Tumgik
#authors issues
reallybadblackoutpoems · 10 months
Text
Tumblr media
meditations on first philosophy (1641) - rene descartes
"who give a shit"
60K notes · View notes
cursedgamerchild · 5 months
Text
"internet historian's alt-right anyways" "great day to have never liked james somerton" "never even heard of illuminaughtii before this lol"
that's great buddy but don't go around thinking you're immune to this. if you're not looking for plagiarism, you likely won't notice it unless its egregiously obvious. hell, you've probably consumed plagiarized content without even realizing it. even hbomb pointed out that these people disguised what they presented pretty well as long as you didn't try and dig deeper. don't come away just thinking of this as a callout piece, take this as an important lesson about vetting your sources. if googling scripts in quotes was enough to expose the original, we should all start doing that shit!!
edit: it got a little too doomer-y a little too fast so one quick addition
this is hbomb's curated playlist of queer creators, many of whom were victims of plagiarism
this is producer kat on reddit calling for any more plagiarism discoveries and for queer content creators to be uplifted
please take some time to uplift these creators and recommend any you know! if you can help uncover more of the original creators whose work was lifted that would be great too :)
UPDATE- From Hbomb's twitter: "We're in the process of cataloguing everyone James Somerton plagiarised and finding their contact information. Which is quite a task, so to help us out: If you see this and happen to be one of the people Somerton stole from, please email us at [email protected]"
Tumblr media
edit 2:
Tumblr media
31K notes · View notes
mabbbish · 11 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
wonderful day to remember ninjago has a canon highschool au
5K notes · View notes
bizarrelittlemew · 6 months
Text
Tumblr media
calling it right now that season 3 starts like this
2K notes · View notes
muskaanayesha · 1 year
Text
Peace be upon the daughter who helped her parents grow up. Accepted their cold shoulder, excused their anger, pardoned their mistakes, taught them how to be human. Peace be upon the sister who paid the price of rebellion. Screaming to her fullest, shaking like a leaf but standing tall, never letting the dictatorship go without a fight, paving the path for her siblings to breathe easier. Peace be upon the first child of an immigrant father. Aching to find their own purpose in life, firm in their own beliefs, contradicting generations and generations of cultural values. Peace be upon the girl who shouldered her mother's trauma. Swindled it into her own, morphed herself into an image of the womb she once resided in, immersed herself into troubles that weren't even hers, covered up scars that she couldn't even recognize. Peace be upon the woman who forgot who she was. So determined to be the savior of everyone, to fix her family, to nurture and love everyone around her. So deeply lost that she forgot she's just as worthy of love. Peace be upon you.
10K notes · View notes
mikkeneko · 4 months
Text
Don't want to put this on the post itself for risk of derailing it, but that post the other day about Terry Pratchett's early work really stuck in my mind. OP had sent in an ask saying that they heard some of Pratchett's earlier works had problematic elements (not unusual for a male english writer in the 80s) and they weren't sure whether to go ahead with reading the work anyway.
What I really want to ask that person, or indeed all persons who are hesitating over whether or not to read problematic works or works by imperfect authors:
What are you worried about happening, if you read a work with problematic elements?
I'm worried that if I read this art, I will run across hateful images or words that will shock or upset me
I'm worried that I will spend money on a work of art that then financially supports a bad person, and that thought makes me uncomfortable or upset
I'm worried that I will read works of art written by a bad person, and comment or react on them, and other people will see what I am reading and will think less of me because of it, or will assume that I hold the same bad beliefs as the author
I'm worried that I will read works of art written by a bad person, and I will enjoy them, and the author will find out about my enjoyment and feel emboldened to do bad things because of it
I'm worried that I will read works of art written by a bad person, and their badness will contaminate my way of thinking and make me a worse person in turn
Because these are all different answers and some of them are more actionable than others
897 notes · View notes
vanhelsingapologist · 4 months
Text
Publishing has always been a fucking nightmare, but now it’s a layer of hell. It’s not enough that writers be good at what they do. Writers have to maintain an active social media presence and cultivate a following. Be available.
