Tumgik
#and when he was supposed to die
nat-space-obsessed · 18 days
Text
Day 6: Immortal AU
I guess the Everlasting Trio ain't so everlasting lmao
Danny's hair is a little funky but I tried!!
I had fun drawing bones!
Tumblr media
73 notes · View notes
0vergrowngraveyard · 5 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
wholesome comic of the brothers' first christmas i made at 2 am
4K notes · View notes
cowardlykrow · 1 month
Text
Tumblr media
that your KUNGFU MASTER taught you!
823 notes · View notes
myoonmii · 1 month
Text
I think the downright most horrific and brutal detail in the show is that Kilgharrah actually used Merlin to make sure Arthur's death happened with the pretence of protecting him
563 notes · View notes
poorly-drawn-mdzs · 2 months
Text
Tumblr media
Mo Ran fails to master the art of pspsps (continuation of this)
(For @airagorncharda)
633 notes · View notes
twentytwoarts · 1 month
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
the sky with stars so bright
468 notes · View notes
bi-buck-coded · 3 months
Text
Im sorry but when they wrote the will scene they dug their own grave. How are any of us supposed to NOT ship them when buck is legally tied to them like that? Like someone really brought their own buddie fanfic to the writing room by accident and everyone approved it.
774 notes · View notes
puppyeared · 5 months
Text
Tumblr media Tumblr media
meow
692 notes · View notes
sergle · 6 months
Text
the world is full of balance. the wheel of time may be one of the worst book-adaptation shows I've ever watched. and it also may have exposed me to the hottest man I have Ever Seen. I feel sick. what the fuck do yall know about Amar Chadha-Patel. I've been awake for 29 hours and counting
710 notes · View notes
sysig · 15 days
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Blood sugar levels (Patreon)
160 notes · View notes
moderndaypandora · 1 year
Text
The LAYERS needed in a modern/human Dreamling au.  Some level of Endless family dysfunction, obviously.  Hob's family can be be dead or not, it's all good. Are they old enough to have individually gained the awareness they are off-puttingly intense and should hide it a bit at first, or still in that "no, why would I need to Elsa this" stage?
Option A is both of them trying to play it cool, like "don't scare him off" except they so badly want to go from zero to sixty.
(Death and Desire have ruthlessly drilled Dream with flashcards about how to react appropriately in situations.
Desire: it's your one-month anniversary, what do you do?
Dream: [hesitantly] NOT propose?
Desire and Death, conferring, because that's technically correct but the delivery was suspect.
Death, encouragingly: Good start. And?

Dream: a nice dinner and maybe a walk?
Desire: well done!
Death: and for a three-month anniversary?

Dream: give them a key to my flat.
Desire: [airhorn] NO. RED CARD.)
Option B makes them the classic anecdotal "my grandparents got engaged within seven days of meeting each other and still are happy together".
(Death, rubbing her temples: so you met this guy--
Dream: Hob
Death: -- Hob, and within 1 day you gave notice to the Registrar's Office and figured out the best day to get married. And Hob agreed to this?
Dream: NO.
Death: oh thank go-
Dream: Hob SUGGESTED this.
Death: . . .
Dream: are you going to be a witness or not?
Death, 29 days later in the Registrar's Office, to Hob's witness: Is he sane?
Johanna Constantine, drinking heavily from a large flask: unfortunately yes, by all legal definitions.
Death: fuck
Johanna: [passing the flask over] if your brother's even a tenth as intense as Hob, they'll be fine. Probably.
Death, brightening: Is Hob that bad?

Johanna: You know how sometimes you meet somebody and think "oof, they're a bit much, best give them a wide berth"?

Death: yeah.
Johanna: Hob's like a camouflaged hole in the ground of muchness. Except he's done the hole up all nice and he knows that sometimes you just want to be left alone in the hole to sulk and rattle the spikes for a bit, and occasionally get a F&M hamper tossed in.
Death: [hmmmmmmm'ing approvingly]
Johanna, morose: the bastard.
