I was joking a while back that the actor they have playing KDJ for the orv movie was too handsome for him and a friend who's read orv was like "KDJ is actually secretly attractive!!" And I just felt my soul leave my body right then
SIGHS...
Okay. Buckle in. I'm gonna finally actually address and explain and theorize about this whole...thing.
I'm not gonna cite any exact chapters cause it's like 11:30 and I've got an 8 hour drive in the morning but I'll at least make an approximate reference to where certain things are mentioned. Also, this post is just my personal interpretation for a good bit of it, but it's an interpretation I feel very solid about, so do with that what you will. Moving on to the meat of things:
There is one (1) instance in the web novel that I know of which describes specific features of Kim Dokja (especially ones other people notice). This takes place when members of KimCom are trying to make Kim Dokja presentable to give his speech at the Industrial Complex (after it's been plopped down on Earth). This is when they start really paying attention and focusing on Kim Dokja's appearance since they're putting makeup on him; I still don't think they can interpret his whole face, but they can accurately pick out and retain more features than usual. If I remember correctly they reference him having long eyelashes, smooth skin, and soft hair. These features can be viewed as (stereotypically) attractive.
Certain parts of the fandom have taken this scene and run with it at a very surface level, without realizing (or without acknowledging at the very least) that this scene is not about how Kim Dokja looks. This is, in part, due to not realizing or acknowledging why Kim Dokja's face is "censored" in the first place, and what that censoring actually means. I think it's also possible that some people are assuming the censorship works like a physical phenomena rather than an altered perception.
I'll address that last point first. The censorship of Kim Dokja's features is not something as simple as a physical phenomena. It's not a bar or scribble or mosaic over his face. If that were true it'd be very obvious to anyone looking at him that his face is hidden. But his face is not hidden to people. They can look at him and see a face. If they concentrate on his eyes, they can see where he's looking. They know when he's frowning or grinning. They see a face loud and clear. But what face are they seeing? Because it's not really his, whatever they're seeing.
No one quite agrees on what he really looks like. And if they try and think about what he looks like, they can't recall. Or if they do, it's vague, or different each time. We notice these little details throughout the series. Basically, Kim Dokja's face is cognitively obscured. Something - likely the Fourth Wall, though I can't recall if this is ever stated outright - is interfering with everyone's ability to perceive him properly. This culminated in him feeling off to others; and since they don't even realize this is happening, they surmise that he is "ugly."
Moving on to the other point about what the censorship means: To be blunt, the censorship of his face is an allegory for his disconnect from the "story" (aka: real life, and the real people at his side). The lifting - however slight - of this censorship represents him becoming more and more a part of the "story" (aka: less disconnected from the life he is living and the people at his side). The censorship's existence and lifting can represent other things - like dissociation or depersonalization or, if you want to get really meta, the fact that he is all of our faces at once - but that's how I'd sum up the main premise of it. (The Fourth Wall is a larger part of the dissociation allegory, but that's for another post).
So you see, them noticing his individual features isn't about the features. It's not about the features! It doesn't matter at all which features got listed. Because they could describe any features whatsoever and it would not change the entire point of the scene. Because the point isn't what he looks like. The point is that they can truly and clearly see these features. For the first time. They are seeing parts of him for the first time. Re-read that sentence multiple times, literally and metaphorically. What does it mean to see someone as they are?
This is an extremely significant turning point dressed up as a dress-up scene.
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P.S. / Additionally, I'm of the opinion that Kim Dokja is not handsome, and he is not ugly. He is not pretty, and he is not ghastly. Not attractive, nor unattractive. Kim Dokja isn't any of these things. More importantly, Kim Dokja can't be any of these things. The entire point of Kim Dokja is that you cannot pick him out of a crowd; he is the crowd. He's a reader. He's the reader. Why does he need to be handsome? Why must he be pretty? Why is him being attractive necessary or relevant? He doesn't, he doesn't, it's not. He is someone deeply deeply loved and irreplaceable to those around him, and someone who cannot even begin to recognize or accept that unless it's through a love letter masquerading as a story he can read. He is the crowd, a reader, the reader. He's you, he's me. He's every single one of us.
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visuals i made for a real actual paper i wrote for my sociology class that my professor will be reading
[image ids: the first image is a black and white drawing of Ingo and Emmet, from some time after Ingo disappeared. They both look neutrally forwards. Ingo is bedraggled per usual in Hisui, and Emmet looks tired. To either side of them are triangles emphasizing what shape their goatee is.
The second image is a photo of a salt and pepper shaker. The Submas Sideburns are drawn on top of them.
The third image is an edit of Shrek. He gestures at Donkey, saying, "submas fandom is like onions. submas fandom has layers, onions have layers... you get it? we both have layers."
