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#characters are built on that history as well. which is why i dont always like the headcanons that try and explain the rivalry bw greasers a
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Alright so, I need to know your thoughts on the possibility of Johnny's name coming from the song Johnny B. Goode by Chuck Berry. It's something that I personally think, but I wanted to share it with you to get your thoughts on it.
OH HEY YOU KNOW I ACTUALLY LOVE THIS??
i never made the connection before smh but you're absolutely right!!
i always assumed it came from marlon brando's character in the wild one, but i noticed in general that it was kind of a very popular.... "rock'n'roll name" you might say in the 50s and 60s? oh and maybe not only that but popular in those years in general - see also johnny in the outsiders (set in 1965), johnny get angry by joanie sommers (1962), and to put the examples we said before, johnny b goode from berry on top (1959) or the wild one (produced in 1953)
#i love this ure always SO ON POINT with all the little details!!!#like i know i said it before but i will keep saying it the greasers are a clique based on a subculture that has a HISTORY and they aas char#characters are built on that history as well. which is why i dont always like the headcanons that try and explain the rivalry bw greasers a#and preps- like they are nice obvsly and we can do what we want with the material but looking for facts to reason it kind of.... risks miss#missing the point?? bc the rivalry bw greasers and preps is kind of a projection of the class struggle of the adults yknow. like a whole t#thing of ideology- the sons of the working class and the sons of the nobility/old bourgeoisie (nouveau riche is a whole other thing that i#could write PARAGRAPHS on) and maybe they know the exact socioeconomic theory maybe not but they still belong to these two worlds that cann#cannot coexist pacifically in current conditions. and thats kind of the dynamic that has characterized the interactions bw greasers and the#upper classes kids- see the greasers and the socs in the outsiders but also slightly different. bc the socs are still middle class but with#the preps? were talking abt the children of centuries of landowners and tradesman and so forth of the east coast (and east coast is a relev#relevant detail here)#I RANTED AGAIN. one day ill talk about it specifically dont worry i have ranted too much for one time only lol#ty still for the ask!! its always so nice talking w you <3#odyposts
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mokkkki · 7 months
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the way you write is so beautiful... tips for somebody new to writing who wants to write like you?
YOU are so beautiful, thank you so much! im not sure about any tips i have, but ill give it a shot. these are what i personally believe to have been the most important things:
find your wavelength my writing became a lot more stylized and personalized after i found an author that i resonated with, as well as a couple of themes. it just helps to know what you are actually interested in writing in, versus what you think other people would like to read. im personally interested in writing about relationships and dynamics, so my writing will always be more character than action driven. also, it helps, because youre always going to end up writing what you want to write, even in the smallest of ways, so why not embrace it fully? write what you want to read. otherwise, you wont have fun. and writing is SO MUCH FUN. knowing what youre into and what youre trying to channel gives you a really strong basis for all of your writing - not only will it take time for you to find your wavelength, meaning that youll have to expose yourself to many different genres and authors, which is a must, youll always be able to look back at that ONE creative piece and grab some motivation from it.
expose and explore creativity is everywhere - tv shows, movies, books, fanfics, comics, art, architecture, history (!!!), mythology, sports, reality - literally everywhere you can think of. dont wait for inspiration because its everywhere if you look hard enough. familiarize yourself with the seven basic plots, the thirty-six dramatic situations, basic foreshadowing elements, and other essentials. this isnt something to study or memorize, just to KNOW - its good to be aware of the foundations of literature.
embrace the brainrot and maintain a balance become obsessed w your own ocs, your own plots, your own everything. be your own biggest fan. to enter an abusive relationship with your own work is extremely upsetting, because youre doing wrong by the wonderful world youve made, and doing wrong by that part of you that just wants to be creative, too - and if that happens, its probably because you arent writing what you want to write, or controlling what doesnt want to be controlled. let your characters be individuals, let them go where they want to go, just follow and note what theyre doing. sometimes writing is a passive activity rather than active creation, and thats okay! thats when you know youve built a solid world that can run by itself and you just contribute to. that being said, while theres nothing quite like the hours spent ravenously typing, you need to find a balance. you are as important as your work, because without you, the work wouldnt exist. i also reccomend forcing yourself NOT to write on specific days. some ideas need to marinate, and some people need to rest.
i hope this was helpful &lt;;3 if you ever need more help (and this also applies to those reading), feel free to reach out! im open to being a beta reader or just a brainstorming partner. lots of love!
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Ever since i finished up the game, ive always wondered why is that the tower has so many weird decisions when it comes to the structure, building or just decorations inside the tower.
let me elaborate on that a little further; lets first start with the fact that every level you play in the game is tecnically inside the tower (perhaps that is a little obvious but whatever). At first glance, it isnt that really surprising. But what about levels that are like.. huge and look like you're actually outside the tower? like Deep-Dish 9 for example. The structure of the level is already odd enough, but at somepoint in the background, there's a huge planet in the distance and also a space pizzamart, as the game refers it. And if we think about it, that means that the tower must be HUGE, like REALLY HUGE, because how do you fit a (probably way smaller than average) planet? And there is still all the other levels and bosses too! Ill talk about The Noise's battle section because he's stupid and he's probably one of my favorite bosses in the game. Once again, the room is HUGE! Peppino is obviously not allowed to roam around these places as this is a videogame and in this case he needs to fight The Noise but if you look at the background, you'll see that there is a literal building in the background (as well as huge Noise balloons and stuff). I personally believe thats just really nuts because, once again, that shows that the tower is really big!
But back to the important part of this rant, the point is that the tower is really big and has these huge rooms full of stuff with each room having a way different theme than the other. And if we think back to the intro of the game where they sort of explain the history and context behind Peppino being in the tower, i believe its implied that the tower was not there before the events of the game. So, considering the fact that Pizzahead had to build this whole tower by himself, this makes me really wonder why is it that there is so many rooms with really random stuff and everything is built in a really odd way.
Although we do not know fully what is the intention behind the actual tower building, we do know that the tower was probably meant to protect Pizzaface/Pizzahead as he was about to destroy Peppino's Pizzeria. But i then think, why does Pizzahead need a room that's full of bacon and has a menacing pig in the background? Why does Pizzahead need a secret tunnel that leads to a pumpkin grandpa on a chair? Why does Pizzahead even need a pig city in the first place? I could go on and on about this but i guess you get the point.
And at first i thought: "Oh well, all of these levels and other things are just meant to protect Pizzahead and distract Peppino for eternity!" And although i believe that is kinda true, (its never confirmed in the game but i guess its some sort of headcanon?), in the game its confirmed that it doesnt work and if you progress in the game it means that Peppino was strong enough to get through all of the tower's obstacles. But yet, i still think there are some rooms that are just unnecessary and dont even help Pizzahead in anyways (like the bacon room, as i mentioned it earlier if im not wrong).
The closest answer i ever had to these questions was the possibility that Pizzahead was just fascinated with the idea of having a tower, so he just had all sorts of stuff in it because he was messing around and he found it amusing. If this is even true at all, which probably not since it's a headcanon of mine, i still think its pretty funny to think about Pizzahead in this way.
(a quick side note to my rant, i believe that there isn't as much Pizzahead content in the Pizza Tower fandom despite him being one of the main antagonists of the game and it would be nice if people would start making more content about him as i believe he's a really interesting character, despite how little he appears in the game.)
I wanted to clarify that im aware that im probably thinking way too much about this silly pizza game and most things are probably just there because it was funny and its also a goofy videogame. But yet i still find entertaining to overanalyze it and make all sorts of theories because i love this game that much and im sure im not the only one who gets all nerdy over this but yeah you get my point.
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destinysbounty · 2 years
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I think one of the things that made the original series so compelling is how interwoven everything was. Sure, it wasnt always perfect, but each season brought to the table some new connections to the lore, some character growth, some advancements in continuity. Even if a character or subplot only lasted one season, you could still feel their influence on the story several seasons later.
Chen is my favorite example of this. He may have just been the villain of season 4, but his schemes introduced a lot of information about elemental powers, his defeat initiated season 5, and his impact can still be felt as late as season 7 (foreshadowing about Ray and Maya, elemental alliance stuff, etc.) In Way of the Departed theres even suggestions that Chen had Clouse use dark magic to corrupt the Time Twins, leading to their villainy and causing not just the plot of season 7, but also Kai and Nya's whole backstory. Clouse, having returned as a ghost thanks to season 5, is responsible for conjuring Nadakhan and starting season 6.
And on the note of season 5! That season introduced us to the Sixteen Realms and the Realm Crystal, which become important aspects of season 6, and Yang's temple, which became important in DotD and season 7. It also formally introduced Ronin and turned Cole into a ghost, which are *also* major plot details going forward. AND it planted the seeds for Wu's eventual character arc in seasons 7-9. This season's impact expands past itself.
A lot of times, not all the time but often enough, whenever lore gets introduced at some point in the og series, it gets utilized much later on. Captain Soto, formerly a one-off villain from season 2, becomes plot-important in season 6. The Golden Weapon is shot into space in season 2, melted into Golden Armor in season 3, then melted down back into the weapons to defeat the Oni in season 10. The Great Devourer causes Harumi's tragic backstory. Mystake, who started out as a background gag character, became a key participant not just in the show but the worldbuilding and lore. The love triangle and subsequent rift between Jay and Nya doesnt get fully resolved until season 6. The ninja return to the burnt-down monastery in season 6, DotD, and season 7, and eventually rebuild it in season 10.
See what i mean? Everything somehow ties back to itself. Its far from perfect, but there is a solid sense of continuity that connects everything in increasingly complex ways.
I think thats a big part of what makes Wildbrain feel so different. Dont get me wrong, i love Wildbrain and i enjoy a lot of it, but it definitely lacks the cohesion that had seemingly defined Masters of Spinjitzu. A lot of their Wildbrain adventures feel less like installments in a greater narrative, and more like a series of loosely connected sidequests. Exciting sidequests that are usually really fun to watch, certainly, but sidequests all the same.
With the exception of Seabound and Crystalized, you could probably watch Wildbrain out of order and not much would change. If Prime Empire or the Island happened before SotFS, none of those seasons would face any impact from that. They are largely episodic and detached from each other in ways the og series never was. But if you tried to shuffle up the season order in Masters of Spinjitzu, youd have to rewrite a lot of stuff to make it work.
I almost wanna say thats part of why Seabound and Crystalized feel like such a return to form, and why MotM is so well-beloved. MotM introduced us to Lilly, fleshed out Cole's backstory, gave Wu a lil character arc that built on what came before it (Wu feeling useless bc the past few adventures were done without him), and finally gave some kind of resolution to Lloyd's Harumi-related trust issues (not just referencing her, but actually giving him a character arc about it). Seabound introduced us to more lore about the world's history and the backstory of the FSM, gave Nya one of the most compelling character arcs in the whole show that builds on and satisfies her past arcs, even gave her name a backstory that ties into the lore, featured relevant cameos from prior seasons (Vania, Maya, the Keepers), and provided an ending that would have lasting repercussions on seasons to come. And Crystalized...well, i wont spoil anything, but you get where im going with this.
Now, obviously this isnt the only deciding factor of whether or not a season is good. Seasons 6 and 7 are a mixed bag in terms of quality, yet have very integrated lore and character arcs. But seasons 11, and 12, which many people dislike, are also the ones that most noticeably feel like theyre happening in a vacuum. Any effect they have on later seasons, or any effect prior seasons have on them, is not as significant or immediate as in other seasons.
With the original series, there was a sort of cause and effect, almost. Rebooted caused ToE, which caused Possession, which caused Skybound, and so on. Theres a clear and specific chain of causality, and the sequence of events has a large impact on the events themselves. The same cannot be said of Wildbrain.
Again, i do enjoy Wildbrain, and there are a lot of things i even think it did better than the og. But i definitely feel like it wouldnt be half as contentious among fans if it had the same cause-and-effect plot structure as the og. Like, something in ns11 being the inciting incident for season 12, and something in season 12 causing season 13...you get the idea.
Anyway brb i gotta go rewrite Wildbrain
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eirrw · 1 year
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spoilers are below the break and indented
2022-11-13, 15:13
so id written up this whole first impressions review after watching s2e1 of warrior nun but i think it disappeared into the aether?
im through s2e4 now and and opinions are pretty much the same. writing is better but still not great, feels like the got a better budget and/or practice on the vfx, storylines are interesting enough to make me want to keep watching
im sketch about the major new characters (but i always am (especially men)), but as theyre built out i am intrigued how things will go. there's some relationships hinted at that id love to see followed up on cause im a hopeless romantic at heart
theres also some kickass demon murder which is always cool
2022-11-14, 00:07
right so netflix already killed one show i loved this year (rip first kill, you were too stupid to live 🙏). if warrior nun doesnt get a third (final? wrap it up, dont push your luck) act i might actually fuckin riot.
and dont get me wrong, i have ~feelings~ about how the show went down (particularly e8), but those can (and should) be cleaned up
can we talk about the tropes that went into the last bit tho? kill your gays, forbidden lovers, borderline enemies-to-lovers, fuck! also the whole thing felt really male-gaze-ish
dont get me wrong, i was rooting for it the whole time (see: hopeless romantic), as someone who mostly ids as male it felt kinda icky. idk maybe im just drunk
but anyways, it was good solid fun and i think it deserves another go. give it a whirl netflix, take a risk, you have a content problem and making cool shows that ~some~ (not all!) people like helps
also it takes the piss outta the church. i think i make my view on religion fairly clear (and am happy to clarify them if i dont), but i am an absolute sucker for myth and legend and boy howdy do the abrahamics have a lot of that
christianity is of particular interest to me, maybe because its the predominant religion in my part of the world, and the one ive been exposed the most. i also find that in general its the least commonly to be used in a mythological sense
i love shit like warrior nun, or lucifer, or his dark materials (is the show good? i havent seen it), that use christian myth as an inspiration/basis and spiral out from there. like fuckin da vinci code is about the fake history, these build a fantasy out of the legends
i see "a lot" of stuff stemming out of islamic and jewish myths, and im not nearly well-versed enough to say why that is. maybe theyre older religions that hung on to some of the old gods cruft? the creatures and shit that dont really appear in christianity
and dont get me started on the ips that are built on other old religions. norse, greek, slavic, the "old gods" that are classified as myth solely cause no one really believes it any more
theres no difference to christianity, or judaism, or islam, outside of the fact that people still believe in it. its all stories to explain why the world is the way it is and codify a way to live
im mainly picking in the big three here, but i have the same feeling towards all the others. hinduism, shintō, etc dont get a pass
so yeah, more christian myth please. theres a lot of material there and making people mad is fun.
2022-11-14, 12:51
been thinking a bit more about why this bothered me so much can we talk about the tropes that went into the last bit tho? kill your gays, forbidden lovers, borderline enemies-to-lovers, fuck! also the whole thing felt really male-gaze-ish
i think its the build up. they were pushing this from e1 or e2 with the dance scene, but then did the ol classic "we're into each other but we're never gonna talk about it like normal people"
and the relationship never progressed. at all. until the last half hour when its just lets kiss and declare our love for each other
which fair, these chars are young and in a rough spot (mildly) so maybe theres no time for that. but it still felt weird
and something i see pretty often (from a certain crowd) in these situations is the "oh so youre just gonna make 'a' gay now? she never suggested anything like that", and its like, no
bi people exist. and if theyre in a heteronormative relationship then 1, good for them, and 2, they can still be into the same sex! they dont need to talk about it!
and in this case, 'a' had been confined to a bed in a catholic orphanage for most of her life. maybe the whole, oh i like girls too thing just didn't hit for a while.
and 'b' was obviously gay right from her exposition chat in s1, even if they didn't come right out and say it (see: catholics).
i love that it happened but im bothered that there was no depth to it. idk, maybe if they figured it out in like, e5, and were able to spend some time building up to that final release itd have gone down better
i.e. still tropey but at left i could have felt better about it
copied from twitter, 2022-11-13/14 https://twitter.com/virunus_/status/1591887046150340615
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a-dragons-journal · 3 years
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i dont "kin for fun" but through tiktok i found out about the whole kin for fun vs actual otherkin... situation ig? im having a really hard time taking it seriously... maybe im just burnt out and bitter from dealing with the worlds current events, and maybe its because on tiktok the only people i saw mad about it were white people, but you're the most reasonable person ive seen talking about it (a lot of other posts have this odd tone that 12 year olds on tiktok saying kin is the worlds greatest opression and it weirds me out) so ig my question is just... why exactly does this matter? why does it matter enough to post about and care about and not just ignore? /gen
Hey! I don’t blame you for being a bit weirded out by it, we’re a weird subculture and we’re well aware of it! xD I appreciate you taking the time to actually look into it past your first knee-jerk reaction, especially considering burnout and the state of things.
I’m not totally sure if you’re asking why otherkinity matters or why the “kin for fun” being wrong matters, so I’ll answer both - they’re pretty well tied together anyway.
The short version:
Otherkinity is an identity. It’s who we are, we can’t choose to pick it up or put it down, and it comes with struggles - though no, ‘kin are not systematically oppressed (though we are pretty badly bullied and, at this point, pushed out of our own words and spaces).
What people calling roleplay/relating to/projecting onto characters “kinning for fun” does is steal our words, make them meaningless, and in doing so, make it difficult or impossible for us to find each other. If someone says “I kin [x],” I no longer know whether they mean “I am [x] on an intrinsic level” or “haha I relate to this character a lot”. I no longer know whether they actually share my experiences or if they’re going to turn on me and call me “crazy” as soon as they realize I’m not exaggerating or joking or roleplaying. It’s done massive harm to the community as a whole because it’s become difficult to tell whether someone is actually ‘kin or if they’ve misunderstood the whole thing - and because antikin rhetoric, which I’m seeing more and more in KFF spaces, hurts far more when it’s coming from inside what you thought was a community space than when it’s coming from self-labeled “antikin.”
