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#all words is good words anon
not-poignant · 25 days
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Hello Pia how are you? Not really an ask but more sending thanks and love for all of your writing. I've been a reader for over a year now and am still in awe of your skill (and speed!). I've been getting back into writing and struggling with feeling inadequate or like my stuff reads childishly, as a result I can barely get out 5k aha, but I'm working viewing it as a lifelong dedication to improvement. (On a side note: your work got my teenaged self to snap out of purity wank, forever grateful!)
Hi anon,
It is so awesome that you're getting back into writing!
Honestly, it is a sign of a kind of growth to notice the things you don't like in your writing, because if you feel it reads childishly (and I bet it doesn't all read like that, or most of it doesn't), that means you have skillsets already to aim towards. You can see how you want to get better. This is a skill!!! It's a more painful skill, and it's not a good one to listen to all the time, but it's a good skill to have.
When it feels dispiriting you can balance it out by intentionally looking for and writing down your strengths as well, and writing more of those. It might be only a few lines, or it might be all of the dialogue, or it might be the descriptions, but there will be strengths too!
Also 5k is impressive! Everyone writes differently. It took Mark Z Danielewski 10 years to write House of Leaves, and I love that book a very great deal. Quantity =/= quality, and you also have to remember I've been doing this in a pretty focused way for 10 years! Trust me, if you did this in a focused way for 10 years, you'd be in a different place with your output (which isn't obligation to do this for that long, just that...things take time <3 )
I'm glad you were able to snap out of the purity wank mindset anon, it's a tough one to be in, because it makes you feel like you're not safe in your own mind, and after a while it shuts down curiosity because it feels like everything you're interested in has to be examined just in case it's a moral trap or says something 'terrible' about you if you show interest in it. And that's really hard! It makes sense to me why so many antis kind of really lock into what they think and believe, because they've gotten so used to treating themselves with paranoia, how can they not treat others that way?
And that's a miserable way to live. It's the opposite of benefit of the doubt.
So being able to separate from that is incredible! And that's a tribute to your own curiosity in the world, and interest in exploring different ways of doing things, and I think that's really cool. :D
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koshercosplay · 2 months
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Neil gaiman is a Zionist :(
this is so funny because if you google "neil gaiman zionist" nearly all of the links are to unsourced tumblr posts or responses to a single tweet from 2015 that just acknowledges Israel's existence
I see gaiman has once again committed the heinous crime of Being Jewish When Israel Is In The News
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calmparticles · 4 months
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TD World Tour AU, where Noah doesn't tell Owen that Alejandro is an eel in London... In Area 51, Noah is accidentally splashed with an alien truth potion (which wears off after a few days) and he talks to Owen... Owen asks Noah what he truly thinks about Alejandro, and Truth-Potion Affected Noah says this: "I have mixed feelings for Alejandro. He's a brilliant, interesting guy and I like him, but I don't trust him. He's like a slippery eel dipped in grease, swimming in motor oil. Basically, Heather with social skills. Wait a minute, why am I telling you this?!"... What if Alejandro secretly heard Noah call him all those conflicting things + Alejandro also learns that Noah is affected with an alien truth potion? 👽
Alright, you got me. I'm an absolute sucker for truth potion plots, especially when the character(s) effected by them are usually either pathological liars or incredibly secretive- of which Noah absolutely falls into the second category, given he shares so little personal information.
I'll gloss over why Noah declined to shit-talk Alejandro in London (though there's so many ways this change in behaviour could be justified) since the focal point of this hypothetical centred around their time in Nevada, so let's start from the beginning of the Area 51 challenge.
Area 51:
Before we start, it'll have to be established that no one was eliminated in London. Let's say that the majority vote went towards Duncan (team CIRRRRH voted him out immediately because they found his re-admission to the competition unfair, I guess. I imagine he'd also vote himself, if not as a plan to escape the competition he'd been actively skiving from, then just as an act of spite) but Chris instead claimed it was a rewards challenge- much like he does in Greece- because he doesn't want to let Duncan slip away again so soon.
I see no reason to alter the first part of the challenge- the sneaking into Area 51 portion- since team CIRRRRH's course of entry is fairly straightforward. Noah's presence doesn't make much of a difference to how it would play out; the majority of them throw their rocks and run, Owen gets lasered over the fence and Owen-napped, ect ect.
When both teams have managed to make their way into the Black Box Warehouse, Noah immediately suggests they should prioritise rescuing Owen. Tyler's quick to agree, since he's a firm believer in the "no man left behind" mentality (and he probably makes a not-so-subtle jab towards Noah for his chance of tune compared to London, where both he and Owen did leave Tyler behind) leaving Duncan and Alejandro to split from the group- Duncan in search of Gwen, and Alejandro just takes the opportunity to finally be free from his 'incompetent teammates' and prioritises finding an artifact.
Noah and Tyler come across the contraption Owen's trapped in, Tyler punches it in a futile effort to break it open, and the face hugger cube drops into Noah's hands. This is where the point of divergence comes into play; Tyler has his E.T. moment with one of the face huggers, but Noah- who's a tad bit more observant than Alejandro, and used to dodging surprise attacks from his various older siblings (and Izzy)- anticipates his own face hugger attack and promptly starts a game of cat-and-mouse with a taser alien hot on his heels.
The commotion of which attracts the rest of his team. Alejandro and Duncan arrive on the scene to see Tyler being electrocuted by an alien and Noah running in circles evading another.
Duncan attempts to rip the face hugger from Tyler's face, finding success at the cost of sending Tyler trampling into Owen's captive contraption (essentially taking Alejandro's canonical place in this scene) and inadvertently freeing Owen.
Meanwhile, Alejandro swipes up the nearest box he can find and snags the alien chasing Noah, who's still very loudly panicking as he flees, and succeeds! The alien is swiftly captured into the box, netting team CIRRRRH their artifact, and Noah promptly goes careening into the nearest tower of junk in his face hugger-fuelled hysteria. This causes another box to topple from the peak of the tower, landing directly on Noah's head and spilling its contents onto the bookworm- glass vials filled with a mysterious, luminescent cobalt blue liquid shatter into pieces drenching Noah in whatever they contained. (i.e. truth potion.)
Owen has his false-amnesia moment, characterised by his Joker makeover, and Alejandro enacts his revenge post-hypnotic suggestion after being addressed as "Al" one too many times.
