy"-- you know, like a liar), and so on.
I'll probably have more to say about this episode later but I've literally been up all night and need to go to bed before I pass out at my desk lol
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m-once-oon · 8 months
Text
Twinkling Watermelon Ep 5 Recap
Eun Gyeol has now established a few priorties:
Prevent the accident that costs dad his hearing and voice
Make dad go to college? / Make dad happy and successful
Find his mother?
It feels like the son is now the parent of Ha YI Chan - as Ha Yi Chan listed out, Eun Gyeol is now tutoring him, getting him into a band and standing up to Se Kyeong when she mistakenly yelled at him.
I love Choi Se Kyeong’s short letter to Cheong Ah - the glitter at the top especially, but also the kindness and sweetness and effort she has shown so far. I am glad that there’s no love triangle (yet) - our protagonists are sweet and caring. Caring enough that I think Eun Gyeol’s mum, Cheong Ah actually sent the ticket so that Lee Chan can say bye to Se Kyeong for the last time. Unfortunately, her well intentioned act turned out badly, likely because she did not know of Se Kyeong’s disdain, or perhaps didn’t prioritise that?
Ha Yi Chan’s friend and son make a pact to keep Se Kyeong being abroad a secret. Also, I truly love the detail here - HYC’s entire room is filled with books - is this a nod to him actually being intelligent and having potential? It could also be the comic books that he goes to the book shop for. A rather large collection of it.
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Awwww, Ha Eun Gyeol validating his father is adorable. Yi Chan’s persistence and eventual success in creating the band shows his
potential, which we see once again because he has finished the homework that his son set for him.
As the tenants (are they called tenants or boarders?) sit around eating outside (an entire vibe), I can’t help but notice that what they are wearing wouldn’t be that out of place today.
Ummmm what? SK has had some styling change and she is SMILING brightly!!!
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Cute moments at the breakfast table!!! Adorable!! Father and son being so alike - is this nature or nurture?
And Se Kyeong actually returned? I thought it was a dream sequence, but perhaps Eun Gyeol was dreaming something different? And of course an impromptu hair cut on oneself turns out perfect. How do her parents not know that she is back in South Korea? I imagine even for a rich family, a ticket from New York to Seoul in the 90s would have been a crazy price.
Its our first time seeing her dressed her age - with jeans, and not in the school uniform, or with formal, very feminine dresses.
Fast forward and we get the reason for why she returned. Is it the truth?
At Yi Chan’s work, we get to now clear up the misunderstanding: I am assuming the Cheong Ah didn’t go as she realised it would be pretty useless to go as she’s deaf and instead just gave the whole package away, including the note to Ha Yi Chan.
A 4 way meeting in the rain? Eun Gyeol omma! Dont give up!
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monarchisms · 10 months
Text
so, with rt having their anniversary on april 1st, they decided this year to celebrate for 20 whole weeks for their 20th anniversary. with one episode a week on fridays starting in march and ending in july, they've released one-off mystery episodes of their shows and products that have been cancelled, put on hiatus, or otherwise ended naturally. the exceptions are on the spot and camp camp, the former of which is coming back later this year, and the latter having a new season premiere later next year in 2024, both having been confirmed at rtx 2023.
it makes sense for rt to build up such a major milestone by teasing what they're doing to celebrate, but i think the way they've done it is...
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not great.
that's why i'm just gonna put what each mystery video is, with links to youtube because the rt site fucking sucks for convenience!
