was just rewatching Jack Saint and Patricia Taxxon's video on Mauler (it's called "Long Critique Is Not Deep Critique" and it's like actually so fucking good) and was so taken aback by hearing Twin Peaks music in there now that i've actually seen Twin Peaks lmao, that Laura Palmer theme is so fucking good, Angelo Badlamenti is just truly on another level, i already wanna rewatch the show now (S02 is good, y'all are just cowards).
I am genuinely so worried for all the young horny dykes going into adulthood thinking there's something "problematic" / "wrong" with them for being horny because fucking tiktok lesbians think any horny dyke content is "male gaze fetishitic"
you motherfuckers have no concept of what "land back" or "decolonize" even mean. you're too busy demonizing entire groups of people, terrified, shitting yourselves, that they'll do even half of the horrors to you that you've done to them for decades or centuries. this shit comes off as hella racist for real. you hate arabs so much. you hate first nations people so much. you hate black people so much. even if you sympathize with them, you can't fucking bear the idea of them gaining freedom, independence, autonomy, safety, because you're so, so scared they'll hurt you back and cause chaos in the streets. these same people who just want to rebuild. who just want to go home. who just want to see their families again. who just want food. who just want medical care. who just want dry, warm shelter. you're so focused on the ideas of colonization, of "us vs. them", of one people displacing the other for a state to exist, that you cannot comprehend coexistence, and your only idea of peace is if an entire group of people were just gone and dead.
grow the fuck up. for the love of GOD, grow the fuck up.
something. about. the horror of being sent on an impossible (death) quest and obligations and hospitality politics. the trauma of not having a home, and then the trauma of being in a house that becomes actively hostile to you, one that would swallow you whole and spit out your bones if you step out of line. all of this is conditional, your existence continues to be something men want gone.
it's about going back as far as I can with the perseus narrative because there's always a version of a myth that exists behind the one that survives. the missing pieces are clearly defined, but the oldest recorded version of it isn't there! and there's probably something older before that!! but it's doomed to forever be an unfilled space, clearly defined by an outline of something that was there and continues to be there in it's absence.
and love. it's also about love. even when you had nothing, you had love.
on the opposite side of the spectrum, this is Not About Ovid Or Roman-Renaissance Reception, Depictions And Discourses On The Perseus Narrative.
edit: to add to the above, while it's not about Ovid, because I'm specifically trying to peel things back to the oldest version of this story, Ovid is fine. alterations on the Perseus myth that give more attention Medusa predate Ovid by several centuries. this comic is also not about those, either! there are many versions of this story from the ancient world. there is not one singular True or Better version, they're all saying something.
Perseus, Daniel Ogden
Anthology of Classical Myth: Primary Sources in Translation, edited & translated by Stephen M Trzaskoma, R. Scott Smith, Stephen Brunet
Moments in Charles Leclerc that are so insane I wish I made it up but can't, because this stuff can only happen to him
- When his watch got stolen and he decided to CHASE the guy with his custom ferrari 488 pista
- When his former girlfriend got locked out of the apartment and he wasn't answering his phone so she had to subscribe to his Twitch channel to tell him to open the door (please watch his former streams I beg)
- When he crashed Niki Lauda's 1974 ferrari during the Monaco historic grand Prix (his luck I swear)
- Every Monaco Grand Prix ever (the infamous charles leclerc curse)
- When he went to dinner with a guy, posted the picture on Instagram and it turns out it was an international criminal wanted by the Interpol
- He went to a restaurant once, handed his car to the valet and the car was out of fuel
- When he went for a run, took some photos with fans and this couple started to fight in front of him
- When he didn't realized his tiktok likes were open to the public (it was mostly fan edits of himself, baby goats, babies but mostly fan videos about himself)
- Recently, he dropped his airpods in the airport floor and decided to use this gigantic clamp to get it back
- Or just his babygirl esque nature (i love him <3)
- He accepted a ride from two strangers just because he couldn't find a cab (Arthur was also in the car!!!)
(Also, feel free to add more, please, and every time he does something so charles, i will uptade the list)
I'm going to preface this by saying that i am not an expert in ANY form of poetry, just an enthusiast. Also, this post is... really long. Too long? Definitely too long. Whoops! I love poetry.