Noah, understandably, swiftly objects to Owen's treatment and demands that Alejandro snap him out of it. Alejandro concedes, and Owen's brought back to himself. At least, for a moment, before the fatigue of having his mind messed with sends Owen into near-catatonia (the same as canon), meaning he has to be ferried through the Warehouse and back to the Jet by Alejandro and Duncan.
Things carry on canonically from there; Noah's just sort of there for the most part, though there'd be a minor hint to his newfound proclivity for honesty. Something along the lines of him giving an uncharacteristically honest answer to Owen as to who he's voting- Tyler, of course, since he was the one who ultimately threw the challenge for them... and also because Tyler still holds some resentment towards Noah for what happened in London, and Noah feels guilty about it every time he looks at the jock. Wait, why did he say that?
Sometime between this and the elimination scene, Noah wipes the truth-goop off of himself, but not before the effects have already started.
Tyler's voted out, yada yada yada.
The Jet:
Thus begins the start of "Picnic at Hanging Dork". Team CIRRRRH, consisting of just Alejandro, Duncan, Owen and Noah, are slumming it up in the Economy Cabin. Alejandro tries to rally his team by asking how to break apart Courtney and Heather's tentative co-operation. Owen suggests having Alejandro seduce Heather, since it worked for both Bridgette and Leshawna. Duncan makes his "Babe Olympics" comment. Noah pipes up that playing with someone's feelings is pretty scummy, even for someone competing for a million dollars.
Alejandro takes Noah's reluctance towards his methodology poorly; he hadn't spoken up before, when Alejandro had utilized the same strategy against other girls- and even Owen noticed that, so surely Noah did too- so why was he to outwardly against him using the same tricks? Duncan agrees, and offers ''his'' idea of having Alejandro flirt with Courtney to throw both her and Heather off their games (since Heather has an obvious crush on Alejandro), and things follow canon.
Then, the scene between Alejandro and Courtney happens. Noah scoffs at the display from the side lines, prompting Owen to ask him why he's so against Alejandro's plan.
"I mean, you never said anything before, when he flirted with Bridgette and Leshawna." Owen comments, light-hearted in nature but with an underlying questioning tone.
Noah's eyes flicker with a cobalt glow, easily mistaken for a trick of the light, and he speaks without even thinking.
"Yeah, because I was trying to give him the benefit of the doubt. Bridgette was happenstance, and Leshawna's whole deal could've been a coincidence, or some massive misunderstanding. But this?" Noah extends an accusing hand out towards a smug looking Alejandro, then pans it over to a flattered Courtney, "He's outright toying with Courtney's feelings after she was cheated on in front of an international audience. It's scummy."
Owen nods in understanding, momentary contemplation evident in the pouted curve of his lips, and he chimes in.
"Does that mean you don't like Al?"
"I never said that."
"Well, how do you feel about him, then?"
Again, a flash of blue light against the hickory backdrop of Noah's eyes, and he responds thoughtlessly.
"I guess I have mixed feelings about him. On the one hand, he's slippery, like an eel dipped in grease, swimming in motor oil. He's like if you took all of the worst aspects of Heather, wrapped them up in a pretty package, and gave them social skills..." He holds his hands out before him in a scale-like manner, with the left tipped downwards and tie right raised by his chin. Then, the two hands swap positions.
"And on the other hand, he's brilliant. I've never met anyone as talented as Alejandro; he's smart, he's athletic, he's funny. It's almost unfair just how perfect everything about him is- even his face is perfect. It's ridiculous! Infuriating, even. It's so hard to dislike him, even when I know he's bad news, but that doesn't mean I trust him."
Owen stands slack jawed beside his best friend, both impressed and stunned at the raw honesty of Noah's tirade. Noah, now a little more aware of himself, realises that he's said more than he intended to- more than he thinks he's ever spoken in one go throughout the entirety of Total Drama. He's not usually one for speeches, after all, let alone honest ones.
He's always been the type to play his cards close to his chest, so why...?
"I, uh, didn't mean to go off like that."
And he also didn't mean to admit it, either. What was going on?
The look Owen gives him is, in a word, vivid. The blonde has a shit-eating grin stretching across his face, a sort of elated smugness practically glowing from his features.
"Sounds like someone has a cruuuush!~"
What? No? No! Not at all, where would Owen even get that idea?!
Noah splutters to correct Owen's assumption (to disastrous results, because he does sort-of has a crush on Alejandro, so the truth potion doesn't allow him to outright deny it), and in his preoccupied state he misses how a calculating pair of sage green eyes never seems to stray from him.
Alejandro has a lot to think about in regards to a certain cynic, it seems.
#I'd like to apologise for taking this idea and running with it.#Cutting myself off here before I breach 2k+ words or else I'll be here all day.#Sort of entered actual Writing Mode at the end there instead of Outline Mode but this idea is. So Full Of Potential I couldn't help myself.#But from here it'd basically be Alejandro using his newfound knowledge of Noah's crush on him to his advantage.#Whilst Noah's doing his best (and failing) to deny that he has any feelings for Alejandro.#Eventually leading to the two of them having a Bonding Moment where Alejandro gets Noah to divulge some personal information.#And in turn- or an effort to garner some trust (to be abused later)- Alejandro also lets himself be vulnerable towards Noah.#Something something Alejandro tries to use Noah as a pawn but ends up catching feelings of his own.#Then of course the potion wears off and Noah goes back to being just as prickly and standoffish as he was before.#A point of conflict maybe? Imagine bearing your soul out to someone only for them to close themself off to you not even days afterwards.#...Also imagine being practically forced to divulge information about yourself to someone you don't trust because of a truth potion.#Oh yeah. That's some good angst material right there.#Especially is you have Alejandro be- if not fully aware- than at least suspect that Noah's not being agreeable on his own terms.#Anon why have you given me The Thoughts?? I can't keep brainstorming AUs when I already have fics to work on!!#ophe's ranting in the tags again#total drama#td noah#td alejandro#team chris is really really really really hot#alenoah#-ish#silly ideas#other's ideas#long post#replies#kinda drafty in here (posts from the drafts)
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boyfridged · 1 year
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You may have already mentioned this in some of your other metas, and I just missed it, so please ignore this if it's redundant.
Do you think Bruce is projecting onto Jason by pushing him as a Robin? Obviously, Jason wanted to be Robin and was excited about it, and Bruce let Jason do other things, but (if I'm not mistaken) before Tim came into play, solidifying the whole Batman needs a Robin/support to keep him upright, Bruce and Dick becoming Batman and Robin, in the beginning, was also sort of a coping mechanism.