They have to be conventionally attractive enough to look good enough to see on a screen, aesthetically pleasing, kind, funny, up-to-date on trends, socially aware but not so controversial that they turn off a brand from California from slapping their discount code on a video promoting a book.
They have to do all of this with no media training, with little help from the companies that are supposed to be doing this for them.
Of course, a lot of this isn't possible for say, the 40-something mother of two who teaches English at a school and writes on the side. She’s boxed out of an already complex industry that already has enough walls.
On some level, I think authors have always marketed themselves a little, but we’ve reached such a crazy point where we’re demanding the author become the influencer. Accessibility in publishing has narrowed from an inch to a sliver. And that inch was hard enough to get in as is.
748 notes · View notes
puppetmaster13u · 2 months
Text
Prompt 241
Wing au? Wing Au. With perhaps a bit of a twist. Also a hint of eldritchness perhaps. For fun! 
Ghosts have wings. Sure, they aren’t normally seen, not in the visible spectrum, but they do. Scanners pick them up, and sometimes a ghost might even reveal them, which was hypothesized to be some sort of animalistic intimidation attempt. (Something more than one Amity Parker rolled their eyes at)
Everyone had seen them at least once- the motorcycle-driving ghost’s mass of shadowy feathers, the green-haired girls matching shaggy ones, the rocker’s ones that looked like pages of music before bursting into flame. Even the box ghost’s had been spotted- feathers looking more like sheets of cardboard than anything else. 
It wasn’t until the whole kidnapped to the ghost zone that anyone saw Phantom’s, but that was another tale unto itself really. Honestly the arrival of the GIW would have maybe been seen as positive before, but the fact that many of them had looked in the mirror or gone to the doctors only to find feathers beginning to sprout on their back soured it. 
Especially as the GIW continues to prattle on and on about how all ecto-contaminated scum are less than human, less than bacteria. And well, what does that make them? Them, who have been to the realms of the dead and gods and back, touched by the swirling green energy in ways incomprehensible? Changed by that energy? 
So the people silently brush hidden feathers together, quietly rebuff the white-wearing lunatics from the city as best they can, and hope to anything listening that they can stop anyone else from disappearing. That maybe they can find the few no one noticed had been taken before it’s too late, even if they have to tear down the entire government to do it. 
252 notes · View notes
lord-squiggletits · 1 year
Text
With all due respect IDW Megatron is the kind of dad that would go out to get cigarettes and then never see his kids again considering that's what he did to all of the Decepticons leaving on the Lost Light + he groomed Tarn into worshipping him as a mentor/authority figure and then basically stopped caring about him.
2K notes · View notes
francy-sketches · 14 days
Text
Whenever people talk about lack of media literacy they always bring up people who think a character doing bad things=the author endorsing said bad things which are very annoying but I feel like we're ignoring the opposite, equally annoying side of the discourse who think if you criticize the inclusion/depiction of dark/sensitive topics in any way it’s bc you’re a dumb baby who can’t separate fiction from reality. and it's like no I know I’m not supposed to clap and cheer at violence against women I’m criticizing how much of it there is. Idiot
185 notes · View notes
Text
Tumblr media
secrets of farming (1863) - john w. large
"yeowch augh taking damage ough eurgh"
13K notes · View notes
y0unginhumans · 1 year
Text
i have bias towards BB leo
this is all in good fun if someone makes any trouble for it they are getting blocked
AUs:
Sep Leo AU: @dianagj-art / @separatedleoau
Red Rover: @red-rover-au
Bloodbath: @trubblegumm
Solitude AU: @elmeowmeow
Tentative Devotee: @s0fti3w1tch
Separated AU: @cupcakeslushie
The Night: yours truly
1K notes · View notes
lesbincineroar · 1 month
Text
well and truly if u as a jojo fan ever err on the side of oh hirohiko araki is progressive and hes for gay rights and womens rights and trans rights. look im immensely interested in stone ocean which could trick you into thinking i agree. but holy fucking shit this author has the most GARDEN VARIETY antiblackness and homophobia and misogyny written in every inch of his stories. every Actual lgbt character in jojo is dead or an especially cruel villain or both. cant shade a person of colour with dark skin when hes the one doing the colouring (not shueisha's digital colours) to save his life. & now he cant think of a single way to make readers sympathize with a woman aside from making her suffer deeply. my friend i cant tell you what to do but i can remind u this fifty something year old man is not going to fight for your rights‼️
185 notes · View notes
fictionadventurer · 3 months
Text
I think I underestimated how cool it is that Little House books are a "woman remembers her childhood" children's classic by an author from a working-class and rural background. Most working-class books of the genre have urban settings, and most rural girlhood classics come from a family that's in a fairly stable community--maybe not rich, but comfortable enough that they don't have to worry about whether they'll make it through a winter.
