Óen (Part 3)
Part 1 | Part 2 | Part 3
Thunderbirds Are Go and HTTYD crossover.
Here is the next bit. sorry we haven't gotten to the meat of this fic yet, but we are nearly there :D
Again, thank you to @onereyofstarlight and @idontknowreallywhy for all their support on this project ::hugs them both tight::
Have a little foot :D
-o-o-o-
“Hey, are you awake?”
The voice was a young one.
“Máthair, he’s waking up!”
There was a scuttle of feet beside him and Hiccup pushed his eyes open just in time to see a young boy grabbing an elderly woman and dragging her towards Hiccup.
Wha-?
The room was dark, but warm. A central fire snaked smoke out through a chimney in the roof and oil lamps decorated the walls, bathing the large room in yellow light. Beyond the old woman and the boy, there were beds laid out like the spokes on a wagon wheel around the central fire. Some had people in them.
Hiccup was in one of them.
“So you’ve decided to wake up, young man.”
Hiccup blinked up at her. “Where am I?”
“O’Treasaigh Isle, some would call it. You can call it a safe place.”
It took him a moment. “Toothless!” He sat up, ready to jump out of bed…
If only the lamps would stop spinning.
A small hand landed on his shoulder. “Now let that be a lesson to you. You can’t expect your body to appreciate what you’ve done to it. Give it some time to heal.”
“But Toothless-“
“You need not worry about your dragon. Virgil is giving him the care he needs.” She tilted her head just a little. “Though I do find it interesting that I know the name of your dragon and not you.”
His brain must be slow. “You ride dragons!”
“Interesting name, I must say.”
“No. No, no, my name is Hiccup.” He drew in a breath. “It’s true? You care for dragons.”
“A young Viking, then. You are far from home.” She began touching him. A finger on his wrist, his throat. She peered into both of his eyes, opened his mouth and stared down his throat. “You were as exhausted as your dragon. But I’m happy that the elements haven’t taken too much from you. Drink up and you will be well soon.” She pointed at a wooden cup on a table beside the bed.
“What is it?”
“Health. Drink it.” She reached over and handed it to him.
The young boy beside her screwed up his face.
Not particularly encouraging.
He sipped the drink, cautiously.
By Thor, it was worse than Astrid’s yak nog.
The woman’s blue eyes stared at him unblinking until he was able to force that sip down his throat.
His stomach immediately started a rebellion.
“I know it doesn’t taste the best, dear, but it will help.”
Make death look more promising maybe.
“Uh, thank you.”
“Your getting well will be my thanks.”
“When can I see Toothless?” As if they could stop him.
“Once you drink all of that, Alan here can take you to Virgil.”
What’s left of him maybe. He looked down at the brown muck in the cup and started building strategies to hide its demise.
Máthair stood up. “Alan will stay with you. Let him know if you feel ill and he will alert me.” She smiled. “Be well, Hiccup. While I go and chase your saviour and get him off that leg. Take note, young one, treat your body with respect and it will treat you well. Don’t work it to death like an idiot.”
She gathered her skirts and hurried off, muttering to herself.
Someone was in trouble.
Hiccup was glad it wasn’t him.
“Are you really a Viking?”
He turned to…Alan? The boy seemed just a little younger than Hiccup himself. Blue eyes were definitely a thing here, though.
“Yes, from Berk.”
“Wow. Never heard of it. How did you get a night fury?”
“Uh…”
“Scott has taken me up on Óen. He’s soooo fast. Do you think yours is as fast as Óen? It would be interesting to find out. They could have a race!”
“Uh…”
“Once he gets better, of course.”
“Toothless? How is he? Where is he?” Hiccup dumped the cup of gross on the side table and dragged his legs off the bed and onto the floor.
“Um, Máthair Chriona said you needed to drink that.”
“I need to see Toothless.”
Alan sighed. “Listen, I know it tastes like foot, but honestly? Máthair is a very good healer. She trained at the Temple. You need this. Drink it and we can go to your dragon.”
Hiccup eyed him. Young and eager, but there was something in the boy’s eyes that spoke of experience.
There was no naivety there.
Hiccup picked up the cup. Goethi had given him concoctions in the past. Especially after losing his leg. All sorts of foul smelling and gross things.
But this one?
He straightened his shoulders. He was a Viking with Thor at his back.
He sculled the drink.