I think there are a few examples of Bruce enabling this kind of mindset. Like in Gotham Knights #43–44 (sorry), every time Barbara brings up Jason's inner turmoil, Bruce refocuses on his ability as a Robin; similarly, when Jason finds out about Two-Face and his dad, he is hurt, and Bruce acknowledges that but then does the same thing, zeroing in on reassuring Jason that he made a mistake but is still a good Robin.
Like, Jason got it from Bruce, but he unintentionally encouraged that kind of thinking.
oh, i definitely think that bruce is projecting on jason and that it profoundly affected jay. and, while every single one of your observations is apt, i would add that what truly made it so tragic is that he projected his own worst traits on jason while being blind to the fact that jay already shared his best qualities.
tldr: bruce projects himself on jason in terms of grief (saying that jason needs vigilantism to work his grief through) and sees his own worst traits in jason (anger) but doesn't see his own best traits in jay (compassion, love, and sensitivity). ironically, jason does end up developing all of the (projected) worst characteristics of bruce (obsessiveness, and relentlessness in pursuit of the respective perceived idea of justice). this happens even though they were barely present in his early storylines, and only ever manifested when jason was scared or lost. later, they truly came to be because of his trauma relating to vigilantism.
and the long, long version, coming with panels and quotes: under the cut.
first i want to say that the following analysis focuses very specifically on bruce's mistakes, but i don't view the overall of jay's upbringing by bruce solely in these terms. from text it is also clear that bruce deeply loves and cares about jay, and that jay enjoys being robin. now that this is clear, let's get to particularities, and start with jay's origin story.
i truly never stop thinking about the significance of bruce meeting jay in the crime alley, the place of his parents' death. there's a lot to be said about it, but here the focus is, of course, on the fact that he sees a little boy, very much similar to himself, angry and hurt, in the same scenery that brought him so much grief. and jay in some ways does appear to be a mirror of bruce's own agonies, as well as a mirror of his own inclination for seeking justice; and somehow, bruce fixates on the first one, while almost completely dismissing the latter.
bruce looks at him and assumes that the remedy to jason's pain and anger is being robin; and he doesn't stop to think about it. (it has to be noted that there's also classism at play, classism that is mostly a result of writers' own beliefs – collins did state in a couple of interviews that that the motivation behind jason's background was to make his introduction into vigilantism seem less offensive, as jason has already been exposed to crime...)
i think, in this context, it's interesting to look at the two-face storyline even closer, and from the start too. in the beginning, bruce talks of jason's 'street' roots and assumes jay would go "down the same criminal road that took his father [willis] to an early death." he also talks of jason making a lot of progress. later, in batman #411, after jason learns that willis has been killed by two-face, bruce comments that jay "has never been like this...listless...almost pouting--"
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this all, along with jay's cheerful and diligent behaviour from the previous issue builds an interesting picture for us: because we essentially learn that jay has been overall an unproblematic child. bruce, of course, attributes this "progress" to the training. however, for anyone else, the logical conclusion would be that jay's quick adjustment was simply a matter of finding himself in a safe and stable environment and receiving continuous support and attention from a parental figure. i find it rather questionable that jason's personality softened down because he had something to punch in the cave–– the more intuitive explanation is of course that he was angry and quick to fight when they first met because he couldn't afford anything else and because he was scared. but months later, in a loving home, he can allow himself to drop his guard; and his cocky attitude disappears until much later.
so the rather unsettling picture that we derive is that bruce is training jay to become a vigilante in order to "channel" his (nonvisible at this point) anger into something useful and just. and he clearly links this to his own trauma in batman #416 (that’s already starlin btw), in his conversation with dick, explaining why he took jay in: “he’s so full of anger and frustration… he reminds me of myself, just after my parents were killed.” bruce also mentions that soon after their first meeting, jason helped him and "handled himself well" in the fight, but he doesn't mention that jay has ran away from a crime "school" and intended to stop injustice on his own only because he was ignored.
the theme of bruce comparing jay to himself appears again in detective comics #574 (barr), where it is approached with a much more... critical look, thanks to leslie's presence and her skepticism of bruce's actions. after jason has suffered nearly fatal injuries at the hand of the mad hatter, bruce reminisces on his own trauma and motives. he tells leslie: "i didn't choose jason for my work. he was chosen by it...as i was chosen." leslie replies: "stop that! (...) you do this for yourself... you're still that little boy (...)" then, the conversation steers to the familiar ground and the topic of anger. in bruce's words, again: “i wanted to give jason an outlet for his rage…wanted him to expunge his anger and get on with his life…” and finishes "and instead, i may have killed him."
the recognition that bruce's projection on jason and involving him with his work might have fatal consequences is, as always, fast forgotten once jay wakes up and proclaims that he wants to continue his work as robin.
but to circle back, i think there's something else worth our attention, something deeply ironic, that is showcased in that issue: that bruce has no evidence for jay's "rage." when leslie talks of bruce's past, she recalls his tendencies to get into brutal fights at perceived injustice as early as in school; when bruce talks of jason, two pictures that are juxtaposed, are that of jason fighting as robin and jason... smiling, playing baseball.
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so, in the early days of jason's training and work in the field, we see bruce talking of jason's anger a lot; but we barely see it.
that being said, jay is angry sometimes– and i think your observation about how bruce deals with it is incredibly interesting and accurate.
we first see jay truly and devastatingly angry in the two-face storyline. bruce focuses on jay's reaction as robin, which is, in fact, aggressive. but something that he barely addresses is that jason's first reaction is sleeping all day, and not beating anyone to a pulp; in fact, this vengeful instinct seems to arise only when he is put right in front of two-face. and his third instinct, once the rage (very quickly) dies down after the altercation with two-face, is crying, because bruce hid the truth about willis' death from him. jay, while crying, asks bruce: "you have taken me out into combat-- but you spare me this?" in response, bruce lectures jason about how grief inspires revenge, which is, again, deeply ironic, given that jay seeking out revenge seemed to be prompted and enabled solely by the role of robin. moreover, his question suggests that at this point he saw grief ("you spare me this") and fighting as two different things.