If you ask most English-speaking people (or haiku-bot) what a haiku is, they would probably say that it's a form of poetry that has 3 lines, with 5, and then 7, and then 5 syllables in them. That's certainly what I was taught in school when we did our scant poetry unit, but since... idk elementary school when I learned that, I've learned that that's actually a pretty inaccurate definition of haiku. And I think that inaccurate definition is a big part of why most people (myself included until relatively recently!) think that haiku are kind of... dumb? unimpressive? simple and boring? I mean, if you can just put any words with the right number of syllables into 3 lines, what makes it special?
Well, let me get into why the 5-7-5 understanding of haiku is wrong, and also what makes haiku so special (with examples)!
First of all, Japanese doesn't have syllables! There's a few different names for what phonetic units actually make up the language- In Japanese, they're called "On" (音), which translates to "sound", although English-language linguists often call it a "mora" (μ), which (quoting from Wikipedia here) "is a basic timing unit in the phonology of some spoken languages, equal to or shorter than a syllable." (x) "Oh" is one syllable, and also one mora, whereas "Oi" has one syllable, but two moras. "Ba" has one mora, "Baa" has two moras, etc. In English, we would say that a haiku is made up of three lines, with 5-7-5 syllables in them, 17 syllables total. In Japanese, that would be 17 sounds.
For an example of the difference, the word "haiku", in English, has 2 syllables (hai-ku), but in Japanese, はいく has 3 sounds (ha-i-ku). "Christmas" has 2 syllables, but in Japanese, "クリスマス" (ku-ri-su-ma-su) is 5 sounds! that's a while line on its own! Sometimes the syllables are the same as the sounds ("sushi" is two syllables, and すし is two sounds), but sometimes they're very different.
In addition, words in Japanese are frequently longer than their English equivalents. For example, the word "cuckoo" in Japanese is "ほととぎす" (hototogisu).
Now, I'm sure you're all very impressed at how I can use an English to Japanese dictionary (thank you, my mother is proud), but what does any of this matter? So two languages are different. How does that impact our understanding of haiku?
Well, if you think about the fact that Japanese words are frequently longer than English words, AND that Japanese counts sounds and not syllables, you can see how, "based purely on a 17-syllable counting method, a poet writing in English could easily slip in enough words for two haiku in Japanese” (quote from Grit, Grace, and Gold: Haiku Celebrating the Sports of Summer by Kit Pancoast Nagamura). If you're writing a poem using 17 English syllables, you are writing significantly more content than is in an authentic Japanese haiku.
(Also not all Japanese haiku are 17 sounds at all. It's really more of a guideline.)
Focusing on the 5-7-5 form leads to ignoring other strategies/common conventions of haiku, which personally, I think are more interesting! Two of the big ones are kigo, a season word, and kireji, a cutting word.
Kigo are words/phrases/images associated with a particular season, like snow for winter, or cherry blossoms for spring. In Japan, they actually publish reference books of kigo called saijiki, which is basically like a dictionary or almanac of kigo, describing the meaning, providing a list of related words, and some haiku that use that kigo. Using a a particular kigo both grounds the haiku in a particular time, but also alludes to other haiku that have used the same one.
Kireji is a thing that doesn't easily translate to English, but it's almost like a spoken piece of punctuation, separating the haiku into two parts/images that resonate with and add depth to each other. Some examples of kireji would be "ya", "keri", and "kana." Here's kireji in action in one of the most famous haiku:
古池や 蛙飛び込む 水の音
(Furu ike ya kawazu tobikomu mizu no oto)
(The old pond —
A frog jumps in
The sound of the water.)
You can see the kireji at the end of the first line- 古池や literally translates to "old pond ya". The "ya" doesn't have linguistic meaning, but it denotes the separation between the two focuses of the haiku. First, we are picturing a pond. It's old, mature. The water is still. And then there's a frog! It's spring and he's fresh and new to the world! He jumps into the pond and goes "splash"! Wowie! When I say "cutting word", instead of say, a knife cutting, I like to imagine a film cut. The camera shows the pond, and then it cuts to the frog who jumps in.
English doesn't really have a version of this, at least not one that's spoken, but in English language haiku, people will frequently use a dash or an ellipses to fill the same role.
