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#childhood abuse doesn't end when childhood does
mightymizora · 16 hours
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Feel free to ignore but: do you feel that gortash is - I guess the word I'd use is "good" - at sex? By whatever metric you'd judge that?
Hey anon I LOVE THIS QUESTION and I can't be normal about it!
So I have to dive into it a bit into sections because there's a lot going on here for me and obviously the caveat here is this is my opinion, this is my opinion from inferences from the text, this is my opinion.
So in order to do this we need to cover a few sections: sexual education, sexual agency, sex as tool and sex as desire.
All of this is going under the cut for discussions of childhood abuse, canon inferences, decisions he makes in game, and some headcanons around agency and dub/non-con that readers may find uncomfortable.
so, let's start at the very beginning with:
Sexual Education
There are two things we know about young Enver Flymm. One is that he was raised in a small cobblers workshop where he shared a single room with his parents. The other is that at some point, he was taken to the literal hells where he suffered an incredibly physically abusive situation.
We don't know for sure the exact age he was taken, but I think it's easy to infer that he was prepubescent when he was taken from the way he is spoken about as a snot, a boy etc. by Nubaldin. Even if he was a little older, it's safe to infer that he didn't have a particularly healthy environment to learn about sex and sexuality either at home or in literal hell.
If we assume Enver was in hell, we know that the sex he would have potential been aware of was largely non-consensual. There's references all over the place about his fellow detainee Hope being sexually and physically assaulted as well as psychologically manipulated. We don't know with Enver if he ages in the hells (I assume he does, and that it is only those who sell their souls and end up there after death that do not age) but if he does, he goes from childhood to early adulthood, ten years, in this space (mirrored in Karlach spending ten years there as well, interestingly.)
We also don't actually know how he escaped the hells, and it is a niche headcanon (which I have also put into my works) that he as a young adult learned about sex and traded with Haarlep to find his route out (in my stories, this directly feeds into Mephistopheles being interested in the potential of this boy, and letting him steal the crown.) There's no text basis for this, it just neatly ties up some thematic threads and I think can be put aside and it still doesn't change the core that:
Enver Gortash had no way of having a healthy understanding of sex as a teenager. There isn't really any way that he could have! Either he's living in a one-bed apartment with abusive parents who hate his existence, or he's learning from Raphael's example in literal hell.
Sexual Agency
This is where a lot of people feel differently, but again, we can look at things as they are and then make some inferences.
Enver Gortash does not have a named spouse, or any named mistresses/side pieces/conquests. Anything. There is no evidence of anything (we will come to Durge later.) Compare this to Sarevok, who has two named partners and is inferred to have had others, and it is an interesting choice to have zero ties. It's particularly interesting because as a Lord, he would be expected to be thinking of siring a house, and as a man in power, the narrative expectation would be to find evidence of sex as a benefit of his position. We don't see any evidence of that.
There is a read that many, including me, bring to the fondness that The Dark Urge and Gortash have for each other, but again, there is no evidence that this is sexual or if it is, that it was ever something than a mutual pining. That's the joy of fanworks, you can grow on what's there, but it's not explicit that it's anything more than mutual admiration.
So for me? I think that there is significant evidence that he doesn't prioritise sexual attraction and fulfilment over other areas of reward.
Sex as a Tool
What we do know though is that he has used his body to get things he wants. The Jannath letter, which I love, makes it clear that he had sex with her for financial favours and clout, and that she indulged him in this. He's also more than happy to trade on his image in every way he can. I think it's easy to infer from this that he is, at least in one setting, able to give people what they want out of sex. Whether that means he's technically good OR he's good at constructing and fulfilling the fantasy, I think that's up to interpretation, but I think he knows what to do when it is a performance, and if there's something he can tangibly get out of it like money, power, the ability to blackmail somebody later, then that is the element that is getting him off, not the sex itself. Sex for gain is just another part of his arsenal, to be refined and researched like anything else, and picked up and put down as useful to him.
Sex as Desire
And this is --and it is completely up to interpretation here, I'm just rolling with the other things I see -- where it can potentially all fall apart for Gortash. If he actually likes somebody, if there is a desire or an affection or anything like that, and if he is able to even feel emotions like that, what does he do with them? It's not useful, it's not contained, it's not part of the punishment he learned in the hells or the seduction he learned in the patriars. If he does find himself genuinely fond of another person, how can that fit in his ideas of sex? Personally, I don't think it can do, and there's lots of ways to play with that. In my own stories, the sexual contact he has with Manva is brief, quite one-sided, and quite regressive. He is no charming seducer, but instead taken back to something much simpler that he likely didn't have space for when he was young. He has other encounters where he can't get it up, or can't climax, because the circumstances aren't quite right, the promise of power is not enough, or the partner is too willing (not like he has learned of in the hells at all.)
I think personally that if he does seek out recreational sex, then it is primarily going to be motivated by power play. And I don't think this is well negotiated kink territory. He plays with the player character constantly, testing them, destroying their reputation in the press quest, always vying for more power even when you are apparently allies. This is a man who always, always needs to know he can change the tide.
I think of the woman whose voice was used in the necrotic laboratory, who was stolen away with a promise of a better life. I think of Fariza Linnacker. There's no evidence either were sexual, but we do know that he took great pleasure in manipulating and destroying their lives.
Gortash has so much going on around sex as a tool, as a weapon even, that when it comes to a genuine connection, there's every possibility that he cannot perform at all.
And would that make him embarrassed? Angry? Would he blame? Lash out? Would he seek out professionals to replay old traumas as a "safe space"? Would he avoid all intimacy because he sees it as weak and disgusting? I think there's a lot of scope within this.
So the short version is... I think he's able to be good at sex when it's FOR something. But I don't know if he's even interested when it's not, and if he is, I think he has a long way to go to actively want to seek it out. And is he good in the way that it is connected, intimate? Probably not.
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nothing0fnothing · 8 months
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oh so narcissistic abuse isn't real?
Then explain to me why my mom's best friends when I was 13 was a group of 15 year old mean girls who would openly bully me in front of her, but she desperately needed the literal children to think she was cool so she'd bully me with them and would like, store up information about my week like how long I engaged in my special interests or what kind of stimming I was doing and then she'd turn up to youth group in her bedazzled skinny jeans, walk right past me like she didn't just drive me here and sit on the table with these teenage girls with a "you'd never guess what Cordelia got up to this week." And the other adults who ran the youth group were really confused and obviously really uncomfortable with this 40 year old woman using her role as a trusted adult in the group to bully her autistic tween daughter but also the situation was so weird nobody got involved till the girls parents did and asked why a 40 year old woman was cultivating a "special relationship" with their kids but she was convinced she was the victim in the situation and she was being punished by these parents for caring too much about the youth group and she would vent TO ME about how mean these other mom's were being to her and how unfair it was and this whole time we were showing up every week, she'd bully the fuck out of me for 2 or 3 hours then we'd go home and she'd switch up on me and tell me that I too could have a chance to sit with the girls who she was literally helping to make my life hell but I just had to start being normal and then she'd buy me a milkshake or something as if that made everything she'd done all evening OK.
Is that just regular abuse or do you think there was maybe some other factors at play there that makes that situation a bit different?
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furiosophie · 3 months
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“Ghost?” Soap asks as he pulls open the door, knife still in hand, baby still wailing. “What are ye doin’ here?”
“What am I doing here?” Ghost throws back at him, brows creased and eyes downright murderous, the kind of look that back at base would mean Soap is about to run laps until he pukes. “You just disappeared for a bloody week, Johnny! Didn’t even tell Price where you were going, aren’t answering your fuckin’ phone, what the hell do you think I’m doing here?”
“Right,” Soap says because yes right, he has a vague memory of Ghost texting him, but he also doesn't really have a clue where his phone is right now and he definitely wasn’t aware it’s been a week until he just mentioned it. For a moment Ghost looks like he’s going to take him by the shoulders and shake, and then his eyes land on Joey, and he frowns harder as if he only just noticed that Soap is holding a screaming child.
“You knock someone up, Johnny?” he asks and it sounds oddly offended but mostly like he’s taking the piss, so Soap is about to tell him to fuck off when there’s a loud crash from the bathroom, followed immediately by a high shriek. He whips around, trips over one of Cass’ tiny toddler-sized shoes, and nearly impales himself on the damn knife if it wasn’t for Ghost grabbing him by the arm to hold him steady.
“Give me the baby,” Ghost says like he says give me that gun when they’re hunched over in the dirt, bullets flying past their heads, so Soap does.
to you i can admit (that i'm too soft for all of it)
[read on ao3]
ship: john "soap" mactavish/simon "ghost" riley
words: 19 220, completed
tags: mw iii fix-it, set between danger close and trojan horse, kid fic, angst with a happy ending, hurt/comfort, domestic fluff, getting together, ghost fell first, soap fell harder, ghost is just some guy (tm), jk this still has 09 ghost backstory, fellas is it gay if the superior officer you've been lowkey flirting with for four years drops everything to help u raise ur sisters kids, this is both a hallmark movie and me processing grief so godspeed, canon- typical violence, mentions of past childhood abuse, not beta read we die like- qunshot
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ordowrites · 1 month
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Of Archery and Apples
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cw: smut, slow burn, arranged marriage, afab reader, minors dni, mdni. reader is mentioned to have an abusive family, but nothing shown. fluff, gentle sex, not sfw. diluc frequently asking for consent. reader has a vision. please let me know if i'm missing a warning!
word count: 6,509
notes: this is a pretty long slow burn and build up, so be warned!! this is also unbeta'ed. this also gets pretty fluffy at the end.
diluc birthday month!!
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He's avoiding you, you can say this for certain - he was barely present at your wedding ceremony, only staying until it was socially acceptable to hurry off, politely engaging in conversation here and there, and his kiss was simply a quick peck on the lips. Of course, the vows were very basic and quick but you figured it's because he's not exactly the best at words.
The business man being terrible at social engagement is quite the entertaining thought, or well, you would normally think so if this wasn't you trying to navigate this new marriage. You'd known Diluc Ragnvindr in your childhood, the two of you had exchanged a whole handful of words but you remember very clearly how social he'd been back then. You remember him, very clearly, sneaking some living frogs into a maid's pockets at some social event with his adoptive brother glued to his side. And you also remember how much chaos it had caused - expensive red wine being spilled, some screams, and you - little old you - had managed to sneak a sip of wine amidst it all. His father, Crepus Ragnvindr, had to pull both his sons aside, while apologizing profusely and Diluc sobbing his eyes out over getting caught.
The other few times you remember of him was when he'd been in the Knights of Favonious - chivalrous, well loved, everyone talked about him with pride in their voices. "Mondstadt's Pride and Joy'', is what they'd call him - he was sure to take the Grandmaster's job once Varka grew too old for his position and nobody would fight nor question it.
You two had talked during that time, exchanging names and he'd given you some flowers because you'd looked lonely and "everyone deserves flowers!" You'd thanked him, albeit very shyly, avoiding eye contact because the heir of the biggest name in Mondstadt was paying attention to you. (And you barely remember what made you so sad, though you're sure it had to do with one of your fathers outbursts.) A small part of you wonders if he remembers that.
The reasoning for your arranged marriage with him is not lost on you - Ragnvindr is a household anyone would want to be part of, the Young Master was the most eligible and the promise was made between your father and Crepus a long time ago. The two, from what you understand, had been close friends in their youth and worked closely with one another, even if you - personally - never met his sons. Of course, once Crepus had passed - a few months before your own eighteenth birthday - you figured that the arrangement was done and over with, and your mother would cart you off with some older man in another country.
Except, that wasn't the case - three years later and you received an invitation from the Dawn Winery. Diluc was still keeping up his fathers promise, but the two of you hadn't even seen each other in adulthood. And your first meeting after that was uncomfortable and awkward - he'd done his engagement with you, but it was clear that he had no idea how to navigate any of this. (Not like you did, either).
The wedding still happened - you'd begged for it to be small, but your mother does not do things small. And Diluc merely wanted it to be done and over with, and you'd spent your entire wedding day apologizing profusely and him reassuring you that he doesn't really care, the mora doesn't matter.
And now, four months into the marriage, you're still trying to even get a glimpse of your elusive and quiet husband. The two of you don't even share a bedroom, and you often find yourself in a confused haze, wandering around the Winery and vineyard with very little to do. A good wife stays at home, cooks and cleans, but you can't do that because he has maids doing that and they shoo you off if you even try to help. Your embroidery skills have a lot left to be desired and whenever you offer assistance in the vineyard, you're told not to worry about it.
Boredom left you asking the head maid for something to do and Adelinde had given you a few tasks to do, you just had to organize things and that was about it. The manor is well staffed, there isn't much work for you to do, is what she'd told you. Perhaps Master Diluc would like your company.
Oh yes, your dear, beloved husband who seems to be avoiding you. Archons, you'd much rather be working for the Adventurer's Guild. You're proficient in archery because you had begged your mother into letting you learn, it was the only way she could get you to do anything else she'd wanted. Of course, being someone of nobility means that your only job is to be a dutiful spouse who bears children and stays at home, but you're going insane.
What most people don't know about the manor is that he does have a small weapons collection - some swords, a few bows and arrows, his great sword, and other things. You're not sure why he needs this armory, but you'd happened upon it one day in your usual afternoon hauntings of the hallway when staff locked you out of the busier places they'd be. (Of course, you'd be more than happy to receive guests but apparently, that's the Head Maid's job and you feel slightly insulted your husband can't even trust you with the business of the Winery)
With the bow and a few arrows in hand, you meander outside - unnoticed by the staff as they rush around for one reason or another (rumors have it that the Traveler is visiting today or someone equally important) - and find a secluded spot to start shooting.
Place the arrow, draw the string, shoot. Repeat.
You're, by no means, an expert but you like to think you're pretty good. You knock down quite a few apples, but you never aim for animals - you repeat this until your fingers are sore and hurting. Still, you load up the arrow again, point, and -
"What are you doing?"
The voice cuts your concentration and you let out a yelp of surprise, releasing the arrow in a loose and awkward manner.
"Archons! I could have shot you!" You shout as you turn to look at the person who broke your concentration. It takes you a few moments to realize who had approached you, arms crossed over his chest, and an unimpressed look on his face. "Oh, sorry, Master Diluc. I thought you were someone else."
"I didn't know you do archery." He says, hardly acknowledging your words as he steps closer. "You're pretty good."
"Of course I am," you boast. "Why wouldn't I be?"
He considers his words and you frown at him, as if daring him to say anything untoward and awful. "Not a lot of nobles take it upon themselves to become proficient in weaponry," he finally answers. You're pretty sure he's spoken to you more now than he ever has in the entire time you've known each other. "Anyways, Add- Adelinde was calling for you. It's time for dinner."
"Will you be joining?" You ask as you pick up what fallen arrows you could, frowning when you realized that there's no way you could re-use them. At least you have yourself a handful of apples. "Or will you be assisting the Traveler with some things?"
"Ah - well," Diluc seems to be stumbling over his words now. It's as if he's remembering he's married to you, and you're not some familiar stranger who has decided to hunker down in his home. "If I have your okay, I would certainly like to join you for dinner."
You're handing him the apples, and he's taking them into his arms without question. You wonder if you could get away with just...handing him things and if he'd noticed. Because his eyes are trained away from you, at the horizon. His face is a tiny bit red.
"Are you not the master of the house and my husband?" You prompt. "Why would you seek permission to have dinner in your own home, with your own spouse?"
He opens his mouth to say something and closes it again. He doesn't know how to talk to you, you realize.
"What are all these for?" Diluc asks, awkwardly changing the subject.
"You eat them." You answer, as if he doesn't comprehend what apples are for. "Obviously."
He makes a noise that sounds like an annoyed growl but seems to drop the subject as he is a good husband and carries the dozen apples back, just for you.
Dinner is quiet - he's been joining you for dinner nightly now, and every time, it's just quiet. The soft clinking of silverware, and he keeps his head down as if it's hard to look at you. Sometimes, Adelinde whispers something in his ear and he'd have to look up, but not at you.
You think this is worse than eating by yourself. And he's always quick to leave once he's finished, thanking Adelinde and uncomfortably wishing you a good night.
One thing you noticed now, is that you're not without apples since that day. And there's more arrows stocked in his armory.
"Master Diluc thinks they're your favorite fruit," Adelinde explains as you ask her one day. "He ordered quite a bit. I think it's a bit too much for one person to eat, and I can only use them for so many recipes."
"Rumors have it that the Anemo Archon loves apples," you tell her. "Leave 'em out as an offering."
The head maid laughs a bit. "Perhaps. I'm not sure why he won't ask you about the things you do like."
"He'd learn things about me - and I, about him - if he stayed longer than the thirty minutes it takes him to finish his dinner." You say as you inspect one of the red fruits. Bruiseless, perfect, round. And juicy, when you bite into it. (You're sick of snacking on them, but hey, he bought them so you might as well make sure they don't waste away) "I timed him one night." You clarify after a moment.
"Yes, well, the Master is a very busy man." Adelinde says, after a moment. You're unsure if she's displeased with your comments about him - the staff is very loyal to Diluc. Of course they would be, he’s their employer and he treats them way better than most people of his status. You’re pretty sure he pays them pretty well on top of that - considering the servant houses are well constructed and well kept. "It cannot be helped."
"Sure," you simply agree, not wanting to anger the one that is in charge of quite...literally everything in the household that Diluc doesn't oversee. "But perhaps he could make time in his busy schedule for me?"
"One could only hope." Adelinde says. "Perhaps you'd like to entertain yourself with other means?" It's a polite way of kicking you out of her kitchen.