the final is, as you said, bruce focusing on making it into a lesson on vigilantism, or, in his own words, "tempering revenge into justice." personally, i think in this way bruce directs jason to bring his grief into the field as a powering force, something that he didn't necessarily have an own incentive to do. the flash of compartmentalisation between his ordinary life and being a sidekick that jay has shown by questioning bruce's decision is lost. emotions are now a robin thing, and they have an (informal) protocol, a moral code. and when jay is confronted with an emotionally exhausting case next – the garzonas case, i believe that the focus on "tempering revenge into justice" is exactly the problem– we don't see jay crying, we see him frantic about finding the solution. this, right there, is bruce's obsessiveness, that in my opinion, was developed in jay specifically as a result of how his engagement with vigilantism combines with his deep sensitivity.
and, needless to say, his sensitivity is all the same as that of bruce – they both can't stand looking at other people hurting, they both wear their hearts on their sleeve, caring way too much – the thing is, bruce never quite acknowledges how they are similar in this matter. instead, he focuses on his sparse bursts of anger, wanting to bring jason closure in his grief the only way he knows it – in a fight for a better world. so, as you said, he focuses on jason's ability as robin.
which just doesn't work for jason. at all. we know it from how his robin run comes to an end: in the first issue of a death in the family (batman #426) alfred informs: “i’ve come upon him, several times, looking at that battered old photograph of his mother and father, crying.”  to that, bruce contends: “in other words, i may have started jason as robin before he had a chance to come to grips with his parents deaths.” he also tells jay that the field is not a place for someone who is hurting; a message that is the opposite of what he's been saying for years now, and something that i imagine was difficult for bruce to conceptualise, because then he would have to question his own unhealthy tendencies. it's a bit late to come to this realisation; bruce's self-projection that caused him to worry so much about jay's anger has already turned into a self-fulfilling prophecy that will fully manifest itself in utrh, when jason does the only thing he was taught to do with grief: try to channel it into justice.
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desceros · 5 months
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I feel like Donnie would be mush for his teeny, itty bitty little baby girl.
someone has been peeking in my google drive again i see....
yeah i think he (rise donnie specifically since that's the papatello i'm working on) would be one of those dads who has a big talk about how he's so strict, about the intense regiment he has his kid on to maximize their development, and he's always the most annoying piece of shit at the PTA meeting. flex brag flex brag
but then his little toddler comes up to him on wobbly legs and puts her hands on his calf, tapping at him for his attention and looks up at him with paint all over her face from where she got into the art supplies at the back of the classroom and made a huge ass mess, and he just melts at her crooked little grin (bc dad is the favorite) and is completely incapable of chastising her in any shape or form
that changes when she grows up and starts to act so much like him that he HAS to be firmer with her. the first time he has to put her in time out they both ugly cry a lot
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sergeifyodorov · 4 months
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honestly i am so blissfully oblivious to a lot of stuff there couldve been a hockeyblr civil war and i wouldve been diddling about saying stuff like "sarah nurse has an offensive disappear-and-shoot-from-nowhere ability comparable to auston matthews according to my eye test but because she is a winger she's generally more comparable to a pastrnak type equivalent. furthermore pastrnak combines matthews' shot versatility with ovechkin's shootiness although he's not nearly as good as either of them" and getting a solid 23 notes (21 likes and 2 reblogs) on it. ive never even gotten anon hate
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ask-tssb · 2 months
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To every pokemon character: Oh no! A trickster god has announced that it's going to change your species. It's far too powerful to stop it from doing this. However, it's allowing you to choose which species you're going to change to, with the caveat that Transform won't work when you use it. Which species do you change to, and why?
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Myu: I think that braixens have such cute fur, and they're great spellcasters... My mother would have never wanted to hear it, though!
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Atticus: I'm a fan of being soft and not doin' much, and that seems like stuff drampas do. And I like being a dragon, despite the everything else. Topaz'd like it.
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Topaz: I wanna be a big scary monster!!
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Clara: Tch. Well, if I must choose... I am not keen on being bothered, and so being a salamence is the easiest way to achieve that, as far as strangers should be concerned. All of the nearby villages were afraid of my father, and they were right to be.
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Gamma: Kadabra. I chose that at random. Haha, why not, anyway? Not like I got many other ideas! At least they're good with psychic stuff and holding lots of tools.
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Opal: I've always thought ice-types were beautiful, darling. As weavile, I think I would rather like holding onto the dark-type.
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Matt: Ah... Perhaps I could be a dubwool t' fit in with the people in my old village better. Nothin' wrong with bein' a raichu, of course; in fact, I don't wish fer another life. But I respect dubwools very highly.
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Caroline: I don't want to change. Nidoqueen.
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Marie: Fighting-types are awesome, and I'm already good at punching, so I'll be even better.
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Sandy: Oh, umm, I said before that I'd be like my character, Sapphire! She's a celebi, and she's pink, and she has healing powers.
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Dr. Steele: I would certainly not mind becoming a tinkaton. The way they swing around those heavy hammers with ease is enviable.
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Dr. Charkoal: I will become a mawile. So that I may show Dr. Steele was it is like to be bitten.
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pcktknife · 1 month
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If it helps, I've been following you for a long time (i still call you jiang in my head since that was the username i knew you as lol), youre like one of my biggest art inspos and the first thing I do when I get paid is check to see if your comms are open and I just want you to know that u can see your progress in every single piece you draw even in your sketches it's so obvious to a fan that you improve with every piece and I think your art is so dear to me (at the very least) and I want you to know that I've always viewed your art as ethereal and it's just all around really pretty.I hope you learn to love your art the way I love it <3 have a good night and in the morning I hope you wake up to warm light and continue to have the kindness you have after seeing whatever post you saw that made you have a good outlook tonight :)
im gonna start crying agaiiiiin
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cerise-on-top · 16 days
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Hi!! This might be awkward because it's my first time requesting something but I'll try my best.
Could you write a Fem!Reader x Farah where the reader is a Belly Dancer?
Just them meeting and feeling a spark between them. I'm a dancer and it would mean the world to me.
Thanx in advance!
Hey there! I went a little wild with that one since I've been wanting to write something a bit more elaborate for a while now, hope you don't mind =)
Farah with a Belly-Dancer!Reader
The chill of the evening made you shiver, its breeze gently caressing your skin as though you were a lover long lost. And yet, your performance continued as the audience cheered for you. Four evenings you had been performing now, calming the minds and souls of the weary freedom fighters that battled demons each day, trying to gain their freedom from their cruel oppressors. In the darkness of the night, you danced, giving them a glimpse of hope, showing them what they’re fighting for: A future in which neither man nor woman, adult nor child, had to fear for their life. A future in which everyone was treated as equal with love and compassion. From the ashes of war, that future would arise, growing, nurtured by the community found in the broken homes of the people crying for help. You were there to remind the fighters that that was the life to be had once all of this was over.