Format aside, there are also some conventions of the actual content, too. They frequently focus on nature, and are generally use direct language without metaphor. They use concrete images without judgement or analysis, inviting the reader to step into their shoes and imagine how they'd feel in the situation. It's not about describing how you feel, so much as it's about describing what made you feel.
Now, let's put it all together, looking at a haiku written Yosa Buson around 1760 (translated by Harold G. Henderson)
The piercing chill I feel:
my dead wife's comb, in our bedroom,
under my heel
We've got our kigo with "the piercing chill." We read that, and we imagine it's probably winter. It's cold, and the kind of cold wind that cuts through you. There's our kireji- this translation uses a colon to differentiate our two images: the piercing chill, and the poet stepping on his dead wife's comb. There's no descriptions of what the poet is feeling, but you can imagine stepping into his shoes. You can imagine the pain he's experiencing in that moment on your own.
"But tumblr user corvidcall!" I hear you say, "All the examples you've used so far are Japanese haiku that have been translated! Are you implying that it's impossible for a good haiku to be written in English?" NO!!!!! I love English haiku! Here's a good example, which won first place in the 2000 Henderson haiku contest, sponsored by the Haiku Society of America:
When you read this one, can you imagine being in the poet's place? Do you feel the surprise as the tide comes in? Do you feel the summer-ness of the moment? Haiku are about describing things with the senses, and how you take in the world around you. In a way, it's like the poet is only setting a scene, which you inhabit and fill with meaning based on your own experiences. You and I are imagining different beaches, different waves, different people that make up the "our" it mentioned.
"Do I HAVE to include all these things when I write haiku? If I include all these things, does that mean my haiku will be good?" I mean, I don't know. What colors make up a good painting? What scenes make up a good play? It's a creative medium, and nobody can really tell you you can't experiment with form. Certainly not me! But I think it's important to know what the conventions of the form are, so you can appreciate good examples of it, and so you can know what you're actually experimenting with. And I mean... I'm not the poetry cops. But if you're not interested in engaging with the actual conventions and limitations of the form, then why are you even using that form?
I'll leave you with one more English language haiku, which is probably my favorite haiku ever. It was written by Tom Bierovic, and won first place at the 2021 Haiku Society of America Haiku Awards
a year at most . . .
we pretend to watch
the hummingbirds
Sources: (x) (x) (x) (x) (x) (x)
Further reading:
Forms in English Haiku by Keiko Imaoka
Haiku: A Whole Lot More Than 5-7-5 by Jack
How to Write a Bad Haiku by KrisL
Haiku Are Not a Joke: A Plea from a Poet Who Has Had It Up to Here by Sandra Simpson
Haiku Checklist by Katherine Raine
@countthelions (tumblr ate this when I tried to save my answer as a draft, so we improvise 🙃)
This one? :D
This whole stream was delightful. What a way to return 🤗
Tango was so happy energetic.
And from Tango calling Etho's storage system cute and Etho in gamechat going "CUTE?!" (00:41:07). To the razzing (and laughing) over shops (00:49:00 and 01:03:49). Etho taking Tango's head twice, and it all being so playful (00:58:11). Etho using Tango's catchphrases 🥹🥹🥹 It gets me every time! "porkchop power" "flee with extra flee!" And the way he said it was the cutest, and Tango's giggle about it too (01:00:59). Etho offering to give the tour Tango wanted. More mail talk and laughing guilt and planning and razzing and teaching Etho to do the stamps. Tango complimenting the path (and that Etho showed it to him when he first came back when Etho came to say hi) (01:15:41). They still plan on doing their sand-collection-off (01:35:06).
And of course the whole TNTificating with Etho's new "boom boom tech" (01:39:43--02:15:17) was just…the most fun. They are having the most fun together...it's an absolute joy. (And it's also them collaborating on how to figure out a redstone thing together which is just so satisfying.) Just...TOO MANY (!!!) (so many) fun moments in that whole TNT section that I can't even start on highlighting them all 😭 I'd need another mammoth paragraph...
Honestly??? Still smiling. Great great great stream 🥹
Timestamps are for YouTube not Twitch because Tango was so fast on getting the VOD up lmao