In the background, Hob and Dream are pressing their foreheads together and basking in each other's presence)
#dreamling#the sandman#it's underappreciated how many red flags hob probably is buried under his amiable exterior#he looked at dream of the endless and went 'yeah'#not even as a 'i can make him better'#very much as a 'i can vibe with his current state and frankly even if he was worse i'd still be like that's my husband [shrug emoji]'#'what am i supposed to do? i knew who he was when i married him'#everybody around them: [extremely done with their shit] STOP ENABLING HIM#hob: he's my goth sweetheart#dream's entire family: he's ten sulking cats in eyeliner and a dramatic coat#hob: i know :D i love him!#johanna constantine is like 'hob's insane'#and everybody's going 'oh no don't be so mean he's just a little boring next to dream'#johanna: he saw dream being dream and went 'i need to stamp my name on him. how do i permanently tie us together'#johanna: he'd never safety pin a condom but i can just see the gears turning in hob's head about how to get to spend more time with dream#johanna: just radiating smug contentment over his insane wet cat#hob: i cannot wait to spend the next 60 years with that man#hob: and ideally die in our sleep together still holding hands#death and johanna: [staring at him over their fourth round of drinks]#dream: [heart of eyes and pink of cheeks]#dream: we should never not be holding hands#hob: okay but what if occasionally we stop holding hands just to then appreciate the feeling of starting to hold hands again#dream: [mulling] acceptable#death and johanna could probably start an entire benefriends or actual romantic relationship entirely based on judging dreamling
1K notes · View notes
hawkeyeslaughter · 23 days
Text
i think the reason i’ll always be so attached to henry blake is because i’ll always be a little insane over the position he was written into . like it’s different with potter . potter obviously had a softer , more human side , but when you think potter you think military man first . and to an extent it’s supposed to be like that . they introduce him like that , despite the fact that at the end of the first episode he’s in it shows him drinking with hawkeye and bj to say “ hey , he’s not completely like the other army crazy officers that have been in the show “ . but at the same time , there’s a constant reminder , in his mannerisms , in the way he’s addressed , in the way he just knows the army … he’s a military man first .
and , god , we all know it was never like that with henry , but i don’t think we ever realize the extent to which it was never really like that . from the get - go , he’s seen being more lax with the members of the 4077th . his first scene is him opening a bottle of champagne with a nurse . the way hawkeye talks about him in his letter to his dad … he refers to him as henry , cracks a few jokes about him , immediately the impression the audience gets is that this is the opposite of a military man . you’re supposed to be surprised that he’s in charge .
and maybe that’s why i find him so tragic , because he’s everything and he’s nothing . we have the expectation for him to be a colonel , but while he has the title , he’s just … not . and at the same time , he’s expected to be a friend . hawkeye and trapper always take for granted that henry is their friend , i mean , hell , they even get annoyed with him when he puts his foot down over something they do ( because he’s supposed to , he’s a colonel after all , remember ? ) . he’s expected to be a friend , but at the same time … he can’t .
and it’s even WORSE when you think about his role as a doctor because he’s supposed to be a caretaker and a commander … he’s supposed to save lives but at the same time he has to decide if they’re worth saving more often than hawk and trap do … and in episodes like aid station or the rainbow bridge he had to decide who’s life he had to put on the line even though he’s just not cut out for that . he has to care but at the same time he can’t care too much because he has to keep his composure … he can’t care in the same way that trapper and hawkeye do , even if it’s obvious that he does . he can’t , the military won’t let him . because he can’t just be a doctor , he has to a commander as well . 
not even to mention his relationship with radar . like , henry was so obviously a father figure to him , he obviously loved him , yet over and over again he keeps his distance from him ( and while i think this partially is a result of the fact i just think henry has a hard time voicing how much he cares about people … if i loved you less maybe i could talk about it more , etc etc … , that’s a whole different conversation ) , and i definitely think that is because of his position too . he can’t be a family member . he has to be a leader , he has to follow the guidelines that the military has set for him . he has to treat radar the same way he treats everyone else under his command .
it’s so absurd and maybe that just adds to the comedy of it but it’s also like … he truly was just never supposed to be there . they tried to make him tougher and to an extent they tried to make him a fighter and there’s a reason it just never worked , because henry was always supposed to be a lover . making him colonel blake was like putting a round peg in a square hole and i’m pretty sure it killed him way before that plane ever crashed into the ocean . it’s just not fucking fair .