Laura Ingalls grew up dirt poor in a family that knew how to grow or build or hunt or make everything that they needed, because they had to. Yet when she grew up, she got into a position where she could publish about it. Which is pretty astounding, because people in her situation are usually too busy doing the farmwork to write about it--they don't have connections to the publishing industry. Yet she did, so we get to hear from someone who knows that farm and small-town setting intimately, and not because she grew up and and ran off to the city as soon as she could escape, but because she still lives it and loves it and advocates for it.
She knows the details of that life and loves it. Like, she genuinely cares about raising the chickens, not as a housewife's hobby, but as an important source of meat, eggs and money for the family. It's grounded, earthy, sensible, but also romantic, because she while she's doing farm work or house work she's noticing the little moments of beauty or thinking about the big issues of life. But it took a long series of coincidences to get this ordinary farm wife into a position of wanting to write, being able to write, and having a national audience for her writing, so I just want to appreciate how amazing it is that it happened.
392 notes · View notes
muskaanayesha · 1 year
Text
I am the eldest daughter, which is to say that I am a sponge that absorbs all the trauma of the household. Life is spilt milk and I am a kitchen cloth burnt at the edges. I am falling apart at the corners, threads coming away, rips and ripples like I am torn and trembling in an ocean of nothingness. I am the eldest daughter, which is to say that I emphasize with everyone. The love of my life marries someone else, and I find myself hoping that he loves her the same. My brother wishes death upon me and I toss and turn in my sleep over the tears I saw in his eyes. Life is an accidental fire and I am water. I attempt to stop a tragedy I did not start, to go blindly into a catastrophe that I cannot halt. I am the eldest daughter, which is to say that I am silent in my needs. My father asks me what I'd like to eat and I say that I am not hungry. I will chew on my guilt and swallow my pride before I even think of asking for anything. I buy myself a sweet and nothing tastes as bitter as it. Life is a metaphor for debt and I am drowning in the desire to be as insignificant as possible. I demand nothing and nothing demands me.
2K notes · View notes
carica-ficus · 10 months
Text
A thing I really, really love about The Roots of Chaos series is how Shannon just completely refuses to incorporate internalized homophobia into it, even though, logically, it would make perfect sense to do so.
Shannon made a world dependent on bloodlines, but instead of making heterosexuality a norm, she gracefully avoided it. In any instance when she introduces an LGBT character, she provides a simple, yet very effective explanation as to why this doesn't propose a problem to their heritage at all.
Sabran marries and gets pregnant, but ultimately ends up with Ead and their relationship works out.
Wulfert's parents are two Lords that had children through former marriages, so they have a secured heir.
And probably the most interesting take is the Priory itself, especially with Tunuva and Esbar who are both in love with each other, but have decided to have children with men in order to serve their community. Their relationship is never hindered by their need to lay with a man. There is neither jealousy nor misunderstanding.
Shannon basically doesn't offer a single opening for the reader to question why homosexuality is so normalized in her world because, in the end, it doesn't really matter. LGBT characters are a crucial part of this story and Shannon eradicates any potential opportunity to undermine their existence.
It's refreshing. It's enjoyable. And, most of all, it's satisfying.
668 notes · View notes