You grab an extra apple and head out. Diluc is in his study - you're surprised that he's stationed himself there. You're even more surprised when he looks up at you.
"You missed breakfast and lunch." you say, after a long stretch of silence. A small part of you wonders if you'd be having children right now if you had a husband who actually wanted to be at your side, instead of carrying an apple in your hand. "Have you eaten?"
Diluc regards you for a moment, before glancing at the small plate with crumbs of some confectionery on it and an empty tea cup.
"...At some point." he says as he looks back down at his papers.
You set the uneaten apple down on his desk.
"We apparently have an overabundance of apples," you inform him with a small smile. "Do your part and eat some then."
Diluc stares at it as if he's never seen an apple before. "Right," he says, after a moment. "Right. Yes. Thank you." The way he says your name sounds lovely but strange, like he's sounding it out. "There's a target range outside."
You quirk a brow and head out.
The target range is simple - it resembles something the Hilichurls would use, but you can at least practice your aim.
Your evening goes quietly - Diluc joins you for dinner again. Tonight it's your favorite meal.
"How come you don't go to Mondstadt anymore?"
Huh? You look at him with surprise.
"Well, I guess...I don't know. Most of my friends are married and have kids or like, moved." Because if you saw your parents, you might cry is the real answer.
"The maids tell me you're bored." You're likely to become the tale of a poltergeist haunting the Ragvnidr mansion, a tale for the children to tell for ages to come. "You can get a job in the city if you'd like. Come work at the Angel's Share."
"With you?"
His face tinges red and he clears his throat. "Maybe."
"How 'bout the Cat's Tail?"
A silence. A grumble.
"If you must." Diluc sounds resigned at the thought - you, however, find yourself wanting to work with the cats at that cute tavern but you wouldn’t actually do that to Diluc, regardless of the current standing you’re both in. You’re not even sure what kind of work you want to do, but bar work doesn’t sound all that great for you (or a match). You decide to let him think you’re willing to work with the competition.
It's in the middle of the night when you're woken up to something - a sound. You've always been a light sleeper and the Manor is always so silent at this hour. There's some shifting, you let out a breath when you feel a familiar but comforting sense of energy around you.
When you fully wake up, you're met with your Vision at your bedside. It flows with familiarity, glowing when you touch it. The Electrical element gives you more energy than you thought you’d ever imagine-
You'd received it in your teens and your mother confiscated it from you. She claimed you had no need for it - someone like you does not deserve it. After all, Visions are only for people who are worthy and who are you to believe you're worthy of such a blessing?
How?
You wonder if Adelinde had quietly dropped it off or if -
Would he? Diluc? The man who can barely stand being in the same room as you? Hardly. Maybe an Archon chose to give it back to you.
With energy that you haven't had in ages, you dress and head down for breakfast. Diluc is there.
"Good morning," he says, barely glancing at you. His face is tinged red again.
"What a lovely surprise," you say. "Truly blessed by the Archons today to see my husband."
He makes a soft 'hmph' sound. "Were you not complaining about never seeing me?"
"I'm glad you came."
Diluc gives no answer.
He heads to Mondstadt Proper, offering you a chance to come along - but you decline. You'd rather practice what you were blessed with. Also, you’re not really up for seeing anybody you know at the moment - you’d rather not field questions on what it’s like to be married to the Diluc Ragnvinidr. Sure, it’s bragging rights but neither of you even share a bed and barely speak to one another as is.
He is back by lunch.
And you are a bit singed - bruised but energetic from practicing with your Electro Vision. It glows at your side.
Diluc looks pleased.
"You seem happier these days." Adelinde says as you enter the kitchen for your daily snack of the never ending abundance of apples. They even taste sweeter. "Have you told the Master to stop ordering these apples for you?"
"I prefer that they become part of our nightmares," you answer her with a small shrug. Adelinde gives you an odd look. "'sides, they're an alright snack." 
You snag one extra one and bid her a quick goodbye as you head to Diluc's office. As before, you set the apple down for him to eat.
This time, you stay.
"Is there something you need?"
"Thank you."
"Whatever for?"
So, you gesture to the Vision that hangs at your side. “If you brought this to me, thank you.” Diluc peeks at it and says nothing. “The apples too, but the maids seem displeased with those.” He shifts uncomfortably. “Am I bothering you?”
“No.” he answers, tensely. “I’m just…don’t worry about it. I’m glad you’re enjoying yourself.” Silence falls over you, and you look everywhere but at him as he pointedly stares at his desk. “Um-”
“So why are you ordering an over abundance of apples?”
“Do you not like them? I can order something else. Sunseittas, those fruits from Fontaine, anything-”
“N-no, they’re fine.” You force out, interrupting him before Diluc works himself into some sort of anxiety induced panic attack. “They’re perfect, thank you.” You need to learn to put your foot down, but you didn’t want to accidentally upset him and think you hated how kind he was, even if the apples were a bit much. Hopefully Adelinde will talk to him instead.
It's been a week since the two of you have last exchanged any sort of conversation or words - the schedule went back to relatively normal. He’s there for breakfast, lunch, and dinner now - sometimes, there’s an uncomfortable invitation for tea and no conversation to flow with it. You find yourself wondering if Diluc even knows what he wants at this point, even when you try to better engage with him, he seems to barely meet your eyes this days and barely responds so you tend to dominate the conversation.
“Is something wrong, Diluc?” you finally ask, during afternoon tea, one day. He’d barely touched his own tea and his eyes lowered with shame on his beautiful face. “Did something happen?”
“No,” he says, after a moment and clears his throat. “My apologies, I was daydreaming, that’s all.”
“About me?” You tease, unable to help the fact you noticed how he looked at you earlier - with this strange look of longing and hunger. But he always acts as if there is a barrier between the two of one, and if he broke that barrier…of what might happen afterwards. You have to swallow a giggle when his face goes redder and he looks away. “Wait - really?”
“M-my apologies. It seems I have some important matters to get to.”
Now it’s your turn to be red faced and shying away - watching as Diluc walks away before you can muster up the bravery to call out to him to come back.
What a great start to your marriage, you think sarcastically as you wander the halls again - confused as to what to do. It’s been what, two months? Since the two of you got married now. Something like that, and what looked like behavior starting to change for the better, was now becoming a problem again. You let out a heavy sigh and sit down on a bench in the garden, burying your face in your hands. Maybe this marriage really is a sham - maybe you could get a divorce, no harm, no foul. Nobody would blame you for that, right? Or him.
You do not go down for dinner that night - feeling way too humiliated over what had happened between the two of you. It takes a week to be brave enough to be in the same vicinity as him, or well, you would be but your husband isn’t anywhere to be seen. With a sigh, you decide to venture out on your own for a while, armed with the wooden bow that’s intended more for practice than actual self defense and some arrows. It isn’t like there are any hilichurls or treasure hoarders who linger nearby or even in the vicinity of the Dawn Winery. 
As you wander along the shore of the riverbank behind the Winery, you find yourself lost in your own thoughts - puzzling together the enigma that is your husband. He avoids you sometimes, and a lot of the time, doesn’t seem to know what to do with you, as if he’s surprised you’re there whenever he sees you. You know you can be pretty shy, but this man takes it to another level. You know Diluc had suffered a tragic loss or two, and you know he can be pretty closed off and rough around the edges, but this feels just ridiculous.
You pluck flowers as you go along - Calla Lily’s, Lamp Grass, really, whatever catches your eye. You figure you could spruce up your room some with decorations, now that it’s been bare for close to five months. It’s not as if you’re forbidden from decorating, it’s just that you haven’t felt like it just in case something happened within your marriage that would ruin that time and effort.
When dusk hits the horizon, you finally force yourself to trek back to the manor, flowers in one hand, your makeshift weapon in the other. As the manor appears in your sights, you decide you won’t go inside just yet - though you’re sure everyone is worried about your disappearance, you don’t particularly care right now.
Diluc is sitting on a stone bench in the garden, his eyes downcast and a small frown on his face and you stop dead in your tracks. You can’t help but think of how beautiful he looks with the sun setting behind him, casting soft hues on his face, his red hair down and waving with the soft winds. Beautiful but sad.
“Hey.” you greet, finally catching his attention.
“Where have you been?” he asks, quickly getting to his feet. “You left and you didn’t say anything to anyone, I thought you were hurt!”
“Sorry, Master Diluc,” you say, sheepishly. “I just went for a walk and lost track of time.” Diluc reaches out, as if he wants to touch you and hug you but withdraws just as quickly. He clears his throat. “I’m sorry, I should have said something.”
You hold the flowers you had plucked from your impromptu adventure.
“Some flowers because everyone deserves flowers.” You echo something from the past and his beautiful red eyes widen for a moment. “Remember? You said that to me once. So here, some flowers because I think you need some.”
Tentatively, he reaches out, accepting them from your outstretched hand. Your face, you realize, is red and not because it’s sunburned.
“Thank you.” he murmurs. You remember, once, that Adelinde had mentioned he likes Lamp Grass.
Diluc puts any flowers you give him in vases that sit in the best spots in the manor - you’d found that he really likes to receive them as gifts, so you go out of your way to find them out in the wild and present them to him like a dog presenting the fruits of its hunt. He always looks much happier when he receives these flowers, and the manor looks a bit better too - the artwork, you always thought was a bit bleak (but never said anything because apparently Master Crepus painted some of them) and the whole place just needs more color.
He stays around now, to talk to you or to be around you even if neither of you talk. It feels normal, like what a normal, married couple would do. But maybe the two of you just aren’t normal - he most certainly isn’t.
Sometimes, Diluc leaves for the city in the evenings and always says that it’s a night shift at the tavern so Charles can have a night off or two. You don’t think much of it, so long as you can actually see your husband more frequently, he still has his job to do.
It’s late, and you haven’t even considered going to bed yet - despite having taken a bath and switching into a nightgown because summer nights in Mondstadt are hot and you’re a bit too absorbed into the book you’d been reading since after dinner time. So, you’re slung on the couch, with a blanket on your lap and legs (sliding off, of course) as you get more and more engrossed in the mystery romance that you’d found in Diluc’s library. The downpour of the rain outside only adds to the ambience and it makes you quite sleepy.
Neither of you were sure when the Master of the house was going to be home, so when it came close to midnight, you insisted that Adelinde head to bed. You’re Diluc’s spouse, after all, you can greet him and take care of him when he gets home. There was a moment where the head maid looked like she was going to argue this with you, but she’d decided against it. It’s about two in the morning when you’re falling asleep, half slipping off the couch yourself when you hear the front door open a bit louder than usual. This startles you from your sleep, and you get up, making your way to see who has the audacity and the bravery to try to break into the manor.
“Diluc?!” you gasp as you rush forward, trying to quell the Electro energy that had been surging in you, ready to attack. He looks like a pathetic wet cat at this moment, hair sopping wet and sticking to his face, clothes just as drenched, his clothes askew and torn, he smells a bit burned. “Are you okay?” Your arm is already snaking around him, and he can’t even look at you. “Archons, you’re warm. C’mon, let’s get you upstairs and in bed.”
“I’m -” he stutters out. Clears his throat. “I’m fine.”
“You don’t look fine.” You answer, a bit more snappishly than intended. He doesn’t fight you as you help him up the winding staircase and down the hall - into the master bedroom. “What happened?”
“I got caught in the downpour is all.” he says, still unable to meet your gaze. You’re already working to unbutton his shirt to make sure he isn’t injured anywhere that you can’t see. There’s a few bruises and welts forming on his body. “H-hey, I said I’m fine.”
“Why won’t you let me help you?” You ask, pulling away - feeling more hurt and exasperated than you think you should be. “Diluc, I’m your wife and you won’t even look at me.” Despite your words, he’s doing his best to look everywhere but at you. “Diluc, look at me.”
Carefully, he lifts his gaze to yours - his eyes are so enticing. His face is a little bit red, and you think you catch his eyes drifting downward for a moment before meeting your own eyes again.
“What happened?” You prompt.
“I got caught in the downpour.” Diluc answers, simply. “There was a - there was a treasure hoarder lurking outside of Mondstadt’s walls.”
“You got into a fight?”
“Yes, but I’m fine. They aren’t worth much energy or attention.” You sigh and rub your forehead. “It’s just a little bit of rain, I’m honestly more lucky you didn’t try to electrocute me.” It’s an attempt at a joke, one where he’s forcing a smile but you can’t bring yourself to return it. “I…I don’t know what you want me to say or do.”
“As long as you’re okay.” you tell him, finally resigned. “It’s late, we both should go to bed. Um…Adelinde will lose her mind tomorrow when she sees you tracked mud on her clean floors but I’ll take the blame for that.” You bid him a quick good night, turning to leave him to his own devices if he doesn’t actually need your help.
“Hey, wait.” His voice is slightly strained. Your hand is on the brass knob and you look over at him, watching as he gets up and takes a few strides towards you. Before you could ask what he needs, his lips brush up against yours for a brief moment. The kiss is soft and he breaks away after a moment, his thumb caressing your cheek. You tilt your head to the side, trying to comprehend what he just did. “I’m sorry.” He mumbles. “I should have asked.”
“So ask.” You whisper, feeling oddly cheeky.
He swallows, Adam’s apple bobbing as he does so. He clears his throat, a nervous habit of his. “Then, may I kiss you again?”
“Yes.” You murmur and he pulls you in for another kiss, this time more certain - needier. You find yourself melting into his touch, leaning against him as the two of you make it back to his bed. Clothes start to scatter around, his skin is weirdly dry to the touch (and you attribute it to his Pyro vision) but lovely anyways. There’s scars all over his body, your eyes rake over the muscle and old injuries, you start to ask him what happened but he stops you with another searing kiss. Tongue in mouth, teeth nipping at your lips. Soon, those lips, that hot mouth, find their way to your neck - biting and sucking.
But he always stops short of going down further, looking at you with hunger, looking unhinged with those red eyes and wild red hair and the soft glow of the candlelight. Your body aches with need.
“I wish to touch you.” he whispers.
“So touch me.” you breathe. That seems to be all he needs for him to remove those damn gloves, tossing them to the side. Teeth graze at a nipple, making you gasp and arch as his hand teases your other nipple. Lips move down further and further, searing kisses with soft bites that follow, and he tries to get every inch of your skin.
“So beautiful,” he breathes and gently bites your hip bone. Diluc kisses the area above your pubic bone, before moving to kiss along your thighs - teeth digging in deeper and he stops his ministrations right before hitting the spot you want him to focus on. Your eyes lock together. Your heart skips a beat when he bends down and presses his lips against your clit, tenderly kissing at your wet cunt and you gasp. His tongue pokes out, giving your slit a curious lick before diving right in.
His lips and tongue work at you as if he were a starving man - the noises that escape you are lewd and embarrassing as he licks and sucks, a finger slowly working at your entrance. You gasp when he presses a finger inside of you - it’s bigger and thicker than your own, and you can’t help but squirm at the intrusion. Much to your dismay, he pulls away from your soaking cunt to look up at you, his face a mess.
“Are you okay?” his voice is raspy and he’s definitely drunk on your pussy. His face is about as red as his hair at this point, he’s panting slightly and oh, he looks more like a demon of temptation than anything sweet or angelic. Want is etched on every bit of his features and your slick shines on his lips.
“Just - ah - unused to the feeling.”
“Mm,” he gives your clit a lick and you gasp, tightening around the appendage that gently presses in a bit further. “Tell me if I hurt you.” At your nod, he dives right back in - and he slowly adds in another finger and you whine, your fingers finding perch in his soft, but soaked hair. He pays that no mind as he starts to move his fingers in and out, slowly stretching you until he curves them upwards and - oh. You see stars.
“Diluc!” You moan out, grinding against him now. “Fuck.” You’re pretty sure he’s probably grinning to himself. He continues to eat you out and fuck you with his fingers until you’ve ridden out your orgasm, and are more of a mess of noises and moans, fingers pulling at his hair.
He pulls away soon enough, and you stare up at him with slight disappointment - your body trembling from your orgasm and the cold air that hits your heated skin. Diluc trails his fingers along your torso, playing with your breasts for a few moments.
“You’re perfect like this.” Diluc murmurs. Unable to properly formulate a reply, all you can do is reach to meet his hands for a brief moment until you find him gripping one of your legs and under your waist, pulling you flush close to him. “Remember to tell me if I hurt you too much.” You nod, watching him give his cock a few pumps, some pre-cum shining at the tip and you can’t help but feel a sense of nervousness. Sure, you’ve had sex with a partner or two before but that still doesn’t alleviate the anticipation or worry, considering his size. “We don’t have to do this.” He tells you, softly.
“I want to.” You murmur. He guides himself to your slick entrance, gently teasing your folds with the head of his cock for a moment, watching in delight as your eyes close and you push yourself closer, trying to encourage him. Once his head penetrates, you can’t help but reach to grip his arm. He shifts, gently pushing himself in, inch by inch, and your hands finally find each other. Soon enough, Diluc’s bottomed out - your legs on either side of his waist as his hands hold yours down on the bed. And oh, you feel so full - stretched out on his cock.
He stays still for a few minutes, peppering your face and neck with kisses as he whispers words of affirmation - before slowly pulling out and pushing back in. He keeps a slow pace at first, watching your face and kissing you whenever you look like you’re about to cry out.
“So wet for me,” he breathes against your ear. “So good for me.” And those words go straight to your cunt, clenching around him. “Look at you, so needy for me.” Archons, you wonder what else you can get him so say in that tone. Maybe even filthier things.