week 1 (march 17th) | ahwu week 2 (march 24th) | rage quit week 3 (march 31st) | million dollars, but... week 4 (april 7th) | achievement h.o.r.s.e week 5 (april 14th) | on the spot (was originally streamed live)* week 6 (april 21st) | master & apprentice week 7 (april 28th) | rt docs (at least, a ~15 minute parody of one from funhaus) week 8 (may 5th) | AH gta iv: cops and crooks week 9 (may 12th) | AH: theater mode (the youtube version got cut down from around 1 hour 40 minutes to close to 30 minutes, which is cringe) week 10 (may 19th) | rt recap week 11 (may 26th) | rt shorts week 12 (june 2nd) | music video: dusk boys: u.f.whoa week 13 (june 9th) | chump (was originally streamed live)* week 14 (june 16th) | immersion week 15 (june 23rd) | p.a.n.i.c.s week 16 (june 30th) | hard mode: uncomfortable guess who?* week 17 (july 7th) | lazer team: boot group (animated video) week 18 (july 14th) | [trailer] a simple walk into mordor: part 2 week 19 (july 21st) | camp camp week 20 (july 28th) | [prologue] red vs blue: restoration (series finale)
an asterisk (*) means there's bonus content for the labeled video that's unfortunately exclusive to the rt site, with hard mode's bonus video being behind a paywall, for some reason
note: the rvb restoration prologue came out on youtube on july 8th, but i chose to keep the date as the 28th because that's when it was supposed to come out. i didn't know it was released earlier on purpose until i was lucky enough to see an explanation from an rt employee on reddit, of all places:
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bainofjustice · 2 months
Text
Kitty's Notes On Episode 2 Of The Payday Web Series
It is really funny to me that they made a “previously on” part for a web show and to recap a episode that clocks in at 6 minutes 
It's funny that Dallas & Houston have time for a very small argument. Also helps set up the insane amount of tension the web show portrays them having
The editing/camrea is so choppy like this isn't a review but omg I had to write that down
Okay it looks like Wolf keeps zip ties on his belt, makes sense both for the game stuff of tying up civis and also is probably helpful for his mechines
Chains and Houston demask INSIDE A FUCKING VAULT post running out of ammo and while they do tell the civis present to not look this is just such a bad idea especially because the vault is basically surrounded by cops 
But also the bromance between Houston & Chains is real, like they're in a bad situation and they plan it out
Also it seems like Dallas and Wolf are the main movers of goods within this heist, I'm not sure they're the best picks but with the limits the gang had at the time I suppose they aren't the worst, it just feels like in general the plan doesn't cater to the real talents of the gang. Which tbh is probably because the web show is meant to be a ad, so they wanted more action which required mostly gun fights and they didn't do fight scenes in a intelligental way 
Also I just realized for some reason Chains is using a damn hand gun meanwhile it's Houston with a assault rifle, which really doesn't seem catered to their skills
I just remembered a little later after writing the above that Chains mentioned being out of ammo for his own assault rifle so not as bad as I thought, still wonder why they didn't switch at any point, like it worked out but yeah
One thing I do like about the action scenes is that the gang uses more than juet guns and use melee attacks as well
Houston is able to flat out flip a guy over and steal his gun, I feel pretty confident in saying Houston has probably taken some hand to hand combat lessons.
Also it appears that both Dallas and Wolf are using assault rifles which makes sense given their roles in the heist.
WE GOT A WILHELM SCREAM!!!
In better lighting it seems Wolf actually has a shotgun which is even better for him actually 
We see the escape driver when Dallas and Wolf are ambushed at the escape van, he appears to be at most middle age, white, brown hair, slightly fatter build and wears a black hoodie with a band or event tee-shirt under the hoodie, grabbing a pic to see if I can locate the shirt later.
We see several of Vlad's men during the ambush including who we later learn seems to be his right hand / personal bodyguard
Vlad's intro is so funny to me, like he holds the gang at gunpoint and stalls their escape and this actually manages to end with him getting the gang to work with him, like I am sure that Bain or Vlad carefully planned this part but it could have easily gone wrong if for example Wolf shoot someone without thinking it through, or if a officer managed to follow them to the van, especially since everyone unmasks!
Houston Vc: Do you know these guys?.    Dallas, who is being held at gunpoint vc: does it look like I know these guys?
1. Vlad decides to shout “Bain” while explaining he is a ally, 2. He calls Bain in this instance “Mr Bain” which I find to be a fun detail of characterization and also to how at the time the only people sorta comfortable enough around Bain to be confident when saying his name and such is the core members of the Payday gan
Ah and then Dallas has to go back uncover which requires faking a injury, which he lets Houston do the honors of punching him, only adding to the family feud they seem to have in the web series. Also this one punch is enough to knock Dallas to the ground.