There are other words for roleplaying and relating to and projecting onto characters. Hell, there are words for strongly identifying with-but-not-as characters/things, though usually KFF people don’t even seem serious enough for those to fit in my experience. I’m really not sure why these people are so determined to steal and misuse our words, words that were specifically created to mean something else, when they already have their own and are just refusing to use them. (Or, hell, if you don’t feel like those fit, make your own. We did. It’s your turn to put in the work. (General you, not you-the-anon, of course.))
An analogy, if that still doesn’t quite land for you:
Consider, for a moment, the transgender community. I am aware this is a dangerous thing to say, but bear with me. Obvious CW for hypothetical transphobia up ahead is obvious.
Consider if you were part of the trans community (I don’t know if you are or not), having finally found a word to explain why you feel the way you do about yourself, why your experiences don’t seem to match up with those of everyone else around you. Having found a community, a home, full of other people like you, people you never would have met if not for words like “transgender” and “gender dysphoria/euphoria” that were created specifically to describe your experiences.
Now consider if people suddenly stumbled across your community for the first time who were not trans themselves. They see community jokes and lighthearted posts out of context, because Tumblr and Twitter aren’t exactly conducive to making sure people find the Transgender 101 information posts first. They don’t bother to do further research, assuming they understand: ah, these people like to crossdress! They like to pretend they’re a different gender! This seems like a fun hobby, I want in!
They begin to post things like this. They post photos of them crossdressing and caption them “hi, I’m [name], and I trans men!” and things of the like. Suddenly the concept of “transing for fun” seems to be everywhere - and it’s not at all what being trans actually is, but these people either don’t know or don’t care. When actual trans people try to politely correct them, they’re accused of “gatekeeping” - and to be clear, this is not “nonbinary people aren’t real,” it’s “transgender means you identify as a gender other than the one you were assigned at birth, and you’re self-identifying as the gender you were assigned at birth 100% and telling us this is just a fun hobby for you, therefore you’re not trans, you’re crossdressing or doing drag or being GNC. That’s fine, but it’s not being trans - you have other words to describe that, use those.”
(Yes, I am aware these things have a history with the trans community - please just ignore that for the sake of the analogy and bear with me on the slightly simplified version of this. “Kinning for fun” does not have that same history with the otherkin community.)
...And then the response to those attempted corrections, in some corners, turns into “wait, you ACTUALLY think you’re another gender? idk that sounds pretty unhealthy, maybe you should see a psychologist or something :\” and “you’re taking this too seriously.”
I imagine, in this hypothetical scenario, you’d also be pretty fuckin peeved.
(Obviously, in this hypothetical scenario, systematic transphobia would be an issue as well, which isn’t the case for otherkin - again, you’re gonna have to bear with me on the simplification for sake of analogy there.)
(EDIT: this is not an anti-MOGAI/exclusionist argument, this is “you’re literally telling me you don’t fit the definition,” explanation on that here)
The long version, which is probably still worth reading if you have the time and energy:
Otherkinity is... pretty core to who I am, who we as a group of individuals are. We live with being otherkin on a daily basis. Many of us spent a long time feeling different and disconnected and not understanding why until we found the otherkin community. Even people like me, who don’t share that experience and still had social connection - I’ve still had to live with weird differences that I had to learn to mask when necessary; instincts that don’t line up with human society well, feeling body parts that weren’t there and that no one else ever seemed to have, things that other kids grew out of because it was just make-believe for them and I... didn’t, because it was never make-believe for me to begin with. Oh, sure, I played make-believe too - I played warrior cats and house and all those things with the other kids, but there were things that weren’t play-pretend for me too. I didn’t have an explanation for it for a long time - it was just how I was, I was weird, and fortunately for me personally I was okay with that (many of those with species dysphoria or more trouble connecting with humans have more problems from that than I did).
And then I found the word “otherkin.” And suddenly everything fell into place, and I had an explanation for the things I’d been experiencing, and there were other people like me. Something I’d assumed didn’t exist. I found others who shared my unique experiences, who were talking about how to cope with the instinct to growl or snap jaws at people instead of expressing annoyance in a human way instead of just saying “that’s weird, don’t do that”, who were talking about dealing with phantom wings and tails, who understood me. I wasn’t weird, I wasn’t broken, I was exactly what one would expect from a dragon living in human skin. I found an explanation for myself. I found a home.
That is why otherkinity matters - it is who we are, it’s not something we can walk away from (certainly not most of us, anyway), and it’s something many of us need the support of the community to help deal with on a daily basis. Being a nonhuman in human society isn’t always easy, but it’s not something we can just magically stop being - it’s core to who we are, we (generally) didn’t choose to be this way, and we (generally) can’t choose to stop. Which is fine - the vast majority of us can cope with it just fine, with a little advice and help and space to be our authentic selves in. We found each other, we built this community from the ground up to make a space and words to make finding each other easier - or possible at all.
Thus we come to the second half of our story.
It was only a couple of years ago that the “kin for fun” trend started getting big. It had existed before that, of course, but it only started going mainstream two, maybe three years ago, from what I can tell. Suddenly people were treating “kin” like it meant relating to, projecting onto, roleplaying as, or just really really liking a character or thing - not being that thing, which is what it actually means. Not long after that, it became hard to tell whether someone saying “I kin this” meant they were that thing, that they were actually part of our community - or that they really really liked that thing and either didn’t know or couldn’t be bothered to learn that that wasn’t the case for us.
Not long after that, it became relatively commonplace to hear phrases like “otherkin are ruining kinning!!” and “you’re taking this too seriously” and “idk, if it’s that serious for you that sounds unhealthy. maybe you should get some help :\” (all directly quoted, or as exactly quoted as I can remember, from things KFF people have said to me or people I know).
It is a special kind of hell, I think, to be told “you’re taking this too seriously, that’s unhealthy” by people who are taking words created to describe your experiences, not theirs, and misusing them to mean something that you do for fun on a weekend instead of something that’s intrinsic to your being.
Perhaps more importantly, like I’ve said, it’s making it almost impossible to know whether someone who says “I kin [x]” is actually ‘kin or if they’re misusing our words to mean something else entirely. The entire point of words is to communicate ideas, and once you start misusing words to mean something totally different than what they actually mean, that communication falls apart and suddenly we might as well not have those words at all. Especially when the community is small enough and obscure enough that we’re starting to be outnumbered by the misinformation. We’re being run out of our own words, words we created to describe our experiences specifically - because we’re a small community that the wider internet can easily drown out by sheer numbers of people who either don’t know any better or don’t care to learn.
That’s the harm it does - the harm it is doing, right now. That’s why it’s important enough to post about. That’s why it matters - because we’re fighting desperately to hang onto our own words so that others like us can actually find us. Because we’re seeing young nonhumans go “this isn’t a kin, I actually am this” and screaming “No, I’m so sorry that this is what the misinformation has done to you, that’s exactly what otherkin means, you have a place here, please don’t let these non-’kin misusing our words drive you away from the very community you’re looking for and that you belong in.” Because we can’t even communicate effectively about our own experiences anymore except in semi-closed spaces like Discord servers and forums (and the number of Discord servers overrun with KFF people is absurd).
......This got very long. Hopefully it at least explained why it matters so much to me and others a bit better ^^; Thanks for hearing me out, and thank you again for looking into this beyond your initial knee-jerk reaction - I really do appreciate it.
(For further reading, if that text wall didn’t blow you out of the water completely, I recommend my “kin for fun” tag, which has more posts like this in both short and long form.)
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betawooper · 3 years
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rating every demon fight in kny bc i can
non-biased, completely objective rating (more or less) of every significant demon fight in kny based on a number of factors, including:
cleverness of fighting tactics
placement in the story’s timeline
integration of character backstories
cohesive themes between characters
etc
by non-biased and objective i mean i’m not skewing the rating if a death felt fair or whatever
everything past where the anime ended will be under a read more so anime onlys who havent watched mugen train, youre safe lol
oh and i reread the manga like 20+ times (reread the latter arcs at least 40 times, haha hyperfixations am i right?) so be rest assured im not pulling these ratings out of my ass
also ill randomly be bolding certain phrases just to improve readability
anyways let’s gooooo
VS NEZUKO
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[Image Description: Manga panel of Kamado Tanjirou and Nezuko. Tanjirou is fending her off by putting the axe handle in her mouth, keeping her from eating him. End Image Description.]
10/10
i like how realistic it is, because yeah tanjirou would react the way to he did with zero fighting skills against a demon
very clear why tanjirou is fighting nezuko and shows a bit of worldbuilding on how normal people react to their family becoming demons
always nice to see worldbuilding
giyuu is the perfect example of a seasoned demon slayer who’s good at his job, and he juxtaposes tanjirou very well in that aspect
my only complaint is not directly in this fight itself but how nezuko is handled throughout the story as a whole
like bro, it is literally never explained why nezuko is different from demons
could have been easily explained if maybe her family’s ghosts like slapped her hand every time she wanted to eat a person but nope
she’s just built different lol
so yeah youll see future ratings get points docked off bc nezuko unlocks some secret power with no prior explanation other than she angy >:3
VS TEMPLE DEMON
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[Image Description: Manga panel of a demon. The demon has a sharp-nailed hand over his neck and there are four text bubbles around him saying “But a wound like this... will heal in no time! See? The bleeding already stopped!” End Image Description.]
10/10
may be more forgettable compared to like rui but still good
tanjirou did exceptionally well in this fight and his ability to think on his feet is once again beautifully illustrated here (trapping this dude’s head against the tree trunk with the axe)
very clever
again, establishes more demon worldbuilding regarding regeneration and still being able to move without their head
and the demons burning in the sunlight thing since nezuko wasn’t able to show that
the ending where tanjirou hesitates to kill the demon also serves to show his sympathetic nature towards demons that will last throughout the entirety of the first 60-ish chapters
:)
we’ll talk about what the hell happens to tanjirou after that
or not, it could honestly be its own post
VS HAND DEMON
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[Image Description: Manga panel of a many-handed demon. He has six hands around him, three of them covering his mouth while he chuckles, two of them grabbing his cheeks, and one holding on to the top of his head. There are two text bubbles saying “That’s how many of Urokodaki’s students I have eaten! I’ve decided to kill all of his students!” End Image Description.]
10/10
ooooh probably the first big fight against a demon in the series
oh yeah not doing the two random demons tanjirou one shot in a single blow bc eh
anyways hand demon’s pretty goddamn scary, considering the fact that this is the 5th demon or whatever tanjirou has had to face so far
very nice way to show us how much tanjirou’s innate intuition and all his other random abilities (sense of smell, hard forehead) can come together and help him decapitate this guy
i liked the mini history with urokodaki this dude had and why he had beef with our favorite mentor figure, it establishes that urokodaki was in fact a super good demon slayer and its cool to see that actually shown
i also liked that small moment of compassion tanjirou gave this demon, staying consistent with tanjirou’s established kindness
the demon’s sad tale with killing his own brother very much humanizes him when all the reader has seen up to this point is that this guy is a monster who eats people
sets up the theme of demons just being humans but being victims of circumstance that unfortunately doesn’t hold up as well in arcs past mugen train
VS SWAMP DEMON
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[Image Description: Manga panel of Kamado Tanjirou fighting off three horned demons as they appear from below. There is a spiky text bubble saying “Three of them!!!” End Image Description.]
10/10
not my most favorite fight but it still portrays everything alright and im not allowed to let my personal opinions mess with the rating so
i like how tanjirou mentioned the fact that he trained in conditions similar to the bog and explains how he pulled off the whirlpool form
using past experiences to aid him in the present, nice nice
tanjirou and nezuko dont quite work together very well but its yknow the first mission so ill chalk it up to simple inexperience
also the way the muzan curse thingie was hinted at here? fantastic way of showing that little bit of demon worldbuilding
...
oh god, it mentions nezuko being stronger than normal demons
ok its not a problem here per say since i can still suspend my disbelief, but later on it just becomes a glaring problem that gets worse over time
VS SUSAMARU AND YAHABA
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[Image Description: Manga panels of Susamaru and Yahaba. The first one is a joyful Susamaru about to throw a temari ball. There is floating text saying “Is she one of Kibutsuji’s minions?!” The second image is an annoyed Yahaba, holding one of his eye-hands to cover himself. There are two text bubbles around him saying “My kimono got all dusty. Tch!” End Image Description.]
9/10
why dont these bitches have a good looking panel together dammit
anyways amazing entrance, the way yahaba used his hand eyes to track down tanjirou is really neat
the synergy yahaba and susamaru have is incredible, its awesome dude, they work extremely well together and it shows
tanjirou actually mixing his water breathing forms together is a god tier move and i absolutely love how he can show off his ability to think on his feet once again
establishing how yushiro’s bda works early on is really well done
establishing tamayo as a fugitive this early on is also super well done
not to get into spoiler territory but both these things pay off
how tamayo ended up defeating susamaru is literally awesome in so many ways
shows off both how smart she is by exploiting the muzan curse
and speaking of the muzan curse, we actually get to see what happens to demons who even say his name, back when it was hinted with the swamp demon
tamayo is amazing dude, and we get some real evidence of the horrible suffering demons go through if they even accidentally attempt to betray muzan :D
...
now heres what keeps this fight from being perfect
nezuko somehow grew stronger against susamaru’s temari
with no explanation
which could have been easily explained if tamayo was like “oh yeah the drug also boosts a demon’s strength temporarily”
but nope
god, i just dont like how gotouge handles nezuko’s power boosts throughout the series bc like i said before
no explanation is given anywhere
this is a huge issue, this isnt a pokemon game, you cant just kill demons and get exp at the end of every battle, level up, get some sweet stat bonuses and move on
(actually if gotouge established that this is how nezuko grew in power, than all my complaints about this would be gone, im not even joking)
anyways i get that nezuko is supposed to be “special” but thats too vague of a descriptor
how the hell is she special? ya gotta be more specific and stick with that explanation or that suspension of disbelief is going to disappear
VS TONGUE DEMON
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[Image Description: Manga panel of a four-eyed demon with horns and a long tongue. He is crawling in an awkward position, one foot in front of his tilted head. There are two text bubbles around him saying “Heh, heh! I’ll slurpy slurp your brains out through you ear!” End Image Description.]
10/10
not much to say, showcases zenitsu’s true abilities really well
nicely done
VS HORNED DEMON
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[Image Description: Manga panel of a big, single-horned demon. There are three text bubbles saying “You dodged! You’re awfully lively for a human! It’ll be a treat to carve away your flesh!” End Image Description.]
10/10
would have ignored this fight if not for the fact we havent seen inosuke fight before
it definitely shows how very fast-paced and wild inosuke is
no complaints here lol
VS KYOGAI
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[Image Description: Manga panel of Kyogai, a demon with tsuzumi drums attached to his shoulders. There are four text bubbles around him saying “Why?! Why does everyone keep sneaking through my house? It’s so aggravating. It’s my prey! It’s my prey! Found in my territory!” End Image Description.]
10/10
establishes marechi blood pretty early on, once again expanding the worldbuilding of kny which is always cool
interesting terrain where it’s always shifting, tanjirou once again proves his ability to adapt really quickly by altering one of his forms to work with the turning room
(man, i wish the form mixing/form modification thing carried on throughout the rest of the story, but it really didnt which is just a shame)
the injuries tanjirou had prior to this mission actually affecting him was a nice touch
oh yeah, kyogai gives us more worldbuilding (which is always nice) regarding the 12 kizuki, and the aspect of him being cast out due to being weak shows a lot about muzan’s indifference towards his own demons if they arent strong
his backstory being a failed writer once again humanizes kyogai as a former human being and not just a monster
tanjirou shows his sympathy and compassion again by not stepping on his written work and complimenting his bda
well, tbh tanjirou’s actions kinda came out of nowhere but its a very minor thing and not enough to dock a point off, like it didnt affect the outcome of the fight that much if at all
(so if you see future battles where points are docked off for things not logically making sense, its bc whatever nonsensical concepts were integrated into the fight actually turned the tide of the battle and thats a big no-no)
very good fight and if you remember how kinda bad tanjirou was at accurately slicing the swamp demon, you can see that he’s already improved leaps and bounds
im so proud of him
VS MOTHER SPIDER DEMON
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[Image Description: Manga panel of Kamado Tanjirou and the Mother Spider Demon. There is a light shining down from the top right on to the demon as Tanjirou slices her head off, rain following in his wake. There is floating text saying “Water Breathing: Fifth Form - Blessed Rain After the Drought!” around them. End Image Description.]
10/10
i mean does anyone disagree?
all the demon slayers getting their necks snapped by her threads was pretty horrific, probably more horrifying than anything else we have seen in the entire series if im gonna be honest
the death scene is probably the most beautiful one in the series
it reveals a water breathing form that we havent seen before thats the 5th form
as far as i know, no other breathing style has this merciful sword stroke so it shows a lot about the original water breather and what they might have been like
but enough about them, really the focus is on tanjirou bc this is like the best example by far of how kind and sympathetic he is to demons
dunno what else to say, its perfect
VS SON SPIDER DEMON
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[Image Description: Manga panel of Agatsuma Zenitsu performing Thunder Breathing 1st Form: Sixfold on a spider-like demon. Zenitsu is crashing through the roof of a shed, and a zig-zag path is left behind. There are sound effects all over the panel, saying “Bam!” in large font. End Image Description.]