Your arms wrap around his shoulders and you cling as he continues to fuck you - your second orgasm hitting you as hard as your first, this time you let out a shrill sound and a sob, your nails digging into his back. You think you hear him let out a hiss at that, but you don’t care as you dig your teeth into his shoulder to try to muffle your cries. There’s a taste of copper in your mouth so you let go, giving the bite wound an apologetic kiss.
“Mine.” he groans out, pace quickening. “Ah - I’m gonna -” His thrusts become harder, deeper and your legs lock around his waist as he bites and sucks at your throat, leaving hickies in his wake. He groans as he cums, his pace slowing down to shallow thrusts - the wet noises filling the air. Your muscles feel weak as your legs slowly free him, his cock finally slipping out - followed by a mess of his cum. Your arms fall away as well and much like before, his hands find yours as he kisses you, deeply. He shifts a bit so he isn’t caging you.
The kiss breaks, a string of saliva hangs between both your lips and he looks at you with want - like he could easily go another round.
“We should get you cleaned up,” he murmurs, shifting to get up. “Do you need anything?” You reach out, catching his arm before he can actually get up and off the bed.
“Just…lay with me for a while.” Diluc looks at the mess you both made - or well, mostly him - with a sheepish and slightly ashamed look but he lays down next to you. “I just want to be next to you.”
“Okay,” he murmurs and nuzzles the crown of your head. “I’m sorry.”
“For what?” He’s silent for a moment and you open your eyes. “Diluc, for what?”
“Avoiding you.” There’s some shame in his voice. “I-you don’t know how long I’ve been wanting you but couldn’t have you.”
“And why not?” you prompt as you sit up. “We’re married, aren’t we?”
“Well yes but -” he pauses for a moment, as if thinking. “I figured you hated me or resented me for our…arrangement. I didn’t want to impose.” You stare at Diluc, slightly stunned. “I know I sound ridiculous, but I would have thought you’d be against an arranged marriage. I remember when we were kids and you were telling everyone you’d never get married, that you were going to join the Adventurer’s Guild and become a famous adventurer.”
You snort. “You remember that?”
“Of course I do. You know, we were introduced when we were young, and when father said that the two of us were going to be married, you told him straight to his face that you’d never marry a boy.” Diluc lets out a soft sigh.
You snort back your laughter. “Did that upset you?”
“N-no.” He lets out a soft laugh. “I wish we’d been able to speak more while growing up but…I was busy. I think the last time we actually ever interacted was at some ball or party, you were crying over something and…”
“You gave me flowers.” you finish, quietly. “I remember that very distinctly. Honestly, you made my night way better for that. I’m surprised you remember that moment.”
Diluc frowns at you. “Of course I do. Father actually had a few choice words to your mother about making you cry like that.” He lets out a soft breath. “I actually went off out of the city to find the perfect flowers to give to you in hopes that it’d cheer you up. I…was lucky you hadn’t already left the city when I got back.”
“Thank you, Diluc,” you murmur. “Really.”
A comfortable quiet lapses between the two of you - his fingers stroking your hair. You could fall asleep like this. “If you still want to join the Adventurer’s Guild, I would not be opposed to it.” He finally says, quietly. “Or if you want to work in the city - it isn’t uncommon these days, and I fear your family was a bit too traditionalist in how they raised you.”
“Maybe.” you mumble. “I could work at the Cat’s Tail, give you a bit of trouble.”
He leans down and kisses you on the lips. “I’d much prefer you joining the Guild.” he murmurs against your lips. “I might even have bragging rights if you get better at not breaking my weapons that you get your hands on.”
“Hmm, I’ll consider it.” You curl up close to him, your eyes drooping shut. You feel him relax and rest next to you, his breath warm. “Diluc?”
“Yes?”
“I love you.” You feel him kiss the juncture of your neck and shoulder, his hair tickling you as he does.
“I love you too, my flame.”
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lunarbreaksblog · 5 months
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Hi! if the request/ask is open, if so, could you do of tfp, with human (gn! or f!) Reader? Romantic/Platonic
This Human's a cinnamon roll, somewhat naive/innocent (and has similar personality/backstory of Perrito from the Puss in Boots movie or Fluttershy from MLP). They're very motherly and being nurse/therapy-like friend and also a Pacifist yet can be passive-aggressive…
I just decided to do an Autobot version :)
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Autobots with a Cinnamon roll!Gender neutral!Reader
You are an absolute cinnamon roll that the Autobots collectively decided to adopt. They might not know much about humans but can see the telltale signs, even if they are a different species from you— abuse is always the same.
The fact that you remain so naive and happy. That's what makes you special to them and the fact that you always try to help others.
Optimus prime:
Absolutely applauds you for everything you manage to do, loves your pacifism stance. Most importantly you know when pacifism doesn't work.
Loves helping you with things when has the time since you would do the same for him.
Basically you guys get on like a old 'but still very much in love' married couple
Ratchet:
He really does like you however your optimistic view annoy him at times but he appreciate your views, it gives me some glimmer of hope in this war.
Asks you questions about mental health since human mental health is basically cybertronian mental health— which he finds interesting on its own but learning more about humans seem to add more layers to your personality.
Is always sweet to you and raf❤
Bulkhead:
From his experience in the wreckers— he can see your masking since half the boys in the wreckers didn't have 'the greatest of mental healths'
Absolutely adores you tho, he's patient he'll wait for you to open up to him.
Likes to remind you that he is there for you.
Loves the fact that you try to nurse him sometimes.
Bumblebee;
Just like Bulkhead he adores you so much— with your motherly attitude, he loves chatting with you— telling you some of his problems or what things he found difficult that day.
You just listen and him your two cents every now and then, he loves it!
However he does notice how wrong somethings are whenever you talk about your childhood. He knows enough about what a childhood should be and what it shouldn't be
Arcee:
Is a little confused by you.
Shes annoyed on one hand with your naive nature but on the other hand— she gets it
She's also been done dirty by the universe and she can see it in you as well. The fact that you continue with your pacifism even when injured so badly— shes uncomfortable with it.
You are so much stronger than her.
The fact you let her talk to you about her issues and the fact that you listen and try to help!
She's going to protect you to the ends of the earth.
Feel free to request!
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fwckriley · 1 year
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I've read lots of fanfics and headcanons about Ghost with partners who are usually kind, pure, like a angel, all flowers and butterflies and stuff etc. I get it, but no offense, and looking at it from another perspective, when you think about people who have experienced childhood trauma, they tend to repeat certain patterns. I'm not saying that every person with a traumatic past will have a toxic relationship.
But, you see: I personally believe that Ghost would never give a chance to someone he deems "perfect," innocent, pure, because that's completely opposite to how he sees himself. How could he be in a relationship with someone so different from him? How could he be understood by someone who doesn't have a certain darkness within? I'm not saying it wouldn't work, but I think a part of him would never fully reveal itself out of fear of being judged. On the other hand, I believe he would also seek out people who, in some way, are unattainable, to reaffirm that little voice inside him saying he doesn't deserve to be loved. Of course, none of this is really true, but that's how the mind of someone with many traumas tends to work.
I think he would avoid relationships and commitments for a long time, and wouldn't be able to choose someone outside of his field of work. "Normal" people could never understand the things he does, they could try, but never fully comprehend. In my opinion, he would fall in love, without realizing it, with someone from his field of work, probably a teammate with whom he shared many experiences. Someone with whom he has a deep connection. And, as I mentioned at the beginning, I believe he would unconsciously seek out more complex people. I see him attracted to people with a similar outlook on life, who are tougher and more realistic. Who share a darker sense of humor. Who have also experienced some kind of trauma in the past, so they can understand how he feels. I imagine him in a relationship with someone who has these characteristics, and unlike him, is ambiverted or extroverted. Someone who challenges him, calls him out when he's wrong, or is determined. Someone honest, but not rude. Someone funny, smart, creative. Someone with a thirst for adventure and a spark, to contrast with some parts of him.
But honestly, I can't picture him with someone he deems pure and perfect. He doesn't feel worthy or even attracted to that. He tends to surround himself with people who are similar to him because that's where he feels comfortable. Just to clarify, it doesn't necessarily mean that this partner in question would be a bad or toxic person, but simply someone similar to him. I believe Price is the best example of that, who is good but not innocent, not entirely right.
In the end, I think the relationship with the chosen person would be a challenging but functional one. Not toxic, not abusive or destructive, just difficult. Traumatized people are human and fully capable of relating to each other, but it takes patience and determination, and a lot of work. I think that over time, they would improve greatly. Because Ghost's biggest fear is one-sidedness. He needs to know that he is protecting and helping, but he also needs to feel protected and helped.
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le-trash-prince · 3 months
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Kenta & Pete pt 2
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From the very beginning of their relationship, Pete used his status to establish himself as Kenta's protector. This is not uncommon for people living with an abuser, and this is something that really strikes me as a key part of Pete's character. He uses his privilege to help people.
When Babe left Tony's house, he did so after finding out that Tony had been the reason behind Babe's family falling apart, that Tony was a saboteur rather than the benefactor he posed as. Babe didn't learn about the other children being sold until Charlie told him about it.
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But Pete finds out while he is still living under Tony's roof, and that is what prompts him to leave. He doesn't confront Tony about it, he simply leaves. Because this is something that he can't just stand by and watch happen. This goes beyond shielding someone from punishment. His status as an enigma won't help, it won't end the cycle, so he leaves. And as we know, he spends the rest of his life building up the power he needs to put a stop to these children being sold off.
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But Kenta, who must know Pete so well at this point, sees it coming and tries to stop him. For Kenta, Tony's house is his entire world. Tony is the one who gave him life.
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He wasn't even allowed outside without permission. He doesn't have any privileges, he's there as a mere accessory to the needs of others.
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He's been conditioned to believe that he owes everything to Tony. He is part of this house, and this is where he feels he belongs.
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But if Pete leaves, he takes the only good thing in Kenta's life.
What goes unsaid is that rather than Tony being hurt by Pete’s actions, it’s Kenta who will be hurt if Pete leaves.
I don't know yet whether or not Pete reciprocated Kenta's feelings, but I do think that the kiss is told from Kenta's perspective, and I think Kenta took Pete's silence as rejection. So when Pete leaves, he appeals to their brotherly bond instead. We will no longer be phi and nong.
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And in Kenta's eyes, it wasn't enough. He wasn't enough for Pete to stay. Pete left to save the others, when he had promised to protect Kenta.
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And how much abuse has Kenta suffered since Pete left? To him, he was abandoned and betrayed.
But for Pete, he wanted Kenta to make a decision for himself. Kenta views himself as a tool, an accessory. Objects don't make decisions.
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But Pete views him as a friend, as a good person. Kenta is not the object that Tony treats him as. He has wants and desires, he has feelings, and Pete wants Kenta to understand that.
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Kenta wanted Pete to stay, and Pete wanted Kenta to leave, and it is tragedy that neither of these things happened. This is yet another example of broken family that Pit Babe has given us.
Kenta thinks it is too late for him to change, even if he is constantly being torn apart by the things he feels he must do, and by the abuse he continues to endure.
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But Pete thinks it is never too late for someone to change. He still hasn't given up on Kenta, and how that must burn—to have someone believe in you when you have never believed in yourself.
Kenta has spent years repressing his reactions to everything that he has endured and witnessed and taken part in. He is putting everything into convincing himself that he doesn't care, that he can even kill his childhood love as long as it is for the one person who has given him purpose.
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But he does care, he cares so much, and he is closer to his breaking point than we've ever seen him before.
pt 1
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auteurdelabre · 5 months
Text
Something to Fight For (Series) Part 18 Joel Miller x f!Reader
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Rating: 18+ THIS CHAPTER'S TRIGGER WARNINGS: Emotional Abuse, Childhood Trauma, Drug Addiction, Mentions of Death A/N: I rewrote this fucking chapter about 8 times. I'm still not sure how I feel about it. It was a real hard one to write, ya'll. A lot of my own shit is mixed up in there with the story. MC is part me after all (and part all of you). So it was hard. Harder than I think I expected it to be. So I dunno how it ended up. Couldn't re-read it too much. I really need your reviews on this one folks. It's real important to me, 'specially now. I need to know how you feel, the good and the bad. I gotta get this right.
Story Masterlist HERE
You're overcome. 
There's no other word for it. You've been sobbing in your shower for the last hour. After running from the barn, taking a taxi home and bursting into your suite you immediately fell to your knees, the warm water pelting down onto your back. 
It's as close to being held, at being soothed that you can manage right now. 
You can’t stop replaying tonight’s events. The song Joel chose. The one of longing and deep yearning. 
"She may be the reason I survive
The why and wherefore I'm alive
The one I'll care for through the rough and ready years"
But also of a love gone by. A regret.
"She may be the face I can't forget
A trace of pleasure or regret"
Is that how he views you? A love gone by?
Of course he does.
Paul's engagement ring is in the velvet box it came in. It's being returned tomorrow. You'd have done it tonight if it weren't so late. 
You need to end things. It's the only way forward. No matter what, no matter if Joel is in love with Tess, no matter if you'll never be with him, you *can't be with Paul. 
You don't love Paul. It's obvious to everyone including yourself. It's been obvious for so long. You've wasted so much fucking time and energy on him. 
You think of all the boxes packed here, the ones you were going to move to Leander. You think of how strange and sad it is that your whole life can be put into less than twenty cardboard boxes. 
And even though Joel can't be yours and even though that hurts more than words can begin to say, you are so fucking grateful for him. You are so grateful you met Joel Miller because he's shown you what love is. True, caring love. 
Even if it's not yours to keep. 
You will never forget the way he looked singing tonight. The goodbye song from his heart to yours. You'd felt it. The bittersweet finality of your time. 
More tears are coming. 
"I love him," you say to the tile in front of you. You need to hear the words spoken out loud in the universe, even if it's hidden in the fall of the shower and heard only by you. "I love Joel."
You need to see Joel. You need him to hold you. Need his calming presence. You need to wrap your arms around him and press your face into his neck and just feel breathe that sweet, spicy scent of home.
He's not yours.
You don't get to see Joel. You don't get to have him. He's Tess'. You can't be his friend, you want him too much. So what does that leave? 
That leaves you replaced and alone. 
You pull yourself from the shower, shivering as you towel off, drying your hair the best you can. You go to your dresser and pull out one of the few remaining pieces of clothing there. 
Joel's shirt. 
You've washed it so it doesn't smell like him anymore. Doesn't smell like the laundry detergent he uses or that wood shavings scent he sometimes carries. But when you put it on it feels like he's there in some small way. You pull it on over your sleep shorts hiccupping a soft cry. 
You remember so long ago, standing in Joel’s den as you pondered if he just played guitar or if he sang as well.
“S’weird how something can make you feel so good and then outta nowhere become the pain”
That’s how it feels now. Joel, the thing that makes you feel good has also become the pain. The wedding is tomorrow. You need to collect yourself by then. You'll see Joel and you need to be controlled. You need to be okay. You need to not ruin this for him. 
Because you do love Joel. You love him in a way you never expected to love or be loved. You love him so much that you are determined to make his life better. Determined that you will not take away what he has carved out for himself.��
You crawl under the covers, your face buried in the pillow. 
"I l-love Joel," you whisper it again into the pillow only now it's broken by sobs. You curl up under the covers, your body trembling. "I love him I love him." 
You feel lost. So hopelessly lost. 
And then the phone rings. 
///
It's late in the Miller house. Quiet. Sarah's been asleep for hours thanks to the sugar crash Bill's cupcakes provided. 
Tommy's asleep in the basement apartment, exhausted from the evenings festivities and anticipating a long day tomorrow. 
Or, as Joel glances over at the bright neon numbers of his digital clock, later today. 
He's laying in bed, one arm behind his head, one hand over his sternum as he stares at the ceiling. In this pose he feels every breath in, every breath out. The studying rhythm bringing him peace. It's impossible to shake the image of you free from his mind. 
He'd done it out of love for you. Out of a need for you to know how much you'd changed him. Changed his heart, his outlook, even his fucking idea on the concept of romantic love. 
But the look on your face? The way it had fallen before you had dashed out? 
Sarah had been bouncing up and down in her seat when he finished his performance, hugging him tightly and throwing things at him as he tried to contain his disappointment ("Daddy you sing so pretty!" And "Daddy will you teach me guitar?")  Everyone was clapping him on the back, telling him it was wonderful, so romantic, that Tommy and Maria loved it.
He refused to let his eyes search for you, knowing you were gone. He refused to let his heart believe that you'd come back. 
Joel knows he has to stay away from you.
Knows that singing tonight was a terrible idea because not only did he make it so obvious to everyone that he’s so deeply in love with you, but he also made you cry.
Watching your face crumple, watching the way your eyes fell to the ground at the last string. He’d thought you’d be happy singing, Maria had said how often you’d felt happy when you did. But that wasn’t happiness he saw tonight. It was pain.
Joel doesn’t know what to do. He feels so lost.
And then the phone rings.
///
"Joel, I need you."
Four little words over the phone at 2 am.  
Four little words that have Joel stumbling out of bed, murmuring he'll be there before he's pulling on his jeans and a t-shirt.
He's half asleep, his mind whirring. He goes to the basement, rapping on the door. An equally tired Tommy answers, blinking in the light. 
"She- I gotta go," Joel tries to explain in a rush. "I'll explain later. Can you come watch Sarah?"
Tommy gives a few bleary eyed blinks before nodding and following his brother up the steps. 
Tommy settles himself on the sofa as Joel runs out the door. And all the younger Miller can think before he falls asleep is:
Finally.
///
Joel's shoulders nearly take up the doorframe. You notice this when the rap of his knuckles pulls you sniffling from the sofa and you open the door to him. 