Also funnily Dallas or should I say, “Nathen Steele” is the one to call in the first world bank heist
Bain vapes! We see him vape, we also hear him in game talk about smoking cigars, so either he does both or in my opinion more likely he lies about the details of his smoking habits even to the gang.
We can see that Bain wears a leather jacket with a design on the back & front when in his lair, the design most looks like fire to me but it's very dark, I would love to someday see some behind the scenes footage or something with the costume.
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respectthepetty · 3 months
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Hii, i have been occupied and wanted to come back to watch BLS, my last one was naughty babe. So what's are your current obsession!?
Anon, you have missed a lot in the last six months! BL Land has had several shows in that time, and, of course, I've consumed most of them. My capability to become obsessed with a show is unparalleled, and as I mentioned in my last obsession list, I can be obsessed about several things simultaneously. Since you've been out for a minute, let me recap some of the shows I sent a Valentine's Day card too.
Note: These are NOT recommendations.
Shows I liked for color reasons but wasn't obsessed:
Twins
Pit Babe
Middleman's Love
My Dear Gangsta Oppa
Bake Me Please (* I AM obsessed with the lead actor, Guide)
Shows I liked for the colors AND the plot but wasn't always obsessed with:
The Sign
Perfect Propose
I Cannot Reach You
7 Days Before Valentine
I Became a Lead in a BL Drama
Shows I should've been obsessed with if I was normal:
Cooking Crush
Love for Love's Sake
Cherry Magic (Thailand)
So now that we recapped some of the shows I was mildly normal about, it's time for me to reveal the shows I'm currently so obsessed with that I cut off some of their hair while they slept and now I'm attaching it to a cloth doll in hopes of binding us together.
For. Ev. Ah.
Dead Friend Forever (forever, forever, ever, forever, ever?)
Obsession Level - Buying us matching BFF necklaces with vials of our blood attached to them after my therapist tells me my relationship with it is unhealthy, and I need to take a step back from it.
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It just ended, and it isn't a BL, but I have no words. If I tried to explain why I'm so obsessed with this show, people would be really worried about my sanity. I can't stop thinking about it. I don't want to stop thinking about it. I hate all the characters. I love all the characters. I want them all dead. I want to raise them from the dead and make them do it all again. I want to heal them. I want to make them worse. I want to be in that house with them.
Unknown
Obsession Level - Holding pictures of it close to my heart while I lay in bed even though it is laying right next to me in the same bed because I need it to fully grasp just how crazy about it I am and have been.
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It's Taiwanese. It's color coded. It's about "brothers." And if you looked at my previous obsessed list, you know those three items are a clear path to Obsession City for me (Looking at you, Kiseki: Dear to Me).
Anti Reset
Obsession Level - Baking all its favorite sweet treats and sitting them on its porch early in the morning then running away even though I know the security camera is filming me each time (which is why I wear cute outfits when I do it).
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It's Taiwanese. It's color coded. It's about a robot. It doesn't hit all the points on my obsession scale, but it's part of Vidol/VBL's universe, so it has my attention and a little bit of my heart.
Lady Boy Friends
OB. SESSED! Level - Knowing it's expired and toxic, but I can't stop eating it because if ending up in the hospital is the price I have to pay and possible death, then I guess that's the sacrifice I gotta make.
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It's a remake of a 2015 series, it dropped with no promo, and only one episode has aired, yet this show is hellbent on being a whole ass problem, so of course my trashy ass loves it. There is transphobia, homophobia, sexual harassment, colorism, elitism, and every other -ism that it could pile in because the entire show is begging to be everyone's trigger warning. There is a love story in there somewhere, but I don't give two shits about it when the skinny femmes and the fat femmes are fighting, and the one pictured above is about to enter her villain origin story. The subtitler is doing the Lord's work, and I feel truly blessed with this hot ass mess.
But please remember, one person's trash taste is not another person's treasure, so THESE ARE NOT RECOMMENDATIONS!
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theghostbunnie · 9 months
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How do you see Max and Nikki’s relationship?