A small celebration it was, with many having gone to bed, dreaming of green plains among which their children would play. But not you. You would dance the night away. For as long as you could move, for as long as you could improve someone’s night, you would continue to dance. Your graceful movements, paired with the drums of another, made for quite the spectacle. Although tired, the people cheered for you to continue, to entertain them with your entire being. Those fights riddled them with fear, engraving into their hearts emblems of terror, but you dulled the pain, if just for the duration of which you performed your heart out. The rewards weren’t applause, whistles and flowers being thrown at your feet, it was tomorrow. A tomorrow that was one day closer to being ideal. One day, the wars would be over, but until then you shall hold on.
And the chill of the evening almost made her shiver as well. Farah took notice of the gathering of people over at the building, convening in front of it as though offerings to praise the gods were being made. But there was no such thing, for a benevolent and kind deity would never allow this many of her brothers and sisters to fall. And yet, her curiosity betrayed her in that she turned to look at the blissful scene. As her people clapped along to the music, she felt intrigued. Who was it that brought joy in such dark times? Who would bring about such bright smiles? Who would make those soldiers feel at ease during times of war? It must have been someone, who had lost their mind, evidently. And yet, there was a sense of gratitude. Why wallow in misery, one day it will all have been worth it. One day, those uncertain times would finally be over and they could finally rebuild their cities from the rubble, that, which has been so unfairly been laid waste to.
And among that stage was something Farah would have never believed, had she not seen it with her own eyes. A trick of the dim light, perhaps. Maybe even a phantom, sent to entice her. She was strong, much more so than even her closest companions would believe, but what she saw on stage gave her a feeling of contentment. There was no certainty you were real, perhaps you were an illusion caused by her fears and worries, perhaps you were a foul demon that sought to get her off her path of righteousness. Either way, you were ethereal. The passion behind your movements was enough to convince her that you must have been some greater being. You brought cheer and happiness to the almost hopeless. Oh, how Farah wished she could have gone onto that stage, show her chivalrous side and protect you from all harm. But her mission would allow her to do so anyway.
And what you saw almost made you freeze in place. A woman, hardened by the battles she’s fought and won, but the kindness in her eyes was very much there. She was rough around the edges, she had been beaten down so many times, but she never ceased to fight, she never ceased to do what was right. For herself and the people she believed in. From below, she stared right back at you, her eyes sparkling brighter than the stars above. Although you had recognized her from hearsay, you never would have thought you would get to see her in person, much less have someone of such importance watch your performance. It was the incentive you needed, the energy boost given to you after a small break, that invigorated you. You were born anew under her gaze, a warm feeling overcoming you. And just like that, just because that woman watched you with such intent, you could continue to dance the night away.
But even as that youthful joy began to settle in your heart, you felt the urge to talk to that woman. She, who had no name you knew of so far, had captivated you in a way you couldn’t describe as you were. Perhaps the gods knew what it was you were feeling, but you, a mere mortal, lacked the understanding. And thus, as the masses slowly began to disperse, seeking the warmth of rest, you stepped off the stage for just a moment. There she was, her arms crossed, and yet she seemed approachable. With a gentle smile, she waved you over. In a world where most deities seem to leave humanity to fend for its own, why would a goddess of beauty, love and war come to call you, of all people? It was an enigma you had naught but an inkling of a reason. And yet, despite all the wars she’s fought in, she seemed to be so kind. Your heart was drawn to hers.
“Your performance was really nice.” Her voice, sweeter than sugar trapped in honey, enticed you. Her melodious voice beckoned you closer, and you followed suit.
“Thank you, that’s very kind of you. You’re the commander, right? It’s an honor to meet you. I’m Y/N.” Almost shy in your approach, but you seemed more fierce than a lion defending his own kin. Although you held no guns, you fought for your beliefs in your own ways. How admirable.
Farah may not have been a believer of destiny, thinking that one could only carve one’s own path as the world would do whatever it took to prevent one from achieving the greatest of things, but it felt as though her and you had been intertwined. Oh, what cruelly sweet fate had brought you together? What made you meet under these circumstances? But perhaps fate had brought you together for a reason?
And for the first time that evening, the both of you could finally share in the warmth of a new companionship.
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arvandus · 10 months
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literally how can u be in ur 30s with kids and STILL write x reader shit abt children???
I'm cracking up because I feel like as a writer here on Tumblr, I've finally "arrived." I've "made it" so to speak. I managed to be left alone for literally years, here in my corner just doin' my thing while you and/or others like you went around harassing other writers over things that have zero bearing or impact on the real world and the problems in it.
Normally, I would block and delete this cowardly anonymous ask, but I'm feeling charitable this fine morning on three hours of sleep, so I will gladly go into a discussion about this.
I hope you're prepared, anon. I have a lot to say about this subject since I've thought about this before back in the 2020 days of Tumblr.
First thing's first, I'm curious what spurred this...? Most of my writings DO focus on "adult" characters (Dabi, Chisaki, Nighteye, Aizawa, Gojo...). I've written for the "younger" characters a handful of times, usually small romance bits that others have requested or that I felt inspired to write because I felt it would make a good story. However, that's neither here nor there, since I have no problem writing the "younger" characters as aged-up adults engaging in adult situations and experiences (and yes that includes *gasp* sex!).
Why all the quotations around "adult" and "younger" you might ask? Because the simple fact is this: it's all fictional. None of these characters are real. So, in that sense, their age (physical, mental, emotional) is flexible, particularly when it comes to creative/artistic interpretations that expand beyond canon (friendly reminder, ALL fanmade material deviates from canon no matter how well drawn or how well written).
This means I'm able to look at a character and age them up in my mind utilizing my imagination. Why would I even want to do that in the first place, you might ask? If I'm willing to "age them up" then it means I'm attracted to them as they are portrayed in canon first, as teenagers, correct? Wrong. First off, if I were attracted to them as teenagers, then I would WRITE them as teenagers. See how I'm not doing that? Let's use Bakugou as my example for this. When I think of writing Bakugou, I'm not writing 15 year old Bakugou who's constantly loud and shouting at everyone aggressively to the point of comedic relief. I'm writing a 20- or 30-something Bakugou, who's still got that undercurrent of aggression, but he's learned to temper it over time; I'm writing a Bakugou who's been forced to grow up a bit through having failures, and or dealing with the loneliness of his single-mindedness around being "the best."