His eyes are sleepy, but wide. His hair is tousled from sleep and you can see the indent of his pillow faint in his left cheek. He scans your face, concerned.
"Are you okay?"
"I'm so sorry," you say as soon as Joel takes a step towards you. "I never should have called so late. I’m so so sorry, Joel." 
"Just let me in," Joel insists, his hand coming to go to your cheek and then dropping. He doesn’t want to overstep. "Tell me what happened."
You try to make the words come out; you force them crackling and trembling out into the world. 
"I don't want... I don't want to go back." 
Joel doesn't have any context, but that doesn't stop him from rushing in. He closes the door behind him gently before bringing you into his arms. Your forehead drops against his sternum as he does this, your tears warm and free flowing.
As he rubs a soothing hand along your spine he realizes you're wearing his t-shirt again. For some reason this small thing makes Joel's eyes wet. 
You're so warm in his arms, trembling against him as you hold in sobs. He wants to kiss away the tears rolling down your cheeks. He wants to carry you to bed and strip every bad memory and experience from you with his mouth and body.  
That's not what she needs right now. She needs a friend.
He takes your hand in his, leading you to the sofa. A place where you can talk. The fireplace is on, bathing you in a warm flickering glow that makes his breathing hitch when he glances over at you.  
Your eyes are puffy, your nose red and he thinks you might be the most beautiful thing he's ever seen. 
He can't help himself but reach for you, bringing you to his lap as he sits. There's nothing sexual about it, just the need to hold you close, to make you feel safe there. Your arms wrap around his neck and he rocks you, his arms banding around your waist. 
"Honey," Joel whispers into the crook of your neck. "What's wrong?" 
Honey.
You melt into him just as easily as the word. This was a terrible idea. What had you been thinking? How could you ask Joel here? 
Because of the song, your traitorous heart cries. Because you love him! Because his face is the first one you want to see!
You hold him tightly to you, unable to break from him just yet. Unable to tell him the awful ugliness. Instead your mind drifts to the rehearsal dinner. Your hand plays with the fabric of Joel's shirt, twisting it under your fingers. 
"Joel . . . The song."
Immediately he tenses and you can't see his face, but you can imagine it. Eyes nervous, mouth hooked slightly to the side. The same way he’d held his face that night in his den, your hand around a glass of soda.
"Maybe one day we'll have reason to make music again.”
Joel smiles softly around his glass. "Maybe."
"Did you like it?" he murmurs into your hair. You can't help but hold him tighter, your eyes filling. He sounds so unsure of himself, so worried about what you’ll say.
"Yeah, I loved it. It was beautiful."
You feel him physically relax in your arms at this admission. The tension, the uncertainty is drained from him. You force yourself not to tilt your face to his, not to search for his mouth with yours. 
"I thought you didn't play anymore,” you tell his shoulder.  
"I don't. One time performance I guess. Shoulda charged for tickets." 
There, the humor you both needed to break the intense spell that weaves itself when you're in Joel's arms. You're thankful to him for that. Now you can pull back, still seated in his lap, but in control of yourself. 
"I hope you keep playing forever."
Joel smiles wistfully at you, nodding.  You let his dark eyes search your face. You let his hand cup your cheek, his wide thumb brushing away the tears there.
"I never told you about why I went back to Chicago," you sniffle. "Why I didn't call."
"You don't have to tell me," Joel insists. "It doesn't change why I'm here. I'll stay here all night just holdin' you if it's what you need." 
He doesn't want to push you, doesn't want you upset because of him. This time in Chicago, the separation, it feels like an ugly part of your shared history that he just wants you both to forget. 
"No, I want to tell you," you say in a sorrowful voice. "You deserve to know everything."
Joel nods and he wants to keep you there in his lap. But you shuffle back from him, sitting across from him on the sofa. It takes several minutes of staring into the flames of the fire before you feel you can begin. 
"My dad has been in and outta the hospital a lot," you explain, looking at your hands in your lap. "It's because he's waiting for a liver transplant."
Joel is shocked. The way you spoke of Chicago, of your family, he'd assumed your father was dead. 
"The thing is," you continue, unaware of his shock. "He can't get one unless he stops using and, uh, he won't." 
"Using?" Joel is still taken aback by the revelation, not thinking clearly. 
"Coke and heroin mostly," you say with a wince. "He's a drug addict."
Your father has been a junkie for most of your life.
And it's in part because you exist. 
The same year you were born he'd gone to a party without your mom. She was tired, still breastfeeding you and encouraged him to go out and have some fun. 
He did. 
The kind of fun that had started as a party drug passed around and ended with him burning through the family savings and growing gaunt in the coming years. The kind of fun that had him doing eight balls during your soccer games and shooting up on your graduation day. 
You were four when he first went into rehab at the insistence of your mother. A few weeks before your fifth birthday he'd come home sober and ready to change his life back around. You hadn't really understood what was happening. You'd just been so happy to be a family again.
That photo on your desk, the one the flood destroyed, the one that meant so much to you is from the only birthday party of yours that your father ever attended sober. 
In the passing years he turned to drugs again but he hid it well from you and your mother. You never knew the severity of it until you turned fifteen.  
Until you came home one day from your part time job at the Chicago humane shelter to find him covered in piss and his own vomit and barely responsive. 
He died on his way to the hospital, a full forty two seconds he was clinically dead. Until they revived him and he sputtered back to life. You remember all of this because it was you in the ambulance with him. 
Your mother was at work, unreachable. Your dad's sporadic unemployment meant she worked two jobs. 
So it was a fifteen year old you with tears running down her cheeks that watched this unfold, completely terrified. 
You were sixteen when he got out of rehab for the second time and promised his life was changed forever. He and your mother had almost two years of no fighting - a change of pace for you who had grown up to their constant shouting matches. 
You were eighteen when he relapsed at a friend's house party. Twenty two and twenty five when he went back to the various rehabs that your mother always paid for in more ways than one.  
And then he just stopped trying in the coming years. Still using, but not enough for your sweet mother to kick him out. 
It's like he's infected by some insidious being inside him. A forever hungry thing that takes and takes, warping your once sweet father into something subhuman. A being that is frighteningly underweight, hollowing his cheeks and making his eyes bulbous in his face. He isn't your father anymore, not really. 
But he is. That's the worst part.
Because if he wasn't your Dad you could hate him.
You tell Joel all of this, it spills from you like a stream and he sits across from you, nodding and never speaking. When your voice hitches or the tears begin fresh he instinctively moves towards you on the sofa, stopped only by your raised palm. You need to get all of this out and if he holds you, you never will. 
"That night you left, like, two hours later my mom called me to tell me that my dad had a really bad seizure," You shake your head, wanting to stop the memory. "And she sounded so scared on the phone and I just had to get back. I had to get there, back home to help. I was on autopilot."
Joel recalls the hollow look in your eyes when he went to see you that day.
"I know you came to see me but I don't even remember it," you tell Joel. "All I could think of was that I fucked up, that I should have been there in Chicago with my mom." 
Joel is stiff, watching you without speaking. 
"And I got home and it was just as awful as I thought it would be." You start to shudder at the memory. "My dad could barely talk. And when he did all he wanted to do was blame me for leaving. Telling me I was selfish for leaving my mom and him. Telling me that without me around to help pay for things that there was more pressure on him and my mom to afford their place."
You break off only to hold in a sob, breathing deeply and continuing. 
"And he was right, you know. Coming to Austin for school was so selfish of me. I could've just as easily gone to school back in Chicago." A look of disgust crosses your features as you talk now to yourself. "So fucking selfish."
"No," Joel's voice is quiet but firm. "That's not true."
You're ignoring him though, so caught up in your own devastation. Your eyes are shut tightly and your head is giving short jerks. 
"I just run from everything, Joel. I ran from Chicago and I ran to Austin because I thought that if I kept running far away enough that, that his ugliness could never touch me. But it lives in me, Joel. That ugliness is in me forever." 
Joel's eyes have grown glassy, even now he remains sitting there looking at you with unending patience and his hands twitching to hold you. 
"I stayed there for a month,” you continue, not even aware that your head is tilted so low Joel has to lean forward to hear. “A month of my dad telling me I was selfish. A month of my mom trying to tell me that it's just his disease talking. A month of seeing your name come up on my phone and wanting so badly to talk to you but just thinking about how horrible I was and how you and Sarah deserved better."
You force yourself to breathe between sentences, your air hitching in your chest.  Joel is staring at you, his eyes swimming over your features. Horrible? You?
"So when I eventually got back to Austin I was just so fucking sad, Joel. So tired. I couldn't get out of bed. I didn't want to be around anyone. Not you, not Sarah. I couldn't do that to you guys." You swipe at your eyes with the wrist of your sweater. "I should have called you and seen you but I was so selfish only thinking about me and how I felt.
Your eyes jerk open when you feel the warmth of Joel's hand on yours. He's leaning across the sofa, his wide hand placed gently over yours. A thumb gently strokes your knuckles. 
"No," Joel breathes in a voice of gentle warmth. "Never selfish. Never. It was me that fucked up."
"No."
"Yes," Joel tells you and you can see the way his dark eyes are damp. "You are the least selfish person I've ever met."
"Oh yeah?" you challenge, your chin wobbling. "You know why I called you tonight? Because my mom just called to beg me to come home again. Apparently my dad's saying that if I move back to Chicago that he'll go to treatment again. That he'll stop using. That he'll be able to get the transplant."
Joel's eyes widen but he remains silent. 
"And I don't want to go," you say, lips trembling. "I don't want to go back there. I don't want to fucking go even if it would mean helping because I'm a horrible, selfish cunt."
The sobs that burst out of you are pure anguish that you muffle in a pillow to keep Maria from hearing all those floors above. Joel is physically holding himself back, dying to embrace you but giving you your space.
 All he can do is stroke your head, desperate to convey all of his care and affection for you through the gesture. 
"He was always promising he was going to get clean," you say hollowly, moving away from the pillow and Joel's touch. "And my mom, she just, she just kept carrying on like there was hope. But there is no hope. Just this endless, bleak, fucking pain."
Your eyes meet his and you're overcome. You stand abruptly, feeling the scrutiny of Joel as sharply as if he were stabbing you.
"Joel, just go. I'm sorry I called. This was a terrible idea to have you come here. This isn't your problem. I'm so fucking sorry."
Joel stands and for a moment you think he's going to leave. You think that might be a relief because you're feeling too vulnerable, too exposed. 
You aren't expecting Joel to quietly close the distance between your bodies and wordlessly pull you into his arms. You're shocked more however at how willingly you allow this, how easy it is to fall back into his embrace. To tangle your arms around his neck and hold him as tightly as you can. He's warm against you, his cheek resting on the top of your head as you press your face to his shoulder.
"I hate him. I hate what he put my mom and me through." Your chin is trembling as you blink back the onslaught of more tears. "And I hate that I love him so much because he's my fucking dad."
Your hands are gripping Joel around the middle as he holds you, his broad shoulders curling, his arms tightening.
"I hate that I just want him to die," you cry through clenched teeth. "To stop holding on. To bring my mother some fucking peace."
More tears come. 
Joel thinks of James and the cocaine and how upset you'd been. He'd thought you were justified in the way you'd acted, the heated punch across James slimy face for treating you so rudely. But now he realizes why you'd been shamed, so terrified of your own fury.
"And I hate that I'm just like him."
You break off as Joel's large hand is cupping the back of your head, and he's gently swaying you, the way a mother would a newborn. 
"It's okay," Joel murmurs in your hair. "I've got you. I've got you."
You don't know why, but this quiet utterance from him is that breaks you, and the wall against him that you've built so high for yourself collapses. Heavy sobs break free from you, stark mournful things that you muffle in Joel's shoulder. They make your body jerk, causing Joel to hold you tighter against him.
"Shhh," Joel soothes. "Just breathe, baby. Slowly, like me."
He takes a few steadying breaths, urging you to match the slow pace. After a few shuddering exhales you do so, your breathing staggering into a steady, even rhythm. 
"Good," Joel whispers. "Good."
"I'm just like him," you again whisper the words you've only ever thought into Joel's collar. "I'm selfish and horrible and -"
"You're nothing like that," Joel assures you, pulling you back so that he can look into your eyes when he tells you this. "Not at all."
"Really? What do you call what we did in your kitchen?" You scoff. "Knowing that we were with other people? Or how about when you pushed me up against that wall over there?"
Joel is silent, only his eyes move around your face while the rest of him is like a statue. He doesn't need to look at the wall to know what you're talking about. 
"I can't stop wanting you," you say with a look of torment in your eyes. "I can't fucking stop, Joel. I try and I try and I can't. I'm just like my dad. I want what I shouldn't. I want what's only going to hurt other people and hurt myself."
"Honey-"
"I can't stop," you repeat weakly, trying to step back from him. "So I have to stay away." 
Joel hands are on either side of your face again and he's peppering your face with soft kisses and everything in you wants to rejoice because Joel is here and he's holding you. 
"Don't stay away from me," Joel's tells you as he rains compassion down on you. "Never."
You can't keep him. He's not yours.
Both of you are being incredibly selfish right now. Tess is probably at home right now taking care of Sarah and Daniel. Tess who was made to be a mother. Tess who understands Joel. What is wrong with you? 
Selfish.
Horrible. 
"Stop, Joel," you say twisting from him, out of his grip. "I told you all of this so that you can understand why I won't be around as much. But I'll call Sarah every other night, if she still wants to speak to me. And when I come back for visits I'll take her to the movies and-"
It's like Joel is only just now noticing all the moving boxes. He's glancing around as you talk, his eyes widening.
"You're not actually thinking of moving back to Chicago," Joel interrupts in a horrified voice. "You can't be."
"Just for a few months, just until he's settled in rehab-"
"No," Joel is wild-eyed shaking his head, his eyebrows saddling. "You can’t. You just. . . You can’t do this. You can’t sacrifice everything. Your work - that sanctuary. You won’t come back. I know you, you’ll feel like you have to take care of your dad. You’ll stay there."
"It's complicated-"
"It's not." 
"Joel, my dad needs me."
"That was a horrible thing to lay on your shoulders," Joel says and he looks furious and sad all at once. "And I'm sorry for your parents, I really am, but no. You can't go. You can't do this to yourself."
"I have to go," you tell Joel. You falter, pulling back from him, needing to be out of his orbit. 
Joel stands there as you pull back from him, looking so out of place in your suite with its low ceilings, the space almost emptied of furniture. He’s like this beam you can’t look away from, this tall broad angel with eyes that look at you as if you’re actually worth something.
He breaks off, uttering a pained "Jesus Christ" and you're sure he's going to yell at you about Paul just like Maria did. 
You’re sure he’ll run from the room shouting that you’re selfish. Positive that he’ll tell you that you’re not worth all this hassle.
Instead Joel does something you're not expecting. 
He crosses the room over to you and slips to his knees, holding you around the middle before he presses his forehead gently against your abdomen. It shocks you, this action and this pose from him. He sits like this in silence for several minutes, holding you, breathing against you in heavy shudders. Your hands are on his broad shoulders, glancing down at him in confusion. 
"I'm so sorry," he finally whispers, a little murmur against you. "I'm so sorry I wasn't there."
"I didn't need you to be," you insist, your hand going to his neck, urging his face up to look at you. He won't move his face from where it is lodged against your stomach. He can’t.
"But I should have been," Joel insists, his voice a low rasp. 
“It was so long ago.”
Almost six months since the awful incident. And you don’t carry it with you, not like Joel apparently has because now his head tilts back from your abdomen.
"I never should have walked away that day. I should have stayed. If I had none of this Tess and Paul shit would have happened. I would’ve gone back with you to Chicago." Joel's voice sounds thick with escaping emotion. "I ruined us." 
His beautiful eyes open and you watch as tears slip down his cheek. You suppose that's what makes you freeze up, your heart sinking. You've never seen Joel cry before and the sight is as shocking as it is heartbreaking. 
"Forgive me," he whispers brokenly. "Please."
You can see the anguish in his features and realize he's been living in it since you got back. This hellish landscape of grief and regret. He's been wearing it like armor weighing him down.
"Nothing to forgive," you tell him honestly, your knuckles trailing down his cheek to wipe the tears away. "Joel it was never a matter of fault. It was just how things happened."
His head drops against your stomach again and you can feel his strong shoulders begin to quake jerkily.
"I was fucking weak."
"You were human," you reply, rubbing at his shoulders, wanting to soothe him as much as he wants to soothe you. "You couldn't have known." 
"I just left you there, all hollow and quiet and I walked away," Joel's voice is ragged. "I should have stayed. That's what you do when you love someone."
Love.
It hits you with a strong, visceral acuity. Starting in your rib cage and then spreading outward, causing everything in your body to wake up.  It makes you breathless to hear it, though you've long suspected it, secretly hoped for it.
"Joel-"
"I'll never stop being sorry for it," Joel tells you simply, his face tilting up to look into yours. "Never."
Without thinking your hand is gently carding through his tousled curls. His eyes shutter closed as he leans into your hands. The moment is overwhelming in austerity and you need to break it. 
"Not even if I asked nicely?" you say with a teasing lilt to your voice.
His eyes open and he gives you a small, watery smile before he stands. He towers over you again, taking your face in his wide hands and now it’s you leaning into his touch.  
"I'd do anything you asked."
And all at once you know he's going to kiss you and that you want him to. 
He tilts his head forward and lips move over yours so gently that you sigh into his mouth. Your entire body sags towards him and instead of the fervent kisses from not that long ago, this kiss is different. It’s soft and sweet and unhurried. His soft lips move over yours, taking time to memorize how your pliant mouth moves under his, the way you inhale softly when you break apart, his wide hands still cupping your face.