117 notes · View notes
illegiblewords · 5 months
Text
Tumblr media Tumblr media
SOME ILLEGIBLE RAMBLES AND REFLECTIONS: GALE AND WYLL AS FORSAKEN CHILDREN
Gale and Wyll share a rather unique element of abuse that I haven't seen discussed yet. Someone's gotta talk about it, might as well be me lol.
I would argue that both Wyll and Gale are being pressured to destroy themselves at the altar of certainty. Wyll pacted with Mizora in the first place because when the cult of Tiamat threatened Baldur's Gate, he was told that destruction and death were inevitable outcomes unless he agreed. Mizora was exploiting fear, self-doubt, and a double-standard in self-worth. Even in the Forgotten Realms I'm pretty sure the future isn't set in stone. There was a definite chance destruction and death could occur due to the cult of Tiamat though, and Wyll was willing to enter an incredibly abusive pact to avoid that possibility. His alternative was to accept that life is struggle and uncertainty by nature, and he does not have total control over outcomes. The idea that his best might not be good enough and others might come to harm was enough to justify self-destruction in Wyll's own mind back then. In scenarios where Wyll ends his pact, it's narratively poetic that Mizora poses the same question. This is a way for audiences to examine whether or not Wyll has changed over the course of his pact, whether he looks at himself and life the way he did originally. Mizora tells him with the same false-pretense of certainty that if he doesn't use her power then his father will die and it will be Wyll's fault for not sacrificing himself in Ulder's name. Having Wyll break the pact feels appropriate to me. Whether he succeeds or fails in saving Ulder, it matters that he makes the attempt as a free man without any guaranteed outcome. If he succeeds, it's an especially good way to spit in the face of Mizora's manipulation. She never knew for sure what tomorrow would bring. She had no right to pretend that she did. Mystra does a similar thing to Gale. Gale might succeed in destroying the Absolute without detonating the orb. He might succeed in retrieving the Crown of Karsus. He might not. Mystra isn't in it for mortals here either way. She wants what she wants for herself when she wants it. And while the scene before the final battle varies depending on choices, I had one where Gale basically started panicking because if he didn't use the orb and the group's efforts failed--he thought that everyone who died to the Absolute and mindflayers would be because of him. He thought it would be cowardice and selfishness not to kill himself. He could have gone up alone, detonated the orb alone, and made CERTAIN nobody died except for him. The alternative was to risk failure for the possibility that he wouldn't need to die too. Like Wyll, Gale was taught not to trust himself. Like Wyll, Gale believes his life and well-being are acceptable prices for 'the greater good'. Like Wyll, Gale is being told that the fault of everyone's suffering if he tries and fails is not the Absolute, not the Emperor, not the Dead Three--but him. His best couldn't overpower those enemies, so it's his fault for letting everyone down. It's his fault for not just killing himself. For Wyll it isn't Mizora's fault if his father dies. It isn't Gortash's faut. Blame falls on him exclusively because he wasn't ready to put himself back into the power of an abuser. The attempt to shift accountability is incredibly dishonest. Both Wyll and Gale are basically being put into the allegory of the foresaken child. For anyone who may not know it, the story goes like this.
There is a perfect, utopian city. No one suffers, no one fights, no disease ravages its streets, no hunger grips its people. And everyone not only lives in peace, but lives in the certainty that their peace will never be broken. There is, however, a price to this. For all the residents of that city to enjoy tranquility a single, innocent child must be sacrificed to endure unimaginable torture. It's because of this child's suffering that everyone else is guaranteed happiness. Is that child's life an acceptable price?
Most people would say it isn't. The allegory exists to illustrate how people might decide to give cruelty and horror a pass.
There is another saying that exists, too. "Those who would sacrifice freedom for security deserve neither." That is also what is being demanded of Wyll and Gale--their freedom, their agency, their efforts rejected as inadequate. Only guaranteed outcomes will do according to their abusers... except life has no guarantees.