What I AM attracted to is the character "type." This includes their design (i.e., how they look), their personality/archetype (e.g., cocky asshole, aggressive pomeranian, aloof silent type), and their backstory/circumstance (e.g., daddy issues, self-esteem issues, past traumas, etc.). I'm basically borrowing all of these things when I write a character into my own fanon universes.
There's this little not-so-secret 'secret' within the fanfiction community: the canon version of a character and a fanon version of the character are NOT the same character. They look nearly identical (i.e., same appearance but aged up, so broader shoulders, taller, etc.); they share the same backstory/experiences (i.e., what makes them who they are); and similar mannerisms. We like to PRETEND they're the same, but in reality they're not. The character stops being a canon version of himself when I, a writer, get my hands on him. He's no longer a teenager when I write him; he's an adult, and he has new experiences that have transformed him into a new characterization that I'm utilizing for my own benefit. The canon still exists of course, but my rendition is a little bit removed from that just by the nature of creative license.
That is what, I as the writer, am attracted to. I'm attracted to that character "template" and the personal modifications I've made to it. It allows me to play with character concepts in way that I'm comfortable, including changing a canonically teenage character to an adult so that it aligns with my personal morals and comfort levels.
So for me, I have no interest in writing NSFW stuff/adult themes for characters as teenagers because I'm not attracted to teenagers. I've written some soft romance short stories (e.g., my very first BNHA fic was a prom-night first kiss with Kirishima) because it makes for a good romance story; and quite frankly, there's nothing wrong with writing that. Love is something you can write about no matter the age; writing about teenagers finding love does not equal perversion/pedophilia; and if you think it does, then never read a YA book again, since those are, well, all written by adults (you're welcome).
What I DO have interest in is exploring characters in non-canon situations. What would Pro Hero Bakugou be like? How would he approach a villain that he's attracted to? Or how would he handle almost losing someone he fell in love with that he was supposed to protect on his watch? And yes, that includes exploring sexual themes as well, such as what kind of a lover would he be like? What kind of kinks would a character of his archetype and backstory enjoy?
"But why utilize canonically under-age characters?" you might ask. "Why not use one of the canonically adult characters to explore these things?" And the answer is likely because maybe that character archetype that I'm drawn too for this particular idea/story isn't available in an adult form within the canon story. Stories that have a large cast, and particularly a large number of adolescent characters, have a wide variety of character archetypes to choose from that may not be as available with the adult characters. In short, it's because that particular character type fits that particular creative idea/thought. It's all about imagination and play.
So, long story short, if you have difficulty with extending your imagination beyond canon, then please, by all means, don't read or write aged-up fics because you won't be able to suspend your disbelief, and all it's going to do is gross you out. That's a you problem, not a me problem. I have no moral concerns with myself at all. I know for for a fact I have no romantic or sexual interest in teenagers either in fiction (thus why I age up) or in real life when they cross my path.
The TL;DR: You can "age-up"/imagine a canonically teenage character as an adult simply because the character is just that - a character. It's not real. You're taking an archetype, a template, and you're modifying it so you can use it to tell your own stories, stories which are important to the creator for a variety of reasons - sometimes the writing is therapeutic to process/explore sexuality and/or trauma; sometimes the writing is simply because it's fun, because we enjoy the stories we imagine and we want to share them. There is a refreshing flexibility and freedom in it that allows us creative folk to modify and play to our liking without having to create characters and worlds from scratch.
This is NOT the same as someone looking at a real-life teenager and "imagining" them as an adult or thinking they are sexually available because "they're so mature" or "they'll turn 18 soon" and treating them inappropriately for their own personal gain. Real grooming, real pedophilia, impacts a real, flesh and blood person. That person will STILL be a teenager, despite what an actual groomer might like to think or pretend. No amount of sugar coating or grooming talk will change that fact, and it will be the teenager that gets hurt.
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ullybug · 22 days
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brad/bergy with the word "small" for the ask game?
Send me a ship/character(s) and a one word prompt and I will write a 5(***) sentence fic about it.
The arena lights are blinding, the crowd deafening, and the moment monumental, but he still takes a moment to pause. These are the last few seconds he has to himself before a big part of his life changes forever. Irrevocably.
The memory that Brad lingers on is one worn smooth with age and repeated recall: standing in front of a hotel mirror after another rough, chippy game in the early days. Barely done sweating, half undressed, he'd been wasting his time rubbing his fingers over the bridge of his nose and letting some nothing-comment about his face from some long-forgotten player get to him. Plaintive, muttering to himself, he'd said, "It couldn't have been smaller?"
Then there'd been Bergy, peaking through the bathroom doorframe with that nosey way no one believes he sometimes has. At first breath there's concern, followed by the pleased expression of a man who'd thought of the perfect joke. "Aren't you small enough already?" he had asked Brad, coming from behind to set his hands on his hips and the full weight of his body across his shoulders.
Brad had grunted, shifted his stance to take the weight and hold them both upright. It hadn't occurred to him to complain (nor would it ever). He let himself be goaded into replying, "Hey, now. I'm proud of my size!"
And beyond the shitty joke, he really was, he is -- all of this power and ability is no coincidence, not in the way that genetics can be, and he's always put the work in to making his body a worthy reflection of his passion for the game. Anyone could chirp him for his height, but not for that. His vanity, maybe, but not that he didn't have anything worth flaunting.
Pat had smirked, then, as though Brad was a hapless woodland creature that had just stumbled right into his trap. "Some parts of you are small and some" -- a hint of a leer, a squeeze of his hips -- "are big, but they're all pieces of the person you've made yourself into. You made it here and you make your own choices now. No one can deny you any of that. And I happen to like this person a lot, which should be worth something, too, hm?"
At the time, Brad had laughed a little, smiled coyly, and led Bergy away from his lapse into insecurity and vulnerability (which looked a lot like luring him out of the bathroom and into the bedroom). The moment had faded into a song and dance Brad was more familiar with, where affection could be given and taken in ways that pleased them both and the only underbelly he had to expose was the one he'd sculpted into perfection. There was no risk to be had there, but plenty of reward -- and Bergy. In hindsight, Brad had always had Bergy.
In the days and weeks and years following that hotel room, he's pulled the memory of their conversation out on quiet nights to turn Bergy's words over and over again in his mind, trying to decide if Brad could ever agree with them -- agree with the way Pat saw him, then.