10/10
chose a picture without a huge spider on it bc i would like to not scare myself half to death
anyways extremely amazing fight, showcases zenitsu’s immense talent and skill, adapting the 1st form of thunder breathing to be a more versatile move
theres a moment where his backstory with kuwajima and kaigaku were revealed and his hidden insecurities are out in the open which is super nice and further develops a character weve only considered as comedic relief until now
the anime made the backstory scenes and the killing scene so much cooler
while there is no thematic connection between zenitsu and the demon, it really isnt necessary to keep this fight interesting
anyways another pretty much perfect fight
VS FATHER SPIDER DEMON
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[Image Description: Manga panel of Kamado Tanjirou and Inosuke slashing at the Father Spider Demon. The demon has blocked Tanjirou’s sword with his arm, and Inosuke is slamming both his blades down on the demon’s other hand. End Image Description.]
10/10
again, not my most favorite fight but it does everything right
i do have to say it was excellent how gotouge hyped up the father spider demon to be the big bad, only just so the plot twist later takes the readers by surprise
nicely done
VS DAUGHTER SPIDER DEMON
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[Image Description: Manga panel of Kochou Shinobu and the Daughter Spider Demon. Shinobu’s back is seen and her haori looks like a butterfly’s wings keeping her afloat as she holds her stinger blade out to the side. The demon looks surprised as blood gushes from her side, arm, shoulder, chest, neck, and forehead. There is floating text on the panel, saying “Insect Breathing - Butterfly Dance - Caprice!” End Image Description.]
10/10
first time weve seen shinobu and her fighting style
what i love most about this is how much it shows her true character, appearing as a carefree and naive individual so she seems underwhelming
then bam, reveals exactly how dangerous and uncaring she is of demons, listing out the specific ways she would torture the daughter spider demon in grotesque detail
her using poison to take demons by surprise is also super clever and brings back the worldbuilding established way earlier about wisteria being poisonous to demons
amazing integration of that concept
anyways this fight really encapsulates who shinobu is as a character and thats why it gets a perfect score
VS RUI
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[Image Description: Manga panel of Rui holding his hand out directly towards the viewer. There are two text bubbles around him, saying “Give me your sister. If you hand her over quietly, I’ll spare your life.” End Image Description.]
8/10
not only is it a super scary fight but there is a deeper conflict between rui and tanjirou, what it means to be family
they are opposites in the sense that while tanjirou believes love is what makes a family, rui’s subconscious desperation for an unbreakable bond drives him to use fear to keep his “family” together
excellent juxtaposition of their values, and this is only further emphasized when rui expresses out loud what he was going to do to nezuko
i also like the symbolism regarding rui’s bda, how he uses threads or the “familial” bonds to cut up his fake family with it if they act out of turn or annoy him
super neat detail
alright what i dont like about this fight is nezuko (again)
mostly her unlocking her bda to turn the tide of the battle bc her mom was like “yo, wake up, your brother is going to be killed”
feels... forced ig
her bda in general is confusing and not consistent
man, i wish i could make a stronger argument for this but i do believe the problem stems from the fact that we dont ever know what nezuko is thinking, and what she thinks of tanjirou specifically
if she even cares for him as a sibling or if shes only going along with what her family is saying to her, things like that which would have been fixed if gotouge actually gave her thoughts some screen time
so the action feels pretty shallow
im also conflicted over tanjirou somehow remembering how dance of the fire god works
on one hand, hes using past information and applying it in the current setting so he doesnt die, which is understandable
but on the other hand, this was a teeny bit random?
i think what could have fixed this is if there was a scene in the beginning of the series where tanjirou was performing it himself, like practicing before he actually had to do it for new years
so that when the rui fight rolls around, it would have felt less like throwing dry spaghetti at a wall
but yeah
overall super good fight, giyuu ending up having to kill rui instead of tanjirou was super good in that tanjirou didnt become a pillar this early in the series and to show how strong giyuu is
there are some odd bits regarding the ultimate “beheading” of rui using nezuko and tanjirous supposed bonds but it doesnt kill the fight entirely so it deserves its pretty high score
***under read more is manga-only fights so beware***
VS ENMU
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[Image Description: Manga panel of Enmu holding his hand out directly at the viewer, with a mouth on the back of it. There is floating text to the top right of Enmu that says “Whispers of Forced Unconscious Hypnosis!” End Image Description.]
9/10
id say this fight is definitely overshadowed by the dream stuff prior to this but its pretty good in its own right
enmu fusing with the train was kinda confusing, like when was it established that demons could fuse with objects?
this worldbuilding element doesnt even appear again so yeah thats why it loses a point
how the kmbk gang end up defeating enmu is pretty sweet though, tanjirou using dance of the fire god to sever the neck bone was really nice and shows that him using the breathing style in the rui fight wasnt a one time thing
while kyojuro’s role was smaller in this part, the next part makes up for it so i cant complain
anyways ye, almost perfect score but its pretty good
VS AKAZA (MUGEN TRAIN)
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[Image Description: Manga panel of Akaza holding his hand out to the viewer’s left. There is a text bubble saying “Why don’t you become a demon?” End Image Description.]
10/10
this encounter is literally amazing okay?
after the crew kills the big bad, it seems like everything is fine
but plot twist, upper moon 3 appears out of nowhere
this is the first time the reader has seen an upper moon, let alone the 3rd/4th strongest demon in existence and the way gotouge handled this twist is fucking amazing
kyojuro’s death scene really shows just how human even the strongest pillars are against demons with incredible power
its just
amazing
VS OBI DEMON
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[Image Description: Manga panels of the obi-like demon. The first image shows the obi hung in the air and strung over each other like decorations, with women-shaped patterns in its folds. The second image is Hashibira Inosuke fighting the Obi demon which now has lips and eyes. There is floating text in that panel saying “Breath of the Beast: Sixth Fang - Jagged Gnaw!!” End Image Description.]
10/10
on to red light district
this fight is admittedly super forgettable and not very interesting at least compared to the main fight with daki and gyutaro
but it wraps up the sub plot of the women and uzui’s wives going missing so it gets a perfect score for not messing that up
oh and it establishes the stretchy neck thing daki has going on which is very good
VS DAKI AND GYUTARO
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[Image Description: Manga panel of Daki and Gyutaro. Daki is sitting on Gyutaro’s shoulders. There is a text bubble on the top right that says “The two of us are one, after all.” as well as floating text that reads “The power of the irregular siblings...!? Next issue lead color and the fight reaches its climax!!” End Image Description.]
8/10
love how this battle challenges tanjirou’s sympathy and kindness towards demons, just simply bc daki and gyutaro are horrible people
(too bad nothing came of this, which ill explain in the hantengu portion)
daki and gyutaro are very good villains and kept this fight super interesting from start to finish
uzui acting as a foil to gyutaro is nicely integrated and properly shown with how jealous gyutaro gets over seeing uzui’s perfect form and stature
tanjirou not only mixes forms but mixes breathing styles as well, which is so fucking awesome
(too bad it was only used like once throughout the entire series, its quite unfortunate)
the super high tension right after inosuke gets stabbed and tanjirou wakes up was expertly portrayed and handled, it felt like the kmbk gang and uzui were actually going to lose
super awesome
the tanjirou and gyutaro parallels are expertly portrayed, with how gyutaro taunts tanjirou over failing to protect his little sister, and the more visual thing where tanjirou imagined his own neck underneath his blade, that was super duper nice
the ending is extremely tense and emotionally gripping, gotouge did a really good job with that artistically too
the demon mark acquisition scene was surprisingly not frustrating, considering that it wasnt really explained prior to the battle
i do think it has to do with how it was explained later just exactly how they worked so its not just some random thing gotouge pulled out of their ass
so pretty good
/
what i dont like is nezuko and her full power demon form
first of all where the fuck did that come from? she just got angry and suddenly shes as powerful as an upper moon
like
how?
that doesnt make sense???
her extremely quick regeneration makes no sense
her ability to manipulate her blood’s properties makes no sense
and it doesnt even appear again so what was the point of that existing
none of this is even explained later which annoys me
that one part where tanjirou sings a lullaby to her to calm her down was alright ig but nezuko in this fight makes me extremely irritated and frustrated
just ugh
VS HANTENGU
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[Image Description: Manga panel of Hantengu opening a shoji door. He is crawling inside, his hand in a gnarled, unnatural position. There is a text bubble saying “Eeeeeeek.” End Image Description.]
1/10
swordsmith village
this fight can go fuck itself /j
no but seriously it has so many problems that it would be shorter to name its redeeming qualities (which ill do later)
first off, the nezuko full power form thing again
i hate it so much with a passion
again, where did her ability to regenerate instantly even come from???? this is never explained, ever
and why did she cut herself on tanjirou’s sword anyway
did she somehow know that it was going to turn red if she burned it?
gotouge what the fuck, there is literally no reason why nezuko would do that and we cant even read her mind to see her thought process
gotouge hates nezuko, i swear
/
remember when i said uzui is meant to be a foil to gyutaro in the rld fight? its pretty obvious that those two are opposites, it was nicely done
... what the hell does mitsuri’s insecurities about strength have to do with whatever the fuck hantengu has going on (which is basically nothing)?
so no meaningful connection between mitsuri and hantengu
theres no meaningful connection between tanjirou and hantengu other than tanjirou getting pissed off for like the second time
also tanjirou’s thing with being kind and sympathetic to demons was entirely dropped at this point
but instead of it leading up to a corruption arc of some sorts, it just doesnt
like honestly if something actually came of that anger he exhibited in this arc and from red light district from this point forward story-wise, i would have counted this as an amazing writing decision
but it literally doesnt so who cares
(god, i really start to hate what happened to his character after this )
and genya’s revealed motivation also doesnt fit at all with hantengu’s thing, he’s not a foil, not a parallel, nothing, there is nothing
/
tanjirou being the catharsis for development for mitsuri and muichirou, who he has only talked to like twice
theres definitely a better way to handle those two’s developments without his help
like gotouge, you have a big cast of characters, use them lol
/
i want to kick hantengu in the face for being boring as fuck (at least his clones have cool looking weapons)
doesnt even have a proper backstory, just a single spread of him being blamed for shit as a human
like... thats it? this is upper moon 4 what the hell
/
theres no clever form mixing here at all (regarding tanjirou) which probably would have helped with foreshadowing the 13th form for dance of the fire god/sun breathing better
also gotouge established that as tanjirou’s thing and now he doesnt do that stuff anymore which sucks
/
oh hey remember when tanjirou actually learned how to do zenitsu’s speed boost thing?
if you didnt, i dont blame you bc it literally doesnt appear again, ever
you could argue that he adapted it into his “waltz flash” technique or whatever the fuck that is but the way it was integrated into this fight was like throwing dry spaghetti at a wall
which is just a shame bc its meant to be representative of how tanjirou and zenitsu are good pals but the way it was utilized is forgettable as hell
/
i absolutely loathe the crimson blade concept as a whole and im mentioning this now bc its going to come into play why future instances where this goddamn thing comes up again causes points to be lost
its inconsistent as fuck ill tell you that
/
at least some yoriichi stuff appeared here and not shoved into the final battle with everything else
so the yoriichi stuff later didnt come out of absolute nowhere
genya and mitsuri’s unique fighting styles expand the kny worldbuilding just a little more which is always nice
tanjirou got a cool sword out of this which would have been cooler if him and yoriichi had a deeper connection that was actually explored
but we didnt get shit so whatever
other people getting demon marks being revealed here is also okay so that again, the final battle isnt filled with absolutely everyone getting their marks at once
demon marks have their own slew of problems but its not as bad as the fucking crimson sword shit
god i hate the crimson sword shit
...
dude this section needs a tldr, even i cant sit and read through my shit
TL;DR - this fight sucks and crimson swords are bullshit (more on this later)
VS GYOKKO
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[Image Description: Manga panel of Tokitou Muichirou and Gyokko. Muichirou is looking to the left while Gyokko is looking to the right, both with their backs to each other. There are mist clouds billowing in the foreground and background, as well as a slash mark going across Gyokko’s neck. End Image Description.]
7/10
this fight suffers from the same lack of cohesive themes through characters like the hantengu battle bc the antagonist is given nothing
but its better
we havent actually seen mui fight before so theres no consistencies that the reader has to keep track of for now
and there arent like 10 characters in the fight so this fight gets a lot of points just for being a lot more coherent
i do like that this fight shows just how good mui is that he can defeat an upper moon by himself
mui’s backstory is neat
gyokko’s bda is very interesting too
... thats pretty much it lol
ye, anyways not the best fight but not the worst fight either
VS KAIGAKU
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[Image Description: Manga panel of Kaigaku holding the hilt of his blade with one hand. There is two text bubbles around him, saying “...As usual, you’re still shabby. It’s been a while, Zenitsu.” End Image Description.]
9/10
alright on to final battle arc
theres some good fights and then some really sucky ones, but this one was pretty incredible and very emotionally charged
theres a clear reason why zenitsu and kaigaku are battling each other (kai betrayed the corps and inadvertantly caused the only parental figure in zenitsu’s life to die, and zenitsu is rightfully pissed off about that)
the visual yin-yang symbolism is awesome too
zenitsu winning due to using the 7th form he created himself (which i have reason to believe was inspired by tanjirou) was the perfect ending to the fight, really couldnt ask for anything better and is a perfect example of how much of an effect tanjirou has had on zenitsu
the 7th form is what tanjirou’s waltz flash should have been lol
/
what keeps this fight from being absolutely perfect is lack of development prior to this conflict
(since the final battle arc is basically a culmination of all the hinted developments through the series, im going to actually factor in how much and how well these conflicts were foreshadowed)
anyways if we had actually seen zenitsu, kaigaku, and kuwajima actually interacting with each other and showing how they were essentially a family (not just through flashbacks), it would have made zenitsu placing the responsibility of killing kai onto himself a lot more tragic
but like, apart from brief flashbacks where zenitsu actually met kaigaku off screen and that one thing all the way back in natagumo where both kuwajima and kai were introduced, thats pretty much it in terms of thunder family development
so yeah its underdeveloped for sure
also one random thought, i personally think zenitsu should have gotten his demon mark in this fight, it would have been cool to see
VS AKAZA (INFINITY FORTRESS)
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[Image Description: Manga panel of Akaza’s face. There are two text bubbles around him, saying “Okay, let’s get started. It’s time for the feast.” There is also floating text saying “The inspection of the strong has begun...” as well as a simple box on the lower left, denoting its the end of chapter 147. End Image Description.]
6/10
oh god please dont hate me for this
ill list the good things first how about that
this conflict was foreshadowed perfectly in mugen train, you bet the readers were expecting a tanjirou vs akaza battle after the death of kyojuro and gotouge delivered
akaza’s power is shown extremely well with how many close calls tanjirou and giyuu had while fighting him
akaza eventually giving up on his own volition was really nice and fit into the context of the battle very very well, like sure tanjirou and giyuu wouldnt understand why he gave up but us readers do know
akaza is a really good character and a good villain
/
now notice how im only mentioning akaza and not giyuu or tanjirou in the good aspects
bc those two are eh
no form mixing at all from either tanjirou and giyuu
i know i said form mixing was kind of tanjirou’s thing but you’d think giyuu would have gotten more creative with his moves once akaza said that he was getting predictable
(well he said he “ran out of water breathing forms” but same thing)
so its kinda bland lol
speaking of giyuu, his whole thing with his insecurities of being weak wasnt handled well (it was sort of immediately brushed off in pillar training, and its unclear what part of his character arc he was in)
like sure him announcing that he’s going to protect tanjirou is cool but it feels like he was haphazardly dropped into the tanjirou and akaza conflict
isnt he supposed to be both their foils? that wasnt really explored that well in this fight and theres no deep meaning behind him even being here just analyzing what he did in it
he could have been handled better or even given more focus is what im saying
the anatta state came out of nowhere, im sorry okay? just bc inosuke like barely hinted at not being able to sense grandma hisa bc she had no fighting spirit and tanjurou magically taught his son how to achieve this state doesnt mean it was properly integrated into the fight
if the anatta state was actually explored prior to this battle, i would have given it a pass but it just feels like a cheap and poorly developed trick to get around akaza’s technique development (which is overpowered as fuck might i add)
gotouge should have just given akaza a plausible weakness to his technique development instead, especially since they dont use or even mention the anatta state after this
the transparent world shit makes no sense but ill elaborate on that in the koku battle analysis
oh and this thing doesnt affect the score but why wasnt there a “yoriichi visage overlapping” moment when tanjirou was fighting akaza? hes an upper moon, he should have gotten those visions but he didnt
for some reason
anyways this battle was alright and has good set up but the middle and end parts didnt hold up as well bc random concepts were thrown at us without prior explanation or development
VS DOUMA
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[Image Description: Manga panel of Douma licking Shinobu’s butterfly pin. There are two text bubbles around him saying “Anyway, tonight is a good night. Such fine feasts keep showing up one after another.” End Image Description.]