Tess.
Marmalade.
Selfish.
"I'm sorry I called," you sniff, tilting your face from him. "I never should have done that. You should go, Joel." 
"You want me to go?" Joel's voice is a low aching sound. You can't look at him. You can't look into those intense, beautiful eyes of his so instead you face away from him. 
"Yes."
You feel yourself floundering, that unmistakable voice in your head screaming to run. Run from the conflict. Run from your feelings.
Run. Run.
"You're lyin'," Joel insists. 
"I'm not."
You feel his strong fingers on either side of your chin, dragging your face to meet his. But still your eyes remain closed.
"Look at me."
You shake your head the best that you can in his grip. 
"I can't have you here, Joel. I'm sorry I called you, it was wrong.”
Joel's hand is flying to slide around the back of your neck. "Stop."
"You’re with Tess," you insist with a shake of your head, pulling back from his sweet touch. "She's perfect for you. She'll make the best mom to Sarah. It makes sense, Joel. You have to see that."
"I broke it off with Tess," Joel bites off.  “I don’t want Tess.”
Your eyes fly open."What?"
"How could I keep dating her? I knew I couldn't stop wanting you. I never will." Joel feels his neck growing warm. "And she told me what she asked you to do, to stay away from Sarah."
You nod brokenly, feeling the tears gathering just at the memory compounded by this new guilt.
"Why would you do that?"
"Because I just want what's best for you and Sarah. A chance at a real family."
You've ruined this for him. Joel's chance at a family, something for himself. Something for his own.  Selfish like your dad.
"Go back to Tess, Joel. Tell her it was a mistake."
"I'm not gonna do that."
"You have to, Joel. She wants you."
“And you don’t?”
It hangs there, the truth between you. If you admit it, it’s over. Any pretense you would have carried is gone. He’ll choose you because of this unknowable, untenable connection. But you’re not good for him. You’re not the kind of woman Joel Miller needs. You’ll take and take from him, leaving him with nothing in the end. It’s how your father operates, and you are your father’s daughter. Your engagement isn't even officially off. You're moving to Chicago. So what? You'll confess you love Joel? Make him feel compelled to follow you to Chicago? And what about Sarah? You're going to disrupt her life too? How is that not the most selfish thing in the world?
“No.”
Saying it physically hurts.
You love Joel. You love this man in front of you. And it’s precisely that love that sends you pushing back from him. But you’re stopped by his hand on the back of your neck again, holding you there.
"Don't," Joel says through clenched teeth."Don't stand there and lie to me of all people. You wanna lie to yourself? Fine, but not to me. Never to me. I don’t deserve it."
It is. It is a fucking lie.
"Tell me the truth," Joel urges gently, pleading. "Tell me to my face that you don't want me as much as I want you.”
You try to form the words that tell him exactly that, but you can't.
They don't exist. 
Joel nods in understanding, his warm eyes even warmer. But he can see the fear in your expression, the panic. 
"Just let me take care of you tonight," Joel whispers, his thumb stroking your cheek. "Please." 
You're trembling against his palm, tears coating your lashes. "Okay."
Joel seems surprised by your easy acceptance but he nods, reaching down to take your hand in his. 
"Let's go to bed."
You follow him without question to the bed. He shrugs off his jacket, watching you watching him. You're eyes are owlish in your face, the tension clear. Joel brings himself up on the bed still dressed in his jeans and shirt. He lays overtop the sheet before bringing it back for you to crawl under. 
You hesitate. There is nothing more enticing than the thought of Joel making love to you right now. But it feels wrong, rushed. Too many things going on in your mind.
"I just wanna hold you," Joel explains when he sees your eyes nervously move from him to the bed. "If that's okay?"
Relief floods you and you nod, moving under the covers of your bed. And all the aching loneliness, all the terror of being lost? It’s gone. It’s gone the second you snuggle up against Joel in your bed.
His broad hand moves through your hair gently, moving it back from your flushed face before stroking it in tenderly. He stares at you, barely blinking. You muse that you could have entire conversations like this, just staring into each other's eyes. That perhaps you're having one right now. 
His eyes are so soft. How can a man made up of sharp angles and broad planes look at you with eyes so fucking soft? 
"How can you look at me like that?" you ask blinking through new tears. "After everything I've told you how can you lie there and look at me like I'm not a piece of shit?"
"Because you're not," Joel replies swiftly. "None of what your dad did is your fault. How could it be?"
"If I was there-"
"He'd still be using," Joel tells you simply. "And he'd have a new thing or person to blame for it."
"Even if that's true," you insist. "I'm his kid. I should go back."
"You're telling me if I told a grown up Sarah she had to move back home to take care of me, even if I'd barely been in her life, even if she had a whole life somewhere else, you'd tell her she was selfish for not doing it?"
Your eyes widen. Sarah. Sweet, genuine Sarah. No, you wouldn't blame her. But that's Sarah.
"She's just a kid-"
"Same age as when your dad started." Joel's eyes are watery. "How come you're so unkind to yourself? Why don't you think you deserve good things?"
"A lifetime of experience," you reply darkly.
///
And for a moment there is sudden clarity for Joel that hits him in such a way he's shocked he never understood it as easily before. 
In the job you chose, in the immediately natural way you were with the screaming Daniel, even quicker than you were with his sweet and calm Sarah.  
In the way these animals, hurt and abandoned and ignored are so much more than just pitiful creatures that pass along your desk in files. 
You see yourself in them. 
You see yourself in their haunted eyes and terrible histories. You see it in the plaintive cry of the frustrated Daniel. In this world that turns its back and its ears to them you want desperately to embrace them, to hold them to you and communicate a perfect, unending love for them.
Because no one did that for you. 
Your mom tried, Joel is sure of it. But love is hard to share when so much of it is reserved for a husband in constant crisis. When you're a frazzled mother working two jobs to keep your mortgage and your marriage and family together. Love is there of course, but it's not overt. Not like you crave. 
The kind of love that Maria gives you without question. The kind of love Joel would give to you every fucking day if you said you wanted him to be yours.
"I know I have no right to ask you to stay or demand anything from you, but, fuck, please don't do this," Joel whispers earnestly. "Don't move back to Chicago." 
You're silent. 
“If you do you’ll never come back,” Joel murmurs, his voice full of so many emotions it would be impossible to pick just one. “I know you. You’d sacrifice everything for him.”
“I. . . I don’t. . .”
Your eyes are so heavy, almost as heavy as your heart. You’ve shared so much with Joel, brought up so many painful memories it feels like you’ve run a marathon. Your head tilts against the pillow.
"Go to sleep, baby," Joel tells you, holding himself back from kissing you. "I'm here. Just sleep."
When you finally fall asleep Joel continues to look at you. His dark eyes travel the curve of your cheek, takes in the length of your lashes and the way your mouth looks half open in sleep. He memorizes each part of your face knowing that this may be his only chance to do so. 
You’re engaged. You still have that connection to your parents in Chicago. There is so much that exists in this world to take you away from him. 
He still sees it this way, outside forces wanting to rip you from him, as if he has some claim on you. He doesn't care if Paul gave you a ring. You’re his. You’re his and he has never stopped feeling this way, even though he's tried. He doesn't know he'll ever stop. 
He stops himself from kissing your sleeping mouth on more than one occasion during the night, desperate for that contact if this is really the end. 
It can't be the end. It can't.
You sigh in your sleep, shuffling closer against him for warmth or for comfort. Joel allows this, his eyes skipping closed at the calm your nearness brings him. 
I'll never ask for anything as long as I live. Just let her be mine.
He finally falls asleep with your soft breathing in the crook of his neck
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halfagone · 4 months
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Cassandra Cain and Communication
I've been noticing an interesting trend in DPxDC fanfics lately where people write Cass like she's psychic, or in simpler terms: she can read someone and in an instant know how to help them. And while I can definitely see the merits of this kind of approach, there are a lot of things to keep in mind.
I cannot stress enough how isolated Cass' childhood was. When it's said that David Cain trained her only in the language of killing, it is not an exaggeration. In many early renditions of her character, Cass cannot speak at all, and if she can, only in short, brief sentences. Cass goes the first seventeen years of her life not knowing how to read.
That is a canonical plot point too. We see Barbara teaching Cass to read in Batman Volume 1 #567:
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Based on the context surrounding this scene, this is a regular occurrence between the pair. Cass has also sought out Stephanie before to read something for her (Batgirl Volume 1 #20). If you're curious about more analysis surrounding this particular subject, this post has some interesting points and shows the gradual shift in how DC handled her character.
But this is early into her time with the Batfamily. What about later on, when she's more assimilated to the Waynes and her fellow vigilantes?
Well, you don't even have to be a hardcore comic fan to see how she continues to struggle with expression and communication. In Wayne Family Adventures, episodes 32 and 33, we see how Cass' ability to read body language has also hurt her and her relationship with the people around her.
She doesn't mean to hurt Stephanie's feelings in these episodes, but the damage is real and it happened. Cass means well, ultimately, but she still doesn't know how or when to address these problems. She sees that Steph is hurting and wants to help; those are all admirable qualities! But in the end, she only pushes Stephanie further away, and is left feeling guilty and carrying self-loathing in the wake.
Here is also a reminder: Cass killed her first man at the age of 8 years old, and consequently ran away from her father when she realized killing was wrong. She did not know what he felt was fear. She did not know the definition of fear, nor the word for it. She just saw the expression on his face as he died, and realized that something was wrong, and ran away.
Cass doesn't arrive to Gotham until she's 17 years old, around the No Man's Land era, if I remember correctly. She is on the run for 9 years in this time, and sadly, she did not pick up many- if any- language or communication skills during this period. This isn't a fault on her character either, when she likely had to keep moving and didn't have time to connect with anyone like she did with Barbara, who could teach her how to speak and read.
But at the end of the day, it makes sense that Cass doesn't know how to socialize. Think of a real life example: some kids who grow up homeschooled struggle to make connections once they reach adulthood and start looking for a job. They've never had to make small talk, or address strangers face-to-face, so they don't know how to interact with people. Cass' situation is a more extreme version of this scenario, but with blood, brutal training, and child abuse involved.
At her core, Cass is a good person. And she will continue to be that good person. But she doesn't always have the answers. Nobody does! She'll continue to help people to the best of her abilities, but sometimes those abilities can be limited.
Cass is not a perfect person. When Bruce was lost in the timeline, and the remaining Batfamily members started to splinter and fall apart in the wake, Cass didn't remain in Gotham to help with the rising violence with Batman's absence. Instead, when her family needed her most, she went to Hong Kong, because she didn't want to be there without Bruce. She did briefly meet Tim in Paris, when she had saved him from the Daughters of Acheron, but she still doesn't accompany Tim, nor does she return to Gotham even after finding out the city is extremely understaffed.
Cass is well-meaning, but she is not faultless. We might not like to acknowledge the flaws of our favorite characters, but those flaws are a part of them! Just like how Bruce consistently fails to express himself is a part of his. Or how Dick tries to pretend that everything is fine so he doesn't have to address his own problems. Or how Jason can be inconsistent with his motivations and people get hurt as a result. Or how Tim keeps too many secrets and pushes people away, ruining multiple relationships in turn.
I could go on and on, but all these characters are more than just their flaws. The same thing with Cass.
So don't be afraid to show a Cass that doesn't know how to fix things. Don't be afraid to show a Cass that doesn't know what to do, but just tries her best. It's one of her most admirable qualities: always trying no matter what.
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neptuneiris · 9 months
Text
for the crown (02/03)
and then suddenly i cared even less, too broken to stay.
pairing: prince!aemond × lowborn!reader
summary: you gave yourself to him, you love him, he said that despite your low status at court, he will still marry you, because you are his, the woman who was his friend since childhood, until the war comes.
word count: 8.6k
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and here I am again, realizing that I can't anticipate that it will be two parts only, because if I leave it at two, the chapter will be extremely long, so there will be part 3 haha. thank you for reading, enjoy!🥰
warnings: sex content, angst, denigration, abusive behavior, possessiveness, infidelity, betrayal.
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If Aemond thought he would have a perfect escape with you after he decided to take you with him to Harrenhal as well, he was wrong.
With only a few dresses, a few pairs of shoes and your night gown, you emerge from your chamber holding Aemond's hand, both of you having a firm grip on each other, ready to march to DragonPit and eventually fly to Harrenhal.
With the entire Prince Regent's army ready to listen to Sr. Criston Cole's command upon seeing Aemond's signal in the skies, your prince is interrupted in the middle of his action as he is basically stealing you away by his mother, his grandsire and also your father right at the gates to leave the Keep.
Your father watches you completely surprised, ready and willing to leave with the prince, while the Queen Dowager and Otto Hightower watch Aemond completely confused and alert.
Also both watching you basically not understanding anything.
"Aemond, what is the meaning of this?"
"What are you doing?"
His mother and grandsire instantly inquire, clearly disapproving of this madness, but Aemond couldn't care less, watching the three of them indifferently.
While you start to worry and basically hide behind him, not letting go of his hand.
"Y/N?"
Your father calls you softly, confused and uncomprehending, looking for your gaze.
But when you look back at him, he knows you've already made your choice, so he begins to get more alert and seriously worried.
"What are you doing?"
But you don't answer him, you can't.
Sorrowful, you seek more reassurance and support from Aemond, basically leaning closer to him, holding his hand a little tighter, revealing your nerves and your fear at having been discovered.
This Aemond notices instantly and stands in front of you with a determined and firm stance without letting go of your hand, facing this alone knowing that none of the three of them stand a chance against him.
"Y/N, come, please," your father pleads as he sees worried the prince's behavior, raising one of his hands in your direction.
"She will do no such thing, my Lord."
Aemond finally speaks, drawing the attention of the three of them as well as yours, watching him over his shoulder,
"Lady Y/N will come with me to Harrenhal. In fact we must leave now and this is not up for discussion," he makes it clear almost threateningly.
Your father immediately exchanges glances with the Queen, more than concerned and demanding that something be done about it, but the Queen Dowager also continues to stare at her son completely confused and as if she does not recognize him.
"Aemond, you can't do this," she tells him gently wanting to talk some sense into him.
"Have you forgotten about your betrothed? Lady Baratheon?" his grandsire inquires him seriously, "Her father is fully supporting you in this because of that betrothal. And when Lord Borros finds out you are enjoying the company of another woman he will not be very pleased and will call off his men."
"And that won't be very wise of him," he says completely disinterested, "It would be unwise for Lord Borros to no longer give me his support if he doesn't want all of Storm's End to burn."
"That's not how things work, Aemond," his mother tells him worriedly, watching him intently.
"I think that's exactly how things work, mother," he tells her in a more serious tone, "After all, I'm not breaking off the betrothal and eventually I'll have to marry his daughter or not?"
This immediately gets your attention, but right after Aemond says those words, he lightly squeezes your hand with his, as a signal.
He has told you that when the war is over, he will marry you and that he promised you. He's not meaning all this now, it's just a way for the two of you to finally leave.
"Aemond, you still can't do this, you're betrothed," she insists.
"And what about Lady Y/N?" his grandsire points out to him, "According to the news, she is also betrothed."
"I don't care. She's coming with me whether you like it or not," he says as a final word.
"My prince…"
Hour father quickly steps forward to speak, worried and almost anguished.
"I beg you not to do this, you cannot take her away, please," he begs, "Lord Hand is right, she is also betrothed. If you take her now her betrothed will not be pleased and will put her maidenhead in question. Because of this my daughter will probably not be able to find a good husband in the future."
His words and behavior makes you feel sorry for your father, as he is right. Basically Aemond will ruin you for all men by taking you away, that action already speaking for itself, as the two of you share a more intimate relationship.
What your father and his family don't know is that he has basically already ruined you by claiming your maidenhead. But of course neither Aemond nor you will say it out loud.
"Don't worry, my Lord," he tells him still disinterested, "I'm sure by the end of all this, you and I will come to a generous agreement for my indiscretion."
Still, this does not reassure your father at all.
"B-but, please my prince, you c-can't…" he begins to speak nervously, looking at you pleadingly, "You can't take her away, please. I have already come to an agreement with her betrothed, they'll be waiting for her to discuss the wedding, please—
"I've told you not to worry, Lord Y/L/N," Aemond tells him again seriously and annoyed.
"But…
"You dare to question your prince's order?"
Aemond inquires him instantly, watching him serious, threatening and expectant, while your father purses his lips into a thin line as Aemond continues to threaten him with his gaze, then looks at his mother and grandsire in the same manner.
"You are also against my own word?"
"Aemond, please," his mother pleads with him as well.
"Don't be a fool, Aemond. Enough of this nonsense," his grandsire tells him seriously, "You are making a big mistake that will cost you the battle if you lose soldiers."
"That will be my problem, not yours," he tells her in the same manner as he does, ready to resume his journey again, "Besides we are not going to lose anything and I advise you not to question me anymore, any of the three of you," he warns them.
These are the final words of Prince Aemond, the Prince Regent, the one who currently holds the crown and carries the weight of the entire Realm on his shoulders, with his other hand he takes your waist and begins to lead the two of you on your way out of the Keep.
The only thing you can feel at that moment as you walk away is the worried and anguished look on your father's face, while you feel sorry for him.
However, you don't want to marry this Lord Beesbury, you don't even know him and you know that your father blindly gave your hand in marriage.
But what you didn't expect is that you would have to walk away from your father, leaving him alone, when it has always been the two of you against the world, which is what really weighs on you and grieves you as you continue to walk away from him with no idea when you will see him again.