As siblings
I know that's like sometimes what ppl say when there's a straight pairing popular ship (makki) vs a gay popular one (maxneil) and they don't really mean it they just mean they have a uncomfortbilty or hatred towards one of the ships, but in my mind they're literally twins/hj
I have AUs where they're twins, half siblings, step siblings. I love them sm..There's even a line in one of the end credit rap songs that goes something like "we may not have the same color skin but imma treat em like my twin" and I'm like ah yes,,, something to feed into my delusions/j
((on a more srs note I feel like more ppl should look into the end credit lyrics alot of it seems specifically written to fit Max and might give people a better insight into his characterization))
But enough of my fannon delusions n self indulgence they're obviously not actually siblings they're best friends BUT they didn't start off that way no matter how sweet the "you now have three little bastards to deal with" line is bc in the first season, earlier episodes he's more of an asshole to her bc they're still getting to know each other.
He broke her instrument, quicker to basically tell her to shut up on multiple occasions, ect.
Back to the first episode, Max operates BIG on first impressions. Off the bat he's touching Neil's shoulder, he's impressed by his disrespect to authority, he wants to hotwire the bus with him. But Nikki? Hardly addressing her. Even says "why would you help us?" Bc despite biting him, she appeared to be just a 'little more violent, mini-David.' THAT was his first impression of her. Nikki didn't have his attention or respect technically until he learned her willingness to seek and cause chaos near the end of the episode. There's times at later points where she's clearly getting on his nerves.
I'm pretty sure I already wrote out a whole in depth thing about how Max has issues getting attached to people and will fight it off and deny it once it happens even at the cost of their feelings (points at camp corp episode) where as Nikki is a social person who has been denied a real friend til she came to camp campbell same as Neil, who is NOT a social person. They both start off clingy towards Max for this but Nikki works past it and makes 2 other friends while Neil doesn't.
So recap: Max builds a team of two other kids he can just share a common goal with at first, is a bit of a jerk to Nikki initially at times, but she grows on him and now he really values her as a friend n cares for her deeply.
But now onto NIKKI'S POV: She'd been bullied before, it was a traumatic experience for her yes but that's also the ONLY information we have on any past relationships she's had with peers, kids her own age. Any other time she's talking about someone she knew it's often just her mom. sometimes her dad (often not painting a good picture of him but through a childhood innocence lense) or an animal she knew.
So when she makes her first friend group in camp campbell her only prior experience with one is in the flower scouts. Nikki picked up bad habits from them bc she's a kid and doesn't have the emotional maturity to analyze her every behavior.
So when Max is being the type of person who was being quick to shut her down, who (in her own words) was micro managing her, and only ever seemed like he was having a good time when they were doing what HE planned to do, ofc she's gonna start harboring some complaints. Nikki isn't gonna sit down and talk about her feelings to him like an adult she's gonna do what the flower scouts taught her and you talk shit about the problem to OTHER friends.
This isn't to say she secretly hates him, no I firmly believe she deeply cares about him too but they're both flawed people so their friendship has flaws too that doesn't make it void of care for one another.
You can't unbiasedly hate on Nikki for that scene she's mocking him if you're not even taking into consideration WHAT her original issue was. Nikki shit talks, Max has control issues.
As episodes progress I think they really seem to work past it and become better people AND I THINK THAT'S RLLY SWEET I LOVE THEIR FRIENDSHIP ❣️❣️
The way they interact with each other throughout the series really shows that their differences might cause some clashing but they have FUN together and I think their differences and problems just make them more interesting characters
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tokiro07 · 5 months
Text
Undead Unluck ep.15 thoughts
[Trauma Dump]
(Contents: immediate reactions - additions, analysis - OP/ED)
Only a chapter and a half this time, huh? If y'all hadn't wasted time with that recap last week, we could've gotten to the juicy bit as the cliffhanger this time...ah well, guess that'll just be how next week's episode opens
Despite the fact that this was pretty much just an exposition episode, I do think it was one of the better executed episodes overall, particularly because of my favorite thing: adaptational additions!