9/10
damn, such an amazing fight
the build up to this was properly foreshadowed
shinobu finally showing her true anger after hiding it for so long is amazing
douma is a super interesting character and fantastic villain
shinobu showing off her true power and determination against douma was sooooo nice
shinobu’s poisonous body plan is so clever and so interesting
if i was to rate the shinobu part of the fight alone, it would have gotten a 10/10 no question
the reason why its knocked down a point is because of the kanao and inosuke part
dont get me wrong, the way kanao is able to hold her own against douma by herself is pretty cool, how shes meant to parallel douma with their similar struggles surrounding human emotions and demonstrate how she has grown as a person, how she regains the ability to cry
that shit is cool, inosuke also getting in touch with his emotions after learning what happened to his mom was super neat as well
however
bc this battle takes place in the final arc with everything else, there wasnt proper build up regarding many things, the kotoha reveal especially
so inosuke feels kinda forced into the kanao shinobu and douma conflict, similar to how giyuu felt forced into the tanjirou and akaza conflict
its quite unfortunate bc if the kotoha stuff was actually explored prior to the confrontation, this “forced” feeling would have disappeared
i know some people have suggested that the douma fight should have just been its own arc, and i very much agree, it would have certainly helped fix this problem regarding inosuke and kotoha
last random thought, i wish shinobu, kanao, and inosuke got their demon marks
VS KOKUSHIBOU
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[Image Description: Manga panel of Kokushibou looking directly at the viewer, holding the hilt of his blade as if he’s going to pull it out. There are text boxes around him saying “This... is Upper Moon One... He’s so different compared to the other Upper Moons. He looks so dignified and majestic.” The text boxes are narrated by Tokitou Muichirou. End Image Description.]
5/10
this fight is... mediocre
at least theres a more tangible connection between muichirou and kokushibou
even though that was handled kinda poorly
tbh there really was no point to revealing that mui is koku’s descendant like at all, it just had no significant bearing to the plot of the fight
sanemi’s backstory being here is... okay ig?
idk the whole shinazugawa conflict has fundamental problems that i just cant think of any other place to put it without changing the entirety of canon
the marechi blood concept coming back was nice though
genya is there
him getting his bda was cool and helped turn the tide of the battle in a satisfying way (before kicking the bucket but thats not the focus here)
gyomei is a hollow husk of a character who barely got anything at all
but his fighting style is extremely cool and conveys his immense power very well
oh and him and sanemi are amazing at working together, like better than giyuu and tanjirou, and better than kanao and inosuke
theyre that good yet pretty much nobody acknowledges it which is sad
koku himself is pretty interesting and pretty tragic, very nice villain
but everyone together?
gonna be honest but this is such a random collection of characters, there was basically no foreshadowing that these four were going to go up again kokushibou, they are not that connected very well
i know there was this one post that focused on the theme of family that was common in all 5 characters in the fight but its just not enough
it would have been more cohesive if gotouge emphasized gyomei, mui, sanemi, and genya being like different aspects of yoriichi coming together to kill kokushibou hundreds of years after yoriichi failed to kill him
lmao its not like the 4 of them defeated koku with the power of family or friendship, they just smacked him over and over with a flail, shot him with magical bullets, and stabbed a crimson sword into his abdomen
wouldnt have been too hard to switch over to koku’s pov and go “damn these bitches are like my stupid brother”
...
speaking of crimson swords
i fucking hate the crimson sword concept oh my god can i complain about it now? im gonna complain about it now
unlike demon marks, the crimson blades werent even given any proper conditions, you just hold the stupid thing hard enough and it somehow imbues it with magical properties with no logic behind those properties
what part of crimson swords completely destroys a demon’s body in an instant? even muzan didnt go through that process when he was almost killed by yoriichi so where in the goddamn fuck did it come from
it could be explained bc the sword was left in the same spot for a long time but this tactic doesnt even appear again in a meaningful way (didnt kill muzan when tanjirou and giyuu held the sword together) so what the fuck was the point of having this even exist
its so underdeveloped and confusing and i hate it
the transparent world stuff is also confusing as shit and its pretty much never explained how they work aside from the vague “close your mind” advice, like why did it exist, it did nothing to help the present day demon slayers
its just so... poorly integrated
yeah anyways this is around the same rating as the akaza fight but a little worse bc there wasnt that strong set up beforehand
VS KOKUSHIBOU (SENGOKU ERA)
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[Image Description: Manga panel of a bag getting ripped open, pieces of a wooden flute tumbling out. End Image Description.]
10/10
easily 10/10
this fight shows the tragedy of kokushibou giving in to his envy and hatred, when yoriichi cries over seeing his own family commit terrible attrocities against the people he wanted to protect
and yoriichi dies, now carrying the fact that he couldnt even save his own brother from the influence of muzan on his conscious forever
what a sad ending for yoriichi
and after koku angrily slashes apart yoriichi’s corpse, having him find and keep the flute he gave to him when they were kids to the present day gives him a small shred of humanity in the midst of his monstrous anger
VS NAKIME
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[Image Description: Manga panels of Nakime. The first one shows a low quality version of her playing her biwa. The second one is a close up of her eye. There are spiky text bubbles saying “It’s Upper Rank... 4!” End Image Description.]
0/10
no nakime backstory
not even a goddamn fight
forgettable
useless
VS MUZAN
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[Image Description: Manga panel of Kibutsuji Muzan in his white-haired, mouth-covered form. There are text bubbles around him saying “Not a single one was of use to me. I will crush the demon hunters tonight. I’ll massacre them all right now.” End Image Description.]
1/10
._.
i have many complaints but ill try my best to not make this another hantengu rant section lol
first off, obanai deserved better
im serious, this poor dude was forgotten until pretty much the end when we finally get a backstory out of him
and then he died
what a waste of a potentially amazing character
mitsuri getting taken out early was ehhh
pretty sure someone else made a post about her supposedly being extremely strong but she was nerfed in this battle which i agree with
literally none of the pillars work together very well, like remember how i praised sanemi and gyomei for being super coordinated? lmao that doesnt exist anymore
you could say this is caused by desperation though and you wouldnt be wrong, its just boring to sit through
that causes issues bc this now basically requires the crimson sword and transparent world concepts to be there to spice things up
but in this fight, they do nothing in the long run (except for tanjirou using the crimson sword at the very very end)
youve already heard me talk about why those two things are super shittily integrated and i cant be bothered repeating myself so moving on
kanao, inosuke, and zenitsu
they... exist? they didnt do much tbh, which i guess is the point but like, now its boring again
nezuko could have been used as a potential way to raise the stakes and make things interesting again (like “ah shit, muzan might actually be unkillable if he gets nezuko but its okay bc shes not here- oh fuck shes here this is not good”)
but nothing came of her running off except confirmation that she became human again so whatever
uzui and shinjuro are useless, why werent they at the fight?
like they could have followed nezuko and contributed to the battle even a little but they just didnt and now theres literally no point to them appearing in this arc at all
wasted potential
tanjirou
i wish him going absolutely apeshit had actual substance behind it, like it being a part of his character arc or something
i remember having this one theory that he had a corruption arc (due to dropping his kindness thing towards demons) and i wanted this to be true so badly
but it doesnt exist
not with how the series ended
god
the only thing that saves this fight from being complete trash is tamayo’s poison thing being amazingly executed
and the part where everyone got blasted away, losing limbs and shit, that made things a little more interesting again
but thats it
VS MUZAN (SENGOKU ERA)
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[Image Description: Manga panels of Kibutsuji Muzan, Tamayo, and Tsugikuni Yoriichi. The first one has Muzan and Tamayo, while the second one has Yoriichi pulling out his sword. There are text boxes saying “And the moment I met him, I understood that I was born into this world to defeat this man.” End Image Description.]
9/10
finally something good again
while short, that’s just the nature of all of yoriichi’s battles with demons
anyways pretty nice, theres a clear reason why this battle exists (shows the scenario that made the original breather get super close to defeating muzan in detail)
adding tamayo here was a nice touch
my only complaint is that it seemed extremely coincidental that yoriichi somehow developed a breathing style specifically countering muzan’s multiple organs without even knowing prior that he had all those brains and hearts floating around freely in his body
like thats kind of ridiculous, even for yoriichi whos supposed to be “blessed by the gods”
could just be me though
VS TANJIROU
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[Image Description: Manga panels of Kamado Tanjirou in his demon form. The first image has his eyes closed. The second image has his eyes opened and the tumor on his face almost completely faded. There are text boxes around him saying “You will destroy the demon hunters in my stead.” End Image Description.]
1/10
hoo boy
ok first off, demon tanjirou lasted for 2 chapters
thats it
2 chapters
so thats already a problem
i am aware its meant to parallel the beginning of the series but also its ridiculous how completely vague and rushed this entire thing was
nezuko doesnt do shit through not just this battle but this entire arc which i already explained so not gonna go into it further
kanao magically having a demon cure on her made very little sense
the scene where tanjirou leaves muzan in purgatory is pretty but if you look at it in the context of everything else, its ambiguous and confusing
(if someone could explain it and see how it connects to the original theme of “demons just being victims of circumstance,” i would love to hear it)
/
actually you know what makes me so mad about this “fight” as a whole? there was so much potential to do more with this concept
and im not talking about him escaping and nezuko becoming a demon slayer roleswap au (even though its a pretty cool concept)
him becoming a demon could have been a metaphor for his lost kindness and sympathy towards demons halfway through the series
it could have been a punishment for letting his anger towards muzan cloud his judgement
it could have symbolized literally anything about him losing his humanity as he got stronger
but those three things are just scenarios from my head, they dont exist in this series just based off of what weve seen from these two chapters
its disappointing
the only thing keeping this from getting a 0 is the one part where inosuke couldnt chop off tanjirou’s head bc he cared about him too much
that at least shows inosuke had grown as a character
everything else is just meaningless and convoluted garbage and “convoluted” is not what you should be aiming for if this is supposed to be the ending of your series
IN SUMMARY
early kny is very good, later kny is questionable and the ending is just a mess of wasted potential and disappointment
i get why gotouge had to have the transparent world ability, crimson blade ability, and the demon marks appear before they all appeared on yoriichi but theyre all just so underdeveloped and terribly handled in the battles they are used, it makes me want to kick a wall
like lmao, i could literally think of so many ways they could have been properly integrated, hell, im even writing a whole goddamn rewrite using my ideas for these three things (link to that is in my pinned)
just, god
if you want to debate over these ratings, my ask box is open ig? idk
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namiikawaii · 3 years
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Luffy x Nami: A thread Part 1
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Disclaimer: This is very long so be prepared to take some time & also if you haven't watched/read One Piece at all then don't read this if you don't want to read spoilers. Firstly I'd like to adress all the people who dont believe in a love romance in One Piece aswell as those who are against this ship or do ship Luffy and Nami with different characters: Please read the thread thoughoutly and don't jump to conclusions before you read everything. I will try to mention all of the issues that are underlying in regards to general things like love romance in One Piece and I want to consider counter arguments and create hypotheses in sight of other pairings like Luffy x Boa and Sanji x Nami (which I think are the other main ships when it comes to Luffy and Nami).   So it is important to be a little patient through all of this thread.
Let's start off with the question about love romance in One Piece... ''D: Doesn't anyone on Luffy's crew fall in love? Will there never be a tale of on-board romance? (Sanji is an exception in this case) I'm just wondering. -From Naoko- O: But they do... They're all in love...WITH ADVENTURE. (← good one)'' This is exactly the part of the SBS where Oda answered the question about romantic love in the Strawhat Crew. Firstly, this is obviously meant as a silly statement. It is definetly no confirmation but to see this as a serious statement is overexagerrating. Secondly, Oda wanted to answer this question by dodging it without nullifying it. What does that mean? He could have just simply said, there is no romance in One Piece and there never will be (this wouldn't be the first time that he would have answered a question in a direct and serious way). But no, he wanted to make sure that the audience understands that there is a difference between romantic love and romance (in an adventure) and that the Strawhats are on a journey of a romantic adventure which has nothing to do with loving each other in a romantic way. There are two reasons for that: -One Piece is a pure shonen/action Manga and it's target audience are teenage boys (at least this was the case when he made that statement, i don't know how that might have changed by now maybe) -For the other reason just imagine One Piece if there was active love romance going on...we wouldn't be near the story that we are now. Let's just say it would add so much more complications, to put it very simple (I don't want to go into that deep now). But now here comes the clue: All of this doesn't mean that Oda completely lefts love romance out. Because despite of all the points that I just mentioned there are pairings and there is also subtle (no explicite) love romance. Lets just look at the pairings, these are all pairings that I think the majorty of people wouldn't question: -Kaya and Usopp -Sabo and Koala -Shanks and Makino -Shakky and Rayleigh -Roger and Rouge -Oden and Toki
And yes none of these cases showed the love story between those people (maybe Kaya and Usopp if you really want) but THAT IS THE POINT! Only because Oda doesn't let the characters speak out ''i love you'' or makes them kiss all of the time doesn't mean there isn't any kind of romantic love connection between characters in One Piece (the kiss on WCI was an exeption though). This also doesn't mean that there is no possibilty of romance between the Strawhats. I get it that people see them as a familiy, and they truly are one. If there was romance between two of them during the story of One Piece the dynamic wouldn't be the same anymore, especially if there was a canon relationship between Luffy as the captain/ main protagonist and another crewmember. I mean we don't want to see Luffy prefering one nakama over the other. If he calls for his friends, he calls for everyone and not firstly for the person he's in love with. They are all equally as important as the others. But you have to remeber that they aren't blood-related and it wouldn't be weird at all if some of them are ending up together after the adventure of the One Piece. That's the reason why the hints that are given by Oda are really hints, not just merely coincidence.
And i wouldn't be here if Oda didn't hint Luffy and Nami in the past and he will hint them in the future or even more. Let's beginn chronologically with the bond-forming between Luffy and Nami and why their relationship is special EAST BLUE SAGA -Nami was intended as a crew-member from the very beginning, even before One Piece was existing. That's the reason why Luffy and Nami saw each other in the first episode of One Piece. It was to pay hommage to Silk/Ann the heroines of the Romance Dawn Manga. (Just read into it if you want to know more) But what's important is that they were the inspiration for Nami as a character/ as the heroine.
-Orange Town: Luffy and Nami meet for the first time in the Manga Nami reveals her goal to Luffy - which is ''to buy a certain village'' (keep this in mind) Luffy tells Nami why the strawhat is so dear to him - he won't be telling anyone afterwards these details again -Nami tricks Luffy. Buggy captures him but when Nami is forced to fire a canon ball at Luffy she refuses, starts a fight against all the Buggy-Pirates and finally at the risk of her own life she burns her hands facing the pirates with her back in order to prevent the canonball to blow up Luffy (she does quite much for this pirate guy she just met) - you see that at this point Luffy did touch something in Nami's heart because when they have to escape she literally instantly fires the canonball at Buggy without hesitation. -Nami sewing Luffy's damaged hat. Since then it's always her who takes care of it if it takes any damage/ if there is something to sew in it like Ace's Vivre Card. Now I want to put in here my first hypothetical compairison for the LuBoa and SaNa shippers. Just imaging now this same situation happening between Luffy and Boa. Luffys hat is ripped apart - maybe she knows that Luffys hat is his treasure maybe not but lets imagine she does know. She will of course sew it, would probably blush and say something romantic about her doing this for him. And as a shipper this would be the most romantic thing for you wouldn't it? In reality it is Nami who precisely watches Luffy and understands the importance of his hat to him, she goes up to him and fixes his strawhat, with the only difference that it is just more natural and less lovey-dovey from Nami's part (because of course she would never act like that if she was in love with someone). I am already asking you now, which lovestory sounds more believable? -Syrupp Village: There are a few cute moments (Nami catches Luffy and cheers on him and so on...) but i wanted to especially point out that these two are are sitting/lying on the ground after the fight and Nami playes with the Strawhat, Luffy is of course unbothered. But this already shows how comfortable these two are at this point, they know each other only for a few days now. And also this image of them two talking and sitting together is a theme that continues throughout One Piece. -Namis leaves with the Going Merry, looking devestated that she has to leave ''Luffy and the others'', and Luffys reaction after Zoro says to just leave her: ''I want her to by our navigator no matter what'' (These words are enough, no comment needed and also look at Zoro's face as Luffy is stating these words) -Kokoyashi Village: Luffy already trusts and knows Nami so well that he is enraged to hear that she allegedly killed Usopp - the others are sure that she did it but Luffy insists, and even when Nami confirmes to him that she indeed sent Usopp to the ocean's ground Luffy refuses to accept it and immediatly goes to sleep. (I'm sure it's because he knew that something was wrong but he knew he had to wait for Nami to come up to him)
-The famous moment hits different (for shippers and non-shippers): Luffy giving Nami his precious strawhat! He wants to show her how much she is dear to him, his gives her his treasure because now she's his treasure too (and you can see this in a romantic way or in a platonic way but just remember that Luffy never did this ever to anybody in the past or in the future) Now i want to mention something that i said earlier: people often say that Luffy didn't care about Namis story but let me tell you something different. Luffy already knew what Nami's obejectif was (to buy a certain village) now Luffy also knows that there is a pirate called Arlong and when Nami is stabbing herself she shouts his name in devastion. Luffy is not dumb, he understood already some parts of Nami's history - later when he is in Nami's room he understands the impact even more. It is so far from truth that Luffy doesn't know Namis story, he may not know some details, but he could conntect enough points to understand Nami's pain. And my personal theory is that he didn't wanted to hear Nojikto telling Nami's story because maybe Nami wouldn't have wanted him to hear it and it could certainly be that he knew that maybe he couldn't hold himself back and intervene before Nami asked him to do so and finally rely on him! -Genzo and Luffy's conversation: just read/watch it - it is a father to boyfriend conversation (i thought so even before i shipped LuNa) So far these are the most important moments for the East Blue Saga, and of course there are other things you could mention but i just wanted to point out the key moments that really built their relationship and created the whole fundament. Since I don't know when I can continue writing on this, I am just going to show some colourspreads which contain hints in my opinion. (Like Nami being represented as a queen, or Nami holding and wearing Luffy’s hat)
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harley-style · 3 years
Text
DREAM SMP Swap AU
Dream = Wilbur : Dream comes into the server to help these two kids who are trying to stir shit up -- why not, right? He's got a fondness for chaos but also very protective and caring over his friends. VERY FOND OF TUBBO. To the point of.. well, brotherhood. Wilbur = Dream : He had a vision, to create a place where people could emancipate -- he's not above being the bad guy to keep that ideal in place. He's charming and self-confident and isn't afraid to use blackmail or get all up in your business. Has dirt on everyone but Dream. Constantly threatens secrets but subtle, yanno? Again, very charming, very persuasive.
