#because it's so in character

[very-uncorrect]

Me going to AO3 write a 200,000 word fic over the line "Why didn't I drown instead of my brother"

#oxenfree #oxenfree 2 #oxenfree ii #lost signals #alex oxenfree #oxenfree 2 spoilers #literally the saddest but of the game for me #alex is my fav #i feel so bad for her #tbh a part of me knew that she would definitely say that line at some point #because it's so in character

[littlelightfish]

Funny things I found out playing with language setting in Netflix while looking episode 15:

Chilchuck's scream sounds HAUNTED in brazilian portuguese. Give it a try if you can.

(You can hear it here)

In spanish dub, Senshi says: "tocó mis senos de hombre", which means "he touched my man boobs" in Spanish. And I think that's the best dub line one so far.

#i love replaying certain scenes (usually screams) to see how they nailed it in other dubs #ive done it with Chilchuck & Mickbell screams because they're the funniest ones #give it a shot if you can #its really funny to hear certain character voices in other languages #for example. brazilian portuguesse gave both mickbell and chilchuck un-childlike voices (in japaneese both sound like little childs) #and they reused Chilchuck's japaneese screams for most of the other languages because he is so high-pitched and full of terror that it work #dungeon meshi #chilchuck #chilchuck tims #dunmeshi #delicious in dungeon #senshi #senshi of izganda #senshi dungeon meshi #idk how do you people screen record the episodes #if i knew how to i would put the shots here #my shit #thanks to the one that made the clip on Chil's scream im in love here <3

[kottkrig]

People liking your personal OCs is still such a crazy feeling, I've been doing this for years and ppl asking about them still fills my entire heart with warmth and idk how to handle it

You enjoy this fictional guy I made up for fun?? Whose only content is random artwork or writing made by me and a handful of other artists at most? They have no show/book/game with a large fandom, it's just one person with an art blog?? I love u

#i do the same to others OCs I like I will ask all about em #if its my friends OC they probably have a free seat in my brain #kott talks #edit: ppl tagging this post with how personal and important their characters are to them as creators #and positive feedback hits deep because of it #I see you and I'm so happy for u

[bereft-of-frogs]

There’s that post that’s like ‘everyone should get into a tiny niche fandom at least once’ fully agree, that was really fun -- but I would like to add that everyone should get into a fandom where their opinions run counter to major fanon because it really teaches you about sticking to your guns and trusting your interpretation of the text without having to rely on peer validation

because WHAT are people talking about sometimes

#aka: genuinely sometimes I think I live in a parallel universe and simply watched/read different things #full disclosure it does make you feel like a killjoy sometimes #because often times these fanons will be presented in a silly jokey manner #'oh so silly isn't this character so funny this is just my silly little headcanon' #and it's like yes yes lol lol but ok look me in the eyes and tell me you know that this is #at best only one interpretation of many and at worst simply not supported by the text at all #please tell me you know that #or in one specific example such a ubiquitous joke that is literally a significant theme of the work and i feel like SUCH a killjoy #being like 'ok yes very funny.....you know that was a major theme right?? tell me you know that'

[tearlessrain]

please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!

gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.

SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:

diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.

non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.

the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.

now, on to how I apply this to bdsm in fiction.

if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.

if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.

this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.

it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.

but yeah, spontaneous writer plug aside, that's what I mean.

#I found their original stuff while I was researching various waterhorses and their folklore for no reason #because one of the characters in their original work happens to be an each uisge #and then it turned out it ALSO included a lot of figures from welsh folklore in general #so yknow if you happen to have my incredibly specific hyperfixations you'll love it but even if you don't it's great #I didn't mean to bring up phantom of the opera so much it just happens to be very relevant to a lot of my talking points #I haven't actually seen it in years

[inkoutsidethelines]

Thinking about how I would write an adult Scooby-Doo series, because I think it can be done.

The first thing I’d do is make the characters actually be adults.  Still young, but adults, in the mid to late 20s range.  Mystery Inc. is a private detective type business that they run together.  In this universe, the supernatural/ghosts/etc are real, but not necessarily common, so when they take on a case, the culprit might be a person disguised as a monster, or it might actually be a real ghost.  The stakes can be higher; sometimes a bad guy is legitimately trying to kill them.  Sometimes the mystery they’re trying to solve is a murder.  Sometimes they actually get hurt on their cases.