Eventually, he'd come to peace with them, where they no longer prickled over his darker thoughts and made him want to lash out just to prove Pat wrong for once. Then, something close to acceptance came, where he knew Patty to be right even if he couldn't quite believe him.
As it does, a lot has changed in the time since that conversation. Here and now, Brad takes his first steps onto the ice as the captain of the Boston Bruins, all while remembering the way Patrice had smiled at him through the mirror as he spoke those words about becoming directly into his heart. Brad knows that these next steps will take him somewhere completely new, to moments he never expected and through a solitude he never could have wanted -- but, even then, Brad will carry forward the pieces of flesh and memory that shape him. He will carry them into these new places and make them a home.
With a proud, steady breath, he lifts his face to the crowd.
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airenyah · 16 days
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Your essay on Joong's underrated acting skills deepened my Joong appreciation so much, that I watched Mafia the Series, I'm watching Ploy's Yearbook (even though there is a serious lack of Joong so far), and I'm planning on watching The Warp Effect too. I haven't watched het shows in over ten years, so this is a big deal! 😂 I really liked him with Dunk in their shows, but MTS gave me another facet of him, because he's so timid in it, unlike in SIMM and HA, where he's (seemingly) very cool and in control. So thank you for making me a full time Joong (and Dunk) girl 💜
i saw this message first thing in the morning when i woke up yesterday and it instantly put me in a good mood!!! <3
YESSSSSS I'M SO HAPPY TO HEAR THAT
mafia the series might actually be my absolute fave thai het-show, it's just SO funny!!!! and the entire cast is so great, like, not just joong but the entire cast plays off each other SO well. and don't even get me started on gina virahya and her portrayal of anna kondra!!!!
you know, when i went into mafia the series i saw the poster and was like "ughh i really am gonna have to sit through this standard (overly) dramatic mafia show just for joong, huh. the things i do for my boy..." and then. AND THEN. you can imagine my surprise. i was crying tears of laughter throughout the show and i was actually laughing so hard that my mom made a comment about how she could hear my laugh in my room
beam is my loser boy and joong portrays him in such an adorably awkward way, i love it <333
and yes there IS a serious lack of joong in ploy's yearbook so far :((((
it was quite funny tho bc in the one scene where joong does show up i immediately recognized him by the back of his head, like!! i saw this:
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and instantly went "OH there's my boy!!!!!" 😂😂😂
and i can't wait to see him with film bc film did extremely well with gun in not me and i feel like film and joong will also work together really well
you know, i'm always happy to turn people into full time joong (and dunk) girls!!!!!!
i've adored them ever since simm which i watched live from ep2 onwards. fun fact, actually: when i started simm i actually had no idea who they were (even though technically i'd seen dunk in bad buddy already, except i wasn't paying attention to the random high school bandmates and so i didn't actually recognize dunk and only realized later on ahahah)
aaaanyway, i had no idea who they were, right? and so in 2022 my mom and i spent two nights in prague during easter and in the evening we were in our hotel room and we were kinda looking for something to watch. and i was like "hey look, gmmtv has a new bl out and it looks kinda cute and fluffy judging by the thumbnails?? and like something that doesn't require too much brain power?? plus, there's also only two eps out so far, so we'll be caught up right away" and so we watched the first two episodes and then the two of us ended up watching every new ep together every week hahaha
i actually didn't really talk about it on tumblr back then and when you go back on my blog you'll see that there are hardly any simm post. but really, with every new simm episode that aired i liked joongdunk more and more. and especially once the characters started dating i was actually so in awe about just how comfortable joong and dunk were with each other and how they absolutely weren't afraid to touch? like, their physical affection was just so casual, like it was the most natural thing in the world to them in an "i'm-not-even-thinking-about-it-bc-it's-so-normal" kind of way and that was just soooo refreshing to watch?? i was (and still am) truly amazed
and when just a couple of months later, at the end of 2022 gmmtv announced joongdunk were gonna get another show together i got SO excited!! and also when it was revealed that simm was included in our skyy 2!!!!
and then hidden agenda started airing and then i was tagged in that tag game and then i went to watch joong's entire filmography and then i ended up falling into a joongdunk rabbit hole and here we are...
anyway, i have multiple agendas and one of them is turning people into joong fans and dunk fans and joongdunk fans sllksdfd
and my other agenda is getting people to watch mafia the series, bc it's truly a gem of a show!!!!
(speaking of agendas: the only thing that's missing in your message is you telling me that you approve of my fight for a sexy joongdunk vampire bl, like... that would have made the message and the influence of my joong/dunk/joongdunk blogging complete 😂😂😂)
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mfshipbracket · 1 year
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You know for a fact that with different match-ups the semi finalists would have been Aragorn x Arwen, Doctor x Rose, Gomez x Morticia, and Westley x Buttercup. The fact that you've already pitted them against eachother in and before the quarter finals feels like a rigged bracket...
i wanted to see tenrose and westercup die. is that what you want me to say? i wanted to string tenrose and westercup shippers along and lead them like lambs to their elimination slaughter. i was the puppetmaster controlling the strings behind the arawen tenrose neck and neck battle and i knew the whole time that arawen would come out on top. is that the confession you're looking for? what do you want man we're just some funny little guys running a silly little ship bracket and we're about to go on vacation; do you really think we have the time or intimate knowledge of human behavior and fandom popularity to rig a poll on purpose? c'mon.
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allylikethecat · 3 months
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Omg, also a TS fan since debut and I massively took a step back from her personally prior to the reputation era because of her antics and victim complex. The music will always mean so so much to me, her lyrics mean so much to me, but her actions as a person and TS™️ as an entity is just weird and greedy. I think she accrued a lot of fans when she disappeared for a while who've completely constructed a narrative in their heads of who she is and they believe it and are eating up this current era, but those who've been here a long time know how PR and image driven it is. Exhausting.
I apologize in advance I have been having way too many feelings about this whole situation and how it relates to my identity as a 28 year old woman and you are about to get an oversharing novel in response lol
Also, I guess CW: this post is about Taylor Swift and if anyone sends me any kind of hate or whatnot related to my own personal opinions and feelings I will be deleting it because I am NOT playing that game.