You also feel the stares of the Queen Dowager Alicent and Lord Otto on both of you, who probably don't even have any idea how to react to this, not even being in a position to do anything about it.
But Aemond doesn't even care about them and steadily and willingly continues his pace with you by his side, him leading you towards one of the horses that will take you both fast towards DragonPit.
Soon you both find yourselves flying towards Harrenhal, with Sr. Criston leading Aemond's entire army on the ground towards the cursed castle as well.
However… had you known what would await you later in that very place, a cursed castle where its curse never leaves and curses also the people who dare to set foot there, you would never have let Aemond take you with him.
Still, when your prince takes you with him to Harrenhal, you feel important.
You feel you are one of his complements to go on and win the war, like an incentive to gain motivation and strength.
At first, the black and dark castle scares you, knowing perfectly well its reputation and curse, but Aemond is the one who motivates you to stand by his side and help him in everything he needs.
He specifically asks you to settle in his chamber, where it will also be your room, while he once he takes over the castle, begins to plan strategies and move his entire army, alert to any threat and securing his position in Harrenhal.
You know very little about his planning because you know that his matters must be of no interest to you, so during the day, you can only find entertainment in books and learning a little more about the dark castle.
The only thing you attend to is your prince, waiting each night at the end of his exhausting days, as you can't really do much in these circumstances, only being available to him.
This fact does not bother you, but your boredom increases every day considering that you only see Aemond in the nights and very early the next day he is no longer by your side because he goes to attend to his duties.
In your loneliness, you often think about writing a letter to your father, just to let him know that you are well.
But you know that Aemond probably wouldn't be too pleased and you don't know if your father wants to hear from you after what happened.
You wouldn't be surprised if he was furious with you… after all, what you did was very unwise.
You could have stood firm with Aemond, you could have supported your father and attended to your duty properly, yet you did not.
And in the end the only thing that gives you comfort is that at least, by the end of these difficult times, you will finally marry Aemond. And by the time your father sees that, he will probably forgive you.
Today is another one of those days when Aemond has a lot on his mind, taking his position very seriously and getting frustrated when one thing doesn't turn out the way he expected.
It's a lot to handle even though he has Sr. Criston by his side, but that doesn't seem to be enough.
He constantly sends reports to Kings Landing with his position and what is currently happening, understanding that even though Aegon is injured, still his brother wants to be aware of everything, considering he is not at the Keep to protect them in case of anything.
There are countless times when Aemond does not rest properly as he has so much to think and do. And when he finally heads to his chamber almost at the Hour of the Wolf, you help him to get all that stress out of his system.
Aemond lets out a sigh as he lets his head fit all the way back, with his eye closed, as you begin to slowly move up and down his entire hard, heavy, swollen length, in need of release.
You moan and place your hands on his bare, firm chest for support, beginning to move your hips up and down in a more consistent pace, moving back and forth and even circling at times.
Aemond at all times lets you take control, which normally it is not usual for you to do as he prefers it to be him in charge, however this is another one of those nights where he is too tired not to let you ride him.
You groan and begin to move your hips faster and harder, as Aemond moans low and holds your waist firmly, watching as your bodies come together and as all of him repeatedly enters you.
You watch him in complete delight, his beautiful face contracted in pleasure, his brows furrowed and his lips parted, sighing and leaving marks on your skin with his long fingers.
You smile and lean fully into him, still moving, as you bring one of your hands to his hair, stroking it gently, and then bring your lips to his ear.
"Do you like it, my King?"
This only fills Aemond more with pleasure, who grunts and makes you increase the speed of your movements, as you moan loudly and feel him deliciously also ground on his feet and penetrate you harder.
The sound of skin on skin, your juices with his sweat and now Aemond claiming one of your breasts as he takes the nipple into his mouth, only makes you moan more in pleasure.
"Oh yes, my King. Just like that, please."
You whine, moaning and leaning further into him.
"Oh fuck—yes," he murmurs into your breasts, kneading them completely to his liking, "Yes, my Lady. Oh Gods."
You sigh and moan louder when Aemond suddenly takes all your hair in one of his hands, making it into a fist, to forcefully pull you down as he raises his hips in a firm upward motion, penetrating you hard and hitting exactly your nerve core.
All the air escapes your lungs and that explosion inside you begins to grow as Aemond penetrates you in that steadier way, not letting go of your hair, holding you tight.
"Are you going to cum?" he asks you in a deep husky voice.
"Yes," you moan, "Oh—fuck," you whimper.
"Cum, cum all on my cock, my sweet girl."
Then you are no longer thinking straight and become completely absorbed in the moment as he brings one of his hands between your bodies and begins to stroke his thumb over your most sensitive spot, causing you to close your eyes tightly, arch your back and continue to move with more fervor.
"Yes, yes, just like that," you moan, "Please, don't stop."
"Look at you," he grins, "Making a mess."
"Please, my King."
He grunts and increases his speed more as he again begins to suck on one of your nipples and then everything about you explodes in a delicious and more than satisfied way as Aemond fucks you hard across your peak, seeking his own release.
And by the end of the night, with one hard, strong, final thrust, he spills all of his seed inside you, filling you completely.
You let yourself fall completely on top of him, just as exhausted and breathing fast, catching your breath, as Aemond continues all soft and warm inside you.
You relax your lips and lazily raise your gaze to him, while still remaining on top of his hard, strong body, to see him also catching his breath, calming his heart rate and looking so tired.
You leave a soft kiss on his lips and move off on top of him to lie down next to him.
As every night, Aemond pulls your body to him and hugs your back as the two of you begin to be carried away by sleep, both of you more than satisfied, especially him after so much pressure and stress.
This is the way you can help him and be there for him. Honestly you don't complain, because as each time Aemond takes you, everything becomes more and more intense, already being more of a necessity.
Even during the day, one of his guards seeks you out and lets you know that the prince has requested your presence immediately in the room where Aemond plans his strategies and has meetings with all his advisors.
Arriving there, you expected anything but Aemond needing to fuck you right there in his chair and where it is a public place, even though only he and you is here.
"Try not to make too much noise, my love."
That's all he says to you and then makes you start riding him again, while you hold on and lean on his shoulders, moaning into his neck, while he listens to the sounds you make only for him and continues to demand that you move faster, harder and deeper.
You let your whole head fall back, closing your eyes in pleasure and you part your lips, as Aemond attacks and leaves marks all over your neck, grunting and holding you as if his life depended on it.
You move deep from front to back and he moans into your neck.
"Oh fuck—just like that, don't stop," he tells you hoarsely.
You gasp and muffle your moans as he desperately makes your breasts spring free through the collar of your dress and attacks them like a hungry man, as he brings both hands to the soft skin of your ass, kneading both your cheeks.
You cry out from the pleasure and continue to move deep from front to back.
"Yes, Aemond, yes," you moan.
"Always so responsive," he murmurs with delight.
He gazes proudly at your hard nipples, slightly red and swollen from his caresses, as he brings his hand to your center and strokes you with his thumb firmly, feeling all your juices sliding down his fingers.
"You like it, don't you?" he watches you with a grin, "You like it when I fuck you hard."
"Yes," you say as best you can, in a whisper.
He grunts and stops your movements abruptly to suddenly charge you and rise from his chair, as he sits you on the edge of the big table in front of him where the maps perch and begins to penetrate you faster and harder.
That time you had to drink moon tea again, considering that the dragon seed is strong and Aemond insists that always after every act, you must drink it, not even being able to let yourself forget it.
So the days go by when the unexpected news arrives about the battle of Lakeshore, where Aemond loses numerous men, all from the Lannister army, where they were attacked by a Northern army, being a major loss for the Greens and a victorious battle for the Blacks.
Aemond, furious, orders the death of Simon Strong and his entire family, as well as nearly killing the soldier who told him the news, blinded by his own anger and madness.
While you confined to your room, you can only wait for him to return to you when he has taken care of the whole matter, but with that great loss, Aemond and everyone begins to realize that they are losing the war.
If before Aemond didn't sleep and rest properly, with this news he doesn't anymore, to which you can only continue to wait, worried about him but unable to truly do anything, spending days in which you don't see Aemond anymore.
Until one night, the unexpected news arrives, but this time only for you.
"Where is Prince Aemond, Ellya?" you ask the maid who has been at your disposal since you arrived here, "Have you seen him? Do you know what he is doing with his men?"
She gives you a somewhat wary and curious look at the same time.
"You haven't heard, my Lady?"
This immediately catches your attention and you watch her completely attentively.
"About what?"
She blinks a couple of times, watching you a little surprised, to which this draws your attention more and alerts you, watching her intrigued, while she looks hesitant for a few moments, not quite sure if she is the one to tell you the new news.
"Ellya, what's wrong?" you urge her, beginning to worry.
She swallows hard, lets out a long breath and looks at you with some pity.
"The prince has approached the witch, the witch of Harrenhal," she lets you know, "For days now it seems the two of them started having their meetings."
You watch her more than attentively and confused at the same time, having no idea who this witch is, but instantly getting a bad feeling about the whole thing. You ask Ellya to explain who she is and she tells you everything.
Alys Rivers.
That's her name and apparently she's a bastard of Lyonel Strong, the once lord of Harrenhal who burned to death along with his son right here in this castle.
When you then remember… she is that same woman that Aemond did not give the order to kill and apparently spared her life when he killed Simon Strong and all his kin.
Instantly your assumptions are correct when Ellya tells you that this woman possesses dark magic and those kinds of abilities through witchcraft. And again you don't get that good feeling if Aemond has searched for her and is apparently having meetings with her.
Certainly after knowing this, you can't ask Aemond anything about it since you don't see him and don't dare go looking for him with all the duties he has to attend to.
However, the uncertainty lingers and all the time you think about it, feeling worried just imagining Aemond having encounters with her and also scared about what she might do.
Until one night finally the opportunity presents itself when you see the night through the small windows in comparison to the Keep, unable to fall asleep, when the doors open and you turn to see Aemond enter the chamber after so many days.
"Aemond?"
You call out to him in your soft, sleepy voice from trying to fall asleep but you simply can't, thinking all the while of him and her, the witch, as he watches you without at all expecting to hear your voice.
And even though you shouldn't, at that moment you feel sorry for him. You can tell he hasn't slept well in days, his whole face shows it to you, the extreme tiredness reflecting through his body as well, truly worrying you.
And that's why he actually watches you without having any expression on his face, leaving his sword on one of the tables and starting to take off his belts, preparing to sleep.
"Keep sleeping. I'll join you in a moment," he tells you just the same without much emotion in his voice.
"Where have you been?" you still ask him, carving your eyes, watching him closely, "I haven't seen you in days."
He lets out a long breath, turning his back on you and continuing to remove his clothes.
"Are you forgetting that we are at war?" he asks, "What do you mean, where have I been? Of course I have been leading all my men and attending to my duties as Protector of the Realm."
You press your lips together, instantly understanding that you must not upset and irritate him any more than he clearly already is. Still, like the stubborn one you are, you can't help yourself and again speak in his direction.
"I know, Aemond," you say softly, "But that's not what I meant. I meant that you didn't come here to sleep."
"I barely have time to sleep, Y/N," he tells you definitely more serious, alerting you, "And now that I finally have the chance, you're not letting me have my five minutes of peace," he tells you bitterly.
"No, Aemond, I swear that's not my intention," you instantly clarify, concerned.
"Then?" he looks over his shoulder at you, serious and clearly irritated, "You're going to let me be able to undress and sleep in peace?"
"Yes, of course," you tell him instantly, bewildered, "I-I just wanted…" you bite your lips, nervous, "…to know where you'd been," you mumble barely audibly.
And even though Aemond has heard you, he still doesn't say anything else, still taking off his clothes and with every movement feeling more tiredness all over his body, urgently needing to lie down on the bed and sleep as much as he can.
But you continue to watch him more attentively than before, Alys Rivers not leaving your thoughts and what he has talked or has been doing with her, that precisely not leaving you alone.
So in the middle of the silence, you dare to ask him in a soft murmur, watching him carefully.
"You were with Alys Rivers?"
Then suddenly Aemond stops his movements abruptly, slowly turning his head towards your direction, but only a part of it, barely managing to watch you over his shoulder, the tension in his whole body being more than visible.
When without further ado he resumes his movements, saying absolutely nothing to you and turning his back to you, while you continue to watch him attentively and expectantly for his response, whatever it may be.
And it is not until Aemond finishes processing your question that he finally answers you or rather answers you with another question in a serious and cold voice.
"Who told you that?"
You swallow hard, truly not wanting to give Ellya away.
"I heard it."
"From who? Where?"
He demands to know, more serious and annoyed, turning fully towards you. That's when you see his dark face, clearly annoyed, you stare at him bewildered, really not understanding his behavior.
"What's wrong? Why didn't you want me to know?"
At this he continues to stare at you annoyed, his lips pressed into a thin line and clearly irritated by your questioning, while you, starting to feel fearful, still continue to stare at him with your whole face soft but in confusion.
Aemond lets a few seconds pass, when he averts his gaze from yours for a moment as he licks his lips and finally lets out a long breath to turn his back on you again.
He reassures himself, having already taken into account from before that it would be impossible for you not to hear the name of the witch of Harrenhal and also how he would find himself in her company at times.
However, in a way I had hoped that you wouldn't find out and wouldn't question anything about it.
But with everything going on, him losing the war and resorting to desperate measures, there is basically no such thing as his patience and good humor.
"She's helping me with some war matters, nothing else."
He tells you coldly as you watch him and listen completely attentively, not understanding his answer.
"War matters?" you repeat.
"Yes, war matters," he repeats back to you as well, serious.
"And it's not something I can help you with?" you ask him without understanding.
He lets out a long sigh again this time, his patience again beginning to hang by a thread.
"No Y/N, you don't know all of Riverlands and the most convenient spots where I can send and command my men," he tells you serious, "Nor do you know the secret paths and where they might attack us by surprise, but she does."
At this you remain completely silent, watching him with your lips parted, thinking about his words.
This really continues to give you a very bad feeling, frustrating you because even though he has explained, you still don't feel convinced and can't do anything about it, not wanting to bother him anymore.
But it strikes you how he has been annoyed that you have asked him about her, that you have talked about her, so bringing up the matter again would not be smart on your part.
Still, you can't stay quiet.
"Nothing else?"
"Yes, nothing else," he tells you quickly and still in his serious tone.
You don't say anything else, watching him attentively, while he remains completely naked in front of you, as he usually likes to sleep. And still not feeling convinced, you decide not to bother him anymore and return to your same position as before to be lucky enough to sleep this time.
But you can't.
You continue watching the void, when you feel Aemond's weight sinking on the bed next to you, while you turn your back to him and think about his words, also about the witch and the two of them.
You press your lips together and finally close your eyes, needing to sleep to stop thinking.
However, this one night Aemond doesn't even come close towards you. Normally he always wraps one of his arms around your body and pulls you close to his body to sleep close, but nothing, he doesn't do anything.
And the next morning you wake up, he is gone.
Your days again pass without seeing Aemond, always being in your chamber and barely getting any news about what is going on with your prince and his side of the war.
At least you find comfort in your maidservants, with whom you talk and give you some company.
You also wander around the castle only a little during the day, not lasting long for fear that Aemond might find out and get annoyed with you not having any guards with you. But considering you don't have much to do, this comforts you as well.
When one day, the whispers in the cursed castle become too loud and rumors reach your ears: your prince is sharing a bed with the witch of Harrenhal.
This shocking and devastating news you don't want to believe, thinking that it is simply impossible because Aemond is yours, just as you are his. Or so you thought.
But even though you try to convince yourself that Aemond wouldn't do such a thing to you, betray you with another woman, let alone a witch, sadly it all starts to make sense to you.
He hadn't gone to sleep in his chamber, you also chambered, basically you didn't see him at all. And even though he told you he barely has time to sleep, he still must have… but not in the room you both share.
You really don't want to believe it, especially since he told you himself that she's only been helping him with war matters, nothing else.
But you knew all along that he wasn't being honest with you, you had that intuition and these rumors just confirmed it.
It is not until you see Aemond again after severe days without him being in your presence that you can finally confront him about it.
"You lied to me, didn't you?"
You ask him with your soft tone but sad at the same time, disappointed, with tears wanting to start coming out of your eyes when he watches you and he doesn't even need to ask you what you mean, because he instantly knows.
But it hurts you more when he lets out a long breath, it being another one of those times where you both barely see each other and he's already upset and annoyed by your behavior.
"See? This is why I didn't tell you, because of how you react," he tells you serious and watching you badly, tired.
"So you were planning to never tell me?" you ask sadly.
"You don't understand Y/N. You don't understand anything."
You look at him hurt.
"And how am I supposed to understand if you don't talk to me?" you ask confused, "Is this why you decided to bring me here with you? For me to stand here waiting for you while you enjoy the company of another woman?"
He lets out a huff as he rolls his eye in annoyance.
"You're getting it all wrong," he tells you serious, "I'm not doing it for my own satisfaction, I'm doing it because it's necessary and in order to win the war."
You continue watching him confused, not understanding what he is referring to or rather not understanding what that has to do with lying with her, to which Aemond, frustrated, explains to you in order to end this matter once and for all.
"Alys… she can see things, she knows things" he tells you, "Her power helps me to know what will happen next and what exactly I must do against the threats, what strategies to plan in order not to lose more of my men and thus win the war."
"And for that you must sleep with her?" you ask in pain.
"Getting that kind of information is not easy, Y/N," he tells you absurdly, "Of course she must have asked me for something in return and that is her form of payment."