His eyes crossed several times and his stomach lit on fire, but he got it down. There were several moments where it threatened to revisit all over the blanket covering his legs, but…
He sagged just a little as the tension left his shoulders and a wave of wellbeing washed over him.
By the time he put the empty cup back on the side table, he felt so much better.
“See?”
“What is that?”
“Good stuff. Total secret, of course. Máthair keeps the lore. I just wish we could mix it with something to hide the foot.”
Hiccup pushed himself to his feet and was happy to find the world not spinning and nothing aching more than it should. “Can you take me to Toothless?”
“Sure. Follow me.”
-o-o-o-
Next
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Even Lovers Drown -
Chapter 8
Synopsis: Sirens are known to be merciless creatures who lure their prey with their ethereal voices.
But what happens when Gwyneth, a half Fae half siren, meets someone who is immune to her song? Maybe she doesn't need it for him to want her.
Read on Ao3
Snippet:
The shadows sighed in contentment as they lazily floated between them. Azriel did know if he had ever heard them do that for anything or anyone but her. They understood as much as him how different this situation was from everything he had ever experienced before. The only times he had ever been this close to a female had either been as a deception for his work or for sex. Yet even with the latter, it had never been like this. More than that, nothing had ever made him feel like this. He wondered for a second if he was still asleep.
Tag list (let me of you want to be added/removed): @shadowsxgwynriel @iambutmortal @trashforazriel @hlizr50 @headcanonheadcase @hiimheresworld @freyjas-musings @starfall-spirit @captain-of-the-gwynriel-ship @sv0430
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you can nalbind/loop a square, but the question is why.
I thought I had answered this by wanting to make a sweater out of squares, but you know, with nalbinding instead of knitting or crochet, because that's the only needlework of this kind my monkey of a brain has ever been able to grasp since i was fuckin thirteen and trying to work out how you do this when the only proper instructions available to me online assumed i already understood the basics of nalbinding and notation, etc.
but no.
no, you don't understand
it took me between three and four hours to finish off one fuckin square yesterday. it is ridiculous. an incredibly loose oslo stitch too!! one to one connections!! but that fucker took hours to get done!!
and yeah, nalbinding does take an approximate forever, that's what happens when you're nalbinding, especially if you're working with shit acrylic yarn that you have to do russian joins with every ten minutes, and especially if you have, again, an absolute monkey brain like i do, and can and will lose focus at the drop of a hat.
anyways, the squares are now officially going to be pockets, and i am going to do a mammen stitch with proper tension and just make a sweater the usual way, which might also take an approximate forever, but at least i'm not going to have to deal with the sudden realization that i dropped a stitch at the edge and now have to go back, or realize i didn't twist the edge stitch properly and yup, you guessed it, its time to unpick that work too!!!
no no no, now i get to deal with trying to math out how many stitches to take in at the shoulders. yippe ki yay! ough.
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As a reminder that good exists out there, a coworker recently confessed to me that he found out his child is questioning their identity (kid's gender redacted for this post). The kid is keeping it from him, so he can't say anything to them or show that he knows, but he's doing his best to get mentally prepared and educated so that he'll be ready whenever his kid does feel comfortable enough come to him.
For context, this guy is a big, bulky middle aged dude who loves sports and typical outdoor "manly" activities. As his coworker and friend, I know he's a kind and sweet teddy bear of a person, but his kid probably views him as a stern, authoritarian figure, the way most teenagers view their parents. His family lives in a conservative area, so I'm sure between that, their dad's looks and interests, and the fact that their dad is a Figure of Authority, the kid is worried that they won't be accepted.
But you know what? When he found out about his kid, the first thing he did was reach out to his closest queer friend and ask for resources for parents of questioning children. His biggest fears are that his kid will be bullied or discriminated against and won't feel comfortable enough to be themself. His second action was to find himself a mentor in another parent who went the same situation (kid coming out in a conservative town). The other person is preparing him for some of the struggles his kid may face and the fights he may need to take on as a parent to make sure his kid is safe and treated well.
Something I want to emphasize for people focused on language as the primary method of allyship is that when we spoke, he used some outdated terms and thoughts about gender and sexuality. That does not make him bad. These were the terms and thinking used about questioning teenagers when he was growing up and he never needed to learn more current ones. But now that he does have that need, he's throwing himself in head first because that's his kid and he's darn well going to make sure that his kid feels welcomed and has a safe place to be themselves even if they never come out to him.
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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