My Aunt bought me the Debut album CD at a concert after seeing her open for Rascal Flatts. She was like "I thought that you would like her!" and she was RIGHT Taylor Swift became my entire personality. One of my FAVORITE core memories as a child was the day Fearless came out. For some reason we didn't have school, and my Mom and I watched Taylor on the Ellen show, and then we went to Target and bought the physical CD, we then drove around town so we could listen to it together. My mom hasn't been well and that is one of my favorite memories of us together. It's silly but when you're in middle school that kind of thing is important to you. Then in high school I actually got MADE FUN OF for wearing Taylor merch and being excited about Red. BUT I loved her music and felt like she actually stood for something, so I brushed it off and continued to be a HUGE Swiftie. I had the Taylor Swift dolls, I had the perfumes, I had the LOVE LOVE LOVE bracelet, I had the sundresses from WALMART. I saw her on the Fearless and 1989 tours, I had the fucking 1989 haircut. I was supposed to go to Loverfest.
I was still a HUGE Swiftie during the post 1989-pre Reputation eras, then the Reputation era. I'm a few years younger than her, but I felt like I could relate to the kind of manic panic that she was sharing with us (lol turns out I was just unmedicated and we're doing much better now). It felt (in my probably naive mind) like she was experiencing the same insecurities that I was and reacting accordingly. Was she playing the victim at times? Oh 100% BUT I also fully believe that she thought she was one. (Plus... Kim is my least favorite Kardashian lol)
I LOVED the Lover era even as it was shit on at the for the sunshine rainbow hyper colorful aesthetic. Like, I don't know if new fans realize but when Lover was released? It was NOT as beloved as it is now. Then Folklore and Evermore were absolute genius, it felt like Taylor had grown up, and she got all of these new fans, which was great! She was in an "adult" relationship and her music and publicity choices seemed to reflect that. It was so refreshing to see a celebrity keeping their personal life, personal, and sharing what they wanted to share through music. Midnights broke all kinds of records, again, amazing! Even if it wasn't as strong as say Folklore. I fought for my life and got Eras Tour tickets (opening weekend!!) I had the BEST TIME EVER.
Taylor has always been extremely calculated with her public image. She was over exposed during The 1989 era and the public turned on her, so I truly cannot figure out why she is doing it again 100x in this new era of whatever the fuck this is. I don't know her, maybe she is legitimately happy, or maybe this is a cry for help. But I have been so grossed out by her behavior lately, and how in your face everything is with Kelce. It's no secret that I hate Kelce (and people that know me IRL know that it's not a new Taylor related thing lol) and if she actually loves him, fine, that's great for her, BUT we don't need to see it! Yes she was public when she was dating Calvin but ALSO she was what 25-26? She's a 34 year old woman now with the biggest platform of any celebrity ever. She feels too old (and this is not me age shaming her because I would be grossed out if my friends were doing it, and I would be embarrassed if *I* were to ever do it) to be licking a man's face in public like this. This feels like sorority girl in her first college relationship (I was *in* a sorority for a hot second so this isn't hate on sorority girls either!) and not record breaking Grammy award winning artist. ALSO I feel like she used to come across as so articulate and well spoken? Controversial opinion but I thought she sounded like a fucking idiot in that Time Person of the Year piece.
I think that this whole thing is PR for something, but because it just feels too icky to be real, but I don't know what it's PR for, (trying to bury the Matty situation from May? Because if so that just makes me even more sad for him or trying to get back at Joe? Which if that's the case, I feel bad for him too and she's even more immature than I thought) and now, for the first time, AFTER SIXTEEN YEARS I'm embarrassed to be a fan of her, both because of her own actions and also the actions of her fanbase as a whole.
It feels really weird, and I know I'm being parasocial about it, but when the times got bad I always had her music to fall back on and now I just, I don't know it feels cheapened somehow because the current image that's being crafted doesn't match the one that we originally fell for. And you know what, people change, she's a celebrity, I don't know her, what she does DOES NOT affect me any way, and how I feel does not AFFECT HER in the slightest, and I know it's being parasocial but I feel like a big part of me is in mourning about it. Less because of her changing her image so drastically, and more so because I feel like I'm mourning the loss of childhood and joy that used to be associated with her music for me and I think that's what's making me the most sad.
I have Eras tour tickets for one of the London dates this summer. I'm probably going to still go, because I paid for them, and I also have tickets to see Noah Kahan that same week in London (... and also the Longines tour has ALSO decided that the London stop is that week...) But I don't consider myself a "big fan" anymore. Maybe I will be one day again, but this current image that she's putting out just isn't it for me.
Sorry for the longest Taylor related novel in existence, I have had a lot of bottled up feelings about this that feel ridiculous typing out and sharing out loud BUT I know I will feel better sending them into the interwebs and your ask was the perfect catalyst.
Thank you so much for sending this in and for your continued support! I hope you continue to enjoy my fics and my secret sports hot takes 😂
❤️Ally
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daydadahlias · 18 days
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heyy🚬 this isn’t a question, it’s me talking about ab the daddy kink ask <3 lol i did it anonymously bc i was feeling cowardice so i’m sticking to it! tbh idk what Prompted it 😭 i think i’ve been reading more fics w daddy kinks recently & i was like hmm. what does cornflowerblue think of this! bc it doesn’t make, like, frequent appearances in your fics, so i was just wondering how you felt about it! lol i agree it has a time & a place thank u for answering even though it was kinda a silly question <3
heyy bff (why r u smoking here?? this is a smoke free zone) i love answering questions, especially silly ones <3 and i happened to very much enjoy my annual daddy kink check-in lol. also it always makes me giggle when people refer to me as cornflowerblue like that's my government name <3
so, i will say that, in My Youth (trademark), i def was very anti daddy kink because it was just so often used in ways that I did Not vibe with (like the inherent infantilization of one character and also the fact that when they used it w/ Ashton they always made him super dominant and borderline abusive and like :( that is not my man i have never seen that man before in my life). so, like, i think it's a valid question because there's a bit of ~nuance~ to it.
i also tend to not use it in my fics bc 1) while I'm not anti daddy kink, it's def not something that i personally seek out so i don't really have a desire to include it and 2) i know it can be very polarizing and i don't want to potentially make an otherwise very run of the mill fic inaccessible for someone. honestly, i think the only fic I have up right now that really talks about daddy kink is Made in Magnolia?? bc Cal has one. i will say tho, this ask kind of made me want to try my hand at including it in smthn.
i really do, at my core, think that almost any kink (with a few exceptions) can be written well !! and I'm never opposed to trying one out in writing :)
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