I would argue Wyll and Gale are both effectively forsaken children, who are being blamed for balking when told to accept their torment for the good of everyone else. Their abusers condemn them for not treating themselves as expendable.
There's a difference between a sacrifice freely made as a last resort when all alternatives are exhausted, and someone making a sacrifice because they regard their own life as cheap or are afraid of failure as a possibility. There's also a huge difference when someone sacrifices themself as their own idea compared to being coerced or manipulated into it. And as a fun personal experience that accidentally illustrated the point. During my first complete play through, it happened that there were two characters in-range of the Netherbrain. One was Karlach, wailing on the thing until it had about twenty HP left. The other was Gale. Gale had no powerful spells left, and no scrolls left. But he had cantrips and he was in-range. The last move in that fight was Gale killing the Netherbrain with shocking grasp. Considering that Gale started the game with basically none of his archwizard spells, that Mystra had no trust in his capabilities and encouraged him to doubt his own capabilities, that Mystra wanted him to kill himself regardless of whether it was necessary simply because it was certain... having Gale win on the reaction cantrip felt like the biggest fuck you he could have given. Could not have asked for things to unfold better than that personally. In any case the idea that Wyll and Gale come to realize they're more capable than they ever gave themselves credit, that they aren't disposable, and that they aren't to blame for the bad actions of other people seems like a key lesson for both of them imo.
191 notes · View notes
kyouka-supremacy · 7 months
Text
I think we should put more emphasis on how Akutagawa's love is killing him. Descriptions of his feelings for Atsushi should draw from death imagery more. Atsushi's smile is devastatingly beautiful to Akutagawa. His laughter is lethal. Atsushi's touch feels scorching hot. When he's near, the air around becomes unbreathable. He hugs Akutagawa, and Akutagawa feels like his bones are being crushed under those new and overwhelming feelings. Akutagawa drowning in Atsushi's eyes, sinking in his embrace. Akutagawa's love for Atsushi is piercing, painful, Akutagawa's heart is wounded and bleeding. Akutagawa is smitten. All contributing to represent how Akutagawa's love for Atsushi is going to be the end for him. And it was! And he is doomed by his very love, by his very ability of feeling human emotions. Akutagawa's love for Atsushi is going to be the reason he dies.
227 notes · View notes
elmendea · 2 years
Photo
Tumblr media
SO. This piece of work.
I honestly thought Halbrand being Sauron would have been so on the nose, but somehow, they managed to make it absolutely fucking terrifying.
Think about it. He was pulling every single thread from the very beginning, with deadly purpose and terrifying precision. He knew exactly was he was doing at every step, the whole time. 
Yes, even if he was feeling repentant at any point, as published canon tells us he was -- I’ll be damned if he didn’t always have the option to completely drop the repentant ordinary life in Númenor the minute he ran into something that forced his hand, like Galadriel did, in the back of his mind. Or, even if she hadn’t -- the minute he got bored of playing ordinary smith.
And he would have. Yes, yes, he would -- he has a mind like a subtle knife. The very second he got bored...
He let Galadriel learn the truth about him. He had no reason to keep playing peaceful king -- he’d seen Celebrimbor at work, seen the elves’ panic first hand, seen Mordor take shape, seen all the key pieces having been moved into the right places.
He could have spun an actual, spoken lie, this time: that the line of the kings hadn’t been broken, that he was the very last survivor of a bloodline that had hidden itself for centuries. It would have been as easy to him as breathing.
But where’s the fun in that? Where’s the conquest? Why reign over an insignificant little mortal kingdom when you can have all of Middle-earth gripped in an iron fist?
Who wants mere subjects when you can have worshippers? 
Fuck repentance. Let the true king finally take what’s his. Tell Galadriel the truth.
Again.
That’s all he ever did. Not one lie, not once.
He is so horrifically good at what he does that he doesn’t even need to lie to deceive people.
He’s Sauron the Deceiver, after all.
1K notes · View notes
black-and-yellow · 10 months
Note
How much would it cost to see post lov Loudspeaker with all of his scars? I have shiny rocks and seashells
Tumblr media
Doesn't take much to convince me to draw Loudspeaker. But give me your coolest rock.
190 notes · View notes