The final image is an edit of the Marge potato meme. She holds Ingo and Emmet up, saying "I just think they're neat!" End id]
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Endlessly tickled by the idea of Akira being a good shot but a shit gamer. I like to think its cause hes got incredible hand eye coordination and super steady ‘surgeon’ hands; hes very good with precise movements, but panics when he has to do brain melting inputs. His brain can keep up but its hard to make his hands follow suit. Its why u can have him be dogshit at arcade cabinets; panicking with the little joystick and button mashing like mad, while having him be a beast at things like darts and billiards.
The only arcade games he can play is house of the dead-esque shooting games (hes literally at the top of the leaderboards for MILES and he draws crowds whenever he plays) and DDR cabinets (hes just very light on his feet)(NOT to be confused with stepmania; he would die if he had to do arrow inputs with his HAND). Its kinda fun to watch him fumble with the other silly gimmick cabinets, but its more entertaining to watch him do what hes good at. If u take him to play darts, and if the darts are super cheap, he will absolutely try his best to split them down the middle each time. Doesnt always work, but its insane to know that he lands the bullseye literally 100% of the time.
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I think part of the reason why helluva boss makes me personally deeply uncomfortably with blitzø as a main character is in partial with the fact that it willingly always portays his alcoholism in positive conjunctions with his employees around him and is never called into question or blame.... like at what point is stolas going to get over some drunk imp bastard that doesn't even consider to ever care about him, when he shouldn't in the first place when the relationship is built upon a throne of literal lies acting like an imp and a royal being together is absolutely disgraceful and classist in one scene and then the next they're just teehee'ing in the field of flowery hell as if these dark themes aren't brought up so passively and never handled....
As a poor queer person who has actively been in the slums with alcoholics around me and consumed most of my past upbringing at some point I turn to just watch something else given that, Blitzø is a low life scummy stalkers imp that doesn't even bother to ever care about anyone else's reasoning or emotions-besides his own and it is proven over and over and over in every. Fucking. Scene. Because he's the 'main character'
Sober up and get over yourself the show isn't about anything else then Brandon Rogers voicing a dicksucking imp because 'haha laugh at the fairy-gay boy who can't even get his own boyfriend'
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So the past few days I've been working on the world map again and I. Welll I've run into a problem. A big problem
See. Theres a big crater.
(Map rotated so it doesnt take up 4 screens lmao)
And ummm. errr. I never really considered something important. How big the thing hitting it is.
That box you might be able to see is 'another planet'. In order to fit the size of the crater it has to be. fucking. huge. Like possibly ten times the size huge. However the fact things squash i assume the crater wouldn't be perfectly round so it would maybe be wierd and flat.
However either way this is so. So much. How is gravity affected? Tectonically a lot of time is implied to have passed so what would even happen then.
However i like the idea of enormous deep crater because as sloppily modelled in the second pic, i had an idea. Marianas trench is what, 10 km deep? Imagine the depth of this thing being even 1% of the planets diameter (its a bit smaller than earth) and therefore. Imagine the insane pressure.
And therefore what is at the bottom.
I need to show this to some reddit nerds for them to tell me 100 reasons this wouldn't work and is completely ridiculous
Anyway that's cool and all. but it gets cooler. or maybe hotter. Since the crater is coincidentally on the bright side of this tidally locked system (Its a moon so it still has day and night but largely only one side gets most of the sunlight) and the way the seasons on it work is that it has an elliptical orbit that gets further and closer to the sun every 'year'.... What if the difference in sunlight and heat... melts the giant ice spot every year. causing a seasonal tide system where its real high in summer and low in winter. oh yeah. think about it. seaside towns at water level in summer and high on cliffs in winter.... seasonal islands and paths... ooouuurgghhh....
Though it wouldn't actually work I'm pretty sure. Because the pressure would make it stay ice anyway. BUT. Its reasonable sounding enough right? You'd believe it and think I understand science if I put this in my worldbuilding right. You also think plausible seasonal ice spot tide is more important than full realism. Yes you do.
Anyway probably the bigger problem is that I've envisioned the like, lowland of the crater being a flat, wet jungle that has a delta on one point of it. And ummm. Errr. I dont think the edge of the crater is flat. Not at this scale at all.
I was having trouble visualising this from an individual perspective though. What would it look like to actually be on the crater? How would the curvature work? So of course I used the finest tech to envision this.
Spore galactic adventures.
(Hey can we talk about how before its time GA was and how cool and good it still looks it still looks good and its so cool)
Honestly not sure what to do with any of this. I'm at least going to have to rethink the edge a lot.... And I already drew it too...
Seems the jungle is going to have to be way steeper and maybe have no delta. (Giant waterfall also cool) Not sure how the drop would work. Like would the atmosphere be denser. Or would it even out. or something. Lots to think about and learn be dunked on by nerds for being wrong about (fun).
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