Tubbo = Tommy : Still very sweet, but Big Crime often comes out to play more often than not. Also a huge trouble magnet, tried to start a...Honey smuggling empire? For some fucking reason, despite its innocent sounding plan, is a threat to Wilbur's land but no one has any idea why. Tommy = Tubbo : Tommy has an innate fucking fixation on music discs. He's got Cat and Mellohi personally. He dreams of starting up a music cafe/music area...? He and Dream get along swimmingly, Dream actually gifts Tommy a few music discs too, but also pins Tommy with the name discount Dave Strider.
Fundy = Eret : Was convinced earlier on by Wilbur to continue his 'legacy' and ideals. Fundy further grows into a neutral party, doing things only when it benefits him. Is the traitor from the first war. Eret = Fundy : Gets far too involved with stuff and the only way out is if he wiggles through the restraints on him. Yes that's metaphorical.
JSchlatt = Technoblade : Assists through uses of contracts and business deals. Like, hello, Tubbo's Honey smuggling business? He and Dream make an agreement, he supplies Dream and Tubbo with shit, and Dream does favors for Schlatt. Technoblade = Jschlatt : Anarchy lmfao. Was actually brought on by Wilbur in secret. Acted as a benefactor for Dream before turning around and causing chaos in the land Dream Tubbo and Tommy built. Blood for the blood god, only the strongest gets to the top kind of government. There's always fucking pitfights. Oops.
Philza = Callahan : Largely uninvolved in the events, mostly just there to supervise Wilbur, Tommy and Techno. Duh. Callahan = Philza : Has personal history with Dream, tries to convince him not to do the thing that could hurt everyone else. Minimally succeeds.
Alyssa = Niki : Ready to defend her home and her family. Niki = Alyssa : Neutral, but ready to back Wilbur up if need be.
Sapnap = Bad : Arsonist, goes around and burns shit whenever he wants to. His base is a Nether inspired fortress. Also, he has to deal with a Nether problem in reference to the Red Vine problem from the original SMP. Hotlands? LMFAO Bad = Sapnap : Helps when asked. Started out on Wilbur's side, as a favor, but slowly shifts neutral due to the conflict between factions.
Karl = Skeppy : Gets held hostage? That's what preoccupies Sapnap's time. He suddenly disappeears or gets trapped in a cell. Skeppy = Karl : Runs around doing supply runs. Gets his friends into various stints to try and settle the conflict through friendly rivalry and competition. It doesn't always work.
George = Ranboo : Unlike original Ranboo, George is highly unsympathetic and needs concrete fucking facts before he acts, and that kind of backfires on him in the end. As a favor to Dream (how many favors is Dream involved in honestly) he runs messages back and forth from Tubbo to Tommy. Ranboo = George : Largely uninvolved in the conflict, like Niki, but unlike OG George, is not absent. He's just there to assist. One of the most innocent and purest people on the SMP, knows when to keep his head down. When his house burns down, he doesn't really believe its Tubbo who did it -- he knows the kid has been framed because he'd been WITH him at the time, but Wilbur pressures him to admit it.
Quackity = Punz : Wilbur's loyal paid henchman. Quackity will cause shit for the appropriate price, he's not exceptionally picky. That stunt he did as Mexican Dream was great and everyone in L'Manberg loved it. Punz = Quackity : One of the best fighters under Techno. Has more morals, but keeps them secretly. Very good at hiding his true intentions/feelings.
(sorry about the other characters not being on here, i dont know them enough to make swaps, or dont know who they'd make a good swap with. Swap who you wanna swap though! i'd like to hear your take on this matter! HEADCANONS ACCEPTED TOO AT THIS POINT EVERYTHING HERE IS FROM WHAT I REMEMBER AND MY HEADCANONS)
PLOT
-Wilbur starts the SMP with Niki, slowly invites others like Ranboo, Tommy, and Tubbo.
-Tubbo expresses a desire to Fuck Shit Up and Tommy says they can get Dream, he's an expert at getting away.
-Dream is extremely protective of them both. Tubbo more than Tommy but that's fine because Tommy is largely independent.
-Tubbo gets in the weirdest shit but Tommy can roll with the punches really quickly.
-Wilbur gets tired of their crap and burns down Tubbo's establishment. It's like the Disc Wars except it's the Great Honey War. Bee War? Basically he's tired of Tubbo hogging all the Honey related expenditures.
-Dream gets the idea to make a honey smuggling empire, as a joke, but Tubbo is Big Crime and he's going with it. Tommy just wants chaos, and he was getting bored tbh.
-Eventually the Honey thing turns into Resource management, so Tubbo Dream and Tommy have a hold on all major supplies
-Shit happens and Dream, Tubbo, Tommy, Eret, Sam, Fundy and Alyssa establish an independent nation. Dunno what to call it bc the server is called the L'manberg SMP so....
-The fight for indepencence still happens. Instead of 'Green boy' Wilbur is named 'E-boy'. Dream still says "WE HAVE NO MERCY FOR YOU" when Wil calls for a ceasefire negotiation, but Wilbur does threaten the nation saying  "If there is no white flag by tomorrow, then you can kiss your sorry little arses good bye. That's my final warning."
-Turns out Fundy's been secretly funneling information to Wilbur in exchange for the safety of his friends, and also because Wilbur's his dad....uhm. Also! He and Dream are circling each other and others are like "OH MY GOD YOU GUYS ARE DEAD RINGERS FOR QUEERPLATONIC MATES JUST MARRY ALREADY" bc I like FundyWasTaken but others might not and its okay, we'll label it as platonic, but can be read otherwise depending on your tastes. But for this, it's very close platonic.
-Wilbur goads Tommy into a fight, as brothers do, but Tubbo steps in and Wilbur fucking jumps at the chance.
-This is the start of Dream's descent into madness. No one fucking threatens or pulls one of his friends like that. Denied. It's still subtle though, so he's okay for now.
-Tubbo and Wilbur face off. When Tubbo pulls back bc he genuinely doesn't want to hurt anyone, Wilbur takes the chance and beats him.
-Tubbo, however, makes a deal. Let their nation stand on its own, and he'll give up the Resource Empire he started. Wilbur accepts, with the condition that they unify their alliance with a...marriage? So basically, political marriage between Wilbur's heir, Fundy, and Dream, the leader of the revolution.
-YEAH I WENT THERE THIS IS VALID
-They're strained at first, but Dream and Fundy slowly mend their relationship post-betrayal.
-Fast forward a few months later. The Nation doesn't really have a leader, as per the agreement, but it does have a representative. All decisions are made via majority votes, and that decision is voiced by the rep and sub-rep, Dream and Tubbo respectively. Tommy's just there to have a good time and causes chaos as per usual.
-Enter Technoblade. He's been called in by Wilbur to...ah. Dismantle a little...nation. Sounds right up his alley. But he asks Wilbur to wait and see what happens.
-Tommy and Dream get the idea to hold a tournament to celebrate their independence, an all out brawl for everyone to kick back and relieve stress. There. That's where Techno comes in.
-He gets Punz to join him after like, being paid (ofc) and they fucking dominate the tournament. Dream's about to congratulate them but Techno turns the fuck around and declares his right to rule the nation. If anyone wants to fight him for the title, they're welcome to try.
-Dream loses another life to Techno trying and failing to fight it. He and a few others lost their first life sometime elsewhere? I guess? Probably by being blown up by Wilbur, idk.
-Tubbo and Dream are chased out by people who reluctantly follow Techno's orders, and Tommy, torn between his friends and his brothers, stays behind. Oh jeezus.
-Since Techno is a fighting GOD, no one's able to usurp him to make things turn back to normal. But Dream is smart, and knows Wilbur's 100% behind this. Fundy kind of knew but didn't do shit about it, which is why Dream rejects Fundy's offer of sanctuary. He can't be sure his husband will stay on his side, after all. It's nothing personal.
-Dream and Tubbo hide away somewhere, probably not a ravine but?? A mountain or something? They manage to get Sam away enough to ask him to build a super cool Redstone contraption thing that opens for them. ooooo.
-I'm not good at names but for the sake of jokes I'm gonna call their land the 'Bee's Knees' bc at some point Tubbo finds a fuckton of Hives hanging from Trees. Bee Mountain if Dream's feeling especially salty.
-SPEAKING OF DREAM. his insanity is on course now, it's slowly eating away at him and in fear of hurting Tubbo he's slowly distancing himself away. Tubbo's like what's wrong but Dream can't answer -- he doesn't know what's wrong with himself either.
-Tubbo and Dream need to go back and confront Techno, but they can't wait for long else Techno's going to obliterate everyone and their extra lives. They call Schlatt in.
-Schlatt's a pure business man and draws up a contract. He'll aid them in terms of supplies, but most of the revolution is on them. They agree.
-Tommy is actually really fucking good at lying and skirting around what he reveals to Dream and tubbo as a spy that Techno would have believed him if he didnt' know his brother. and Wilbur's warnings, of course. That results in Techno just being fucking done with Tommy's bullshit and plans his execution in another tournament? I guess?
-It doesn't go like the festival. First of all, Schlatt can't fight for shit, so why would Techno call him up the stage? No, Schlatt fights dirty. techno doesn't set much rules so theres no rule against poisoning Tommy quick and easy before the fight. Tommy loses another life and is on his last. Tubbo is spitting mad, but Schlatt points out that nothing in the contract covered this, so he's free to do as necessary. Tubbo is stopped by Dream who, at this point, is just overtaken by the need to one-up Techno.
-Also, Wilbur's been slowly persuading Dream to just. Let go. Let the monster inside of him free, he 'deserves it'. By the end of it all, Dream does. He snaps and lets loose the monster crying for blood inside him.
-Callahan is left to convince his old friend not to do it. In a moment of clarity, Dream stares on in horror of what he'd done. In his rage he managed to deplete ALL of Techno's lives (not really but shhhh), cause massive bloodshed, and terrified everyone in the process. He asks Callahan to kill him. Callahan does.
-Yes we'll get to Ghost Dream eventually.
-Anyway, Schlatt still does the Wither plan, because, uh, Drunken Rage. He was so stressed out from the ensuing conflict that he's like "LETS JUST FINISH THE REST OF YOU. THERE WILL BE NO CONFLICT IF YOU ARENT THERE TO FIGHT."
-and then he uses the line from the Lego movie on Tubbo like "Oh, Tubbster. It's nothing personal. It's just Business(tm)".
-Schlatt still dies of stroke. He does come back as a ghost though, that's one main difference.
-After everything's said and done, and the dust has settled, everyone decides to disband the nation, and just live their lives. like, they're done, wilbur, they get your point, jfc, let them rest.
-but uhhhh someone frames tubbo for setting fire to ranboo's (the server sweetheart) house. wilbur immediately decides to exile tubbo in 'anger'. acutally, he wants tommy and tubbo separated.
-tommy's not standing for it though, he fucking fights his way until wilbur threatens him and tubbo's like YES FINE OKAY I'LL AGREE TO BEING EXILED STOP THREATENING YOUR BROTHER
-tubbo's exile arc is not as sad as tommy's, but rather very tense because wilbur keeps riling tubbo up and taunting him. he still keeps contact with tommy though because they arent going to be separated just like that. no way. tubbo just gets a little more mad and gets short tempered like a lot.
-ranboo's not even that mad about it, he knows tubbo would never burn his house, there was a conspiracy on board and even if there wasn't he's like "arent yall overreacting its just a house, didnt you all do this like before the first war even began, what even (also, ranboo was WITH tubbo at the time of his house allegedly being set on fire. Not that he'll admit to it, because he and tubbo made that agreement long before)
-eventually he finds out that wilbur just wanted to pin the blame on tubbo to make him leave, and ranboo's like "IM DONE WITH YOUR CRAP WILLBUR STOP HURTING THE PEOPLE I CARE ABOUT" and leaves
-with the nation gone, people started to solidify their groups. sapnap and karl deal with their own thing, quackity still runs errands for wilbur, george is the main person ferrying messages from tubbo to tommy back and forth, etc.
-there's a funeral for dream, ofc, fundy arranged it. all of dream's shit was hidden because fundy doesnt want wilbur to get it.
-niki's still there managing her bakeshop but doubles as an informant for wilbur because she's well liked within the server
-ghost dream is present and he's a chaotic troll who mostly hangs around tommy. he's really hyper active and is always on the move, you can never catch him sitting still for like, 5 minutes
THAT"S ALL I HAVE FOR MY SMP SWAP AU PLEASE BE GENTLE I DONT HAVE TIME TO GET ALL THE FACTS STRAIGHT FROM THE OG SMP qwq
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rev-1832 · 3 years
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please for the love of all fuck explain mcyt to me
Omg I've been waiting for this
So mcyt means minecraft youtube, but usually also includes Twitch streamers. It's like a in general thing, and not pointing to anything specific
But since you sound so confused, I'm gonna explain to you the Dream SMP lore 'cause why not
TL;DR: Chaos and war, basically also like a hamilton, heathers, and les mis crossover (but i mean if you want to understand everything you should read.)
If theres spelling mistakes, sorry
Note: Everyone on the smp has three canon lives, and when you loose all three you're canonically dead (except philza minecraft. he has one canon life bc hes known as the hardcore guy bc he had a minecraft hardcore series for 6 years until he was killed by a spider while trying to fight a baby zombie lmaoooooo)
IMPORTANT: THIS IS ALL RP. IRL THEY’RE ALL FRIENDS. THERES A DIFFERENCE BETWEEN THE PLAYER AND THE CHARACTER. THE RELATIONSHIPS AREN’T ACTUALLY TOGETHER IRL. ITS ALL THEIR CHARACTERS THAT THEY MADE UP. (obviously the best friends stuff are irl)
In the beginning there were 8: The Dream Team (Dream, Georgenotfound [the guy in my pfp btw :)] , Sapnap), Badboyhalo, Awesamdude, Ponk, Callahan, and Alyssa. Around this time, nothing much happened since it was all brand new, uhh yeah (this was around may-july of this year)
Then around late july new members joined: Tommyinnit, Tubbo, Wilbur Soot, Eret, Skeppy, Fundy, Punz, Purpled, and Schlatt. This part is very important to the lore, because the lore kinda started off with the british (so tommy, tubbo, wilbur, eret) Schlatt was banned, cause Sapnap was the one who invited him and Dream didn't know who he was. He'll come up later.
So Wilbur and Tommy decided to create a new nation called "L'Manberg". Also around this time (i think) Nihachu and Jack Manifold joined. They also were part of L'Manberg. There was this huge revolution between Dream Smp and L'Manberg. Very historical period on this smp. In the end, (i think it was?) L'Manberg who won (if memory serves).
After that, L'Manberg had started growing bigger, with a lot more buildings added and stuff, notably Church Prime, which where they created a religion for Twitch Prime, which is how you can sub to your favorite twitch streamer for free if you link your amazon prime account. I'm pretty sure around this time, Quackity, Karl Jacobs (if you watch Mr. Beast; yes, that karl jacobs), HBomb, Technoblade, and Antfrost joined. And then the railway war started. It happened when Tommy accidentally ran over Dream with a Minecart and then took his stuff. This is how the disc war started (once again, if memory serves). The two discs Tommy owns are his prized possesions, and Dream took them. Also around this time the Pet War started, with Sapnap killing someones(i forgot oops) pet. And then more pet killing. Annnnd then even more.
Then there was the L'Manberg eletion. There was POG2020, who was Wilbur and Tommy, SWAG2020, Quackity and George, Coconut2020, Fundy and Nihachu, and Schlatt2020 which was Schlatt. Oh yeah and he got unbanned btw
SWAG2020 and Schlatt2020 decided to combine their votes, thus Shclatt became president and Quackity his vp. Oh and ever since the election Quackity has this grudge against George bc he slept through the election. Schlatt renamed L'Manberg to Manberg, and exiled Tommy and Wilbur from it.
Schlatt is a evil dictator who likes power. He and Quackity started fighting, and so Quackity became part of Tommy and Wilbur's side. Around this time was The Battle of the Lake and The Burning Eiffel Tower, both part of the pet war. (It seems like a innocent war but its actually brutal lmao) Also (irl) Mr. Beast had a $10,000 Taco Bell gift card hunt. Eret won. It was at the cords 6969,420, because haha funny number haha weed number. This has nothing to do with the lore but yeah. Eret also became King of the SMP 
Then there was the Manberg festival. It was to celebrate democracy, but Tubbo puts it as "i decorated my own execution" bc he helped decorate it, but he was murdered there. At the festival was the Manberg Massicare, where Technoblade was forced to shoot tubbo, but he released a firework rocket kiling Tubbo, Schlatt, Quackity, and a few others. Many people lost one of their canon lives. Wilbur went all J.D like and planted 11 stacks of TNT underneath Manberg, and wanted to blow it up.