You deny with your head, still watching him confused.
"But you don't necessarily have to pay her that way. You are the prince, she must obey you and in return for that… you can offer her gold or something else."
Crees que eso no fue lo mismo que yo pensé en ofrecerle?
"Do you think that wasn't the same thing I thought of offering her?" he inquires you annoyed, "Of course I did but she give me nothing."
And yet he decided to give her exactly what she wanted.
Your mind tells you, as you continue to watch him intently and pained, as he turns his back to you and you see him starting to take off his belts at the same time you feel that sharp pain in your chest, thinking about all the weeks he had been keeping this from you.
And when you asked him, he still lied to you.
"But…" you try to say, watching him sadly, "I'm sure you don't need her, Aemond."
He lets out a derisive, dry snort, shaking his head slightly, this hurting you instantly as well, but you continue to insist on changing his mind so that he doesn't have to do this… win the war through witchcraft.
"There are other ways that I know are more complicated and time consuming, but you can win and fairly, I know that," you observe him hopefully.
He laughs unfunnily, low and bitterly, as he turns to you again and looks at you as if you were a fool.
"How easy it is to talk when you're not the one serving the Realm and losing a war, isn't it?"
You watch him completely speechless, while he takes a couple of steps towards you watching you even in that way and completely upset and annoyed because you don't understand him.
You don't understand anything of what is happening and what he must be doing.
"What are you doing here besides warming my bed, hmm?"
He inquires you with a cruel tone, his words instantly being a dagger to your heart.
"Yes, it's true, I was the one who decided to bring you here with me and I made you a promise for the end of all this, didn't I?"
He asks you seriously and expectantly.
"But now the least you can do is to understand me and give me peace, whether you like what I have to do or not," he makes it clear in a threatening tone, "And what I must do now Y/N, for the good of the Realm and to secure my brother's Throne, is to keep Alys on my side because I need her and I need her very much."
This last is completely etched in your mind, watching it attentively, your lips half open and the first tear falling down your cheek, under the attentive and annoying gaze of Aemond, who in spite of this does not care and turns away to continue undressing.
Then the other tears run down both of your cheeks, feeling more intense that sharp pain in your chest, hurting you completely by his insensitivity and how even though you know he is sleeping with another woman, he still doesn't care about you.
When has Aemond ever needed you the way he has told you he needs her?
Never.
You thought that bringing you here with him was his way of telling you that he needs you, but now that you have to share him with another woman and he apparently doesn't care about your feelings, you think it was all a bad idea.
You swallow the tight lump in your throat and clear your tears as you avoid completely breaking down by being in the same place as him.
"Perhaps I should go back to King's Landing," you say amidst the silence and tense atmosphere, avoiding hearing yourself as broken as you really are, "Perhaps I should talk to my father, apologize and do my duty by getting married."
Again Aemond lets out an unfunny and completely incredulous laugh, again turning to watch you but with the difference that he is actually watching you slightly amused and expectantly at the same time.
"Don't tell me, Y/N."
He watches you intently.
"And who are you going to marry, hmm? Or rather who or who will want to marry you?"
He asks you still amused.
"Haven't you thought that I've already ruined you for any other man by the simple fact of having brought you here with me? Haven't you thought that with that alone people can assume an intimate relationship between the two of us? Although it's not really an assumption, it's a fact, isn't it? For a long time now."
Tears again steadily stream down your cheeks, watching him with all the pain in your gaze, as he again averts his gaze from yours and again shakes his head in disbelief.
And you know he's right.
But you don't think it's fair that he can get annoyed with you when you call the attention of other men, but you are in a much worse position, he doesn't care how you feel because he is the man, he is the prince and you must understand him.
So it doesn't matter that he can have as many women as he wants at his disposal, in any way, while you should be reserved only for him.
"Stop crying," he tells you cold and serious, without looking at you, "If you feel so bad for Alys, understand that this is just for the moment, it will all be over when I win the war, so stop this foolishness."
And there it is again… his insensitivity.
And after that… everything changes.
That night Aemond again doesn't try to touch you or hug you during his sleep, nor is it as if you would want him to, considering that he had probably been in her company before.
That is why now knowing that Aemond warms her bed, you no longer desire his touch or even his presence.
And not only because of that, but also because of the way he had made you feel with his cruel behavior and with his cruel words, and that painful feeling just won't go away, not even him realizing how much he did and does hurt you.
Fortunately you continue not seeing him very often, in all that time just locked in your chamber, not even having the courage to talk and enjoy the company of the maids as usual, wanting to be alone all the time, going back to your days of having no appetite and no mood for anything.
If Aemond notices, he doesn't say anything to you or do anything about it, just watches you intently every time he appears in the chamber, where you just greet him and nothing else, not really giving him attention like before, your whole gaze dull, empty, disinterested and sad.
You can smell a strong scent, like citrus and a bit sweet at the same time on his clothes sometimes when he comes to the chamber very late at night, certainly belonging to her and of course he must not even notice it.
And not only that, cautiously you can see some marks on his neck and chest as he begins to undress, to which you lie on the bed with your back to him and completely covering yourself with the sheets, letting a few tears fall without him seeing you and without making a sound until you fall asleep.
Now all you think of when you see him is him in the company of his witch, receiving everything she offers him, her visions and letting him know everything he wants to know, in exchange for sleeping with her.
It is not until days later that he slowly begins to approach you again to caress and touch you.
At first you didn't let him turn your back to him and he started to caress you by putting his arm across your stomach, trying to pull you closer to him.
But when you stayed completely still and with your eyes full of tears, he felt the tension all over your body and at the end he let out a long sigh and stopped touching you, resigning himself.
You didn't understand why he needed that from you when he certainly always gets that from her.
That went on for a few more weeks, until Aemond was beginning to lose patience with not being able to have you that he finally lost it completely.
And you had to give in to pleasing him, letting him make you his after a considerable time. However, he was no longer making you feel anything.
Just the thought that he had previously been inside her and now he's inside you looking like he can't get enough… it was too much.
Aemond doesn't notice your lack of disinterest as he begins to fuck you, nor does he notice how your heart breaks into pieces. And it's not until you stop being responsive to his touch that he's finally disconcerted.
Without feeling your juices that made penetration easier, he gasps and lifts his gaze to you, peeling his face from your neck, watching you intently and curiously, still entering you continuously.
"What is it, my lady? Doesn't it feel good?"
You don't answer.
You don't even look him in the eye.
At this, Aemond kisses you with need, moving in and out of you faster, needing your response, for you to feel the same as he does, as before.
But it doesn't feel good, not good at all.
After that night, unable to stand being cooped up in your chamber any longer for the whole day, you decide to go out into the hallways and eventually end up in the kitchens to offer your hands to the maids for whatever it is they need.
You can't even stand your loneliness anymore, so you finally enjoy the company of the maids and help out as needed, even taking your meals with them and even returning at night to the chamber, almost at the same time as Aemond.
Surprisingly, he notices this and questions you about doing maid duties as well, telling you that you have no need, to which you without much emotion tell him that it's all right, that you like to help, not to say anything else to him and clearly not to give more importance to the matter.
In those moments is when he starts to get tired of your behavior, when the truth is that even he doesn't understand himself.
Before it bothered him that you cared too much about him and that you questioned absolutely everything, but now that you have stopped doing it, it also bothers him your lack of interest in him when before you were always there at his disposal, also bothering him your cold behavior.
But it bothers him more that you don't even respond to him anymore when he makes you his.
However, he knows he can't blame you for her, for Alys, because you know what he is doing with her in the darkness of her chamber in exchange for what.
But it still bothers him.
Fortunately for you, he decides to give you time and not force you into anything again if you don't want him to, to which you could only feel relieved, although you still have to endure how he hugs you during his sleep but nothing more.
It is not until one night that you return to your chamber later than usual, since you lost track of time and were all the time in the company of the maids, that you think that Aemond must probably still be attending to his duties or that he must already be asleep… or that he must be in the company of his witch.
The latter is what you believe the most, not surprisingly. In the end, however, it does surprise you.
About to open the door to your room, you don't have to, as it opens on the other side and you find yourself face to face with a woman with pale skin, huge green eyes, long black hair and wearing a robe around her body, holding it with one of her hands.
Your eyes widen and you freeze completely, as she stares back at you with such intensity that it almost brings you to tears, but in the end it is not that, but the realization of what has happened here, in your chamber, which is in fact more yours than Aemond's.
You then watch behind her, where Aemond instantly watches you with an expression you can't really read, as he finishes buttoning his belt, with his entire torso naked and the clear marks on his neck.
Again… you feel that sharp pain in your chest, the sadness and humiliation hitting you hard, with your tears starting to want to spill out of your eyes and run down your cheeks, watching him with the most hurt look of all.
How could he dare?
You don't even expect anything else, you just run away from there, tears streaming down your cheeks instantly, as you hear Aemond say your name, quickly coming after you.
But you don't look back, not even wanting to look him in the eye, having no idea where you're really heading, but not in your greatest madness are you ever going to lie in that bed again, not even he having any respect for you in that regard.
Still Aemond is quicker and manages to catch up to you, grabbing you hard by your arm, demanding you to stop and watch him, pulling you closer to his body, to which you put up resistance and crying you try with all your might to get him to let go of you to get away from him, but he won't let you.
"Y/N! Look at me!"
You can't.
You don't want to.
He irritated, grabs you firmly with both hands, reluctantly stopping you, while you continue to cry and feel completely weak, everything about him, his grip on you when he had touched her on your bed before and that scent of hers also impregnated in him… it's too much.
"Let go of me."
You say pleadingly, sobbing, trying to pull away from him.
"Stop fucking acting like this!" he exclaims to you in annoyance.
You deny with your head.
"H-how could you?"
"Look at me," he demands.
"No! Let go of me!" you resist again, very hurt and very humiliated.
"I said look at me!"
He exclaims to you angrily, grabbing your face with both of his hands and making you look at him in a firm and demanding manner, his grip strong.
At this you stand completely still, but still crying and sobbing, trying to control yourself, but you cannot.
Thinking about it, about her and him already hurt you enough, but now having seen it… you can't stand it, as well as his touch now on you, finding it unpleasant.
And when you finally open your eyes and dare to look at him again, he is worried about noticing all that pain, rejection and displeasure.
However, he doesn't allow it and continues to hold you in that firm manner.
"Listen to me," he says seriously and firmly, "This was the last time, the last one."
You put up a resistance again, not believing his words at all, looking absurd in the midst of all your pain.
"Y/N!" he exclaims stopping you again, looking at you as honestly as possible, " It has been the last time, truly," he insists, "I promise."
You say nothing to him, just continue to cry almost silently, as he promises and assures you over and over again, wanting to reassure you, when the truth is you don't even believe him, so you make him believe that you do, to which he finally lets go of you.
"Go back to the chamber and wait there for me, she's gone," he tells you softly, but still firm and demanding.
And you are surprised how he dares in ordering you such a thing, while you just nod so you can finally get away from him and feeling relieved you do so, definitely not going back to that room, at all.
You find another empty chamber where you lie down on the bed right there and continue to let the tears flow freely from your eyes, trying to calm down little by little, feeling so lonely, so silly and as if you mean nothing.
It is not until after Aemond finishes talking to Alys and returns to the chamber expecting to find you there, but nothing.
He lets out a long breath, frustrated, only to later ask his guards where you've gone to find you in another chamber, completely balled up, asleep and with dried tears on your cheeks, your whole face suffering.
He lets out another long breath, running a hand through his face and hair, shuffling it in frustration, that he decides not to do anything else, just leave you alone to sleep, that being the least he can do for you after witnessing such a thing taking advantage of your absence.
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Severe days has passed since that breaking point between you and Aemond, where neither of you have spoken about it.
He tried, of course, to explain to you so that he could properly ask for your forgiveness, but you never let him, not wanting or needing to hear anything from him, still too hurt and too humiliated to bear such thing.
Since then, you now sleep in that new chamber, this not being to Aemond's liking at first.
But acting so cold to him, not even being able to look him in the eye when he spoke to you and making you so tense in his presence, he understood that he could not force you to sleep with him if you did not wish to do so.
Aemond hated every moment when he did not wake up with you by his side, also when he could not touch you and make you his, or have the maids assist him in absolutely everything, when before it was only you.
If he kept his promise not to have any more meetings with Alys, you were no longer interested in knowing, only focusing on you and sometimes on him when he asked you for something, but always with that cold and indifferent behavior.
When the time of battle comes again.
He and his entire army prepares to march to a point where Alys had told him before that it would be where an army fighting for his half-sister would be and that is approaching Harrenhal.
Aemond awaits the return of Sr. Criston with a small but efficient army that he prepared for him by sending him and those men to the nearest house settlements of Harrenhal to demand that they bend the knee for his brother Aegon.
Once he returns with those men, they can finish preparing and stop that army of Rhaenyra's, having him more opportunity to protect his entire army from the skies and burn as much as he can.
You along with some maids provide food to the men who will go to battle, you also help with their supplies, walking back and forth under the watchful eye of Aemond being so helpful to his men, this not pleasing him but not being able to do anything about it either.
When an ambush happens.
Everything happens too fast, as suddenly a not very big army surrounds all of Aemond's surprisingly with black flags, symbol of Rhaenyra.
And then a man grabs you by force, takes you to the center of the whole ambush and then puts a dagger in your neck.
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nothing0fnothing · 6 months
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Trying to comprehend as a child why I was worthy of presents and praise and attention one moment and contempt and a beating soon after was confusing and mentally draining.
Now as an adult I just feel like I'm waiting for the next shoe to drop.
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Eddie Munson's second chance
Written for the @steddieholidaydrabbles, day 14
Prompt: Angst with a happy ending
Rated: G
CW: referenced child neglect/abuse
Tags: Modern AU, Royalty AU, Royal Steve Harrington, Rockstar Eddie Munson
Notes: Continued from day 11. This was angstier in my head, but Eddie is a silly goose.
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Eddie Munson is no stranger to fucking up. He's long accepted that. It's just a thing that happens.
Sometimes, you'll miscalculate a stage dive and have to cancel the rest of the tour. 
Sometimes, you'll get so caught up in your stupid rockstar stuff, you'll forget about the youth center you founded to give other kids a better childhood. 
Sometimes, you'll meet an adorable guy named Dustin at said youth center, and rant about how useless the monarchy is, only to find out that Dustin isn't Dustin at all, but Crown Prince Steven Harrington, aka the future king, aka owner of the saddest pair of puppy dog eyes that Eddie has ever failed to get out of his goddamn head. 
Which brings him to his current predicament, sitting on the edge of his bed, waiting for Chrissy to pick up the phone. She does after the second dial tone, which is pretty impressive for three in the morning. 
"We must cancel the royal visit," Eddie blurts before she can ask what's wrong. 
"Eds," she yawns. "We've been over this. Just because you can't stand the guy-" 
"That's not it," Eddie groans. "Listen … I met him yesterday? Only I didn't know it was him? And I flirted with him and he was really cute but I couldn't keep my fucking mouth shut and now I can't ever see him again because I don't wanna rot in some dungeon, understand?" 
"No," she says. Damn, it sounded perfectly logical in his head. "But this doesn't seem like something we should discuss on the phone. Stay put, I'm coming over." 
*
They don't cancel the royal visit, but Eddie refuses to make an appearance. Instead, he watches from behind the curtains of the office window like a creep. The Prince looks dashing in his tailored suit, smiling for the cameras, joking with the kids, listening to Chrissy with polite attention as she shows him around the place. Eddie loves her so fucking much, will be forever grateful that she filled in for him. 
Even if she tied it to one condition. 
He watches how she whispers something into the Prince's ear, how his smile melts into an angry frown. How they both turn to stare at the window. Eddie flinches away from the curtains, heart in his throat. 
He wonders if the dungeons have WiFi. 
*
"You have exactly ten minutes," says the bodyguard. It’s the same one from yesterday, the one called Hop. Eddie doesn’t reply, just nods stiffly. Hop looks at him like he's contemplating murder, but then he ducks out of the room with a muttered all clear.
Prince Steven steps in. The door clicks shut. Silence descends. 
"Well," Eddie finally mumbles. "I guess this is the part where I bow and grovel." 
The Prince snorts. "Please don't, Mr Munson. I'd rather you save us both the embarrassment."
Eddie winces, because ouch. That stings more than it should. 
Neither of them says anything for a long while. The clock on the wall keeps ticking. 
"So," Eddie rocks awkwardly on the soles of his combat boots. "Who's Dustin?" 
Those plush lips twitch into a smile and those pretty eyes light up. For a moment, Eddie glimpses the boy from yesterday. 
"My housekeeper's kid. He'd be so mad if he knew I met you and didn't get him an autograph." 
He says it with genuine concern, like he's honestly afraid of getting shit from a little kid, and Eddie can't help but grin. 
"Don't worry, I won't tell." 
This gets him a huffed laugh. 
"He'd love this place, it's really cool." 
When Eddie looks up, the Prince is looking at the picture frames on the walls, photos of smiling kids and drawings in crayon and watercolors. Eddie sighs and joins him, stares long and hard of a picture of Max on her skateboard. 
"Thanks. I, um … grew up around here, and I wanted to give these kids a safe space. Where they can just … be children. I never really had that myself." 
A thoughtful hum. Those hazel eyes are soft with an expression that looks weirdly like longing. Eddie remembers watching stories about the royal family on his uncle's rickety TV set. A solemn-faced boy his own age trailing behind his parents outside of private jets, in lush parks and gilded halls. Always in expensive suits. Always well-behaved. Always way too grown-up.