Fred: the core of Fred’s character should be that he’s incredibly kind.  Like, give a stranger the shirt off his back kind.  The “Fred can’t talk to potential clients because he might take a case for free and we need to eat” kind.  He’s an honest and good person and sometimes gets himself into trouble because he assumes other people are too.  While he’s not very good at reading people or noticing ulterior motives, he’s brilliant when it comes to mechanical or engineering type stuff, so he’s the one who keeps the mystery machine running, builds their gadgets, and of course, designs the traps.

Daphne: she comes from old money, and her parents absolutely despise her life choices, to the point where they haven’t officially disowned her, but they have basically cut her off, so she doesn’t actually have access to any family money.  Growing up wealthy has granted her a variety of skills, including speaking multiple languages, horseback riding, and fencing.  She’s very into fashion and jewelry (even if she can’t afford it anymore) and has extensive knowledge of both that can occasionally provide a vital clue in a case. And even though her parents have cut her off, Daphne still has a wide network of contacts she can ask for favors sometimes, because she’s personable, and people tend to like her.  Daphne is also very emotionally intelligent, and is usually the one who can spot when someone is lying to them.

Side note - I ship Fred and Daphne, so I think I would start them off as an established couple for this universe.  Dating, engaged, married, I don’t care.  They are stupidly in love, ride or die for each other.  There’s no will they, won’t they, no worries about cheating.  They are in a healthy, happy, loving relationship, and no one (not even Daphne’s disapproving parents) are going to mess that up for them.

Velma: she is the forensics nerd who sometimes gets super excited about the wrong thing at the wrong time (”He was mummified in seconds? That’s so cool!” “Velma!  His wife is standing right there!” “Oh.  Sorry.”).  She’s not purposely insensitive, she just gets laser focused on her work and forgets to filter herself sometimes.  She’s also the one who can get so fixated on solving whatever mystery they’re working on, she’s willing to bend or maybe break laws.  Is breaking and entering really so bad?  Not if it gets them answers.

Shaggy: he is still the comic relief, but he’s the comic relief by being the only person in the group that actually has common sense.  He manages the business’s finances, he’s the only one who knows how to cook, and the others tease him for being a coward sometimes, but Shaggy maintains that if a ghost with an axe is coming for you, running is the only sensible option.  He should also have a range of random knowledge that sounds useless, but sometimes saves the day (ex ventriloquism, origami, the history of spoons, etc).

Scooby: as this is a universe where supernatural creatures exist, Scooby is an ancient eldritch type being that took a shine to Shaggy when he was a kid, and took the form of a talking dog to befriend and hang out with him.  Aside from the talking dog bit and not aging, he never uses his powers in a way that anyone notices.  The audience is not told upfront that Scooby is an ancient eldritch being; it should slowly be hinted at throughout the series so the audience put it together, but the characters never realize it.  Scooby genuinely considers Shaggy to be his best friend, and cares about the rest of the gang too.

#ink speaks #scooby doo #i like the vibes of a grown up scooby doo #where they're part of a mystery solving business #it needs to be a monster of the week type deal #so that it can play around with the character dynamics #because i think that's fun #long post

[bixels]

I'll be participating in a charity livestream with other storyboard artists to raise money for careforgaza and e-sims! @tulliok and I will be live on the 4th, 5PM PST (8PM EST). Check the list above; artists such as @kianamaiart and @mak-to-the-future will be participating as well on either the 3rd or 4th.

Now's your chance to make me sketch a 1920s AU design of an MLP character I would have otherwise never designed!

Like this guy.

🇵🇸🕊️

#personal #not art #announcement #stream announcement #free palestine #palestine #gaza #free gaza #oh btw i won't be able to draw your ocs unfortunately because we don't have a reliable way of receiving images #so just canon characters that i can search up please

[lgbtlunaverse]

There's a version of the "don't go grocery shopping while hungry" rule specifically for writers where you should never under any circumstances be allowed to touch your draft within 3 hours of reading a really good story. Because sometimes when you read something great your head goes "fuck this is so much better than my stuff I should make that more like THIS instead!" Look at me. That's the devil talking and you should close the document NOW.