Pogtopia was formed, which is a ravine which i think is underneath? manberg? Which included basically everybody who wasn't neutral or with schlatt. On November 16 was the Manberg VS Pogtopia war, but the Badlands were also there. The Badlands is a nation of four people: Bbh, Skeppy, Awesamdude, and Antfrost. They faught with the loosing side, so the chaos could continue. Eret disobeyed Dream and got stripped of his royalty, and gave it to George. Oh and during this time, George had no idea there was a war and was building a cottagecore mushroom house with callahan and was very confused with all the death messages in the chat. Schlatt died canonically of a heart attack or stroke (no one knows tbh). Tommy became president, passed it to wilbur bc he still has unfinished buissness with dream (the discs), and wilbur passed it to Tubbo, who made Tommy his vp. Technoblade then argued about how government is bad, and they're just repeating history. Philza Minecraft joined the server, but no one could find him, until Wilbur blew up L'Manberg (they rechanged the name also). Wilbur then made Philza kill him, so Wilbur also became canonically dead. Then Techno, still mad at L'Manberg and governments, summoned two withers and made it attack the others. The Geogre decided to check out what was happening and helped fight. After the chaos, Captain Puffy and ConnorEatsPants joined the smp. About one to two weeks later Vikkstar and LazarBeam joined, then about three months after that Ranboo joined.
They rebuilt L'Manberg on stilts, and there water where the explosion was, but now with coral and stuff to make it all pretty. Tommy and Ranboo decided to go steal from Georges mushroom house, but then also griefed it and burnt it, and Dream, being a George simp, built obsidian walls around L'Manberg. They took Tommy to court, and was put on probation. Then Tommy got exiled (again) but this time by his own best friend. This made Quackity vp and Fundy secutary of state. Dream also took Georges king thing and gave it back to Eret because Eret has a good relationship with everybody, whereas George being King just caused chaos cause hes close to Dream. Quackity and Karl made Mexican L'Manberg, and George and Sapnap joined in also. War against Dream SMP, it was a negotiation and it got renamed into El Rapids (reference to Chilling in Cedar Rapids, which Hilary Clinton once said, and Quackity referenced it, got it trending #1 one twitter (well i mean dsmp gets things trending like everyday but), and got DONALD TRUMP TO SUBTWEET HIM. (This happened irl)
In his exile, Ghostbur (wilbur as ghost) and Tommy made Logstedshire, and Dream was often there to watch him. Dream then blew it up, and now Tommy is living with Techno in his arctic place. Currently, Quackity made a thing called The Butcher Army, so they could execute Techno. Tubbo, Quackity, Fundy, and I also think Ranboo? are trying to get another festival, and yes its a secret execution plan, but for them to kill Dream, who they realized is who they need to kill first. The disc war is still not over. Tommy has one of his discs, but Skeppy is in possesion of the other one.
Unluckily for Tommy (reguarding the discs), something happened in the Badlands. Bbh was digging out his underground statue room (he plans to make a statue of everyone of the server) and found this crimson egg. He, Antfrost, and Captain Puffy kinda got possesed. Also since Skeppy didn't really hang out on the server at night, but bbh does (OF FUCK I FORGOT TO MENTION HE AND BBH ARE BEST FRIENDS) Captain Puffy created Discount Skeppy, which is her in a Skeppy skin. Skeppy found out, had a little conflict with her during her stream, but it was resolved, and at one point in the stream, he asked bbh to choose between him and the egg, and when bbh didn't answer, he went to the egg, put himself inside it, and logged off. Couple days later, bbh and puffy got him out, hes now possed by the crimson, called Technoblade his "best friend" infront of bbh, and is now living in a grass hut. Bad is convinced theres still some skeppt left, but yeah. Skeppy also wanted to burn the disc.
End of lore for now, bc its like if you miss ONE STREAM YOU MISS LIKE A REALLY IMPORTANT EVENT AND ITS STRESSFUL
Not much part of lore but Nihachu and Captain Puffy once went on a date. They’re both bi irl and Puffy was on Nihachu’s Love or Host (twitch dating show. its really entertaining) Captain Puffy was a contestant, and chose love. (LoH is also how Nihachu and Wilbur met.) 
Funfact: Theres 5 irl lgbtq+ ppl on the server (people who came out, anyways cause you never know, ya know?) Antfrost is gay, Eret, Nihachu, Captain Puffy are all bi, and Karl Jacobs is ace spec 
Family stuff: Philza Minecraft (he'll come up later) had two twins with a Samsung Smart Refrigerator in the 70's. The two twins being Wilbur and Technoblade (he'll come up later also) and also had another son, Tommy. They also adopted Tubbo, who they found in a box on the side of the road. When he grew up, Wilbur met Sally the Salmon, and they had a fox together (dont ask just go with it), which was Fundy. (The character) Fundy is trans, and yeah . Bbh is a dad to sapnap and yeah
Oh and a new member is coming on today on Quackity’s stream (twitch.tv/quackityhq at 5pm CST if you want to watch) 
I left out some parts, sorry, but theres always the wiki...
Wilbur Soot is also a musician! He wrote I’m In Love With an Egirl, The Internet Ruined Me, and Your New Boyfriend. (did you know the last one beat taylor swift for #1 trending on youtube? idk why but im really proud of him for that) They’re all catJam’s. Go listen!
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Weird q..but i really dont understand why most fans hate season 4, especially the last episode. Why? I think it gave us a deeper look on both sherlock and mycroft! I felt it tells a lot about mycroft how he had to step in and take control of things ever since he was a kid himself. Also he is not a robot or a killer. Also redbeard thing. It was an appropriate deep psychological trauma (cause most shows usually disappoint in that area). I am not trying to impose my opinion. Just want to understand
Hey Nonny!
It’s all good, and I totally respect your opinion and how you enjoyed S4! It’s totally okay! I know that there are quite a few who got a lot of of S4, and who genuinely enjoyed it.
Sadly, I am not one of those people, and I’ll try to be as diplomatic a possible in my response, but PLEASE know that I don’t think you’re “terrible” or “stupid” for liking S4 because I DO get passionate sometimes in my responses, and I’m just merely speaking as someone who studied the series very closely for quite a long time before S4 aired, and as someone who knows Day-One-ers (ie., people who watched Sherlock on its day one airdate) who also are a large majority of the people who did not like S4. This is just me simply stating why I didn’t like it, but it’s different for everyone.
Stating what I DO like: The acting and cinematography of the first two episodes were brilliant for what they had to work with, and I’ve never faulted any of the actors for the flaws of S4. And for TFP, they did the best with what they had to work with.
That’s… pretty much all I really liked about S4.
Now, here’s my problems with S4:
Nothing made a LICK of sense to the narrative that they were telling in Seasons prior. 
This series was always based a bit in reality, and suddenly everything became comic-book rules: X-Men villains, shitty “redemption” arc, destroying favourite characters just for drama, ludicrous physics, explosions that only destroyed one small room in an apt where in previous episodes one explosion destroyed an entire block, etc.
Sherlock was OOC.
Mary was being built up to be a fantastic villain? Ah, nope, here’s the lacklustre twist where tee hee Mary’s just an assassin with a heart of gold that still emotionally abuses Sherlock and John and just won’t fucking stay dead.
And speaking of this, the DVD’s make NO LOGICAL SENSE unless she was planning to kill herself
AND she tries to make her death equatable to Sherlock’s??
Everyone was RIDICULOUSLY out of character in TFP, I’m so sorry: Mycroft is a bumbling coward for the most part, Sherlock disregards John when he gives the Vatican Cameos warning, the Holmes Parents are assholes because Mycroft COULDN’T SOLVE A PROBLEM WHEN HE WAS 12?? ARE YOU SERIOUS???? And that creepy Moriarty / Eurus thing, and LITERALLY they’re implying that EVERYTHING HAPPENED BECAUSE EURUS DIDN’T GET A HUG. Like, I’m so sorry, but that’s lazy writing.
And don’t even get me started on the ridiculousness of the entire character of Eurus. She LITERALLY had X-Men powers, and like… just nothing made sense. Her involvement in the entirety of S4 MADE NO SENSE. Why go back to prison if you can get out?? WHAT IS THE POINT?? AND I repeat: She did all this because she didn’t get a hug. Yes. I’m oversimplifying, but at the base level, that’s what it was, because she wanted Sherlock’s attention. Welcome to the club, kid, stand in line, everyone on the SHOW wants his attention.
The ENTIRE plot of the first 2 seasons got wiped out all because it wasn’t Moriarty who was interested in Sherlock, but Eurus?? What… What about Carl Powers?? Like…. the ENTIRETY of season one and TGG makes no sense now, because of that one 5 minute scene where Eurus “enlists” Moriarty. I… ugh.
The SUDDEN tonal switch from kind-of Sherlock to James Bond, for some fucking reason.
And on that note, how terribly lazy and cheap TFP looks in comparison to the other two episodes. The whole episode looks like it was filmed in a small house with 4 identical rooms.
EVERYTHING that was etablished in 2 episodes prior were COMPLETELY forgotten when Mary was “shot”.
The complete character assassination of one loyal blogger John H Watson in favour of Mary for some fucked up reason, even though AT HIS OWN WEDDING HE COULDN’T STAND BEING AROUND MARY. I’m sorry, but I don’t believe for one damned second that John would EVER forgive Mary for murdering his best friend after seeing what it did to him. That’s not love from her, and that’s NOT John’s character EVER in the ENTIRETY of the series.
And speaking of character assassinations, Molly’s character being devolved to S1E1 Molly, where instead of giving her agency like they were doing with her the ENTIRE series, so much so that Sherlock picked up on her dominance enough to give her a big role in his mind palace in HLV and TAB, only to make her a sad little self-insert Mary Sue pining for the main character, and in turn made Sherlock a TERRIBLE human being for MAKING HER say what she did. It’s gross.
AND speaking of Molly’s character, they’ve been setting up Mollstrade since as early as ASiB, but I guess that plot line got shafted. Look I LOVE Hopkins, and I am ANGRY they didn’t give her more than 3 fucking lines in the entirety of ONE episode after HEAVILY promoting her actress and character, but they essentially reduced her to a piece of ass for Lestrade to chase. AND THAT’S NOT HIS CHARACTER EITHER. EW GROSS.
The constant plot holes being gaped wide open, and the Chekov’s gun moments where they bring up shit but do nothing with it!! 
TD-12? Nope, just a lame reference to a story we like. 
John got shot at the end of TLD with a VERY REAL FUCKING GUN? Nope, it was a dart gun. 
John not suddenly knowing how to be a doctor.
The TGG one I mentioned up above. 
What was in the letter? And who was Anyone??
Moriarty essentially being erased as anything other than a hired thug and had no part whatsoever in Sherlock’s history. 
Eurus… Just all of her character is asinine. 
Everyone in T6T suddenly not knowing John’s the blogger, which is in direct contradiction to literally the entire series. 
The AGRA plotline was ridiculous, in the end.
Baby? What baby? It was only there when convenient.
They dropped whatever plotline they were going to do for Mycroft: He was being set up as either dying, or the villain.
Redbeard. I’m sorry, I disagree with you on that. Mofftiss is trying to tell me that a little boy fell down a well and went missing, and that WASN’T the first place searchers / the police wouldn’t have looked? Sorry, no. And then. AND THEN his parents just… go along with this thing where Sherlock shuts down and they DON’T get him therapy? Yes, I agree the mind is a funny thing, and we can be traumatised into forgetting or dissociating from traumatic events. I GET IT. But… like I don’t believe the Holmes are so heartless as to just never grieve or have memories around about their supposedly dead daughter. It’s another OCC thing for me.
John’s cheating.
Disappearing and reappearing characters, like this scene, and the entirety of the aquarium scene.
Mary and John being terrible parents
OH GOD THIS FUCKING SCENE. That bomb SHOULD HAVE DESTROYED THE ENTIRE BUILDING.
What… who was this girl on the plane? What? Like I know WHO, but if she’s supposed to be Eurus talking to Sherlock, why don’t we see Eurus… talking to Sherlock? I … Ugh.
NORBURY. 
The glass SUPER SECRET GOVERNMENT ROOM THAT NO ONE SHOULD SEE INTO in T6T.
Sloppy camera work that some believe was intentional, but if it wasn’t, jesus c’mon.
The RIDICULOUS amount of 4th Wall Breaking. Like… even the actors didn’t give a shit.
Essentially, everything on this list here and in this blog tag here.
And everything mentioned on these three posts:
T6T: 10 Revealing Things That Haunt You Late at Night 
TLD: 10 Revealing Things That Haunt You Late at Night
TFP: 10 Revealing Things That Haunt You Late at Night
There’s SO much more I can go into, but please go through my “something’s fucky” tag in that last link.
Notice how probably 90% of that has NOTHING to do with “johnlock not becoming canon” because the Johnlockers get MONSTROUS accusations as to THAT being why we didn’t like S4, even though it was, like critically panned by the GENERAL AUDIENCE who have NO investment in the series other than “I liked it in the past”.
Two of my fave YouTubers have interesting (not perfect, but still good) takes coming at the series as casual viewers:
‘The Day Sherlock Died’ by The Closer Look
‘Sherlock is Garbage, and Here’s Why’ by hbomberguy
So it’s NOT just Johnlockers. I’ve talked to Sher1011ies at 221B con who didn’t like S4 either, because most of them realized how shitty Molly was treated in the last episode. So yeah, a big middle finger to those who think I dislike S4 because of  “no Johnlock”. No, I disliked it because I need my stories to make logical narrative sense. I disliked it because I love John and they ruined his character all for the sake of drama and because Moffat has a “hurting Ben” kink. I disliked it because Mary should NOT have been “redeemed” because she was an abuser. I disliked it because Moriarty was turned into a cartoon villain, even though he was already overused in the series. I disliked it because the core of the show – the FRIENDSHIP of Sherlock and John, and their solving mysteries together – did not exist at all. I disliked it because John got sidelined. I disliked it because TFP was a ridiculous episode that, if you replace ANY of the characters, it wouldn’t make a difference, because it didn’t feel like an episode of Sherlock. I disliked it because everyone was OOC.
Anyway. Sorry. One too many accusations my way over the past 1100+ days LOL.
As for your assessment of TFP, I’m going to have to respectfully disagree with you. There was no growth and actually it implies something far more sinister: That the Holmes are and were terrible parents that gave no shits about their daughter, their traumatized son, and expected their eldest to essentially be a parent. It implies that Mycroft, at 12 years old, orchestrated the ENTIRE Sherrinford thing… Look I can suspend my disbelief, but there’s limits, and this is one of them. A LITERAL CHILD. Perhaps Uncle Rudy had a hand in it somehow, but then why not shit on Uncle Rudy? Why is Mycroft blamed for it all?
Look, I don’t doubt Sherlock had a traumatic experience regarding “Redbeard”. But then why play into the fact that he was a dog? Why bring another character into the series just to have a gotcha moment? Because Mofftiss wanted a “Shyamalan twist”, that’s why. They threw EVERYTHING away for a twist ending either because they GENUINELY thought it was good, or they got tired of doing Sherlock. ALL of TFP is LITERALLY a really bad plot twist because reasons. TFP makes no sense to the ENTIRE narrative structure of the previous 12 episodes. It erased EVERYTHING from the previous episodes, and coated it with a gross closing by a character no one wanted in the series, and then tried to convince us that it’s a new beginning – “a journey they had to go through” – but it SOLVED NOTHING.
Anyway. I have big feels about S4, and the only way I can enjoy it is to watch it subtextually, but even then, I cannot sit through TFP without cringing. 
That said, Lovelies, please do not attack Nonny for enjoying S4! I know you guys won’t, but Nonny came out with an olive branch and they just want to understand why the fandom is passionate about S4′s… whatever it was. We can have a civil discussion about it, and point out – without attacking – why S4 is universally panned. It’s okay to like things no one else does, and Nonny was respectful to me in this ask! 