They were all pretty brief, but the little added bits of seeing Under up close rather than just really tiny in the background was greatly appreciated, and I think did a lot to help build up the type of threat they are
Juiz was also standing before the tablet, which, funny enough, has never actually been shown in canon! We've had it alluded to and represented visually, yes, but we've never actually seen a character in the same room as it. It almost felt like a hypothetical up to now, but nope, it's real and absolutely observable, at least in this adaptation
The real highlights of this episode are the new opening and ending themes, though. I'm really digging the new opening with how dynamic it is. I do miss the more abstract imagery, but what it lacks in symbolism it makes up for in intensity! Andy's limbs exploding into Parts Bullets, the meteor flying down to Earth, the title carved into rubble, Andy vs. Victor culminating in a frankly awesome shot of Fuuko staring down an oncoming meteor; it all looks so cool!!! My main problem is just that it ends kind of abruptly and the music and visuals feel kind of mismatched right at the end. I'm not sure how it could have been done better, but it leaves me with an awkward feeling upon finishing it
The ending theme isn't nearly as visually powerful as the first one, but I think it's meant to contrast it: whereas the first ending was about Andy's loss of self and search for death, the second one looks to be Fuuko's search for companionship. The first half of the videos features her alone on a bridge, possibly contemplating her death, until she sees Andy off in the distance and runs to him, with the two proceeding to walk through the autumn leaves with smiles on their faces. Andy woke up in the first ending to realize that he was with Fuuko, as if he had trouble accepting that as reality or was anxious he might lose her, while Fuuko is shown here actively spending time with Andy and the two enjoying each other's company. This is also intercut with Juiz and Victor sitting together in snowy ruins, a vision of days long since past vs. Andy and Fuuko's blissful, if destined to be short-lived present in the dying leaves of autumn
Overall, I enjoyed the new OP and ED, but they're definitely not perfect. I'll probably come to enjoy them more and more as we go, and I definitely look forward to seeing full translations of them (which I wouldn't be surprised if they already exist) so that I can understand the messages they're trying to convey
See you all next week, let's enjoy life!
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deimosbreakfrost · 4 months
Text
Total Drama Island (2023) S2 "Rewrited" au
A possibly cringe Fan Fic that I'll hate on the future
So, this is a fan fic of an Rewrited au of mine... """""Rewrited""""" because I'll change alot of things and I am just making this fan fic for fun while showing you guys what I would change.
Okay, let I start this modern tragedy already.
First part:
Episode 01, The kids will (not) be okay:
-The episode starts with Chris, Chef and the entire cast from the Total Drama island (2023) on a plane, going to a new season in a "new" place. Chris was talking to someone by a Walkie Talkie.
*Biiz*
???: Mr. McLean, seriously that you're lying to them saying that they're going to some kind of "total drama: World Tour" 2?
Chris: umm... Maybe--?
???: McLean! That's pratically clickbai-
Chris: Hey! Don't you dare use this "modern generation" language on me! Anyways, be ready because we're almost getting to there.
???: ah, ok-
- Chris ends the transmission
Chris: wow! That boy still annoying...
Chef: Chris, we're recording!
Chris: Ah, don't worry! After this introduction we will be finally free! ... I mean, just me, not you!
Chef: grr...
Chris: ah, calm down! Anyways, it's been a year 'total drama fans'! Since we don't see Each other THAT long, I'll give y'all a quick recap.
Last season on Total Drama Island:
16 new contestants showed up with the dream of taking that 1 million dollars price.
And the eliminations we're surprising!
Caleb was just there. until he even had the chance of doing something, Bowie made everyone eliminate him! Poor boy...
Nichelle humiliated herself Infront of everyone.
Emma HAD a chance of showing to everyone on live tv that Chase is (or was) a horrible person, but Chase was luckier than her.
Julia was boring, the way she talked, the "spiritual, love and peace" things that she normally talks about was annoying enough to her team.
Wayne would do anything and everything for his best friend Raj, and he was more than happy when he found out about his buddy's secret!