#you will make superficial edits that do not gell well with the rest of your work #and won't actually capture what you thought was so good about that story #close the doc. sit down. think about it for a while. inspiration is fine. getting a 'eureka' moment from another story is fine #but if you find yourself comparing your work one to one with someone else's and taking any differences to be flaws on your part then STOP #you will never write good stuff by trying to make it look less like you wrote it #writing #writing advice #guess who just had to go into her google doc history and undo a bunch of panic-induced edits #because she read a fic about the same characters she's writing for? #meeee. they aged badly within just a few hours of hindsight. learn from my mistakes #self-hatred is not a good motivation for creation #fic writing

[clown-owo]

been replaying the Portal series I think this is where its heading

#i haven't drawn in like. half a month. which listen i know i don't post much here but i do draw a lot #i have another blog. but also sometimes i just don't post things. i draw for myself #just got burnt out from working on an animation final 😔 #so anyway. eased myself back in with a silly comic about portal #my irl saw my shitty sketch and thought glados was painting chell which is very funny to me. #chelldos #but like. unrequited. glados is obsessed with chell. chell is not having a good time #portal #chell #GlaDOS #GlaD0S #my art #og post #1k #5k #10k #20k #edit: i made this post almost a year ago and it haunts me. theres a typo. chell is out of character. #because i couldn't come up with a good reason for her to be there in the first place #and this was a shitty ms paint replicating drawing that i did just to get back into drawing #i didn't think it would gain much attention #i was Wrong #anyway someone in the comments said this is what happens when you speedrun thats an infintely better setup for the punchline #EDIT 2: ok i fixed it fuck you

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

#blue eye samurai #mizu #akemi #kinuyo #bes #women are birds okay they are BIRDS #the let me die line is so SCARY AND SAD like a part of Mizu wants death but she cant? she doesnt know how?? excuse you show??? #when all these other delicate birds are dying all around her #akemis character gets more and more gutwrenching upon subsequent rewatches because whenever she says her life is in danger #NO ONE BELIEVES HER - certainly not other women #because shes rich and pampered and that means shes safe and is worrying about nothing right? right????? #and it turns out that all of akemis instincts were right and she was in danger the ENTIRE TIME #also I need to make a post just for kinuyo because I am sad

[beebeedibapbeediboop]

The forest king and the postwoman

#artists on tumblr #art #illustration #character design #oc #digital art #SORRY for reposting but I wasn't satisfied with the sketches so I'm making a new post without it #postwoman #the postwoman #adalore #king of the forest #original #original character #Ill draw more of him because I love him #also he is beautiful to any human but for all natives of the world the postwoman lives in he is UGLY AF

[rhinestonesox]

Half-foots are highly discriminated against in the world of dungeon meshi.

They have a difficult time living in places outside of their own territories because places where larger races live aren’t built for their size and crowds can be dangerous.

they’re the least valued race by long lived races because their life spans are the shortest out of all the races. this means that they’re dehumanized and often considered disposable. their superior senses make other races use them as “lures” when hunting succubi/mermaids (usually dying in the process).

They’re often mistaken for/treated like children because of their appearances, and because of this they have a difficult time getting jobs because it’s assumed that they’re immature/can’t handle it.

Because of this, when living outside of Half-foot territories they’re forced to get money by any means necessary (often resorting to crime), so other races stereotype them as “cunning” “greedy” and “manipulative”.

On top of that, members of long lived races who tend to fetishize them.

Even the name “Half-foot” is discriminatory.

Ryoko Kui does a fantastic job at world building.

But even after all of that, im not gonna stop talking about how bad i wanna put Chi Chi in my pocket.

#i’m not gonna stop tho #that’s my little guy #on a real note i adore this manga so much and i feel like we need to take the treatment of half-foots into consideration more when talking #about chil’s character because it really adds to his complexity and makes a lot of his behaviors make sense #dungeon meshi #delicious in dungeon #chilchuck #chilchuck tims #delicious in dungeon spoilers #dungeon meshi spoilers

[catmask]

with that said there are characters that a fat maybe not canonically but they are spiritually. to me. they may not be drawn that way but i know whats true. ive seen it like a sort of prophet

#serizawa. send post #he did NOT live his life as a shut in for almost a whole decade to be drawn SKINNY! not by me at least #also like so many characters over the age of 30. no more fit moms and dads GIVE them that divorce body fat NOW! #*strikes you down with the force of god* #but honestly alternative for serizawa that ive always liked is that he gains weight when he starts working for reigen #because he can now go out and eat new foods :D he has actually gained an appetite because he's moving around more #and isnt just eating like instant ramen or whatever his mom brings him #see how easy it is you can just believe it with your heart. you just have to find the ways to make true waht u know #scratchpost #txt

[astearisms]

fionna and cake drawings before and after watching the episodes so far. it’s nostalgic and somehow cathartic and poignant and relatable and—it just started