So with that, feel free, lovelies, to express why YOU didn’t enjoy the series, or why you did! I’m interested in both “sides” / pov’s whatever :)
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misterbitches · 3 years
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i keep thinking about this and coming to more conclusions like both as an artist and me. 
we always think first about the aggressor and not the victim. so, for example, with history 4 and yong jie what will their relationship look like now given the trauma? if they have no interest in fleshing this dude out and having him just be an annoying clingy little ugly bitch then acknowledge that pain and how it will affect them. it’s so easy for xing si to get over being raped? what about xing si’s relationship with his mother? what about the fracturing this does to the family when there’s an intense violation that was aided and abetted by the mother?
that would be far more fascinating trying to figure out and they could still have them be together if they so desperately need it but they can’t ignore everything. that means the trauma will permeate through every part of your life. it’s hilarious that so many fans say the portrayals are realistic because they are not. these shows do not have the time and many of the writers or producers do not have the care or prowess—or will have to cut things to please the state—to execute this. they expedite the healing process but we are left reeling. 
in film school one of my teachers was always like, “what happens in the world when the film ends?” and this is something to ask. are we approaching it from: a man falls in love with his brother who raped him and the mother encouraged it and the shock and taboo of that or are we approaching it from a man is forced and trapped into a rship and stockholm syndrome and how that plays out. even if they stayed together even so it would give us more reason and understanding and then we see and know the foundation is built on nothing but darkness and may never recover. after this chapter ends  there may be destruction; it’s possible because that’s how it all started.
but after this story ends, in the way it is presented, what will happen? it’s not just entertainment and that doesn’t mean it’s as big of a deal as i think it is even as i write these things. these are just things to keep in mind and things i think the younger viewers absolutely need to see. for themselves like as creative people and enjoying the media they consume and seeing what works and what doesn’t especially when a work serves a purpose. nothing is made for no reason so don’t expect it to be. to me i’m like: why was this made and what could have been better? 
there is NO improvement which is why we run around in the same circles. the way to untangle that is being clear about the message and its faults. the audience can’t be clear about it if the show isn’t doing its job for a team of professional fucking writers trying to entice people by poorly approaching topics and leaving them empty handed. life is not as hollow as these things make it and yet we eat it up hook line and fucking sinker. 
time and time again we see what these things must establish and how far they can push themselves. it isn’t until the material world gets better that we see a turn in the media but time isn’t linear. sometimes things are worse in years, sometimes things are better. these tropes last because they are a direct reflection of life and the failures in society. so of course it’s about the perpetrator and how they can get their prize but not how we can manage these things when there is a clear victim and we pretend like it isnt there under some sense of potential reform. 1. people do not need to be reformed in a story and that isn’t what this needs 2. is that compelling? 3. yes morally grey things exist but this is not morally grey when it is a violation adn that person’s action was not morally grey. there was a victim and he neeeds to be away from that victim. if he is going to stay we need to see the affects of him being there as real things and there is nothing realistic about that. in no fucking world would someone like xing si a grown adult fucking man be able to temper things that quickly as in the show. NONE. that shit lasts forever but we are supposed to see them kiss and be liek “aw wow morally grey” like what about him is morally grey in relation to xing si? specifically. whihc is the personhe will be with forever.
no it’s how do we get ourselves to see him and engage with him. you can engage with him or be enraptured sure but that doesn’t mean anything and it doesn’t mean the writers are even doing anything with it! i’m glad eveyrone can garner there own idk ideas or get what they want out of a work but what about the victims? what about the relationships? what happens when the story ends? what are dinners like? cos their lives don’t stop when it’s not being recorded (as in these worlds we are shown are always going to exist so they continue on even without us seeing it. so the characters don’t have a stop point we just usually see their happy ending and many times with shitty relationships it’s like why are we here now?) at this point it’s comical and it’s boring. 
there’s a film i like with cameron diaz where she falls in love with someone who kidnapped her for a job. there’s no perosnal connection which really helps as well. he did it for a job, doesn’t know her, they fall in love. they get together at the end. that still affects her but it’s also way less psychological trauma then somoene stalking and grooming you and violating you and trapping you by direct action and constant manipulation. there’s no way to turn that around and it’s even worse when you try to with literally no other explanations. like who are these fucking characters and why should we even want them to continue to be here? yong jie could have even been a vehicle to help xing si like idk unpack everything in his brain in a helpful way even through his violation. they chose none of that lmao i could write a better fucking script and im a moron
why should we believe in their love? why should we believe in yong jie? why should we believe in any of these people when they don’t prove shit to us. they just exist. why is that interesting? why do we root for them? that’s certainly not something they even asked themselves cause they sure as shit don’t know. the writing here cannot make up its mind on its own morality and i think the idea of morally grey only works if you have a fucking idea of what you want to do not just throwing shit at a wall. and we feel something for these “morally grey” characters—frankly this term is also a mistake because it’s so much about good/bad and ignores history and peoples lives and what leads to events and it is a super WASP-y concept in its current iteration anyway with a belief that punity is justice when it is not. that is why i say get the fuck away from this dude instead of going to jail. we could see yong jie grow but FUCKING OUTSIDE OF XING SI.
aey from lovely writer is one where im like wow i feel so bad 4 u i think ur gonna like kill urself someone get this messy ass bitch some help. people hate this kid and they totally can! i feel bad for him! dont love him and maybe i wont even want the best for him but rn im like “omg i dont want u 2 die sir.”
i dont feel that way in many other shows. i feel fucking nothing for these men. not yong jie and not even the old guy from modc im just like ok you exist and i’m going to ignore you. there is nothing in my chest lmao. i look at them and feel cold, couldnt be drier, cos it’s stale and boring and trite and nothing new at all. it’s not realisitc and it’s not even entertaining. it’s just...there. 
i mean it’s there with the reminder of “oh man i am not interested in your love story also isn’t your boyfriend like 40 and you’re 17? why do you like each other again? does this kid have parents? Wait, what’s happening? uhhhh am i supposed to like this? where are his parents? what’s gonna happen when he turns 23 and realizes how fucked up that shit is? can we see that?” and before u know it the sex on screen is over so that was just unpleasant all around.
and i cannot give u a single reason for so many couples why they like each other. like literally what on earth is there for the two of these people to be attracted to. at least one is being swayed by power but what’s the other one doing? oh nothing he just sucks? ok got it.
if we don’t approach it from a “how do we get people to like a shitty person or a person who does things that harms others” it continues on like this. questioning questioning questioning the comfortableness and never thinking about what the fuck the victim can do, what the fuck is even going on in their heads. and if they can’t do that then we go back to the question: what is the purpose of it? if the answr is “just because” then you have a failure on your hands and a lot of annoyed people. sorry not sorry 
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musashi · 3 years
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Excuse me if some have been asked before and/or are repetitive and feel free to not answer some but anyhow..
What's your favorite kin memory with your loftwing?
Do you selfship with your kintype, an oc/si or with simply your irl self (like kin separated in that regard)?
In regards to the previous one kinda how do view some relationships with your kintypes like if you feel uncomfortable with one character do you avoid the ship with those and vice-versa?
Do you have memories with delia?
What are some of the memories of your kintypes that are the /most/ different from the show/game?
What are some of the posts/vines/etc that you like to quote the most? Or are the most burned in your mind?
How was the whole wing ceremony? And also how were the classes? How were the other students? What things did you do the most with zelda and/or groose?
How is cheeseburger? He radiates happiness and comfort please give him a head kiss from me if he likes those
thank you!!!
What's your favorite kin memory with your loftwing?
haha i never know how to answer “favourite memory” questions cause i don’t think i can ever pick favourites when it comes to anything i’ve experienced.
mmm... meeting him was definitely up there, but i feel like my fave memories with him are just finding some nowhere island and taking a nap in the sun.
Do you selfship with your kintype, an oc/si or with simply your irl self (like kin separated in that regard)?
i can’t really get into self-shipping longterm or in depth because the kin aspect really does just overtake it for me fghdghf. if i try to picture myself, i always just picture my kintype, usually because my kintype/my f/o is usually my OTP in any given series. i only fall for people i already loved ^^; 
In regards to the previous one kinda how do view some relationships with your kintypes like if you feel uncomfortable with one character do you avoid the ship with those and vice-versa?
not really, unless they’re skeevy ships to begin with. part of being kin for me is believing in the multiverse so i’m just like yeah, a universe exists for me to date everyone xD
Do you have memories with delia?
tons :’3 i lived in her restaurant! she was my super cool boss who i absolutely did not have a crush on. 
i was very much married to james, but there was an understanding that i would be a little in love with delia for the rest of my life. she was one of my best friends.
What are some of the memories of your kintypes that are the /most/ different from the show/game?
i’m always pretty canon compliant ngl fdgfdghfd
What are some of the posts/vines/etc that you like to quote the most? Or are the most burned in your mind?
it changes on any given week but i do have an all time fav tag for shit i cant stop saying dghgdj
How was the whole wing ceremony? And also how were the classes? How were the other students? What things did you do the most with zelda and/or groose?
oh this might be long i love talking about skyloft rip. am saving your first question for last.
how were the classes. well. i was asleep. i don’t remember a lot. they were basic stuff you’d expect, language and math and sciences and all the Typical Shit. but then also flying and swordsmanship, which i was Good At. i took an archery class one year but zelda was always better than me lol. skyloftian sign language was required because it was the best way to communicate on birdback but i was mostly mute so my mom taught me it when i was like, 7 and i showed up there and owlan was like “Link what are you doing here” and i just shrugged and signed “easy a” and fell asleep. i am... a good student. 
my relationship with my classmates was that i was just... kind of there? i was well-liked because i have always had this weird charisma, but it was like this. quiet charisma. i didn’t have a lot of close friends, but everyone definitely would respond to my name with some variation of ‘ohhh, LINK! that guy’s cool haha’ my reputation was mostly being zelda’s arm decoration but not her actual boyfriend. i don’t think anyone could actually tell you anything about me besides that i was link with the red bird, and i was quiet and tired and zelda liked me way too much. 
my junior year is when i really became close with all of them, when zelda and i started doing that thing where we tried dating a bunch of people just to date but it didn’t work out because we were in love with each other lol. her mingling with the others meant i mingled too because i couldn’t spend 5 mins away from her. fledge and pipit and i got pretty close, zelda and karane were basically sisters. the thing i always joke abt is the fact that i dated kina, which is hysterical to me to this day. peatrice was always There but acting like she didn’t want to be there. i need you to picture peatrice while we’re all swimming but she’s just, like, on the shore tanning while the remlits bother her. 
that was this summer of just, like, doing idiot teenage boy stuff. getting way too drunk in our rooms at night over break. sneaking onto the roof of the academy to stargaze. getting caught cause cawlin drunkenly tried to fight a chuchu w his fists. you know. normal kid stuff. i also think the others were maybe trying to include me more cause it was the year i lost my parents but i mean it worked, i was a lot happier with people around even if i didnt mind all those years it was just me and zelda.
most of mine and zelda’s friendship was just doing what we’d do alone but together. when we were younger we would explore the more adventurous areas of skyloft and play pretend, a lot of days we’d stay in and read shoulder-to-shoulder. i didn’t like talking but i loved reading, if that makes any sense. we’d take turns reading to each other. as the years progressed we’d go flying together, we’d study together, we’d fall asleep in each other’s rooms and sneak into them when we were frustrated or lonely or just needed to not be alone. i don’t really know, what DIDN’T we do together?? we shared everything ;_; <3
my earliest memories of groose where i wasn’t like “what is this guys deal. why is he so mad.” were. ok so. groose and i should have been friends sooner because he’s super into woodworking and i whittle stupid little sculptures right. ok. except, we live in the sky, and i don’t know if you noticed this, but trees....... well. there are not a lot in the sky. wood is a very scarce resource, and we need it, for like. houses and things. so jakamar gets all of the wood in skyloft because it’s his birthright or whatever, except groose and i find out about this, and we show up at his house twice a week begging for woodscraps, and he slips us some Illegal Fir(tm) beneath the table and as soon as we leave the premises groose tries to kick my ass and take my share. and this happens forever.
i think groose saw me as like, this sworn enemy of his but i was mostly very confused just kind of sitting there like huh. where am i. wait whats he talking about? and then i’d walk away. when i was a kid he was scarier but once we got older he kinda stopped throwing punches, all bark no bite. 
and then we went to the surface and he moved into my house. not even in a polyam way and like at one point he had a wife and was still living with us. i forgot to mention he built the house also. he built our house and would just like, wake us up every morning with the best fucking eggs i’ve ever eaten in my life. groose was just in mine and zelda’s marriage. everyone was fine with this. 
i dont actually remember a lot of what we did after getting to the surface. just that his cooking was amazing and he gave the best hugs and he could pick zelda and i both up and ferry us around on his arms like we were little songbirds. oh and he was always the one who picked me up and carried me to bed when i’d fall asleep at fi’s dais talking to her. i fell asleep there a lot. 
ok. breathes in. 
my wing ceremony is probably my fondest memory ever? probably. the race itself felt like aepon was literally just DRAGGING me thru the clouds its such a blur. groose kept trying to body me but he’s lowkey scared shitless of my bird it did not work. i just remember being like. no time to think time to go time to go time to go OH i won
the ceremony itself felt... like... dreamy? like something from a fairytale, i don’t know. i don’t know how much of it is coloured by the retrospective of what it called to action and foreshadowed. zelda and i had been growing so much closer in the weeks leading up to it, and i don’t know, like, when i fell for her if it was sometime then or the day i met her when i was 6. but at some point everything just kinda got tilted on its side around her and every second i spent with her made me feel like my head was stuffed full of cotton candy. in a fun way.
on skyloft, wing ceremonies have a pretty romantic connotation. not always, but a lot of the girls dream about performing it with the “strongest” knight in their class, and a lot of the knights feel the same. there’s a lot in the history books about hylia’s feelings for her chosen, a lot of speculation about how she stayed close to humanity because she learned to love from him. so to stand in place of the two of them, to a lot of people, carries the same note as standing in the place of two starcrossed lovers, breaching the gap.
zelda was a hopeless romantic, and she told me later she had this whole plan--to wake me up early, to run drills with me until i was a puddle, to perform the ceremony with me, and to use her 5 minutes alone with me to solidify us as something more than best friends. she had this whole fucking move planned where she was going to drape the sailcloth around my shoulders and pull me in for a kiss, and instead she got wicked nervous and screamed half her sentences and pushed me off the statue. this, predictably, only made me more in love with her. i had exactly 0 plans to ever tell her how i felt, because something something childhood friends to lovers, something something mutual pining, something something what if it ruins a good thing something something, valiant hero of courage who.
when we were flying after it, she said she’d remember that day for the rest of her life, and i remember thinking, yeah, that’s what i’m feeling. i’m living, right now, through a precious memory, something i’ll never forget. and everything that happened after that was, uh, the worst time of my life, but somehow it doesn’t. colour the memory a different shade. i still just think, like, this is this last beautiful moment i am having with this girl i love more than anything in the world before we stop just being kids living our normal lives. she is the goddess reborn and i am her chosen hero who’s heart has defied death itself, but right now we are teenagers who don’t know that and are playing pretend as them, as we always have. the joy of that--of pretending to be who we are, the bliss in that ignorance, our beautiful last hurrah. something about it sticks with me. 
How is cheeseburger? He radiates happiness and comfort please give him a head kiss from me if he likes those
DOESN’T HE??? i will. i came home and he was loafing and i started crying because he looked so sleepy.
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spacesnaill · 3 years
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Holds you at gunpoint. Every question for Jupiter. (you can skip some if you want-)
i love you, you motherfucker 🔫
1. what is your character's relationship to the traveler?
jupiter is aether’s and lumine’s big sibling, so they all get along very well. i like to think aether and lumine are way more brash and “act before you think” kind of people, while jupiter usually is the one who takes lead (both because of the big sib energy and because they are way more analytical). that being said, jupiter is aware that the twins are very much capable of surviving on their own and fighting if there is any need for that, which is why even after losing touch with them in tevyat they know that the twins will manage somehow, they just need to find them
2. is your character proud of, ashamed of, or indifferent to their feelings towards members of a certain gender?
i’d like to think that the species/society the trio comes from doesnt give a fuck about gender and sexuality so jupiter would never feel ashamed or upset about their feelings towards specific genders. i dont think they would rlly label themself but they are definitely not straight. as to having feelings towards others: they are usually straight forward in their approach
3. what is your character's relationship with themselves?
jupiter knows their purpose and objective very well, but that often clouds their true desires. i like to think that they havent really been thinking for themself up until they were stranded in tevyat and had to rely on themself. they came to realize their own opinions and perspectives that they carry with themself everywhere they go. tho, their views are rather flexible, because they are very much willing to learn if an oppoturnity arises. that being said, they dont quite know themself well just yet, they are still learning after all
4. what is their favorite region? why?
with how much of the game is available rn, liyue is definitely their favorite so far. it’s culture is incredibly rich and full of fascinating stories and legends. i personally am looking forward to the release of sumeru, but what will come out of it is yet to be seen
5. what is their relationship with Zhongli? do they have one at all?
oh they very much do. while his charm and politeness are qualities that they very much enjoy, what originally drew them closer to him was his vast knowledge over liyue’s traditions and customs. at first during their stay at liyue harbor they would wait to catch him during his afternoon and evening strolls around the city to ask him things and carefully listen to everything he has to say. id like to think that zhongli appreciated having such an active listener and even a conversation partner at some point. eventually their little friendship grew into fondness for each other and they would seek each other’s company, until jupiter straight up confessed. id like to think their relationship is fairly innocent and very much founded on mutual respect and admiration. they both value honesty and communicate with each other rather well. and even though, zhongli hesitated before agreeing to travel with them, leaving liyue behind, he doesnt regret doing it
6. who is their love interest? If they do not have one, who is their closest friend?
while zhongli is both their love interest and their dear friend, venti is their first close friend. during the events of chapter I they both bonded. venti seemed like someone containing a vast amount of knowledge that jupiter was eager to discover. it quickly became apparent to them that the bard doesnt particularly like to talk about the past in detail, but venti still would surprise them with how much he knew about art and the culture surrounding it. they are both pretty light spirited so they always enjoyed each other’s company and their bond only grew stronger during their travels.
7. what do they think of Mona?
they are curious about and intrigued by her methods. they can also very much relate to her pursuit of lost/forgotten knowledge. they like to ask her about astrology and theorize with her, asking her to teach them little things for an exchange of a hot, homemade meal
8. what do they think of The Knights of Favonius?
their opinion on the knights is mixed. they can very much see that most of the people working for them are underqualified and not cut for the job or only doing it for the renown. while the idea of a city without a ruler is appealing, in practice the knights are the ones ruling over it and jupiter was left feeling sceptical when thinking about their methods and the possible future. they dont have anything against the individual people in the organization, but they do think their approach is highly flawed
9. wine is Mondstadt's most popular drink. do they drink wine?
while they do indulge in alcohol from time to time, they dont seem to be able to get drunk or even tipsy. they’ve concluded that since their body is built differently than a person of this world’s, its very probable that they dont react to certain foods and products the same way. alcohol is like any kind of a drink for them and many people are terrified when they see them consume it in large quantities
10. what do they think of Kaeya?
they like his playful nature and think he is a highly intelligent person, who doesnt show anyone what he is truly capable of. his methods, while very  cunning, seem rather brash, which somehow reminds them of their siblings. while they are very much curious about his motives and history, they dare not to pray if it isnt welcomed. during their stay in mondstadt they would often times catch kaeya lurking in the tavern and spending time with the local gangs and bandits in order to extort information from them while drunk. in the rarer occasions where he would be alone, they would sometimes keep him company, filling the night with talks about nothing in particular
11. if they were forced to make the choice between killing their love interest/friend or killing themselves, what would they choose? why?
that very much depends on when that would happen. pre-separation with their siblings, they would very much operate on the hard logic of “whoever has more information/more important information should survive”. however after spending time in tevyat and meeting its people, jupiter learns to greatly value life and their inicial stance would change to a more selfless one. the more they get to know about the world the more they are willing to put their life on the line to preserve life in it, especially if its the life of someone they hold dear
12. what do they think of Childe? 16. is there a canon character your character hates? why?
at first they were open to the idea of being childe’s friend, however with time they started noticing that something was wrong with his overt friendliness. when he revealed his true intentions, jupiter was not surprised, but learning what he had chose to do made them absolutely despise him. staying in liyue has taught them a lot and made them care about the people living in this world. however childe seemed to have no disregard to them. they will not hesitate to fight him if their paths do cross again
13. do they carry a lot of Mora?
having a large amount of mora is basically a requirement when travelling with zhongli and venti. jupiter does take on a lot of jobs and comissions, though mora is mostly a secondary issue for them. they do find themself owning quite a lot of it at times until they overspend with their companions and are forced to rely on their survival skills in order to save up enough to get a roof over their heads
14. does your character side with Kaeya, Diluc or neither?
when it comes to the family feud: neither. jupiter doesnt like to pry into family matters and they understand both kaeya and diluc never talking about their issues with one another. while they cant imagine siblings behaving like that, due to their own experience, they dont feel like its their place to judge.
when it comes to the knights of the favonius: jupiter slightly leans more on diluc’s side, recognizing the many weaknesses of the organization as it is, however they both come from different places when critiquing it.