Scary Girl was Creepy, but not for Axel and Ripper! They we're her Unic friends that she had in a while, and the Unic ones that think that her actions are more annoying than scary.
Priya was pathetic! Seriously that she think her parents are so great that she easily go insane when someone criticizes them? Pff, surely the most well deserved elimination of that season.
Mk was smart, a little too much. And because of that, she went from being Bowie's Allie, to be a traitor! Well, it was that, that Bowie made everyone believe.
Raj has a secret, he loves Bowie! And because of that, he made our fandom go wild for them! The fandom loves them! Especially that people from that one Social Media that has "Tum" on the start...
And Chase knowed About that! The fact that Bowie and Raj we're dating, of course. Not the fact that the fandom is crazy for them. So, as a indirect revenge for MK, he was double eliminated with Raj!
Ripper and Damien have a... Interesting friendship. A "nerd hater" and a nerd!
Ripper was... Adorable? Yeah, he went from being a pathetic alpha male wannabe, from being a even nicer version of Owen, and because of that "adorable" personality that he gained he made Damien, Zee and especially Chase be his best friends! (Axel and scary girl too) Good for him, I guess.
Damien screamed a lot until His friends convinced him that being public humiliated in live television isn't that bad!
And Millie was nice, she tried to write a book about how much this generation is potentially bad, but after Priya's elimination, she learned that it was just a exception! There IS good people from this generation, you just need to find the right ones! (Priya not included)
And let's go to the final 3...
Axel, she had everything to win! The strength, the power, the personality... But, Ripper and Scary Girl missed her, so they finded a way to make her go back to them! That's what you gain when you are friends with a fake emo and ex-bad boy.
Zee, how did he got in there?! He could easily be eliminated until the merge but no one wanted to! And if wasn't for the "milk" part of the last challenge, he would have won! But he didn't.
And Bowie won! He used and eliminated half of the cast not counting with Wayne and Raj, of course.
Chris: So yeah, EVERYONE that I mentioned is back!
-Then it cuts to Chris in the passagers cabin with the 16 participants.
All the 16 participants are in here
The one that went out first:
Caleb: I'll make YOU guys regret voting me off...
-Caleb said in anger, while pointing at Bowie
Bowie: geez...
Ripper: you got a bit 'edgy' after 1 year, huh?
Caleb: what?
The most misunderstood one:
Ripper: huh?
Chase: wait, since when Ripper is misunderstood?
And the worse one:
Chase: excuse me?!
Emma: pff...
And of course, the winner:
Bowie: yeah, exactly, me!
Chris: well, I don't know if you guys noticed but Bowie was the Unic villain after a long time that won a season, the Unic one that did that was heather.
Bowie: wait, reall-
Chris: okay, this is slowly getting boring! So let's make the things end quickly!
-the ground below all the participants opened up, making all the participants fall into The water.
Chris: Ahaha... I'll miss that, and Chef already leaved without even saying "bye"!!
-Chris quickly ran to the drivers cabin, grabbing the plane's volant and taking control of it.
Chris: arg! Okay, I'll be quick! This surely the last time you all will see me hosting this program! Yeah, this is Sooo sad! But listen up! The future is bullet proof and the aftermath WILL be secundary! And time to them do it now and do it loud! I am Chris McLean, and I'll never, EVER see y'all again! Bye, losers!!
-after Chris leaved everyone behind, the scene cuts to the brand new hosts
...
Topher: Yeah, we're finally hosting our favorite reality show ever!
Sierra: But it's just so sad that Chris is gone for like... Forever?
Topher: nah, judging by the way he is he'll surely randomly appear when we Least expect it or something. But anyways, yeah, Chris finally gave his role as host for someone else!
Sierra: two to be exact.
Topher: yeah, right! Anyways, I am Topher! I was a participant of Pahkitew island!
Sierra: and I'm Sierra--!! I was a participant of World Tour!
Topher: and if you haven't noticed yet...
*Both Sierra and Topher say together*
We are the brand new hosts of total drama island
...
Topher: season 2.
Sierra: you don't need to explain it to the Audience-
Topher: okay, now pull the opening already.
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