Well, shit. 
"Listen, your highness …" 
"Steve is fine." 
"Listen, Steve …" Eddie lets the name linger on his tongue, finds that he likes the feel of it. "I guess I've been a bit of a dick." 
A hint of that bitchy little smile. "You guess correctly." 
"Whatever," Eddie huffs. "I'm trying to apologize here, so may I? Or are you throwing me in the dungeons?" 
"The …" Steve blinks. Then, his mouth starts to curl. "We, um … don't actually do that anymore. Unless you're into that, then I'm sure it could be arranged." 
Eddie sputters and Steve bites back a laugh. 
"If you really wanna make up for it," he then says. "I hear your concert next week is all sold out? Dustin would love backstage tickets." 
Eddie frowns. 
"Dustin as in the kid or …" 
"Steve?" Hop cracks the door open. "Time to go, c'mon." 
Steve smiles, bright and sunshiny. "On my way." 
He turns to Eddie, grabs a pen and a notepad from the chaos on the desk.
"Backstage tickets, two of them. I'll be expecting them by tomorrow." 
*
When Chrissy bustles in not five minutes later, she finds Eddie in the office chair, staring morosely at the still drawn curtains. 
"Eds? Everything okay?" Eddie just groans and hides his head in his hands, so she crouches down in front of him, hands on his knees. "He didn't give you shit, did he?" 
"Shit? I wish. No, it's far worse than that." Eddie cackles hysterically and unclenches his fist, presenting a crumpled piece of notebook paper. "He gave me his number." 
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Part 3
All my holiday drabbles
258 notes · View notes
ystrike1 · 2 months
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Kedakaki Ookami ha Bukiyou na Koi ni Oboreru - By Touko ikura (8/10)
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The best part about this one is the villain, and that's really bad for a romance. The yandere is good. The princess protagonist is good. The art is good. It's so good that it loses the chance to become great.
Sheera and Leonheart are both great, smart, caring, attractive nobles. They don't have enough character flaws to be hot. Sheera is just a pretty princess and Leonheart is just another guy with red eyes.
The intrigue isn't bad but I think we can all agree the side characters are far more interesting than the main couple.
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It's disappointing because the first page is such a banger. It's not the usual loveless marriage of convenience plot. Leonheart is taking over the country, by force, and he expects love from his new wife. A captured and terrified princess....but....
....that's not the actual plot...
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This is the real villain. The entitled and spoiled prince Elnen. Elnen loses everything because he is obsessed with Sheera. His own father is disgusted by him. The royal family eventually abandons him. His evil scheme is born from an insane sense of entitlement...and love. Yes, this yandere villain does love the princess. He doesn't plan to abuse her. He thinks they will be the perfect couple, and yet she won't look his way.
What is the (sane) solution?
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Clearly the right choice is ASSASSINATE HER FATHER AND CONVINCE HER TO HIDE IN YOUR CASTLE WITH YOU.
Sparks will surely fly when she's isolated from her friends and family!!!
Grief is the greatest aphrodisiac.
By the way Elnen isn't one of her fiancee candidates because he scared Sheera when he was a kid. His total disregard for her feelings and needs as a little girl frightened her so much. So much so that she removed him from her suitor list even after he "matured and became a good friend."
Her father's death makes her weak.
She almost agrees.
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Sweet Leonheart steps in. He's been in love with her since childhood, but he's the better choice because umm...HE TOOK CONTROL OF THE COUNTRY SECONDS AFTER HER FATHER DIED. SO THE ONLY WAY FOR HER TO KEEP HER STATUS IS TO MARRY HIM. THE CONQUERING KING.
...but um he totally took over only to protect Sheera, because he noticed Elnen's vile intent. So he did that same vile thing but he's totally cool guys!!!
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(Like, can the author please stop making Leonheart sound sweet and innocent??? This is a fully grown man with an army. Not some smuck.)
Leonheart manages to fend off Elnen by taking over...for a minute.
Elnen immediately uses secret letters to manipulate Sheera's mother. Who is also reeling from the death of her husband. Elnen tells her Sheera will die too, if she doesn't come hide in his super-safe castle.
Sheera screams at her mother. She cannot leave! It could cause a war. Points for some realism .
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Sheera even tries to stab Leonheart, because she doesn't trust him.
He doesn't care.
It's pretty cool.
The plot is Sheera eventually realizes Leonheart isn't an evil yandere. He's a super devoted yandere. The safest kind!!!
She eventually calms down and marries him.
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His yandere backstory is very lackluster and disappointing though. He fell for Sheera because um...she's a pretty princess that's it I guess.
Elnen is far more motivated, screwed up, and flawed. He's a terrible guy. Leonheart is much more reasonable....but where is the flavor???
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Here is a snippet of the side story. Elnen has one ally. His beautiful assassin slave. She isn't his lover. She's more like a best friend, and she loves him unconditionally despite his big Sheera obsession.
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Sheera declares she hates Elnen forever when the truth is out.
BUT.
She allows him to live. Not as a prince but as a humble man without a penny. Elnen turns over a new leaf, and a couple decades later he is in charge of a new orphanage...with that slave by his side.
Leonheart kinda felt empty and boring by the end.
Sheera is....good???
Good???
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brigdh · 7 months
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Ed and the mortifying ordeal of being known
Ed does not like revealing his feelings. He is incredibly consistent about lying,
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hiding
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displacing,
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distracting, or just outright denying what he's feeling instead of actually talking about it. This is a consistent pattern of behavior with him. There are a few exceptions – most significantly, I think, the bathtub scene where he confesses to Stede about killing his father – but they are a) rare, and b) occur under unusual circumstances, such as a PTSD flashback. In general Ed goes to great lengths to prevent people from recognizing the truth about him.
I don't really blame Ed for this habit, to be clear. He went through an abusive childhood, and though we don't see a lot of the exact dynamics in baby Ed's house, it's very common for abused children to become hyper vigilant of both their own and others' emotions. It's an attempt to exert some, any control they can over the situation, as though they can prevent setting off the abuser if they just always say and do the right thing.
Ed escaped into piracy, but in terms of talking about his feelings, I don't think it was much of an escape. Piracy in OFMD seems to be a place where the idea of having friends (though not the reality – I'd argue Ed might not use the word 'friend', but has had close relationships) is to be scoffed at. "We're all just in various stages of fucking each other over!" says Calico Jack, and being open about your emotions, plans, hopes, etc would just make it all the easier to be betrayed. On the other hand, lying, obfuscating, or just telling everyone about Plan A and then instead pulling off Plan B makes you look like a double-crossing genius who outthought everyone around you. So I'm not surprised that's Ed's learned to be manipulative and uncommunicative. I don't think he's ever been in a situation where emotional openness wouldn't be a disadvantage.
Regardless of why he does this, it's very clear that it's a pattern of behavior for him. This is one reason why I don't think Sad Robe Ed back in Episode 10 was healing – healing requires addressing and dealing with your feelings, and Ed was very much not doing that. I've already written a whole post going through that episode and laying out how Ed never once mentions Stede, or love, or heartbreak, or anything related to what he's going through, so I'm not going to do it again here. In brief, Ed's putting on a performance of sadness for the crew, but it's a generic, vague sort of sadness, without any connection to his personal, specific pain.
Who finally brings up Stede in Ep 10? It's sure not Ed. Izzy:
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Which brings us to Season Two. How is Ed doing now?
He's once again making a performance of his pain, and once again keeping it vague, not letting any of his true, personal hurts be revealed.
These:
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Are performances of his pain and sadness, but just like before, they're generic, unspecific. This is "Mad Devil Pyrate Blackbeard", not heartbroken, human Ed. Who is it that brings up the private reality of what's causing this toxic atmosphere? Once again, not Ed. It's Izzy, just like before. And this time he gets shot immediately for saying Stede's name, and Ed doesn't even look at him.
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In all three episodes, Ed mentions Stede directly only once, and very pointedly, it's when he's alone:
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I'm glad Ed has decided that he wants to live, but that's the beginning of a journey, not the end. What I really want to see in the next couple of episodes is Ed finally, for once, opening up. He doesn't want to be vulnerable, but the lack of emotional intimacy that constantly lying and performing has gotten him is, quite literally, killing him.
Ed can't get over his own, very real pain until he's willing to admit that it exists. I want to see him acknowledge where he hurts. He needs friends. He needs love. He can't get those without being honest.
I hope he does. I hope the show will have him do this work instead of skipping him ahead immediately to the happy ending, no behavioral change required. I think they will. It's kind of their motto, after all: talk it through as a crew.
Now if the co-captains would just follow their own advice...
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transhawks · 28 days
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Probably because Dabi is not a child lmao. It is cringe af to want to see an adult man acting like a little pet to his childhood abuser and think of it like a nice cute thing. As if Dabi wasn't already fucked up enough.
This is a pretty fucked up way of looking at it.
"pet". So, a lot of abused as kids adults still have contact with their abusers. Maybe they have no other way of having survival and do it for financial reasons, maybe the abusers are their only support network. But aside from the "having to", you're missing another big part of the puzzle here. A lot of us love our abusers and acknowledge that as a part of them. And while the kneejerk reaction is "you shouldn't, they don't deserve it", I want to point out how fucking invalidating it feels to be told that it's "hate your abuser for what they've done" or "they're your family, you must forgive" as the only options. I've always said I want more media and stories where people like me can walk away or cut ties with abusive family because I don't think there's enough of them BUT I also don't want to shame or hurt people who want/need their own resolution of still being in contact or considering their abusers family. It's unfair to act like this a zero sum game.
No one wants Touya to "be a little pet" to Endeavor. Or at least I don't. But acknowledging it's love that fuels this and it's love that is very much a solution is a core part of the manga. It's sickening to me that you reduced the complexity of the Todoroki storyline like this, not going to lie.
And! He's fucked up! The whole story is fucked up! The whole point of Dabi, and Shouto, and just the Todoroki family is about how abuse and their societal expectations can fuck you up! Abuse doesn't often produce well-adjusted, logical or rational individuals, you have to work to undue to the literal brain damage it does to you! That's one of the whole issues with ABUSE, you know????
Dabi was emotionally abused and neglected and the root cause is so much because he genuinely loved his father, who did not know how to be an actual father and was too scared to learn/own up to his own failures. That produced this cycle. Wanting that core characterization of him to be acknowledged in fanon is not wanting Dabi to be a pet. It's wanting people to actually fucking engage with the material we are GETTING.
Let's be clear - the manga is ending with Dabi reuniting with his family. He's currently passed out and his father essentially trying to shield his family's bodies with his own body. This is not the kind of thing that's going to lead to "well, damn, i'm out of here" from Dabi. Maybe it will in a few years when there's so much more agency on Touya's part where he can choose the relationship he wants going forward. Recovery is never a straight line, and each child can define the relationship on their own terms, but it's absolutely clear that Dabi wanted that closeness and acknowledgment from his family NOW. He literally asks why it took so long in his near-death heat haze. And that means Touya and Enji will have to figure out a new relationship. If that bothers you, if you really wanted a revenge fantasy rather than an ending that relies on empathy and accountability going forward, then this is not the manga for you.
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00ops1e · 7 months
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simon riley and fatherhood pt.2!
i have had some thoughts rattling around my brain for when babygirl is older, i'd say these are for her tween (maybe teenage?) years. at this point, simon has more than grown into his role as a girl dad. hes mourning the fact that his little girl is not so little anymore, but he still sleeps peacefully at night knowing he has a couple more years before boys become an issue. at the moment, hes navigating things like sleepovers, hairstyles, and carting babygirl around to gymnastics, soccer, cheerleading, karate, etc... this may be a tad self indulgent, but i think it fits. is this possibly a glance into my childhood? not sure. i came back to this, yes. yes it is. im not sure if im completely happy with this but im tired and i want this posted now so BOOM.
wc: 1.3k
cw: mentions/inferred child abuse/ptsd???? references to simon's childhood, not proofread, SO SELF INDULGENT
when i think about simon during this era, i think about my childhood bestfriend's dad.
i particularly think about the role that man had in my life, and whether or not he knows what an impact he made.
when babygirl is in kindergarten, she just seems to click with one of the other girls in her class. im talking home phone numbers memorized, living within five minutes of the other, constantly together, teachers mistake them for each other
the girls are best friends.
so naturally, the friend, who i guess we'll call beth, (i told you this was gonna be self indulgent) is around the house a lot, and babygirl ends up at beth's and vice versa. she becomes a familiar face for you and simon, her demeanor and antics nearly matching your daughter's.
you and simon grow quite fond of this strange child! after all, babygirl could definitely pick out worse friends, beth was a good kid.
a year or so goes by, and simon begins to notice the way babygirl seems to always have beth over the house, and never the opposite? simon was never the one to make plans with the other parents for hanging out and things like that, but surely the poor girl wanted to be at her own house sometimes, right?
its not until beth is around nearly every day that simon starts to notice that something was... off.
at first he brushes it off, but something about the child's behaviour didn't sit right with him, rubbed him the wrong way.
he couldn't quite put his finger on it, maybe he was just overthinking it, maybe she's just a strange kid, he thought.
watching beth interact with you and him, always made simon feel tense, like someone was breathing down his neck or watching him.
he's unable to find the words to describe it to you, so he never really brings it up. he doesn't want to worry you unnecessarily, he once again brushes it off.
one sunday morning, simon finds himself in the kitchen, preparing pancakes and eggs for the girls, you leaning against the counter sipping on some tea and taking in the view of him.
simon is the type of dad to ALWAYS make breakfast for sleepovers
he definitely learned how to cook just so he could help babygirl get ready for school in the morning. always folds and makes her something to eat if she mumbles about being hungry.
the girls clamor down the stairs when they smell bacon. giggling and thumping as they race to the table, taking their respective seats.
simon does a little spin as he sets down the large bowls and plates of food. he sits down with a grunt, the kitchen is filled with sunshine and the sound of quiet chatter and laughter, forks on plates, and the smell of bacon in the air.
the meal goes the same as it always does, talking about upcoming plans and how school was going for both of the girls, overall it was a good, happy morning. everybody was in a good mood.
a collective gasp is heard as beth adjusts her chair, arm somehow knocking over the glass of orange juice in front of her.
you immediately get up, grabbing some paper towels to clean the mess. but simon stays glued to his seat, frozen.
in milliseconds, the dots connect in his brain.
beth reaches across the table to grab the cup, sleeve shifting ever so slightly to reveal just enough of a bruise to send a shiver down simon's spine.
simon feels his stomach flip when he meets the girls eyes from across the table, and recognizes the terrified eyes staring back. he sees the tension in her limbs, "is she, bracing herself?" he thinks
his mind is spinning, the realization bringing up plenty of cold, dark memories he wished would just stay buried.
the only thing he can think to tell the child, "it's okay." in the most matter of fact tone possible.
for the rest of the day, his demeanor is just... off
once youre in bed, you decide to ask him. softly though, the way hes acting is much different than you normally see on rough days.
"what are beth's parents like?" he blurts out in response.
you think for a moment, recalling the few interactions you've had with the girl's mother, "i've never met the father, and apart from friendly waves and talking for a few minutes on the phone about the girls, not much... why do you ask?" you say, shooting him a puzzled glance.
"did you see the way she looked at us when the drink was spilled? love, the poor thing looked like a deer in the headlights. she was scared."
"simon, i dont unde-" is all you can say before he cuts you off.
"there's something going on at home. i know that look. listen, the way she acts, 's been bothering me for a bit now, i didn't realize it till then..."
you look at him with your mouth open, unsure what to say to that.
"there was a bruise, around her wrist. now, i understand that today isn't exactly proof of anything. but please love, get to know the girl's mum at least..."
after that, he cant stop noticing little things about beth. the way she would recoil when babygirl suddenly shrieked, or moved too quickly in her peripherals.
he noticed the frequency of her apologies, for seemingly silly things.
as the girls got older, beth would hang around you and simon. it seemed like she didn't really need to be wreaking havoc with babygirl, she was perfectly content just chatting with her friend's parents,
his heart dropped when he realized that she probably just doesnt get to have this at home, or doesn't feel safe enough to.
he feels sick when he realizes she's started to loose that sparkle in her eyes, started to talk a little less, look down on herself more.
he sees so much of himself in beth, it makes him angry for her. how could anyone do that to a child? she doesn't deserve that!
his fondness for beth finally solidifies the fact that everything he went through in his youth, wasn't his fault. it gives him a bit of closure.
simon deducted that treating her like he does his own daughter was the best thing he could do. he makes sure that beth knows his home is always open to her, whenever she needs.
it seemed to heal him in a way he didn't know he needed, sure he gets to give babygirl the father he always wanted, deserved. but to be able to help a child that he sees so much of his younger self in?
its like getting to go back and hug himself, comfort himself from his own father.
"youre back again? pain in my ass, oh you know im only joking!" he says with a hearty chuckle, "come over anytime."
"get out of my house, *sigh* how are you beth? good to see ya kid."
"you know, i should claim you on my taxes, youre here enough.."
that kind of energy, but the way he says it is so heartwarming, jokey and dadlike.
simon is brought to tears one night, a few years later, when you and him talk about the changes you'd seen in beth, how much she's grown.
you reveal to him that beth had said something to you about how huge of an impact you'd made on her life, how the two of you became a safe place. how family is not just blood, but the people you find along the way.
thats the moment he decides that beth had become his second daughter, and the two of you loved her like one too.
okay so im definitely missing like half of what i had originally thought of, but thats fine, im tired. this was like- imagine a snowball rolling down a hill and just getting bigger and bigger. yeah. that.
im so sorry guys.
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