15. what do they think of Venti?
venti has become their best friend and they value him deeply. they worry about him sometimes, aware of the origin of his appearance and the history behind it. they like how venti seems to perceive life in a very poetic way and are fascinated by it. they get along very well and venti often fill their time during their travels by his songs, both known and not yet named
17. how did they acquire their vision?
they seem to be blessed with the same ability as their siblings when it comes to being granted powers without aquiring a vision themself
18. what is your character's weakness?
their curiosity and hunger for knowledge
19. what is their strength?
they utilize the knowledge they have gathered into things they can use to their advantage be it in battle or daily life
20. what is your character's theme song?
pure gold by half·alive
21. what weather do they love the most? why?
they love when its sunny. jupiter very much enjoys the feeling of sunlight on their skin
22. what do they think of Paimon?
jupiter would be Ecstatic to get to meet paimon. her vast knowledge in all matters would make her a valuable companion. in the current story they have no idea who she is as of now though
23. what do they think of the Fatui?
while they do not approve of the fatui’s methods, they cant help but think that something much deeper must be going on. jupiter wants to believe that the tsaritsa cant be simply evil and that perhaps she has some other, hidden motivation for her actions. having spent time with and got to know the fatui in liyue, they also know that not all of them are cartoonish bad guys
24. what do they think of the archons?
overall the concept of archons seems very new and intriguing to them. they do try to get as much information about their godhood out of venti and zhongli. they wonder whether this world really needs the archons as much as it claims to
25. what is the worst thing that could happen to your oc?
either losing their siblings or losing their memory (its a great fear of theirs)
26. what does your oc want the most?
their long term dream is to write down all the knowledge they’ve gathered so far and make it accessible and understandable to anyone willing to read it
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koryuoftheriverflow · 3 years
Text
I’m gonna compile a list of all the things in the episode that follow the narrative thread of the season (or seasons 7-15) or make no sense whatsoever that, imho, allow us to imagine (to know) that *this* was not supposed to happen. Yes, I’m wearing my clown wig and make up. If I have to believe that this finale was written by someone like say, Sera Gamble (Sam is the best, Dean is destined to live in his shadow and Cas is not in the picture), following Kripke’s initial plan, and imposed by the network onto Dabb and the other writers (whose *real* finale was 15.18 - and 15.19 which, bucklemmings’ usual problems aside, was really not that bad), just so that I can sleep tonight... Then so be it! - Montage from 15.19 with no actual meaningful moments from the past 15 seasons but a shitton of dream/fake episodes ??? - Single pillow - Mourning beer on the nightstand - Single lamp - Pizza box on the unoccupied side of the bed - Miracle - Sam’s jog in a place that reminds me a lot of his commercial in Changing Channels ??? - Dabb’s pies - That was Robert Singer on the background, laughing at Sam throwing a pie in Dean’s face, right? - The painting with the beach - Tongues ripped out so victims can’t speak - Hearts - That damn barn - Cas/Dean/Alastair vs Dean/Sam/chick - I had a hard time remembering that girl because why the hell is she even here? Why is Dead men’s blood so important right now? Pls explain ??? - The fact that it took me a while to understand that it was Dean the one impaled and not the vampire, because when they closed up on the metal thingy earlier I totally thought it was going to end up as it usually does in these cases ??? - You’re stronger than me ??? - It was supposed to end like this for me ??? (Hello free will?????) - It’s always being you and me (Hello family dont end in blood and it doesnt start there either???) - Hearts again - Agent Bon Jovi (No rest for the wicked) ??? - At least I made it to Heaven (this sounded so much like Dean just gave up because there was no one left and at least in, what he believed to be the old version of, Heaven he could relive good memories) - Ash’s monkey - It’s the Heaven you deserve (deserve - deserve - deserve) - El Sol - Cas helped (Dean’s smile, bless you Jensen) - KAZ2y5  - You got everything you could ever want, or need, or dream (the one thing I want - I need you - he sounds... dreamy) - The Roadhouse - The road (hello 8.07) - Sam’s son named Dean like this is the Epilogue only worse - And no Eileen - The bridge and Hey, Sammy and Stanford clothes (ok, we get it) - The farewell at the end - Jensen’s fucking face I cant ashjhshdjkahdk he’s dead inside - Cast and crew all together with no masks despite covid so where the hell are Cas and Eileen ??? - And cut!  Like, at least the fact that they broke the 4th wall lets me believe that this was the ending of the in-story show Supernatural and not the ending of *the story* and its characters.  Because this is a bros only ending and it was *not* what they’ve been building towards for months and years. And I couldn’t wrap my head around the fact that Jensen had to call lots of people and Eric bloody Kripke to have the ending explained to him, because from where I was watching the story unfold, it was the perfect arc for Dean (and Jensen knows Dean better than anyone). And that’s why I’m convinced this one is a pre-established ending. And Bobo and Dabb and all the rest in the writers room wrote 15.18 to be our ending, because they couldn’t write this one.  And yes, of course, no more sacrifice between the brothers is very good. But Dean dead? Sam with the white picket fence life?  This ending is so... ancient. It belongs to an era of Spn that is long gone. I honestly believe that the actors (maybe not Jared ‘cause he’s still under contract with the CW) and the writers will speak up about this. Some more than others, maybe. But I want the truth to come out. I want to know if they had to compromise to give us, albeit one-sided, canon Destiel. If they took us as far as they could, because they weren’t allowed to bring us to the right end.  And they tried to warn us: Misha and Cas’s sacrifice, Bobo and the unexpected, Dabb and his 30% and GoT finale. I thought he was trolling, but no... he was just warning us that, yeah, we were not gonna like it. How could we? But I want him to speak up, because he’s the one who’s gonna take the blame for this. I watched him write for this show for 12 years and I know he can do way better than this.  Jack as the soul bomb in 11.23, stopped, like Amara stopped, because of love.  The Empty being loud. The need to speak one’s truth. Free Will winning over the Author. Chuck’s ending with bros only and no Castiel being shit. We are real (from both Destiel and Saileen). The family they have built along the way. None of this was in the episode, but they have been writing with those themes in mind for years. So, no. I don’t understand. Call me delusional. Chuck knows I’ve been called that before, but on *that one thing* we were right. We were so fucking right. I genuinely think the writers are going to speak up, because their careers are at stake. Because *this* isn’t the way to end a story. And Misha, and Jensen. Jensen, I beg you to say something. Because this I understand now, why they were talking about 15.18 as if that episode was the finale. And why they didn’t say goodbye to Castiel, because no... his story isn’t over. So many other - well, I don’t want to say plot points, but certainly emotional points - were left unadressed, abandoned.  We still need answers.  If I can’t get them in text, I demand to have them from, yeah, word of God.  The thing that I’m mourning now is the possibily (and Spn has a history of missed chances, but we love it in spite of that) of going down in history as the tv show that did something game changing.  Still, I’m grateful for all the people, near and far, that have come into my life because of it. Family indeed don’t end with blood. @mittensmorgul @postmodernmulticoloredcloak @bluestar86 @drsilverfish @bakasara @rambleoncas @k-vichan @shirtlesssammy @lets-steal-an-archive I hope you don’t mind my tagging you lovely people (and there are many more), but I’ve followed you for so long, and I’ve read all your metas for years. They’ve kept me company for a decade. It’s been a wild ride and I just want to say, while asking for your opinion on the show one last time, THANK YOU. Supernatural was good, but it was especially lovely thanks to you all <3
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akechicrimes · 4 years
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not to speculate too hard about the inside of a silent protagonist’s head, but the more i think about joker persona 5, the more convinced i am that he’s firmly entrenched his approach to relationships in hiding aspects of himself from others so that he can fulfill some sort of transactional relationship. and the more i think about that, the more i really do think that akira’s whole thing about emphasizing transactional relationships and almost intentionally surrounding himself with only selfishly-motivated people is a fear of intimacy.
i was talking with @aryashi about this post with akira’s really heartbreakingly cynical opinions on friendship, and the weird phenomenon where in persona 3 and 4, the protagonists are intentionally pushed to reconsider their views on friendship and making bonds with other people, and come out of their journeys with friends who’d ride and die for them. but with akira in persona 5, it’s odd because akira has a very well-documented transactional/cynical view on how relationships work, but he isn’t quite ever pushed to reconsider that point of view.
which is to say, persona 5 as a game is much less about relationships and friendships than persona 3 or 4. in persona 3, minato has only two personality traits, and those are that he’s a 2006 emo MCR fan and that he’s self-isolated. his entire character arc is about him un-isolating himself, learning to have relationships again, and learning that other people make life worth living. in persona 4, souji (or yu) is a city boy sent to a tight-knit community where everyone knows everyone, winds up learning first-hand just how judgmental small towns can be even in their proximity, and is forced to confront the perils and rewards of other people knowing you for who you truly are. 
in comparison, persona 5 likes to say that it’s about justice and societal reform, and seems to actively encourage akira to mask himself (or at least parts of himself) in order to achieve societal reform. he is quite literally hiding half of his activities (thievery, mostly) from the other half of his life (his day life as a student). arguably, he’s also hiding his confidants/social linking side business from his own thievery team, too. logistically, this makes sense, since akira is avoiding getting put in jail for thievery by hiding his identity. the flip side is that akira works for a better society while never once being known for who he really is, which is a fairly common trope among masked heroes who do work for the whole of society while never once being thanked or recognized for their work, but it’s a stark contrast to the other games.
so in a lot of ways, not only is akira not pushed to reconsider his views on relationships, he’s actively encouraged to keep masking parts of himself from others, and to use his anonymity and ability to hide to his own advantage. in particular, akira is encouraged to find people who he can gain something from, people who stand to gain something from him, and to strike a deal; and this deal usually involves akira hiding parts of himself so that his new confidants will continue to work with him.
which is cool and also highkey relatable, sure, but it sure does seem to be one of the reasons why akira walks out of the game with a whole bunch of friends who seem to................. not really know him very well, for some reason? and all his social links are, like, a collection of business partners or sponsors?
that’s not to say that his relationships are always built on akira hiding parts of himself to fulfill a transactional deal. a lot of his relationships wind up being non-transactional even if they started off that way, and a lot of his relationships end with his confidants guessing that he’s a phantom thief. but i wonder if akira himself views them as non-transactional. or, that is to say, akira seems to move away from viewing relationships as purely transactional, but he’s never pushed to embrace a relationship that is purely, 100% altruistic.
he starts every relationship with a transactional deal from the beginning of the game to the end. he uses relationships as a “we mutually help each other out” sort of arrangement as far into the game as his last conversation with sae as his lawyer. and the fact that these relationships become deeper and more meaningful than a simple business arrangement doesn’t mean that they’re not still fundamentally business arrangements. it’s a bit like getting to know your local barista: you might have conversations and learn more about them and even become friends, but at the end of the day, fundamentally the arrangement is built on interactions where you pay them money for them to make you coffee. (and to keep going with the barista metaphor, such a business relationship depends entirely on presenting only certain aspects of oneself to another person so as to keep the relationship going.)
or, also consider what akira said in this tweet as linked in the first part of this post. it may be that he knows that, for example, kawakami comes out of her social link adoring her student, and would go above and beyond to help him if he asked. but that in itself is a transactional relationship of another kind, isnt it? akira has to continue being the sort of student that she likes in order to continue to have her support; in return, she lets him get away with all sorts of wild shit in her class. rather than a one-off transaction, the relationship moves almost towards a type of sponsorship, which akira trades behavior that she approves of for her continued, continuous help. so the relationship remains transactional, and in a lot of ways, akira is not only trading with supporting kawakami emotionally, but he’s hiding parts of himself in order to maintain the relationship he’s built.
aryashi said that he should have come out of the game with some ride-or-die friends like the other persona protags--friends who know him completely and entirely, and would go above and beyond for no transactional reason whatsoever. she said that he should have had at least “ryuji, or akechi,” which was so fascinating to me because those two characters are so entirely and completely polar opposites, but reflect akira’s issues of isolation from two really important angles.
ryuji’s probably the character who has the most altruistic relationship with akira. he latches onto akira and from the first time they meet, ryuji selflessly tries to sacrifice himself to save akira, who ryuji barely knows, met about five minutes previous, and actually doesn’t even know the name of. ryuji couldn’t have an ulterior motive to help akira if he tried. and ryuji’s remarkably consistent about his selflessness, too; there’s no benefit to ryuji when ryuji gets mad on akira’s behalf to defend him, and it continues all the way through P5R. 
but in a weird way, it’s like akira doesn’t--understand this? although ryuji is the character who seems to care about akira himself the most and consistently defends akira, especially in regards to akira’s record, the instant ryuji’s social link starts, the social link progresses in the same manner as a lot of other social links, in which akira exchanges emotional labor and support for better teammates, better teamwork, better personas, better social links. suddenly it’s not about ryuji caring about akira, but akira helping ryuji through his track team problems. it’s like akira and ryuji are speaking entirely different languages, or are simply thinking so differently that akira just had no idea what to do with ryuji when ryuji goes out of his way to reach out to akira just for the sake of kindness. he seems taken aback by ryuji’s enthusiasm and sincerity in several cutscenes.
which is not to say that i dont think that akira doesnt value ryuji immensely, because i think he does, and i think that ryuji reaching out to him when akira had first moved to shujin and was entirely alone meant the world to akira. but i think that going through a friendship constantly feeling like ryuji’s altruism has an expiration date, impending dealbreaker, or is simply just incomprehensible because it doesnt have any transactional value to it is a type of isolation in itself. and if not a type of isolation, then definitely a type of emotional barrier that prevents akira from really embracing a relationship or person like ryuji--if not out of confusion, then maybe just out of fear.
confusion or fear, or maybe just a history of being rejected for who he is--either way, i do think that one of the things that’s so notable about a transactional relationship is that it makes intimacy much more controllable. persona 4 intimacy was a fucking gauntlet to be survived, because it was just a sheer, undiluted blast of your entire self being put on display. in persona 5, intimacy can be controlled if you know what a person wants out of you. if you know what they want, you can be that thing they want. if you know what they want from you, then you can leverage what they want. if the terms of the deal are clear-cut and determined from the start, someone like akira doesnt need to be afraid of being rejected, and never has to guess at what a person wants from him, and need never take an emotional risk himself. the more selfishly motivated a person is, the easier they are to please, and the easier they are to extract a working relationship out of, and the easier they are to even have a relationship with.
which brings us to akechi, because it does seem to be the case that akira gets along so well with akechi because it’s understood between the two of them that akechi is NOT here to be friends and he DOES have ulterior motives. even without the whole shido thing, akechi is pretty obviously there to nail akira for being a phantom thief; the kindest possible interpretation of akechi stalking akira is that akechi is there to pick up blackmail material on him. 
not to speculate too hard about the insides of a silent protagonist’s head, but i do wonder if maybe that’s why he got along with akechi so well: he assumes that akechi wants something from him that benefits only akechi himself, and akira is totally right. that sort of selfish motivation is something that akira can understand, predict, and accommodate.
nobody is allowed to tell that one anon who keeps showing up in people’s inboxes trying to convince everyone that shuake is an unhealthy ship, but it’s not a great dynamic. it’s also not any different from any of the other social links akira has. it’s pretty par for akira’s course, actually.
it’s also what akira understands, and it’s what akira is comfortable with, and oddly it serves as a point of connection between the two of them, especially in their P5R s link. and the more that akechi pushes at various emotional issues throughout his social link under the cover of “i’m only here to investigate you,” the more emotional intimacy they can get away with while pretending they aren’t doing exactly what they’re doing.
which is like. bro. when goro akechi is better at emotional intimacy than you are. you done REALLY fucked up.
but at the same time it’s like........................ it’s very clear that akira walks away from the game with more or less the same point of view on friendships and relationships that he went into the game with, because akechi wasnt going to be the kind of person who pushes him on that point. again, akechi and akira having a relationship that started off transactional and grew to become something else doesn’t necessarily mean that either one of them have changed their general modus operandi on this point. the person that would have really pushed akira to change would have been ryuji--but for whatever reason, ryuji didn’t wind up being the catalyst for that sort of change that he should have.
i dont really have a conclusion because this is my blog and i can do whatever i want and nobody has yet paid me enough money to buy my silence, but if you really want a conclusion, have this: pegoryugoro IS a valid ship and they DO have an interesting and compelling dynamic and i SWEAR to god i will make it work one day.
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