#i’m part of the demographic where i was a kid when adventure time started and now watching fionna and cake as an adult makes me emotional #because did they keep us in mind when writing fionna and her attitude towards life #the dissatisfaction #the hoping for something more #something more magical than this dreary life filled with working to live and living to work #it’s so reflective of how life feels for me and perhaps many of us #and also Simon’s episode was so sad but so well thought out #exploring his feelings after the events of the adventure time finale is something I’m glad we get to see #there were already so many layers to his character in AT but now it feels like we get to dive deeper #I also felt emotional hearing Rebecca Sugar singing and writing a song that encapsulates his feelings so well #😭 it’s been awhile seeing her work exist alongside these characters #and all of these emotions get stronger because I remember AT being the one to inspire me to be a storyboard artist #when I was younger I used to follow many of the board artists here in tumblr and would get so inspired by them #to create simple but powerful boards that can capture the feelings of characters so well #Rebecca Sugar’s songs for the AT characters inspired me so much too #I’m sorry this is long I’m just feeling so many things experiencing all of this again as an adult #my art #fanart #adventure time #fionna and cake #fionna the human #cake the cat #simon petrikov

[asharaks]

it is, i think, symptomatic of the way larian has built this brand: bg3 was always marketed as being mature (read: sexual), and that was one of the big draws for players - myself included! especially as media pulls more towards extremes, with mainstream video games starting to get increasingly graphically sexual, graphically violent, and the vogue for 'grey morality' becomes the norm, those boundaries get pushed, and it becomes more and more of a selling point.

larian obviously focused on this, along with the How Do You Do, Fellow Kids brand, the increased accessibility of game devs on twitter, and adopted it heavily into their marketing strategy, and are now pretty reliant on the horny gamer crowd for a lot of their audience, and more importantly, they're doing this on purpose.

which is how you end up in situations like this.

characters (white men) the players want to fuck get centred: they get updates, they get more content, they get favoured. halsin's gone from a side character in EA to a half-fledged romance option, to a full romance option: he shows up in the promotional material, is larian's poster boy for the sex scenes, he gets more content with every update.

now gortash gets more heavily implied situationship lines with the dark urge, because players are horny for him. nevermind that some people aren't playing that way, or that he was originally set up to be a lower-level antagonist; nevermind that if the durge's storyline needed expansion, it should've been with orin and sarevok and bhaal, or that it muddies the writing for the rest of gortash's arc + characterisation: people want to fuck him, so it gets put in the game. it's not even to do with karlach, whose quest so desperately needs expansion! it's specifically catering to the people who want their character to have a Relationship with the slaver, because they're either not interested in or not able to focus on strengthening the weak spots in the narrative: they're just doing things that will net the 'my favourite dating sim' people lmfao.

meanwhile, literal main character wyll gets his quest demoted to a subquest, doesn't get bugfixes, doesn't get a single unique romance greeting after 6 patches and months of requests. he's not a Horny character, so he doesn't get the focus: he's not a player favourite, so he gets nothing. it's just... so unbelievably, indisputably racist, and it's incredibly grim and disappointing to watch it happen in real-time.

#also #and I can't believe I'm saying this #it feels like character assassination against enver 'can't be in a room with you without 5 robocops for protection' gortash. like come on. #stop trying to make him sexy he'll never be sexy #he's a slaver. #i feel like larian have backed themselves into a corner where they have to pander to this side of the fanbase #because they've encouraged it so strongly that now it feels like a majority share of their audience are here for the sex #bg3 #larian critical #bg3 fandom critical #to be clear. Yes i am being a hater #baldur's gate 3

[egophiliac]

(almost) four years in, and I finally had time to draw something for the anniversary! woo! 🎉🎉🎉

#art #twisted wonderland #twisted wonderland spoilers #because i need to talk for a minute about how the plot of the anniversary story so far is literally just #crowley jumpscares us in our living room to demand we make him lunch and yuu is just like 'i need to start locking the door' #oh twst you always know just how to get me #the qol updates though! CONVERTING SINGLE KEYS INTO 10-SETS YES THANK YOU OH MY GOD #SKIP LESSON TICKETS!!!! #3X BATTLE SPEED!!!!!!!!!!!! #SAVE TEAM BUILDS AND SUPPORT CARDS FINALLY AHHHHH #oh and some other stuff too but look i NEEDED these things #also master chef grim! he's so precious! #though he's not going to get a little sporty uniform after all? #grim canonically flies in the nude i guess #no it's okay chef grim is ADORABLE #if you zoom in on his card you can see little smoodges from his inexpert cake decoration 😭 #which on the one hand is cute but on the other hand i'd been convinced he'd just slapped some frosting and candles on an actual can of tuna #anyway happy (a few days until the) fourth anniversary everybody! #i've been here since the beginning (preregistered during the dorm reveals babyyyy) and it REALLY doesn't feel like it's been four years #you know what they say: time flies when you're watching anime characters have emotional problems